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=245  00$aAttending [to] Futures :$bMatters of Politics in Design Education, Research, Practice /$cedited by Johanna Mehl, Carolin Höfler.
=264  \1$aHamburg, Germany :$badocs publishing,$c2023.
=264  \4$c©2023
=300  \\$a1 online resource (294 pages): $b99 illustrations.
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=500  \\$aAttending [to] Futures website: www.attendingtofutures.de
=504  \\$aIncludes bibliography and images and illustration list within chapters.
=505  0\$aFOREWORD: ATTENDING [TO] FUTURESMatters of Politics in Design Education, Research, Practice Johanna Mehl, Carolin HöflerPART 1: INSTITUTIONSI DISAGREE WITH YOU SUPER POLITELYA Reflection of Attending [to] Futures, One Year Later Johanna Mehl, Jiye Kim, Tomás Ignacio Corvalán Azócar, Sally Loutfy(IM)POSSIBLE EXITS, SILENCED AFFECTSDesign Futures and Disciplinary Mobilities Imad GebraelA LIST OF LONGINGSLuiza PradoRESONANCE AND ONTOLOGICAL DESIGNOn Facilitating and Obstructing Transformative Teaching and Learning Experiences in Design EducationLisa BaumgartenDWELLINGS IN ETHERNITYDesigning and Unraveling the Patadesign School Isabella Brandalise, Henrique Eira, Søren RosenbakCOMMITTED TO PRESENTSA Break at Attending [to] Futures Dorsa Javaherian, Abigail SchreiderPART 2: HISTORIESPOLITICAL ECONOMY PUSHES BACKHow Structures of Power Govern our Design History NarrativesBonne ZabolotneyDESIGNING THE DESIGNERPublicity and Immutability as Colonial and Capitalist Design Imperatives Chris LeePATIO DESIGN AND CRAFTSBuilding EncountersZoë Rush, Patio InternationalTOWARDS A DEMOCRATIC FUTUREArt and Education at Black Mountain College Ina SchefflerEMBRACING EQUIVOCATIONSAn Attempt to Attend When Design Has Never Been ModernMarius FörsterEASTBOUNDA Decolonial Approach to Relocating Vietnamese Design Historyngọc triệuPART 3: SCENARIOSWICKED RITUALS OF CONTEMPORARY DESIGN THINKINGCarmem Saito, Frederick M. C. van Amstel, Bibiana Oliveira Serpa, Rafaela AngelonUNIVERSAL SPECIES SUFFRAGEJaione Cerrato, Jon HallsDESIGN OF UNRESTRight-wing Metapolitics – Paralogy – Knowledge Spaces – ChaosTom Bieling, Frieder Bohaumilitzky, Anke Haarmann, Torben KörschkesMAKING ROOM FOR ABOLITIONLauren WilliamsOUT OF STOCKNotations on a Speculative Journal for Fashion and Design Edith LázárMEXICO 44 AND LATINOFUTURISMOCésar NeriMARIAHActs Of Resistance, Legally “Trespassing” in The Metaverse Adam DelMarcelle, Heather Snyder QuinnPART 4: NARRATIVESDESIGN NARRATIVES AND THE WHITE SPATIAL IMAGINARYBecky NasadowskiMATRIARCHAL DESIGN FUTURESA Collective Work in Progress Heather Snyder Quinn, Ayako TakaseWEIRD PROBLEMSRethinking Privileged Design? Sven QuadfliegCHANGING THE HOWFirst Steps Towards Critical Design Pedagogy Mira SchmitzAN OPTICAL DECOY FOR THE MACHINEAutomatic Policing of Trademarks Online Chris Hamamoto, Federico Pérez VilloroVARIANT OF CYBERFEMINISM(S)Mindy SeuBIO NOTES
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aIf “design” is the lens through which we glimpse into possible futures, this volume asks: What are the futures we are capable of imagining? As a subject of study, design is enabled and constrained by educational institutions and academic traditions. As a profession it is conditioned by systems of labor. As a creative activity it is shaped by what tools are programmed to do. Authors in this book challenge common ways of knowing, being, and doing in design with regard to the futures they facilitate and interrogate the role, responsibility, and potential of a plurality of design practices in confrontation with social and environmental crises. In this way, this volume does not only ask about designed futures, but also the futures of design: What are the consequences drawn from a critical examination of the histories and politics underlying normative renderings of design? How can we disrupt the perpetuation of biases and reification of social injustices? Self-reflexively engaging their own experiences and work, authors in this volume interrogate design in all its convoluted modalities: as activism, practice, discipline, way of knowing, field of study and set of objects.
