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=100  1\$aSouriau, Étienne,$eauthor.$uSorbonne Université.
=245  10$aDie verschiedenen Modi der Existenz /$cÉtienne Souriau.
=264  \1$aLüneburg :$bmeson press eG,$c2015.
=264  \4$c©2015
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=520  \\$a„Wäre die Philosophie auch nur eine Stunde der Mühe wert, wenn sie uns nicht für das Leben rüstete?“ Gezielten Schrittes entwirft der französische Philosoph Étienne Souriau in diesem dicht gedrängten Buch eine Grammatik der Existenz. Im Fokus steht nicht nur ihre Theorie, sondern auch die tatsächliche Ausübung der „Kunst des Existierens“. Wie Gilles Deleuze und William James vertritt Souriau dabei die These eines existenziellen Pluralismus: Es gibt Phänomene, Dinge, das Virtuelle, fiktionale Wesen – die Existenz ist polyphon. Souriaus radikale Herangehensweise hat auch Bruno Latour und Isabelle Stengers entscheidend beeinflusst. In ihrer ausführlichen Einleitung zu Souriaus Text von 1943 und dem ebenfalls zum ersten Mal in deutscher Sprache veröffentlichten Vortrag „Über den Modus der Existenz des zu vollbringenden Werks“ (1956) zeigt sich eindrucksvoll die Aktualität seines Denkens.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aÄsthetik
=653  \\$aBruno Latour
=653  \\$aANT
=653  \\$aPhilosophie
=653  \\$aExistenzweisen
=700  1\$aWäckerle, Thomas,$etranslator.
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=100  1\$aPurayil Sneha, Puthiya,$eeditor, author.$uCentre for Internet and Society.
=245  10$aDigital Activism in Asia Reader /$cedited by Nishant Shah, Puthiya Purayil Sneha, Sumandro Chattapadhyay.
=264  \1$aLüneburg :$bmeson press eG,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource (269 pages).
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=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aThe digital turn might as well be marked as an Asian turn. From flash-mobs in Taiwan to feminist mobilisations in India, from hybrid media strategies of Syrian activists to cultural protests in Thailand, we see the emergence of political acts that transform the citizen from being a beneficiary of change to becoming an agent of change. In co-shaping these changes, what the digital shall be used for, and what its consequences will be, are both up for speculation and negotiation. Digital Activism in Asia marks a particular shift where these questions are no longer being refracted through the ICT4D logic, or the West’s attempts to save Asia from itself, but shaped by multiplicity, unevenness, and urgencies of digital sites and users in Asia. This reader crowd-sources critical tools, concepts, analyses, and annotations, self-identified by a network of change makers in Asia as important in their own practices within their own contexts.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aActivism
=653  \\$aNetworked Societies
=653  \\$aDigital Society
=653  \\$aSocial Media
=653  \\$aAsia
=700  1\$aShah, Nishant,$eeditor.$uLeuphana University of Lüneburg.
=700  1\$aChattapadhyay, Sumandro,$eeditor.$uCentre for Internet and Society.$0(orcid)0000000157244557$1https://orcid.org/0000-0001-5724-4557
=700  1\$aAlbornoz, Denisse,$eauthor.
=700  1\$aAl Shafei, Esra’a,$eauthor.
=700  1\$aAngelina, Maesy,$eauthor.
=700  1\$aAung, Htaike Htaike,$eauthor.
=700  1\$aBen-David, Anat,$eauthor.$uOpen University of Israel.$0(orcid)0000000345105634$1https://orcid.org/0000-0003-4510-5634
=700  1\$aChami, Nandini,$eauthor.$uIT for Change.
=700  1\$aCheng, Tracey,$eauthor.
=700  1\$aHurault, Armand,$eauthor.
=700  1\$aJolley, Rachael,$eauthor.
=700  1\$aKim, Youngmi,$eauthor.$uCentral European University.$0(orcid)0000000155512415$1https://orcid.org/0000-0001-5551-2415
=700  1\$aLim, Merlyna,$eauthor.$uCarleton University.$0(orcid)0000000215839920$1https://orcid.org/0000-0002-1583-9920
=700  1\$aMcKeever, Sarah,$eauthor.$uKing's College London.
=700  1\$aPanigrahi, Subhashish,$eauthor.$uCentre for Internet and Society.$0(orcid)0000000236658184$1https://orcid.org/0000-0002-3665-8184
=700  1\$aPokharel, Prabhas,$eauthor.$0(orcid)0000000152711881$1https://orcid.org/0000-0001-5271-1881
=700  1\$aRay Murray, Padmini,$eauthor.$uSrishti Institute of Art Design and Technology.$0(orcid)0000000165909555$1https://orcid.org/0000-0001-6590-9555
=700  1\$aSarkar, Urvashi,$eauthor.
=700  1\$aS V, Shobha,$eauthor.
=700  1\$aTsou, YiPing (Zona),$eauthor.
=700  1\$aYong, Hu,$eauthor.$uPeking University.
=700  1\$aYusuf, Huma,$eauthor.$uWoodrow Wilson International Center for Scholars.
=700  1\$aZhang, Weiyu,$eauthor.$uNational University of Singapore.$0(orcid)0000000329246517$1https://orcid.org/0000-0003-2924-6517
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=100  1\$aCooper, Zane Griffin Talley,$eauthor.$uUniversity of Pennsylvania.$0(orcid)0000000328546980$1https://orcid.org/0000-0003-2854-6980
=245  10$aDigital Energetics /$cZane Griffin Talley Cooper, Jordan B. Kinder, Cindy Kaiying Lin, Anne Pasek.
=264  \1$aLüneburg :$bmeson press eG,$c2023.
=264  \4$c©2023
=300  \\$a1 online resource (130 pages).
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=490  1\$aIn Search of Media ;$vvol. 13.$x0000-0007$x0000-0006
=500  \\$aAvailable through meson press eG.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aMedia and energy require joint theorization as they are bound together across contemporary informational and fossil regimes. Digital Energetics traces the contours of a media analytic of energy and an energy analytic of media across the cultural, environmental, and labor relations they subtend. Focusing specifically on digital operations, its authors analyze how data and energy have jointly modulated the character of data work and politics in a warming world.
=536  \\$aSimon Fraser University$eCanada 150 Research Chairs Program
=538  \\$aMode of access: World Wide Web.
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=700  1\$aKinder, Jordan B.,$eauthor.$uHarvard University.$0(orcid)0000000349996147$1https://orcid.org/0000-0003-4999-6147
=700  1\$aLin, Cindy Kaiying,$eauthor.$uPennsylvania State University.
=700  1\$aPasek, Anne,$eauthor.$uTrent University.$0(orcid)000000018770418X$1https://orcid.org/0000-0001-8770-418X
=710  2\$ameson press eG,$epublisher.
=830  \0$aIn Search of Media ;$vvol. 13.$x0000-0007$x0000-0006
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=100  1\$aEnsslin, Astrid,$eauthor.$uBangor University.$0(orcid)0000000321890025$1https://orcid.org/0000-0003-2189-0025
=245  10$aDiversity of Play /$cedited by Mathias Fuchs.
=264  \1$aLüneburg :$bmeson press eG,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource (112 pages).
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=520  \\$aThe early days when digital games were new, harmless, and a niche are long gone. Today’s games can simulate battlefields, predict disaster, and crash markets. We are faced with a diversity of play and the ubiquity of games, making them not only a popular medium, but the leading medium of our contemporary society. Based on the keynote lectures held at DiGRA2015, “Diversity of Play” provides a critical view on the current stage of digital games from a theoretic, artistic, and practical perspective by pointing towards the uncanny, the power of “unnatural” narratives, and the exceptions and uncertainties of digital ludic environments. With an interview with Karen Palmer and essays by Astrid Ensslin, Mathias Fuchs, Tanya Krzywinska, and Markus Rautzenberg.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aGame Studies
=653  \\$aLudology
=653  \\$aGamification
=653  \\$aLudification
=653  \\$aGothic
=653  \\$aPlay Studies
=653  \\$aDiGRA
=653  \\$aNarratology
=653  \\$aDiversity
=700  1\$aFuchs, Mathias,$eeditor.$uLeuphana University of Lüneburg.$0(orcid)0000000345433478$1https://orcid.org/0000-0003-4543-3478
=700  1\$aKrzywinska, Tanya,$eauthor.$uFalmouth University.$0(orcid)0000000207444144$1https://orcid.org/0000-0002-0744-4144
=700  1\$aPalmer, Karen,$eauthor.
=700  1\$aRautzenberg, Markus,$eauthor.$uFreie Universität Berlin.
=710  2\$ameson press eG,$epublisher.
=856  40$uhttps://doi.org/10.14619/012$zConnect to e-book
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=100  1\$aClaus, Jakob,$eauthor.$uUniversity of Oldenburg.
=245  10$aEarth and Beyond in Tumultuous Times :$bA Critical Atlas of the Anthropocene /$cedited by Réka Patrícia Gál, Petra Löffler.
=264  \1$aLüneburg :$bmeson press eG,$c2021.
=264  \4$c©2021
=300  \\$a1 online resource (218 pages).
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=490  1\$aFuture Ecologies ;$vvol. 1.$x0000-0001$x0000-0000
=500  \\$aAvailable through meson press eG.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aEarth and Beyond in Tumultuous Times offers a critical exploration of the Anthropocene concept. It addresses the urgent geopolitical and environmental questions raised by the new geological epoch. How are we to rethink landscapes, such as river deltas, oceans, or outer space? How can we create spaces for resistance and utopic dreaming? This volume confronts these questions by charting how space and place are constructed, deconstructed, and negotiated by humans and non-humans under conditions of globally entangled consumption, movement, and contamination. The essays in this volume are complemented by artistic interventions that offer a poetics for a harmed planet and the numerous worlds it contains.Earth and Beyond in Tumultuous Times is part of the series Future Ecologies dedicated to rethink the multiple ecologies that flourish and struggle on Earth and beyond.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aEcology
=700  1\$aGál, Réka Patrícia,$eeditor.$uUniversity of Toronto.
=700  1\$aLöffler, Petra,$eeditor.$uUniversity of Oldenburg.
=700  1\$aDünne, Jörg,$eauthor.$uHumboldt-Universität zu Berlin.
=700  1\$aHeinrichs, Marie,$eauthor.$uUniversity of Potsdam.
=700  1\$aSchmedes, Hannah,$eauthor.$uUniversity of Potsdam.
=700  1\$aUsón, Tomás J.,$eauthor.$uHumboldt-Universität zu Berlin.
=710  2\$ameson press eG,$epublisher.
=830  \0$aFuture Ecologies ;$vvol. 1.$x0000-0001$x0000-0000
=856  40$uhttps://doi.org/10.14619/1891$zConnect to e-book
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=100  1\$aAngerer, Marie-Luise,$eauthor.$uUniversity of Potsdam.$0(orcid)0000000329439394$1https://orcid.org/0000-0003-2943-9394
=245  10$aEcology of Affect :$bIntensive Milieus and Contingent Encounters /$cMarie-Luise Angerer.
=264  \1$aLüneburg :$bmeson press eG,$c2017.
=264  \4$c©2017
=300  \\$a1 online resource (70 pages).
=336  \\$atext$btxt$2rdacontent
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=500  \\$aAvailable through meson press eG.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aThe way we conceive the human today is particularly affected by the shifts in media technology during the 20th century. Affect emerges as the new liminal concept that renders the body compatible in novel ways with the technology and politics of media. By ways of a relational reorganization the organic end technological life is condensed in a new, intense way to an ecology of affects.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$adislocation
=653  \\$aecology
=653  \\$amilieu
=653  \\$afeeling
=653  \\$aantagonism
=653  \\$ainterval
=653  \\$aintensity
=653  \\$apolitical affect
=653  \\$aaffect
=700  1\$aJackson, Gerrit,$etranslator.
=710  2\$ameson press eG,$epublisher.
=856  40$uhttps://doi.org/10.14619/020$zConnect to e-book
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=100  1\$aBexte, Peter,$eeditor, author.$uAcademy of Media Arts Cologne.
=245  10$aEin Medium namens McLuhan :$b37 Befragungen eines Klassikers /$cedited by Peter Bexte, Martina Leeker.
=264  \1$aLüneburg :$bmeson press eG,$c2020.
=264  \4$c©2020
=300  \\$a1 online resource (141 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
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=490  1\$aDigital Cultures ;$vvol. 8.$x0000-0005$x0000-0004
=500  \\$aAvailable through meson press eG.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$a„If you don‘t like my arguments, I‘ve got some more.“ (Marshall McLuhan) Wie aber steht es um den Klassiker der Medienwissenschaften im 21. Jahrhundert? Diese Frage diskutieren 37 zeitgenössische Medienwissenschaftler_innen. Ihre Antworten stehen in einem reizvollen Kontrast zu Interviews, die 2007 entstanden und jetzt online zugänglich gemacht worden sind. Viele der ursprünglich Befragten sind erneut beteiligt, neue Stimmen kamen hinzu. Dabei zeigt sich im Vergleich: Die Medienwissenschaften sind diverser geworden, und manche Zukunftserwartung wurde drastisch revidiert.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aMedienwissenschaften
=653  \\$aMcLuhan
=653  \\$aDigitalisierung
=653  \\$aInterviews
=653  \\$aMedientheorie
=700  1\$aLeeker, Martina,$eeditor, author.$uLeuphana University of Lüneburg.
=700  1\$aAltena, Arie,$eauthor.
=700  1\$aAngerer, Marie-Luise,$eauthor.$uUniversity of Potsdam.$0(orcid)0000000329439394$1https://orcid.org/0000-0003-2943-9394
=700  1\$aBeil, Benjamin,$eauthor.$uUniversity of Cologne.$0(orcid)0000000226326274$1https://orcid.org/0000-0002-2632-6274
=700  1\$aBenesch, Klaus,$eauthor.$uLudwig-Maximilians-Universität München.
=700  1\$aCavell, Richard,$eauthor.$uUniversity of British Columbia.
=700  1\$aDistelmeyer, Jan,$eauthor.$uUniversity of Applied Sciences Potsdam.
=700  1\$aDotzler, Bernhard J.,$eauthor.$uUniversity of Regensburg.
=700  1\$aErnst, Wolfgang,$eauthor.$uHumboldt-Universität zu Berlin.
=700  1\$aGehring, Petra,$eauthor.$uTechnical University of Darmstadt.
=700  1\$aGoriunova, Olga,$eauthor.$uRoyal Holloway, University of London.
=700  1\$aGottlieb, Baruch,$eauthor.$uBerlin University of the Arts.
=700  1\$aHagen, Wolfgang,$eauthor.$uLeuphana University of Lüneburg.
=700  1\$aHalpern, Orit,$eauthor.$uConcordia University.$0(orcid)0000000180093160$1https://orcid.org/0000-0001-8009-3160
=700  1\$aHarrasser, Karin,$eauthor.$uUniversity of Arts and Industrial Design Linz.$0(orcid)0000000155919995$1https://orcid.org/0000-0001-5591-9995
=700  1\$aHauser, Jens,$eauthor.$uMichigan State University.
=700  1\$aHeidenreich, Stefan,$eauthor.$uHumboldt-Universität zu Berlin.
=700  1\$aHoll, Ute,$eauthor.$uUniversity of Basel.
=700  1\$ade Kerckhove, Derrick,$eauthor.$uUniversity of Naples Federico II.
=700  1\$aLöffler, Petra,$eauthor.$uUniversity of Oldenburg.
=700  1\$aMattern, Shannon,$eauthor.$uUniversity of Pennsylvania.
=700  1\$aMersch, Dieter,$eauthor.$uZurich University of the Arts.$0(orcid)000000016623043X$1https://orcid.org/0000-0001-6623-043X
=700  1\$aMünker, Stefan,$eauthor.$uHumboldt-Universität zu Berlin.
=700  1\$aPeters, Benjamin,$eauthor.$uUniversity of Tulsa.
=700  1\$aDurham Peters, John,$eauthor.$uYale University.
=700  1\$aPias, Claus,$eauthor.$uLeuphana University of Lüneburg.
=700  1\$aRautzenberg, Markus,$eauthor.$uFolkwang University of the Arts.
=700  1\$aRieger, Stefan,$eauthor.$uRuhr University Bochum.
=700  1\$aRothe, Katja,$eauthor.$uBerlin University of the Arts.
=700  1\$aSchmidt, Kerstin,$eauthor.$uCatholic University of Eichstätt-Ingolstadt.
=700  1\$aSchröter, Jens,$eauthor.$uUniversity of Bonn.
=700  1\$aSchüttpelz, Erhard,$eauthor.$uUniversity of Siegen.
