=LDR  04173nam  22007212  4500
=001  1321e6df-fcb0-44ab-a874-071781ae9681
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20152015\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957960306$q(Paperback)
=020  \\$a9783957960313$q(PDF)
=020  \\$a9783957960320$q(Epub)
=024  7\$a10.14619/002$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aNX1-820
=072   7$aUD$2bicssc
=072   7$aHP$2bicssc
=072   7$aUT$2bicssc
=072   7$aPHI000000$2bisacsh
=072   7$aCOM043000$2bisacsh
=072   7$aUD$2thema
=072   7$aQD$2thema
=072   7$aUT$2thema
=100  1\$aBoissier, Jean-Louis,$eauthor.$uParis 8 University.
=245  10$a30 Years After Les Immatériaux :$bArt, Science and Theory /$cedited by Andreas Broeckmann, Yuk Hui.
=264  \1$aLüneburg :$bmeson press,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource (276 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aIn 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condition. This book features a previously unpublished report by Jean-François Lyotard on the conception of Les Immatériaux and its relation to postmodernity. Reviewing the historical significance of the exhibition, his text is accompanied by twelve contemporary meditations. The philosophers, art historians, and artists analyse this important moment in the history of media and theory, and reflect on the new material conditions brought about by digital technologies in the last 30 years.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aart
=653  \\$aJean-François Lyotard
=653  \\$areorientation
=653  \\$adigital technologies
=653  \\$aphilosophy
=653  \\$aanamnesis
=653  \\$apostmodernity
=653  \\$amateriality
=653  \\$ascience
=700  1\$aBroeckmann, Andreas,$eeditor.$uLeuphana University of Lüneburg.$0(orcid)0000000163229062$1https://orcid.org/0000-0001-6322-9062
=700  1\$aHui, Yuk,$eeditor.$uLeuphana University of Lüneburg.$0(orcid)0000000232429819$1https://orcid.org/0000-0002-3242-9819
=700  1\$aBirnbaum, Daniel,$eauthor.$uModerna Museet Stockholm.
=700  1\$aDufrêne, Thierry,$eauthor.$uUniversité Paris Nanterre.
=700  1\$aGallo, Francesca,$eauthor.$uSapienza University of Rome.
=700  1\$aGere, Charlie,$eauthor.$uLancaster University.$0(orcid)0000000223967914$1https://orcid.org/0000-0002-2396-7914
=700  1\$aHudek, Antony,$eauthor.$uObjectif Exhibitions.
=700  1\$aLyotard, Jean-François,$eauthor.$uParis 8 University.
=700  1\$aMackay, Robin,$eauthor.$uGoldsmiths University of London.
=700  1\$aSejten, Anne Elisabeth,$eauthor.$uRoskilde University.$0(orcid)0000000281888421$1https://orcid.org/0000-0002-8188-8421
=700  1\$aStiegler, Bernard,$eauthor.$uCentre Pompidou.
=700  1\$aWallenstein, Sven-Olov,$eauthor.$uSödertörn University.
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/002$zConnect to e-book
=856  42$uhttp://meson.press/wp-content/uploads/2015/03/Cover-Broeckmann-Hui-30-Years_klein-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  06456nam  22012012  4500
=001  f696445f-8a9f-4ab2-95d2-3f222b83b37b
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20232023\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957960535$q(Paperback)
=020  \\$a9783957960542$q(PDF)
=024  7\$a10.14619/0535$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aPER004030$2bisacsh
=072   7$aLAN025020$2bisacsh
=072   7$aSOC052000$2bisacsh
=072   7$aATFA$2thema
=072   7$aGLP$2thema
=072   7$aJBCT$2thema
=072   7$aJPW$2thema
=100  1\$aAgina, Añulika,$eauthor.$uPan-Atlantic University.
=245  10$aAccidental Archivism :$bShaping Cinema’s Futures with Remnants of the Past /$cedited by Stefanie Schulte Strathaus, Vinzenz Hediger.
=264  \1$aLüneburg :$bmeson press,$c2023.
=264  \4$c©2023
=300  \\$a1 online resource (492 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aConfigurations of Film ;$vvol. 8.$x0000-0009$x0000-0008
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aIn the digital media ecology, archives are changing. Artists, curators, critics and scholars assume the role of accidental archivists. They shape cinema’s futures by salvaging precarious repositories and making them matter in new ways. In the process, the cinema’s public, a democratic body seemingly scattered about platforms and niches in a post-pandemic world, re-emerges as a political force.Accidental Archivism brings together programmatic statements and proposals to explore an artistic space between archiving and activism, a space where remnants of the past become the building blocks of new ways of making, showing, teaching and thinking cinema.
=536  \\$aDeutsche Forschungsgemeinschaft$c310565625$eGraduiertenkolleg$fGRK 2279: Konfigurationen des Films
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aactivism
=653  \\$apandemic
=653  \\$acinema
=653  \\$adigitality
=653  \\$aarchivism
=653  \\$amedia ecology
=653  \\$arepositories
=700  1\$aSchulte Strathaus, Stefanie,$eeditor.
=700  1\$aHediger, Vinzenz,$eeditor.$uGoethe University Frankfurt.$0(orcid)0000000234552423$1https://orcid.org/0000-0002-3455-2423
=700  1\$aAlipanah, Hadi,$eauthor.
=700  1\$aBabić, Gaby,$eauthor.
=700  1\$aBalatbat-Helbock, Lynhan,$eauthor.
=700  1\$aBalsom, Erika,$eauthor.$uKing's College London.$0(orcid)0000000178072010$1https://orcid.org/0000-0001-7807-2010
=700  1\$aBeckmann, Marie Sophie,$eauthor.$uUniversity of Oldenburg.
=700  1\$aBernien, Mareike,$eauthor.
=700  1\$aBiswas, Amrita,$eauthor.$uGoethe University Frankfurt.
=700  1\$aÇakmak, Sema,$eauthor.$uGoethe University Frankfurt.
=700  1\$aCampanini, Sonia,$eauthor.$uGoethe University Frankfurt.$0(orcid)0009000324704790$1https://orcid.org/0009-0003-2470-4790
=700  1\$aCarter, Erica,$eauthor.$uKing's College London.$0(orcid)0000000323795777$1https://orcid.org/0000-0003-2379-5777
=700  1\$aÇelikaslan, Özge,$eauthor.$0(orcid)0000000275224813$1https://orcid.org/0000-0002-7522-4813
=700  1\$aCésar, Filipa,$eauthor.
=700  1\$aCheeka, Didi,$eauthor.
=700  1\$aDavis, Vaginal,$eauthor.
=700  1\$aDutta, Madhusree,$eauthor.
=700  1\$aEl Said, Tamer,$eauthor.
=700  1\$aEscobar López, Almudena,$eauthor.$uToronto Metropolitan University.$0(orcid)0000000318867166$1https://orcid.org/0000-0003-1886-7166
=700  1\$aGlazunova, Mariia,$eauthor.
=700  1\$aGregor, Ulrich,$eauthor.
=700  1\$aGoncharuk, Olena,$eauthor.
=700  1\$aGramann, Karola,$eauthor.
=700  1\$aHariharan, Veena,$eauthor.$uGoethe University Frankfurt.
=700  1\$aHassan, Mohammad Shawky,$eauthor.
=700  1\$aHeredia, Shai,$eauthor.
=700  1\$aHering, Tobias,$eauthor.
=700  1\$aIngravalle, Grazia,$eauthor.$uQueen Mary, University of London.
=700  1\$aKaushik, Ritika,$eauthor.$uGoethe University Frankfurt.
=700  1\$aKeidl, Philipp Dominik,$eauthor.$uUtrecht University.
=700  1\$aPratiwi, Julita,$eauthor.
=700  1\$aRahman, Lisabona,$eauthor.
=700  1\$aKhitsinska, Ivanna,$eauthor.
=700  1\$aKim, Hieyoon,$eauthor.$uUniversity of Wisconsin-Madison.
=700  1\$aKloeckner, Laura,$eauthor.
=700  1\$aKröger, Merle,$eauthor.
=700  1\$aMakarevic, Asja,$eauthor.$uGoethe University Frankfurt.
=700  1\$aMeyn, Nils,$eauthor.$uGoethe University Frankfurt.
=700  1\$aNdaliko Katondolo, Petna,$eauthor.
=700  1\$aOhene-Asah, Rebecca,$eauthor.$0(orcid)0009000600154511$1https://orcid.org/0009-0006-0015-4511
=700  1\$aPantenburg, Volker,$eauthor.$uUniversity of Zurich.$0(orcid)0000000243037677$1https://orcid.org/0000-0002-4303-7677
=700  1\$aPerneczky, Nikolaus,$eauthor.
=700  1\$aPitassio, Francesco,$eauthor.$uUniversity of Udine.
=700  1\$aRuhm, Constanze,$eauthor.
=700  1\$aSchlüpmann, Heide,$eauthor.
=700  1\$aSchneider, Alexandra,$eauthor.$uJohannes Gutenberg University Mainz.
=700  1\$aShambu, Girish,$eauthor.$uCanisius College.
=700  1\$aSiegel, Marc,$eauthor.$uJohannes Gutenberg University Mainz.$0(orcid)0000000163269558$1https://orcid.org/0000-0001-6326-9558
=700  1\$aSungu, Can,$eauthor.
=700  1\$aThieme, Clarissa,$eauthor.
=700  1\$aTurajlić, Mila,$eauthor.
=700  1\$aVasudevan, Ravi,$eauthor.
=700  1\$aVenturini, Simone,$eauthor.$uUniversity of Udine.
=700  1\$aYounis, Ala,$eauthor.
=710  2\$ameson press,$epublisher.
=830  \0$aConfigurations of Film ;$vvol. 8.$x0000-0009$x0000-0008
=856  40$uhttps://doi.org/10.14619/0535$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2023/05/mp_Accidental_Archivism_FC.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02760nam  22005412  4500
=001  8b907071-1f79-49b1-98b2-0fed337e063a
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20202020\\\\\\\\ob\\\\000\0\eng\d
=020  \\$a9783957961525$q(PDF)
=024  7\$a10.14619/152-5$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=050  00$aT58.5-58.64
=072   7$aJFD$2bicssc
=072   7$aUT$2bicssc
=072   7$aUYM$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aCOM043000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aUT$2thema
=072   7$aUYM$2thema
=100  1\$aDurham Peters, John,$eauthor.$uYale University.
=245  10$aAction at a Distance /$cJohn Durham Peters, Florian Sprenger, Christina Vagt.
=264  \1$aLüneburg :$bmeson press,$c2020.
=264  \4$c©2020
=300  \\$a1 online resource (94 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aIn Search of Media ;$vvol. 8.$x0000-0007$x0000-0006
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aThe mediality of transmission and the materiality of communication result today more than ever in “acting at a distance” – an action whose agency lies in a medium. This book provides an overview into this crucial phenomenon, thereby introducing urgent questions of human interaction, the binding and breaking of time and space, and the entanglement of the material and the immaterial. Three vivid inquiries deal with histories and theories of mediality and materiality.
=536  \\$aSimon Fraser University$eCanada 150 Research Chairs Program
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aMateriality
=653  \\$aTransmission
=653  \\$aMediality
=700  1\$aSprenger, Florian,$eauthor.$uRuhr University Bochum.$0(orcid)0000000252258711$1https://orcid.org/0000-0002-5225-8711
=700  1\$aVagt, Christina,$eauthor.$uUniversity of California.
=710  2\$ameson press,$epublisher.
=830  \0$aIn Search of Media ;$vvol. 8.$x0000-0007$x0000-0006
=856  40$uhttps://doi.org/10.14619/152-5$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2020/08/Action-at-a-Distance.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02916nam  22005532  4500
=001  9f3d4c12-64dd-4156-8c8c-ca8faf135ca4
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20212021\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957961808$q(Paperback)
=020  \\$a9783957961815$q(PDF)
=024  7\$a10.14619/1808$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aAFKP$2bicssc
=072   7$aHPN$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aPHI001000$2bisacsh
=072   7$aJBCT$2thema
=072   7$aATN$2thema
=072   7$aQDTN$2thema
=100  1\$aFörster, Desiree,$eauthor.$uUniversity of Chicago.
=245  10$aAesthetic Experience of Metabolic Processes /$cDesiree Förster.
=264  \1$aLüneburg :$bmeson press,$c2021.
=264  \4$c©2021
=300  \\$a1 online resource (184 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aFuture Ecologies ;$vvol. 2.$x0000-0001$x0000-0000
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aSimultaneously speculative and inspired by everyday experiences, this volume develops an aesthetics of metabolism that offers a new perspective on the human-environment relation, one that is processual, relational, and not dependent on conscious thought. In art installations, design prototypes, and research-creation projects that utilize air, light, or temperature to impact subjective experience the author finds aesthetic milieus that shift our awareness to the role of different sense modalities in aesthetic experience. Metabolic and atmospheric processes allow for an aesthetics besides and beyond the usually dominant visual sense.Aesthetic Experience of Metabolic Processes is part of the series Future Ecologies dedicated to rethink the multiple ecologies that flourish and struggle on Earth and beyond.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aDesign
=653  \\$aAesthetics
=653  \\$aMetabolism
=653  \\$aAtmospheres
=653  \\$aSenses
=653  \\$aArt
=653  \\$aExperience
=710  2\$ameson press,$epublisher.
=830  \0$aFuture Ecologies ;$vvol. 2.$x0000-0001$x0000-0000
=856  40$uhttps://doi.org/10.14619/1808$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2021/03/978-3-95796-181-5_Cover.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  04745nam  22008292  4500
=001  64150609-a549-4415-b8c1-814902f463ac
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20202020\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957961655$q(Paperback)
=020  \\$a9783957961662$q(PDF)
=024  7\$a10.14619/1655$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=050  00$aBF511-593
=072   7$aJFD$2bicssc
=072   7$aJMQ$2bicssc
=072   7$aJPA$2bicssc
=072   7$aJPHV$2bicssc
=072   7$aPDR$2bicssc
=072   7$aHP$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aPSY013000$2bisacsh
=072   7$aPOL010000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aJMQ$2thema
=072   7$aJPA$2thema
=072   7$aJPHV$2thema
=072   7$aPDR$2thema
=072   7$aQD$2thema
=100  1\$aAngerer, Marie-Luise,$eauthor.$uUniversity of Potsdam.$0(orcid)0000000329439394$1https://orcid.org/0000-0003-2943-9394
=245  10$aAffective Transformations :$bPolitics – Algorithms – Media /$cedited by Bernd Bösel, Serjoscha Wiemer.
=264  \1$aLüneburg :$bmeson press,$c2020.
=264  \4$c©2020
=300  \\$a1 online resource (243 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aThe Affective Turn has lost its former innocence and euphoria. Affect Studies and its adjacent disciplines have now to prove that they can cope with the return of the affective real that technology, economy, and politics entail.Two seemingly contradictory developments serve as starting points for this volume. First, technological innovations such as affective computing, mood tracking, sentiment analysis, and social robotics all share a focus on the recognition and modulation of human affectivity. Affect gets measured, calculated, controlled. Secondly, recent developments in politics, social media usage, and right-wing journalism have contributed to a conspicuous rise of hate speech, cybermobbing, public shaming, “felt truths,” and resentful populisms. In a very specific way, politics as well as power have become affective.Affect gets mobilized, fomented, unleashed. When the ways we deal with our affectivity get unsettled in such a dramatic fashion, we have to rethink our ethical, aesthetical, political as well as legal regimes of affect organization.
=536  \\$aDeutsche Forschungsgemeinschaft$fAffect- und Psychotechnology Studies
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aAlgorithmen
=653  \\$aPsychologie
=653  \\$aMedien
=653  \\$aPolitik
=653  \\$aÄsthetik
=653  \\$aDemokratie
=653  \\$aSocial Media
=653  \\$aAffekt
=653  \\$aEmotion
=653  \\$aPopulismus
=700  1\$aBösel, Bernd,$eeditor.$uUniversity of Potsdam.
=700  1\$aWiemer, Serjoscha,$eeditor.$uPaderborn University.
=700  1\$aCassou-Noguès, Pierre,$eauthor.$uParis 8 University.$0(orcid)0000000167764089$1https://orcid.org/0000-0001-6776-4089
=700  1\$aClam, Jean,$eauthor.$uCentre National de la Recherche Scientifique.
=700  1\$aFuchs, Mathias,$eauthor.$uLeuphana University of Lüneburg.$0(orcid)0000000345433478$1https://orcid.org/0000-0003-4543-3478
=700  1\$aGramelsberger, Gabriele,$eauthor.$uRWTH Aachen University.
=700  1\$aKaldrack, Irina,$eauthor.$uBraunschweig University of Art.
=700  1\$aKasprowicz, Dawid,$eauthor.$uRWTH Aachen University.
=700  1\$aLeistert, Oliver,$eauthor.$uLeuphana University of Lüneburg.$0(orcid)0000000177788965$1https://orcid.org/0000-0001-7778-8965
=700  1\$aOtt, Michaela,$eauthor.$uAcademy of Fine Arts Hamburg.
=700  1\$aRautzenberg, Markus,$eauthor.$uFolkwang University of the Arts.
=700  1\$aRoss, Andrew,$eauthor.$uOhio University.
=700  1\$aStenner, Paul,$eauthor.$uThe Open University.$0(orcid)0000000345056422$1https://orcid.org/0000-0003-4505-6422
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/1655$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2020/10/Affective_Transformations-Cover_medium.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02401nam  22004932  4500
=001  292d32ae-6768-44e7-ae18-7e6bc48b263f
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20172017\\\\\\\\ob\\\\000\0\ger\d
=020  \\$z9783957960900$q(Paperback)
=020  \\$a9783957960917$q(PDF)
=024  7\$a10.14619/019$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aJBCT1$2thema
=100  1\$aAngerer, Marie-Luise,$eauthor.$uUniversity of Potsdam.$0(orcid)0000000329439394$1https://orcid.org/0000-0003-2943-9394
=245  10$aAffektökologie :$bIntensive Milieus und zufällige Begegnungen /$cMarie-Luise Angerer.
=264  \1$aLüneburg :$bmeson press,$c2017.
=264  \4$c©2017
=300  \\$a1 online resource (72 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aDas Denken des Humanen wird in besonderer Weise von den medientechnologischen Verschiebungen des 20. Jahrhunderts berührt. Affekt wird hier zu einem neuen Schwellenbegriff, der den Körper medientechnisch und politisch auf neue Weise anschlussfähig macht. In einer relationalen Neu-Organisation verdichtet sich das organische und technische Leben auf neue, intensive Weise zu einer Ökologie des Affektiven.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aIntervall
=653  \\$aAntagonismus
=653  \\$aUmwelt
=653  \\$aEmpfinden
=653  \\$aDislokation
=653  \\$aIntensität
=653  \\$aMilieu
=653  \\$aIntra-aktion
=653  \\$aPolitische Affizierung
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/019$zConnect to e-book
=856  42$uhttp://meson.press/wp-content/uploads/2017/04/cover_angerer_de_web-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  04616nam  22008172  4500
=001  a33e74ee-865c-4d16-94af-fbddf977f721
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20232023\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957962102$q(Paperback)
=020  \\$a9783957962119$q(PDF)
=024  7\$a10.14619/2102$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aJFFK$2bicssc
=072   7$aJP$2bicssc
=072   7$aKNT$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aSOC010000$2bisacsh
=072   7$aBUS070060$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aJBCT3$2thema
=072   7$aJBSF$2thema
=072   7$aJBSF11$2thema
=072   7$aJP$2thema
=072   7$aKNT$2thema
=100  1\$aBurton, Anthony Glyn,$eauthor.$uSimon Fraser University.$0(orcid)0000000164740313$1https://orcid.org/0000-0001-6474-0313
=245  10$aAlgorithmic Authenticity :$bAn Overview /$cAnthony Glyn Burton, Wendy Hui Kyong Chun, Liliana Bounegru, Melody Devries, Amy Harris, hannah holtzclaw, Ioana B. Jucan, Alexandra Juhasz, D.W. Kamish, Ganaele Langlois, Jasmine Proctor, Christine Tomlinson, Roopa Vasudevan, Esther Weltevrede.
=264  \1$aLüneburg :$bmeson press,$c2023.
=264  \4$c©2023
=300  \\$a1 online resource (138 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aWhat makes information feel true or compelling in our contemporary digital societies? This book brings together different disciplinary understandings of “authenticity” in order to find alternative ways to approach mis- and disinformation that go beyond contemporary fact-checking and its search for the “authentic” truth. Patterned under the algorithmic flows of digital capitalism, authenticity itself is subject to variation, iteration, and outside influence. Linking cross-disciplinary research on the history and practices of algorithmic authenticity points to new research questions to understand the impact of algorithmic authenticity on social life and its role in contemporary information disorder.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$ainformation disorder
=653  \\$aalgorithms
=653  \\$aauthentication
=653  \\$arace
=653  \\$adigital capitalism
=653  \\$afact-checking
=653  \\$adigital society
=653  \\$apolitics
=653  \\$amisinformation
=653  \\$agender
=653  \\$aperformance
=653  \\$arelationality
=653  \\$atruth
=700  1\$aChun, Wendy Hui Kyong,$eauthor.$uSimon Fraser University.
=700  1\$aBounegru, Liliana,$eauthor.$uKing's College London.$0(orcid)0000000301985158$1https://orcid.org/0000-0003-0198-5158
=700  1\$aDevries, Melody,$eauthor.$uToronto Metropolitan University.$0(orcid)0000000300633134$1https://orcid.org/0000-0003-0063-3134
=700  1\$aHarris, Amy,$eauthor.$uSimon Fraser University.
=700  1\$aholtzclaw, hannah,$eauthor.$uSimon Fraser University.
=700  1\$aJucan, Ioana B.,$eauthor.$uEmerson College.
=700  1\$aJuhasz, Alexandra,$eauthor.$uBrooklyn College.$0(orcid)0000000176167323$1https://orcid.org/0000-0001-7616-7323
=700  1\$aKamish, D.W.,$eauthor.$uSimon Fraser University.$0(orcid)0000000224696255$1https://orcid.org/0000-0002-2469-6255
=700  1\$aLanglois, Ganaele,$eauthor.$uYork University.
=700  1\$aProctor, Jasmine,$eauthor.
=700  1\$aTomlinson, Christine,$eauthor.$uUniversity of California, Irvine.$0(orcid)0000000275982913$1https://orcid.org/0000-0002-7598-2913
=700  1\$aVasudevan, Roopa,$eauthor.$0(orcid)0000000175970819$1https://orcid.org/0000-0001-7597-0819
=700  1\$aWeltevrede, Esther,$eauthor.$uUniversity of Amsterdam.$0(orcid)000000015276297X$1https://orcid.org/0000-0001-5276-297X
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/2102$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2023/06/Algorithmic_Authenticity_FC.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03906nam  22006972  4500
=001  966892e1-59f8-4658-93ae-3d212a44b21d
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20152015\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957960658$q(Paperback)
=020  \\$a9783957960665$q(PDF)
=024  7\$a10.14619/014$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=050  00$aC300-390
=072   7$aUYQ$2bicssc
=072   7$aGPFC$2bicssc
=072   7$aJFD$2bicssc
=072   7$aPSAN$2bicssc
=072   7$aHP$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aCOM017000$2bisacsh
=072   7$aCOM004000$2bisacsh
=072   7$aUYQ$2thema
=072   7$aGPFC$2thema
=072   7$aJBCT1$2thema
=072   7$aPSAN$2thema
=072   7$aQD$2thema
=100  1\$aPasquinelli, Matteo,$eeditor, author.$uPratt Institute.
=245  10$aAlleys of Your Mind :$bAugmented Intelligence and Its Traumas /$cedited by Matteo Pasquinelli.
=264  \1$aLüneburg :$bmeson press,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource (212 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aWhat does thinking mean in the age of Artificial Intelligence? How is big-scale computation transforming the way our brains function? This collection discusses these pressing questions by looking beyond instrumental rationality. Exploring recent developments as well as examples from the history of cybernetics, the book uncovers the positive role played by errors and traumas in the construction of our contemporary technological minds. With texts by Benjamin Bratton, Orit Halpern, Adrian Lahoud, Jon Lindblom, Catherine Malabou, Reza Negarestani, Luciana Parisi, Matteo Pasquinelli, Ana Teixeira Pinto, Michael Wheeler, Charles Wolfe, and Ben Woodard.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aArtificial Intelligence
=653  \\$aExtended Mind
=653  \\$aSpeculative Realism
=700  1\$aBratton, Benjamin H.,$eauthor.$uUniversity of California, San Diego.
=700  1\$aHalpern, Orit,$eauthor.$0(orcid)0000000180093160$1https://orcid.org/0000-0001-8009-3160
=700  1\$aLahoud, Adrian,$eauthor.$uGoldsmiths University of London.
=700  1\$aLindblom, Jon,$eauthor.$uGoldsmiths University of London.
=700  1\$aMalabou, Catherine,$eauthor.$uKingston University.$0(orcid)0000000229714707$1https://orcid.org/0000-0002-2971-4707
=700  1\$aNegarestani, Reza,$eauthor.
=700  1\$aParisi, Luciana,$eauthor.$uGoldsmiths University of London.
=700  1\$aTeixeira Pinto, Ana,$eauthor.$uBerlin University of the Arts.
=700  1\$aWheeler, Michael,$eauthor.$uUniversity of Stirling.$0(orcid)0000000336381215$1https://orcid.org/0000-0003-3638-1215
=700  1\$aWolfe, Charles,$eauthor.$uGhent University.$0(orcid)0000000279569085$1https://orcid.org/0000-0002-7956-9085
=700  1\$aWoodard, Ben,$eauthor.$uWestern University.$0(orcid)0000000160175193$1https://orcid.org/0000-0001-6017-5193
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/014$zConnect to e-book
=856  42$uhttp://meson.press/wp-content/uploads/2015/10/Pasquinelli-Cover-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03044nam  22006132  4500
=001  0646db25-6828-4c46-93f6-8ea8524554b9
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20192019\\\\\\\\ob\\\\000\0\eng\d
=020  \\$a9783957961501$q(PDF)
=024  7\$a10.14619/1501$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=050  00$aCD921-4280
=072   7$aJFD$2bicssc
=072   7$aGLP$2bicssc
=072   7$aKNTC$2bicssc
=072   7$aKNTP$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aLAN025020$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aGLP$2thema
=072   7$aKNTC$2thema
=072   7$aKNTP$2thema
=100  1\$aLison, Andrew,$eauthor.$uUniversity at Buffalo, State University of New York.$0(orcid)0000000226605249$1https://orcid.org/0000-0002-2660-5249
=245  10$aArchives /$cAndrew Lison, Marcell Mars, Tomislav Medak, Rick Prelinger.
