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=245  00$aAttending [to] Futures :$bMatters of Politics in Design Education, Research, Practice /$cedited by Johanna Mehl, Carolin Höfler.
=264  \1$aHamburg, Germany :$badocs publishing,$c2023.
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=504  \\$aIncludes bibliography and images and illustration list within chapters.
=505  0\$aFOREWORD: ATTENDING [TO] FUTURESMatters of Politics in Design Education, Research, Practice Johanna Mehl, Carolin HöflerPART 1: INSTITUTIONSI DISAGREE WITH YOU SUPER POLITELYA Reflection of Attending [to] Futures, One Year Later Johanna Mehl, Jiye Kim, Tomás Ignacio Corvalán Azócar, Sally Loutfy(IM)POSSIBLE EXITS, SILENCED AFFECTSDesign Futures and Disciplinary Mobilities Imad GebraelA LIST OF LONGINGSLuiza PradoRESONANCE AND ONTOLOGICAL DESIGNOn Facilitating and Obstructing Transformative Teaching and Learning Experiences in Design EducationLisa BaumgartenDWELLINGS IN ETHERNITYDesigning and Unraveling the Patadesign School Isabella Brandalise, Henrique Eira, Søren RosenbakCOMMITTED TO PRESENTSA Break at Attending [to] Futures Dorsa Javaherian, Abigail SchreiderPART 2: HISTORIESPOLITICAL ECONOMY PUSHES BACKHow Structures of Power Govern our Design History NarrativesBonne ZabolotneyDESIGNING THE DESIGNERPublicity and Immutability as Colonial and Capitalist Design Imperatives Chris LeePATIO DESIGN AND CRAFTSBuilding EncountersZoë Rush, Patio InternationalTOWARDS A DEMOCRATIC FUTUREArt and Education at Black Mountain College Ina SchefflerEMBRACING EQUIVOCATIONSAn Attempt to Attend When Design Has Never Been ModernMarius FörsterEASTBOUNDA Decolonial Approach to Relocating Vietnamese Design Historyngọc triệuPART 3: SCENARIOSWICKED RITUALS OF CONTEMPORARY DESIGN THINKINGCarmem Saito, Frederick M. C. van Amstel, Bibiana Oliveira Serpa, Rafaela AngelonUNIVERSAL SPECIES SUFFRAGEJaione Cerrato, Jon HallsDESIGN OF UNRESTRight-wing Metapolitics – Paralogy – Knowledge Spaces – ChaosTom Bieling, Frieder Bohaumilitzky, Anke Haarmann, Torben KörschkesMAKING ROOM FOR ABOLITIONLauren WilliamsOUT OF STOCKNotations on a Speculative Journal for Fashion and Design Edith LázárMEXICO 44 AND LATINOFUTURISMOCésar NeriMARIAHActs Of Resistance, Legally “Trespassing” in The Metaverse Adam DelMarcelle, Heather Snyder QuinnPART 4: NARRATIVESDESIGN NARRATIVES AND THE WHITE SPATIAL IMAGINARYBecky NasadowskiMATRIARCHAL DESIGN FUTURESA Collective Work in Progress Heather Snyder Quinn, Ayako TakaseWEIRD PROBLEMSRethinking Privileged Design? Sven QuadfliegCHANGING THE HOWFirst Steps Towards Critical Design Pedagogy Mira SchmitzAN OPTICAL DECOY FOR THE MACHINEAutomatic Policing of Trademarks Online Chris Hamamoto, Federico Pérez VilloroVARIANT OF CYBERFEMINISM(S)Mindy SeuBIO NOTES
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aIf “design” is the lens through which we glimpse into possible futures, this volume asks: What are the futures we are capable of imagining? As a subject of study, design is enabled and constrained by educational institutions and academic traditions. As a profession it is conditioned by systems of labor. As a creative activity it is shaped by what tools are programmed to do. Authors in this book challenge common ways of knowing, being, and doing in design with regard to the futures they facilitate and interrogate the role, responsibility, and potential of a plurality of design practices in confrontation with social and environmental crises. In this way, this volume does not only ask about designed futures, but also the futures of design: What are the consequences drawn from a critical examination of the histories and politics underlying normative renderings of design? How can we disrupt the perpetuation of biases and reification of social injustices? Self-reflexively engaging their own experiences and work, authors in this volume interrogate design in all its convoluted modalities: as activism, practice, discipline, way of knowing, field of study and set of objects.