=700  1\$aSprenger, Florian,$eauthor.$uRuhr University Bochum.$0(orcid)0000000252258711$1https://orcid.org/0000-0002-5225-8711
=700  1\$aTurner, Fred,$eauthor.$uStanford University.
=700  1\$aVagt, Christina,$eauthor.$uUniversity of California, Santa Barbara.
=700  1\$aWinkler, Hartmut,$eauthor.$uPaderborn University.
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=100  1\$aBee, Julia,$eauthor.$uUniversity of Siegen.
=245  10$aFahrradutopien :$bMedien, Ästhetiken und Aktivismus /$cJulia Bee, Ulrike Bergermann, Linda Keck, Sarah Sander, Herbert Schwaab, Markus Stauff, Franzi Wagner.
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=520  \\$aDas Fahrrad ist ein Medium sozialer Veränderung. Seine vielfältigen utopischen Potenziale ergeben sich nicht zuletzt aus seinen ebenso vielfältigen und häufig übersehenen medialen Qualitäten: Es vermittelt, es verbindet, es übersetzt; es modifiziert Wahrnehmung und Organisation von Raum und Zeit, von Körpern und von Sozialität. Umgekehrt kann auch das medienwissenschaftliche Denken fahrradmedial verändert werden. Das Fahrrad ist nicht nur Medium des sozialen und ökologischen Wandels: Radfahren eröffnet Perspektiven, verändert Räume, lässt neue Relationen entstehen und teilt Handlungsmacht neu auf.Fahrradutopien denkt vom Fahrrad aus und ergänzt dabei bestehende Ansätze zur Mobilitätsforschung um medienkulturwissenschaftliche Perspektiven. Die Beiträge verbinden Medienwissenschaften und Forschungen zu Fahrradaktivismus mit der Liebe zum Radfahren. Fokussiert werden Fahrradfilme und -vlogs, Verkehr und Infrastrukturen, Virtuelle Realität und Fahrrad, Fahrradkollektive und Fahrradfeminismus.
=536  \\$aBraunschweig University of Art
=536  \\$aBauhaus University, Weimar
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aKollektive
=653  \\$aFeminismus
=653  \\$aKino
=653  \\$aGender Studies
=653  \\$aÖkologie
=653  \\$aDokumentation
=653  \\$aFahrrad
=653  \\$aMobilität
=653  \\$aDigitale Medien
=653  \\$aRadfahren
=653  \\$aDigitalisierung
=653  \\$aDiversität
=653  \\$aUtopie
=653  \\$aAktivismus
=700  1\$aBergermann, Ulrike,$eauthor.$uBraunschweig University of Art.
=700  1\$aKeck, Linda,$eauthor.$uBauhaus University, Weimar.
=700  1\$aSander, Sarah,$eauthor.$uUniversity of Vienna.
=700  1\$aSchwaab, Herbert,$eauthor.$uUniversity of Regensburg.
=700  1\$aStauff, Markus,$eauthor.$uUniversity of Amsterdam.
=700  1\$aWagner, Franzi,$eauthor.$uBraunschweig University of Art.
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=100  1\$aMunn, Luke,$eauthor.$uWhitecliffe College of Arts and Design.$0(orcid)0000000210187433$1https://orcid.org/0000-0002-1018-7433
=245  10$aFerocious Logics :$bUnmaking the Algorithm /$cLuke Munn.
=264  \1$aLüneburg :$bmeson press eG,$c2018.
=264  \4$c©2018
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=520  \\$aContemporary power manifests in the algorithmic. And yet this power seems incomprehensible: understood as code, it becomes apolitical; understood as a totality, it becomes overwhelming. This book takes an alternate approach, using it to unravel the operations of Uber and Palantir, Airbnb and Amazon Alexa. Moving off the whiteboard and into the world, the algorithmic must negotiate with frictions—the ‘merely’ technical routines of distributing data and running tasks coming together into broader social forces that shape subjectivities, steer bodies, and calibrate relationships. Driven by the imperatives of capital, the algorithmic exhausts subjects and spaces, a double move seeking to both exhaustively apprehend them and exhaust away their productivities. But these on-the-ground encounters also reveal that force is never guaranteed. The irreducibility of the world renders logic inadequate and control gives way to contingency.
=538  \\$aMode of access: World Wide Web.
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=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
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=653  \\$aUber
=653  \\$aPalantir
=653  \\$aProductivity
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=100  1\$aBalsom, Erika,$eauthor.$uKing's College London.$0(orcid)0000000178072010$1https://orcid.org/0000-0001-7807-2010
=245  10$aFormat Matters :$bStandards, Practices, and Politics in Media Cultures /$cedited by Marek Jancovic, Axel Volmar, Alexandra Schneider.
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=520  \\$aFrom TIFF files to TED talks, from book sizes to blues stations—the term “format” circulates in a staggering array of contexts and applies to entirely dissimilar objects and practices. How can such a pliable notion meaningfully function as an instrument of classification in so many industries and scientific communities? Comprising a wide range of case studies on the standards, practices, and politics of formats from scholars of photography, film, radio, television, and the Internet, Format Matters charts the many ways in which formats shape and are shaped by past and present media cultures. This volume represents the first sustained collaborative effort to advance the emerging field of format studies.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
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=653  \\$aPolitics
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=653  \\$aStandards
=700  1\$aJancovic, Marek,$eeditor.$uJohannes Gutenberg University Mainz.
=700  1\$aVolmar, Axel,$eeditor.$uUniversity of Siegen.
=700  1\$aSchneider, Alexandra,$eeditor.$uJohannes Gutenberg University Mainz.
=700  1\$aFahle, Oliver,$eauthor.$uRuhr University Bochum.
=700  1\$aHoof, Florian,$eauthor.$uLeuphana University of Lüneburg.
=700  1\$aLinseisen, Elisa,$eauthor.$uPaderborn University.
=700  1\$aLobato, Ramon,$eauthor.$uRMIT University.$0(orcid)0000000216897233$1https://orcid.org/0000-0002-1689-7233
=700  1\$aMeyer, Roland,$eauthor.$uBrandenburg University of Technology Cottbus-Senftenberg.$0(orcid)0000000167376959$1https://orcid.org/0000-0001-6737-6959
=700  1\$aMichell, Kalani,$eauthor.$uUniversity of California, Los Angeles.
=700  1\$aSomaini, Antonio,$eauthor.$uSorbonne Nouvelle University.
=700  1\$aStauff, Markus,$eauthor.$uUniversity of Amsterdam.
=700  1\$aStrauven, Wanda,$eauthor.$uJohannes Gutenberg University Mainz.
=700  1\$aThomas, Julian,$eauthor.$uRMIT University.$0(orcid)0000000229074586$1https://orcid.org/0000-0002-2907-4586
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=100  1\$aDotzler, Bernhard J.,$eauthor.$uUniversity of Regensburg.
=245  10$aFoucault, digital /$cBernhard J. Dotzler, Henning Schmidgen.
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=520  \\$aMitte der 1960er Jahre hat Michel Foucault die Methode der „Diskursanalyse“ in die Geistes- und Sozialwissenschaften eingeführt. Besonders in der Archäologie des Wissens hat er dafür plädiert, die Geschichte des Wissens und der Wissenschaften zum Gegenstand diskursanalytischer Untersuchungen zu machen. Über ein halbes Jahrhundert später ist im Bereich der Informatik ein zunehmendes Interesse an der Diskursanalyse zu verzeichnen. In der Regel spielt Foucault dabei aber keine Rolle. Fern von jeder Archäologie setzen auch die Digital Humanities vermehrt auf die Analyse von historischen und gegenwärtigen Diskursen. Angesichts dieser Konjunkturen ist es an der Zeit, die Archäologie des Wissens neu zu lesen. Denn schon 1968 behauptete der französische Historiker Emmanuel Le Roy Ladurie „Der zukünftige Historiker wird Programmierer sein, oder er wird nicht sein.“ Ein Jahr später gibt Foucault mit seinem Buch auf eben diese Herausforderung eine ebenso informierte wie nuancierte Antwort. Diese Antwort ist in ihrer Aktualität und Relevanz erst noch zu entdecken.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
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=653  \\$aDigitalisierung
=653  \\$aWissenschaftsgeschichte
=653  \\$aDigital Humanities
=653  \\$aDiskursanalyse
=700  1\$aSchmidgen, Henning,$eauthor.$uBauhaus University, Weimar.
=710  2\$ameson press eG,$epublisher.
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=100  1\$aCretu, Andrei,$eauthor.$uThe Ohio State University.
=245  10$aFrictions :$bInquiries into Cybernetic Thinking and Its Attempts towards Mate[real]ization /$cedited by Diego Gómez-Venegas.
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=520  \\$aFrictions is a collective invitation to embrace the space of difference that both connects and separates techno-scientific discourses from their actual implementations—or even, from their non-implementations. Through a series of case studies focused on cybernetics, systems research, and some of their more contemporary inheritors, this book argues that such a middle space, the topology of frictions, offers significant insights to assess the historical and epistemological relevance of these interconnected fields. Characterized here as cybernetic thinking, this broad area of theoretical and applied projects would conceal, precisely within its frictions, the operational principles of our present.
=536  \\$aHumboldt-Universität zu Berlin$eOpen Access Publication Fund
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=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$amedia archaeology
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=700  1\$aGómez-Venegas, Diego,$eeditor.$uHumboldt-Universität zu Berlin.$0(orcid)000000015640204X$1https://orcid.org/0000-0001-5640-204X
=700  1\$aErnst, Wolfgang,$eauthor.$uHumboldt-Universität zu Berlin.
=700  1\$aFischer, Thomas,$eauthor.$uSouthern University of Science and Technology.
=700  1\$avon Herrmann, Hans-Christian,$eauthor.$uTechnical University of Berlin.$0(orcid)0000000157443433$1https://orcid.org/0000-0001-5744-3433
=700  1\$aHöltgen, Stefan,$eauthor.$uUniversity of Bonn.$0(orcid)0000000186698507$1https://orcid.org/0000-0001-8669-8507
=700  1\$aNohr, Rolf F.,$eauthor.$uBraunschweig University of Art.$0(orcid)0000000238174706$1https://orcid.org/0000-0002-3817-4706
=700  1\$aSchauerte, Eva,$eauthor.
=700  1\$aSchrickel, Isabell,$eauthor.$uLeuphana University of Lüneburg.
=700  1\$aVehlken, Sebastian,$eauthor.$uUniversity of Oldenburg.
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=100  1\$aBoguska, Rebecca,$eauthor.
=245  10$aGuantánamo Frames /$cRebecca Boguska.
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=520  \\$aFor the last twenty years, the Guantánamo Bay detention camp has not just been a military prison and security facility, but also a site of media production. Films, photographs, and documents have continued to emerge from the camp and become the focus of fierce legal and political battles, as well as intense moral anguish. This book looks at how the US Department of Defense has struggled, and often failed, to control the public perception of these media objects through complex, layered framing devices. It traces how small ruptures in the Department’s framings have provided openings for critical interventions from various fields – ranging from journalism and human rights law to the arts. Guantánamo Frames thus lays the groundwork for a critical reappraisal of the entanglement of media, violence, and the security state in a broader sense.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aGuantanamo
=653  \\$apolitics
=653  \\$amedia
=653  \\$ajournalism
=653  \\$ahuman rights
=653  \\$asecurity state
=653  \\$aviolence
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=100  1\$aLinseisen, Elisa,$eauthor.$uPaderborn University.
=245  10$aHigh Definition :$bMedienphilosophisches Image Processing /$cElisa Linseisen.
=264  \1$aLüneburg :$bmeson press eG,$c2020.
=264  \4$c©2020
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=520  \\$aDieses Buch zoomt in informationsreiche und pixeldichte Welten in HD. Digitalbildliche Hochauflösung ist hier ein Potenzial, das es ermöglicht, mit und an Bildern Wirklichkeit zu erforschen und zu befragen. Dokumentarfilme, Videokunstarbeiten, Galaxiefotografien, Blockbuster, Pressebilder und Netflix-Serien bestellen diese visuelle Kultur in HD und zeigen auf, dass Bilder und Wirklichkeit nicht in fixierten Rahmen sitzen, sondern im Prozess werden. HD heißt Image Processing. Lässt man sich darauf ein, entfaltet sich das Angebot, mit HD zu denken und sich vom Denken der Bildprozesse mitreißen zu lassen.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aPhilosophie
=653  \\$aFilm
=653  \\$aVideo
=653  \\$aMedientechnik
=653  \\$aMedienphilosophie
=653  \\$aHyperrealismus
=653  \\$aFotografie
=653  \\$aPostproduktion
=653  \\$aMedien
=653  \\$aDigitalisierung
=653  \\$aFernsehen
=653  \\$aÄsthetik
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=100  1\$aStengers, Isabelle,$eauthor.$uUniversité Libre de Bruxelles.
=245  10$aIn Catastrophic Times :$bResisting the Coming Barbarism /$cIsabelle Stengers.
=264  \1$aLüneburg :$bmeson press eG,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource (156 pages).
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=520  \\$aThere has been an epochal shift: the possibility of a global climate crisis is now upon us. Pollution, the poison of pesticides, the exhaustion of natural resources, falling water tables, growing social inequalities – these are all problems that can no longer be treated separately. The effects of global warming have a cumulative impact, and it is not a matter of a crisis that will “pass” before everything goes back to “normal.”Our governments are totally incapable of dealing with the situation. Economic warfare obliges them to stick to the goal of irresponsible, even criminal, economic growth, whatever the cost. It is no surprise that people were so struck by the catastrophe in New Orleans. The response of the authorities – to abandon the poor whilst the rich were able to take shelter – is a symbol of the coming barbarism.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license (CC BY-NC-ND 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc-nd/4.0/
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=100  1\$aBorrelli, Arianna,$eauthor.$uTechnical University of Berlin.
=245  10$aInterferences and Events :$bOn Epistemic Shifts in Physics through Computer Simulations /$cedited by Anne Dippel, Martin Warnke.
=264  \1$aLüneburg :$bmeson press eG,$c2017.
=264  \4$c©2017
=300  \\$a1 online resource (182 pages).
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=520  \\$aComputer simulations are omnipresent media in today’s knowledge production. For scientific endeavors such as the detection of gravitational waves and the exploration of subatomic worlds, simulations are essential; however, the epistemic status of computer simulations is rather controversial as they are neither just theory nor just experiment. Therefore, computer simulations have challenged well-established insights and common scientific practices as well as our very understanding of knowledge. This volume contributes to the ongoing discussion on the epistemic position of computer simulations in a variety of physical disciplines, such as quantum optics, quantum mechanics, and computational physics. Originating from an interdisciplinary event, it shows that accounts of contemporary physics can constructively interfere with media theory, philosophy, and the history of science.
=536  \\$aDeutsche Forschungsgemeinschaft$cFOR 1927$eKolleg Forschungsgruppe$fmedia cultures of computer simulation
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$ainterferences
=653  \\$aquantum physics
=653  \\$acomputer simulation
=653  \\$ascience and technology studies
=653  \\$acomputer
=653  \\$amedia theory
=653  \\$asimulation
=653  \\$aevents
=653  \\$aphysics
=700  1\$aDippel, Anne,$eeditor.$uFriedrich Schiller University Jena.$0(orcid)0000000306727326$1https://orcid.org/0000-0003-0672-7326
=700  1\$aWarnke, Martin,$eeditor.$uLeuphana University of Lüneburg.$0(orcid)0000000335004354$1https://orcid.org/0000-0003-3500-4354
=700  1\$aDe Raedt, Hans,$eauthor.$uUniversity of Groningen.$0(orcid)0000000184614015$1https://orcid.org/0000-0001-8461-4015
=700  1\$aHagen, Wolfgang,$eauthor.$uLeuphana University of Lüneburg.
=700  1\$aMairhofer, Lukas,$eauthor.$uUniversity of Vienna.
=700  1\$aMaiwöger, Mira,$eauthor.$uTU Wien.$0(orcid)0000000191531461$1https://orcid.org/0000-0001-9153-1461
=700  1\$aMichielsen, Kristel,$eauthor.$uForschungszentrum Jülich.$0(orcid)0000000314444262$1https://orcid.org/0000-0003-1444-4262
=700  1\$aPasemann, Frank,$eauthor.$uMax Planck Institute for Mathematics in the Sciences.
=700  1\$aRheinberger, Hans-Jörg,$eauthor.$uMax Planck Institute for the History of Science.
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=100  1\$aBoissier, Jean-Louis,$eauthor.$uParis 8 University.
=245  10$a30 Years After Les Immatériaux :$bArt, Science and Theory /$cedited by Andreas Broeckmann, Yuk Hui.
=264  \1$aLüneburg :$bmeson press eG,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource (276 pages).
