=LDR 07930nam 22006492 4500 =001 049c7cf2-2a0c-4c27-9129-84f132fd7cee =006 m\\\\\o\\d\\\\\\\\ =007 cr\\n\\\\\\\\\ =008 250429t20242024\\\\\\\\ob\\\\000\0\eng\d =010 \\$a2023513481 =020 \\$z9781805112242$q(Paperback) =020 \\$z9781805112259$q(Hardback) =020 \\$a9781805112266$q(PDF) =020 \\$a9781805112297$q(HTML) =020 \\$a9781805112273$q(Epub) =024 7\$a10.11647/OBP.0390$2doi =024 7\$a1460256848$2worldcat =040 \\$aUkCbTOM$beng$elocal =050 00$aML410.X45 =072 7$aAVGC6$2bicssc =072 7$aAVH$2bicssc =072 7$aAVGW$2bicssc =072 7$aMUS050000$2bisacsh =072 7$aARC006000$2bisacsh =072 7$aART015110$2bisacsh =072 7$aPHI001000$2bisacsh =072 7$aPER000000$2bisacsh =072 7$aMUS020000$2bisacsh =072 7$aAVN$2thema =072 7$aAGA$2thema =072 7$aQDTN$2thema =072 7$aAVM$2thema =245 00$aMeta-Xenakis :$bNew Perspectives on Iannis Xenakis’s Life, Work, and Legacies /$cedited by Sharon Kanach, Peter Nelson. =264 \1$aCambridge, UK :$bOpen Book Publishers,$c2024. =264 \4$c©2024 =300 \\$a1 online resource (xxxii+802 pages): $b272 illustrations, 19 tables, 28 audio tracks, 23 videos. =336 \\$atext$btxt$2rdacontent =337 \\$acomputer$bc$2rdamedia =338 \\$aonline resource$bcr$2rdacarrier =500 \\$aAvailable through Open Book Publishers. =505 0\$aNotes on ContributorsAcknowledgementsPrefaceThe Meta-Xenakis Team LeadersIntroduction: Meta-XenakisProlegomenon: Meta-materiality in the Thought and Creative Activity of Iannis XenakisXENAKIS BEFORE XENAKIS1. Iannis Xenakis’s Theater Studies: An Unknown Aspect of the Composer’s Life during the Occupation2. Iannis Xenakis through his Letters at the KSYME ArchiveXENAKIS WITHOUT BORDERS3. Iannis Xenakis in Berlin4. Debating the Noise: The Reception of Iannis Xenakis’s Music in Serbia as a Part of the SFRY (1960–90)5. Iannis Xenakis in Japan: Productive Performances and Reception of TextsNEW CONTEXTS FOR UNDERSTANDING XENAKIS6. Iannis Xenakis’s Free Stochastic Music Program as an Aid to Analysis7. Continuum versus Disruptum: A Poetic-philosophical Approach to the Instrumental and Vocal Worksof Iannis Xenakis8. Iannis Xenakis’s Materialism: On the Dialectic of Real-time Computation9. Iannis Xenakis’s Philosophy of Music, Stochastics, and the Postmodern Sublime10. Jean-Étienne Marie and Iannis Xenakis: The Vision of an Artistic Engineer and a Theorist of Microtonal Music11. On the Link between the Exact Sciences and Music in Iannis Xenakis’s Creative Work12. Activating Sound Phenomena in the Music of Iannis Xenakis13. Spatial Movement of Sound VectorsNEW PERSPECTIVES ON XENAKIS’S WORKS14. The CIX Archives: Revalorizations and Hidden Treasures15. Game Theory and Formal Structure in Iannis Xenakis’s Duel (1959)16. A Myth of Recurrence in Iannis Xenakis’s La Légende d’Eer17. Iannis Xenakis’s Hibiki Hana Ma and the Japanese Team for Tekkhokan (Steel Pavilion) at Expo ’70, Osaka18. Iannis Xenakis’s Pithoprakta: A Phenomenological Approach19. Performing Iannis Xenakis’s Polyrhythms: A Perception-informed Approach to Renotation20. An Approach to the Epistemic Potential of the UPICXENAKIS AND ARCHITECTURE21. Seeing Music and Listening to Architecture: Iannis Xenakis and La Philharmonie de Paris22. Iannis Xenakis/Le Corbusier:A Confrontation en sol dur23. Polytropos: Iannis Xenakis, Engineer in Music and ArchitectureLIVING TESTIMONY24. Liberated Music. A Loving Testimony25. La Légende de Xenakis: Meta Xenakis26. Creating and Learning with UPIC27. Music, Science, Architecture: Two Conversations with Iannis Xenakis28. The Pythagorean Wall: A Visual and Auditory Drama29. Iannis Xenakis, Inventor of Music—Composer, Engineer, and Architect: The Voice of the “Inexpressible” and of “Revelation”30. The