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=100  1\$aFathallah, Judith May,$eauthor.$uLancaster University.$0(orcid)0000000302025749$1https://orcid.org/0000-0003-0202-5749
=245  10$aKiller Fandom :$bFan Studies and the Celebrity Serial Killer /$cJudith May Fathallah.
=264  \1$aBethlehem, PA :$bmediastudies.press,$c2023.
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=300  \\$a1 online resource (i-xii+244 pages): $b9 illustrations, 7 tables.
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=505  0\$aContentsList of FiguresList of TablesIntroduction1. Fanlike Engagement before Fan Studies: Personators, Collectors, and Groupies2. Textual Poaching to Discursive Formations: Serial Killers and Fannish Creation3. Affect, Bonding, Boundaries: Is There Serial Killer Fan Community?4. Killer Fandom and (Sub)Cultural Capital5. Serial Killer Fandom as Digital PlayReferencesAcknowledgments
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aKiller Fandom is the first long-form treatment of serial killer fandom. Fan studies have mostly ignored this most moralized form of fandom, as a stigmatized Bad Other in implicit tension with the field’s successful campaign to recuperate the broader fan category. Yet serial killer fandom, as Judith May Fathallah shows in the book, can be usefully studied with many of the field’s leading analytic frameworks. After tracing the pre-digital history of fans, mediated celebrity, and killers, Fathallah examines contemporary fandom through the lens of textual poaching, affective community, subcultural capital, and play. With close readings of fan posts, comments, and mashups on Tumblr, TikTok, and YouTube, alongside documentaries, podcasts, and a thriving “murderabilia” industry, Killer Fandom argues that this fan culture is, in many ways, hard to distinguish from more “mainstream” fandoms. Fan creations around Aileen Wuornos, Jeffrey Dahmer, Ted Bundy, and Richard Ramirez, among others, demonstrate a complex and shifting stance toward their objects—marked by parodic humor and irony in many cases. Killer Fandom ultimately questions—given our crime-and violence-saturated media culture—whether it makes sense to set Dahmer and Wuornos “fans” apart from the rest of us.
=536  \\$aLancaster University$ePilot University OA Fund 2023-2024 - Books
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=100  1\$aLippmann, Walter,$eauthor.
=245  10$aLiberty and the News /$cWalter Lippmann.
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=505  0\$aTHE TWIN CRISES OF DEMOCRACY AND JOURNALISM: Introduction to the mediastudies.press edition viiSue Curry JansenCHAPTER 1 JOURNALISM AND THE HIGHER LAW 1Walter LippmannCHAPTER 2 WHAT MODERN LIBERTY MEANS 7Walter LippmannCHAPTER 3 LIBERTY AND THE NEWS 23Walter Lippmann
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=520  \\$aLiberty and the News was published a century ago, the young Walter Lippmann’s fifth book. The slim volume merits a fresh read in our post-truth moment. “In an exact, sense,” Lippmann writes, “the present crisis of western democracy is a crisis in journalism.” For Lippmann, liberty constitutes a method, not a series of prohibitions and permissions. The book’s aim is to identify and examine potential reforms to boost the reliability of news—a project as relevant today as it is unfinished. Liberty and the News is republished in this mediastudies.press edition with a new introduction by Sue Curry Jansen.
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=100  1\$aRorty, James,$eauthor.
=245  10$aOur Master’s Voice :$bAdvertising /$cJames Rorty.
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=505  0\$aFOREWORD ixJames RortyPREFACE to the mediastudies.press edition xiJefferson PooleyJAMES RORTY’S VOICE: Introduction to the mediastudies.press edition xiv Jefferson PooleyPREFACE: I Was an Ad-man Once 3James RortyCHAPTER 1 THE BUSINESS NOBODY KNOWS 11James RortyCHAPTER 2 THE APPARATUS OF ADVERTISINGJames RortyCHAPTER 3 HOW IT WORKS 27James RortyCHAPTER 4 PRIMROSE CHEESE: An Advertising Accouchement 35James RortyCHAPTER 5 AS ADVERTISED: The Product of Advertising 50James RortyCHAPTER 6 THE MAGAZINES 56James RortyCHAPTER 7 THE NATURAL HISTORY OF ADVERTISING 100James RortyCHAPTER 8 THE THREE GRACES: Advertising, Propaganda, Education 108James RortyCHAPTER 9 TRUTH IN ADVERTISING 129James RortyCHAPTER 10 CHAIN MUSIC: The Truth About the ShaversJames RortyCHAPTER 11 BEAUTY AND THE AD-MAN 148James RortyCHAPTER 12 SACRED AND PROFANE LOVE 162James RortyCHAPTER 13 SCIENCE SAYS: Come up and see me some timeJames RortyCHAPTER 14 WHOSE SOCIAL SCIENTIST ARE YOU?James RortyCHAPTER 15 PSYCHOLOGY ASKS: How am I doing? 178James RortyCHAPTER 16 THE MOVIES 186James RortyCHAPTER 17 RULE BY RADIO 195James RortyCHAPTER 18 RELIGION AND THE AD-MAN 205James Rorty
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$a“I was an ad-man once,” James Rorty writes in this classic dissection of the advertising industry. Steeped in Rorty’s leftist politics, *Our Master’s Voice* presents advertising as the linchpin of a capitalist economy that it also helps justify. The book set off tremors when it was published in 1934, perhaps because its author so decisively repudiated his former profession. But Rorty and his spirited takedown of publicity were all but forgotten a decade later. The book is a neglected masterpiece, republished in this mediastudies.press edition with a new introduction by Jefferson Pooley.