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=520  \\$aIn 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condition. This book features a previously unpublished report by Jean-François Lyotard on the conception of Les Immatériaux and its relation to postmodernity. Reviewing the historical significance of the exhibition, his text is accompanied by twelve contemporary meditations. The philosophers, art historians, and artists analyse this important moment in the history of media and theory, and reflect on the new material conditions brought about by digital technologies in the last 30 years.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aart
=653  \\$aJean-François Lyotard
=653  \\$areorientation
=653  \\$adigital technologies
=653  \\$aphilosophy
=653  \\$aanamnesis
=653  \\$apostmodernity
=653  \\$amateriality
=653  \\$ascience
=700  1\$aBroeckmann, Andreas,$eeditor.$uLeuphana University of Lüneburg.$0(orcid)0000000163229062$1https://orcid.org/0000-0001-6322-9062
=700  1\$aHui, Yuk,$eeditor.$uLeuphana University of Lüneburg.$0(orcid)0000000232429819$1https://orcid.org/0000-0002-3242-9819
=700  1\$aBirnbaum, Daniel,$eauthor.$uModerna Museet Stockholm.
=700  1\$aDufrêne, Thierry,$eauthor.$uUniversité Paris Nanterre.
=700  1\$aGallo, Francesca,$eauthor.$uSapienza University of Rome.
=700  1\$aGere, Charlie,$eauthor.$uLancaster University.$0(orcid)0000000223967914$1https://orcid.org/0000-0002-2396-7914
=700  1\$aHudek, Antony,$eauthor.$uObjectif Exhibitions.
=700  1\$aLyotard, Jean-François,$eauthor.$uParis 8 University.
=700  1\$aMackay, Robin,$eauthor.$uGoldsmiths University of London.
=700  1\$aSejten, Anne Elisabeth,$eauthor.$uRoskilde University.$0(orcid)0000000281888421$1https://orcid.org/0000-0002-8188-8421
=700  1\$aStiegler, Bernard,$eauthor.$uCentre Pompidou.
=700  1\$aWallenstein, Sven-Olov,$eauthor.$uSödertörn University.
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=100  1\$aAgina, Añulika,$eauthor.$uPan-Atlantic University.
=245  10$aAccidental Archivism :$bShaping Cinema’s Futures with Remnants of the Past /$cedited by Stefanie Schulte Strathaus, Vinzenz Hediger.
=264  \1$aLüneburg :$bmeson press eG,$c2023.
=264  \4$c©2023
=300  \\$a1 online resource (492 pages).
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=490  1\$aConfigurations of Film ;$vvol. 8.$x0000-0009$x0000-0008
=500  \\$aAvailable through meson press eG.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aIn the digital media ecology, archives are changing. Artists, curators, critics and scholars assume the role of accidental archivists. They shape cinema’s futures by salvaging precarious repositories and making them matter in new ways. In the process, the cinema’s public, a democratic body seemingly scattered about platforms and niches in a post-pandemic world, re-emerges as a political force.Accidental Archivism brings together programmatic statements and proposals to explore an artistic space between archiving and activism, a space where remnants of the past become the building blocks of new ways of making, showing, teaching and thinking cinema.
=536  \\$aDeutsche Forschungsgemeinschaft$c310565625$eGraduiertenkolleg$fGRK 2279: Konfigurationen des Films
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aactivism
=653  \\$apandemic
=653  \\$acinema
=653  \\$adigitality
=653  \\$aarchivism
=653  \\$amedia ecology
=653  \\$arepositories
=700  1\$aSchulte Strathaus, Stefanie,$eeditor.
=700  1\$aHediger, Vinzenz,$eeditor.$uGoethe University Frankfurt.$0(orcid)0000000234552423$1https://orcid.org/0000-0002-3455-2423
=700  1\$aAlipanah, Hadi,$eauthor.
=700  1\$aBabić, Gaby,$eauthor.
=700  1\$aBalatbat-Helbock, Lynhan,$eauthor.
=700  1\$aBalsom, Erika,$eauthor.$uKing's College London.$0(orcid)0000000178072010$1https://orcid.org/0000-0001-7807-2010
=700  1\$aBeckmann, Marie Sophie,$eauthor.$uUniversity of Oldenburg.
=700  1\$aBernien, Mareike,$eauthor.
=700  1\$aBiswas, Amrita,$eauthor.$uGoethe University Frankfurt.
=700  1\$aÇakmak, Sema,$eauthor.$uGoethe University Frankfurt.
=700  1\$aCampanini, Sonia,$eauthor.$uGoethe University Frankfurt.$0(orcid)0009000324704790$1https://orcid.org/0009-0003-2470-4790
=700  1\$aCarter, Erica,$eauthor.$uKing's College London.$0(orcid)0000000323795777$1https://orcid.org/0000-0003-2379-5777
=700  1\$aÇelikaslan, Özge,$eauthor.$0(orcid)0000000275224813$1https://orcid.org/0000-0002-7522-4813
=700  1\$aCésar, Filipa,$eauthor.
=700  1\$aCheeka, Didi,$eauthor.
=700  1\$aDavis, Vaginal,$eauthor.
=700  1\$aDutta, Madhusree,$eauthor.
=700  1\$aEl Said, Tamer,$eauthor.
=700  1\$aEscobar López, Almudena,$eauthor.$uToronto Metropolitan University.$0(orcid)0000000318867166$1https://orcid.org/0000-0003-1886-7166
=700  1\$aGlazunova, Mariia,$eauthor.
=700  1\$aGregor, Ulrich,$eauthor.
=700  1\$aGoncharuk, Olena,$eauthor.
=700  1\$aGramann, Karola,$eauthor.
=700  1\$aHariharan, Veena,$eauthor.$uGoethe University Frankfurt.
=700  1\$aHassan, Mohammad Shawky,$eauthor.
=700  1\$aHeredia, Shai,$eauthor.
=700  1\$aHering, Tobias,$eauthor.
=700  1\$aIngravalle, Grazia,$eauthor.$uQueen Mary, University of London.
=700  1\$aKaushik, Ritika,$eauthor.$uGoethe University Frankfurt.
=700  1\$aKeidl, Philipp Dominik,$eauthor.$uUtrecht University.
=700  1\$aPratiwi, Julita,$eauthor.
=700  1\$aRahman, Lisabona,$eauthor.
=700  1\$aKhitsinska, Ivanna,$eauthor.
=700  1\$aKim, Hieyoon,$eauthor.$uUniversity of Wisconsin-Madison.
=700  1\$aKloeckner, Laura,$eauthor.
=700  1\$aKröger, Merle,$eauthor.
=700  1\$aMakarevic, Asja,$eauthor.$uGoethe University Frankfurt.
=700  1\$aMeyn, Nils,$eauthor.$uGoethe University Frankfurt.
=700  1\$aNdaliko Katondolo, Petna,$eauthor.
=700  1\$aOhene-Asah, Rebecca,$eauthor.$0(orcid)0009000600154511$1https://orcid.org/0009-0006-0015-4511
=700  1\$aPantenburg, Volker,$eauthor.$uUniversity of Zurich.$0(orcid)0000000243037677$1https://orcid.org/0000-0002-4303-7677
=700  1\$aPerneczky, Nikolaus,$eauthor.
=700  1\$aPitassio, Francesco,$eauthor.$uUniversity of Udine.
=700  1\$aRuhm, Constanze,$eauthor.
=700  1\$aSchlüpmann, Heide,$eauthor.
=700  1\$aSchneider, Alexandra,$eauthor.$uJohannes Gutenberg University Mainz.
=700  1\$aShambu, Girish,$eauthor.$uCanisius College.
=700  1\$aSiegel, Marc,$eauthor.$uJohannes Gutenberg University Mainz.$0(orcid)0000000163269558$1https://orcid.org/0000-0001-6326-9558
=700  1\$aSungu, Can,$eauthor.
=700  1\$aThieme, Clarissa,$eauthor.
=700  1\$aTurajlić, Mila,$eauthor.
=700  1\$aVasudevan, Ravi,$eauthor.
=700  1\$aVenturini, Simone,$eauthor.$uUniversity of Udine.
=700  1\$aYounis, Ala,$eauthor.
=710  2\$ameson press eG,$epublisher.
=830  \0$aConfigurations of Film ;$vvol. 8.$x0000-0009$x0000-0008
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=100  1\$aDurham Peters, John,$eauthor.$uYale University.
=245  10$aAction at a Distance /$cJohn Durham Peters, Florian Sprenger, Christina Vagt.
=264  \1$aLüneburg :$bmeson press eG,$c2020.
=264  \4$c©2020
=300  \\$a1 online resource (94 pages).
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=500  \\$aAvailable through meson press eG.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aThe mediality of transmission and the materiality of communication result today more than ever in “acting at a distance” – an action whose agency lies in a medium. This book provides an overview into this crucial phenomenon, thereby introducing urgent questions of human interaction, the binding and breaking of time and space, and the entanglement of the material and the immaterial. Three vivid inquiries deal with histories and theories of mediality and materiality.
=536  \\$aSimon Fraser University$eCanada 150 Research Chairs Program
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aMateriality
=653  \\$aTransmission
=653  \\$aMediality
=700  1\$aSprenger, Florian,$eauthor.$uRuhr University Bochum.$0(orcid)0000000252258711$1https://orcid.org/0000-0002-5225-8711
=700  1\$aVagt, Christina,$eauthor.$uUniversity of California.
=710  2\$ameson press eG,$epublisher.
=830  \0$aIn Search of Media ;$vvol. 8.$x0000-0007$x0000-0006
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=100  1\$aFörster, Desiree,$eauthor.$uUniversity of Chicago.
=245  10$aAesthetic Experience of Metabolic Processes /$cDesiree Förster.
=264  \1$aLüneburg :$bmeson press eG,$c2021.
=264  \4$c©2021
=300  \\$a1 online resource (184 pages).
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=490  1\$aFuture Ecologies ;$vvol. 2.$x0000-0001$x0000-0000
=500  \\$aAvailable through meson press eG.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aSimultaneously speculative and inspired by everyday experiences, this volume develops an aesthetics of metabolism that offers a new perspective on the human-environment relation, one that is processual, relational, and not dependent on conscious thought. In art installations, design prototypes, and research-creation projects that utilize air, light, or temperature to impact subjective experience the author finds aesthetic milieus that shift our awareness to the role of different sense modalities in aesthetic experience. Metabolic and atmospheric processes allow for an aesthetics besides and beyond the usually dominant visual sense.Aesthetic Experience of Metabolic Processes is part of the series Future Ecologies dedicated to rethink the multiple ecologies that flourish and struggle on Earth and beyond.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aDesign
=653  \\$aAesthetics
=653  \\$aMetabolism
=653  \\$aAtmospheres
=653  \\$aSenses
=653  \\$aArt
=653  \\$aExperience
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=100  1\$aAngerer, Marie-Luise,$eauthor.$uUniversity of Potsdam.$0(orcid)0000000329439394$1https://orcid.org/0000-0003-2943-9394
=245  10$aAffective Transformations :$bPolitics – Algorithms – Media /$cedited by Bernd Bösel, Serjoscha Wiemer.
=264  \1$aLüneburg :$bmeson press eG,$c2020.
=264  \4$c©2020
=300  \\$a1 online resource (243 pages).
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=520  \\$aThe Affective Turn has lost its former innocence and euphoria. Affect Studies and its adjacent disciplines have now to prove that they can cope with the return of the affective real that technology, economy, and politics entail.Two seemingly contradictory developments serve as starting points for this volume. First, technological innovations such as affective computing, mood tracking, sentiment analysis, and social robotics all share a focus on the recognition and modulation of human affectivity. Affect gets measured, calculated, controlled. Secondly, recent developments in politics, social media usage, and right-wing journalism have contributed to a conspicuous rise of hate speech, cybermobbing, public shaming, “felt truths,” and resentful populisms. In a very specific way, politics as well as power have become affective.Affect gets mobilized, fomented, unleashed. When the ways we deal with our affectivity get unsettled in such a dramatic fashion, we have to rethink our ethical, aesthetical, political as well as legal regimes of affect organization.
=536  \\$aDeutsche Forschungsgemeinschaft$fAffect- und Psychotechnology Studies
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aAlgorithmen
=653  \\$aPsychologie
=653  \\$aMedien
=653  \\$aPolitik
=653  \\$aÄsthetik
=653  \\$aDemokratie
=653  \\$aSocial Media
=653  \\$aAffekt
=653  \\$aEmotion
=653  \\$aPopulismus
=700  1\$aBösel, Bernd,$eeditor.$uUniversity of Potsdam.
=700  1\$aWiemer, Serjoscha,$eeditor.$uPaderborn University.
=700  1\$aCassou-Noguès, Pierre,$eauthor.$uParis 8 University.$0(orcid)0000000167764089$1https://orcid.org/0000-0001-6776-4089
=700  1\$aClam, Jean,$eauthor.$uCentre National de la Recherche Scientifique.
=700  1\$aFuchs, Mathias,$eauthor.$uLeuphana University of Lüneburg.$0(orcid)0000000345433478$1https://orcid.org/0000-0003-4543-3478
=700  1\$aGramelsberger, Gabriele,$eauthor.$uRWTH Aachen University.
=700  1\$aKaldrack, Irina,$eauthor.$uBraunschweig University of Art.
=700  1\$aKasprowicz, Dawid,$eauthor.$uRWTH Aachen University.
=700  1\$aLeistert, Oliver,$eauthor.$uLeuphana University of Lüneburg.$0(orcid)0000000177788965$1https://orcid.org/0000-0001-7778-8965
=700  1\$aOtt, Michaela,$eauthor.$uAcademy of Fine Arts Hamburg.
=700  1\$aRautzenberg, Markus,$eauthor.$uFolkwang University of the Arts.
=700  1\$aRoss, Andrew,$eauthor.$uOhio University.
=700  1\$aStenner, Paul,$eauthor.$uThe Open University.$0(orcid)0000000345056422$1https://orcid.org/0000-0003-4505-6422
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=100  1\$aAngerer, Marie-Luise,$eauthor.$uUniversity of Potsdam.$0(orcid)0000000329439394$1https://orcid.org/0000-0003-2943-9394
=245  10$aAffektökologie :$bIntensive Milieus und zufällige Begegnungen /$cMarie-Luise Angerer.
=264  \1$aLüneburg :$bmeson press eG,$c2017.
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=520  \\$aDas Denken des Humanen wird in besonderer Weise von den medientechnologischen Verschiebungen des 20. Jahrhunderts berührt. Affekt wird hier zu einem neuen Schwellenbegriff, der den Körper medientechnisch und politisch auf neue Weise anschlussfähig macht. In einer relationalen Neu-Organisation verdichtet sich das organische und technische Leben auf neue, intensive Weise zu einer Ökologie des Affektiven.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aIntervall
=653  \\$aAntagonismus
=653  \\$aUmwelt
=653  \\$aEmpfinden
=653  \\$aDislokation
=653  \\$aIntensität
=653  \\$aMilieu
=653  \\$aIntra-aktion
=653  \\$aPolitische Affizierung
=710  2\$ameson press eG,$epublisher.
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=100  1\$aBurton, Anthony Glyn,$eauthor.$uSimon Fraser University.$0(orcid)0000000164740313$1https://orcid.org/0000-0001-6474-0313
=245  10$aAlgorithmic Authenticity :$bAn Overview /$cAnthony Glyn Burton, Wendy Hui Kyong Chun, Liliana Bounegru, Melody Devries, Amy Harris, hannah holtzclaw, Ioana B. Jucan, Alexandra Juhasz, D.W. Kamish, Ganaele Langlois, Jasmine Proctor, Christine Tomlinson, Roopa Vasudevan, Esther Weltevrede.
=264  \1$aLüneburg :$bmeson press eG,$c2023.
=264  \4$c©2023
=300  \\$a1 online resource (138 pages).
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=500  \\$aAvailable through meson press eG.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aWhat makes information feel true or compelling in our contemporary digital societies? This book brings together different disciplinary understandings of “authenticity” in order to find alternative ways to approach mis- and disinformation that go beyond contemporary fact-checking and its search for the “authentic” truth. Patterned under the algorithmic flows of digital capitalism, authenticity itself is subject to variation, iteration, and outside influence. Linking cross-disciplinary research on the history and practices of algorithmic authenticity points to new research questions to understand the impact of algorithmic authenticity on social life and its role in contemporary information disorder.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$ainformation disorder
=653  \\$aalgorithms
=653  \\$aauthentication
=653  \\$arace
=653  \\$adigital capitalism
=653  \\$afact-checking
=653  \\$adigital society
=653  \\$apolitics
=653  \\$amisinformation
=653  \\$agender
=653  \\$aperformance
=653  \\$arelationality
=653  \\$atruth
=700  1\$aChun, Wendy Hui Kyong,$eauthor.$uSimon Fraser University.