=536  \\$aTH Köln - University of Applied Sciences$eKISD - Köln International School of Design
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=700  1\$aMehl, Johanna,$eeditor.$uTU Dresden.
=700  1\$aHöfler, Carolin,$eeditor.$uTH Köln - University of Applied Sciences.
=700  1\$aWatson, Jacob,$etranslator.
=700  1\$aGoldschmitt, Jost,$econtributions by.
=700  1\$aPätzold, Philipp,$econtributions by.
=700  1\$aRohde, Charlotte,$econtributions by.
=710  2\$aadocs publishing,$epublisher.
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=100  1\$aAubry, Gilles,$eauthor.$uBerlin University of the Arts.$0(orcid)0000000290196603$1https://orcid.org/0000-0002-9019-6603
=245  10$aSawt, Bodies, Species :$bSonic Pluralism in Morocco /$cGilles Aubry.
=264  \1$aHamburg, Germany :$badocs publishing,$c2023.
=264  \4$c©2023
=300  \\$a1 online resource (300 pages): $b168 illustrations, 1 audio track, 5 videos.
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=500  \\$aIn May 2023, a Norient Online Special on Sawt, Bodies, Species will be published on the norient.com website: https://norient.com/sawt-bodies-species
=504  \\$aIncludes video and sound works index, bibliography and image index.
=505  0\$aINTRODUCTIONI. BETWEEN COLONIAL AND ETHICAL NOISEThe French Speech Archives, rwais sound, and aural mediationII. LISTEN, THAT'S US! Responses from Tafraout to the Paul Bowles Moroccan Music Collection (1959)III. SALAM GODZILLAThe 1960 Agadir earthquake, technocratic listening, and the plural unsound fieldIV. A WASTED BREATH INSIDE A BALLOONPopular Sufi healing, postcolonial bodies, and sonic pluralismV. STONESOUNDLiving with stones, lithic affect, and aural co-domesticationVI. ATLANTIC RAGAGARSeaweed, pollution, and the voice of the seaAcknowledgmentsVideo and Sound WorksBibliographyImage Index
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aHow do the Moroccan sound archives of the writer Paul Bowles from the 1970s sound today with the musicians of that time? What does an earthquake in Agadir have to do with a Japanese science fiction film? What sound do stones have? And what do we learn about environmental pollution by listening to the agar agar algae?Drawing on critical sound studies, ethnographic research, and artistic practice, this book offers multivoiced narratives about acoustic practices in Morocco. Gilles Aubry‘s research on the sonic dimensions of our environment, ranges from animal, plant, and mineral voices to ritual practices and technological infrastructures. The Arabic word for these voices in the physical but also in the technological sense is sawt. In collaborations with local musicians, artists and scientists, Aubry explores in experimental settings listening as the basis of „sonic pluralism“.The dense descriptions of the multidisciplinary research are complemented by series of photographies. Via QR codes, the text is linked to audiovisual essays and compositions by the artist. The layout of the book takes up this close linking of digital and analog materials.
=536  \\$aSwiss National Science Foundation
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a custom license. For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/3.0/de/deed.en
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=700  1\$aRichter, Anna,$eeditor.
=700  1\$aHetzeneder, Katharina,$econtributions by.
=700  1\$aTulleuda Nieto, Xavier,$econtributions by.
=700  1\$aBastide, Raphaël,$econtributions by.
=700  1\$aHuang, Wei,$econtributions by.
=700  1\$aLe Bihan, Lucas,$econtributions by.
=700  1\$aBouchouchi, Walid,$econtributions by.
=700  1\$aLandes, Jérémy,$econtributions by.
=710  2\$aadocs publishing,$epublisher.
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=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License