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=245  00$aSocial Media & the Self :$bAn Open Reader /$cedited by Jefferson Pooley.
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=505  0\$aTHE BILL: SOCIAL MEDIA & THE SELF: AN OPEN READERPreface: The Open ReaderJefferson PooleyIntroduction: Performance and AuthenticityJefferson PooleyPROLOGUE: THE SELF IN THE AGE OF ZOOMThe Zoom GazeAutumm CainesThe I in the InternetJia TolentinoACT I: THE SOCIAL SELFThe SelfWilliam JamesThe Looking-Glass SelfCharles Horton CooleyThe Genesis of the SelfGeorge Herbert MeadSearching for Oneself on YouTubeClaire Balleys, Florence Millerand, Christine Thoër, and Nina DuqueACT II: THE PERFORMING SELFThe Management of Information About OneselfErving GoffmanIndelicate CommunicationErving GoffmanShape Shifting Across Social MediaBrittany I. Davidson and Adam N. JoinsonWho Would I Be Without Instagram?Tavi GevinsonSudden Amnesia Showed Me the Self Is a Convenient FictionSteven HalesI Am Not a StoryGalen StrawsonHow Smartphone Cameras Changed the Way We Document Our LivesJane C. HuI Called Off My Wedding. The Internet Will Never ForgetLauren GoodeACT III: CALCULATED AUTHENTICITY‘Personality’ and the Making of Twentieth-Century CultureWarren I. SusmanThe Age of Instagram FaceJia TolentinoThe Theory and History of AuthenticityCharles LindholmThe #nofilter Self: The Contest for Authenticity among Social Networking Sites, 2002–2016Meredith Salisbury and Jefferson PooleyLayers of Identity: How to Be “Real” When Everyone Is WatchingCrystal AbidinWhen Your Authenticity Is an Act, Something’s Gone WrongJoseph E. DavisTikTok FaceCat Zhang“Do I Look Like My Selfie?”: Filters and the Digital-Forensic GazeChristine Lavrence and Carolina CambreACT IV: THE BUSINESS OF SHARINGGendered Visibility on Social Media: Navigating Instagram’s Authenticity BindBrooke Erin Duffy and Emily HundThe Promise—and Risk—of a Career in TikTokLauren Kaori GurleyIdols of Promotion: The Triumph of Self-Branding in an Age of PrecarityBrooke Erin Duffy and Jefferson PooleyUnderstanding Facebook’s Algorithm Could Change How You See YourselfAlexis PapazoglouExistence Precedes Likes: How Online Behaviour Defines UsFrancisco Mejia UribePersonal PanopticonsL. M. SacasasMirror of Your MindIsabel MunsonBeauty Filters Are Changing the Way Young Girls See ThemselvesTate Ryan-MosleyACT V: SOCIAL (MEDIA) IDENTITIESMediated Superficiality and Misogyny Through Cool on TinderJin Lee“Oh, She’s a Tumblr Feminist”: Exploring the Platform Vernacular of Girls’ Social Media FeminismsJessalyn KellerPerforming a Vanilla Self: Respectability Politics, Social Class, and the Digital WorldMikaela Pitcan, Alice E. Marwick, and danah boyd“Good Social Media?”: Underrepresented Youth Perspectives on the Ethical and Equitable Design of Social Media PlatformsMelissa Brough, Ioana Literat, and Amanda IkinENCORE: ALTERNATIVE FUTURESAttention Is Not a Resource but a Way of Being Alive to the WorldDan NixonAre We Already Living in Virtual Reality?Joshua RothmanHow Much Can We Afford to Forget, if We Train Machines to Remember?Gene TracyEat Me, Drink Me, Like MeTara Isabella Burton
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aSocial Media & the Self is a web-only reader centered on the online performance of identity and curated with university courses in mind. The approach taken is to treat the self on social media as suspended between authenticity and performance. The collection traces the roots of the popular demand for individual self-expression to the early twentieth century. The message, then as now, was that the best way to get ahead is to consciously cultivate an authentic persona. The task, if anything, is more onerous today, with our fingers hovering, and hesitating, over the post button. In a nod to the theatrical context, the collection is divided into “acts,“ five of them, followed by a handful of “encore” readings that speculate on the shareable future. Each of its component works already carries an open access license, or—in the case of copyrighted items—links to a web version. The collection will be updated with new material at least twice a year, in concert with the typical North American academic calendar. Social Media & the Self is edited by Jefferson Pooley.