=700  1\$aBounegru, Liliana,$eauthor.$uKing's College London.$0(orcid)0000000301985158$1https://orcid.org/0000-0003-0198-5158
=700  1\$aDevries, Melody,$eauthor.$uToronto Metropolitan University.$0(orcid)0000000300633134$1https://orcid.org/0000-0003-0063-3134
=700  1\$aHarris, Amy,$eauthor.$uSimon Fraser University.
=700  1\$aholtzclaw, hannah,$eauthor.$uSimon Fraser University.
=700  1\$aJucan, Ioana B.,$eauthor.$uEmerson College.
=700  1\$aJuhasz, Alexandra,$eauthor.$uBrooklyn College.$0(orcid)0000000176167323$1https://orcid.org/0000-0001-7616-7323
=700  1\$aKamish, D.W.,$eauthor.$uSimon Fraser University.$0(orcid)0000000224696255$1https://orcid.org/0000-0002-2469-6255
=700  1\$aLanglois, Ganaele,$eauthor.$uYork University.
=700  1\$aProctor, Jasmine,$eauthor.
=700  1\$aTomlinson, Christine,$eauthor.$uUniversity of California, Irvine.$0(orcid)0000000275982913$1https://orcid.org/0000-0002-7598-2913
=700  1\$aVasudevan, Roopa,$eauthor.$0(orcid)0000000175970819$1https://orcid.org/0000-0001-7597-0819
=700  1\$aWeltevrede, Esther,$eauthor.$uUniversity of Amsterdam.$0(orcid)000000015276297X$1https://orcid.org/0000-0001-5276-297X
=710  2\$ameson press eG,$epublisher.
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=100  1\$aPasquinelli, Matteo,$eeditor, author.$uPratt Institute.
=245  10$aAlleys of Your Mind :$bAugmented Intelligence and Its Traumas /$cedited by Matteo Pasquinelli.
=264  \1$aLüneburg :$bmeson press eG,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource (212 pages).
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=500  \\$aAvailable through meson press eG.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aWhat does thinking mean in the age of Artificial Intelligence? How is big-scale computation transforming the way our brains function? This collection discusses these pressing questions by looking beyond instrumental rationality. Exploring recent developments as well as examples from the history of cybernetics, the book uncovers the positive role played by errors and traumas in the construction of our contemporary technological minds. With texts by Benjamin Bratton, Orit Halpern, Adrian Lahoud, Jon Lindblom, Catherine Malabou, Reza Negarestani, Luciana Parisi, Matteo Pasquinelli, Ana Teixeira Pinto, Michael Wheeler, Charles Wolfe, and Ben Woodard.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aArtificial Intelligence
=653  \\$aExtended Mind
=653  \\$aSpeculative Realism
=700  1\$aBratton, Benjamin H.,$eauthor.$uUniversity of California, San Diego.
=700  1\$aHalpern, Orit,$eauthor.$0(orcid)0000000180093160$1https://orcid.org/0000-0001-8009-3160
=700  1\$aLahoud, Adrian,$eauthor.$uGoldsmiths University of London.
=700  1\$aLindblom, Jon,$eauthor.$uGoldsmiths University of London.
=700  1\$aMalabou, Catherine,$eauthor.$uKingston University.$0(orcid)0000000229714707$1https://orcid.org/0000-0002-2971-4707
=700  1\$aNegarestani, Reza,$eauthor.
=700  1\$aParisi, Luciana,$eauthor.$uGoldsmiths University of London.
=700  1\$aTeixeira Pinto, Ana,$eauthor.$uBerlin University of the Arts.
=700  1\$aWheeler, Michael,$eauthor.$uUniversity of Stirling.$0(orcid)0000000336381215$1https://orcid.org/0000-0003-3638-1215
=700  1\$aWolfe, Charles,$eauthor.$uGhent University.$0(orcid)0000000279569085$1https://orcid.org/0000-0002-7956-9085
=700  1\$aWoodard, Ben,$eauthor.$uWestern University.$0(orcid)0000000160175193$1https://orcid.org/0000-0001-6017-5193
=710  2\$ameson press eG,$epublisher.
=856  40$uhttps://doi.org/10.14619/014$zConnect to e-book
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=100  1\$aLison, Andrew,$eauthor.$uUniversity at Buffalo, State University of New York.$0(orcid)0000000226605249$1https://orcid.org/0000-0002-2660-5249
=245  10$aArchives /$cAndrew Lison, Marcell Mars, Tomislav Medak, Rick Prelinger.
=264  \1$aLüneburg :$bmeson press eG,$c2019.
=264  \4$c©2019
=300  \\$a1 online resource (97 pages).
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=490  1\$aIn Search of Media ;$vvol. 6.$x0000-0007$x0000-0006
=500  \\$aAvailable through meson press eG.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aArchives have become a nexus in the wake of the digital turn. This book sets out to show how expanded archival practices can challenge contemporary conceptions and inform the redistribution of power and resources. Calling for the necessity to reimagine the potentials of archives in practice, the three contributions ask: Can archives fulfill their paradoxical potential as utopian sites in which the analog and the digital, the past and future, and remembrance and forgetting commingle?
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aDigitization
=653  \\$aFilm Preservation
=653  \\$aDigital Publishing
=653  \\$aArchives
=653  \\$aArchiving
=653  \\$aDigital Memory
=653  \\$aDigital Media
=700  1\$aMars, Marcell,$eauthor.$uCoventry University.
=700  1\$aMedak, Tomislav,$eauthor.$uCoventry University.$0(orcid)0000000338440434$1https://orcid.org/0000-0003-3844-0434
=700  1\$aPrelinger, Rick,$eauthor.$uUniversity of California, Santa Cruz.
=710  2\$ameson press eG,$epublisher.
=830  \0$aIn Search of Media ;$vvol. 6.$x0000-0007$x0000-0006
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=100  1\$aWalkowski, Niels-Oliver,$eauthor.$uUniversity of Luxembourg.$0(orcid)0000000330433010$1https://orcid.org/0000-0003-3043-3010
=245  10$aBeyond the Flow :$bScholarly Publications During and After the Digital /$cNiels-Oliver Walkowski.
=264  \1$aLüneburg :$bmeson press eG,$c2019.
=264  \4$c©2019
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=520  \\$aIn the wake of the so-called digital revolution numerous attempts have been made to rethink and redesign what scholarly publications can or should be. Beyond the Flow examines the technologies as well as narratives driving this unfolding transformation. By unpacking the confusion, heterogeneity and uncertainty that is surrounding scholarly publishing today the book asks for how a sustainable post-digital publishing ecology can be imagined.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aDigital Media
=653  \\$aDigital Publishing
=653  \\$aOpen Access
=653  \\$aPost-Digital
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=100  1\$aBeiguelman, Giselle,$eauthor.$uUniversidade de São Paulo.$0(orcid)0000000348125972$1https://orcid.org/0000-0003-4812-5972
=245  10$aBoundary Images /$cGiselle Beiguelman, Melody Devries, Winnie Soon, Magdalena Tyżlik-Carver.
=264  \1$aLüneburg :$bmeson press eG,$c2023.
=264  \4$c©2023
=300  \\$a1 online resource (146 pages).
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=500  \\$aAvailable through meson press eG.
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=520  \\$aHow are images made, and how should we understand the capacities of digital images? This book investigates images as well as the technologies that host them. Its three chapters discuss the boundaries that images cross and blur between humans, machines, and nature and the ways in which images are political, material, and visual. Exploring these boundaries of images, this book places itself at the limits of the visual and beyond what can be seen, understanding these as starting points for the production of new and radically different ways of knowing about the world and its becomings.
=536  \\$aSimon Fraser University$eCanada 150 Research Chairs Program
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$adigital images
=700  1\$aDevries, Melody,$eauthor.$uToronto Metropolitan University.$0(orcid)0000000300633134$1https://orcid.org/0000-0003-0063-3134
=700  1\$aSoon, Winnie,$eauthor.$uUniversity of the Arts London.$0(orcid)0000000207904737$1https://orcid.org/0000-0002-0790-4737
=700  1\$aTyżlik-Carver, Magdalena,$eauthor.$uAarhus University.$0(orcid)0000000329030353$1https://orcid.org/0000-0003-2903-0353
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=100  1\$aOlsen, Lief Thomas,$eauthor.
=245  10$aCitizen Lobby :$bFrom Capacity to Influence /$cLeif Thomas Olsen.
=264  \1$aLüneburg :$bmeson press eG,$c2015.
=264  \4$c©2015
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=520  \\$aThe Internet holds endless opportunities for exchange and dialogue and the promise of developing a better democratic model. Day-to-day politics are largely driven by economic lobbies in the interest of what Habermas calls their „generalised particularism,“ the threat to take jobs and tax revenues elsewhere. Citizens’ influence over politicians is twofold: they are asked for their input in elections, referenda, online consultations and surveys, and citizens can initiate issues where they see political action needed. Yet these “participative forces,” including NGOs, street rallies and charities, regularly fail to reach the ears of elected politicians as effectively as those of well-funded corporate lobbies. Also, this type of voluntary engagement often falls short of presenting the kind of reasoned challenges to the incumbents—by the electorate—that Habermas’ communicative action aimed at. A more powerful model would therefore organise the efforts of the electorate in a way that both generates those reasoned arguments, which, as Habermas quite correctly pointed out differ from mere opinions, and delivers them to the elected politicians in a manner they can neither refuse nor ignore. This is what the Citizen Lobby intends to do.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aPolitics
=653  \\$aPolitical System
=653  \\$aJürgen Habermas
=653  \\$aParticipation
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=100  1\$aBialski, Paula,$eauthor.$uLeuphana University of Lüneburg.$0(orcid)0000000182966041$1https://orcid.org/0000-0001-8296-6041
=245  10$aCommunication /$cPaula Bialski, Finn Brunton, Mercedes Bunz.
=264  \1$aLüneburg :$bmeson press eG,$c2019.
=264  \4$c©2019
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=520  \\$aContemporary communication puts us not only in conversation with one another but also with our machinery. Machine communication—to communicate not just via but also with machines—is therefore the focus of this volume. Diving into digital communications history, Finn Brunton brings to the fore the alienness of computational communication by looking at network timekeeping, automated trolling, and early attempts at communication with extraterrestrial life. Picking up this fascination with inhuman communication, Mercedes Bunz then performs a close reading of interaction design and interfaces to show how technology addresses humans (as very young children). Finally, Paula Bialski shares her findings from a field study of software development, analyzing the communicative forms that occur when code is written by separate people. Today, communication unfolds merely between two or more conscious entities but often includes an invisible third party. Inspired by this drastic shift, this volume uncovers new meanings of what it means “to communicate.”
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aCommunication
=653  \\$aDigital Media
=653  \\$aMedia Studies
=700  1\$aBrunton, Finn,$eauthor.$uNew York University.
=700  1\$aBunz, Mercedes,$eauthor.$uKing's College London.$0(orcid)0000000328760522$1https://orcid.org/0000-0003-2876-0522
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=100  1\$aMiyazaki, Shintaro,$eauthor.$uHumboldt-Universität zu Berlin.$0(orcid)000000027922735X$1https://orcid.org/0000-0002-7922-735X
=245  10$aCounter-Dancing Digitality :$bOn Commoning and Computation /$cShintaro Miyazaki.
=264  \1$aLüneburg :$bmeson press eG,$c2023.
=264  \4$c©2023
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=520  \\$aDigitality is imposed upon us! To change this, we should not turn away from it, but look carefully into its transformative power and make operable alternatives such as counter-algorhythms and solidarity-oriented commoning. The aim is a world where profit and property no longer exist, but instead where a cooperative dance – between all the needs posed by our ecosystems, and all the needs of people – becomes practicable. This book is a critical media theory of future-building, modulated by a focus on the potentials of counter-dancing as providing ways to unfold fugitive practices.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
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=100  1\$aAckerman, Ada,$eauthor.$uThéorie et Histoire des Arts et des Littératures de la Modernité.
=245  10$aPandemic Media :$bPreliminary Notes Toward an Inventory /$cedited by Philipp Dominik Keidl, Laliv Melamed, Vinzenz Hediger, Antonio Somaini.
=264  \1$aLüneburg :$bmeson press eG,$c2020.
=264  \4$c©2020
=300  \\$a1 online resource (380 pages).
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=490  1\$aConfigurations of Film ;$vvol. 3.$x0000-0009$x0000-0008
=500  \\$aAvailable through meson press eG.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aWith its unprecedented scale and consequences the COVID-19 pandemic has generated a variety of new configurations of media. Responding to demands for information, synchronization, regulation, and containment, these “pandemic media” reorder social interactions, spaces, and temporalities, thus contributing to a reconfiguration of media technologies and the cultures and polities with which they are entangled. Highlighting media’s adaptability, malleability, and scalability under the conditions of a pandemic, the contributions to this volume track and analyze how media emerge, operate, and change in response to the global crisis and provide elements toward an understanding of the post-pandemic world to come.
=536  \\$aDeutsche Forschungsgemeinschaft$c310565625$eGraduiertenkolleg$fGRK 2279: Konfigurationen des Films
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aCoronavirus
=653  \\$aMedia
=653  \\$aScale
=653  \\$aTechnologies
=653  \\$aMaterialities
=653  \\$aTime
=653  \\$aDigitalization
=653  \\$aActivism
=653  \\$aSpace
=653  \\$aSociability
=653  \\$aInstruction
=653  \\$aCOVID-19
=653  \\$aPandemic
=653  \\$aTemporality
=653  \\$aEducation
=700  1\$aKeidl, Philipp Dominik,$eeditor.$uGoethe University Frankfurt.
=700  1\$aMelamed, Laliv,$eeditor.$uGoethe University Frankfurt.
=700  1\$aHediger, Vinzenz,$eeditor.$uGoethe University Frankfurt.$0(orcid)0000000234552423$1https://orcid.org/0000-0002-3455-2423
=700  1\$aSomaini, Antonio,$eeditor.$uSorbonne Nouvelle University.
=700  1\$aAlexander, Neta,$eauthor.$uColgate University.
=700  1\$aBak, Meredith A.,$eauthor.$uRutgers University.
=700  1\$aBaronian, Marie-Aude,$eauthor.$uUniversity of Amsterdam.
=700  1\$aBergermann, Ulrike,$eauthor.$uBraunschweig University of Art.
=700  1\$aBiswas, Amrita,$eauthor.$uGoethe University Frankfurt.
=700  1\$aCastro, Teresa,$eauthor.$uSorbonne Nouvelle University.$0(orcid)0000000202207529$1https://orcid.org/0000-0002-0220-7529
=700  1\$aCheeka, Didi,$eauthor.
=700  1\$aCho, Michelle,$eauthor.$uUniversity of Toronto.
=700  1\$aDenson, Shane,$eauthor.$uStanford University.
=700  1\$ada Silva Machado, Guilherme,$eauthor.$uSorbonne Nouvelle University.
=700  1\$ade Valck, Marijke,$eauthor.$uUtrecht University.
=700  1\$aDogruel, Kerim,$eauthor.$uGoethe University Frankfurt.
=700  1\$aDuguay, Stefanie,$eauthor.$uConcordia University.$0(orcid)0000000297960619$1https://orcid.org/0000-0002-9796-0619
=700  1\$aDyer, Kester,$eauthor.$uCarleton University.
=700  1\$aEngemann, Christoph,$eauthor.$uBauhaus University, Weimar.
=700  1\$aFleck, Karin,$eauthor.$uGoethe University Frankfurt.
=700  1\$aGhosh, Bishnupriya,$eauthor.$uUniversity of California, Santa Barbara.
=700  1\$aGräfe, Sophia,$eauthor.$uPhilipps University of Marburg.
=700  1\$aHagener, Malte,$eauthor.$uPhilipps University of Marburg.$0(orcid)0000000346645536$1https://orcid.org/0000-0003-4664-5536
=700  1\$aHoof, Florian,$eauthor.$uLeuphana University of Lüneburg.
=700  1\$aJancovic, Marek,$eauthor.$uVU Amsterdam.
=700  1\$aLeroy, Alice,$eauthor.$uUniversité Gustave Eiffel.
=700  1\$aLlamas-Rodriguez, Juan,$eauthor.$uThe University of Texas at Dallas.$0(orcid)0000000251959217$1https://orcid.org/0000-0002-5195-9217
=700  1\$aMowitt, John,$eauthor.$uUniversity of Leeds.
=700  1\$aNeves, Joshua,$eauthor.$uConcordia University.
=700  1\$aSchneider, Alexandra,$eauthor.$uJohannes Gutenberg University Mainz.
