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=245  00$aYeats's Mask :$bYeats Annual No. 19 /$cedited by Margaret Mills Harper, Warwick Gould.
=264  \1$aCambridge, UK :$bOpen Book Publishers,$c2013.
=264  \4$c©2013
=300  \\$a1 online resource (xlii + 454 pages): $b25 illustrations.
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=490  1\$aYeats Annual ;$vvol. 19.$x2054-3611$x0278-7687
=500  \\$aAvailable through Open Book Publishers.
=505  0\$aList of IllustrationsAbbreviationsEditorial BoardNotes on the ContributorsEditors’ IntroductionAcknowledgements and Editorial InformationYEATS’S MASKThe Mask before The MaskWARWICK GOULDThe King’s Threshold, Calvary, The Death of Cuchulain: Yeats’s Passion PlaysALEXANDRA POULAINTo ‘make others see my dream as I had seen it’: Yeats’s Aesthetics in Cathleen ni HoulihanAISLING CARLIN‘Oxford Poets’: Yeats, T. S. Eliot and William Force SteadDAVID BRADSHAWPlaying with Voices and with Doubles in Two of Yeats’s Plays: The Words upon the Window-pane and A Full Moon in MarchPIERRE LONGUENESSEThe Mask of Derision in Yeats’s Prologue to A Vision (1937)ELIZABETH MÜLLERA Vision and Yeats’s Late MasksMARGARET MILLS HARPERThe Mask of A VisionNEIL MANN‘I beg your pardon?’: W. B. Yeats, Audibility and Sound TransmissionEMILIE MORINMask and Robe: Yeats’s Oxford Book of Modern Verse (1936) and New Poems (1938)MICHAEL CADE-STEWARTThe Poem on the Mountain: A Chinese Reading of Yeats’s ‘Lapis Lazuli’JERUSHA McCORMACKThe Manuscript of ‘Leo Africanus’, Reprinted from Yeats Annual 1edited by STEVE L. ADAMS and GEORGE MILLS HARPERSHORTER NOTES‘My Dear Miss Brachvogel...’ A Ms Version of a Yeats QuatrainPHILIP R. BISHOPThe Land Of Heart’s Desire: Some Hitherto Unrecorded Printings – ‘Work in Progress’COLIN SMYTHEWheels and Butterflies: Title, Structure, Cover DesignWARWICK GOULDREVIEWSW. B. Yeats and Lady Gregory, Where there is Nothing and The Unicorn from the Stars: Manuscript Materials, ed. Wim Van MierloRICHARD ALLEN CAVEThe King’s Threshold: Manuscript Materials, edited by Declan KielyRICHARD ALLEN CAVEW. B. Yeats, At The Hawk’s Well and The Cat and the Moon: Manuscript Materials, ed. Andrew ParkinRICHARD ALLEN CAVEKaren E. Brown, The Yeats Circle, Verbal and Visual Relations in Ireland, 1880–1939TOM WALKERW. B. Yeats and George Yeats, The Letters ed. Ann Saddlemyer; W. B. Yeats’s ‘A Vision’: Explications and Contexts, ed. Neil Mann, Matthew Gibson and Claire NallyLAUREN ARRINGTONSean Pryor, W. B. Yeats, Ezra Pound and the Poetry of ParadiseSTODDARD MARTINWritings on Literature and Art: G. W. Russell – A.E., edited and with an Introduction by Peter KuchNICHOLAS ALLENJoseph M. Hassett, W. B. Yeats and the MusesMICHAEL CADE-STEWARTMichael McAteer, Yeats and European DramaTARA STUBBSR. F. Foster, Words Alone: Yeats and his InheritancesGERALDINE HIGGINSPUBLICATIONS RECEIVED 
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aYeats’s Mask, Yeats Annual No. 19 is a special issue in this renowned research-level series. Fashionable in the age of Wilde, the Mask changes shape until it emerges as Mask in the system of A Vision. Chronologically tracing the concept through Yeats’s plays and those poems written as ‘texts for exposition’ of his occult thought which flowers in A Vision itself (1925 and 1937), the volume also spotlights ‘The Mask before The Mask’ numerous plays including Cathleen Ni-Houlihan, The King’s Threshold, Calvary, The Words upon the Window-pane, A Full Moon in March and The Death of Cuchulain. There are excurses into studies of Yeats’s friendship with the Oxford don and cleric, William Force Stead, his radio broadcasts, the Chinese contexts for his writing of ‘Lapis Lazuli’. His self-renewal after The Oxford Book of Modern Verse, and the key occult epistolary exchange ‘Leo Africanus’, edited from MSS by Steve L. Adams and George Mills Harper, is republished from the elusive Yeats Annual No. 1 (1982). The essays are by David Bradshaw, Michael Cade-Stewart, Aisling Carlin, Warwick Gould, Margaret Mills Harper, Pierre Longuenesse, Jerusha McCormack, Neil Mann, Emilie Morin, Elizabeth Müller and Alexandra Poulain, with shorter notes by Philip Bishop and Colin Smythe considering Yeats’s quatrain upon remaking himself and the pirate editions of The Land of Heart’s Desire. Ten reviews focus on various volumes of the Cornell Yeats MSS Series, his correspondence with George Yeats, and numerous critical studies. Yeats Annual is published by Open Book Publishers in association with the Institute of English Studies, University of London.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license (CC BY-NC-ND 4.0). For more detailed information consult the publisher's website.$uhttp://creativecommons.org/licenses/by-nc-nd/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aWilliam Butler Yeats
=653  \\$aYeats Annual
=653  \\$aWarwick Gould
=653  \\$aMargaret Mills Harper
=653  \\$aYeats's Mask
=653  \\$aInstitute of English Studies
=653  \\$aIrish literature
=653  \\$aIrish poetry
=700  1\$aMills Harper, Margaret,$eeditor.$uUniversity of Limerick.
=700  1\$aGould, Warwick,$eeditor.$uUniversity of London.
=710  2\$aOpen Book Publishers,$epublisher.
=830  \0$aYeats Annual ;$vvol. 19.$x2054-3611$x0278-7687
=856  40$uhttps://doi.org/10.11647/obp.0038$zConnect to e-book
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=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License