=536  \\$aTH Köln - University of Applied Sciences$eKISD - Köln International School of Design
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=700  1\$aMehl, Johanna,$eeditor.$uTU Dresden.
=700  1\$aHöfler, Carolin,$eeditor.$uTH Köln - University of Applied Sciences.
=700  1\$aWatson, Jacob,$etranslator.
=700  1\$aGoldschmitt, Jost,$econtributions by.
=700  1\$aPätzold, Philipp,$econtributions by.
=700  1\$aRohde, Charlotte,$econtributions by.
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=100  1\$aConradi, Florian,$eauthor.$uEinstein Center Digital Future.
=245  10$aRe/Embodied Data :$bAmbiguities of Knowing /$cFlorian Conradi, Michelle Christensen, Cornelia Sollfrank, Felix Stalder.
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=505  0\$a4Introduction: Re/_Embodied Data and the Ambiguities of Knowing: Felix Stalder, Michelle Christensen, Florian Conradi, Cornelia SollfrankDialogue 1 - Quantification of Breathing18 Breathing Data: Cornelia Sollfrank48On Yogic Breathing:Rapid Technological Progress and Mindful Self-Regulation: Ulrich Ott 60Discussion: On Technology-Supported Self-care, Biofeedback, Self-knowledge and Non-dualityDialogue 2 - More-than-Human Technoecologies78 Critique as Design – Posthuman, Postwestern, Postdiscipline: Michelle Christensen and Florian Conradi 111E'_TOME – _A Proposal of Moving Curveward: Anani Dodji Sanouvi134Vernacular Computationalities – Cosmogony as a New Paradigm for Design: Sénamé Koffi Agbodjinou 146Discussion: On Vernacular Knowledge, Epistemic Diversity, and Nonlinear FuturesDialogue 3 – Wildlife and Data162Re-relating the Technosphere to the Biosphere. A Wilding Project a Planetary Context: Felix Stalder178The Story of the Northern Bald Ibis: From Extinction to Conservation: Johannes Fritz196Discussion: On Technologies, Numbers, Values, Emotions, Hope, and Unexpected Collaboration210 Biographies
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aWe live in times of comprehensive datafication. Digital technologies allow ever more aspects of our lives and the planet to be measured and analyzed. This creates new ways of knowing and doing. All too often however, this development leads to a systematic devaluation of forms of knowing that cannot be quantified and processed digitally.Digital data and lived worlds, technical measurements and embodied experiences are based on fundamentally different ways of perceiving the world. This publication addresses the relationship between quantifiable and experiential knowledge and uses three transdisciplinary dialogues between the arts and sciences to ask how these differences can be articulated and made productive.
=536  \\$aTechnische Universität Berlin$eEinstein Center Digital Future
=536  \\$aZurich University of the Arts$eEinstein Center Digital Future
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a custom license. For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licences/by-nc-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=700  1\$aChristensen, Michelle,$eauthor.
=700  1\$aSollfrank, Cornelia,$eauthor.
=700  1\$aStalder, Felix,$eauthor.
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=100  1\$aAubry, Gilles,$eauthor.$uBerlin University of the Arts.$0(orcid)0000000290196603$1https://orcid.org/0000-0002-9019-6603
=245  10$aSawt, Bodies, Species :$bSonic Pluralism in Morocco /$cGilles Aubry.
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=500  \\$aIn May 2023, a Norient Online Special on Sawt, Bodies, Species will be published on the norient.com website: https://norient.com/sawt-bodies-species
=504  \\$aIncludes video and sound works index, bibliography and image index.