=700  1\$aSchultz-Figueroa, Benjamín,$eauthor.$uSeattle University.$0(orcid)0000000211276040$1https://orcid.org/0000-0002-1127-6040
=700  1\$aSemerene, Diego,$eauthor.$uOxford Brookes University.$0(orcid)0000000331132359$1https://orcid.org/0000-0003-3113-2359
=700  1\$aSimon, Felix M.,$eauthor.$uOxford Internet Institute.$0(orcid)0000000203714653$1https://orcid.org/0000-0002-0371-4653
=700  1\$aSteinberg, Marc,$eauthor.$uConcordia University.
=700  1\$aStrauven, Wanda,$eauthor.$uGoethe University Frankfurt.
=700  1\$aVerheul, Jaap,$eauthor.$uKing's College London.
=700  1\$aWaysdorf, Abby S.,$eauthor.$uUtrecht University.$0(orcid)0000000307984797$1https://orcid.org/0000-0003-0798-4797
=700  1\$aWilliams, Rebecca,$eauthor.$uUniversity of South Wales.$0(orcid)0000000158968995$1https://orcid.org/0000-0001-5896-8995
=700  1\$aZilch, Leonie,$eauthor.$uJohannes Gutenberg University Mainz.
=700  1\$aZimmermann, Yvonne,$eauthor.$uPhilipps University of Marburg.
=710  2\$ameson press eG,$epublisher.
=830  \0$aConfigurations of Film ;$vvol. 3.$x0000-0009$x0000-0008
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=100  1\$aApprich, Clemens,$eauthor.$uLeuphana University of Lüneburg.$0(orcid)0000000276193801$1https://orcid.org/0000-0002-7619-3801
=245  10$aPattern Discrimination /$cClemens Apprich, Florian Cramer, Wendy Hui Kyong Chun, Hito Steyerl.
=264  \1$aLüneburg :$bmeson press eG,$c2018.
=264  \4$c©2018
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=520  \\$aAlgorithmic identity politics reinstate old forms of social segregation—in a digital world, identity politics is pattern discrimination. It is by recognizing patterns in input data that Artificial Intelligence algorithms create bias and practice racial exclusions thereby inscribing power relations into media. How can we filter information out of data without reinserting racist, sexist, and classist beliefs?
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aMedia Studies
=653  \\$aArtificial Intelligence
=653  \\$aCritical Algorithms Studies
=700  1\$aCramer, Florian,$eauthor.$uWillem de Kooning Academy in Rotterdam.
=700  1\$aChun, Wendy Hui Kyong,$eauthor.$uSimon Fraser University.
=700  1\$aSteyerl, Hito,$eauthor.$uBerlin University of the Arts.
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=100  1\$aSprenger, Florian,$eauthor.$0(orcid)0000000252258711$1https://orcid.org/0000-0002-5225-8711
=245  10$aPolitik der Mikroentscheidungen :$bEdward Snowden, Netzneutralität und die Architekturen des Internets /$cFlorian Sprenger.
=264  \1$aLüneburg :$bmeson press eG,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource (130 pages).
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=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aOb beim Aufrufen einer Webseite, beim Versenden einer E-Mail oder beim Hochfrequenzhandel an der Börse: Auf ihrem Weg durch die Weiten digitaler Netze durchqueren Bits zahlreiche Knoten, an denen eine Reihe von Mikroentscheidungen getroffen werden. Diese Entscheidungen betreffen den besten Pfad zum Ziel, die Verarbeitungsgeschwindigkeit oder die Priorität zwischen den ankommenden Paketen.In ihrer vielschichtigen Gestalt bilden solche Mikroentscheidungen eine bislang nur marginal beachtete Dimension von Kontrolle und Überwachung im 21. Jahrhundert. Sie sind sowohl die kleinste Einheit als auch die technische Voraussetzung einer gegenwärtigen Politik digitaler Netzwerke – und des Widerstands gegen sie. Die aktuellen Debatten um Netzneutralität und Edward Snowdens Enthüllung der NSA-Überwachung bilden dabei lediglich die Spitze des Eisbergs. Auf dem Spiel steht nicht weniger als die Zukunft des Internets, wie wir es kennen.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovationsinkubator
=536  \\$aNiedersächsisches Ministerium für Wissenschaft und Kultur$eNiedersächsisches Vorab
=536  \\$aVolkswagen Foundation$eNiedersächsisches Vorab
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aInfrastruktur
=653  \\$aInternetarchitektur
=653  \\$aMaterialität
=653  \\$aPolitik
=653  \\$aMedienwissenschaft
=653  \\$aEdward Snowden
=653  \\$aPaul Baran
=653  \\$aÜberwachung
=653  \\$aMacht
=653  \\$aNetzneutralität
=653  \\$aNetzwerke
=653  \\$aMikroentscheidungen
=700  1\$aKelty, Christopher,$eforeword by.$0(orcid)0000000302535554$1https://orcid.org/0000-0003-0253-5554
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=100  1\$aDenson, Shane,$eauthor.$uStanford University.
=245  10$aPost-Cinematic Bodies /$cShane Denson.
=264  \1$aLüneburg :$bmeson press eG,$c2023.
=264  \4$c©2023
=300  \\$a1 online resource (248 pages).
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=490  1\$aConfigurations of Film ;$vvol. 7.$x0000-0009$x0000-0008
=500  \\$aAvailable through meson press eG.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aHow is human embodiment transformed in an age of algorithms? How do post-cinematic media technologies such as AI, VR, and robotics target and re-shape our bodies? Post-Cinematic Bodies grapples with these questions by attending both to mundane devices—such as smartphones, networked exercise machines, and smart watches and other wearables equipped with heartrate sensors—as well as to new media artworks that rework such equipment to reveal to us the ways that our fleshly existences are increasingly up for grabs. Through an equally philosophical and interpretive analysis, the book aims to develop a new aesthetics of embodied experience that is attuned to a new age of predictive technology and metabolic capitalism.
=536  \\$aDeutsche Forschungsgemeinschaft$c310565625$eGraduiertenkolleg$fGRK 2279: Konfigurationen des Films
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$apredictive technology
=653  \\$aaesthetics
=653  \\$aArtificial Intelligence
=653  \\$anew media artworks
=653  \\$aVirtual Reality
=653  \\$aembodiment
=653  \\$awearables
=653  \\$apost-cinematic
=653  \\$aalgorithms
=653  \\$amedia technologies
=653  \\$acapitalism
=653  \\$arobotics
=653  \\$abodies
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=245  00$aPreferable Futures /$cedited by Irina Kaldrack, Rolf F. Nohr.
=264  \4$c©2023
=300  \\$a1 online resource (121 pages).
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=520  \\$aPreferable Futures delves into the question of possible, probable, and desirable futures amidst the pressures of climate change and digitalization. Through a diverse range of perspectives, the book explores ways to negotiate and create desirable futures using the concept of transformation design in theory and practice, economic business simulations, and recent humanistic theories. This thought-provoking read challenges us to imagine and (re)shape a future we cannot predict and find ways to make a difference right now.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=700  1\$aKaldrack, Irina,$eeditor.$uBauhaus University, Weimar.
=700  1\$aNohr, Rolf F.,$eeditor.$uBraunschweig University of Art.$0(orcid)0000000238174706$1https://orcid.org/0000-0002-3817-4706
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=100  1\$aBerendt, Bettina,$eauthor.$uKU Leuven.$0(orcid)0000000280033413$1https://orcid.org/0000-0002-8003-3413
=245  10$aProfile :$bInterdisziplinäre Beiträge /$cedited by Martin Degeling, Julius Othmer, Andreas Weich, Bianca Westermann.
=264  \1$aLüneburg :$bmeson press eG,$c2017.
=264  \4$c©2017
=300  \\$a1 online resource (150 pages).
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=500  \\$aAvailable through meson press eG.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aProfile haben Konjunktur. Seit der Verbreitung von Social Networking Sites sind sie alltäglicher Ort der Selbstdarstellung. Doch die Praktiken und Techniken der Profilierung sind keineswegs neu. Schon lange beschreiben Profile potentielle StraftäterInnen. Nun bestimmen sie auch die potentielle Kreditwürdigkeit.Im Spannungsfeld zwischen Profil und Profilierung nehmen die Beiträge aus Medienwissenschaft, Soziologie, Geschichtswissenschaft und Informatik die vielschichtigen Dimensionen dieses zentralen Phänomens der digitalen Medienkultur in den Blick: Wie verändern sich Bedeutung und Bewertung des Profil-Begriffs? Wie stehen Profile in Zusammenhang mit Subjektivierung und Machtkonstellationen? Welche Wechselwirkungen zwischen Profilen und Privatheit sind gegenwärtig relevant?
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
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=653  \\$aMacht
=653  \\$aProfil
=653  \\$aBig Data
=653  \\$aGeschichte
=700  1\$aDegeling, Martin,$eeditor.$uCarnegie Mellon University.
=700  1\$aOthmer, Julius,$eeditor.$uTechnical University of Braunschweig.
=700  1\$aWeich, Andreas,$eeditor.$uTechnical University of Braunschweig.
=700  1\$aWestermann, Bianca,$eeditor.$uRuhr University Bochum.
=700  1\$aBernard, Andreas,$eauthor.$uLeuphana University of Lüneburg.
=700  1\$aGrashöfer, Katja,$eauthor.$uRuhr University Bochum.
=700  1\$aKaldrack, Irina,$eauthor.$uBraunschweig University of Art.
=700  1\$aLehner, Nikolaus,$eauthor.$uUniversity of Vienna.
=700  1\$aSchmitt, Martin,$eauthor.$uCentre for Contemporary History.
=700  1\$aPittroff, Fabian,$eauthor.$uUniversity of Kassel.
=710  2\$ameson press eG,$epublisher.
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=100  1\$aJuhasz, Alexandra,$eauthor.$uBrooklyn College.$0(orcid)0000000176167323$1https://orcid.org/0000-0001-7616-7323
=245  10$aReally Fake /$cAlexandra Juhasz, Ganaele Langlois, Nishant Shah.
=264  \1$aLüneburg :$bmeson press eG,$c2021.
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=520  \\$aWith anchors in feminist theory, queer discourse, and digital politics, Really Fake rescues “fakeness” from the morass of “fake news” and rejuvenates “fake” as a material and tactical reality. This book treats fakeness as a media object itself: “Fakes” are things that travel and circulate through our bodies, sociality, and the technologies that envelop them. Punctuated with anecdotes, experiences, poetry, stories, and a strong feminist ethic and ethos of care, intimacy, and collectivity, Really Fake offers a series of entry points into reframing the debates of fakeness beyond polarized positions of performative outrage.
=536  \\$aSimon Fraser University$eCanada 150 Research Chairs Program
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aFeminism
=653  \\$aCare
=653  \\$aIntimacy
=653  \\$aDigital Politics
=653  \\$aCollectivity
=653  \\$aFakeness
=653  \\$aQueer Theory
=700  1\$aLanglois, Ganaele,$eauthor.$uYork University.
=700  1\$aShah, Nishant,$eauthor.$uArtEZ Institute of the Arts.
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=100  1\$aBeckmann, Marie Sophie,$eauthor.$uUniversity of Oldenburg.
=245  10$aRecords of Disaster :$bMedia Infrastructures and Climate Change /$cedited by Jakob Claus, Petra Löffler.
=264  \1$aLüneburg :$bmeson press eG,$c2022.
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=520  \\$aRecords of Disasters: Media Infrastructures and Climate Change explores how environmental disasters manifest and inscribe themselves in infrastructures. By turning to infrastructures, their logic and functioning, collapse and malfunction, the volume reveals their potential as fragile material witnesses to and of disasters. As climate change is unequally distributed across continuous dynamics and events, time scales and spatial registers, infrastructures can be understood as proxies or seismographs mediating different spatio-temporal layers that make these dynamics tangible. Disaster is made operational by negotiating what is defined as such, and under which geopolitical conditions. What connects melting glaciers and the knowledge from ice cores to the mapping of the ocean floor and the extraction of resources in the deep-sea? How can infrastructures be thought in time and “critical proximity”, and how do they bear witness to colonial pasts and presents? The volume proposes an analytical perspective on infrastructures as multi-layered witnesses to climate change, bringing together scientific and artistic approaches, students and scholars from different disciplines.
=536  \\$aNiedersächsisches Ministerium für Wissenschaft und Kultur$eNiedersächsisches Vorab
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aGeopolitics
=653  \\$aMedia Studies
=653  \\$aInfrastructures
=653  \\$aClimate Change
=700  1\$aClaus, Jakob,$eeditor.$uUniversity of Oldenburg.
=700  1\$aLöffler, Petra,$eeditor.$uUniversity of Oldenburg.
=700  1\$aBolwin, Charlotte,$eauthor.$uBauhaus University, Weimar.
=700  1\$aKöppert, Katrin,$eauthor.$uHochschule für Grafik und Buchkunst Leipzig.
=700  1\$aLinke, Armin Linke,$eauthor.
=700  1\$aSchabacher, Gabriele,$eauthor.$uJohannes Gutenberg University Mainz.
=700  1\$aSchuppli, Susan,$eauthor.$uGoldsmiths University of London.
=700  1\$aSuess, Solveig Qu,$eauthor.$uUniversity of Applied Sciences and Arts Northwestern Switzerland.
=710  2\$ameson press eG,$epublisher.
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=245  10$aRemain /$cIoana B. Jucan, Jussi Parikka, Rebecca Schneider.
=264  \1$aLüneburg :$bmeson press eG,$c2019.
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=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aIn a world undergoing constant media-driven change, the infrastructures, materialities, and temporalities of remains have become urgent. This book engages with the remains and remainders of media cultures through the lens both of theater and performance studies and of media archaeology. By taking “remain” as a verb, noun, state, and process of becoming, the authors explore the epistemological, social, and political implications.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$amedia infrastructures
=653  \\$amaterialities
=653  \\$atheater studies
=653  \\$aperformance studies
=653  \\$amedia archealogy
=700  1\$aParikka, Jussi,$eauthor.$0(orcid)0000000222486377$1https://orcid.org/0000-0002-2248-6377
=700  1\$aSchneider, Rebecca,$eauthor.
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=100  1\$aFizek, Sonia,$eeditor, author.$uLeuphana University of Lüneburg.
=245  10$aRethinking Gamification /$cedited by Mathias Fuchs, Sonia Fizek, Paolo Ruffino, Niklas Schrape.
=264  \1$aLüneburg :$bmeson press eG,$c2014.
=264  \4$c©2014
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=520  \\$aGamification marks a major change to everyday life. It describes the permeation of economic, political, and social contexts by game-elements such as awards, rule structures, and interfaces that are inspired by video games. Sometimes the term is reduced to the implementation of points, badges, and leaderboards as incentives and motivations to be productive. Sometimes it is envisioned as a universal remedy to deeply transform society toward more humane and playful ends. Despite its use by corporations to manage brand communities and personnel, however, gamification is more than just a marketing buzzword. States are beginning to use it as a new tool for governing populations more effectively. It promises to fix what is wrong with reality by making every single one of us fitter, happier, and healthier. Indeed, it seems like all of society is up for being transformed into one massive game.The contributions in this book offer a candid assessment of the gamification hype. They trace back the historical roots of the phenomenon and explore novel design practices and methods. They critically discuss its social implications and even present artistic tactics for resistance. It is time to rethink gamification!
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aGame Studies
=653  \\$aGamification
=653  \\$aMedia Studies
=700  1\$aFuchs, Mathias,$eeditor.$uLeuphana University of Lüneburg.$0(orcid)0000000345433478$1https://orcid.org/0000-0003-4543-3478
=700  1\$aRuffino, Paolo,$eeditor, author.$uLeuphana University of Lüneburg.
=700  1\$aSchrape, Niklas,$eeditor, author.$uLeuphana University of Lüneburg.
=700  1\$aDeterding, Sebastian,$eauthor.$uRochester Institute of Technology.$0(orcid)0000000300332104$1https://orcid.org/0000-0003-0033-2104
=700  1\$aDragona, Daphne,$eauthor.$uNational and Kapodistrian University of Athens.$0(orcid)0000000316972499$1https://orcid.org/0000-0003-1697-2499
=700  1\$aFerri, Gabriele,$eauthor.$uIndiana University.$0(orcid)0000000239003351$1https://orcid.org/0000-0002-3900-3351
=700  1\$aFoxman, Maxwell,$eauthor.$uColumbia University.$0(orcid)0000000164994372$1https://orcid.org/0000-0001-6499-4372
=700  1\$aNicholson, Scott,$eauthor.$uSyracuse University.
=700  1\$aPhilippette, Thibault,$eauthor.$uUniversité Catholique de Louvain.$0(orcid)0000000156633956$1https://orcid.org/0000-0001-5663-3956
=700  1\$aPoltronieri, Fabrizio Augusto,$eauthor.$uPontifícia Universidade Católica de São Paulo.$0(orcid)0000000174816086$1https://orcid.org/0000-0001-7481-6086
=700  1\$aRaczkowski, Felix,$eauthor.$uRuhr University Bochum.
