=LDR 07100nam 22007212 4500 =001 1d76a430-7385-4f40-9262-e97adfd1daf5 =006 m\\\\\o\\d\\\\\\\\ =007 cr\\n\\\\\\\\\ =008 250413t20222022\\\\\\\\ob\\\\000\0\eng\d =010 \\$a2021386019 =020 \\$z9781800647084$q(Paperback) =020 \\$z9781800647091$q(Hardback) =020 \\$a9781800647107$q(PDF) =020 \\$a9781800647145$q(HTML) =020 \\$a9781800647138$q(XML) =020 \\$a9781800647114$q(Epub) =020 \\$a9781800647121$q(AZW3) =024 7\$a10.11647/OBP.0296$2doi =040 \\$aUkCbTOM$beng$elocal =050 00$aJV6347 =072 7$aAG$2bicssc =072 7$aAJ$2bicssc =072 7$aJFFN$2bicssc =072 7$aJFS$2bicssc =072 7$aSOC008000$2bisacsh =072 7$aSOC007000$2bisacsh =072 7$aSOC028000$2bisacsh =245 00$aWomen and Migration(s) II /$cedited by Kalia Brooks, Cheryl Finley, Ellyn Toscano, Deborah Willis. =264 \1$aCambridge, UK :$bOpen Book Publishers,$c2022. =264 \4$c©2022 =300 \\$a1 online resource (xxiv+382 pages): $b128 illustrations. =336 \\$atext$btxt$2rdacontent =337 \\$acomputer$bc$2rdamedia =338 \\$aonline resource$bcr$2rdacarrier =500 \\$aIncludes index. Links to additional resources are available from the publisher's website. =505 0\$aContributor BiographiesIntroductionKalia Brooks, Deborah Willis, Ellyn Toscano and Cheryl FinleyPart One: Migrations and Meanings in Art1.Carry OverSama Alshaibi2.Marie Louise ChristopheFirelei Báez3.Astral SeaTsedaye Makonnen4.Maid in the USACarolina Mayorga5.RaptureShirin Neshat6.Blessing of the BoatsMuna Malik7.Island PutasGabriella N. Báez8.Barbadian Spirits—Altar for my Grandmother (Ottalie Adalese Dodds Maxwell, 1892–1991)Leslie King-Hammond9.Notes from an Undisclosed Location: Someplace in the Mojave Desert, California, United StatesBrandy Dyess10.Of Bodies and BordersMaria Elena Ortiz and Ana Teresa Fernández11.Sweet Milk in the Badlands.Allison Janae Hamilton12.Shrine for Girls: Social Justice and Aesthetic ResponsivitiesPatricia Cronin13.From a Hot BorderHồng-Ân Trương14.NormaNamesake/The ChoiceNashormeh N.R. LindoPart Two: Responses in Art History and Art Criticism15.RefugeesIfrah Mahamud Magan16.Blue and White Forever: Embodying Race and Gender in ClayKalia Brooks17.Radically Sustained Care: Chandra McCormick’s Katrina Displacement as a Mother and an ArtistHannah Ryan18.Carrie Mae Weems: Making Points and Changing ViewsDeborah Willis19.Nuyorican Abstract: Thinking through Cándida Alvarez and Glendalys MedinaArlene Dávila20.Joy Gregory: A Woman on the Go!Cheryl Finley21.Reading against the Grain of the Black Madonna: Black Motherhood, Race and ReligionYelaine RodriguezPart Three: Crisis22.Back Home: Lessons from the Pandemic on Care, Gender and JusticeDebora Spini23.Requiem for a Drink of WaterBryn Evans24.Sustaining and Retaining: A Social Ecological Reflection on Cultural Dance Performance for African Women and Femmes in Higher EducationArielsela Holdbrook-Smith25.The ‘New’ Hollywood and Beyond: Women, Migration, and Cultural VictimhoodHeike Raphael-Hernandez26.Telling the Story of a Global Pandemic: African Wax Prints, Style, Beauty and COVID-19 in Ghana, West AfricaPaulette Young27.The Empathy ExodusEsther Armah28.Being Woke: Visualizing Solidarity and ResistanceRoshini KempadooPart Four: Fragmented Memories29.A Work from Sorrow: The PEN International Women’s ManifestoJennifer Clement30.Undisciplined Pleasures, Vigilant Defiance 1.0 and 2.0 A.K.A. WMD: Women of Massive Delight | Our Own Sister F%#!-ing PantheonSarah K. Khan31.Instants: Fragments of ReturnHande Gurses32.Reflections on Migrations and Border Crossings, Destinations and DestiniesSirpa Salenius33.Optical Self(s): Métis Women’s Authorship Regarding Conception of Self in Pre-Independence SenegalSummer Sloane-Britt34.Sanfoka and the Art of Archiving Black Atlantic MigrationsGunja SenGupta35.‘These Bones Gonna Rise Again’: A Womanist ReclamationMichelle Lanier36.Being Beyond—Aesthetics of Resistance: Annemarie Clarac-SchwarzenbachBettina Gockel37.Mom RoseMelvina Lathan38.She Carried with Her Neither Memory Nor ArchiveEllyn Toscano39.Meaning and Roots in Copper: Winifred Mason in New York and HaitiTerri Geis40.Coconuts and Collards: Recipes and Stories from Puerto Rico to the Deep SouthVon Diaz41.How to Look at SilenceNohora ArrietaAcknowledgmentsList of FiguresIndex =506 0\$aOpen Access$fUnrestricted online access$2star =520 \\$aWomen and Migration(s) II draws together contributions from scholars and artists showcasing the breadth of intersectional experiences of migration, from diaspora to internal displacement. Building on conversations initiated in Women and Migration: Responses in Art and History, this edited volume features a range of written styles, from memoir to artists’ statements to journalistic and critical essays. The collection shows how women’s experiences of migration have been articulated through art, film, poetry and even food.This varied approach aims to aid understanding of the lived experiences of home, loss, family, belonging, isolation, borders and identity—issues salient both in experiences of migration and in the epochal times in which we find ourselves today. These are stories of trauma and fear, but also stories of the strength, perseverance, hope and even joy of women surviving their own moments of disorientation, disenfranchisement and dislocation. This collection engages with current issues in an effort to deepen understanding, encourage ongoing reflection and build a more just future. It will appeal to artists and scholars of the humanities, social sciences, and public policy, as well as general readers with an interest in women’s experiences of migration. =538 \\$aMode of access: World Wide Web. =540 \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/ =588 0\$aMetadata licensed under CC0 Public Domain Dedication. =653 \\$awomen =653 \\$amigration =653 \\$aintersectionality =653 \\$aart =653 \\$afilm =653 \\$apoetry =653 \\$afood =653 \\$aborders =653 \\$aidentity =653 \\$atrauma =653 \\$adislocation =653 \\$ahumanities =653 \\$asocial sciences =653 \\$apublic policy =700 1\$aBrooks, Kalia,$eeditor.$uNew York University. =700 1\$aFinley, Cheryl,$eeditor. =700 1\$aToscano, Ellyn,$eeditor.$uNew York University Florence. =700 1\$aWillis, Deborah,$eeditor.$uNew York University. =710 2\$aOpen Book Publishers,$epublisher. =856 40$uhttps://doi.org/10.11647/obp.0296$zConnect to e-book =856 42$uhttps://books.openbookpublishers.com/10.11647/obp.0296_frontcover.jpg$zConnect to cover image =856 42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License