=505  0\$aINTRODUCTIONI. BETWEEN COLONIAL AND ETHICAL NOISEThe French Speech Archives, rwais sound, and aural mediationII. LISTEN, THAT'S US! Responses from Tafraout to the Paul Bowles Moroccan Music Collection (1959)III. SALAM GODZILLAThe 1960 Agadir earthquake, technocratic listening, and the plural unsound fieldIV. A WASTED BREATH INSIDE A BALLOONPopular Sufi healing, postcolonial bodies, and sonic pluralismV. STONESOUNDLiving with stones, lithic affect, and aural co-domesticationVI. ATLANTIC RAGAGARSeaweed, pollution, and the voice of the seaAcknowledgmentsVideo and Sound WorksBibliographyImage Index
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aHow do the Moroccan sound archives of the writer Paul Bowles from the 1970s sound today with the musicians of that time? What does an earthquake in Agadir have to do with a Japanese science fiction film? What sound do stones have? And what do we learn about environmental pollution by listening to the agar agar algae?Drawing on critical sound studies, ethnographic research, and artistic practice, this book offers multivoiced narratives about acoustic practices in Morocco. Gilles Aubry‘s research on the sonic dimensions of our environment, ranges from animal, plant, and mineral voices to ritual practices and technological infrastructures. The Arabic word for these voices in the physical but also in the technological sense is sawt. In collaborations with local musicians, artists and scientists, Aubry explores in experimental settings listening as the basis of „sonic pluralism“.The dense descriptions of the multidisciplinary research are complemented by series of photographies. Via QR codes, the text is linked to audiovisual essays and compositions by the artist. The layout of the book takes up this close linking of digital and analog materials.
=536  \\$aSwiss National Science Foundation
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a custom license. For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/3.0/de/deed.en
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=700  1\$aRichter, Anna,$eeditor.
=700  1\$aHetzeneder, Katharina,$econtributions by.
=700  1\$aTulleuda Nieto, Xavier,$econtributions by.
=700  1\$aBastide, Raphaël,$econtributions by.
=700  1\$aHuang, Wei,$econtributions by.
=700  1\$aLe Bihan, Lucas,$econtributions by.
=700  1\$aBouchouchi, Walid,$econtributions by.
=700  1\$aLandes, Jérémy,$econtributions by.
=710  2\$aadocs publishing,$epublisher.
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=245  00$aStretching Materialities :$bNegotiating Boundaries in Exhibition Reserach /$cedited by Clemens Winkler.
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=504  \\$aAppendix Includes acknowledgements author biographies (pages 214-215) and acknowledgements (pages 380-383).
=505  0\$a9    Introduction   21  Stretching Practices: Clemens WinklerINTERMEZZO 161   STRETCHING MATERIALS AS A SOUND INSTALLATION: Claudia Blümle in conversation  with Anna Kubelík and Peter Fratzl 73   DEVICE BY SABINE HUZIKIEWIZ : Claudia Blümle 7377 Stretching Virtuality: Christian SteinINTERMEZZO 2107 THE ALCHEMY OF ELEMENTS: FUSING THE ORGANIC WITH THE INORGANIC : Nina Samuel in conversation with Lena Dues115 SCATTERED DIFFUSION: Natalija Miodragović in conversation with Maria Mascha Kobylenko121  Exhibition 147 Stretching Spaces: Natalija Miodragović INTERMEZZO 3191 BODY MATTER LABS: Natalija Miodragović in conversation with Lara Ladik195 ANTENNAE—WILLOWALK: Natalija Miodragović198 THE SPATIAL OBSERVATIONO F THOUGHT : Natalija Miodragović in conversationwith Jean-Daniel Berclaz202 IMMERSION INTO THE MICROSCALE : Natalija Miodragović in conversation with Michaela Eder207 Stretching Time: N ina Samuel INTERMEZZO 4235 THE TEXTURE OF TIME: A JOURNEY THROUGH STONES, TOUCH, AND ACTIVE MATTER: Nina Samuel in conversation with Mohsen Makki245 BREATHING STONES: EXPLORING THE INTERSECTION OF MICROBIOLOGY, GEOLOGY, AND CONSERVATION: Nina Samuel in conversation with Anna Gorbushina253 ABOUT CLOUDS, ROBOTS, AND THE SEA Podium discussion with Babette Werner, Anne Duk Hee Jordan, and Clemens Winkler265 Process315 Stretching Senses through the Haptic Hanbok: Yoonha Kim INTERMEZZO 5343 STRETCHING SENSES SCHOOL: Maxime Le Calvé and Yoonha Kim351 FROM PERFORMATIVE MEDIATION TO DANCING CACO3: Claudia Blümle in conversation with Kaaren Beckhof365 STRETCHING MATERIALITIES IN BUENOS AIRES Christian Stein in conversation with Chana Boekle372 Image Credits376 Biographies380 Acknowledgments
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aStretching Materialities is an experimental approach to rethinking exhibitions in terms of »active matter:« not as a presentation of material knowledge and practices per se, but as an interactive and participatory research approach to new forms of activity emerging from the poiesis of the material. The interdisciplinary exhibition by the Cluster of Excellence »Matters of Activity« at Tieranatomisches Theater (TA T) Berlin experimented with curatorial processes, the existing environment and its material-energetic resources, sound performances, the interweaving of physical and virtual matter, and a constantly changing exhibit.With highlights such as a physical cloud in the middle of the exhibition space, virtual tours through six unique VR floors,experiencing decaying rocks, inhabitable woven fabrics, or haptically enhanced hanboks as a special wardrobe, visitors were entangled as active contributors and recipients in an ongoing process. This publication documents the exhibition’s theoretical foundations, the process itself, and valuable insights gained.