=700  1\$aRaessens, Joost,$eauthor.$uUtrecht University.$0(orcid)0000000206663118$1https://orcid.org/0000-0002-0666-3118
=700  1\$aTiessen, Matthew,$eauthor.$uToronto Metropolitan University.
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=100  1\$aAllouche, Claire,$eauthor.$uParis 8 University.
=245  10$aSerge Daney and Queer Cinephilia /$cedited by Pierre Eugène, Kate Ince, Marc Siegel.
=264  \1$aLüneburg :$bmeson press eG,$c2024.
=264  \4$c©2024
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=500  \\$aAvailable through meson press eG.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aFrench critic Serge Daney was a central figure in film, television and media criticism of the second half of the twentieth century. He died of AIDS in 1992, just as the concept of queer cinema entered international film studies and just before the start of the digital era that has transformed film culture. This collection of new essays investigates the legacy of Daney’s work alongside considerations of feminist, queer and digital cinephilia and contemporary practices of film curation.
=536  \\$aDeutsche Forschungsgemeinschaft$c310565625$eGraduiertenkolleg$fGRK 2279: Konfigurationen des Films
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$adigital film
=653  \\$afilm curation
=653  \\$acinephilia
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=653  \\$amedia criticism
=653  \\$aqueer cinema
=653  \\$aqueer cinema
=653  \\$afilm studies
=653  \\$afilm culture
=700  1\$aEugène, Pierre,$eeditor.$uUniversity of Picardie Jules Verne.$0(orcid)0009000714458695$1https://orcid.org/0009-0007-1445-8695
=700  1\$aInce, Kate,$eeditor.$uUniversity of Birmingham.$0(orcid)0000000204560238$1https://orcid.org/0000-0002-0456-0238
=700  1\$aSiegel, Marc,$eeditor.$uJohannes Gutenberg University Mainz.$0(orcid)0000000163269558$1https://orcid.org/0000-0001-6326-9558
=700  1\$aBellour, Raymond,$eauthor.$uCentre National de la Recherche Scientifique.
=700  1\$aDelmas, Mélina,$eauthor.$uUniversity of Warwick.
=700  1\$aDowd, Garin,$eauthor.$uUniversity of West London.
=700  1\$aGalibert-Laîné, Chloé,$eauthor.$0(orcid)0009000135038557$1https://orcid.org/0009-0001-3503-8557
=700  1\$aHeath, Theresa,$eauthor.$uLoughborough University.
=700  1\$aInzerillo, Andrea,$eauthor.
=700  1\$aJoubert-Laurencin, Hervé,$eauthor.$uUniversité Paris Nanterre.
=700  1\$aKeidl, Philipp Dominik,$eauthor.$uUtrecht University.
=700  1\$aPageau, Simon,$eauthor.
=700  1\$aPierre-Ulmann, Sylvie,$eauthor.
=700  1\$aPourvali, Bamchade,$eauthor.
=700  1\$aRollet, Patrice,$eauthor.
=700  1\$aUzal, Marcos,$eauthor.
=700  1\$aMayer, So,$eauthor.
=700  1\$aRobertson, Selina,$eauthor.
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=100  1\$aBrillenburg Wurth, Kiene,$eauthor.$uUtrecht University.
=245  10$aSymptoms of the Planetary Condition :$bA Critical Vocabulary /$cedited by Mercedes Bunz, Birgit Mara Kaiser, Kathrin Thiele.
=264  \1$aLüneburg :$bmeson press eG,$c2017.
=264  \4$c©2017
=300  \\$a1 online resource (272 pages).
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=520  \\$aThis book explores the future of critique in view of our planetary condition. How are we to intervene in contemporary constellations of finance capitalism, climate change and neoliberalism? Think we must! To get to the symptoms, the book’s 38 terms ranging from affect and affirmation to world and work provide the reader with a critical toolbox to be continued. Negativity, judgment and opposition as modes of critique have run out of steam. Critique as an attitude and a manner of enquiry has not.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
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=700  1\$aBunz, Mercedes,$eeditor.$uUniversity of Westminster.$0(orcid)0000000328760522$1https://orcid.org/0000-0003-2876-0522
=700  1\$aKaiser, Birgit Mara,$eeditor.$uUtrecht University.
=700  1\$aThiele, Kathrin,$eeditor.$uUtrecht University.
=700  1\$aBuikema, Rosemarie,$eauthor.$uUtrecht University.
=700  1\$aDriscoll, Kári,$eauthor.$uUniversity of Westminster.$0(orcid)0000000246544666$1https://orcid.org/0000-0002-4654-4666
=700  1\$aFörster, Yvonne,$eauthor.$uLeuphana University of Lüneburg.$0(orcid)0000000251743256$1https://orcid.org/0000-0002-5174-3256
=700  1\$aHalsema, Annemie,$eauthor.$uVU Amsterdam.
=700  1\$aLawlor, Leonard,$eauthor.$uPennsylvania State University.
=700  1\$aLezra, Jacques,$eauthor.$uNew York University.$0(orcid)000000018017784X$1https://orcid.org/0000-0001-8017-784X
=700  1\$aMcAuliffe, Sam,$eauthor.$uGoldsmiths University of London.
=700  1\$aO’Leary, Timothy,$eauthor.$uUniversity of Hong Kong.
=700  1\$aPapenburg, Bettina,$eauthor.$uHeinrich Heine University Düsseldorf.
=700  1\$aPeeren, Esther,$eauthor.$uUniversity of Amsterdam.$0(orcid)0000000264322493$1https://orcid.org/0000-0002-6432-2493
=700  1\$aSzafraniec, Asja,$eauthor.$uAmsterdam University College.
=700  1\$aSehgal, Melanie,$eauthor.$uEuropean University Viadrina.
=700  1\$avan Keulen, Sybrandt,$eauthor.
=700  1\$aVasterling, Veronica,$eauthor.$uRadboud University, Nijmegen.
=700  1\$aWagner-Lawlor, Jennifer A.,$eauthor.$uPennsylvania State University.$0(orcid)0000000346670133$1https://orcid.org/0000-0003-4667-0133
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=100  1\$aBocquillon, Rémy,$eauthor.$uCatholic University of Eichstätt-Ingolstadt.$0(orcid)0000000328757040$1https://orcid.org/0000-0003-2875-7040
=245  10$aSzenen kritischer Relationalität /$cedited by Charlotte Bolwin, Jasmin Degeling, Gabriel Geffert, Martin Kallmeyer, Gereon Rahnfeld, Nathalie Schäfer, Katia Schwerzmann.
=264  \1$aLüneburg :$bmeson press eG,$c2024.
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=520  \\$aKritische Relationalität interveniert in Ordnungen des Denkens, die Kritik als Operation des Trennens und Auseinanderhaltens entworfen und damit die modernen Dualismen von Menschlichem und Nicht-Menschlichem, Subjekten und Objekten, Organischem und Technischem, Natur und Kultur geprägt haben. Ausgehend von multiplen, verschränkten Krisen suchen die Beiträge dieses Bandes konkrete Szenen auf, in denen das kritische Potenzial von Verbindungen und Verstrickungen anschaulich wird. Das Ausloten von Relationalität wird dabei zu einem analytischen Modus, der für die Produktivität von Verbindungen sensibilisiert und zugleich ihre differenziellen Dimensionen anerkennt.
=536  \\$aDeutsche Forschungsgemeinschaft$c413067638$eGraduiertenkolleg$fGRK2558/1: Medienanthropologie
=536  \\$aDeutsche Forschungsgemeinschaft$eOpen-Access-Publikationskosten
=536  \\$aBauhaus University, Weimar$ePublikationsfonds
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aMedien
=653  \\$aRelationalität
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=700  1\$aBolwin, Charlotte,$eeditor.$uBauhaus University, Weimar.
=700  1\$aDegeling, Jasmin,$eeditor.$uPaderborn University.
=700  1\$aGeffert, Gabriel,$eeditor.$uBauhaus University, Weimar.
=700  1\$aKallmeyer, Martin,$eeditor.$uBauhaus University, Weimar.
=700  1\$aRahnfeld, Gereon,$eeditor.$uBauhaus University, Weimar.
=700  1\$aSchäfer, Nathalie,$eeditor.$uBauhaus University, Weimar.
=700  1\$aSchwerzmann, Katia,$eeditor.$uRuhr University Bochum.
=700  1\$aClaus, Jakob,$eauthor.$uUniversity of Oldenburg.
=700  1\$aDeuber-Mankowsky, Astrid,$eauthor.$uRuhr University Bochum.
=700  1\$aEngell, Lorenz,$eauthor.$uBauhaus University, Weimar.
=700  1\$aGineprini, Lorenzo,$eauthor.$uBauhaus University, Weimar.
=700  1\$aHohmann, Philipp,$eauthor.$uRuhr University Bochum.
=700  1\$aKrivanec, Eva,$eauthor.$uBauhaus University, Weimar.
=700  1\$aRaskin, Irina,$eauthor.$uBraunschweig University of Art.
=700  1\$aRünker, Maximilian,$eeditor.$uBauhaus University, Weimar.
=700  1\$aSchade, Julia,$eauthor.$uRuhr University Bochum.$0(orcid)0000000345324159$1https://orcid.org/0000-0003-4532-4159
=700  1\$aSiegler, Martin,$eauthor.$uBauhaus University, Weimar.
=700  1\$aVoss, Christiane,$eauthor.$uBauhaus University, Weimar.
=700  1\$aWalther, Max,$eauthor.$uBauhaus University, Weimar.
=700  1\$aWeigelt, Shirin,$eauthor.$uBauhaus University, Weimar.
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=100  1\$aZeilinger, Martin,$eauthor.$uAbertay University.
=245  10$aTactical Entanglements :$bAI Art, Creative Agency, and the Limits of Intellectual Property /$cMartin Zeilinger.
=264  \1$aLüneburg :$bmeson press eG,$c2021.
=264  \4$c©2021
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=520  \\$aHow do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commons, this book is firmly positioned against the anthropomorphic spectacle of “creative AI.” It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes tactical entanglements between aesthetics, law, and capital.
=536  \\$aAbertay University$eOpen Access Publication Fund
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aPosthumanism
=653  \\$aIntellectual Property
=653  \\$aLaw
=653  \\$aArtificial Intelligence
=653  \\$aArt
=653  \\$aAuthorship
=653  \\$aAesthetics
=653  \\$aCreative Agency
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=100  1\$aNeves, Joshua,$eauthor.
=245  10$aTechnopharmacology /$cJoshua Neves, Aleena Chia, Susanna Paasonen, Ravi Sundaram.
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=520  \\$aTechnopharmacology is a modest call to expand media theoretical inquiry by attending to the biological, neurological, and pharmacological dimensions of media and centers on emergent affinities between big data and big pharma.
=536  \\$aSimon Fraser University$eCanada 150 Research Chairs Program
=538  \\$aMode of access: World Wide Web.
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=700  1\$aChia, Aleena,$eauthor.
=700  1\$aPaasonen, Susanna,$eauthor.
=700  1\$aSundaram, Ravi,$eauthor.
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=100  1\$aBergermann, Ulrike,$eauthor.$uBraunschweig University of Art.
=245  10$aInterventions in Digital Cultures :$bTechnology, the Political, Methods /$cedited by Howard Caygill, Martina Leeker, Tobias Schulze.
=264  \1$aLüneburg :$bmeson press eG,$c2017.
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=520  \\$aHow to intervene? Interventions are in vogue in digital cultures as forms of critique or political actions into public spheres. By engaging in social, political, and economic contexts, interventions attempt to interrupt and change situations—often with artistic means. This volume maps methods of interventions under the specific conditions of the digital. How are interventions shaped by these conditions? And how can they contribute to altering them? In essays and interviews, this book interrogates modes of intervening in and through art, infrastructures, techno-ecological environments, bio-technology, and political protests to highlight their potentials as well as their ambivalences.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$acritique
=653  \\$ainfrastructures
=653  \\$apolitics
=653  \\$adigital cultures
=653  \\$aresilience
=653  \\$aperformativity
=653  \\$acritical methods
=653  \\$ainterventions
=653  \\$aambivalences
=700  1\$aCaygill, Howard,$eeditor.$uKingston University, London.
=700  1\$aLeeker, Martina,$eeditor.$uLeuphana University of Lüneburg.
=700  1\$aSchulze, Tobias,$eeditor.$uHumboldt-Universität zu Berlin.
=700  1\$aChun, Wendy Hui Kyong,$eauthor.$uBrown University.
=700  1\$aGalloway, Alexander R.,$eauthor.$uNew York University.
=700  1\$aJungnickel, Kat,$eauthor.$uGoldsmiths University of London.$0(orcid)0000000325910820$1https://orcid.org/0000-0003-2591-0820
=700  1\$aKurtz, Steve,$eauthor.$uState University of New York.
=700  1\$aTurner, Fred,$eauthor.$uStanford University.
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=100  1\$aAxelos, Kostas,$eauthor.
=245  10$aIntroduction to a Future Way of Thought :$bOn Marx and Heidegger /$cKostas Axelos; edited by Stuart Elden.
=264  \1$aLüneburg :$bmeson press eG,$c2015.
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=520  \\$a“Technologists only change the world in various ways in generalized indifference; the point is to think the world and interpret the changes in its unfathomability, to perceive and experience the difference binding being to the nothing.” Anticipating the age of planetary technology Kostas Axelos, a Greek-French philosopher, approaches the technological question in this book, first published in 1966, by connecting the thought of Karl Marx and Martin Heidegger. Marx famously declared that philosophers had only interpreted the world, but the point was to change it. Heidegger on his part stressed that our modern malaise was due to the forgetting of being, for which he thought technological questions were central. Following from his study of Marx as a thinker of technology, and foreseeing debates about globalization, Axelos recognizes that technology now determines the world. Providing an introduction to some of his major themes, including the play of the world, Axelos asks if planetary technology requires a new, a future way of thought which in itself is planetary.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
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=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
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=653  \\$aMarx
=653  \\$aphilosophy
=653  \\$aplanetary
=700  1\$aElden, Stuart,$eeditor.$0(orcid)0000000278852444$1https://orcid.org/0000-0002-7885-2444
=700  1\$aMills, Kenneth,$etranslator.
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=245  00$aKritik postdigital /$cedited by Laura Hille, Daniela Wentz.
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=520  \\$aDie realpolitische Affirmation der Universalität des Digitalen geht mit einer regelrechten Abwehr der kritischen Reflexion seiner scheinbaren Axiome einher. Umso dringlicher ist es zu fragen: Was sind die Bedingungen und Möglichkeiten von Kritik am Digitalen und seiner Kulturen? Wie lässt sich die drängende Notwendigkeit politischer Haltung und kritischer Praxis mit einem wissenschaftlichen Einsatz verbinden, der die Eigengesetzlichkeiten des Digitalen ernst nimmt? Die Beiträge in Kritik postdigital begegnen diesen Herausforderungen aus sozial-, medienwissenschaftlicher und philosophischer Perspektive.
=536  \\$aLeuphana University of Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=700  1\$aHille, Laura,$eeditor.$uLeuphana University of Lüneburg.
=700  1\$aWentz, Daniela,$eeditor.$uRuhr University Bochum.
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=100  1\$aKrentel, Friedolin,$eauthor.
=245  10$aLibrary Life :$bWerkstätten kulturwissenschaftlichen Forschens /$cFriedolin Krentel, Katja Barthel, Sebastian Brand, Alexander Friedrich, Anna Rebecca Hoffmann, Laura Meneghello, Jennifer Ch. Müller, Christian Wilke.
=264  \1$aLüneburg :$bmeson press eG,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource (302 pages).
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=520  \\$aWie und wo entsteht kulturwissenschaftliches Wissen? Im Kopf? In der Bibliothek? Am Schreibtisch? Inspiriert von den Laborstudien der Science & Technology Studies ging das Autor*innen-Kollektiv des vorliegenden Buchs diesen Fragen nach. Aufgesucht wurden die persönlichen Schreiborte von Kulturwissenschaftler*innen verschiedener Disziplinen. In ihren Beiträgen eröffnen die Autor*innen vielfältige Perspektiven auf bislang kaum erforschte Praktiken kulturwissenschaftlicher Wissensproduktion. Hierdurch wird ein komplexes Zusammenspiel technisch-materieller, praktischer, medialer, sozialer, institutioneller, ökonomischer, politischer und ideeller Dimensionen in den Werkstätten kulturwissenschaftlichen Forschens freigelegt. Die Ergebnisse der interdisziplinär angelegten und kollaborativ erarbeiteten Studien liefern überraschende Einsichten und eröffnen weiterführende Forschungsfragen: ein Plädoyer für eine reflexive, kollaborativ-interdisziplinäre Wissenschaftspraxis.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$alaboratory studies
=653  \\$aWissenschaftsforschung
=653  \\$aHochschulpolitik
=653  \\$aAkteur-Network-Theorie
=653  \\$aInterdisziplinarität
=653  \\$aBruno Latour
=700  1\$aBarthel, Katja,$eauthor.