=538  \\$aMode of access: World Wide Web.
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=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
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=100  1\$aJansen, Sue Curry,$eauthor.$uMuhlenberg College.
=245  10$aWhat Was Artificial Intelligence? /$cSue Curry Jansen.
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=505  0\$aINTRODUCTION 1Sue Curry JansenWHAT WAS ARTIFICIAL INTELLIGENCE? 11Sue Curry Jansen
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aWhen it was originally published in 2002, Sue Curry Jansen’s “What Was Artificial Intelligence?” attracted little notice. The long essay was published as a chapter in Jansen’s Critical Communication Theory, a book whose wisdom and erudition failed to register across the many fields it addressed. One explanation for the neglect, ironic and telling, is that Jansen’s sheer scope as an intellectual had few competent readers in the communication studies discipline into which she published the book. “What Was Artificial Intelligence?” was buried treasure. In this mediastudies.press edition, Jansen’s prescient autopsy of AI self-selling—the rhetoric of the masculinist sublime—is reprinted with a new introduction. Now an open access book, “What Was Artificial Intelligence?” is a message in a bottle, addressed to Musk, Bezos, and the latest generation of AI myth-makers.
=538  \\$aMode of access: World Wide Web.
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=100  1\$aGoffman, Erving,$eauthor.
=245  10$aCommunication Conduct in an Island Community /$cErving Goffman.
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=505  0\$aThe Cradle: Introduction to the mediastudies.press edition xYves WinkinIntroduction 4Erving GoffmanPart One: The ContextChapter I: Dixon 11Erving GoffmanPart Two: The Sociological ModelChapter II: Social Order and Social Interaction 23Erving GoffmanPart Three: On Information About One’s SelfChapter III: Linguistic Behavior 31Erving GoffmanChapter IV: Expressive Behavior 35Erving GoffmanChapter V: The Management of Information About Oneself 46Erving GoffmanChapter VI: Indelicate Communication 56 Erving GoffmanChapter VII: Sign Situations 60Erving GoffmanPart Four: The Concrete Units of Conversational CommunicationChapter VIII: Introduction 66Erving GoffmanChapter IX: Social Occasion 77Erving GoffmanChapter X: Accredited Participation and Interplay 83Erving GoffmanChapter XI: Expression During Interplay 89 Erving GoffmanChapter XII: Interchange of Messages 98 Erving GoffmanChapter XIII: Polite Interchanges 105 Erving GoffmanChapter XIV: The Organization of Attention 114Erving GoffmanChapter XV: Safe Supplies 119Erving GoffmanChapter XVI: On Kinds of Exclusion from Participation 125Erving GoffmanChapter XVII: Dual Participation 132Erving GoffmanPart Five: Conduct During InterplayChapter XVIII: Introduction: Euphoric and Dysphoric Interplay 139Erving GoffmanChapter XIX: Involvement 141Erving GoffmanChapter XX: Faulty Persons 148Erving GoffmanChapter XXI: Involvement Poise 156Erving GoffmanChapter XXII: On Projected Selves 171 Erving GoffmanChapter XXIII: The Management of Projected Selves 190Erving GoffmanInterpretations and Conclusions 198 Erving GoffmanBibliography 210
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aCanadian-born Erving Goffman (1922–1982) was the twentieth century’s most important sociologist writing in English. His 1953 dissertation is published here for the first time, on the hundredth anniversary of his birth. The remarkable study, based on fieldwork on a remote Scottish island, presents in embryonic form the full spread of Goffman’s thought. Framed as a “report on a study of conversational interaction,” the dissertation lingers on the modest talk of island “crofters.” It is trademark Goffman: ambitious, unconventional in form, and brimmed with big-picture insight. The thesis is that social order is made and re-made in communication—the “interaction order” he re-visited in a famous and final talk before his 1982 death. The dissertation is, as Yves Winkin writes in a new introduction, the “Rosetta stone for his entire work.” It was here, in 360 dense pages, that Goffman revealed, quietly, his peerless sensitivity to the invisible wireframes of everyday life.
=538  \\$aMode of access: World Wide Web.
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=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=700  1\$aWinkin, Yves,$eintroduction by.$uUniversity of Liège.
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=100  1\$aGross, Larry,$eauthor.$uUniversity of Southern California.
=245  10$aCreativity: Process and Personality /$cLarry Gross.
=264  \1$aBethlehem, PA :$bmediastudies.press,$c2023.