=264  \1$aLüneburg :$bmeson press,$c2019.
=264  \4$c©2019
=300  \\$a1 online resource (97 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aIn Search of Media ;$vvol. 6.$x0000-0007$x0000-0006
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aArchives have become a nexus in the wake of the digital turn. This book sets out to show how expanded archival practices can challenge contemporary conceptions and inform the redistribution of power and resources. Calling for the necessity to reimagine the potentials of archives in practice, the three contributions ask: Can archives fulfill their paradoxical potential as utopian sites in which the analog and the digital, the past and future, and remembrance and forgetting commingle?
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aDigitization
=653  \\$aFilm Preservation
=653  \\$aDigital Publishing
=653  \\$aArchives
=653  \\$aArchiving
=653  \\$aDigital Memory
=653  \\$aDigital Media
=700  1\$aMars, Marcell,$eauthor.$uCoventry University.
=700  1\$aMedak, Tomislav,$eauthor.$uCoventry University.$0(orcid)0000000338440434$1https://orcid.org/0000-0003-3844-0434
=700  1\$aPrelinger, Rick,$eauthor.$uUniversity of California, Santa Cruz.
=710  2\$ameson press,$epublisher.
=830  \0$aIn Search of Media ;$vvol. 6.$x0000-0007$x0000-0006
=856  40$uhttps://doi.org/10.14619/1501$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2019/07/archives_cover_web-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02408nam  22004692  4500
=001  ced8071c-142a-43c6-b698-d0ad8eb82846
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20192019\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957961600$q(Paperback)
=020  \\$a9783957961617$q(PDF)
=024  7\$a10.14619/1600$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aGTB$2thema
=072   7$aKCVM$2thema
=072   7$aKNTP$2thema
=100  1\$aWalkowski, Niels-Oliver,$eauthor.$uUniversity of Luxembourg.$0(orcid)0000000330433010$1https://orcid.org/0000-0003-3043-3010
=245  10$aBeyond the Flow :$bScholarly Publications During and After the Digital /$cNiels-Oliver Walkowski.
=264  \1$aLüneburg :$bmeson press,$c2019.
=264  \4$c©2019
=300  \\$a1 online resource (383 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aIn the wake of the so-called digital revolution numerous attempts have been made to rethink and redesign what scholarly publications can or should be. Beyond the Flow examines the technologies as well as narratives driving this unfolding transformation. By unpacking the confusion, heterogeneity and uncertainty that is surrounding scholarly publishing today the book asks for how a sustainable post-digital publishing ecology can be imagined.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aDigital Media
=653  \\$aDigital Publishing
=653  \\$aOpen Access
=653  \\$aPost-Digital
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/1600$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2019/07/beyond_the_flow_web-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02921nam  22004452  4500
=001  bb92508e-9bb5-4335-a4b2-51e134659967
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20232023\\\\\\\\ob\\\\000\0\eng\d
=020  \\$a9783957960597$q(PDF)
=024  7\$a10.14619/0597$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aSOC052000$2bisacsh
=072   7$aJBCT1$2thema
=100  1\$aBeiguelman, Giselle,$eauthor.$uUniversidade de São Paulo.$0(orcid)0000000348125972$1https://orcid.org/0000-0003-4812-5972
=245  10$aBoundary Images /$cGiselle Beiguelman, Melody Devries, Winnie Soon, Magdalena Tyżlik-Carver.
=264  \1$aLüneburg :$bmeson press,$c2023.
=264  \4$c©2023
=300  \\$a1 online resource (146 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aIn Search of Media ;$vvol. 14.$x0000-0007$x0000-0006
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aHow are images made, and how should we understand the capacities of digital images? This book investigates images as well as the technologies that host them. Its three chapters discuss the boundaries that images cross and blur between humans, machines, and nature and the ways in which images are political, material, and visual. Exploring these boundaries of images, this book places itself at the limits of the visual and beyond what can be seen, understanding these as starting points for the production of new and radically different ways of knowing about the world and its becomings.
=536  \\$aSimon Fraser University$eCanada 150 Research Chairs Program
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$adigital images
=700  1\$aDevries, Melody,$eauthor.$uToronto Metropolitan University.$0(orcid)0000000300633134$1https://orcid.org/0000-0003-0063-3134
=700  1\$aSoon, Winnie,$eauthor.$uUniversity of the Arts London.$0(orcid)0000000207904737$1https://orcid.org/0000-0002-0790-4737
=700  1\$aTyżlik-Carver, Magdalena,$eauthor.$uAarhus University.$0(orcid)0000000329030353$1https://orcid.org/0000-0003-2903-0353
=710  2\$ameson press,$epublisher.
=830  \0$aIn Search of Media ;$vvol. 14.$x0000-0007$x0000-0006
=856  40$uhttps://doi.org/10.14619/0597$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2024/01/Boundary_Images_FC.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03435nam  22005292  4500
=001  5bbbfd29-5db6-4059-a392-1323bd13cab4
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20152015\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957960450$q(Paperback)
=020  \\$a9783957960467$q(PDF)
=020  \\$a9783957960474$q(Epub)
=024  7\$a10.14619/010$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=050  00$aJF799-1177
=072   7$aJFD$2bicssc
=072   7$aJPH$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aPOL016000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aJPH$2thema
=100  1\$aOlsen, Lief Thomas,$eauthor.
=245  10$aCitizen Lobby :$bFrom Capacity to Influence /$cLeif Thomas Olsen.
=264  \1$aLüneburg :$bmeson press,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource (169 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aMedia, Democracy & Political Process ;$vvol. 2.$x0000-0003$x0000-0002
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aThe Internet holds endless opportunities for exchange and dialogue and the promise of developing a better democratic model. Day-to-day politics are largely driven by economic lobbies in the interest of what Habermas calls their „generalised particularism,“ the threat to take jobs and tax revenues elsewhere. Citizens’ influence over politicians is twofold: they are asked for their input in elections, referenda, online consultations and surveys, and citizens can initiate issues where they see political action needed. Yet these “participative forces,” including NGOs, street rallies and charities, regularly fail to reach the ears of elected politicians as effectively as those of well-funded corporate lobbies. Also, this type of voluntary engagement often falls short of presenting the kind of reasoned challenges to the incumbents—by the electorate—that Habermas’ communicative action aimed at. A more powerful model would therefore organise the efforts of the electorate in a way that both generates those reasoned arguments, which, as Habermas quite correctly pointed out differ from mere opinions, and delivers them to the elected politicians in a manner they can neither refuse nor ignore. This is what the Citizen Lobby intends to do.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aPolitics
=653  \\$aPolitical System
=653  \\$aJürgen Habermas
=653  \\$aParticipation
=710  2\$ameson press,$epublisher.
=830  \0$aMedia, Democracy & Political Process ;$vvol. 2.$x0000-0003$x0000-0002
=856  40$uhttps://doi.org/10.14619/010$zConnect to e-book
=856  42$uhttp://meson.press/wp-content/uploads/2015/07/Olsen-Cover_small-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03255nam  22004932  4500
=001  473fcddc-23ee-46a4-8ffa-afa5020ac540
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20192019\\\\\\\\ob\\\\000\0\eng\d
=020  \\$a9783957961464$q(PDF)
=024  7\$a10.14619/1464$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aUT$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aCOM043000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aUT$2thema
=100  1\$aBialski, Paula,$eauthor.$uLeuphana University of Lüneburg.$0(orcid)0000000182966041$1https://orcid.org/0000-0001-8296-6041
=245  10$aCommunication /$cPaula Bialski, Finn Brunton, Mercedes Bunz.
=264  \1$aLüneburg :$bmeson press,$c2019.
=264  \4$c©2019
=300  \\$a1 online resource (136 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aIn Search of Media ;$vvol. 3.$x0000-0007$x0000-0006
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aContemporary communication puts us not only in conversation with one another but also with our machinery. Machine communication—to communicate not just via but also with machines—is therefore the focus of this volume. Diving into digital communications history, Finn Brunton brings to the fore the alienness of computational communication by looking at network timekeeping, automated trolling, and early attempts at communication with extraterrestrial life. Picking up this fascination with inhuman communication, Mercedes Bunz then performs a close reading of interaction design and interfaces to show how technology addresses humans (as very young children). Finally, Paula Bialski shares her findings from a field study of software development, analyzing the communicative forms that occur when code is written by separate people. Today, communication unfolds merely between two or more conscious entities but often includes an invisible third party. Inspired by this drastic shift, this volume uncovers new meanings of what it means “to communicate.”
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aCommunication
=653  \\$aDigital Media
=653  \\$aMedia Studies
=700  1\$aBrunton, Finn,$eauthor.$uNew York University.
=700  1\$aBunz, Mercedes,$eauthor.$uKing's College London.$0(orcid)0000000328760522$1https://orcid.org/0000-0003-2876-0522
=710  2\$ameson press,$epublisher.
=830  \0$aIn Search of Media ;$vvol. 3.$x0000-0007$x0000-0006
=856  40$uhttps://doi.org/10.14619/1464$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2019/01/communication_cover_small-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  04239nam  22007092  4500
=001  714e307f-5d81-44ef-811a-4483dd88b32e
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20242024\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957962188$q(Paperback)
=020  \\$a9783957962195$q(PDF)
=024  7\$a10.14619/2188$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=050  00$aHQ1101-2030.7
=050  00$aSF1-1100
=050  00$aQ1-390
=072   7$aBISAC052000$2bisacsh
=072   7$aSOC010000$2bisacsh
=072   7$aSCI075000$2bisacsh
=072   7$aSCI075000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aJBFU$2thema
=072   7$aJBSF11$2thema
=072   7$aPDR$2thema
=100  1\$aAgostinho, Daniela,$eauthor.$uAarhus University.$0(orcid)0000000211055977$1https://orcid.org/0000-0002-1105-5977
=245  10$aContainment :$bTechnologies of Holding, Filtering, Leaking /$cedited by Marie-Luise Angerer, Ingrid Richardson, Hannah Schmedes, Zoë Sofoulis.
=264  \1$aLüneburg :$bmeson press,$c2024.
=264  \4$c©2024
=300  \\$a1 online resource (220 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aContainers are ubiquitous and inescapable. From handbags to houses, barrels to databases, captivating gameworlds to the “bag of stars” that Ursula Le Guin calls the universe, containers furnish infrastructures for living and action while extending our capacities for managing things across space and time. They not only give shape to our lifeworlds: they form and transform our bodies and being.The chapters in Containment: Technologies of Holding, Filtering, Leaking traverse technologies, bodies, ontologies and imaginaries, reflecting on what different container technologies, containment strategies, and container metaphors tell us about ourselves and how we relate to our worlds. With common reference to Zoë Sofia’s (2000) foundational essay on container technologies, contributors draw on media and cultural studies, social history, architecture, and postdualistic approaches in philosophy and social science to explore liminalities of containment both as and beyond holding.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aDaten
=653  \\$aMedien
=653  \\$aPhilosophie
=653  \\$aKörper
=653  \\$aFeminismus
=653  \\$aContainer
=653  \\$aTierrechte
=700  1\$aAngerer, Marie-Luise,$eeditor.$uUniversity of Potsdam.$0(orcid)0000000329439394$1https://orcid.org/0000-0003-2943-9394
=700  1\$aRichardson, Ingrid,$eeditor.$uRMIT University.$0(orcid)0000000184485778$1https://orcid.org/0000-0001-8448-5778
=700  1\$aSchmedes, Hannah,$eeditor.$uRuhr University Bochum.
=700  1\$aSofoulis, Zoë,$eeditor.
=700  1\$aFrichot, Hélène,$eauthor.$uUniversity of Melbourne.$0(orcid)0000000217555075$1https://orcid.org/0000-0002-1755-5075
=700  1\$aJones, Meredith,$eauthor.$uBrunel University.
=700  1\$aOtter, Chris,$eauthor.$uOhio State University.
=700  1\$aRaven, Paul Graham,$eauthor.
=700  1\$aRunting, Helen,$eauthor.
=700  1\$aStrengers, Yolande,$eauthor.$uMonash University.$0(orcid)000000025664621X$1https://orcid.org/0000-0002-5664-621X
=700  1\$aBonde Thylstrup, Nanna,$eauthor.$uUniversity of Copenhagen.$0(orcid)0000000160942970$1https://orcid.org/0000-0001-6094-2970
=700  1\$aWadiwel, Dinesh,$eauthor.$uUniversity of Sydney.
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/2188$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2024/06/Containment_FC.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02458nam  22004332  4500
=001  240dac06-209a-44ff-b038-c7b4ac18b927
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20232023\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957960481$q(Paperback)
=020  \\$a9783957960498$q(PDF)
=024  7\$a10.14619/0481$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aBUS029000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aATN$2thema
=072   7$aKCSA$2thema
=072   7$aQDTS1$2thema
=100  1\$aMiyazaki, Shintaro,$eauthor.$uHumboldt-Universität zu Berlin.$0(orcid)000000027922735X$1https://orcid.org/0000-0002-7922-735X
=245  10$aCounter-Dancing Digitality :$bOn Commoning and Computation /$cShintaro Miyazaki.
=264  \1$aLüneburg :$bmeson press,$c2023.
=264  \4$c©2023
=300  \\$a1 online resource (101 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aDigitality is imposed upon us! To change this, we should not turn away from it, but look carefully into its transformative power and make operable alternatives such as counter-algorhythms and solidarity-oriented commoning. The aim is a world where profit and property no longer exist, but instead where a cooperative dance – between all the needs posed by our ecosystems, and all the needs of people – becomes practicable. This book is a critical media theory of future-building, modulated by a focus on the potentials of counter-dancing as providing ways to unfold fugitive practices.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/0481$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2023/03/978-3-95796-049-8_Miyazaki_Cover.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  04210nam  22006732  4500
=001  91343972-c0a7-48ed-890b-c6a4b6caec92
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20232023\\\\\\\\ob\\\\000\0\ger\d
=020  \\$z9783957962140$q(Paperback)
=020  \\$a9783957962157$q(PDF)
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aSOC052000$2bisacsh
=072   7$aPER004000$2bisacsh
=072   7$aPHO014000$2bisacsh
=072   7$aJBCT$2thema
=072   7$aAJF$2thema
=072   7$aATF$2thema
=072   7$aJPW$2thema
=072   7$aUDT$2thema
=100  1\$aBraida, Nicole,$eauthor.$uPhilipps University of Marburg.$0(orcid)0000000294466762$1https://orcid.org/0000-0002-9446-6762
=245  10$aDeine Kamera ist eine App :$bÜber Medienverflechtungen des Applizierens und Appropriierens /$cedited by Elisa Linseisen, Alena Strohmaier.
=264  \1$aLüneburg :$bmeson press,$c2023.
=264  \4$c©2023
=300  \\$a1 online resource (231 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aDer vorliegende Band untersucht systematisch das Verhältnis von digitalen Kameras und ihren softwaretechnischen Grundlagen, die wir unter „Apps“ zusammenfassen. Als konzeptuelles Framing in der Auseinandersetzung mit dieser medialen Verbindung aus Kamera/App wählen wir das ästhetische wie theoretische Spektrum aus Techniken des Appropriierens und Applizierens und damit verbundene Theorietraditionen der Filmwissenschaft sowie der Software, Platform und App Studies. Mit dem programmatischen Befund ‚Deine Kamera ist eine App‘ soll in vier dialogischen Textpaaren dem offenen Themenfeld zwischen Appropriation/Applikation und seiner zeitgenössischen Brisanz wie historischen Tiefe entlang übergreifender Konzepte wie Partizipation, Format und Widerstand nachgegangen werden. Dabei beleuchtet der Band die Verbindung von Ästhetik und Technik, Kunst und Software und wendet sich neben dem Film auch den sogenannten Medienkünsten, dokumentarischen Videoformaten, Selbstdokumentationen und dem Gaming zu.
=536  \\$aBundesministerium für Bildung und Forschung$eKleine Fächer – Große Potenziale$f„Filmische Aneignungsprozesse von Videos der populären Aufstandsbewegungen 2009–11 im Mittleren Osten und Nordafrika"
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aSoziale Medien
=653  \\$aSoftware
=653  \\$aSerious Games
=653  \\$aFototheorie
=653  \\$aUkraine-Krieg
=653  \\$aAktivismus
=653  \\$aKamera
=653  \\$aSmartphone
=653  \\$aDokumentarfilm
=653  \\$aApps
=653  \\$aWiderstand
=653  \\$aMENA-Region
=653  \\$aFormat
=700  1\$aLinseisen, Elisa,$eeditor.$uUniversität Hamburg.
=700  1\$aStrohmaier, Alena,$eeditor.$uPaderborn University.
=700  1\$aGanzert, Anne,$eauthor.$uUniversity of Konstanz.$0(orcid)0000000316918898$1https://orcid.org/0000-0003-1691-8898
=700  1\$aJouini, Angela,$eauthor.$uFreie Universität Berlin.$0(orcid)0000000311144336$1https://orcid.org/0000-0003-1114-4336
=700  1\$aKrautkrämer, Florian,$eauthor.$uLucerne University of Applied Sciences and Arts.$0(orcid)0009000717053255$1https://orcid.org/0009-0007-1705-3255
=700  1\$aMücke, Laura Katharina,$eauthor.$uJohannes Gutenberg University Mainz.
=700  1\$aPfeifer, Simone,$eauthor.$uUniversity of Cologne.$0(orcid)0000000303679090$1https://orcid.org/0000-0003-0367-9090
=710  2\$ameson press,$epublisher.
=856  42$uhttps://meson.press/wp-content/uploads/2024/01/978-3-95796-214-0_Cover.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02519nam  22004572  4500
=001  d4128974-60ee-467c-b337-7001c37d6de5
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20242024\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957962249$q(Paperback)
=020  \\$a9783957962256$q(PDF)
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aSOC052000$2bisacsh
=072   7$aPOL007000$2bisacsh
=072   7$aCOM051300$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aJPHV$2thema
=072   7$aUMB$2thema
=100  1\$aPoechhacker, Nikolaus,$eauthor.$uUniversity of Klagenfurt.$0(orcid)0000000269282099$1https://orcid.org/0000-0002-6928-2099
=245  10$aDemocratic Algorithms :$bEthnography of a Public Recommender System /$cNikolaus Poechhacker.
=264  \1$aLüneburg :$bmeson press,$c2024.
=264  \4$c©2024
=300  \\$a1 online resource (214 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aCan an algorithm be democratic? And how can we understand algorithms not only as technical, but also as social and political phenomena? Democratic Algorithms offers theoretically and empirically informed perspectives on how we can imagine and design algorithms for a democratic society, and what we even mean by that. Based on ethnographic fieldwork, the book illustrates how a recommender system was built in a public broadcaster, raising questions not only about organizational and technical implementation, but also about the possible compatibility of such an algorithmic system with democratic constitutions.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aSTS
=653  \\$aalgorithm studies
=653  \\$apublic broadcasting
=653  \\$arecommender systems
=653  \\$amedia studies
=710  2\$ameson press,$epublisher.
=856  42$uhttps://meson.press/wp-content/uploads/2024/05/9783957962249_Poechhacker_FC.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03142nam  22004212  4500
=001  fe62ff9c-1613-4e23-b522-2697d207bc20
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20242024\\\\\\\\ob\\\\000\0\eng\d
=020  \\$a9783957960832$q(PDF)
=024  7\$a10.14619/0832$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aSOC052000$2bisacsh
=072   7$aJBCT1$2thema
=100  1\$aSingh Dhaliwal, Ranjodh,$eauthor.$uUniversity of Notre Dame.$0(orcid)0000000298260614$1https://orcid.org/0000-0002-9826-0614
=245  10$aNeural Networks /$cRanjodh Singh Dhaliwal, Théo Lepage-Richer, Lucy Suchman.
=264  \1$aLüneburg :$bmeson press,$c2024.
=264  \4$c©2024
=300  \\$a1 online resource (122 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aIn Search of Media ;$vvol. 15.$x0000-0007$x0000-0006
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aNeural Networks proposes to reconstruct situated practices, social histories, mediating techniques, and ontological assumptions that inform the computational project of the same name. If so-called machine learning comprises a statistical approach to pattern extraction, then neural networks can be defined as a biologically inspired model that relies on probabilistically weighted neuron-like units to identify such patterns. Far from signaling the ultimate convergence of human and machine intelligence, however, neural networks highlight the technologization of neurophysiology that characterizes virtually all strands of neuroscientific and AI research of the past century. Taking this traffic as its starting point, this volume explores how cognition came to be constructed as essentially computational in nature, to the point of underwriting a technologized view of human biology, psychology, and sociability, and how countermovements provide resources for thinking otherwise.
=536  \\$aSimon Fraser University$eCanada 150 Research Chairs Program
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=700  1\$aLepage-Richer, Théo,$eauthor.$uUniversity of Toronto.$0(orcid)0000000224648536$1https://orcid.org/0000-0002-2464-8536
=700  1\$aSuchman, Lucy,$eauthor.$uLancaster University.$0(orcid)0000000197524684$1https://orcid.org/0000-0001-9752-4684
=710  2\$ameson press,$epublisher.
=830  \0$aIn Search of Media ;$vvol. 15.$x0000-0007$x0000-0006
=856  40$uhttps://doi.org/10.14619/0832$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2024/05/978-3-95796-059-7-Neural-Networks-300dpi.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02596nam  22004932  4500
=001  33e93b1b-167d-4ca8-ae6c-1e57c9d7bb4b
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20222022\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957962041$q(Paperback)
=020  \\$a9783957962058$q(PDF)
=024  7\$a10.14619/2041$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJBCT1$2thema
=072   7$aJM$2thema
=072   7$aTB$2thema
=072   7$aUKL$2thema
=100  1\$aAngerer, Marie-Luise,$eauthor.$0(orcid)0000000329439394$1https://orcid.org/0000-0003-2943-9394
=245  10$aNonconscious :$bOn the Affective Synching of Mind and Machine /$cMarie-Luise Angerer.
=264  \1$aLüneburg :$bmeson press,$c2022.
=264  \4$c©2022
=300  \\$a1 online resource (87 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aGrowing numbers of nonhuman companions (smart objects, technical environments, sensor technologies used to augment the human body) are creating affective synching between human and nonhuman agency. Unlike the unconscious of psychoanalysis, this book argues, the resulting nonconscious is no longer coupled to a subject grounded in language, instead acting as an affective link between technical, mental, and physical processes. But how is this nonconscious to be understood? Is it something additional, a new zone intervening between the unconscious and consciousness? Or does it fundamentally call into question the distinction between the two?
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aaffect
=653  \\$atechnical environments
=653  \\$asmart objects
=653  \\$asensors
=653  \\$abody
=653  \\$ahuman agency
=653  \\$anonhuman agency
=653  \\$apsychoanalysis
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/2041$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2022/09/9783957962041_FC.png$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03352nam  22005892  4500
=001  d14f250a-75d7-4b5f-af55-602e3c9a593d
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20182018\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957961259$q(Paperback)
=020  \\$a9783957961266$q(PDF)
=024  7\$a10.14619/1259$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aATN$2thema
=100  1\$aBeyes, Timon,$eauthor.$uLeuphana University of Lüneburg.
=245  10$aNon-Knowledge and Digital Cultures /$cedited by Andreas Bernard, Matthias Koch, Martina Leeker.
=264  \1$aLüneburg :$bmeson press,$c2018.
=264  \4$c©2018
=300  \\$a1 online resource (160 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aDigital Cultures ;$vvol. 7.$x0000-0005$x0000-0004
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aMaking available massive amounts of data that are generated, distributed, and modeled, digital media provide us with the possibility of abundant information and knowledge. This possibility has been attracting various scenarios in which technology either eliminates non-knowledge or plants it deep within contemporary cultures through the universal power and opacity of algorithms. This volume comprises contributions from media studies, literary studies, sociology, ethnography, anthropology, and philosophy to discuss non-knowledge as an important concept for understanding contemporary digital cultures.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aAlgorithms
=653  \\$aData
=653  \\$aDigital Culture
=653  \\$aInformation
=653  \\$aKnowledge
=653  \\$aNon-Knowledge
=700  1\$aBernard, Andreas,$eeditor.$uLeuphana University of Lüneburg.
=700  1\$aKoch, Matthias,$eeditor.$uLeuphana University of Lüneburg.
=700  1\$aLeeker, Martina,$eeditor.$uLeuphana University of Lüneburg.
=700  1\$aBialski, Paula,$eauthor.$uLeuphana University of Lüneburg.$0(orcid)0000000182966041$1https://orcid.org/0000-0001-8296-6041
=700  1\$aMonnin, Alexandre,$eauthor.$uESC Clermont Business School.$0(orcid)0000000270521974$1https://orcid.org/0000-0002-7052-1974
=700  1\$aMoser, Jeannie,$eauthor.$uTechnical University of Berlin.
=700  1\$aPias, Claus,$eauthor.$uLeuphana University of Lüneburg.
=700  1\$aWulf, Christoph,$eauthor.$uFreie Universität Berlin.
=710  2\$ameson press,$epublisher.
=830  \0$aDigital Cultures ;$vvol. 7.$x0000-0005$x0000-0004
=856  40$uhttps://doi.org/10.14619/1259$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2018/04/9783957961259_cover_small-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03405nam  22006732  4500
=001  7a9354c9-449a-4a2d-954b-b44969aa12e0
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20182018\\\\\\\\ob\\\\000\0\ger\d
=020  \\$z9783957961204$q(Paperback)
=020  \\$a9783957961211$q(PDF)
=024  7\$a10.14619/1204$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aGPFC$2bicssc
=072   7$aPSAF$2bicssc
=072   7$aRNPG$2bicssc
=072   7$aUYM$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aCOM017000$2bisacsh
=072   7$aSCI020000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aGPFC$2thema
=072   7$aGTB$2thema
=072   7$aPSAF$2thema
=072   7$aRNPG$2thema
=072   7$aUYM$2thema
=100  1\$aFriedrich, Alexander,$eauthor.
=245  10$aÖkologien der Erde :$bZur Wissensgeschichte und Aktualität der Gaia-Hypothese /$cAlexander Friedrich, Petra Löffler, Niklas Schrape, Florian Sprenger.