=700  1\$aBrand, Sebastian,$eauthor.
=700  1\$aFriedrich, Alexander,$eauthor.
=700  1\$aHoffmann, Anna Rebecca,$eauthor.
=700  1\$aMeneghello, Laura,$eauthor.
=700  1\$aMüller, Jennifer,$eauthor.
=700  1\$aWilke, Christian,$eauthor.
=710  2\$ameson press eG,$epublisher.
=856  40$uhttps://doi.org/10.14619/006$zConnect to e-book
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=100  1\$aBarthélémy, Jean-Hugues,$eauthor.$uUniversité Paris Nanterre.
=245  10$aLife and Technology :$bAn Inquiry Into and Beyond Simondon /$cJean-Hugues Barthélémy.
=264  \1$aLüneburg :$bmeson press eG,$c2015.
=264  \4$c©2015
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=520  \\$aThe philosophy of Gilbert Simondon has reinvigorated contemporary thinking about biological and technological beings. In this book, Jean-Hugues Barthélémy takes up Simondon’s thought and shows how life and technology are connected by a transversal theme: individuation. In the first essay, Barthélémy delivers a contemporary interpretation of Simondon’s concept of ontogenesis against the backdrop of biology and cybernetics. In the second essay, he extends his reflections to propose a non-anthropological understanding of technology, and so sets up a confrontation with the work of Martin Heidegger.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aOntogenesis
=653  \\$aHeidegger
=653  \\$aCybernetics
=653  \\$aLife
=653  \\$aBiology
=653  \\$aIndividuation
=653  \\$aTechnology
=653  \\$aSimondon
=700  1\$aNorman, Barnaby,$etranslator.
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=100  1\$aPringle, Thomas,$eauthor.$uBrown University.
=245  10$aMachine /$cThomas Patrick Pringle, Gertrud Koch, Bernard Stiegler.
=264  \1$aLüneburg :$bmeson press eG,$c2019.
=264  \4$c©2019
=300  \\$a1 online resource (104 pages).
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=520  \\$aIn contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of images and sounds. Formats, institutionalized as standards, frame the “technical networks” defined by Gilbert Simondon, that unfold technical objects into economically and politically structured webs that cover the world. Media are always formatted and, as such, do not flow: they are displaced.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aAnimation
=653  \\$aAutomation
=653  \\$aCybernetics
=653  \\$aDigitization
=653  \\$aEconomics
=653  \\$aEcosystems
=653  \\$aExploitation
=653  \\$aPhilosophy
=653  \\$aPolitics
=653  \\$aTechnology
=700  1\$aKoch, Gertrud,$eauthor.$uFreie Universität Berlin.
=700  1\$aStiegler, Bernard,$eauthor.$uCentre Pompidou.
=710  2\$ameson press eG,$epublisher.
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=100  1\$aBeverungen, Armin,$eauthor.$uUniversity of Siegen.$0(orcid)0000000336090573$1https://orcid.org/0000-0003-3609-0573
=245  10$aMarkets /$cArmin Beverungen, Philip Mirowski, Edward Nik-Khah, Jens Schröter.
=264  \1$aLüneburg :$bmeson press eG,$c2019.
=264  \4$c©2019
=300  \\$a1 online resource (144 pages).
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=500  \\$aAvailable through meson press eG.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aMarkets abound in media—but a media theory of markets is still emerging. Anthropology offers media archaeologies of markets, and the sociology of markets and finance unravels how contemporary financial markets have witnessed a media technological arms race. Building on such work, this volume brings together key thinkers of economic studies with German media theory, describes the central role of the media specificity of markets in new detail and inflects them in three distinct ways. Nik-Khah and Mirowski show how the denigration of human cognition and the concomitant faith in computation prevalent in contemporary market-design practices rely on neoliberal conceptions of information in markets. Schröter confronts the asymmetries and abstractions that characterize money as a medium and explores the absence of money in media. Beverungen situates these inflections and gathers further elements for a politically and historically attuned media theory of markets concerned with contemporary phenomena such as high-frequency trading and cryptocurrencies.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aCapitalism
=653  \\$aDigital Media
=653  \\$aMedia Studies
=653  \\$aMoney
=700  1\$aMirowski, Philip,$eauthor.$uUniversity of Notre Dame.
=700  1\$aNik-Khah, Edward,$eauthor.$0(orcid)0000000158408744$1https://orcid.org/0000-0001-5840-8744
=700  1\$aSchröter, Jens,$eauthor.$uUniversity of Bonn.
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=245  10$aMaterial Trajectories :$bDesigning With Care? /$cedited by Léa Perraudin, Clemens Winkler, Claudia Mareis, Matthias Held.
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=520  \\$aMaterial Trajectories: Designing With Care? turns towards material-driven design processes with the aim of relocating technoscientific trajectories. Concerned with new forms of caretaking, it combines positions from the extended fields of design research and humanities scholarship including practice-based approaches. The contributions explore current ecological conditions through multiple acts of making-with and seek to complicate questions of sustainability, livability, and cooperation. In reassessing the status quo in design and architecture as material practices, they provide outlines for a nuanced reading of these worldmaking processes and ask what different ways of designing with care and complicity might entail.
=536  \\$aDeutsche Forschungsgemeinschaft$c390648296$eGermany's Excellence Strategy$fMatters of Activity. Image Space Material
=536  \\$aSwiss National Science Foundation
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=700  1\$aPerraudin, Léa,$eeditor.$uHumboldt-Universität zu Berlin.
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=700  1\$aHeld, Matthias,$eeditor.$uUniversity of Design Schwäbisch Gmünd.
=700  1\$aAhrensfeld, Viola S.,$eauthor.$uBauhaus University, Weimar.
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=700  1\$aBulling, Jessica,$eauthor.$uTU Dresden.
=700  1\$aBüsse, Michaela,$eauthor.$uTU Dresden.
=700  1\$aDe Visscher, Emile,$eauthor.$uÉcole Normale Supérieure - PSL.
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=520  \\$aManagement is enabled by media, just as media give life to management. Studying the management innovations learned through media uncovers the evolving relationship between workers and employers. With a view to history, Media and Management shows the interdependence of hardware, software, and human experience adjusting to algorithmically defined rhythms.
=536  \\$aSimon Fraser University$eCanada 150 Research Chairs Program
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=245  10$aMediale Teilhabe :$bPartizipation zwischen Anspruch und Inanspruchnahme /$cedited by Beate Ochsner; Erich Hörl, Milan Stürmer, Markus Spöhrer, Robert Stock, Isabell Otto, Urs Stäheli, Anne Ganzert, Mathias Denecke, Matthias Drusell, Elke Bippus, Christoph Brunner, Roberto Nigro, Michel Schreiber, nate wessalowski, Ruth Lang.
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=520  \\$aGesellschaftliche, politische und wissenschaftliche Forderungen nach mehr Beteiligung, Zugang und Mitwirkung sind ebenso allgegenwärtig wie spannungsgeladen und durchzogen von Ambivalenzen. Mediale Teilhabe fragt nach den medialen Ermöglichungs- und Austauschprozessen, als deren Effekt Teilhabe/Nicht-Teilhabe entsteht. Entlang der Modalitäten Verschalten, Temporalisieren und Teilhabende Kritik entwickeln die Beiträge einen differenzierten Blick auf Teilhabe im Spannungsfeld von Anspruch und Inanspruchnahme.
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=700  1\$aDrusell, Matthias,$eauthor.
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=245  10$aMedien verstehen :$bMarshall McLuhans Understanding Media /$cedited by Till A. Heilmann, Jens Schröter.
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=520  \\$aMedien in ihrer historischen und technischen Vielfalt zu verstehen, das war das Versprechen, das Marshall McLuhan vor über fünfzig Jahren mit Understanding Media gegeben hatte. Unsere digital veränderte Gegenwart erfordert, das Buch heute erneut zu lesen und vor dem Hintergrund aktueller technischer Entwicklungen zu hinterfragen. Gegenstand des Sammelbandes sind u. a. McLuhans Idee von Medien als „Umwelten“, seine eigenwillige Sprache und Argumentation sowie seine Annahme der technischen Verfasstheit von Wahrnehmung.
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=700  1\$aHeilmann, Till,$eeditor.$uUniversity of Bonn.
=700  1\$aSchröter, Jens,$eeditor.$uUniversity of Bonn.
=700  1\$aSprenger, Florian,$eauthor.$0(orcid)0000000252258711$1https://orcid.org/0000-0002-5225-8711
=700  1\$aSchabacher, Gabriele,$eauthor.
=700  1\$aLöffler, Petra,$eauthor.
=700  1\$aLeeker, Martina,$eauthor.
=700  1\$aAngerer, Marie-Luise,$eauthor.$0(orcid)0000000329439394$1https://orcid.org/0000-0003-2943-9394
=700  1\$aLeschke, Rainer,$eauthor.$0(orcid)0000000192227613$1https://orcid.org/0000-0001-9222-7613
=700  1\$aEngell, Lorenz,$eauthor.
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=100  1\$aTurquety, Benoît,$eauthor.$uUniversity of Lausanne.
=245  10$aMedium, Format, Configuration :$bThe Displacements of Film /$cBenoît Turquety.
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=520  \\$aIn contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of images and sounds. Formats, institutionalized as standards, frame the “technical networks” defined by Gilbert Simondon, that unfold technical objects into economically and politically structured webs that cover the world. Media are always formatted and, as such, do not flow: they are displaced.
=536  \\$aDeutsche Forschungsgemeinschaft$c310565625$eGraduiertenkolleg$fGRK 2279: Konfigurationen des Films
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=653  \\$aTechnology
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=100  1\$aAngerer, Marie-Luise,$eauthor.$0(orcid)0000000329439394$1https://orcid.org/0000-0003-2943-9394
=245  10$aNonconscious :$bOn the Affective Synching of Mind and Machine /$cMarie-Luise Angerer.
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=520  \\$aGrowing numbers of nonhuman companions (smart objects, technical environments, sensor technologies used to augment the human body) are creating affective synching between human and nonhuman agency. Unlike the unconscious of psychoanalysis, this book argues, the resulting nonconscious is no longer coupled to a subject grounded in language, instead acting as an affective link between technical, mental, and physical processes. But how is this nonconscious to be understood? Is it something additional, a new zone intervening between the unconscious and consciousness? Or does it fundamentally call into question the distinction between the two?
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=100  1\$aBeyes, Timon,$eauthor.$uLeuphana University of Lüneburg.
=245  10$aNon-Knowledge and Digital Cultures /$cedited by Andreas Bernard, Matthias Koch, Martina Leeker.
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=520  \\$aMaking available massive amounts of data that are generated, distributed, and modeled, digital media provide us with the possibility of abundant information and knowledge. This possibility has been attracting various scenarios in which technology either eliminates non-knowledge or plants it deep within contemporary cultures through the universal power and opacity of algorithms. This volume comprises contributions from media studies, literary studies, sociology, ethnography, anthropology, and philosophy to discuss non-knowledge as an important concept for understanding contemporary digital cultures.
=538  \\$aMode of access: World Wide Web.
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=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aAlgorithms
=653  \\$aData
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=700  1\$aMonnin, Alexandre,$eauthor.$uESC Clermont Business School.$0(orcid)0000000270521974$1https://orcid.org/0000-0002-7052-1974
=700  1\$aMoser, Jeannie,$eauthor.$uTechnical University of Berlin.
=700  1\$aPias, Claus,$eauthor.$uLeuphana University of Lüneburg.
=700  1\$aWulf, Christoph,$eauthor.$uFreie Universität Berlin.
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=245  10$aÖkologien der Erde :$bZur Wissensgeschichte und Aktualität der Gaia-Hypothese /$cAlexander Friedrich, Petra Löffler, Niklas Schrape, Florian Sprenger.
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=520  \\$aÖkologien der Erde bestimmen die Gegenwart. Dabei gewinnt die in den 1970er Jahren von James Lovelock gemeinsam mit Lynn Margulis entwickelte Gaia-Theorie heute neue Erklärungskraft. Wenn Gaia bei Bruno Latour sogar zum allgemeinen Modell der Welterklärung im 21. Jahrhundert wird, gilt es, nach der Plausibilität zu fragen, die die Rede von Gaia aktuell entwickelt. Die vier Beiträge des Bandes geben hierauf eine Antwort, indem sie die metaphorologischen und begriffshistorischen Linien der Gaia-Theorie nachzeichnen und ihren Bezug auf zeitgenössische Computersimulationen in den Blick nehmen. So wird der gegenwärtige Ort des Wiederauflebens Gaias deutlich – und damit die Verschränkung von kybernetischen und organizistischen Ökologien mit der Annahme einer Programmierbarkeit von Umgebungen.
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=700  1\$aSchrape, Niklas,$eauthor.
=700  1\$aSprenger, Florian,$eauthor.$0(orcid)0000000252258711$1https://orcid.org/0000-0002-5225-8711
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=245  10$aOrganize /$cTimon Beyes, Lisa Conrad, Reinhold Martin.
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=520  \\$aDigital media technologies re-pose the question of organization—and thus of power and domination, control and surveillance, disruption and emancipation. This book interrogates organization as effect and condition of media. How can we understand the recursive relationship between media and organization? How can we think, explore, critique—and perhaps alter—the organizational bodies and scripts that shape contemporary life?
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
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=653  \\$aDisruption
=653  \\$aDigital Media
=653  \\$aPolitics
=653  \\$aSurveillance
=700  1\$aConrad, Lisa,$eauthor.$uLeuphana University of Lüneburg.$0(orcid)0000000199979455$1https://orcid.org/0000-0001-9997-9455
=700  1\$aMartin, Reinhold,$eauthor.$uColumbia University.
=700  1\$aLovink, Geert,$eafterword by.$uInstitute of Network Cultures.$0(orcid)0000000235546543$1https://orcid.org/0000-0002-3554-6543
=700  1\$aRossiter, Ned,$eafterword by.$uWestern Sydney University.$0(orcid)0000000307102109$1https://orcid.org/0000-0003-0710-2109
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=100  1\$aCaronia, Antonio,$eauthor.
=245  14$aThe Cyborg :$bA Treatise on the Artificial Man /$cAntonio Caronia.
=264  \1$aLüneburg :$bmeson press eG,$c2015.
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=520  \\$aBorn on the pages of science fiction comics in the 1920s and 30s, the cyborg lives in popular imagination. As hero of the cyberpunk epic, in its brief but intense history, the cyborg has followed and anticipated the rapport and conflict between man and machine.In the post-fordist era of digital networked media the cyborg unfolds itself in the dissemination of multiple bodies: on the Internet, in the shift of individual identity, in the new collective aggregation connected by software. It bridges virtuality and concreteness, possibility and necessity. The cyborg thus becomes a field of social conflict, one of the new figures in which the bio-political perspective is embodied.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
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=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$abody
=653  \\$aDonna Haraway
=653  \\$aRay Kurzweil
=653  \\$acyberculture
=653  \\$aAI
=653  \\$aWilliam Gibson
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=653  \\$aartificial intelligence
=700  1\$aBooth, Robert,$etranslator.
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=100  1\$aElstein, David,$eauthor.
=245  14$aThe Political Structure of UK Broadcasting 1949–1999 /$cDavid Elstein.
=264  \1$aLüneburg :$bmeson press eG,$c2015.
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=500  \\$aAvailable through meson press eG.
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=520  \\$aIn 1999 David Elstein delivered a lecture series examining the evolvement of UK Broadcasting policy from 1949 to 1999. His sharp analysis is a valuable contribution to the post-war development of the British broadcasting system and unfolds many topical issues in current media policy debates.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
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=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aBroadcasting
=653  \\$amedia policy
=653  \\$aBBC
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=100  1\$aSprenger, Florian,$eauthor.$0(orcid)0000000252258711$1https://orcid.org/0000-0002-5225-8711
=245  14$aThe Politics of Micro-Decisions :$bEdward Snowden, Net Neutrality, and the Architectures of the Internet /$cFlorian Sprenger.
=264  \1$aLüneburg :$bmeson press eG,$c2015.