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=505  0\$aPREFACE TO THE MEDIASTUDIES.PRESS EDITION vLarry GrossPREFACE ixLarry GrossCHAPTER I: DEFINITION: CREATIVITY: PROCESS, PERSONALITY 2Larry GrossCHAPTER II: STRUCTURE OF INVESTIGATION 10Larry GrossCHAPTER III: HERBERT A. SIMON: HOW DO PEOPLE MAKE DECISIONS? 13Larry GrossCHAPTER IV: MILTON ROKEACH: HOW DO PEOPLE BELIEVE? 30Larry GrossCHAPTER V: ABRAHAM H. MASLOW: THE MYSTERY OF HEALTH 52Larry GrossCHAPTER VI: DAVID C. MCCLELLAND: THE NEED TO ACHIEVE 72Larry GrossCHAPTER VII: JEROME S. BRUNER: THINKING, LEARNING, KNOWING 89 Larry GrossCHAPTER VIII: B. F. SKINNER: THE SCIENCE OF HUMAN BEHAVIOR 100Larry GrossCHAPTER IX: CONCLUSION: A PLURALISTIC VIEW 111Larry Gross
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aBefore arriving in the field of communication, Larry Gross was a psychology student at Brandeis University; Creativity: Process and Personality was Gross’s undergraduate thesis at Brandeis, completed in 1964. This mediastudies.press edition is the initial publication of that undergraduate thesis, with a new preface by Gross himself. Creativity: Process and Personality finds Gross exploring the nature of creativity by interviewing some of the era’s most noteworthy experts in psychology, including Herbert Simon, Milton Rokeach, Abraham Maslow, David McClelland, Jerome Bruner, and B. F. Skinner. The result of Gross’s interviews is a nuanced and multi-perspectival set of interlocking chapters, each of which probes the psychological, social, and cultural aspects of creativity. Creativity: Process and Personality remains a provocative consideration of how creativity takes form, while also operating as a revealing snapshot of mid-twentieth century psychological thought.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
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=245  00$aFranklin Ford Collection /$cedited by Dominique Trudel, Juliette De Maeyer.
=264  \1$aBethlehem, PA :$bmediastudies.press,$c2023.
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=490  1\$aPublic Domain Series ;$vvol. 5.$x2770-2480$x2770-2472
=500  \\$aAvailable through mediastudies.press.
=505  0\$aContents1. “He Has Ideas about Everything”: An Introduction to the Franklin Ford Collection Dominique Trudel & Juliette De Maeyer2. AcknowledgmentsDominique Trudel & Juliette De Maeyer3. The Larger Life: A Poem Dedicated to Franklin Ford Sheridan FordI. Reforming the News4. Draft of ActionFranklin Ford5. A Newspaper LaboratoryFranklin Ford6. Banding Together the Leading NewspapersFranklin Ford7. The Press of New York—Its FutureFranklin Ford8. Organization of Intelligence Requires an OrganismJohn Dewey9. In Search of Absolute News, Sensation, and UnityCorydon Ford & Franklin Ford10. The News System: A Scientific Basis for Organizing the NewsFranklin FordII. Interconnected Flows: Money, Information, and Transportation11. Better Credit ReportingFranklin Ford12. Traffic AssociationsFranklin Ford13. The Country CheckFranklin Ford14. The Express Companies and the BankFranklin Ford15. The Mercantile Agencies and Credit ReportingFranklin Ford16. Co-operative Credit ReportingFranklin FordIII. News is Government17. City News Office NeededFranklin Ford18. Municipal Reform: A Scientific QuestionFranklin Ford19. Government is the Organization of Intelligence or NewsFranklin Ford20. The Simple Idea of GovernmentFranklin Ford21. A New and Revolutionary GovernmentFranklin Ford22. News is the Master Element of Social Control
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aThe American journalist Franklin Ford (1849–1918) is remembered for his ambitious (and stillborn) Thought News periodical, hatched with philosopher John Dewey. The Franklin Ford Collection, curated and introduced by Dominique Trudel and Juliette De Maeyer, takes in the full shambolic spread of Ford's thought, across news, politics, education, finance, and society at large. The collection includes nineteen documents—letters, leaflets, editorials, and treatises—with critical annotations from Trudel and De Maeyer. The works, many unpublished or rarely circulated, illustrate the core themes that animated Ford's career, including his sweeping program of press reform and his thoughts on the interconnected flows of money, transportation, and communication.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=700  1\$aTrudel, Dominique,$eeditor.$uAudencia Business School.$0(orcid)000000026540006X$1https://orcid.org/0000-0002-6540-006X
=700  1\$aDe Maeyer, Juliette,$eeditor.$uUniversity of Quebec at Montreal.$0(orcid)0000000264825365$1https://orcid.org/0000-0002-6482-5365
=710  2\$amediastudies.press,$epublisher.
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