=264  \1$aLüneburg :$bmeson press,$c2018.
=264  \4$c©2018
=300  \\$a1 online resource (154 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aDigital Cultures ;$vvol. 6.$x0000-0005$x0000-0004
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aÖkologien der Erde bestimmen die Gegenwart. Dabei gewinnt die in den 1970er Jahren von James Lovelock gemeinsam mit Lynn Margulis entwickelte Gaia-Theorie heute neue Erklärungskraft. Wenn Gaia bei Bruno Latour sogar zum allgemeinen Modell der Welterklärung im 21. Jahrhundert wird, gilt es, nach der Plausibilität zu fragen, die die Rede von Gaia aktuell entwickelt. Die vier Beiträge des Bandes geben hierauf eine Antwort, indem sie die metaphorologischen und begriffshistorischen Linien der Gaia-Theorie nachzeichnen und ihren Bezug auf zeitgenössische Computersimulationen in den Blick nehmen. So wird der gegenwärtige Ort des Wiederauflebens Gaias deutlich – und damit die Verschränkung von kybernetischen und organizistischen Ökologien mit der Annahme einer Programmierbarkeit von Umgebungen.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aComputersimulation
=653  \\$aGaia-Hypothese
=653  \\$aLatour
=653  \\$aLovelock
=653  \\$aMargulis
=653  \\$aMedienökologie
=653  \\$aMetapher
=653  \\$aÖkologie
=700  1\$aLöffler, Petra,$eauthor.
=700  1\$aSchrape, Niklas,$eauthor.
=700  1\$aSprenger, Florian,$eauthor.$0(orcid)0000000252258711$1https://orcid.org/0000-0002-5225-8711
=710  2\$ameson press,$epublisher.
=830  \0$aDigital Cultures ;$vvol. 6.$x0000-0005$x0000-0004
=856  40$uhttps://doi.org/10.14619/1204$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2018/03/9783957961204-Cover_small-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03032nam  22006132  4500
=001  d77159e0-b2c4-49e5-97db-f85a52198b9e
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20192019\\\\\\\\ob\\\\000\0\eng\d
=020  \\$a9783957961518$q(PDF)
=024  7\$a10.14619/1518$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aJHB$2bicssc
=072   7$aJP$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aSOC026000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aJHB$2thema
=072   7$aJP$2thema
=100  1\$aBeyes, Timon,$eauthor.$uLeuphana University of Lüneburg.
=245  10$aOrganize /$cTimon Beyes, Lisa Conrad, Reinhold Martin.
=264  \1$aLüneburg :$bmeson press,$c2019.
=264  \4$c©2019
=300  \\$a1 online resource (115 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aIn Search of Media ;$vvol. 7.$x0000-0007$x0000-0006
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aDigital media technologies re-pose the question of organization—and thus of power and domination, control and surveillance, disruption and emancipation. This book interrogates organization as effect and condition of media. How can we understand the recursive relationship between media and organization? How can we think, explore, critique—and perhaps alter—the organizational bodies and scripts that shape contemporary life?
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aPower
=653  \\$aDomination
=653  \\$aOrganization
=653  \\$aEmancipation
=653  \\$aControl
=653  \\$aDisruption
=653  \\$aDigital Media
=653  \\$aPolitics
=653  \\$aSurveillance
=700  1\$aConrad, Lisa,$eauthor.$uLeuphana University of Lüneburg.$0(orcid)0000000199979455$1https://orcid.org/0000-0001-9997-9455
=700  1\$aMartin, Reinhold,$eauthor.$uColumbia University.
=700  1\$aLovink, Geert,$eafterword by.$uInstitute of Network Cultures.$0(orcid)0000000235546543$1https://orcid.org/0000-0002-3554-6543
=700  1\$aRossiter, Ned,$eafterword by.$uWestern Sydney University.$0(orcid)0000000307102109$1https://orcid.org/0000-0003-0710-2109
=710  2\$ameson press,$epublisher.
=830  \0$aIn Search of Media ;$vvol. 7.$x0000-0007$x0000-0006
=856  40$uhttps://doi.org/10.14619/1518$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2019/11/Organize_Cover.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  06766nam  22011532  4500
=001  8710628b-6e37-45b3-ad8d-8918b35030de
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20202020\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957960085$q(Paperback)
=020  \\$a9783957960092$q(PDF)
=024  7\$a10.14619/0085$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aAPF$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aPER004000$2bisacsh
=072   7$aPER004140$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aATF$2thema
=072   7$aATMN$2thema
=072   7$aATN$2thema
=100  1\$aAckerman, Ada,$eauthor.$uThéorie et Histoire des Arts et des Littératures de la Modernité.
=245  10$aPandemic Media :$bPreliminary Notes Toward an Inventory /$cedited by Philipp Dominik Keidl, Laliv Melamed, Vinzenz Hediger, Antonio Somaini.
=264  \1$aLüneburg :$bmeson press,$c2020.
=264  \4$c©2020
=300  \\$a1 online resource (380 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aConfigurations of Film ;$vvol. 3.$x0000-0009$x0000-0008
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aWith its unprecedented scale and consequences the COVID-19 pandemic has generated a variety of new configurations of media. Responding to demands for information, synchronization, regulation, and containment, these “pandemic media” reorder social interactions, spaces, and temporalities, thus contributing to a reconfiguration of media technologies and the cultures and polities with which they are entangled. Highlighting media’s adaptability, malleability, and scalability under the conditions of a pandemic, the contributions to this volume track and analyze how media emerge, operate, and change in response to the global crisis and provide elements toward an understanding of the post-pandemic world to come.
=536  \\$aDeutsche Forschungsgemeinschaft$c310565625$eGraduiertenkolleg$fGRK 2279: Konfigurationen des Films
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aCoronavirus
=653  \\$aMedia
=653  \\$aScale
=653  \\$aTechnologies
=653  \\$aMaterialities
=653  \\$aTime
=653  \\$aDigitalization
=653  \\$aActivism
=653  \\$aSpace
=653  \\$aSociability
=653  \\$aInstruction
=653  \\$aCOVID-19
=653  \\$aPandemic
=653  \\$aTemporality
=653  \\$aEducation
=700  1\$aKeidl, Philipp Dominik,$eeditor.$uGoethe University Frankfurt.
=700  1\$aMelamed, Laliv,$eeditor.$uGoethe University Frankfurt.
=700  1\$aHediger, Vinzenz,$eeditor.$uGoethe University Frankfurt.$0(orcid)0000000234552423$1https://orcid.org/0000-0002-3455-2423
=700  1\$aSomaini, Antonio,$eeditor.$uSorbonne Nouvelle University.
=700  1\$aAlexander, Neta,$eauthor.$uColgate University.
=700  1\$aBak, Meredith A.,$eauthor.$uRutgers University.
=700  1\$aBaronian, Marie-Aude,$eauthor.$uUniversity of Amsterdam.
=700  1\$aBergermann, Ulrike,$eauthor.$uBraunschweig University of Art.
=700  1\$aBiswas, Amrita,$eauthor.$uGoethe University Frankfurt.
=700  1\$aCastro, Teresa,$eauthor.$uSorbonne Nouvelle University.$0(orcid)0000000202207529$1https://orcid.org/0000-0002-0220-7529
=700  1\$aCheeka, Didi,$eauthor.
=700  1\$aCho, Michelle,$eauthor.$uUniversity of Toronto.
=700  1\$aDenson, Shane,$eauthor.$uStanford University.
=700  1\$ada Silva Machado, Guilherme,$eauthor.$uSorbonne Nouvelle University.
=700  1\$ade Valck, Marijke,$eauthor.$uUtrecht University.
=700  1\$aDogruel, Kerim,$eauthor.$uGoethe University Frankfurt.
=700  1\$aDuguay, Stefanie,$eauthor.$uConcordia University.$0(orcid)0000000297960619$1https://orcid.org/0000-0002-9796-0619
=700  1\$aDyer, Kester,$eauthor.$uCarleton University.
=700  1\$aEngemann, Christoph,$eauthor.$uBauhaus University, Weimar.
=700  1\$aFleck, Karin,$eauthor.$uGoethe University Frankfurt.
=700  1\$aGhosh, Bishnupriya,$eauthor.$uUniversity of California, Santa Barbara.
=700  1\$aGräfe, Sophia,$eauthor.$uPhilipps University of Marburg.
=700  1\$aHagener, Malte,$eauthor.$uPhilipps University of Marburg.$0(orcid)0000000346645536$1https://orcid.org/0000-0003-4664-5536
=700  1\$aHoof, Florian,$eauthor.$uLeuphana University of Lüneburg.
=700  1\$aJancovic, Marek,$eauthor.$uVU Amsterdam.
=700  1\$aLeroy, Alice,$eauthor.$uUniversité Gustave Eiffel.
=700  1\$aLlamas-Rodriguez, Juan,$eauthor.$uThe University of Texas at Dallas.$0(orcid)0000000251959217$1https://orcid.org/0000-0002-5195-9217
=700  1\$aMowitt, John,$eauthor.$uUniversity of Leeds.
=700  1\$aNeves, Joshua,$eauthor.$uConcordia University.
=700  1\$aSchneider, Alexandra,$eauthor.$uJohannes Gutenberg University Mainz.
=700  1\$aSchultz-Figueroa, Benjamín,$eauthor.$uSeattle University.$0(orcid)0000000211276040$1https://orcid.org/0000-0002-1127-6040
=700  1\$aSemerene, Diego,$eauthor.$uOxford Brookes University.$0(orcid)0000000331132359$1https://orcid.org/0000-0003-3113-2359
=700  1\$aSimon, Felix M.,$eauthor.$uOxford Internet Institute.$0(orcid)0000000203714653$1https://orcid.org/0000-0002-0371-4653
=700  1\$aSteinberg, Marc,$eauthor.$uConcordia University.
=700  1\$aStrauven, Wanda,$eauthor.$uGoethe University Frankfurt.
=700  1\$aVerheul, Jaap,$eauthor.$uKing's College London.
=700  1\$aWaysdorf, Abby S.,$eauthor.$uUtrecht University.$0(orcid)0000000307984797$1https://orcid.org/0000-0003-0798-4797
=700  1\$aWilliams, Rebecca,$eauthor.$uUniversity of South Wales.$0(orcid)0000000158968995$1https://orcid.org/0000-0001-5896-8995
=700  1\$aZilch, Leonie,$eauthor.$uJohannes Gutenberg University Mainz.
=700  1\$aZimmermann, Yvonne,$eauthor.$uPhilipps University of Marburg.
=710  2\$ameson press,$epublisher.
=830  \0$aConfigurations of Film ;$vvol. 3.$x0000-0009$x0000-0008
=856  40$uhttps://doi.org/10.14619/0085$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2020/10/Pandemic_Media_Cover.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02831nam  22005532  4500
=001  bbb6aad2-8809-47e9-8f14-b6f28990ef70
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20182018\\\\\\\\ob\\\\000\0\eng\d
=020  \\$a9783957961457$q(PDF)
=024  7\$a10.14619/1457$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aUMB$2bicssc
=072   7$aUYQ$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aCOM051300$2bisacsh
=072   7$aCOM004000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aUMB$2thema
=072   7$aUYQ$2thema
=072   7$aUYQ$2thema
=100  1\$aApprich, Clemens,$eauthor.$uLeuphana University of Lüneburg.$0(orcid)0000000276193801$1https://orcid.org/0000-0002-7619-3801
=245  10$aPattern Discrimination /$cClemens Apprich, Florian Cramer, Wendy Hui Kyong Chun, Hito Steyerl.
=264  \1$aLüneburg :$bmeson press,$c2018.
=264  \4$c©2018
=300  \\$a1 online resource (124 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aIn Search of Media ;$vvol. 1.$x0000-0007$x0000-0006
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aAlgorithmic identity politics reinstate old forms of social segregation—in a digital world, identity politics is pattern discrimination. It is by recognizing patterns in input data that Artificial Intelligence algorithms create bias and practice racial exclusions thereby inscribing power relations into media. How can we filter information out of data without reinserting racist, sexist, and classist beliefs?
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aMedia Studies
=653  \\$aArtificial Intelligence
=653  \\$aCritical Algorithms Studies
=700  1\$aCramer, Florian,$eauthor.$uWillem de Kooning Academy in Rotterdam.
=700  1\$aChun, Wendy Hui Kyong,$eauthor.$uSimon Fraser University.
=700  1\$aSteyerl, Hito,$eauthor.$uBerlin University of the Arts.
=710  2\$ameson press,$epublisher.
=830  \0$aIn Search of Media ;$vvol. 1.$x0000-0007$x0000-0006
=856  40$uhttps://doi.org/10.14619/1457$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2018/11/Pattern_Discrimination_Cover-small-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03882nam  22007212  4500
=001  502660b2-9bc2-42de-8052-84496cfeb413
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20152015\\\\\\\\ob\\\\000\0\ger\d
=020  \\$z9783957960351$q(Paperback)
=020  \\$a9783957960368$q(PDF)
=020  \\$a9783957960375$q(Epub)
=024  7\$a10.14619/004$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=050  00$aT58.5-58.64
=072   7$aJFD$2bicssc
=072   7$aUBW$2bicssc
=072   7$aUTN$2bicssc
=072   7$aUTP$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aCOM060000$2bisacsh
=072   7$aCOM043040$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aUBW$2thema
=072   7$aUTN$2thema
=072   7$aUTP$2thema
=100  1\$aSprenger, Florian,$eauthor.$0(orcid)0000000252258711$1https://orcid.org/0000-0002-5225-8711
=245  10$aPolitik der Mikroentscheidungen :$bEdward Snowden, Netzneutralität und die Architekturen des Internets /$cFlorian Sprenger.
=264  \1$aLüneburg :$bmeson press,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource (130 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aDigital Cultures ;$vvol. 1.$x0000-0005$x0000-0004
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aOb beim Aufrufen einer Webseite, beim Versenden einer E-Mail oder beim Hochfrequenzhandel an der Börse: Auf ihrem Weg durch die Weiten digitaler Netze durchqueren Bits zahlreiche Knoten, an denen eine Reihe von Mikroentscheidungen getroffen werden. Diese Entscheidungen betreffen den besten Pfad zum Ziel, die Verarbeitungsgeschwindigkeit oder die Priorität zwischen den ankommenden Paketen.In ihrer vielschichtigen Gestalt bilden solche Mikroentscheidungen eine bislang nur marginal beachtete Dimension von Kontrolle und Überwachung im 21. Jahrhundert. Sie sind sowohl die kleinste Einheit als auch die technische Voraussetzung einer gegenwärtigen Politik digitaler Netzwerke – und des Widerstands gegen sie. Die aktuellen Debatten um Netzneutralität und Edward Snowdens Enthüllung der NSA-Überwachung bilden dabei lediglich die Spitze des Eisbergs. Auf dem Spiel steht nicht weniger als die Zukunft des Internets, wie wir es kennen.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovationsinkubator
=536  \\$aNiedersächsisches Ministerium für Wissenschaft und Kultur$eNiedersächsisches Vorab
=536  \\$aVolkswagen Foundation$eNiedersächsisches Vorab
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aInfrastruktur
=653  \\$aInternetarchitektur
=653  \\$aMaterialität
=653  \\$aPolitik
=653  \\$aMedienwissenschaft
=653  \\$aEdward Snowden
=653  \\$aPaul Baran
=653  \\$aÜberwachung
=653  \\$aMacht
=653  \\$aNetzneutralität
=653  \\$aNetzwerke
=653  \\$aMikroentscheidungen
=700  1\$aKelty, Christopher,$eforeword by.$0(orcid)0000000302535554$1https://orcid.org/0000-0003-0253-5554
=710  2\$ameson press,$epublisher.
=830  \0$aDigital Cultures ;$vvol. 1.$x0000-0005$x0000-0004
=856  40$uhttps://doi.org/10.14619/004$zConnect to e-book
=856  42$uhttp://meson.press/wp-content/uploads/2015/04/Sprenger-Politik-der-Mikroentscheidungen_small-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03492nam  22007812  4500
=001  1760edb5-e2a6-458f-b1a9-5f80349d11db
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20232023\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957960436$q(Paperback)
=020  \\$a9783957960443$q(PDF)
=024  7\$a10.14619/0436$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aAFKV$2bicssc
=072   7$aAPF$2bicssc
=072   7$aTJFM1$2bicssc
=072   7$aUDBS$2bicssc
=072   7$aUYQ$2bicssc
=072   7$aUYV$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aART057000$2bisacsh
=072   7$aCOM004000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aAFKV$2thema
=072   7$aATF$2thema
=072   7$aATN$2thema
=072   7$aKCVM$2thema
=072   7$aTJFM1$2thema
=072   7$aUDBS$2thema
=072   7$aUKL$2thema
=072   7$aUYQ$2thema
=072   7$aUYV$2thema
=100  1\$aDenson, Shane,$eauthor.$uStanford University.
=245  10$aPost-Cinematic Bodies /$cShane Denson.
=264  \1$aLüneburg :$bmeson press,$c2023.
=264  \4$c©2023
=300  \\$a1 online resource (248 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aConfigurations of Film ;$vvol. 7.$x0000-0009$x0000-0008
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aHow is human embodiment transformed in an age of algorithms? How do post-cinematic media technologies such as AI, VR, and robotics target and re-shape our bodies? Post-Cinematic Bodies grapples with these questions by attending both to mundane devices—such as smartphones, networked exercise machines, and smart watches and other wearables equipped with heartrate sensors—as well as to new media artworks that rework such equipment to reveal to us the ways that our fleshly existences are increasingly up for grabs. Through an equally philosophical and interpretive analysis, the book aims to develop a new aesthetics of embodied experience that is attuned to a new age of predictive technology and metabolic capitalism.
=536  \\$aDeutsche Forschungsgemeinschaft$c310565625$eGraduiertenkolleg$fGRK 2279: Konfigurationen des Films
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$apredictive technology
=653  \\$aaesthetics
=653  \\$aArtificial Intelligence
=653  \\$anew media artworks
=653  \\$aVirtual Reality
=653  \\$aembodiment
=653  \\$awearables
=653  \\$apost-cinematic
=653  \\$aalgorithms
=653  \\$amedia technologies
=653  \\$acapitalism
=653  \\$arobotics
=653  \\$abodies
=710  2\$ameson press,$epublisher.
=830  \0$aConfigurations of Film ;$vvol. 7.$x0000-0009$x0000-0008
=856  40$uhttps://doi.org/10.14619/0436$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2023/02/Denson_Post-Cinematic_Bodies_FC.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02794nam  22005772  4500
=001  6511c840-9121-472c-a21a-6403bfa17e8c
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20232023\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957960337$q(Paperback)
=020  \\$a9783957960344$q(PDF)
=024  7\$a10.14619/0337$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aAK$2bicssc
=072   7$aJFFR$2bicssc
=072   7$aJP$2bicssc
=072   7$aKCA$2bicssc
=072   7$aHD$2bicssc
=072   7$aRNPG$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aDES000000$2bisacsh
=072   7$aSOC037000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aAK$2thema
=072   7$aJBFZ$2thema
=072   7$aJP$2thema
=072   7$aKCA$2thema
=072   7$aQD$2thema
=072   7$aRNPG$2thema
=245  00$aPreferable Futures /$cedited by Irina Kaldrack, Rolf F. Nohr.
=264  \4$c©2023
=300  \\$a1 online resource (121 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aDigital Cultures ;$vvol. 10.$x0000-0005$x0000-0004
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aPreferable Futures delves into the question of possible, probable, and desirable futures amidst the pressures of climate change and digitalization. Through a diverse range of perspectives, the book explores ways to negotiate and create desirable futures using the concept of transformation design in theory and practice, economic business simulations, and recent humanistic theories. This thought-provoking read challenges us to imagine and (re)shape a future we cannot predict and find ways to make a difference right now.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=700  1\$aKaldrack, Irina,$eeditor.$uBauhaus University, Weimar.
=700  1\$aNohr, Rolf F.,$eeditor.$uBraunschweig University of Art.$0(orcid)0000000238174706$1https://orcid.org/0000-0002-3817-4706
=710  2\$ameson press,$epublisher.
=830  \0$aDigital Cultures ;$vvol. 10.$x0000-0005$x0000-0004
=856  40$uhttps://doi.org/10.14619/0337$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2023/02/Cover_Preferable-Futures.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03669nam  22006492  4500
=001  fa1ecc01-36e5-4c02-a152-53d98cb3b9d5
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20172017\\\\\\\\ob\\\\000\0\ger\d
=020  \\$z9783957961006$q(Paperback)
=020  \\$a9783957961013$q(PDF)
=020  \\$a9783957961020$q(Epub)
=024  7\$a10.14619/021$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJBCT1$2thema
=072   7$aJKV$2thema
=072   7$aKFFL$2thema
=100  1\$aBerendt, Bettina,$eauthor.$uKU Leuven.$0(orcid)0000000280033413$1https://orcid.org/0000-0002-8003-3413
=245  10$aProfile :$bInterdisziplinäre Beiträge /$cedited by Martin Degeling, Julius Othmer, Andreas Weich, Bianca Westermann.
=264  \1$aLüneburg :$bmeson press,$c2017.
=264  \4$c©2017
=300  \\$a1 online resource (150 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aDigital Cultures ;$vvol. 4.$x0000-0005$x0000-0004
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aProfile haben Konjunktur. Seit der Verbreitung von Social Networking Sites sind sie alltäglicher Ort der Selbstdarstellung. Doch die Praktiken und Techniken der Profilierung sind keineswegs neu. Schon lange beschreiben Profile potentielle StraftäterInnen. Nun bestimmen sie auch die potentielle Kreditwürdigkeit.Im Spannungsfeld zwischen Profil und Profilierung nehmen die Beiträge aus Medienwissenschaft, Soziologie, Geschichtswissenschaft und Informatik die vielschichtigen Dimensionen dieses zentralen Phänomens der digitalen Medienkultur in den Blick: Wie verändern sich Bedeutung und Bewertung des Profil-Begriffs? Wie stehen Profile in Zusammenhang mit Subjektivierung und Machtkonstellationen? Welche Wechselwirkungen zwischen Profilen und Privatheit sind gegenwärtig relevant?
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aIdentität
=653  \\$aSubjekt
=653  \\$aPersonalisierung
=653  \\$aPrivacy
=653  \\$aProfiling
=653  \\$aMacht
=653  \\$aProfil
=653  \\$aBig Data
=653  \\$aGeschichte
=700  1\$aDegeling, Martin,$eeditor.$uCarnegie Mellon University.
=700  1\$aOthmer, Julius,$eeditor.$uTechnical University of Braunschweig.
=700  1\$aWeich, Andreas,$eeditor.$uTechnical University of Braunschweig.
=700  1\$aWestermann, Bianca,$eeditor.$uRuhr University Bochum.
=700  1\$aBernard, Andreas,$eauthor.$uLeuphana University of Lüneburg.
=700  1\$aGrashöfer, Katja,$eauthor.$uRuhr University Bochum.
=700  1\$aKaldrack, Irina,$eauthor.$uBraunschweig University of Art.
=700  1\$aLehner, Nikolaus,$eauthor.$uUniversity of Vienna.
=700  1\$aSchmitt, Martin,$eauthor.$uCentre for Contemporary History.
=700  1\$aPittroff, Fabian,$eauthor.$uUniversity of Kassel.
=710  2\$ameson press,$epublisher.
=830  \0$aDigital Cultures ;$vvol. 4.$x0000-0005$x0000-0004
=856  40$uhttps://doi.org/10.14619/021$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2017/08/978-3-95796-100-6_COVER.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03058nam  22006012  4500
=001  41cdd32b-c5e6-4eb9-beff-bd8e4a6cc69a
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20212021\\\\\\\\ob\\\\000\0\eng\d
=020  \\$a9783957961549$q(PDF)
=024  7\$a10.14619/154-9$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=050  00$aHQ1101-2030.7
=072   7$aJFD$2bicssc
=072   7$aAFKV$2bicssc
=072   7$aJFFK$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aART057000$2bisacsh
=072   7$aSOC010000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aATN$2thema
=072   7$aJBSF11$2thema
=100  1\$aJuhasz, Alexandra,$eauthor.$uBrooklyn College.$0(orcid)0000000176167323$1https://orcid.org/0000-0001-7616-7323
=245  10$aReally Fake /$cAlexandra Juhasz, Ganaele Langlois, Nishant Shah.
=264  \1$aLüneburg :$bmeson press,$c2021.
=264  \4$c©2021
=300  \\$a1 online resource (128 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aIn Search of Media ;$vvol. 10.$x0000-0007$x0000-0006
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aWith anchors in feminist theory, queer discourse, and digital politics, Really Fake rescues “fakeness” from the morass of “fake news” and rejuvenates “fake” as a material and tactical reality. This book treats fakeness as a media object itself: “Fakes” are things that travel and circulate through our bodies, sociality, and the technologies that envelop them. Punctuated with anecdotes, experiences, poetry, stories, and a strong feminist ethic and ethos of care, intimacy, and collectivity, Really Fake offers a series of entry points into reframing the debates of fakeness beyond polarized positions of performative outrage.
=536  \\$aSimon Fraser University$eCanada 150 Research Chairs Program
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aFeminism
=653  \\$aCare
=653  \\$aIntimacy
=653  \\$aDigital Politics
=653  \\$aCollectivity
=653  \\$aFakeness
=653  \\$aQueer Theory
=700  1\$aLanglois, Ganaele,$eauthor.$uYork University.
=700  1\$aShah, Nishant,$eauthor.$uArtEZ Institute of the Arts.
=710  2\$ameson press,$epublisher.
=830  \0$aIn Search of Media ;$vvol. 10.$x0000-0007$x0000-0006
=856  40$uhttps://doi.org/10.14619/154-9$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2021/07/9783957961549_Cover.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03869nam  22005652  4500
=001  f24a1091-900b-402b-bab8-d3fbace95e52
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20222022\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957962089$q(Paperback)
=020  \\$a9783957962096$q(PDF)
=024  7\$a10.14619/2089$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aJBCT1$2thema
=100  1\$aBeckmann, Marie Sophie,$eauthor.$uUniversity of Oldenburg.
=245  10$aRecords of Disaster :$bMedia Infrastructures and Climate Change /$cedited by Jakob Claus, Petra Löffler.
=264  \1$aLüneburg :$bmeson press,$c2022.