=536  \\$aDeutsche Forschungsgemeinschaft$cEXC 2025 - 390648296$eGermanys Excellence Strategy$fMatters of Activity,. image space materiality
=536  \\$aHumboldt-Universität zu Berlin$eOpen Access Publication Fund
=538  \\$aMode of access: World Wide Web.
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=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=700  1\$aWinkler, Clemens,$eeditor.$uErnst Busch Academy of Dramatic Arts.
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=100  1\$aWall, Rebecca,$eauthor.$uHumboldt-Universität zu Berlin.
=245  10$aZaudern ums Gemeinwohl :$bProduktive Missverständnisse in der kooperativen Stadtentwicklung /$cRebecca Wall, Felix Marlow, Ignacio Farias.
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=504  \\$aAppendix Includes acknowledgements (pages 208-209), bibliography (pages 210-213) and author biographies (pages 214-215).
=505  0\$aINHALTAuftakt 17Zaudern als Methode 39Glossar der Missverständnisse 77RollenBegriffeFünf Takes zur kooperativen Stadtentwicklung 165Take 1: InitiativeTake 2: MissverständnisseTake 3: Kooperations-LogikTake 4: PersonalisierungTake 5: ScheiternExperimentelle Modellprojekte 187für eine gemeinwohl­ orientierte StadtAppendix 205DanksagungLiteraturverzeichnisÜber die Autor*innen
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aKooperative Stadtentwicklung ist ein Schlagwort der Stunde. Es steht für das Streben nach einer gerechteren, einer gemeinwohlorientierten Stadt. In neuen Partnerschaften – Public-Civic-Partnerships – arbeiten Akteur*innen aus Politik und Verwaltung mit Akteur*innen aus der Zivilgesellschaft zusammen. Gegensätzliche Praktiken der Stadtgestaltung führen in diesen Kooperationen zu Missverständnissen, Kontroversen und Unsicherheiten. In diesem Buch erforschen die Autor*innen die Prozesse zweier außergewöhnlicher Experimente der kooperativen Stadtentwicklung in Berlin: Das Haus der Statistik und der Rathausblock Kreuzberg. Dafür laden sie die beteiligten Akteur*innen zum Zaudern ein. Wenn Zaudern zur Methode wird, stützen Ambivalenzen die Zusammenarbeit, ersetzen Unsicherheiten die Konflikte, werden Kontroversen zwischen den Partner*innen sichtbar. Das Buch präsentiert zugespitzte Thesen zur kooperativen Stadtentwicklung, ein Glossar der Missverständnisse sowie methodologische Reflexionen zur künstlerisch-ethnographischen Forschungsmethode und ihrer Einbettung in stadtanthropologische Diskurse. Für alle, die sich in der kooperativen Stadtentwicklung engagieren oder diese forschend begleiten wollen. Für eine gerechte Stadt der Vielen.
=536  \\$aHumboldt-Universität zu Berlin$eOpen-Access-Publikationsfonds
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by/4.0
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=700  1\$aMarlow, Felix,$eauthor.$uHumboldt-Universität zu Berlin.
=700  1\$aFarias, Ignacio,$eauthor.$uHumboldt-Universität zu Berlin.$0(orcid)0000000266112975$1https://orcid.org/0000-0002-6611-2975
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