UPIC System of Iannis Xenakis: Autoethnography as RapprochementMETA-XENAKIS (OR WHERE DO WE GO FROM HERE?)31. UPISketch: New Perspectives32. Somax2 and Reinterpreting Iannis Xenakis33. Xenos: A Xenharmonic Dynamic Stochastic Synthesis Virtual Instrument34. Light Tectonics: The New Aesthetics in Iannis Xenakis’s Work35. Phoenix-Albatross: An Approach to Iannis Xenakis’s Work on Game Theory through Live Coding and Networked Dance36. Mapping the Influence: Iannis Xenakis’s GENDYN Algorithms as a Means for Creative Explorations in Live Improvised Feedback Music37. Notes on A Catalog of Difference38. The Algorithmic Music of Iannis Xenakis—What’s Next?39. The Process of Creating a Computational System: A Collective Audiovisual Composition40. The Xenakis Networked Performance Marathon 2022: An Experiment in Networked Performance CollaborationInspired by Iannis XenakisMETA-XENAKIS: SUSTAINABLE RESOURCES41. The Xenakis Networked Performance Marathon 2022 (Sustainable Resources)42. Japanese Society for Electronic Music (JSEM) Concert—A Tribute Celebrating Iannis Xenakis’s Centennial43. Meta-Xenakis Concert at Suntory Hall, Tokyo44. The Establishment of the CMRC—KSYME in Athens: A Virtual Exhibit45. In Memoriam, Joel Chadabe46. A New Documentary: Iannis Xenakis: Music of the Universe47. Reportage of a UPISketch Workshop in Japan48. Polytope XXI: A Tribute to Iannis Xenakis49. An Architecture of Alchemy: A Cinematic Painting50. The Iranian Context of Iannis Xenakis’s Persepolis51. Iannis Xenakis, 1922–2001AppendixList of IllustrationsIndex =506 0\$aOpen Access$fUnrestricted online access$2star =520 \\$aMeta-Xenakis offers readers a comprehensive collection of insights into the history, works and legacy of Iannis Xenakis, one of the twentieth century’s most significant creative figures. It presents a transcontinental engagement with his life and output, focusing as much on the impact of the questions he posed as on the accomplishments of his body of work. This volume evolved out of the multi-modal, international Meta-Xenakis Consortium’s artistic and scholarly events commemorating his centenary. Informative and comprehensive, contributions span subjects including music composition, creative pedagogy, aesthetics, game theory, architecture, and the social and political contexts in which Xenakis operated. The book is organized in eight sections, centered on different facets of Xenakis’s work and reception. It includes a digital archive of audio and visual media from the events staged throughout 2022, as well as computer software.Bringing into conversation the diverse perspectives and insights of researchers, musicians and artists, this volume serves as a foundational resource for future research on the life and work of Xenakis. It will be of interest to students, scholars, and practitioners across a range of disciplines including music, architecture, cybernetics and computation, and the digital arts. =538 \\$aMode of access: World Wide Web. =540 \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/ =588 0\$aMetadata licensed under CC0 Public Domain Dedication. =653 \\$aIannis Xenakis =653 \\$amusic composition =653 \\$aaesthetics =653 \\$aarchitecture =653 \\$atwentieth century’s European culture =700 1\$aKanach, Sharon,$eeditor.$uUniversity of Rouen. =700 1\$aNelson, Peter,$eeditor.$uUniversity of Edinburgh. =710 2\$aOpen Book Publishers,$epublisher. =856 40$uhttps://doi.org/10.11647/obp.0390$zConnect to e-book =856 42$uhttps://books.openbookpublishers.com/10.11647/obp.0390_frontcover.jpg$zConnect to cover image =856 42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License