=264  \4$c©2022
=300  \\$a1 online resource (164 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aFuture Ecologies ;$vvol. 5.$x0000-0001$x0000-0000
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aRecords of Disasters: Media Infrastructures and Climate Change explores how environmental disasters manifest and inscribe themselves in infrastructures. By turning to infrastructures, their logic and functioning, collapse and malfunction, the volume reveals their potential as fragile material witnesses to and of disasters. As climate change is unequally distributed across continuous dynamics and events, time scales and spatial registers, infrastructures can be understood as proxies or seismographs mediating different spatio-temporal layers that make these dynamics tangible. Disaster is made operational by negotiating what is defined as such, and under which geopolitical conditions. What connects melting glaciers and the knowledge from ice cores to the mapping of the ocean floor and the extraction of resources in the deep-sea? How can infrastructures be thought in time and “critical proximity”, and how do they bear witness to colonial pasts and presents? The volume proposes an analytical perspective on infrastructures as multi-layered witnesses to climate change, bringing together scientific and artistic approaches, students and scholars from different disciplines.
=536  \\$aNiedersächsisches Ministerium für Wissenschaft und Kultur$eNiedersächsisches Vorab
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aGeopolitics
=653  \\$aMedia Studies
=653  \\$aInfrastructures
=653  \\$aClimate Change
=700  1\$aClaus, Jakob,$eeditor.$uUniversity of Oldenburg.
=700  1\$aLöffler, Petra,$eeditor.$uUniversity of Oldenburg.
=700  1\$aBolwin, Charlotte,$eauthor.$uBauhaus University, Weimar.
=700  1\$aKöppert, Katrin,$eauthor.$uHochschule für Grafik und Buchkunst Leipzig.
=700  1\$aLinke, Armin Linke,$eauthor.
=700  1\$aSchabacher, Gabriele,$eauthor.$uJohannes Gutenberg University Mainz.
=700  1\$aSchuppli, Susan,$eauthor.$uGoldsmiths University of London.
=700  1\$aSuess, Solveig Qu,$eauthor.$uUniversity of Applied Sciences and Arts Northwestern Switzerland.
=710  2\$ameson press,$epublisher.
=830  \0$aFuture Ecologies ;$vvol. 5.$x0000-0001$x0000-0000
=856  40$uhttps://doi.org/10.14619/2089$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2022/12/978-3-95796-209-6-Records-of-Disaster_FC.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02459nam  22004812  4500
=001  64454359-e061-47e9-8d42-eb2af1456d93
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20192019\\\\\\\\ob\\\\000\0\eng\d
=020  \\$a9783957961495$q(PDF)
=024  7\$a10.14619/1495$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aJBCT1$2thema
=100  1\$aJucan, Ioana B.,$eauthor.
=245  10$aRemain /$cIoana B. Jucan, Jussi Parikka, Rebecca Schneider.
=264  \1$aLüneburg :$bmeson press,$c2019.
=264  \4$c©2019
=300  \\$a1 online resource (108 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aIn Search of Media ;$vvol. 5.$x0000-0007$x0000-0006
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aIn a world undergoing constant media-driven change, the infrastructures, materialities, and temporalities of remains have become urgent. This book engages with the remains and remainders of media cultures through the lens both of theater and performance studies and of media archaeology. By taking “remain” as a verb, noun, state, and process of becoming, the authors explore the epistemological, social, and political implications.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$amedia infrastructures
=653  \\$amaterialities
=653  \\$atheater studies
=653  \\$aperformance studies
=653  \\$amedia archealogy
=700  1\$aParikka, Jussi,$eauthor.$0(orcid)0000000222486377$1https://orcid.org/0000-0002-2248-6377
=700  1\$aSchneider, Rebecca,$eauthor.
=710  2\$ameson press,$epublisher.
=830  \0$aIn Search of Media ;$vvol. 5.$x0000-0007$x0000-0006
=856  40$uhttps://doi.org/10.14619/1495$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2019/04/Remain_Cover.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  04683nam  22006132  4500
=001  a3ac08e3-9855-4d5c-9d3d-a6399f7e059a
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20142014\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957960009$q(Paperback)
=020  \\$a9783957960016$q(PDF)
=020  \\$a9783957960023$q(Epub)
=024  7\$a10.14619/001$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFDV$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aJBCT3$2thema
=100  1\$aFizek, Sonia,$eeditor, author.$uLeuphana University of Lüneburg.
=245  10$aRethinking Gamification /$cedited by Mathias Fuchs, Sonia Fizek, Paolo Ruffino, Niklas Schrape.
=264  \1$aLüneburg :$bmeson press,$c2014.
=264  \4$c©2014
=300  \\$a1 online resource (344 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aGamification marks a major change to everyday life. It describes the permeation of economic, political, and social contexts by game-elements such as awards, rule structures, and interfaces that are inspired by video games. Sometimes the term is reduced to the implementation of points, badges, and leaderboards as incentives and motivations to be productive. Sometimes it is envisioned as a universal remedy to deeply transform society toward more humane and playful ends. Despite its use by corporations to manage brand communities and personnel, however, gamification is more than just a marketing buzzword. States are beginning to use it as a new tool for governing populations more effectively. It promises to fix what is wrong with reality by making every single one of us fitter, happier, and healthier. Indeed, it seems like all of society is up for being transformed into one massive game.The contributions in this book offer a candid assessment of the gamification hype. They trace back the historical roots of the phenomenon and explore novel design practices and methods. They critically discuss its social implications and even present artistic tactics for resistance. It is time to rethink gamification!
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aGame Studies
=653  \\$aGamification
=653  \\$aMedia Studies
=700  1\$aFuchs, Mathias,$eeditor.$uLeuphana University of Lüneburg.$0(orcid)0000000345433478$1https://orcid.org/0000-0003-4543-3478
=700  1\$aRuffino, Paolo,$eeditor, author.$uLeuphana University of Lüneburg.
=700  1\$aSchrape, Niklas,$eeditor, author.$uLeuphana University of Lüneburg.
=700  1\$aDeterding, Sebastian,$eauthor.$uRochester Institute of Technology.$0(orcid)0000000300332104$1https://orcid.org/0000-0003-0033-2104
=700  1\$aDragona, Daphne,$eauthor.$uNational and Kapodistrian University of Athens.$0(orcid)0000000316972499$1https://orcid.org/0000-0003-1697-2499
=700  1\$aFerri, Gabriele,$eauthor.$uIndiana University.$0(orcid)0000000239003351$1https://orcid.org/0000-0002-3900-3351
=700  1\$aFoxman, Maxwell,$eauthor.$uColumbia University.$0(orcid)0000000164994372$1https://orcid.org/0000-0001-6499-4372
=700  1\$aNicholson, Scott,$eauthor.$uSyracuse University.
=700  1\$aPhilippette, Thibault,$eauthor.$uUniversité Catholique de Louvain.$0(orcid)0000000156633956$1https://orcid.org/0000-0001-5663-3956
=700  1\$aPoltronieri, Fabrizio Augusto,$eauthor.$uPontifícia Universidade Católica de São Paulo.$0(orcid)0000000174816086$1https://orcid.org/0000-0001-7481-6086
=700  1\$aRaczkowski, Felix,$eauthor.$uRuhr University Bochum.
=700  1\$aRaessens, Joost,$eauthor.$uUtrecht University.$0(orcid)0000000206663118$1https://orcid.org/0000-0002-0666-3118
=700  1\$aTiessen, Matthew,$eauthor.$uToronto Metropolitan University.
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/001$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2015/03/9783957960009-cover.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02611nam  22005292  4500
=001  daa81608-7f43-487c-8edd-03283c412a6d
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20202020\\\\\\\\ob\\\\000\0\ger\d
=020  \\$z9783957961747$q(Paperback)
=020  \\$z9783957961761$q(Hardback)
=020  \\$a9783957961754$q(PDF)
=024  7\$a10.14619/1747$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJBCT$2thema
=072   7$aQD$2thema
=100  1\$aLinseisen, Elisa,$eauthor.$uPaderborn University.
=245  10$aHigh Definition :$bMedienphilosophisches Image Processing /$cElisa Linseisen.
=264  \1$aLüneburg :$bmeson press,$c2020.
=264  \4$c©2020
=300  \\$a1 online resource (409 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aDieses Buch zoomt in informationsreiche und pixeldichte Welten in HD. Digitalbildliche Hochauflösung ist hier ein Potenzial, das es ermöglicht, mit und an Bildern Wirklichkeit zu erforschen und zu befragen. Dokumentarfilme, Videokunstarbeiten, Galaxiefotografien, Blockbuster, Pressebilder und Netflix-Serien bestellen diese visuelle Kultur in HD und zeigen auf, dass Bilder und Wirklichkeit nicht in fixierten Rahmen sitzen, sondern im Prozess werden. HD heißt Image Processing. Lässt man sich darauf ein, entfaltet sich das Angebot, mit HD zu denken und sich vom Denken der Bildprozesse mitreißen zu lassen.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aPhilosophie
=653  \\$aFilm
=653  \\$aVideo
=653  \\$aMedientechnik
=653  \\$aMedienphilosophie
=653  \\$aHyperrealismus
=653  \\$aFotografie
=653  \\$aPostproduktion
=653  \\$aMedien
=653  \\$aDigitalisierung
=653  \\$aFernsehen
=653  \\$aÄsthetik
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/1747$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2020/09/Linseisen_HD_Cover_small.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02411nam  22003372  4500
=001  7c465a36-68bc-4a3c-acb8-a10153eef1a1
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20152015\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9781785420092$q(Paperback)
=020  \\$a9781785420108$q(PDF)
=024  7\$a10.14619/016$2doi
=040  \\$aUkCbTOM$beng$elocal
=100  1\$aStengers, Isabelle,$eauthor.$uUniversité Libre de Bruxelles.
=245  10$aIn Catastrophic Times :$bResisting the Coming Barbarism /$cIsabelle Stengers.
=264  \1$aLüneburg :$bmeson press,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource (156 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aThere has been an epochal shift: the possibility of a global climate crisis is now upon us. Pollution, the poison of pesticides, the exhaustion of natural resources, falling water tables, growing social inequalities – these are all problems that can no longer be treated separately. The effects of global warming have a cumulative impact, and it is not a matter of a crisis that will “pass” before everything goes back to “normal.”Our governments are totally incapable of dealing with the situation. Economic warfare obliges them to stick to the goal of irresponsible, even criminal, economic growth, whatever the cost. It is no surprise that people were so struck by the catastrophe in New Orleans. The response of the authorities – to abandon the poor whilst the rich were able to take shelter – is a symbol of the coming barbarism.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license (CC BY-NC-ND 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc-nd/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/016$zConnect to e-book
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  04332nam  22007332  4500
=001  e373ed62-6c7b-4fde-8391-5015998ecc2c
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20172017\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957961051$q(Paperback)
=020  \\$a9783957961068$q(PDF)
=020  \\$a9783957961075$q(Epub)
=024  7\$a10.14619/022$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=050  00$aQC170-197
=072   7$aJFD$2bicssc
=072   7$aPDA$2bicssc
=072   7$aPHQ$2bicssc
=072   7$aUYM$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aSCI075000$2bisacsh
=072   7$aCOM072000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aPDA$2thema
=072   7$aPHQ$2thema
=072   7$aUYM$2thema
=100  1\$aBorrelli, Arianna,$eauthor.$uTechnical University of Berlin.
=245  10$aInterferences and Events :$bOn Epistemic Shifts in Physics through Computer Simulations /$cedited by Anne Dippel, Martin Warnke.
=264  \1$aLüneburg :$bmeson press,$c2017.
=264  \4$c©2017
=300  \\$a1 online resource (182 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aComputer simulations are omnipresent media in today’s knowledge production. For scientific endeavors such as the detection of gravitational waves and the exploration of subatomic worlds, simulations are essential; however, the epistemic status of computer simulations is rather controversial as they are neither just theory nor just experiment. Therefore, computer simulations have challenged well-established insights and common scientific practices as well as our very understanding of knowledge. This volume contributes to the ongoing discussion on the epistemic position of computer simulations in a variety of physical disciplines, such as quantum optics, quantum mechanics, and computational physics. Originating from an interdisciplinary event, it shows that accounts of contemporary physics can constructively interfere with media theory, philosophy, and the history of science.
=536  \\$aDeutsche Forschungsgemeinschaft$cFOR 1927$eKolleg Forschungsgruppe$fmedia cultures of computer simulation
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$ainterferences
=653  \\$aquantum physics
=653  \\$acomputer simulation
=653  \\$ascience and technology studies
=653  \\$acomputer
=653  \\$amedia theory
=653  \\$asimulation
=653  \\$aevents
=653  \\$aphysics
=700  1\$aDippel, Anne,$eeditor.$uFriedrich Schiller University Jena.$0(orcid)0000000306727326$1https://orcid.org/0000-0003-0672-7326
=700  1\$aWarnke, Martin,$eeditor.$uLeuphana University of Lüneburg.$0(orcid)0000000335004354$1https://orcid.org/0000-0003-3500-4354
=700  1\$aDe Raedt, Hans,$eauthor.$uUniversity of Groningen.$0(orcid)0000000184614015$1https://orcid.org/0000-0001-8461-4015
=700  1\$aHagen, Wolfgang,$eauthor.$uLeuphana University of Lüneburg.
=700  1\$aMairhofer, Lukas,$eauthor.$uUniversity of Vienna.
=700  1\$aMaiwöger, Mira,$eauthor.$uTU Wien.$0(orcid)0000000191531461$1https://orcid.org/0000-0001-9153-1461
=700  1\$aMichielsen, Kristel,$eauthor.$uForschungszentrum Jülich.$0(orcid)0000000314444262$1https://orcid.org/0000-0003-1444-4262
=700  1\$aPasemann, Frank,$eauthor.$uMax Planck Institute for Mathematics in the Sciences.
=700  1\$aRheinberger, Hans-Jörg,$eauthor.$uMax Planck Institute for the History of Science.
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/022$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2017/07/9783957961051_Interferences_Cover_small-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03489nam  22006252  4500
=001  4572e853-6304-4dac-9bc9-aedc1dda27c1
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20172017\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957961105$q(Paperback)
=020  \\$a9783957961112$q(PDF)
=024  7\$a10.14619/1105$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aATN$2thema
=072   7$aJBCT1$2thema
=100  1\$aBergermann, Ulrike,$eauthor.$uBraunschweig University of Art.
=245  10$aInterventions in Digital Cultures :$bTechnology, the Political, Methods /$cedited by Howard Caygill, Martina Leeker, Tobias Schulze.
=264  \1$aLüneburg :$bmeson press,$c2017.
=264  \4$c©2017
=300  \\$a1 online resource (148 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aDigital Cultures ;$vvol. 5.$x0000-0005$x0000-0004
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aHow to intervene? Interventions are in vogue in digital cultures as forms of critique or political actions into public spheres. By engaging in social, political, and economic contexts, interventions attempt to interrupt and change situations—often with artistic means. This volume maps methods of interventions under the specific conditions of the digital. How are interventions shaped by these conditions? And how can they contribute to altering them? In essays and interviews, this book interrogates modes of intervening in and through art, infrastructures, techno-ecological environments, bio-technology, and political protests to highlight their potentials as well as their ambivalences.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$acritique
=653  \\$ainfrastructures
=653  \\$apolitics
=653  \\$adigital cultures
=653  \\$aresilience
=653  \\$aperformativity
=653  \\$acritical methods
=653  \\$ainterventions
=653  \\$aambivalences
=700  1\$aCaygill, Howard,$eeditor.$uKingston University, London.
=700  1\$aLeeker, Martina,$eeditor.$uLeuphana University of Lüneburg.
=700  1\$aSchulze, Tobias,$eeditor.$uHumboldt-Universität zu Berlin.
=700  1\$aChun, Wendy Hui Kyong,$eauthor.$uBrown University.
=700  1\$aGalloway, Alexander R.,$eauthor.$uNew York University.
=700  1\$aJungnickel, Kat,$eauthor.$uGoldsmiths University of London.$0(orcid)0000000325910820$1https://orcid.org/0000-0003-2591-0820
=700  1\$aKurtz, Steve,$eauthor.$uState University of New York.
=700  1\$aTurner, Fred,$eauthor.$uStanford University.
=710  2\$ameson press,$epublisher.
=830  \0$aDigital Cultures ;$vvol. 5.$x0000-0005$x0000-0004
=856  40$uhttps://doi.org/10.14619/1105$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2017/11/9783957961155_Interventions_cover.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03292nam  22005532  4500
=001  70ebdb3f-4086-4971-8bc9-87213f4a25f0
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20152015\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957960054$q(Paperback)
=020  \\$a9783957960061$q(PDF)
=020  \\$a9783957960078$q(Epub)
=024  7\$a10.14619/009$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aB1-5802
=072   7$aPDA$2thema
=072   7$aQDTJ$2thema
=100  1\$aAxelos, Kostas,$eauthor.
=245  10$aIntroduction to a Future Way of Thought :$bOn Marx and Heidegger /$cKostas Axelos; edited by Stuart Elden.
=264  \1$aLüneburg :$bmeson press,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource (180 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$a“Technologists only change the world in various ways in generalized indifference; the point is to think the world and interpret the changes in its unfathomability, to perceive and experience the difference binding being to the nothing.” Anticipating the age of planetary technology Kostas Axelos, a Greek-French philosopher, approaches the technological question in this book, first published in 1966, by connecting the thought of Karl Marx and Martin Heidegger. Marx famously declared that philosophers had only interpreted the world, but the point was to change it. Heidegger on his part stressed that our modern malaise was due to the forgetting of being, for which he thought technological questions were central. Following from his study of Marx as a thinker of technology, and foreseeing debates about globalization, Axelos recognizes that technology now determines the world. Providing an introduction to some of his major themes, including the play of the world, Axelos asks if planetary technology requires a new, a future way of thought which in itself is planetary.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aHeidegger
=653  \\$atechnology
=653  \\$aworld
=653  \\$aglobalization
=653  \\$amondialisation
=653  \\$ascience
=653  \\$aplay
=653  \\$atechnological condition
=653  \\$aMarx
=653  \\$aphilosophy
=653  \\$aplanetary
=700  1\$aElden, Stuart,$eeditor.$0(orcid)0000000278852444$1https://orcid.org/0000-0002-7885-2444
=700  1\$aMills, Kenneth,$etranslator.
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/009$zConnect to e-book
=856  42$uhttp://meson.press/wp-content/uploads/2015/04/Axelos-FutureThought-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02711nam  22005172  4500
=001  9b3e628b-184e-4930-8e27-27c8e517290d
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20232023\\\\\\\\ob\\\\000\0\ger\d
=020  \\$z9783957960382$q(Paperback)
=020  \\$a9783957960399$q(PDF)
=024  7\$a10.14619/0382$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aJP$2bicssc
=072   7$aKJU$2bicssc
=072   7$aHP$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aBUS085000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aJP$2thema
=072   7$aKJU$2thema
=072   7$aQD$2thema
=245  00$aKritik postdigital /$cedited by Laura Hille, Daniela Wentz.
=264  \1$aLüneburg :$bmeson press,$c2023.
=264  \4$c©2023
=300  \\$a1 online resource (139 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aDigital Cultures ;$vvol. 11.$x0000-0005$x0000-0004
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aDie realpolitische Affirmation der Universalität des Digitalen geht mit einer regelrechten Abwehr der kritischen Reflexion seiner scheinbaren Axiome einher. Umso dringlicher ist es zu fragen: Was sind die Bedingungen und Möglichkeiten von Kritik am Digitalen und seiner Kulturen? Wie lässt sich die drängende Notwendigkeit politischer Haltung und kritischer Praxis mit einem wissenschaftlichen Einsatz verbinden, der die Eigengesetzlichkeiten des Digitalen ernst nimmt? Die Beiträge in Kritik postdigital begegnen diesen Herausforderungen aus sozial-, medienwissenschaftlicher und philosophischer Perspektive.
=536  \\$aLeuphana University of Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=700  1\$aHille, Laura,$eeditor.$uLeuphana University of Lüneburg.
=700  1\$aWentz, Daniela,$eeditor.$uRuhr University Bochum.
=710  2\$ameson press,$epublisher.
=830  \0$aDigital Cultures ;$vvol. 11.$x0000-0005$x0000-0004
=856  40$uhttps://doi.org/10.14619/0382$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2023/02/Cover_Kritik-postdigital.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03600nam  22006372  4500
=001  3705c0ca-b53c-4cb3-95a1-385bdf05346e
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20152015\\\\\\\\ob\\\\000\0\ger\d
=020  \\$z9783957960252$q(Paperback)
=020  \\$a9783957960269$q(PDF)
=020  \\$a9783957960276$q(Epub)
=024  7\$a10.14619/006$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=050  00$aAZ(20)-999
=072   7$aJFC$2bicssc
=072   7$aCBW$2bicssc
=072   7$aGT$2bicssc
=072   7$aSOC000000$2bisacsh
=072   7$aLAN005000$2bisacsh
=072   7$aJBCC$2thema
=072   7$aCBW$2thema
=072   7$aGT$2thema
=100  1\$aKrentel, Friedolin,$eauthor.
=245  10$aLibrary Life :$bWerkstätten kulturwissenschaftlichen Forschens /$cFriedolin Krentel, Katja Barthel, Sebastian Brand, Alexander Friedrich, Anna Rebecca Hoffmann, Laura Meneghello, Jennifer Ch. Müller, Christian Wilke.
=264  \1$aLüneburg :$bmeson press,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource (302 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aWie und wo entsteht kulturwissenschaftliches Wissen? Im Kopf? In der Bibliothek? Am Schreibtisch? Inspiriert von den Laborstudien der Science & Technology Studies ging das Autor*innen-Kollektiv des vorliegenden Buchs diesen Fragen nach. Aufgesucht wurden die persönlichen Schreiborte von Kulturwissenschaftler*innen verschiedener Disziplinen. In ihren Beiträgen eröffnen die Autor*innen vielfältige Perspektiven auf bislang kaum erforschte Praktiken kulturwissenschaftlicher Wissensproduktion. Hierdurch wird ein komplexes Zusammenspiel technisch-materieller, praktischer, medialer, sozialer, institutioneller, ökonomischer, politischer und ideeller Dimensionen in den Werkstätten kulturwissenschaftlichen Forschens freigelegt. Die Ergebnisse der interdisziplinär angelegten und kollaborativ erarbeiteten Studien liefern überraschende Einsichten und eröffnen weiterführende Forschungsfragen: ein Plädoyer für eine reflexive, kollaborativ-interdisziplinäre Wissenschaftspraxis.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$alaboratory studies
=653  \\$aWissenschaftsforschung
=653  \\$aHochschulpolitik
=653  \\$aAkteur-Network-Theorie
=653  \\$aInterdisziplinarität
=653  \\$aBruno Latour
=700  1\$aBarthel, Katja,$eauthor.
=700  1\$aBrand, Sebastian,$eauthor.
=700  1\$aFriedrich, Alexander,$eauthor.
=700  1\$aHoffmann, Anna Rebecca,$eauthor.
=700  1\$aMeneghello, Laura,$eauthor.
=700  1\$aMüller, Jennifer,$eauthor.
=700  1\$aWilke, Christian,$eauthor.
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/006$zConnect to e-book
=856  42$uhttp://meson.press/wp-content/uploads/2015/06/library-life-cover-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02587nam  22004812  4500
=001  1cfdc698-1513-4bf6-b849-8257fd231b92
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20152015\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957960702$q(Paperback)
=020  \\$a9783957960719$q(PDF)
=024  7\$a10.14619/015$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aB1-5802
=072   7$aQD$2thema
=100  1\$aBarthélémy, Jean-Hugues,$eauthor.$uUniversité Paris Nanterre.
=245  10$aLife and Technology :$bAn Inquiry Into and Beyond Simondon /$cJean-Hugues Barthélémy.
=264  \1$aLüneburg :$bmeson press,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource (73 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aThe philosophy of Gilbert Simondon has reinvigorated contemporary thinking about biological and technological beings. In this book, Jean-Hugues Barthélémy takes up Simondon’s thought and shows how life and technology are connected by a transversal theme: individuation. In the first essay, Barthélémy delivers a contemporary interpretation of Simondon’s concept of ontogenesis against the backdrop of biology and cybernetics. In the second essay, he extends his reflections to propose a non-anthropological understanding of technology, and so sets up a confrontation with the work of Martin Heidegger.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aOntogenesis
=653  \\$aHeidegger
=653  \\$aCybernetics
=653  \\$aLife
=653  \\$aBiology
=653  \\$aIndividuation
=653  \\$aTechnology
=653  \\$aSimondon
=700  1\$aNorman, Barnaby,$etranslator.
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/015$zConnect to e-book
=856  42$uhttp://meson.press/wp-content/uploads/2015/11/Barthelemy-Cover-small-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02679nam  22005412  4500
=001  3553f7c2-9ca9-4c98-8e0e-27d036e95f8c
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20192019\\\\\\\\ob\\\\000\0\eng\d
=020  \\$a9783957961488$q(PDF)
=024  7\$a10.14619/1488$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aJBCT1$2thema
=100  1\$aPringle, Thomas,$eauthor.$uBrown University.
=245  10$aMachine /$cThomas Patrick Pringle, Gertrud Koch, Bernard Stiegler.
=264  \1$aLüneburg :$bmeson press,$c2019.
=264  \4$c©2019
=300  \\$a1 online resource (104 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aIn Search of Media ;$vvol. 4.$x0000-0007$x0000-0006
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aIn contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of images and sounds. Formats, institutionalized as standards, frame the “technical networks” defined by Gilbert Simondon, that unfold technical objects into economically and politically structured webs that cover the world. Media are always formatted and, as such, do not flow: they are displaced.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aAnimation
=653  \\$aAutomation
=653  \\$aCybernetics
=653  \\$aDigitization
=653  \\$aEconomics
=653  \\$aEcosystems
=653  \\$aExploitation
=653  \\$aPhilosophy
=653  \\$aPolitics
=653  \\$aTechnology
=700  1\$aKoch, Gertrud,$eauthor.$uFreie Universität Berlin.
=700  1\$aStiegler, Bernard,$eauthor.$uCentre Pompidou.
=710  2\$ameson press,$epublisher.
