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=245  00$aLes Bienveillantes de Jonathan Littell :$bÉtudes réunies par Murielle Lucie Clément /$cedited by Murielle Lucie Clément.
=264  \1$aCambridge, UK :$bOpen Book Publishers,$c2010.
=264  \4$c©2010
=300  \\$a1 online resource (vii+345 pages): $b3 illustrations.
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through Open Book Publishers.
=505  0\$aIntroduction by Murielle Lucie Clément1. La réception des Bienveillantes dans les milieux intellectuels français en 2006Thierry Laurent2. «Frères humains…»: Les Bienveillantes, une histoire de famillesWladimir Troubetzkoy3. Les Bienveillantes: une parole qui donne la voix au bourreauJulie Delorme4. La dentellerie du reelAntoine Jurga5. Les silences des BienveillantesBruno Viard6. Max aux enfers. Esquisses «topographiques»…Denis Briand7. La connaissance du narrateurDominique Bocage-Lefebvre8. Rêves et fantasmes dans Les BienveillantesEdith Perry9. Maximilien Aue: une homosexualité de rigueur?Éric Levéel10. L’homosexualité dans Les Bienveillantes: crise de l’identité, crise de l’HistoireStéphane Roussel11. La Shoah en flânant?J. Marina Davies12. À propos des Bienveillantes. Variations autour de la perversionPatrice Imbaud13. Le «curieux exercice»: voyeurisme et conscience du meurtre dans Les BienveillantesPauline de Tholozany14. Lieux réels et lieux imaginaires dans Les BienveillantesPeter Tame15. Un langage impossibleSerge Zenkine16. Max Aue manufacture de la dentelle. La lecture dans Les BienveillantesYolanda Viñas del Palacio17. Les Bienveillantes: Le National-socialisme comme mal métaphysiqueYoussef Ferdjani18. Les Bienveillantes: une position ironiqueYves Boisseleau19. Max Aue, un nazi peu typique? L’abjection comme moteur de la Shoah: une lecture kristevienne des BienveillantesHelena Duffy20. À propos des corps liquidsSabine van WesemaelBibliographieIndex
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aLes Bienveillantes (The Kindly Ones), caused a literary sensation in 2006. Described as "deliberately repellent" by The New York Times, Jonathan Littell’s novel tells the story of World War II through the eyes of former SS officer Maximilien Aue. This is the first academic study of this controversial, best-selling work.Twenty-one leading scholars discuss the aesthetics, themes and characters of the novel, as well as formal aspects of Littell’s writing. They tackle ideas surrounding parricide, genocide, ant-Semitism and the Holocaust as well as Littell’s portrayal of both historical and fictional characters. The collection offers a deeply varied range of approaches to Littell’s work and is essential reading for anyone interested in representations of World War II, the Holocaust and contemporary French literature. All the essays in this collection are written in French.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 2.0 Generic license (CC BY-NC-ND 2.0). For more detailed information consult the publisher's website.$uhttp://creativecommons.org/licenses/by-nc-nd/2.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aFrench literature
=653  \\$aFrench novel
=653  \\$aLes Bienveillantes
=653  \\$aThe Kindly Ones
=653  \\$aMaximilien Aue
=653  \\$aJonathan Littell
=653  \\$aHolocaust
=653  \\$aWorld War II
=653  \\$aSecond World War
=653  \\$aNazism
=653  \\$aJudaism
=653  \\$aanti-Semitism
=653  \\$ahistory and fiction
=700  1\$aClément, Murielle Lucie,$eeditor.
=710  2\$aOpen Book Publishers,$epublisher.
=856  40$uhttps://doi.org/10.11647/obp.0006$zConnect to e-book
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=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License