=264  \4$c©2015
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=520  \\$aBe it in the case of opening a website, sending an email, or high-frequency trading, bits and bytes of information have to cross numerous nodes at which micro-decisions are made. These decisions concern the most efficient path through the network, the processing speed, or the priority of incoming data packets.Despite their multifaceted nature, micro-decisions are a dimension of control and surveillance in the twenty-first century that has received little critical attention. They represent the smallest unit and the technical precondition of a contemporary network politics – and of our potential opposition to it. The current debates regarding net neutrality and Edward Snowden’s revelation of NSA surveillance are only the tip of the iceberg. What is at stake is nothing less than the future of the Internet as we know it.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovationsinkubator
=536  \\$aNiedersächsisches Ministerium für Wissenschaft und Kultur$eNiedersächsisches Vorab
=536  \\$aVolkswagen Foundation$eNiedersächsisches Vorab
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$amateriality
=653  \\$aEdward Snowden
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=653  \\$anet neutrality
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=653  \\$amicro-decisions
=653  \\$aPaul Baran
=653  \\$ainternet architecture
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=700  1\$aKelty, Christopher,$eforeword by.$0(orcid)0000000302535554$1https://orcid.org/0000-0003-0253-5554
=700  1\$aPakis, Valentine,$etranslator.
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=100  1\$aErickson, Seth,$eauthor.$uUniversity of California, Los Angeles.$0(orcid)0000000255707201$1https://orcid.org/0000-0002-5570-7201
=245  10$aThere is no Software, there are just Services /$cedited by Irina Kaldrack, Martina Leeker.
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=520  \\$aIs software dead? Services like Google, Dropbox, Adobe Creative Cloud, or Social Media apps are all-pervasive in our digital media landscape. This marks the (re)emergence of the service paradigm that challenges traditional business and license models as well as modes of media creation and use. The short essays in this edited collection discuss how services shift the notion of software, the cultural technique of programming, conditions of labor as well as the ecology and politics of data and how they influence dispositifs of knowledge.Contributors: Ned Rossiter, Jussi Parikka, Christoph Neubert, Liam Magee, Andrew Lison, Christopher M. Kelty, Anders Fagerjord, and Seth Erickson.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovationsinkubator
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=700  1\$aKaldrack, Irina,$eeditor.$uLeuphana University of Lüneburg.
=700  1\$aLeeker, Martina,$eeditor.$uLeuphana University of Lüneburg.
=700  1\$aFagerjord, Anders,$eauthor.$uUniversity of Oslo.$0(orcid)0000000153910292$1https://orcid.org/0000-0001-5391-0292
=700  1\$aKelty, Christopher,$eauthor.$uUniversity of California, Los Angeles.$0(orcid)0000000302535554$1https://orcid.org/0000-0003-0253-5554
=700  1\$aLison, Andrew,$eauthor.$uUniversity of Kansas.$0(orcid)0000000226605249$1https://orcid.org/0000-0002-2660-5249
=700  1\$aMagee, Liam,$eauthor.$uWestern Sydney University.$0(orcid)0000000326961064$1https://orcid.org/0000-0003-2696-1064
=700  1\$aNeubert, Christoph,$eauthor.$uPaderborn University.
=700  1\$aParikka, Jussi,$eauthor.$uUniversity of Southampton.$0(orcid)0000000222486377$1https://orcid.org/0000-0002-2248-6377
=700  1\$aRossiter, Ned,$eauthor.$uWestern Sydney University.$0(orcid)0000000307102109$1https://orcid.org/0000-0003-0710-2109
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=245  10$aTouchscreen Archaeology :$bTracing Histories of Hands-On Media Practices /$cWanda Strauven.
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=520  \\$aThe touchscreen belongs to a century-long history of hands-on media practices and touchable art objects. This media-archaeological excavation examines the nature of our sensual involvement with media and invites the reader to think about the touchscreen beyond its technological implications. In six chapters, the book questions and historicizes both aspects of the touchscreen, considering "touch" as a media practice and "screen" as a touchable object.
=536  \\$aFrankfurt Humanities Research Centre, Goethe University Frankfurt$eProPostDoc
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aFilm
=653  \\$aSurface
=653  \\$aMedia Archaeology
=653  \\$aToys
=653  \\$aGestures
=653  \\$aTactile Art
=653  \\$aTouch
=653  \\$aMuseum
=653  \\$aTelevision
=653  \\$aInterface
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=100  1\$aMowitt, John,$eauthor.$uUniversity of Leeds.
=245  10$aTracks from the Crypt /$cJohn Mowitt.
=264  \1$aLüneburg :$bmeson press eG,$c2019.
=264  \4$c©2019
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=520  \\$aDavid Bowie’s 2015 Blackstar has been understood by critics and fans alike to have a certain valedictory status. For them, perhaps for us, it is a 39-minute and 13-second farewell. A long goodbye. My angle is different. By situating the Bowie/Renck collaboration on “Lazarus” in the context of a meditation on the question once posed by Georg Stanitzek, “Was ist Kommunikation?” I consider the CD and the video as experiments in re-configuration. More specifically, by thinking about the distinctly cinematic iteration of the question of communication (citing here Captain’s “what we have here is … failure to communicate” from Cool Hand Luke) I propose that mediated communication embodies the Ich/Es modality of dialogue disparaged by Martin Buber. What this invites us to consider is whether “Lazarus” in particular isn’t the generation of an audiovisual tombeau from which or out of which communication strains are to be heard. Is it “saying” farewell? Is it “saying” anything? By drawing on Jacques Derrida’s appropriation of the crypt in the work of Abraham and Torok, I propose that “Lazarus” manages (and the feat is neither small nor insignificant) to communicate nothing. In effect, “Lazarus” is the very sound, not of a failure to communicate, but of a “speaking” emptied of what protects it from mediation. Here, Bowie’s gnomic persona assumes a political valence not typically ascribed to it.
=536  \\$aDeutsche Forschungsgemeinschaft$c310565625$eGraduiertenkolleg$fGRK 2279: Konfigurationen des Films
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aCommunication
=653  \\$aCrypt
=653  \\$aDavid Bowie
=653  \\$aFama
=653  \\$aJacques Derrida
=653  \\$aMachine
=653  \\$aMartin Buber
=653  \\$aMediation
=653  \\$aTombeau
=700  1\$aBoguska, Rebecca,$eintroduction by.
=700  1\$aHediger, Vinzenz,$eintroduction by.$0(orcid)0000000234552423$1https://orcid.org/0000-0002-3455-2423
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=100  1\$aVehlken, Sebastian,$eauthor.$uLeuphana University of Lüneburg.
=245  10$aTrick 17 :$bMediengeschichten zwischen Zauberkunst und Wissenschaft /$cSebastian Vehlken, Katja Müller-Helle, Jan Müggenburg, Florian Sprenger.
=264  \1$aLüneburg :$bmeson press eG,$c2016.
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=520  \\$aDer Zauber der Medien speist sich aus ihrem Geheimnis: Den Usern von heute sind Laptop, Smartphone oder Tablet eine Blackbox, die ihre Sinne im Bann hält und die Techniktricks im Inneren hinter einer opaken Oberfläche verbirgt. Doch solche Verzauberung ist nicht neu. Umihr auf die Spur zu kommen, nähert sich dieses Buch der Mediengeschichte der Zauberei an der Schwelle zwischen magischem Moment und Ent-Täuschung. Nicht seltenfolgt einer geradezu übernatürlich wirkenden Zaubervorführung die wissenschaftliche Erklärung und Offenlegung ihrer Tricks. Ein solcher Akt der Entzauberung mag zwar magische Momente als faulen Zauber demaskieren. Er rückt dafür jedoch die Technologien der Täuschung ins Rampenlicht: Erst die Ausnutzung physikalischer Gesetze, das Konstruieren mechanischer Zauberapparate und das Spiel mit der Wahrnehmung der Zuschauer machen deren ,Verzauberung’ möglich. Sie erlaubt, die Frage nach Wissen, dem medialen Zugriff auf unsere Sinne und dem sinnlichen Zugriff auf unsere Welt erneut zu stellen.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aTechniktricks
=653  \\$aMediengeschichte
=653  \\$aTechnikgeschichte
=653  \\$aSpiritismus
=653  \\$aTrick Photography
=653  \\$aTrick Talking Head
=653  \\$aZauberhandbuch
=653  \\$aInformationsgesellschaft
=653  \\$aUbiquitous Computing
=653  \\$aTricktechnik
=653  \\$aZauberei
=700  1\$aMüller-Helle, Katja,$eauthor.$uFreie Universität Berlin.
=700  1\$aJan, Müggenburg,$eauthor.$uLeuphana University of Lüneburg.
=700  1\$aSprenger, Florian,$eauthor.$uRuhr University Bochum.$0(orcid)0000000252258711$1https://orcid.org/0000-0002-5225-8711
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=100  1\$aSchnödl, Gottfried,$eauthor.
=245  10$aUexküll’s Surroundings :$bUmwelt Theory and Right-Wing Thought /$cGottfried Schnödl, Florian Sprenger.
=264  \1$aLüneburg :$bmeson press eG,$c2022.
=264  \4$c©2022
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=500  \\$aAvailable through meson press eG.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aWith its diversity of possible Umwelten or environments for living things, Jakob von Uexküll’s Umwelt theory has been hailed by many readers as the first step toward an innovative, pluralistic conception of nonhuman life. But what is generally ignored is its structural conservatism, its identitarian logic in which everything should remain in its place and nothing should mix, and its proximity to Nazi ideology and politics. By turning the spotlight on these neglected aspects, Uexküll’s Surroundings opens up a new perspective on Uexküll’s Umwelt theory.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aUmwelt Theory
=653  \\$aNazism
=653  \\$aNew Right
=653  \\$aRacism
=653  \\$aEcology
=653  \\$aUexküll
=700  1\$aSprenger, Florian,$eauthor.$0(orcid)0000000252258711$1https://orcid.org/0000-0002-5225-8711
=700  1\$aTaylor, Michael Thomas,$etranslator.
=700  1\$aYung, Wayne,$etranslator.
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=100  1\$aSchnödl, Gottfried,$eauthor.
=245  10$aUexkülls Umgebungen :$bUmweltlehre und rechtes Denken /$cGottfried Schnödl, Florian Sprenger.
=264  \1$aLüneburg :$bmeson press eG,$c2021.
=264  \4$c©2021
=300  \\$a1 online resource (253 pages).
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=500  \\$aAvailable through meson press eG.
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=520  \\$aDie Lehre Jakob von Uexkülls wird oft mit anerkennendem Blick auf die Vielfalt möglicher Umwelten und als erster Schritt zu einem anderen, pluralen Nachdenken über nicht-menschliche Lebensformen gelesen. Ihr struktureller Konservatismus, ihre identitäre Logik, nach welcher alles an seinem Platz bleiben und sich nichts vermischen soll, und ihre Nähe zum Nationalsozialismus bleiben dabei in aller Regel außen vor. Uexkülls Umgebungen stellt diese Fragen ins Zentrum und eröffnet damit einen neuen Blick auf Uexkülls Umweltlehre.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aNeue Rechte
=653  \\$aRassismus
=653  \\$aNationalsozialismus
=653  \\$aUexküll
=653  \\$aÖkologie
=653  \\$aUmweltlehre
=700  1\$aSprenger, Florian,$eauthor.$0(orcid)0000000252258711$1https://orcid.org/0000-0002-5225-8711
=710  2\$ameson press eG,$epublisher.
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=100  1\$aKarppi, Tero,$eauthor.$uUniversity of Toronto.
=245  10$aUndoing Networks /$cTero Karppi, Urs Stäheli, Clara Wieghorst, Lea P. Zierott.
=264  \1$aLüneburg :$bmeson press eG,$c2021.
=264  \4$c©2021
=300  \\$a1 online resource (140 pages).
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=490  1\$aIn Search of Media ;$vvol. 9.$x0000-0007$x0000-0006
=500  \\$aAvailable through meson press eG.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aHow do we think beyond the dominant images and imaginaries of connectivity? Undoing Networks enables a different connectivity: “digital detox” is a luxury for stressed urbanites wishing to lead a mindful life. Self-help books advocate “digital minimalism” to recover authentic experiences of the offline. Artists envision a world without the internet. Activists mobilize against the expansion of the 5G network.If connectivity brought us virtual communities, information superhighways, and participatory culture, disconnection comes with privacy tools, Faraday shields, and figures of the shy. This book explores non-usage and the “right to disconnect” from work and from the excessive demands of digital capitalism.
=536  \\$aSimon Fraser University$eCanada 150 Research Chairs Program
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aDisconnection
=653  \\$aCapitalism
=653  \\$aConnectivity
=653  \\$aDigital Detox
=700  1\$aStäheli, Urs,$eauthor.$uUniversität Hamburg.
=700  1\$aWieghorst, Clara,$eauthor.$uLeuphana University of Lüneburg.
=700  1\$aZierott, Lea,$eauthor.$uUniversität Hamburg.
=710  2\$ameson press eG,$epublisher.
=830  \0$aIn Search of Media ;$vvol. 9.$x0000-0007$x0000-0006
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=100  1\$aAlpsancar, Suzana,$eauthor.$uBrandenburg University of Technology Cottbus-Senftenberg.
=245  10$aUnterwachen und Schlafen :$bAnthropophile Medien nach dem Interface /$cedited by Michael Andreas, Dawid Kasprowicz, Stefan Rieger.
=264  \1$aLüneburg :$bmeson press eG,$c2018.
=264  \4$c©2018
=300  \\$a1 online resource (190 pages).
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=500  \\$aAvailable through meson press eG.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aAnthropophile Medien durchdringen zunehmend unsere lebensweltliche Realität, sei es im Ambient Assisted Living, als Pflegeassistenzsysteme, in den Arbeitsszenarien einer Industrie 4.0, als behagliche Interfaces des Affective Computing oder als Lifetracker der Quantified-Self-Bewegung. Verbunden ist damit der Einzug menschlicher Befindlichkeiten, Werte und sozialer Routinen in das Design medialer Agencies. Über 40 Jahre nach dem Erscheinen von Michel Foucaults "Surveiller et punir" gerät damit auch dessen Kritikbegriff ins Wanken. An die Stelle von "Überwachen und Strafen" tritt "Unterwachen und Schlafen". Unterwachen und Schlafen stellt nicht das theoretische Programm einer vollautomatisierten Lebenswelt in Aussicht, sondern das Konstrukt einer nunmehr medialen Umsetzung anthropologischer Grundelemente wie Autonomie, Freiheit oder Vertrauen.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aAmbient Assisted Living
=653  \\$aAnthropologie
=653  \\$aEmbodiment
=653  \\$aKünstliche Intelligenz
=653  \\$aComputersimulation
=653  \\$aWearables
=653  \\$aRobotik
=653  \\$aSurveillance
=653  \\$aAutonomes Fahren
=653  \\$aAffective Computing
=700  1\$aAndreas, Michael,$eeditor.$uRuhr University Bochum.
=700  1\$aKasprowicz, Dawid,$eeditor.$uWitten/Herdecke University.
=700  1\$aRieger, Stefan,$eeditor.$uRuhr University Bochum.
=700  1\$aLiggieri, Kevin,$eauthor.$uRuhr University Bochum.
=700  1\$aTuschling, Anna,$eauthor.$uRuhr University Bochum.
=710  2\$ameson press eG,$epublisher.
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=100  1\$aHeise, Christian,$eauthor.$uLeuphana University of Lüneburg.$0(orcid)000000018071860X$1https://orcid.org/0000-0001-8071-860X
=245  10$aVon Open Access zu Open Science :$bZum Wandel digitaler Kulturen der wissenschaftlichen Kommunikation /$cChristian Heise.
=264  \1$aLüneburg :$bmeson press eG,$c2018.
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=520  \\$aMit der Digitalisierung geht der Ruf nach freiem Zugang zu wissenschaftlichen Forschungsergebnissen und einer Öffnung des Forschungsprozesses einher. Open Access und Open Science sind die Leitbegriffe dieses Transformationsprozesses, der von den einen euphorisch begrüßt und von den anderen heftig abgelehnt wird. Auf der Grundlage einer quantitativen Erhebung und eines reflexiven Experiments gibt das Buch Einblick in die aktuellen Debatten über die Chancen aber auch Hindernisse der Öffnung der Wissenschaften.
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=245  00$aWho Owns the Images? :$bThe Paradox of Archives, between Commercialization, Free Circulation and Respect /$cedited by Sylvie Lindeperg, Ania Szczepanska.
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=520  \\$aDigitization carries the utopian promise of archival access unlimited by constraints of space and time, and with it, of new forms of research and historiographies. In reality, digital image archives pose a complex set of technical, legal, ethical and methodological challenges, particularly for film and media studies and adjacent fields. In a series of studies and interviews with practitioners, scholars and theorists, this volume draws a detailed map of these challenges and offers perspectives for further research and creative practice.
=536  \\$aDeutsche Forschungsgemeinschaft$c310565625$eGraduiertenkolleg$fGRK 2279:  Konfigurationen des Films
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