=830  \0$aIn Search of Media ;$vvol. 4.$x0000-0007$x0000-0006
=856  40$uhttps://doi.org/10.14619/1488$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2019/04/Machine_U1.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03357nam  22005292  4500
=001  20e321b0-ebf3-4b85-9712-d3d88836be61
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20192019\\\\\\\\ob\\\\000\0\eng\d
=020  \\$a9783957961471$q(PDF)
=024  7\$a10.14619/1471$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aKCBM$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aBUS045000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aKCBM$2thema
=072   7$aKCSA$2thema
=100  1\$aBeverungen, Armin,$eauthor.$uUniversity of Siegen.$0(orcid)0000000336090573$1https://orcid.org/0000-0003-3609-0573
=245  10$aMarkets /$cArmin Beverungen, Philip Mirowski, Edward Nik-Khah, Jens Schröter.
=264  \1$aLüneburg :$bmeson press,$c2019.
=264  \4$c©2019
=300  \\$a1 online resource (144 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aIn Search of Media ;$vvol. 2.$x0000-0007$x0000-0006
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aMarkets abound in media—but a media theory of markets is still emerging. Anthropology offers media archaeologies of markets, and the sociology of markets and finance unravels how contemporary financial markets have witnessed a media technological arms race. Building on such work, this volume brings together key thinkers of economic studies with German media theory, describes the central role of the media specificity of markets in new detail and inflects them in three distinct ways. Nik-Khah and Mirowski show how the denigration of human cognition and the concomitant faith in computation prevalent in contemporary market-design practices rely on neoliberal conceptions of information in markets. Schröter confronts the asymmetries and abstractions that characterize money as a medium and explores the absence of money in media. Beverungen situates these inflections and gathers further elements for a politically and historically attuned media theory of markets concerned with contemporary phenomena such as high-frequency trading and cryptocurrencies.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aCapitalism
=653  \\$aDigital Media
=653  \\$aMedia Studies
=653  \\$aMoney
=700  1\$aMirowski, Philip,$eauthor.$uUniversity of Notre Dame.
=700  1\$aNik-Khah, Edward,$eauthor.$0(orcid)0000000158408744$1https://orcid.org/0000-0001-5840-8744
=700  1\$aSchröter, Jens,$eauthor.$uUniversity of Bonn.
=710  2\$ameson press,$epublisher.
=830  \0$aIn Search of Media ;$vvol. 2.$x0000-0007$x0000-0006
=856  40$uhttps://doi.org/10.14619/1471$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2019/01/markets_cover_small-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  05108nam  22008292  4500
=001  b194856c-33a3-442d-a913-3ac00088b02e
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20232023\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957962201$q(Paperback)
=020  \\$a9783957962218$q(PDF)
=024  7\$a10.14619/2201$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aAK$2bicssc
=072   7$aPSAF$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aDES000000$2bisacsh
=072   7$aSCI020000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aAK$2thema
=072   7$aPSAF$2thema
=100  1\$aKoffi Agbodjinou, Sename,$eauthor.
=245  10$aMaterial Trajectories :$bDesigning With Care? /$cedited by Léa Perraudin, Clemens Winkler, Claudia Mareis, Matthias Held.
=264  \1$aLüneburg :$bmeson press,$c2023.
=264  \4$c©2023
=300  \\$a1 online resource (288 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aFuture Ecologies ;$vvol. 6.$x0000-0001$x0000-0000
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aMaterial Trajectories: Designing With Care? turns towards material-driven design processes with the aim of relocating technoscientific trajectories. Concerned with new forms of caretaking, it combines positions from the extended fields of design research and humanities scholarship including practice-based approaches. The contributions explore current ecological conditions through multiple acts of making-with and seek to complicate questions of sustainability, livability, and cooperation. In reassessing the status quo in design and architecture as material practices, they provide outlines for a nuanced reading of these worldmaking processes and ask what different ways of designing with care and complicity might entail.
=536  \\$aDeutsche Forschungsgemeinschaft$c390648296$eGermany's Excellence Strategy$fMatters of Activity. Image Space Material
=536  \\$aSwiss National Science Foundation
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$acaretaking
=653  \\$asustainability
=653  \\$aecology
=653  \\$aarchitecture
=653  \\$adesign
=653  \\$adesign
=700  1\$aPerraudin, Léa,$eeditor.$uHumboldt-Universität zu Berlin.
=700  1\$aWinkler, Clemens,$eeditor.$uHumboldt-Universität zu Berlin.
=700  1\$aMareis, Claudia,$eeditor.$uHumboldt-Universität zu Berlin.$0(orcid)0000000256376889$1https://orcid.org/0000-0002-5637-6889
=700  1\$aHeld, Matthias,$eeditor.$uUniversity of Design Schwäbisch Gmünd.
=700  1\$aAhrensfeld, Viola S.,$eauthor.$uBauhaus University, Weimar.
=700  1\$aBoehnert, Joanna,$eauthor.$uBath Spa University.$0(orcid)0000000289900325$1https://orcid.org/0000-0002-8990-0325
=700  1\$aBulling, Jessica,$eauthor.$uTU Dresden.
=700  1\$aBüsse, Michaela,$eauthor.$uTU Dresden.
=700  1\$aDe Visscher, Emile,$eauthor.$uÉcole Normale Supérieure - PSL.
=700  1\$aKirschner, Roman,$eauthor.$uZurich University of the Arts.$0(orcid)0000000181520910$1https://orcid.org/0000-0001-8152-0910
=700  1\$aKretzer, Manuel,$eauthor.$uAnhalt University of Applied Sciences.$0(orcid)0000000206143374$1https://orcid.org/0000-0002-0614-3374
=700  1\$aKundoo, Anupama,$eauthor.$uUniversity of Applied Sciences Potsdam.
=700  1\$aMüller, Martin,$eauthor.$uHumboldt-Universität zu Berlin.
=700  1\$aPeluso, Fara,$eauthor.
=700  1\$aSchäffner, Wolfgang,$eauthor.$uHumboldt-Universität zu Berlin.$0(orcid)0000000168633689$1https://orcid.org/0000-0001-6863-3689
=700  1\$aSchmidt, Lea,$eauthor.$uLucerne University of Applied Sciences and Arts.
=700  1\$aSchneider, Maxie,$eauthor.$uHumboldt-Universität zu Berlin.$0(orcid)0000000182606214$1https://orcid.org/0000-0001-8260-6214
=700  1\$aTikka, Emilia,$eauthor.$uAalto University.$0(orcid)0009000046127128$1https://orcid.org/0009-0000-4612-7128
=700  1\$aFransén Waldhör, Ebba,$eauthor.
=700  1\$aWenig, Charlett,$eauthor.$uMax Planck Institute of Colloids and Interfaces.$0(orcid)0000000302457541$1https://orcid.org/0000-0003-0245-7541
=700  1\$aWitzgall, Susanne,$eauthor.$uAcademy of Fine Arts Munich.
=710  2\$ameson press,$epublisher.
=830  \0$aFuture Ecologies ;$vvol. 6.$x0000-0001$x0000-0000
=856  40$uhttps://doi.org/10.14619/2201$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2023/12/Material-Trajectories-Cover.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02735nam  22005892  4500
=001  ce4bfb3b-6f5b-4d37-8d85-9ca20c35d279
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20212021\\\\\\\\ob\\\\000\0\eng\d
=020  \\$a9783957960283$q(PDF)
=024  7\$a10.14619/028-3$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=050  00$aHD28-9999
=050  00$aHD28-70
=072   7$aJFD$2bicssc
=072   7$aJHBL$2bicssc
=072   7$aKJ$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aBUS041000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aJHBL$2thema
=072   7$aKJ$2thema
=100  1\$aAndrijasevic, Rutvica,$eauthor.$uUniversity of Bristol.
=245  10$aMedia and Management /$cRutvica Andrijasevic, Julie Yujie Chen, Melissa Gregg, Marc Steinberg.
=264  \1$aLüneburg :$bmeson press,$c2021.
=264  \4$c©2021
=300  \\$a1 online resource (124 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aIn Search of Media ;$vvol. 11.$x0000-0007$x0000-0006
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aManagement is enabled by media, just as media give life to management. Studying the management innovations learned through media uncovers the evolving relationship between workers and employers. With a view to history, Media and Management shows the interdependence of hardware, software, and human experience adjusting to algorithmically defined rhythms.
=536  \\$aSimon Fraser University$eCanada 150 Research Chairs Program
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aManagement
=653  \\$aArbeit
=653  \\$aDigitalisierung
=653  \\$aLogistik
=653  \\$aMedien
=700  1\$aChen, Julie Yujie,$eauthor.$uUniversity of Toronto.
=700  1\$aGregg, Melissa,$eauthor.$uIntel (United States).
=700  1\$aSteinberg, Marc,$eauthor.$uConcordia University.
=710  2\$ameson press,$epublisher.
=830  \0$aIn Search of Media ;$vvol. 11.$x0000-0007$x0000-0006
=856  40$uhttps://doi.org/10.14619/028-3$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2021/10/978-3-95796-028-3_FC.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03900nam  22006612  4500
=001  9d3b1a51-b2d0-44df-a037-f1e219d0e436
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20232023\\\\\\\\ob\\\\000\0\ger\d
=020  \\$z9783957962126$q(Paperback)
=020  \\$a9783957962133$q(PDF)
=024  7\$a10.14619/2126$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aJH$2bicssc
=072   7$aJNF$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aSOC002000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aJH$2thema
=072   7$aJNF$2thema
=072   7$aKJMV22$2thema
=072   7$aYXP$2thema
=100  1\$aHörl, Erich,$eauthor.
=245  10$aMediale Teilhabe :$bPartizipation zwischen Anspruch und Inanspruchnahme /$cedited by Beate Ochsner; Erich Hörl, Milan Stürmer, Markus Spöhrer, Robert Stock, Isabell Otto, Urs Stäheli, Anne Ganzert, Mathias Denecke, Matthias Drusell, Elke Bippus, Christoph Brunner, Roberto Nigro, Michel Schreiber, nate wessalowski, Ruth Lang.
=264  \1$aLüneburg :$bmeson press,$c2023.
=264  \4$c©2023
=300  \\$a1 online resource (274 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aGesellschaftliche, politische und wissenschaftliche Forderungen nach mehr Beteiligung, Zugang und Mitwirkung sind ebenso allgegenwärtig wie spannungsgeladen und durchzogen von Ambivalenzen. Mediale Teilhabe fragt nach den medialen Ermöglichungs- und Austauschprozessen, als deren Effekt Teilhabe/Nicht-Teilhabe entsteht. Entlang der Modalitäten Verschalten, Temporalisieren und Teilhabende Kritik entwickeln die Beiträge einen differenzierten Blick auf Teilhabe im Spannungsfeld von Anspruch und Inanspruchnahme.
=536  \\$aDeutsche Forschungsgemeinschaft$c272138722$fMediale Teilhabe: Partizipation zwischen Anspruch und Inanspruchnahme
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=700  1\$aOchsner, Beate,$eeditor.$uUniversity of Konstanz.$0(orcid)0000000260419968$1https://orcid.org/0000-0002-6041-9968
=700  1\$aStürmer, Milan,$eauthor.$0(orcid)0000000337919240$1https://orcid.org/0000-0003-3791-9240
=700  1\$aSpöhrer, Markus,$eauthor.
=700  1\$aStock, Robert,$eauthor.$0(orcid)0000000222560928$1https://orcid.org/0000-0002-2256-0928
=700  1\$aOtto, Isabell,$eauthor.
=700  1\$aStäheli, Urs,$eauthor.
=700  1\$aGanzert, Anne,$eauthor.$0(orcid)0000000316918898$1https://orcid.org/0000-0003-1691-8898
=700  1\$aDenecke, Mathias,$eauthor.$0(orcid)0000000289550222$1https://orcid.org/0000-0002-8955-0222
=700  1\$aDrusell, Matthias,$eauthor.
=700  1\$aBippus, Elke,$eauthor.$0(orcid)0000000163330400$1https://orcid.org/0000-0001-6333-0400
=700  1\$aBrunner, Christoph,$eauthor.$0(orcid)000000032392783X$1https://orcid.org/0000-0003-2392-783X
=700  1\$aNigro, Roberto,$eauthor.
=700  1\$aSchreiber, Michel,$eauthor.
=700  1\$awessalowski, nate,$eauthor.
=700  1\$aLang, Ruth,$eauthor.$0(orcid)0000000163963080$1https://orcid.org/0000-0001-6396-3080
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/2126$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2023/08/cover_ochsner_mediale_teilhabe.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03221nam  22006252  4500
=001  adb9c4b8-831c-45a3-b547-a1ae8702bdcc
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20172017\\\\\\\\ob\\\\000\0\ger\d
=020  \\$z9783957961150$q(Paperback)
=020  \\$a9783957961167$q(PDF)
=020  \\$a9783957961174$q(Epub)
=024  7\$a10.14619/1150$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFDT$2bicssc
=072   7$aKNT$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aBUS0700060$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aJBCT2$2thema
=072   7$aKNT$2thema
=100  1\$aMangold, Jana,$eauthor.$0(orcid)0000000218237511$1https://orcid.org/0000-0002-1823-7511
=245  10$aMedien verstehen :$bMarshall McLuhans Understanding Media /$cedited by Till A. Heilmann, Jens Schröter.
=264  \1$aLüneburg :$bmeson press,$c2017.
=264  \4$c©2017
=300  \\$a1 online resource (202 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aMedien in ihrer historischen und technischen Vielfalt zu verstehen, das war das Versprechen, das Marshall McLuhan vor über fünfzig Jahren mit Understanding Media gegeben hatte. Unsere digital veränderte Gegenwart erfordert, das Buch heute erneut zu lesen und vor dem Hintergrund aktueller technischer Entwicklungen zu hinterfragen. Gegenstand des Sammelbandes sind u. a. McLuhans Idee von Medien als „Umwelten“, seine eigenwillige Sprache und Argumentation sowie seine Annahme der technischen Verfasstheit von Wahrnehmung.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aMedien
=653  \\$aFernsehen
=653  \\$aKommunikation
=653  \\$aInterface
=653  \\$aMcLuhan
=653  \\$aComputer
=700  1\$aHeilmann, Till,$eeditor.$uUniversity of Bonn.
=700  1\$aSchröter, Jens,$eeditor.$uUniversity of Bonn.
=700  1\$aSprenger, Florian,$eauthor.$0(orcid)0000000252258711$1https://orcid.org/0000-0002-5225-8711
=700  1\$aSchabacher, Gabriele,$eauthor.
=700  1\$aLöffler, Petra,$eauthor.
=700  1\$aLeeker, Martina,$eauthor.
=700  1\$aAngerer, Marie-Luise,$eauthor.$0(orcid)0000000329439394$1https://orcid.org/0000-0003-2943-9394
=700  1\$aLeschke, Rainer,$eauthor.$0(orcid)0000000192227613$1https://orcid.org/0000-0001-9222-7613
=700  1\$aEngell, Lorenz,$eauthor.
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/1150$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2017/09/978-3-95796-115-0_Medien-verstehen_Cover_small-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02809nam  22005652  4500
=001  2760f92c-ce83-46fa-8a4f-aebb161c564d
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20192019\\\\\\\\ob\\\\000\0\eng\d
=020  \\$a9783957960047$q(PDF)
=024  7\$a10.14619/0047$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aPN1993-1994
=050  00$aTR845-899.5
=072   7$aAPFX$2bicssc
=072   7$aAPFA$2bicssc
=072   7$aJFD$2bicssc
=072   7$aPER004010$2bisacsh
=072   7$aPER004030$2bisacsh
=072   7$aSOC052000$2bisacsh
=072   7$aATFX$2thema
=072   7$aATFA$2thema
=072   7$aJBCT1$2thema
=100  1\$aTurquety, Benoît,$eauthor.$uUniversity of Lausanne.
=245  10$aMedium, Format, Configuration :$bThe Displacements of Film /$cBenoît Turquety.
=264  \1$aLüneburg :$bmeson press,$c2019.
=264  \4$c©2019
=300  \\$a1 online resource (54 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aConfigurations of Film ;$vvol. 2.$x0000-0009$x0000-0008
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aIn contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of images and sounds. Formats, institutionalized as standards, frame the “technical networks” defined by Gilbert Simondon, that unfold technical objects into economically and politically structured webs that cover the world. Media are always formatted and, as such, do not flow: they are displaced.
=536  \\$aDeutsche Forschungsgemeinschaft$c310565625$eGraduiertenkolleg$fGRK 2279: Konfigurationen des Films
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aMedia
=653  \\$aNetworks
=653  \\$aDigital Cinema
=653  \\$aFormat
=653  \\$aGilbert Simondon
=653  \\$aTechnology
=710  2\$ameson press,$epublisher.
=830  \0$aConfigurations of Film ;$vvol. 2.$x0000-0009$x0000-0008
=856  40$uhttps://doi.org/10.14619/0047$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2019/11/CoF2-Turquety-Cover_web.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03019nam  22005292  4500
=001  446d6ab7-31df-4ee5-86d7-0f7cb31f0f1b
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20152015\\\\\\\\ob\\\\000\0\ger\d
=020  \\$z9783957960153$q(Paperback)
=020  \\$a9783957960160$q(PDF)
=020  \\$a9783957960177$q(Epub)
=024  7\$a10.14619/003$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aB1-5802
=050  00$aBH1-301
=072   7$aHPCF3$2bicssc
=072   7$aHPN$2bicssc
=072   7$aPHI006000$2bisacsh
=072   7$aPHI001000$2bisacsh
=072   7$aQDHR5$2thema
=072   7$aQDTN$2thema
=100  1\$aSouriau, Étienne,$eauthor.$uSorbonne Université.
=245  10$aDie verschiedenen Modi der Existenz /$cÉtienne Souriau.
=264  \1$aLüneburg :$bmeson press,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource.
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$a„Wäre die Philosophie auch nur eine Stunde der Mühe wert, wenn sie uns nicht für das Leben rüstete?“ Gezielten Schrittes entwirft der französische Philosoph Étienne Souriau in diesem dicht gedrängten Buch eine Grammatik der Existenz. Im Fokus steht nicht nur ihre Theorie, sondern auch die tatsächliche Ausübung der „Kunst des Existierens“. Wie Gilles Deleuze und William James vertritt Souriau dabei die These eines existenziellen Pluralismus: Es gibt Phänomene, Dinge, das Virtuelle, fiktionale Wesen – die Existenz ist polyphon. Souriaus radikale Herangehensweise hat auch Bruno Latour und Isabelle Stengers entscheidend beeinflusst. In ihrer ausführlichen Einleitung zu Souriaus Text von 1943 und dem ebenfalls zum ersten Mal in deutscher Sprache veröffentlichten Vortrag „Über den Modus der Existenz des zu vollbringenden Werks“ (1956) zeigt sich eindrucksvoll die Aktualität seines Denkens.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aÄsthetik
=653  \\$aBruno Latour
=653  \\$aANT
=653  \\$aPhilosophie
=653  \\$aExistenzweisen
=700  1\$aWäckerle, Thomas,$etranslator.
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/003$zConnect to e-book
=856  42$uhttp://meson.press/wp-content/uploads/2015/05/Souriau-Die-verschiedenen-Modi-der-Exiszenz-WEB-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  04640nam  22007812  4500
=001  525e7119-52be-4afb-8a02-947babc292d2
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20152015\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957960504$q(Paperback)
=020  \\$a9783957960511$q(PDF)
=020  \\$a9783957960528$q(Epub)
=024  7\$a10.14619/013$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aJPSL$2bicssc
=072   7$aUD$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aPOL062000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aJPSL$2thema
=072   7$aUD$2thema
=100  1\$aPurayil Sneha, Puthiya,$eeditor, author.$uCentre for Internet and Society.
=245  10$aDigital Activism in Asia Reader /$cedited by Nishant Shah, Puthiya Purayil Sneha, Sumandro Chattapadhyay.
=264  \1$aLüneburg :$bmeson press,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource (269 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=520  \\$aThe digital turn might as well be marked as an Asian turn. From flash-mobs in Taiwan to feminist mobilisations in India, from hybrid media strategies of Syrian activists to cultural protests in Thailand, we see the emergence of political acts that transform the citizen from being a beneficiary of change to becoming an agent of change. In co-shaping these changes, what the digital shall be used for, and what its consequences will be, are both up for speculation and negotiation. Digital Activism in Asia marks a particular shift where these questions are no longer being refracted through the ICT4D logic, or the West’s attempts to save Asia from itself, but shaped by multiplicity, unevenness, and urgencies of digital sites and users in Asia. This reader crowd-sources critical tools, concepts, analyses, and annotations, self-identified by a network of change makers in Asia as important in their own practices within their own contexts.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aActivism
=653  \\$aNetworked Societies
=653  \\$aDigital Society
=653  \\$aSocial Media
=653  \\$aAsia
=700  1\$aShah, Nishant,$eeditor.$uLeuphana University of Lüneburg.
=700  1\$aChattapadhyay, Sumandro,$eeditor.$uCentre for Internet and Society.$0(orcid)0000000157244557$1https://orcid.org/0000-0001-5724-4557
=700  1\$aAlbornoz, Denisse,$eauthor.
=700  1\$aAl Shafei, Esra’a,$eauthor.
=700  1\$aAngelina, Maesy,$eauthor.
=700  1\$aAung, Htaike Htaike,$eauthor.
=700  1\$aBen-David, Anat,$eauthor.$uOpen University of Israel.$0(orcid)0000000345105634$1https://orcid.org/0000-0003-4510-5634
=700  1\$aChami, Nandini,$eauthor.$uIT for Change.
=700  1\$aCheng, Tracey,$eauthor.
=700  1\$aHurault, Armand,$eauthor.
=700  1\$aJolley, Rachael,$eauthor.
=700  1\$aKim, Youngmi,$eauthor.$uCentral European University.$0(orcid)0000000155512415$1https://orcid.org/0000-0001-5551-2415
=700  1\$aLim, Merlyna,$eauthor.$uCarleton University.$0(orcid)0000000215839920$1https://orcid.org/0000-0002-1583-9920
=700  1\$aMcKeever, Sarah,$eauthor.$uKing's College London.
=700  1\$aPanigrahi, Subhashish,$eauthor.$uCentre for Internet and Society.$0(orcid)0000000236658184$1https://orcid.org/0000-0002-3665-8184
=700  1\$aPokharel, Prabhas,$eauthor.$0(orcid)0000000152711881$1https://orcid.org/0000-0001-5271-1881
=700  1\$aRay Murray, Padmini,$eauthor.$uSrishti Institute of Art Design and Technology.$0(orcid)0000000165909555$1https://orcid.org/0000-0001-6590-9555
=700  1\$aSarkar, Urvashi,$eauthor.
=700  1\$aS V, Shobha,$eauthor.
=700  1\$aTsou, YiPing (Zona),$eauthor.
=700  1\$aYong, Hu,$eauthor.$uPeking University.
=700  1\$aYusuf, Huma,$eauthor.$uWoodrow Wilson International Center for Scholars.
=700  1\$aZhang, Weiyu,$eauthor.$uNational University of Singapore.$0(orcid)0000000329246517$1https://orcid.org/0000-0003-2924-6517
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/013$zConnect to e-book
=856  42$uhttp://meson.press/wp-content/uploads/2015/07/digital-activism-asia-cover-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02408nam  22004212  4500
=001  3395db15-4810-49d3-80bc-cc8997750462
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20232023\\\\\\\\ob\\\\000\0\eng\d
=020  \\$a9783957960580$q(PDF)
=024  7\$a10.14619/0580$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aJBCT1$2thema
=100  1\$aCooper, Zane Griffin Talley,$eauthor.$uUniversity of Pennsylvania.$0(orcid)0000000328546980$1https://orcid.org/0000-0003-2854-6980
=245  10$aDigital Energetics /$cZane Griffin Talley Cooper, Jordan B. Kinder, Cindy Kaiying Lin, Anne Pasek.
=264  \1$aLüneburg :$bmeson press,$c2023.
=264  \4$c©2023
=300  \\$a1 online resource (130 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aIn Search of Media ;$vvol. 13.$x0000-0007$x0000-0006
=500  \\$aAvailable through meson press.
=520  \\$aMedia and energy require joint theorization as they are bound together across contemporary informational and fossil regimes. Digital Energetics traces the contours of a media analytic of energy and an energy analytic of media across the cultural, environmental, and labor relations they subtend. Focusing specifically on digital operations, its authors analyze how data and energy have jointly modulated the character of data work and politics in a warming world.
=536  \\$aSimon Fraser University$eCanada 150 Research Chairs Program
=538  \\$aMode of access: World Wide Web.
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=700  1\$aKinder, Jordan B.,$eauthor.$uHarvard University.$0(orcid)0000000349996147$1https://orcid.org/0000-0003-4999-6147
=700  1\$aLin, Cindy Kaiying,$eauthor.$uPennsylvania State University.
=700  1\$aPasek, Anne,$eauthor.$uTrent University.$0(orcid)000000018770418X$1https://orcid.org/0000-0001-8770-418X
=710  2\$ameson press,$epublisher.
=830  \0$aIn Search of Media ;$vvol. 13.$x0000-0007$x0000-0006
=856  40$uhttps://doi.org/10.14619/0580$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2023/06/Digital_Energetics_FC.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03522nam  22006852  4500
=001  d2508c39-cb2a-4a0f-9e0e-0b771f1dbe80
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20152015\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957960757$q(Paperback)
=020  \\$a9783957960764$q(PDF)
=020  \\$a9783957960771$q(Epub)
=024  7\$a10.14619/012$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aUDX$2bicssc
=072   7$aJFD$2bicssc
=072   7$aKNT$2bicssc
=072   7$aUGG$2bicssc
=072   7$aUMK$2bicssc
=072   7$aCOM012040$2bisacsh
=072   7$aSOC052000$2bisacsh
=072   7$aBUS070060$2bisacsh
=072   7$aUDX$2thema
=072   7$aJBCT1$2thema
=072   7$aKNT$2thema
=072   7$aUGG$2thema
=072   7$aUMK$2thema
=100  1\$aEnsslin, Astrid,$eauthor.$uBangor University.$0(orcid)0000000321890025$1https://orcid.org/0000-0003-2189-0025
=245  10$aDiversity of Play /$cedited by Mathias Fuchs.
=264  \1$aLüneburg :$bmeson press,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource (112 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aThe early days when digital games were new, harmless, and a niche are long gone. Today’s games can simulate battlefields, predict disaster, and crash markets. We are faced with a diversity of play and the ubiquity of games, making them not only a popular medium, but the leading medium of our contemporary society. Based on the keynote lectures held at DiGRA2015, “Diversity of Play” provides a critical view on the current stage of digital games from a theoretic, artistic, and practical perspective by pointing towards the uncanny, the power of “unnatural” narratives, and the exceptions and uncertainties of digital ludic environments. With an interview with Karen Palmer and essays by Astrid Ensslin, Mathias Fuchs, Tanya Krzywinska, and Markus Rautzenberg.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aGame Studies
=653  \\$aLudology
=653  \\$aGamification
=653  \\$aLudification
=653  \\$aGothic
=653  \\$aPlay Studies
=653  \\$aDiGRA
=653  \\$aNarratology
=653  \\$aDiversity
=700  1\$aFuchs, Mathias,$eeditor.$uLeuphana University of Lüneburg.$0(orcid)0000000345433478$1https://orcid.org/0000-0003-4543-3478
=700  1\$aKrzywinska, Tanya,$eauthor.$uFalmouth University.$0(orcid)0000000207444144$1https://orcid.org/0000-0002-0744-4144
=700  1\$aPalmer, Karen,$eauthor.
=700  1\$aRautzenberg, Markus,$eauthor.$uFreie Universität Berlin.
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/012$zConnect to e-book
=856  42$uhttp://meson.press/wp-content/uploads/2015/07/Diversity-of-Play-Cover_small-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03454nam  22006132  4500
=001  59ecdda1-efd8-45d2-b6a6-11bc8fe480f5
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20212021\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957961891$q(Paperback)
=020  \\$a9783957961907$q(PDF)
=024  7\$a10.14619/1891$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=050  00$aGE195-199
=050  00$aGF1-900
=072   7$aJPSL$2bicssc
=072   7$aJFD$2bicssc
=072   7$aRNA$2bicssc
=072   7$aPSAF$2bicssc
=072   7$aPOL062000$2bisacsh
=072   7$aSOC052000$2bisacsh
=072   7$aSCI020000$2bisacsh
=072   7$aJPSL$2thema
=072   7$aJBCT1$2thema
=072   7$aRNA$2thema
=072   7$aPSAF$2thema
=100  1\$aClaus, Jakob,$eauthor.$uUniversity of Oldenburg.
=245  10$aEarth and Beyond in Tumultuous Times :$bA Critical Atlas of the Anthropocene /$cedited by Réka Patrícia Gál, Petra Löffler.
=264  \1$aLüneburg :$bmeson press,$c2021.
=264  \4$c©2021
=300  \\$a1 online resource (218 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aFuture Ecologies ;$vvol. 1.$x0000-0001$x0000-0000
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aEarth and Beyond in Tumultuous Times offers a critical exploration of the Anthropocene concept. It addresses the urgent geopolitical and environmental questions raised by the new geological epoch. How are we to rethink landscapes, such as river deltas, oceans, or outer space? How can we create spaces for resistance and utopic dreaming? This volume confronts these questions by charting how space and place are constructed, deconstructed, and negotiated by humans and non-humans under conditions of globally entangled consumption, movement, and contamination. The essays in this volume are complemented by artistic interventions that offer a poetics for a harmed planet and the numerous worlds it contains.Earth and Beyond in Tumultuous Times is part of the series Future Ecologies dedicated to rethink the multiple ecologies that flourish and struggle on Earth and beyond.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aEcology
=700  1\$aGál, Réka Patrícia,$eeditor.$uUniversity of Toronto.
=700  1\$aLöffler, Petra,$eeditor.$uUniversity of Oldenburg.
=700  1\$aDünne, Jörg,$eauthor.$uHumboldt-Universität zu Berlin.
=700  1\$aHeinrichs, Marie,$eauthor.$uUniversity of Potsdam.
=700  1\$aSchmedes, Hannah,$eauthor.$uUniversity of Potsdam.
=700  1\$aUsón, Tomás J.,$eauthor.$uHumboldt-Universität zu Berlin.
=710  2\$ameson press,$epublisher.
=830  \0$aFuture Ecologies ;$vvol. 1.$x0000-0001$x0000-0000
=856  40$uhttps://doi.org/10.14619/1891$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2021/03/978-3-95796-189-1_Cover.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02407nam  22005052  4500
=001  a3358bd7-38eb-4a1b-b045-ca1abdec6882
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20172017\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957960955$q(Paperback)
=020  \\$a9783957960962$q(PDF)
=024  7\$a10.14619/020$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aJBCT1$2thema
=100  1\$aAngerer, Marie-Luise,$eauthor.$uUniversity of Potsdam.$0(orcid)0000000329439394$1https://orcid.org/0000-0003-2943-9394
=245  10$aEcology of Affect :$bIntensive Milieus and Contingent Encounters /$cMarie-Luise Angerer.
=264  \1$aLüneburg :$bmeson press,$c2017.
=264  \4$c©2017
=300  \\$a1 online resource (70 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aThe way we conceive the human today is particularly affected by the shifts in media technology during the 20th century. Affect emerges as the new liminal concept that renders the body compatible in novel ways with the technology and politics of media. By ways of a relational reorganization the organic end technological life is condensed in a new, intense way to an ecology of affects.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$adislocation
=653  \\$aecology
=653  \\$amilieu
=653  \\$afeeling
=653  \\$aantagonism
=653  \\$ainterval
=653  \\$aintensity
=653  \\$apolitical affect
=653  \\$aaffect
=700  1\$aJackson, Gerrit,$etranslator.
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/020$zConnect to e-book
=856  42$uhttp://meson.press/wp-content/uploads/2017/04/cover_angerer_en_web-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  05663nam  22009372  4500
=001  563a9a1a-f24b-482b-8c6a-54198a84c464
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20202020\\\\\\\\ob\\\\000\0\ger\d
=020  \\$z9783957961778$q(Paperback)
=020  \\$a9783957961785$q(PDF)
=024  7\$a10.14619/1778$2doi
=040  \\$aUkCbTOM$beng$elocal
=041  0\$aeng$ager
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aAFKP$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aATN$2thema
=100  1\$aBexte, Peter,$eeditor, author.$uAcademy of Media Arts Cologne.
=245  10$aEin Medium namens McLuhan :$b37 Befragungen eines Klassikers /$cedited by Peter Bexte, Martina Leeker.
=264  \1$aLüneburg :$bmeson press,$c2020.
=264  \4$c©2020
=300  \\$a1 online resource (141 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aDigital Cultures ;$vvol. 8.$x0000-0005$x0000-0004
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$a„If you don‘t like my arguments, I‘ve got some more.“ (Marshall McLuhan) Wie aber steht es um den Klassiker der Medienwissenschaften im 21. Jahrhundert? Diese Frage diskutieren 37 zeitgenössische Medienwissenschaftler_innen. Ihre Antworten stehen in einem reizvollen Kontrast zu Interviews, die 2007 entstanden und jetzt online zugänglich gemacht worden sind. Viele der ursprünglich Befragten sind erneut beteiligt, neue Stimmen kamen hinzu. Dabei zeigt sich im Vergleich: Die Medienwissenschaften sind diverser geworden, und manche Zukunftserwartung wurde drastisch revidiert.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aMedienwissenschaften
=653  \\$aMcLuhan
=653  \\$aDigitalisierung
=653  \\$aInterviews
=653  \\$aMedientheorie
=700  1\$aLeeker, Martina,$eeditor, author.$uLeuphana University of Lüneburg.
=700  1\$aAltena, Arie,$eauthor.
=700  1\$aAngerer, Marie-Luise,$eauthor.$uUniversity of Potsdam.$0(orcid)0000000329439394$1https://orcid.org/0000-0003-2943-9394
=700  1\$aBeil, Benjamin,$eauthor.$uUniversity of Cologne.$0(orcid)0000000226326274$1https://orcid.org/0000-0002-2632-6274
=700  1\$aBenesch, Klaus,$eauthor.$uLudwig-Maximilians-Universität München.
=700  1\$aCavell, Richard,$eauthor.$uUniversity of British Columbia.
=700  1\$aDistelmeyer, Jan,$eauthor.$uUniversity of Applied Sciences Potsdam.
=700  1\$aDotzler, Bernhard J.,$eauthor.$uUniversity of Regensburg.
=700  1\$aErnst, Wolfgang,$eauthor.$uHumboldt-Universität zu Berlin.
=700  1\$aGehring, Petra,$eauthor.$uTechnical University of Darmstadt.
=700  1\$aGoriunova, Olga,$eauthor.$uRoyal Holloway, University of London.
=700  1\$aGottlieb, Baruch,$eauthor.$uBerlin University of the Arts.
=700  1\$aHagen, Wolfgang,$eauthor.$uLeuphana University of Lüneburg.
=700  1\$aHalpern, Orit,$eauthor.$uConcordia University.$0(orcid)0000000180093160$1https://orcid.org/0000-0001-8009-3160
=700  1\$aHarrasser, Karin,$eauthor.$uUniversity of Arts and Industrial Design Linz.$0(orcid)0000000155919995$1https://orcid.org/0000-0001-5591-9995
=700  1\$aHauser, Jens,$eauthor.$uMichigan State University.
=700  1\$aHeidenreich, Stefan,$eauthor.$uHumboldt-Universität zu Berlin.
=700  1\$aHoll, Ute,$eauthor.$uUniversity of Basel.
=700  1\$ade Kerckhove, Derrick,$eauthor.$uUniversity of Naples Federico II.
=700  1\$aLöffler, Petra,$eauthor.$uUniversity of Oldenburg.
=700  1\$aMattern, Shannon,$eauthor.$uUniversity of Pennsylvania.
=700  1\$aMersch, Dieter,$eauthor.$uZurich University of the Arts.$0(orcid)000000016623043X$1https://orcid.org/0000-0001-6623-043X
=700  1\$aMünker, Stefan,$eauthor.$uHumboldt-Universität zu Berlin.
=700  1\$aPeters, Benjamin,$eauthor.$uUniversity of Tulsa.
=700  1\$aDurham Peters, John,$eauthor.$uYale University.
=700  1\$aPias, Claus,$eauthor.$uLeuphana University of Lüneburg.
=700  1\$aRautzenberg, Markus,$eauthor.$uFolkwang University of the Arts.
=700  1\$aRieger, Stefan,$eauthor.$uRuhr University Bochum.
=700  1\$aRothe, Katja,$eauthor.$uBerlin University of the Arts.
=700  1\$aSchmidt, Kerstin,$eauthor.$uCatholic University of Eichstätt-Ingolstadt.
=700  1\$aSchröter, Jens,$eauthor.$uUniversity of Bonn.
=700  1\$aSchüttpelz, Erhard,$eauthor.$uUniversity of Siegen.
=700  1\$aSprenger, Florian,$eauthor.$uRuhr University Bochum.$0(orcid)0000000252258711$1https://orcid.org/0000-0002-5225-8711
=700  1\$aTurner, Fred,$eauthor.$uStanford University.
=700  1\$aVagt, Christina,$eauthor.$uUniversity of California, Santa Barbara.
=700  1\$aWinkler, Hartmut,$eauthor.$uPaderborn University.
=710  2\$ameson press,$epublisher.
=830  \0$aDigital Cultures ;$vvol. 8.$x0000-0005$x0000-0004
=856  40$uhttps://doi.org/10.14619/1778$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2020/12/9783957961785-Medium_McLuhan_Cover_s.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03109nam  22004932  4500
=001  34098e5e-24d9-4c8d-90fe-101d7db7feeb
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20242024\\\\\\\\ob\\\\000\0\ger\d
=020  \\$z9783957962263$q(Paperback)
=020  \\$a9783957962270$q(PDF)
=024  7\$a10.14619/2263$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aPER004000$2bisacsh
=072   7$aSOC052000$2bisacsh
=072   7$aSCI020000$2bisacsh
=072   7$aATN$2thema
=072   7$aATF$2thema
=072   7$aJBCT1$2thema
=072   7$aPSAF$2thema
=072   7$aQD$2thema
=072   7$aUYZG$2thema
=100  1\$aPerraudin, Léa,$eauthor.$uHumboldt-Universität zu Berlin.
=245  10$aElementare Ekstasen :$bSondierungen der Technosphäre /$cLéa Perraudin.
=264  \1$aLüneburg :$bmeson press,$c2024.
=264  \4$c©2024
=300  \\$a1 online resource (338 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aFuture Ecologies ;$vvol. 8.$x0000-0001$x0000-0000
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aElementare Ekstasen überschwemmen, erodieren und evaporieren die wohlsortierten Grenzziehungen zwischen Technik, Umwelt und Mensch. Als Neuverortung im Spannungsfeld medienökologischer, neomaterialistischer und technikfeministischer Theoriebildung werden hier all jene Widerständigkeiten und Un/Verfügbarkeiten sondiert, die von techno-kapitalistisch protegierten Operationen nicht zu tilgen sind. Was hieße es, die planetarische Implikation der Technosphäre aus Mikroperspektiven zu denken, mit ihren Überlappungen, Leerstellen, Fragmentierungen, Akkumulationen des Technischen zu schreiben? Entlang ihrer materiellen Prozessualität werden elementare Medien wie Regen, Minerale, Staub und Schaum zur Gegenwartsdiagnose. Angesichts der umfassenden Ökologisierungstendenzen und ihrer experimentellen Verarbeitung in Medienkunst und Interfacedesign verdichtet sich ein kritisches Begriffsinventar, das die makrologische Karriere des Technischen anders denkt.
=536  \\$aDeutsche Forschungsgemeinschaft$c390648296$eExzellenzstrategie des Bundes und der Länder$fMatters of Activity. Image Space Material
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=710  2\$ameson press,$epublisher.
=830  \0$aFuture Ecologies ;$vvol. 8.$x0000-0001$x0000-0000
=856  40$uhttps://doi.org/10.14619/2263$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2024/05/Perraudin-Elementare-Ekstasen-Cover-300dpi.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03774nam  22007092  4500
=001  7d4b8528-4916-471a-bac1-696dd8d0314c
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20222022\\\\\\\\ob\\\\000\0\ger\d
=020  \\$z9783957961952$q(Paperback)
=020  \\$a9783957961969$q(PDF)
=024  7\$a10.14619/1952$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJBCT1$2thema
=072   7$aATFA$2thema
=072   7$aATFR$2thema
=072   7$aJBSF11$2thema
=072   7$aJPW$2thema
=072   7$aRNC$2thema
=072   7$aRPT$2thema
=072   7$aUYV$2thema
=100  1\$aBee, Julia,$eauthor.$uUniversity of Siegen.
=245  10$aFahrradutopien :$bMedien, Ästhetiken und Aktivismus /$cJulia Bee, Ulrike Bergermann, Linda Keck, Sarah Sander, Herbert Schwaab, Markus Stauff, Franzi Wagner.
=264  \1$aLüneburg :$bmeson press,$c2022.
=264  \4$c©2022
=300  \\$a1 online resource (263 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aDas Fahrrad ist ein Medium sozialer Veränderung. Seine vielfältigen utopischen Potenziale ergeben sich nicht zuletzt aus seinen ebenso vielfältigen und häufig übersehenen medialen Qualitäten: Es vermittelt, es verbindet, es übersetzt; es modifiziert Wahrnehmung und Organisation von Raum und Zeit, von Körpern und von Sozialität. Umgekehrt kann auch das medienwissenschaftliche Denken fahrradmedial verändert werden. Das Fahrrad ist nicht nur Medium des sozialen und ökologischen Wandels: Radfahren eröffnet Perspektiven, verändert Räume, lässt neue Relationen entstehen und teilt Handlungsmacht neu auf.Fahrradutopien denkt vom Fahrrad aus und ergänzt dabei bestehende Ansätze zur Mobilitätsforschung um medienkulturwissenschaftliche Perspektiven. Die Beiträge verbinden Medienwissenschaften und Forschungen zu Fahrradaktivismus mit der Liebe zum Radfahren. Fokussiert werden Fahrradfilme und -vlogs, Verkehr und Infrastrukturen, Virtuelle Realität und Fahrrad, Fahrradkollektive und Fahrradfeminismus.
=536  \\$aBraunschweig University of Art
=536  \\$aBauhaus University, Weimar
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aKollektive
=653  \\$aFeminismus
=653  \\$aKino
=653  \\$aGender Studies
=653  \\$aÖkologie
=653  \\$aDokumentation
=653  \\$aFahrrad
=653  \\$aMobilität
=653  \\$aDigitale Medien
=653  \\$aRadfahren
=653  \\$aDigitalisierung
=653  \\$aDiversität
=653  \\$aUtopie
=653  \\$aAktivismus
=700  1\$aBergermann, Ulrike,$eauthor.$uBraunschweig University of Art.
=700  1\$aKeck, Linda,$eauthor.$uBauhaus University, Weimar.
=700  1\$aSander, Sarah,$eauthor.$uUniversity of Vienna.
=700  1\$aSchwaab, Herbert,$eauthor.$uUniversity of Regensburg.
=700  1\$aStauff, Markus,$eauthor.$uUniversity of Amsterdam.
=700  1\$aWagner, Franzi,$eauthor.$uBraunschweig University of Art.
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/1952$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2022/05/Fahrradutopien_FC.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03145nam  22006132  4500
=001  0151e55d-474a-4825-a303-cc2e07cad6eb
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20182018\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957961402$q(Paperback)
=020  \\$a9783957961419$q(PDF)
=024  7\$a10.14619/1402$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aKNT$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aBUS070060$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aATN$2thema
=072   7$aKNT$2thema
=100  1\$aMunn, Luke,$eauthor.$uWhitecliffe College of Arts and Design.$0(orcid)0000000210187433$1https://orcid.org/0000-0002-1018-7433
=245  10$aFerocious Logics :$bUnmaking the Algorithm /$cLuke Munn.
=264  \1$aLüneburg :$bmeson press,$c2018.
=264  \4$c©2018
=300  \\$a1 online resource (172 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aContemporary power manifests in the algorithmic. And yet this power seems incomprehensible: understood as code, it becomes apolitical; understood as a totality, it becomes overwhelming. This book takes an alternate approach, using it to unravel the operations of Uber and Palantir, Airbnb and Amazon Alexa. Moving off the whiteboard and into the world, the algorithmic must negotiate with frictions—the ‘merely’ technical routines of distributing data and running tasks coming together into broader social forces that shape subjectivities, steer bodies, and calibrate relationships. Driven by the imperatives of capital, the algorithmic exhausts subjects and spaces, a double move seeking to both exhaustively apprehend them and exhaust away their productivities. But these on-the-ground encounters also reveal that force is never guaranteed. The irreducibility of the world renders logic inadequate and control gives way to contingency.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aProduction
=653  \\$aAlexa
=653  \\$aRelationships
=653  \\$aBody
=653  \\$aSubjectivity
=653  \\$aAlgorithm
=653  \\$aSubject
=653  \\$aAirbnb
=653  \\$aLabor
=653  \\$aSpace
=653  \\$aCapital
=653  \\$aContingency
=653  \\$aUber
=653  \\$aPalantir
=653  \\$aProductivity
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/1402$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2018/09/Munn_U1_web-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  04270nam  22008052  4500
=001  40c7d203-9e7e-41f1-8bdd-bd390b82ab38
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20202020\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957961556$q(Paperback)
=020  \\$a9783957961563$q(PDF)
=024  7\$a10.14619/1556$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aAPFA$2bicssc
=072   7$aGLP$2bicssc
=072   7$aJFD$2bicssc
=072   7$aJFD$2bicssc
=072   7$aJFDT$2bicssc
=072   7$aKNT$2bicssc
=072   7$aUKS$2bicssc
=072   7$aPER004030$2bisacsh
=072   7$aLAN025020$2bisacsh
=072   7$aSOC052000$2bisacsh
=072   7$aBUS070060$2bisacsh
=072   7$aCOM030000$2bisacsh
=072   7$aATN$2thema
=072   7$aATFA$2thema
=072   7$aGLP$2thema
=072   7$aJBCT1$2thema
=072   7$aJBCT2$2thema
=072   7$aKNT$2thema
=072   7$aUKS$2thema
=100  1\$aBalsom, Erika,$eauthor.$uKing's College London.$0(orcid)0000000178072010$1https://orcid.org/0000-0001-7807-2010
=245  10$aFormat Matters :$bStandards, Practices, and Politics in Media Cultures /$cedited by Marek Jancovic, Axel Volmar, Alexandra Schneider.
=264  \1$aLüneburg :$bmeson press,$c2020.
=264  \4$c©2020
=300  \\$a1 online resource (285 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aFrom TIFF files to TED talks, from book sizes to blues stations—the term “format” circulates in a staggering array of contexts and applies to entirely dissimilar objects and practices. How can such a pliable notion meaningfully function as an instrument of classification in so many industries and scientific communities? Comprising a wide range of case studies on the standards, practices, and politics of formats from scholars of photography, film, radio, television, and the Internet, Format Matters charts the many ways in which formats shape and are shaped by past and present media cultures. This volume represents the first sustained collaborative effort to advance the emerging field of format studies.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aFormats
=653  \\$aFormatting
=653  \\$aMedia Cultures
=653  \\$aPolitics
=653  \\$aPractices
=653  \\$aStandards
=700  1\$aJancovic, Marek,$eeditor.$uJohannes Gutenberg University Mainz.
=700  1\$aVolmar, Axel,$eeditor.$uUniversity of Siegen.
=700  1\$aSchneider, Alexandra,$eeditor.$uJohannes Gutenberg University Mainz.
=700  1\$aFahle, Oliver,$eauthor.$uRuhr University Bochum.
=700  1\$aHoof, Florian,$eauthor.$uLeuphana University of Lüneburg.
=700  1\$aLinseisen, Elisa,$eauthor.$uPaderborn University.
=700  1\$aLobato, Ramon,$eauthor.$uRMIT University.$0(orcid)0000000216897233$1https://orcid.org/0000-0002-1689-7233
=700  1\$aMeyer, Roland,$eauthor.$uBrandenburg University of Technology Cottbus-Senftenberg.$0(orcid)0000000167376959$1https://orcid.org/0000-0001-6737-6959
=700  1\$aMichell, Kalani,$eauthor.$uUniversity of California, Los Angeles.
=700  1\$aSomaini, Antonio,$eauthor.$uSorbonne Nouvelle University.
=700  1\$aStauff, Markus,$eauthor.$uUniversity of Amsterdam.
=700  1\$aStrauven, Wanda,$eauthor.$uJohannes Gutenberg University Mainz.
=700  1\$aThomas, Julian,$eauthor.$uRMIT University.$0(orcid)0000000229074586$1https://orcid.org/0000-0002-2907-4586
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/1556$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2019/12/Format-Matters-Cover.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03342nam  22005772  4500
=001  85261c62-801d-41e9-961f-456bae51e842
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20222022\\\\\\\\ob\\\\000\0\ger\d
=020  \\$z9783957961983$q(Paperback)
=020  \\$a9783957961990$q(PDF)
=024  7\$a10.14619/1983$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=050  00$aAZ(20)-999
=050  00$aB69-99
=072   7$aJFD$2bicssc
=072   7$aPDA$2bicssc
=072   7$aHP$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aSCI075000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aGTB$2thema
=072   7$aPDA$2thema
=072   7$aQD$2thema
=100  1\$aDotzler, Bernhard J.,$eauthor.$uUniversity of Regensburg.
=245  10$aFoucault, digital /$cBernhard J. Dotzler, Henning Schmidgen.
=264  \1$aLüneburg :$bmeson press,$c2022.
=264  \4$c©2022
=300  \\$a1 online resource (104 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aDigital Cultures ;$vvol. 9.$x0000-0005$x0000-0004
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aMitte der 1960er Jahre hat Michel Foucault die Methode der „Diskursanalyse“ in die Geistes- und Sozialwissenschaften eingeführt. Besonders in der Archäologie des Wissens hat er dafür plädiert, die Geschichte des Wissens und der Wissenschaften zum Gegenstand diskursanalytischer Untersuchungen zu machen. Über ein halbes Jahrhundert später ist im Bereich der Informatik ein zunehmendes Interesse an der Diskursanalyse zu verzeichnen. In der Regel spielt Foucault dabei aber keine Rolle. Fern von jeder Archäologie setzen auch die Digital Humanities vermehrt auf die Analyse von historischen und gegenwärtigen Diskursen. Angesichts dieser Konjunkturen ist es an der Zeit, die Archäologie des Wissens neu zu lesen. Denn schon 1968 behauptete der französische Historiker Emmanuel Le Roy Ladurie „Der zukünftige Historiker wird Programmierer sein, oder er wird nicht sein.“ Ein Jahr später gibt Foucault mit seinem Buch auf eben diese Herausforderung eine ebenso informierte wie nuancierte Antwort. Diese Antwort ist in ihrer Aktualität und Relevanz erst noch zu entdecken.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aFoucault
=653  \\$aDigitalisierung
=653  \\$aWissenschaftsgeschichte
=653  \\$aDigital Humanities
=653  \\$aDiskursanalyse
=700  1\$aSchmidgen, Henning,$eauthor.$uBauhaus University, Weimar.
=710  2\$ameson press,$epublisher.
=830  \0$aDigital Cultures ;$vvol. 9.$x0000-0005$x0000-0004
=856  40$uhttps://doi.org/10.14619/1983$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2022/02/DotzlerSchmidgen_Foucault-Digital_L.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03650nam  22006012  4500
=001  14600c04-2346-4a93-baaa-deb45999f137
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20232023\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957962164$q(Paperback)
=020  \\$a9783957962171$q(PDF)
=024  7\$a10.14619/2164$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aGPFC$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aCOM017000$2bisacsh
=072   7$aJBCT$2thema
=072   7$aGPFC$2thema
=100  1\$aCretu, Andrei,$eauthor.$uThe Ohio State University.
=245  10$aFrictions :$bInquiries into Cybernetic Thinking and Its Attempts towards Mate[real]ization /$cedited by Diego Gómez-Venegas.
=264  \1$aLüneburg :$bmeson press,$c2023.
=264  \4$c©2023
=300  \\$a1 online resource (204 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aFrictions is a collective invitation to embrace the space of difference that both connects and separates techno-scientific discourses from their actual implementations—or even, from their non-implementations. Through a series of case studies focused on cybernetics, systems research, and some of their more contemporary inheritors, this book argues that such a middle space, the topology of frictions, offers significant insights to assess the historical and epistemological relevance of these interconnected fields. Characterized here as cybernetic thinking, this broad area of theoretical and applied projects would conceal, precisely within its frictions, the operational principles of our present.
=536  \\$aHumboldt-Universität zu Berlin$eOpen Access Publication Fund
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$amedia archaeology
=653  \\$acybernetics
=653  \\$asystems research
=653  \\$amedia theory
=653  \\$amedia history
=700  1\$aGómez-Venegas, Diego,$eeditor.$uHumboldt-Universität zu Berlin.$0(orcid)000000015640204X$1https://orcid.org/0000-0001-5640-204X
=700  1\$aErnst, Wolfgang,$eauthor.$uHumboldt-Universität zu Berlin.
=700  1\$aFischer, Thomas,$eauthor.$uSouthern University of Science and Technology.
=700  1\$avon Herrmann, Hans-Christian,$eauthor.$uTechnical University of Berlin.$0(orcid)0000000157443433$1https://orcid.org/0000-0001-5744-3433
=700  1\$aHöltgen, Stefan,$eauthor.$uUniversity of Bonn.$0(orcid)0000000186698507$1https://orcid.org/0000-0001-8669-8507
=700  1\$aNohr, Rolf F.,$eauthor.$uBraunschweig University of Art.$0(orcid)0000000238174706$1https://orcid.org/0000-0002-3817-4706
=700  1\$aSchauerte, Eva,$eauthor.
=700  1\$aSchrickel, Isabell,$eauthor.$uLeuphana University of Lüneburg.
=700  1\$aVehlken, Sebastian,$eauthor.$uUniversity of Oldenburg.
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/2164$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2023/08/Cover_Frictions.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02833nam  22005532  4500
=001  2c826665-3208-42da-b84d-d262826cba3b
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20222022\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957962065$q(Paperback)
=020  \\$a9783957962072$q(PDF)
=024  7\$a10.14619/2065$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=050  00$aJF20-2112
=050  00$aE151-889
=072   7$aJFD$2bicssc
=072   7$aJP$2bicssc
=072   7$aHBJK$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aHIS038000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aJP$2thema
=072   7$aNHK$2thema
=100  1\$aBoguska, Rebecca,$eauthor.
=245  10$aGuantánamo Frames /$cRebecca Boguska.
=264  \1$aLüneburg :$bmeson press,$c2022.
=264  \4$c©2022
=300  \\$a1 online resource (276 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aFor the last twenty years, the Guantánamo Bay detention camp has not just been a military prison and security facility, but also a site of media production. Films, photographs, and documents have continued to emerge from the camp and become the focus of fierce legal and political battles, as well as intense moral anguish. This book looks at how the US Department of Defense has struggled, and often failed, to control the public perception of these media objects through complex, layered framing devices. It traces how small ruptures in the Department’s framings have provided openings for critical interventions from various fields – ranging from journalism and human rights law to the arts. Guantánamo Frames thus lays the groundwork for a critical reappraisal of the entanglement of media, violence, and the security state in a broader sense.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aGuantanamo
=653  \\$apolitics
=653  \\$amedia
=653  \\$ajournalism
=653  \\$ahuman rights
=653  \\$asecurity state
=653  \\$aviolence
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/2065$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2022/09/978-3-95796-206-5_Cover.png$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02731nam  22005412  4500
=001  548200fa-0468-4e56-9986-9b5b76ebc4f2
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20212021\\\\\\\\ob\\\\000\0\ger\d
=020  \\$z9783957961921$q(Paperback)
=020  \\$a9783957961938$q(PDF)
=024  7\$a10.14619/1921$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJBCT$2thema
=072   7$aJBFA1$2thema
=072   7$aJPFQ$2thema
=072   7$aPDA$2thema
=072   7$aPSAF$2thema
=072   7$aQDTS$2thema
=072   7$aRNA$2thema
=100  1\$aSchnödl, Gottfried,$eauthor.
=245  10$aUexkülls Umgebungen :$bUmweltlehre und rechtes Denken /$cGottfried Schnödl, Florian Sprenger.
=264  \1$aLüneburg :$bmeson press,$c2021.
=264  \4$c©2021
=300  \\$a1 online resource (253 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aFuture Ecologies ;$vvol. 3.$x0000-0001$x0000-0000
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aDie Lehre Jakob von Uexkülls wird oft mit anerkennendem Blick auf die Vielfalt möglicher Umwelten und als erster Schritt zu einem anderen, pluralen Nachdenken über nicht-menschliche Lebensformen gelesen. Ihr struktureller Konservatismus, ihre identitäre Logik, nach welcher alles an seinem Platz bleiben und sich nichts vermischen soll, und ihre Nähe zum Nationalsozialismus bleiben dabei in aller Regel außen vor. Uexkülls Umgebungen stellt diese Fragen ins Zentrum und eröffnet damit einen neuen Blick auf Uexkülls Umweltlehre.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aNeue Rechte
=653  \\$aRassismus
=653  \\$aNationalsozialismus
=653  \\$aUexküll
=653  \\$aÖkologie
=653  \\$aUmweltlehre
=700  1\$aSprenger, Florian,$eauthor.$0(orcid)0000000252258711$1https://orcid.org/0000-0002-5225-8711
=710  2\$ameson press,$epublisher.
=830  \0$aFuture Ecologies ;$vvol. 3.$x0000-0001$x0000-0000
=856  40$uhttps://doi.org/10.14619/1921$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2021/09/Uexku%CC%88lls-Umgebungen_Cover_De_300dpi.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02876nam  22004932  4500
=001  5465cd7a-47a9-4c93-973b-96d471ec38dc
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20212021\\\\\\\\ob\\\\000\0\eng\d
=020  \\$a9783957961532$q(PDF)
=024  7\$a10.14619/153-2$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aJBCT1$2thema
=100  1\$aKarppi, Tero,$eauthor.$uUniversity of Toronto.
=245  10$aUndoing Networks /$cTero Karppi, Urs Stäheli, Clara Wieghorst, Lea P. Zierott.
=264  \1$aLüneburg :$bmeson press,$c2021.
=264  \4$c©2021
=300  \\$a1 online resource (140 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aIn Search of Media ;$vvol. 9.$x0000-0007$x0000-0006
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aHow do we think beyond the dominant images and imaginaries of connectivity? Undoing Networks enables a different connectivity: “digital detox” is a luxury for stressed urbanites wishing to lead a mindful life. Self-help books advocate “digital minimalism” to recover authentic experiences of the offline. Artists envision a world without the internet. Activists mobilize against the expansion of the 5G network.If connectivity brought us virtual communities, information superhighways, and participatory culture, disconnection comes with privacy tools, Faraday shields, and figures of the shy. This book explores non-usage and the “right to disconnect” from work and from the excessive demands of digital capitalism.
=536  \\$aSimon Fraser University$eCanada 150 Research Chairs Program
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aDisconnection
=653  \\$aCapitalism
=653  \\$aConnectivity
=653  \\$aDigital Detox
=700  1\$aStäheli, Urs,$eauthor.$uUniversität Hamburg.
=700  1\$aWieghorst, Clara,$eauthor.$uLeuphana University of Lüneburg.
=700  1\$aZierott, Lea,$eauthor.$uUniversität Hamburg.
=710  2\$ameson press,$epublisher.
=830  \0$aIn Search of Media ;$vvol. 9.$x0000-0007$x0000-0006
=856  40$uhttps://doi.org/10.14619/153-2$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2021/04/Undoing_Networks_l.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03741nam  22007572  4500
=001  dbc440f5-0d0d-4602-bbf1-1f5c4330e8ad
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20182018\\\\\\\\ob\\\\000\0\ger\d
=020  \\$z9783957961358$q(Paperback)
=020  \\$a9783957961365$q(PDF)
=024  7\$a10.14619/1358$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aJPV$2bicssc
=072   7$aKNT$2bicssc
=072   7$aMBDC$2bicssc
=072   7$aHPQ$2bicssc
=072   7$aTJFM1$2bicssc
=072   7$aUYM$2bicssc
=072   7$aUYZ$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aBUS070060$2bisacsh
=072   7$aCOM079010$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aJPV$2thema
=072   7$aKNT$2thema
=072   7$aMBDC$2thema
=072   7$aQDTQ$2thema
=072   7$aTJFM1$2thema
=072   7$aUYM$2thema
=072   7$aUYZ$2thema
=100  1\$aAlpsancar, Suzana,$eauthor.$uBrandenburg University of Technology Cottbus-Senftenberg.
=245  10$aUnterwachen und Schlafen :$bAnthropophile Medien nach dem Interface /$cedited by Michael Andreas, Dawid Kasprowicz, Stefan Rieger.
=264  \1$aLüneburg :$bmeson press,$c2018.
=264  \4$c©2018
=300  \\$a1 online resource (190 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aAnthropophile Medien durchdringen zunehmend unsere lebensweltliche Realität, sei es im Ambient Assisted Living, als Pflegeassistenzsysteme, in den Arbeitsszenarien einer Industrie 4.0, als behagliche Interfaces des Affective Computing oder als Lifetracker der Quantified-Self-Bewegung. Verbunden ist damit der Einzug menschlicher Befindlichkeiten, Werte und sozialer Routinen in das Design medialer Agencies. Über 40 Jahre nach dem Erscheinen von Michel Foucaults "Surveiller et punir" gerät damit auch dessen Kritikbegriff ins Wanken. An die Stelle von "Überwachen und Strafen" tritt "Unterwachen und Schlafen". Unterwachen und Schlafen stellt nicht das theoretische Programm einer vollautomatisierten Lebenswelt in Aussicht, sondern das Konstrukt einer nunmehr medialen Umsetzung anthropologischer Grundelemente wie Autonomie, Freiheit oder Vertrauen.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aAmbient Assisted Living
=653  \\$aAnthropologie
=653  \\$aEmbodiment
=653  \\$aKünstliche Intelligenz
=653  \\$aComputersimulation
=653  \\$aWearables
=653  \\$aRobotik
=653  \\$aSurveillance
=653  \\$aAutonomes Fahren
=653  \\$aAffective Computing
=700  1\$aAndreas, Michael,$eeditor.$uRuhr University Bochum.
=700  1\$aKasprowicz, Dawid,$eeditor.$uWitten/Herdecke University.
=700  1\$aRieger, Stefan,$eeditor.$uRuhr University Bochum.
=700  1\$aLiggieri, Kevin,$eauthor.$uRuhr University Bochum.
=700  1\$aTuschling, Anna,$eauthor.$uRuhr University Bochum.
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/1358$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2018/03/9783957961358-Cover-small-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02711nam  22005292  4500
=001  9b240ce3-dbd0-48a7-aa24-c39c8d9509d4
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20182018\\\\\\\\ob\\\\000\0\ger\d
=020  \\$z9783957961303$q(Paperback)
=020  \\$a9783957961310$q(PDF)
=024  7\$a10.14619/1303$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aKNT$2bicssc
=072   7$aPDK$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aBUS070060$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aKNT$2thema
=072   7$aPDK$2thema
=100  1\$aHeise, Christian,$eauthor.$uLeuphana University of Lüneburg.$0(orcid)000000018071860X$1https://orcid.org/0000-0001-8071-860X
=245  10$aVon Open Access zu Open Science :$bZum Wandel digitaler Kulturen der wissenschaftlichen Kommunikation /$cChristian Heise.
=264  \1$aLüneburg :$bmeson press,$c2018.
=264  \4$c©2018
=300  \\$a1 online resource (312 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aMit der Digitalisierung geht der Ruf nach freiem Zugang zu wissenschaftlichen Forschungsergebnissen und einer Öffnung des Forschungsprozesses einher. Open Access und Open Science sind die Leitbegriffe dieses Transformationsprozesses, der von den einen euphorisch begrüßt und von den anderen heftig abgelehnt wird. Auf der Grundlage einer quantitativen Erhebung und eines reflexiven Experiments gibt das Buch Einblick in die aktuellen Debatten über die Chancen aber auch Hindernisse der Öffnung der Wissenschaften.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aDigital Publishing
=653  \\$aScientific Communication
=653  \\$aDigitalisierung
=653  \\$aWissenschaftskommunikation
=653  \\$aOpen Access
=653  \\$aOpen Science
=653  \\$aPublikationswesen
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/1303$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2018/01/Heise_Open_Access_Open_Science_Cover_web-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02536nam  22004092  4500
=001  b090bff9-4197-454d-8292-d1c6b31f8acf
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20212021\\\\\\\\ob\\\\000\0\eng\d
=020  \\$a9783957960146$q(PDF)
=024  7\$a10.14619/0146$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aSOC052000$2bisacsh
=245  00$aWho Owns the Images? :$bThe Paradox of Archives, between Commercialization, Free Circulation and Respect /$cedited by Sylvie Lindeperg, Ania Szczepanska.
=264  \1$aLüneburg :$bmeson press,$c2021.
=264  \4$c©2021
=300  \\$a1 online resource (143 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aConfigurations of Film ;$vvol. 4.$x0000-0009$x0000-0008
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aDigitization carries the utopian promise of archival access unlimited by constraints of space and time, and with it, of new forms of research and historiographies. In reality, digital image archives pose a complex set of technical, legal, ethical and methodological challenges, particularly for film and media studies and adjacent fields. In a series of studies and interviews with practitioners, scholars and theorists, this volume draws a detailed map of these challenges and offers perspectives for further research and creative practice.
=536  \\$aDeutsche Forschungsgemeinschaft$c310565625$eGraduiertenkolleg$fGRK 2279:  Konfigurationen des Films
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$amedia theory
=700  1\$aLindeperg, Sylvie,$eeditor.$uPantheon-Sorbonne University.
=700  1\$aSzczepanska, Ania,$eeditor.$uPantheon-Sorbonne University.
=710  2\$ameson press,$epublisher.
=830  \0$aConfigurations of Film ;$vvol. 4.$x0000-0009$x0000-0008
=856  40$uhttps://doi.org/10.14619/0146$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2023/04/CoF_4_FC.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  04296nam  22008652  4500
=001  1fd727ff-d2dc-406c-bc0d-a2739da3b1bd
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20242024\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957960184$q(Paperback)
=020  \\$a9783957960191$q(PDF)
=024  7\$a10.14619/0184$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aAPFA$2bicssc
=072   7$aAPT$2bicssc
=072   7$aGLP$2bicssc
=072   7$aJFD$2bicssc
=072   7$aPER004030$2bisacsh
=072   7$aSOC052000$2bisacsh
=072   7$aSOC064000$2bisacsh
=072   7$aATFA$2thema
=072   7$aATJ$2thema
=072   7$aGLP$2thema
=072   7$aJBCT$2thema
=072   7$aJBSF2$2thema
=100  1\$aAllouche, Claire,$eauthor.$uParis 8 University.
=245  10$aSerge Daney and Queer Cinephilia /$cedited by Pierre Eugène, Kate Ince, Marc Siegel.
=264  \1$aLüneburg :$bmeson press,$c2024.
=264  \4$c©2024
=300  \\$a1 online resource (310 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aConfigurations of Film ;$vvol. 5.$x0000-0009$x0000-0008
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aFrench critic Serge Daney was a central figure in film, television and media criticism of the second half of the twentieth century. He died of AIDS in 1992, just as the concept of queer cinema entered international film studies and just before the start of the digital era that has transformed film culture. This collection of new essays investigates the legacy of Daney’s work alongside considerations of feminist, queer and digital cinephilia and contemporary practices of film curation.
=536  \\$aDeutsche Forschungsgemeinschaft$c310565625$eGraduiertenkolleg$fGRK 2279: Konfigurationen des Films
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$adigital film
=653  \\$afilm curation
=653  \\$acinephilia
=653  \\$atv criticism
=653  \\$afilm criticism
=653  \\$amedia criticism
=653  \\$aqueer cinema
=653  \\$aqueer cinema
=653  \\$afilm studies
=653  \\$afilm culture
=700  1\$aEugène, Pierre,$eeditor.$uUniversity of Picardie Jules Verne.$0(orcid)0009000714458695$1https://orcid.org/0009-0007-1445-8695
=700  1\$aInce, Kate,$eeditor.$uUniversity of Birmingham.$0(orcid)0000000204560238$1https://orcid.org/0000-0002-0456-0238
=700  1\$aSiegel, Marc,$eeditor.$uJohannes Gutenberg University Mainz.$0(orcid)0000000163269558$1https://orcid.org/0000-0001-6326-9558
=700  1\$aBellour, Raymond,$eauthor.$uCentre National de la Recherche Scientifique.
=700  1\$aDelmas, Mélina,$eauthor.$uUniversity of Warwick.
=700  1\$aDowd, Garin,$eauthor.$uUniversity of West London.
=700  1\$aGalibert-Laîné, Chloé,$eauthor.$0(orcid)0009000135038557$1https://orcid.org/0009-0001-3503-8557
=700  1\$aHeath, Theresa,$eauthor.$uLoughborough University.
=700  1\$aInzerillo, Andrea,$eauthor.
=700  1\$aJoubert-Laurencin, Hervé,$eauthor.$uUniversité Paris Nanterre.
=700  1\$aKeidl, Philipp Dominik,$eauthor.$uUtrecht University.
=700  1\$aPageau, Simon,$eauthor.
=700  1\$aPierre-Ulmann, Sylvie,$eauthor.
=700  1\$aPourvali, Bamchade,$eauthor.
=700  1\$aRollet, Patrice,$eauthor.
=700  1\$aUzal, Marcos,$eauthor.
=700  1\$aMayer, So,$eauthor.
=700  1\$aRobertson, Selina,$eauthor.
=710  2\$ameson press,$epublisher.
=830  \0$aConfigurations of Film ;$vvol. 5.$x0000-0009$x0000-0008
=856  40$uhttps://doi.org/10.14619/0184$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2021/07/Serge_Daney_and_Queer_Cinephilia_Cover.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  04349nam  22008052  4500
=001  4ceae956-a5a3-43a5-96a7-ae87f0cb1b21
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20172017\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957960856$q(Paperback)
=020  \\$a9783957960863$q(PDF)
=024  7\$a10.14619/018$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aAZ(20)-999
=050  00$aHM621-656
=072   7$aHP$2bicssc
=072   7$aJFFS$2bicssc
=072   7$aJF$2bicssc
=072   7$aTBX$2bicssc
=072   7$aPHI000000$2bisacsh
=072   7$aLIT020000$2bisacsh
=072   7$aPOL033000$2bisacsh
=072   7$aQD$2thema
=072   7$aDSM$2thema
=072   7$aGTQ$2thema
=072   7$aJB$2thema
=072   7$aTBX$2thema
=100  1\$aBrillenburg Wurth, Kiene,$eauthor.$uUtrecht University.
=245  10$aSymptoms of the Planetary Condition :$bA Critical Vocabulary /$cedited by Mercedes Bunz, Birgit Mara Kaiser, Kathrin Thiele.
=264  \1$aLüneburg :$bmeson press,$c2017.
=264  \4$c©2017
=300  \\$a1 online resource (272 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aThis book explores the future of critique in view of our planetary condition. How are we to intervene in contemporary constellations of finance capitalism, climate change and neoliberalism? Think we must! To get to the symptoms, the book’s 38 terms ranging from affect and affirmation to world and work provide the reader with a critical toolbox to be continued. Negativity, judgment and opposition as modes of critique have run out of steam. Critique as an attitude and a manner of enquiry has not.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$atechnology
=653  \\$ahumanities
=653  \\$aliterature
=653  \\$aglobalization
=653  \\$apolitics
=653  \\$acritical theory
=653  \\$acritique
=700  1\$aBunz, Mercedes,$eeditor.$uUniversity of Westminster.$0(orcid)0000000328760522$1https://orcid.org/0000-0003-2876-0522
=700  1\$aKaiser, Birgit Mara,$eeditor.$uUtrecht University.
=700  1\$aThiele, Kathrin,$eeditor.$uUtrecht University.
=700  1\$aBuikema, Rosemarie,$eauthor.$uUtrecht University.
=700  1\$aDriscoll, Kári,$eauthor.$uUniversity of Westminster.$0(orcid)0000000246544666$1https://orcid.org/0000-0002-4654-4666
=700  1\$aFörster, Yvonne,$eauthor.$uLeuphana University of Lüneburg.$0(orcid)0000000251743256$1https://orcid.org/0000-0002-5174-3256
=700  1\$aHalsema, Annemie,$eauthor.$uVU Amsterdam.
=700  1\$aLawlor, Leonard,$eauthor.$uPennsylvania State University.
=700  1\$aLezra, Jacques,$eauthor.$uNew York University.$0(orcid)000000018017784X$1https://orcid.org/0000-0001-8017-784X
=700  1\$aMcAuliffe, Sam,$eauthor.$uGoldsmiths University of London.
=700  1\$aO’Leary, Timothy,$eauthor.$uUniversity of Hong Kong.
=700  1\$aPapenburg, Bettina,$eauthor.$uHeinrich Heine University Düsseldorf.
=700  1\$aPeeren, Esther,$eauthor.$uUniversity of Amsterdam.$0(orcid)0000000264322493$1https://orcid.org/0000-0002-6432-2493
=700  1\$aSzafraniec, Asja,$eauthor.$uAmsterdam University College.
=700  1\$aSehgal, Melanie,$eauthor.$uEuropean University Viadrina.
=700  1\$avan Keulen, Sybrandt,$eauthor.
=700  1\$aVasterling, Veronica,$eauthor.$uRadboud University, Nijmegen.
=700  1\$aWagner-Lawlor, Jennifer A.,$eauthor.$uPennsylvania State University.$0(orcid)0000000346670133$1https://orcid.org/0000-0003-4667-0133
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/018$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2017/01/978-3-95796-086-3_Symptoms_COVER.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  04396nam  22007092  4500
=001  97e922ea-d70c-477d-8ef1-30254b8bfaa3
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20242024\\\\\\\\ob\\\\000\0\ger\d
=020  \\$z9783957962225$q(Paperback)
=020  \\$a9783957962232$q(PDF)
=024  7\$a10.14619/2225$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aSOC052000$2bisacsh
=072   7$aPHI000000$2bisacsh
=072   7$aJBCT$2thema
=072   7$aQD$2thema
=100  1\$aBocquillon, Rémy,$eauthor.$uCatholic University of Eichstätt-Ingolstadt.$0(orcid)0000000328757040$1https://orcid.org/0000-0003-2875-7040
=245  10$aSzenen kritischer Relationalität /$cedited by Charlotte Bolwin, Jasmin Degeling, Gabriel Geffert, Martin Kallmeyer, Gereon Rahnfeld, Nathalie Schäfer, Katia Schwerzmann.
=264  \1$aLüneburg :$bmeson press,$c2024.
=264  \4$c©2024
=300  \\$a1 online resource (256 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aKritische Relationalität interveniert in Ordnungen des Denkens, die Kritik als Operation des Trennens und Auseinanderhaltens entworfen und damit die modernen Dualismen von Menschlichem und Nicht-Menschlichem, Subjekten und Objekten, Organischem und Technischem, Natur und Kultur geprägt haben. Ausgehend von multiplen, verschränkten Krisen suchen die Beiträge dieses Bandes konkrete Szenen auf, in denen das kritische Potenzial von Verbindungen und Verstrickungen anschaulich wird. Das Ausloten von Relationalität wird dabei zu einem analytischen Modus, der für die Produktivität von Verbindungen sensibilisiert und zugleich ihre differenziellen Dimensionen anerkennt.
=536  \\$aDeutsche Forschungsgemeinschaft$c413067638$eGraduiertenkolleg$fGRK2558/1: Medienanthropologie
=536  \\$aDeutsche Forschungsgemeinschaft$eOpen-Access-Publikationskosten
=536  \\$aBauhaus University, Weimar$ePublikationsfonds
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aMedien
=653  \\$aRelationalität
=653  \\$aKritik
=700  1\$aBolwin, Charlotte,$eeditor.$uBauhaus University, Weimar.
=700  1\$aDegeling, Jasmin,$eeditor.$uPaderborn University.
=700  1\$aGeffert, Gabriel,$eeditor.$uBauhaus University, Weimar.
=700  1\$aKallmeyer, Martin,$eeditor.$uBauhaus University, Weimar.
=700  1\$aRahnfeld, Gereon,$eeditor.$uBauhaus University, Weimar.
=700  1\$aSchäfer, Nathalie,$eeditor.$uBauhaus University, Weimar.
=700  1\$aSchwerzmann, Katia,$eeditor.$uRuhr University Bochum.
=700  1\$aClaus, Jakob,$eauthor.$uUniversity of Oldenburg.
=700  1\$aDeuber-Mankowsky, Astrid,$eauthor.$uRuhr University Bochum.
=700  1\$aEngell, Lorenz,$eauthor.$uBauhaus University, Weimar.
=700  1\$aGineprini, Lorenzo,$eauthor.$uBauhaus University, Weimar.
=700  1\$aHohmann, Philipp,$eauthor.$uRuhr University Bochum.
=700  1\$aKrivanec, Eva,$eauthor.$uBauhaus University, Weimar.
=700  1\$aRaskin, Irina,$eauthor.$uBraunschweig University of Art.
=700  1\$aRünker, Maximilian,$eeditor.$uBauhaus University, Weimar.
=700  1\$aSchade, Julia,$eauthor.$uRuhr University Bochum.$0(orcid)0000000345324159$1https://orcid.org/0000-0003-4532-4159
=700  1\$aSiegler, Martin,$eauthor.$uBauhaus University, Weimar.
=700  1\$aVoss, Christiane,$eauthor.$uBauhaus University, Weimar.
=700  1\$aWalther, Max,$eauthor.$uBauhaus University, Weimar.
=700  1\$aWeigelt, Shirin,$eauthor.$uBauhaus University, Weimar.
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/2225$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2024/02/978-3-95796-223-2_Szenen_kritischer_Relationalitaet-Cover.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  04698nam  22006732  4500
=001  e1cab02b-71f2-4e7f-9721-a6559ecc4db8
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20242024\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957960238$q(Paperback)
=020  \\$a9783957960245$q(PDF)
=024  7\$a10.14619/0238$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aSOC000000$2bisacsh
=072   7$aPER004000$2bisacsh
=072   7$aPOL010000$2bisacsh
=072   7$aJBC$2thema
=072   7$aATF$2thema
=072   7$aJPA$2thema
=100  1\$aFischer, Larissa,$eauthor.$uRWTH Aachen University.
=245  10$aTacit Cinematic Knowledge :$bApproaches and Practices /$cedited by Rebecca Boguska, Guilherme da Silva Machado, Rebecca Puchta, Marin Reljić.
=264  \1$aLüneburg :$bmeson press,$c2024.
=264  \4$c©2024
=300  \\$a1 online resource (268 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aConfigurations of Film ;$vvol. 6.$x0000-0009$x0000-0008
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aMoving images are increasingly finding their way into laboratories, dentist offices, clinics, airports and gyms. In these places and institutions film and moving image technologies serve to advance knowledge, to show how things are done, to train, teach, educate, mobilize people, as well as to imagine complex social facts and visualize dynamic models and schemes through data visualizations, pattern recognition software, and in social graphs. But what these moving images do goes beyond instruction, illustration and visual education. This publication introduces the concept of tacit cinematic knowledge to designate a broad variety of epistemic environments in which knowledge is configured in and through cinematic practices, and in the interaction with moving images. The concept thus describes a challenge not only for film and media scholars, but also for social scientists, economists, data analysts and artists.Covering areas of study beyond the cinema and non-theatrical films which have recently become a focus of inquiry, the contributions analyze the operations of tacit cinematic knowledge in objects ranging from political campaigns, medical and scientific devices, corporate communications, devices for the study of animal behavior and more.
=536  \\$aDeutsche Forschungsgemeinschaft$c310565625$eGraduiertenkolleg$fGRK 2279: Konfigurationen des Films
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aknowledge
=653  \\$aepistemics
=653  \\$acinema
=700  1\$aBoguska, Rebecca,$eeditor.
=700  1\$ada Silva Machado, Guilherme,$eeditor.
=700  1\$aPuchta, Rebecca,$eeditor.$0(orcid)0000000155975452$1https://orcid.org/0000-0001-5597-5452
=700  1\$aReljić, Marin Reljić,$eeditor.
=700  1\$aHariharan, Veena,$eauthor.$uJawaharlal Nehru University.
=700  1\$aHediger, Vinzenz,$eauthor.$uGoethe University Frankfurt.$0(orcid)0000000234552423$1https://orcid.org/0000-0002-3455-2423
=700  1\$aMariani, Andrea,$eauthor.$uUniversity of Udine.$0(orcid)0000000272766529$1https://orcid.org/0000-0002-7276-6529
=700  1\$aPaul, Bettina,$eauthor.$uUniversität Hamburg.
=700  1\$aRakin, Jelena,$eauthor.$uUniversity of Zurich.$0(orcid)0000000311704401$1https://orcid.org/0000-0003-1170-4401
=700  1\$aR., Haritha,$eauthor.
=700  1\$aSalles, Claire,$eauthor.$0(orcid)0000000262107247$1https://orcid.org/0000-0002-6210-7247
=700  1\$aSchmidgen, Henning,$eauthor.$uBauhaus University, Weimar.
=700  1\$aSimon, Felix M.,$eauthor.$uOxford Internet Institute.$0(orcid)0000000203714653$1https://orcid.org/0000-0002-0371-4653
=700  1\$aSoares, Felipe,$eauthor.$uUniversidade Federal de Santa Catarina.
=700  1\$aTurquety, Benoît,$eauthor.$uParis 8 University.
=710  2\$ameson press,$epublisher.
=830  \0$aConfigurations of Film ;$vvol. 6.$x0000-0009$x0000-0008
=856  40$uhttps://doi.org/10.14619/0238$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2021/07/Tacit_Cinematic_Knowledge_FC.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02909nam  22005652  4500
=001  a651589a-e4ed-42cb-bbe8-ab753a2dc318
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20212021\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957961839$q(Paperback)
=020  \\$a9783957961846$q(PDF)
=024  7\$a10.14619/1839$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aNX1-820
=072   7$aAFKV$2bicssc
=072   7$aJFD$2bicssc
=072   7$aART046000$2bisacsh
=072   7$aSOC052000$2bisacsh
=072   7$aAFKV$2thema
=072   7$aATN$2thema
=072   7$aJBCT1$2thema
=100  1\$aZeilinger, Martin,$eauthor.$uAbertay University.
=245  10$aTactical Entanglements :$bAI Art, Creative Agency, and the Limits of Intellectual Property /$cMartin Zeilinger.
=264  \1$aLüneburg :$bmeson press,$c2021.
=264  \4$c©2021
=300  \\$a1 online resource (186 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aHow do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commons, this book is firmly positioned against the anthropomorphic spectacle of “creative AI.” It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes tactical entanglements between aesthetics, law, and capital.
=536  \\$aAbertay University$eOpen Access Publication Fund
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aPosthumanism
=653  \\$aIntellectual Property
=653  \\$aLaw
=653  \\$aArtificial Intelligence
=653  \\$aArt
=653  \\$aAuthorship
=653  \\$aAesthetics
=653  \\$aCreative Agency
=653  \\$aCapital
=653  \\$aOwnership
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/1839$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2021/03/Zeilinger_FC_l.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02220nam  22004692  4500
=001  2bd07507-d6be-4818-a863-8dddce625013
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20222022\\\\\\\\ob\\\\000\0\eng\d
=020  \\$a9783957960290$q(PDF)
=024  7\$a10.14619/029-0$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aJBCT1$2thema
=100  1\$aNeves, Joshua,$eauthor.
=245  10$aTechnopharmacology /$cJoshua Neves, Aleena Chia, Susanna Paasonen, Ravi Sundaram.
=264  \1$aLüneburg :$bmeson press,$c2022.
=264  \4$c©2022
=300  \\$a1 online resource (144 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aIn Search of Media ;$vvol. 12.$x0000-0007$x0000-0006
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aTechnopharmacology is a modest call to expand media theoretical inquiry by attending to the biological, neurological, and pharmacological dimensions of media and centers on emergent affinities between big data and big pharma.
=536  \\$aSimon Fraser University$eCanada 150 Research Chairs Program
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$abig data
=653  \\$abig pharma
=700  1\$aChia, Aleena,$eauthor.
=700  1\$aPaasonen, Susanna,$eauthor.
=700  1\$aSundaram, Ravi,$eauthor.
=710  2\$ameson press,$epublisher.
=830  \0$aIn Search of Media ;$vvol. 12.$x0000-0007$x0000-0006
=856  40$uhttps://doi.org/10.14619/029-0$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2022/08/TechnoPharmmacology_Cover-1.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03067nam  22006612  4500
=001  8d7e0885-31b0-492a-9dd6-dec00015d124
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20152015\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957960108$q(Paperback)
=020  \\$a9783957960115$q(PDF)
=020  \\$a9783957960122$q(Epub)
=024  7\$a10.14619/007$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=050  00$aPN3427-3448
=050  00$aHQ1101-2030.7
=072   7$aFL$2bicssc
=072   7$aJFFK$2bicssc
=072   7$aUYQ$2bicssc
=072   7$aFIC028000$2bisacsh
=072   7$aSOC010000$2bisacsh
=072   7$aCOM004000$2bisacsh
=072   7$aFL$2thema
=072   7$aJBSF11$2thema
=072   7$aUYQ$2thema
=100  1\$aCaronia, Antonio,$eauthor.
=245  14$aThe Cyborg :$bA Treatise on the Artificial Man /$cAntonio Caronia.
=264  \1$aLüneburg :$bmeson press,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource (172 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aBorn on the pages of science fiction comics in the 1920s and 30s, the cyborg lives in popular imagination. As hero of the cyberpunk epic, in its brief but intense history, the cyborg has followed and anticipated the rapport and conflict between man and machine.In the post-fordist era of digital networked media the cyborg unfolds itself in the dissemination of multiple bodies: on the Internet, in the shift of individual identity, in the new collective aggregation connected by software. It bridges virtuality and concreteness, possibility and necessity. The cyborg thus becomes a field of social conflict, one of the new figures in which the bio-political perspective is embodied.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$abody
=653  \\$aDonna Haraway
=653  \\$aRay Kurzweil
=653  \\$acyberculture
=653  \\$aAI
=653  \\$aWilliam Gibson
=653  \\$atranshumanism
=653  \\$ascience fiction
=653  \\$ahybrids
=653  \\$acyberpunk
=653  \\$acyberfemism
=653  \\$aartificial intelligence
=700  1\$aBooth, Robert,$etranslator.
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/007$zConnect to e-book
=856  42$uhttp://meson.press/wp-content/uploads/2015/05/Caronia-Cyborg-U1-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02430nam  22005172  4500
=001  bed1bcda-84e2-47cd-9f60-15bc20bf90e3
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20152015\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957960603$q(Paperback)
=020  \\$a9783957960610$q(PDF)
=020  \\$a9783957960627$q(Epub)
=024  7\$a10.14619/011$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=050  00$aTK5101-6720
=072   7$aGTC$2bicssc
=072   7$aJFDT$2bicssc
=072   7$aLAN004000$2bisacsh
=072   7$aPER010000$2bisacsh
=072   7$aGTC$2thema
=072   7$aJBCT2$2thema
=100  1\$aElstein, David,$eauthor.
=245  14$aThe Political Structure of UK Broadcasting 1949–1999 /$cDavid Elstein.
=264  \1$aLüneburg :$bmeson press,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource (208 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aMedia, Democracy & Political Process ;$vvol. 1.$x0000-0003$x0000-0002
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aIn 1999 David Elstein delivered a lecture series examining the evolvement of UK Broadcasting policy from 1949 to 1999. His sharp analysis is a valuable contribution to the post-war development of the British broadcasting system and unfolds many topical issues in current media policy debates.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovation Incubator Lüneburg
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aBroadcasting
=653  \\$amedia policy
=653  \\$aBBC
=710  2\$ameson press,$epublisher.
=830  \0$aMedia, Democracy & Political Process ;$vvol. 1.$x0000-0003$x0000-0002
=856  40$uhttps://doi.org/10.14619/011$zConnect to e-book
=856  42$uhttp://meson.press/wp-content/uploads/2015/07/Elstein-Cover_small-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03819nam  22007332  4500
=001  9a0ddf51-69f0-465a-906f-43c4a545e507
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20152015\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957960405$q(Paperback)
=020  \\$a9783957960412$q(PDF)
=020  \\$a9783957960429$q(Epub)
=024  7\$a10.14619/005$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=050  00$aT58.5-58.64
=072   7$aJFD$2bicssc
=072   7$aUBW$2bicssc
=072   7$aUTN$2bicssc
=072   7$aUTP$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aCOM060000$2bisacsh
=072   7$aCOM043040$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aUBW$2thema
=072   7$aUTN$2thema
=072   7$aUTP$2thema
=100  1\$aSprenger, Florian,$eauthor.$0(orcid)0000000252258711$1https://orcid.org/0000-0002-5225-8711
=245  14$aThe Politics of Micro-Decisions :$bEdward Snowden, Net Neutrality, and the Architectures of the Internet /$cFlorian Sprenger.
=264  \1$aLüneburg :$bmeson press,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource (128 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aDigital Cultures ;$vvol. 2.$x0000-0005$x0000-0004
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aBe it in the case of opening a website, sending an email, or high-frequency trading, bits and bytes of information have to cross numerous nodes at which micro-decisions are made. These decisions concern the most efficient path through the network, the processing speed, or the priority of incoming data packets.Despite their multifaceted nature, micro-decisions are a dimension of control and surveillance in the twenty-first century that has received little critical attention. They represent the smallest unit and the technical precondition of a contemporary network politics – and of our potential opposition to it. The current debates regarding net neutrality and Edward Snowden’s revelation of NSA surveillance are only the tip of the iceberg. What is at stake is nothing less than the future of the Internet as we know it.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovationsinkubator
=536  \\$aNiedersächsisches Ministerium für Wissenschaft und Kultur$eNiedersächsisches Vorab
=536  \\$aVolkswagen Foundation$eNiedersächsisches Vorab
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$amateriality
=653  \\$aEdward Snowden
=653  \\$amedia studies
=653  \\$apower
=653  \\$apolitics
=653  \\$asurveillance
=653  \\$anet neutrality
=653  \\$anetworking
=653  \\$amicro-decisions
=653  \\$aPaul Baran
=653  \\$ainternet architecture
=653  \\$ainfrastructure
=700  1\$aKelty, Christopher,$eforeword by.$0(orcid)0000000302535554$1https://orcid.org/0000-0003-0253-5554
=700  1\$aPakis, Valentine,$etranslator.
=710  2\$ameson press,$epublisher.
=830  \0$aDigital Cultures ;$vvol. 2.$x0000-0005$x0000-0004
=856  40$uhttps://doi.org/10.14619/005$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2015/04/9783957960412-Sprenger-The_Politics_of_Micro-Descisions_COVER.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  04163nam  22006732  4500
=001  9d876020-fb2f-4fdb-a5d9-93c1e43ae8a2
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20152015\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957960559$q(Paperback)
=020  \\$a9783957960566$q(PDF)
=020  \\$a9783957960573$q(Epub)
=024  7\$a10.14619/008$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aJBCT1$2thema
=100  1\$aErickson, Seth,$eauthor.$uUniversity of California, Los Angeles.$0(orcid)0000000255707201$1https://orcid.org/0000-0002-5570-7201
=245  10$aThere is no Software, there are just Services /$cedited by Irina Kaldrack, Martina Leeker.
=264  \1$aLüneburg :$bmeson press,$c2015.
=264  \4$c©2015
=300  \\$a1 online resource (114 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aDigital Cultures ;$vvol. 3.$x0000-0005$x0000-0004
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aIs software dead? Services like Google, Dropbox, Adobe Creative Cloud, or Social Media apps are all-pervasive in our digital media landscape. This marks the (re)emergence of the service paradigm that challenges traditional business and license models as well as modes of media creation and use. The short essays in this edited collection discuss how services shift the notion of software, the cultural technique of programming, conditions of labor as well as the ecology and politics of data and how they influence dispositifs of knowledge.Contributors: Ned Rossiter, Jussi Parikka, Christoph Neubert, Liam Magee, Andrew Lison, Christopher M. Kelty, Anders Fagerjord, and Seth Erickson.
=536  \\$aEuropean Union$eEuropean Regional Development Fund$fInnovationsinkubator
=536  \\$aNiedersächsisches Ministerium für Wissenschaft und Kultur$eNiedersächsisches Vorab
=536  \\$aVolkswagen Foundation$eNiedersächsisches Vorab
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aservices
=653  \\$asocial media
=653  \\$aknowledge
=653  \\$aprogramming
=653  \\$asoftware
=653  \\$acultural technique
=653  \\$adata
=653  \\$abusiness models
=653  \\$adigital labor
=700  1\$aKaldrack, Irina,$eeditor.$uLeuphana University of Lüneburg.
=700  1\$aLeeker, Martina,$eeditor.$uLeuphana University of Lüneburg.
=700  1\$aFagerjord, Anders,$eauthor.$uUniversity of Oslo.$0(orcid)0000000153910292$1https://orcid.org/0000-0001-5391-0292
=700  1\$aKelty, Christopher,$eauthor.$uUniversity of California, Los Angeles.$0(orcid)0000000302535554$1https://orcid.org/0000-0003-0253-5554
=700  1\$aLison, Andrew,$eauthor.$uUniversity of Kansas.$0(orcid)0000000226605249$1https://orcid.org/0000-0002-2660-5249
=700  1\$aMagee, Liam,$eauthor.$uWestern Sydney University.$0(orcid)0000000326961064$1https://orcid.org/0000-0003-2696-1064
=700  1\$aNeubert, Christoph,$eauthor.$uPaderborn University.
=700  1\$aParikka, Jussi,$eauthor.$uUniversity of Southampton.$0(orcid)0000000222486377$1https://orcid.org/0000-0002-2248-6377
=700  1\$aRossiter, Ned,$eauthor.$uWestern Sydney University.$0(orcid)0000000307102109$1https://orcid.org/0000-0003-0710-2109
=710  2\$ameson press,$epublisher.
=830  \0$aDigital Cultures ;$vvol. 3.$x0000-0005$x0000-0004
=856  40$uhttps://doi.org/10.14619/008$zConnect to e-book
=856  42$uhttp://meson.press/wp-content/uploads/2015/06/Kaldrack-No-Software-Just-Services-Cover_Web-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02762nam  22006372  4500
=001  36f7480e-ca45-452c-a5c0-ba1dccf135ec
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20212021\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957961860$q(Paperback)
=020  \\$a9783957961877$q(PDF)
=024  7\$a10.14619/1860$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=050  00$aPN1993-1994
=050  00$aPN1992-1992.92
=072   7$aJFD$2bicssc
=072   7$aAPFA$2bicssc
=072   7$aAPT$2bicssc
=072   7$aAFKV$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aPER004030$2bisacsh
=072   7$aPER010000$2bisacsh
=072   7$aJBCT1$2thema
=072   7$aATFA$2thema
=072   7$aATJ$2thema
=072   7$aATN$2thema
=100  1\$aStrauven, Wanda,$eauthor.$uColumbia University.
=245  10$aTouchscreen Archaeology :$bTracing Histories of Hands-On Media Practices /$cWanda Strauven.
=264  \1$aLüneburg :$bmeson press,$c2021.
=264  \4$c©2021
=300  \\$a1 online resource (260 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aThe touchscreen belongs to a century-long history of hands-on media practices and touchable art objects. This media-archaeological excavation examines the nature of our sensual involvement with media and invites the reader to think about the touchscreen beyond its technological implications. In six chapters, the book questions and historicizes both aspects of the touchscreen, considering "touch" as a media practice and "screen" as a touchable object.
=536  \\$aFrankfurt Humanities Research Centre, Goethe University Frankfurt$eProPostDoc
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aFilm
=653  \\$aSurface
=653  \\$aMedia Archaeology
=653  \\$aToys
=653  \\$aGestures
=653  \\$aTactile Art
=653  \\$aTouch
=653  \\$aMuseum
=653  \\$aTelevision
=653  \\$aInterface
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/1860$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2021/01/Strauven_Cover_s.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  04067nam  22006972  4500
=001  618f4192-11d9-49bd-b776-a842e2331563
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20192019\\\\\\\\ob\\\\000\0\eng\d
=020  \\$a9783957960030$q(PDF)
=024  7\$a10.14619/0030$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJFD$2bicssc
=072   7$aAFKP$2bicssc
=072   7$aAJRH$2bicssc
=072   7$aAPFA$2bicssc
=072   7$aAVA$2bicssc
=072   7$aAVGN$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aPHO022000$2bisacsh
=072   7$aPER004030$2bisacsh
=072   7$aJBCT$2thema
=072   7$aAFKP$2thema
=072   7$aAJTV$2thema
=072   7$aATFA$2thema
=072   7$aATN$2thema
=072   7$aAVA$2thema
=072   7$aAVLP$2thema
=100  1\$aMowitt, John,$eauthor.$uUniversity of Leeds.
=245  10$aTracks from the Crypt /$cJohn Mowitt.
=264  \1$aLüneburg :$bmeson press,$c2019.
=264  \4$c©2019
=300  \\$a1 online resource (48 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aConfigurations of Film ;$vvol. 1.$x0000-0009$x0000-0008
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aDavid Bowie’s 2015 Blackstar has been understood by critics and fans alike to have a certain valedictory status. For them, perhaps for us, it is a 39-minute and 13-second farewell. A long goodbye. My angle is different. By situating the Bowie/Renck collaboration on “Lazarus” in the context of a meditation on the question once posed by Georg Stanitzek, “Was ist Kommunikation?” I consider the CD and the video as experiments in re-configuration. More specifically, by thinking about the distinctly cinematic iteration of the question of communication (citing here Captain’s “what we have here is … failure to communicate” from Cool Hand Luke) I propose that mediated communication embodies the Ich/Es modality of dialogue disparaged by Martin Buber. What this invites us to consider is whether “Lazarus” in particular isn’t the generation of an audiovisual tombeau from which or out of which communication strains are to be heard. Is it “saying” farewell? Is it “saying” anything? By drawing on Jacques Derrida’s appropriation of the crypt in the work of Abraham and Torok, I propose that “Lazarus” manages (and the feat is neither small nor insignificant) to communicate nothing. In effect, “Lazarus” is the very sound, not of a failure to communicate, but of a “speaking” emptied of what protects it from mediation. Here, Bowie’s gnomic persona assumes a political valence not typically ascribed to it.
=536  \\$aDeutsche Forschungsgemeinschaft$c310565625$eGraduiertenkolleg$fGRK 2279: Konfigurationen des Films
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aCommunication
=653  \\$aCrypt
=653  \\$aDavid Bowie
=653  \\$aFama
=653  \\$aJacques Derrida
=653  \\$aMachine
=653  \\$aMartin Buber
=653  \\$aMediation
=653  \\$aTombeau
=700  1\$aBoguska, Rebecca,$eintroduction by.
=700  1\$aHediger, Vinzenz,$eintroduction by.$0(orcid)0000000234552423$1https://orcid.org/0000-0002-3455-2423
=710  2\$ameson press,$epublisher.
=830  \0$aConfigurations of Film ;$vvol. 1.$x0000-0009$x0000-0008
=856  40$uhttps://doi.org/10.14619/0030$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2019/08/Mowitt_U1_small-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  03523nam  22006012  4500
=001  38872158-58b9-4ddf-a90e-f6001ac6c62d
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20162016\\\\\\\\ob\\\\000\0\ger\d
=020  \\$z9783957960801$q(Paperback)
=020  \\$a9783957960818$q(PDF)
=024  7\$a10.14619/017$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJBCT$2thema
=072   7$aAJTF$2thema
=072   7$aGPFC$2thema
=072   7$aKNT$2thema
=072   7$aQRYM2$2thema
=072   7$aQRYX5$2thema
=072   7$aTBX$2thema
=100  1\$aVehlken, Sebastian,$eauthor.$uLeuphana University of Lüneburg.
=245  10$aTrick 17 :$bMediengeschichten zwischen Zauberkunst und Wissenschaft /$cSebastian Vehlken, Katja Müller-Helle, Jan Müggenburg, Florian Sprenger.
=264  \1$aLüneburg :$bmeson press,$c2016.
=264  \4$c©2016
=300  \\$a1 online resource (120 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aDer Zauber der Medien speist sich aus ihrem Geheimnis: Den Usern von heute sind Laptop, Smartphone oder Tablet eine Blackbox, die ihre Sinne im Bann hält und die Techniktricks im Inneren hinter einer opaken Oberfläche verbirgt. Doch solche Verzauberung ist nicht neu. Umihr auf die Spur zu kommen, nähert sich dieses Buch der Mediengeschichte der Zauberei an der Schwelle zwischen magischem Moment und Ent-Täuschung. Nicht seltenfolgt einer geradezu übernatürlich wirkenden Zaubervorführung die wissenschaftliche Erklärung und Offenlegung ihrer Tricks. Ein solcher Akt der Entzauberung mag zwar magische Momente als faulen Zauber demaskieren. Er rückt dafür jedoch die Technologien der Täuschung ins Rampenlicht: Erst die Ausnutzung physikalischer Gesetze, das Konstruieren mechanischer Zauberapparate und das Spiel mit der Wahrnehmung der Zuschauer machen deren ,Verzauberung’ möglich. Sie erlaubt, die Frage nach Wissen, dem medialen Zugriff auf unsere Sinne und dem sinnlichen Zugriff auf unsere Welt erneut zu stellen.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aTechniktricks
=653  \\$aMediengeschichte
=653  \\$aTechnikgeschichte
=653  \\$aSpiritismus
=653  \\$aTrick Photography
=653  \\$aTrick Talking Head
=653  \\$aZauberhandbuch
=653  \\$aInformationsgesellschaft
=653  \\$aUbiquitous Computing
=653  \\$aTricktechnik
=653  \\$aZauberei
=700  1\$aMüller-Helle, Katja,$eauthor.$uFreie Universität Berlin.
=700  1\$aJan, Müggenburg,$eauthor.$uLeuphana University of Lüneburg.
=700  1\$aSprenger, Florian,$eauthor.$uRuhr University Bochum.$0(orcid)0000000252258711$1https://orcid.org/0000-0002-5225-8711
=710  2\$ameson press,$epublisher.
=856  40$uhttps://doi.org/10.14619/017$zConnect to e-book
=856  42$uhttp://meson.press/wp-content/uploads/2016/06/Trick17-U1-140x200.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License
=LDR  02845nam  22005652  4500
=001  9372f7a7-f72e-4a67-8818-9176667a1c52
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  241119t20222022\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9783957962010$q(Paperback)
=020  \\$a9783957962027$q(PDF)
=024  7\$a10.14619/2010$2doi
=040  \\$aUkCbTOM$beng$elocal
=050  00$aP87-96
=072   7$aJBCT$2thema
=072   7$aJBFA1$2thema
=072   7$aJPFQ$2thema
=072   7$aPDA$2thema
=072   7$aPSAF$2thema
=072   7$aQDTS$2thema
=072   7$aRNA$2thema
=100  1\$aSchnödl, Gottfried,$eauthor.
=245  10$aUexküll’s Surroundings :$bUmwelt Theory and Right-Wing Thought /$cGottfried Schnödl, Florian Sprenger.
=264  \1$aLüneburg :$bmeson press,$c2022.
=264  \4$c©2022
=300  \\$a1 online resource (252 pages).
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aFuture Ecologies ;$vvol. 4.$x0000-0001$x0000-0000
=500  \\$aAvailable through meson press.
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aWith its diversity of possible Umwelten or environments for living things, Jakob von Uexküll’s Umwelt theory has been hailed by many readers as the first step toward an innovative, pluralistic conception of nonhuman life. But what is generally ignored is its structural conservatism, its identitarian logic in which everything should remain in its place and nothing should mix, and its proximity to Nazi ideology and politics. By turning the spotlight on these neglected aspects, Uexküll’s Surroundings opens up a new perspective on Uexküll’s Umwelt theory.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aUmwelt Theory
=653  \\$aNazism
=653  \\$aNew Right
=653  \\$aRacism
=653  \\$aEcology
=653  \\$aUexküll
=700  1\$aSprenger, Florian,$eauthor.$0(orcid)0000000252258711$1https://orcid.org/0000-0002-5225-8711
=700  1\$aTaylor, Michael Thomas,$etranslator.
=700  1\$aYung, Wayne,$etranslator.
=710  2\$ameson press,$epublisher.
=830  \0$aFuture Ecologies ;$vvol. 4.$x0000-0001$x0000-0000
=856  40$uhttps://doi.org/10.14619/2010$zConnect to e-book
=856  42$uhttps://meson.press/wp-content/uploads/2022/02/Uexku%CC%88lls-Surroundings_Cover_En_300dpi.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License