=LDR 05509nam 22006012 4500 =001 3a1cb594-e934-4490-9fb2-cb05881db59b =006 m\\\\\o\\d\\\\\\\\ =007 cr\\n\\\\\\\\\ =008 250414t20242024\\\\\\\\ob\\\\000\0\eng\d =010 \\$a2023513461 =020 \\$z9781805113997$q(Paperback) =020 \\$z9781805114000$q(Hardback) =020 \\$a9781805114017$q(PDF) =020 \\$a9781805114031$q(HTML) =020 \\$a9781805114024$q(Epub) =024 7\$a10.11647/OBP.0426$2doi =024 7\$a1479770541$2worldcat =040 \\$aUkCbTOM$beng$elocal =050 00$aPN3355 =072 7$aLIT006000$2bisacsh =072 7$aLIT007000$2bisacsh =072 7$aLIT024000$2bisacsh =072 7$aLAN005050$2bisacsh =072 7$aGTD$2thema =072 7$aFX$2thema =072 7$aDS$2thema =072 7$aDSA$2thema =245 00$aGenetic Narratology :$bAnalysing Narrative across Versions /$cedited by Dirk Van Hulle. =264 \1$aCambridge, UK :$bOpen Book Publishers,$c2024. =264 \4$c©2024 =300 \\$a1 online resource (xiv+306 pages): $b12 illustrations, 2 tables. =336 \\$atext$btxt$2rdacontent =337 \\$acomputer$bc$2rdamedia =338 \\$aonline resource$bcr$2rdacarrier =500 \\$aAvailable through Open Book Publishers. =505 0\$aAcknowledgmentsNotes on Contributors1. An Introduction to Genetic Narratology: Geneses of Narratives and Narratives of Geneses2. Metagenesis: Manuscripts, and How Metanarration and Metafiction Contribute to Their Analysis3.The Structures of Narrative Imagination: Reading an Outline of Theodor Fontane’s Novel Die Poggenpuhls as a Test Case for Genetic Narratology4. A Lodger Returns: Change in Narrative Voice Across Epigenetic Versions and Works5. Melville’s Cancelled Note-to-Self: The Development of a ‘Ragged’ Narrative Across the Drafts of Billy Budd6. ‘The puzzle pieces fit too late’: Posthumous Narratological Changes in Arthur Quiller-Couch and Daphne Du Maurier’s Castle Dor7. Prototyping the Narrative Skeleton: Story Structure, Types of Narration and Vestigial Elements in the Genesis of James Joyce’s ‘Ithaca’ Episode8. Drafting ‘Anon’ and Killing Anon: Virginia Woolf and the Genesis of English Literary Language9. Beckett’s ‘Arabian Nights of the Mind’: Unnarratability, Denarrat(ivisat)ion and Narrative Closure in the Radio Play Cascando10. A Genetic and Biographical Analysis of Barbara Pym’s Companion Character11. Also for Irony: Historical Realism and the Move of a Chapter for the Final Version of V. (1963), by Thomas Pynchon12. You Don’t Get Scared of Monsters, You Get Scared for People: Creating Suspense across Versions in Stephen King’s IT13. Genetic Narratology and the Novelistic Cycle across Versions14. ‘Indolence, interruption, business, and pleasure’: Narratological Rupture in The Last Samurai15. Nanogenetic Econarratology: Where Narratology Meets Keystroke Logging Data16. On the Value of Variants and Textual Genesis for Interpretation: Some Remarks on a New Relationship between Historical-Critical Editing, Genetic Criticism and NarratologyIndex =506 0\$aOpen Access$fUnrestricted online access$2star =520 \\$aGenetic Narratology is the first full-length volume to merge genetic criticism with narratology, offering an innovative approach to understanding literature. By examining the creative process behind literary works through drafts, manuscripts and revisions, this book reveals how narratives are shaped in real time.Through diverse case studies—from Charlotte Brontë to Stephen King—this collection demonstrates how the material processes of writing influence narrative structure, pacing, and even the ‘untold’. By integrating genetic criticism with narratological methods, contributors explore how stories evolve, providing fresh insights into time, space, character, and suspense.Bridging the gap between the production and reception of texts, this volume makes a compelling case for incorporating genetic methods into broader narratological frameworks, enhancing not only our understanding of the genesis of literary works, ultimately enriching the reading experience, but also our awareness of the ways we narrativise this genesis.The book will be of interest to students and researchers alike, offering a new set of tools for analysing narrative across different versions. =536 \\$aResearch Foundation Flanders (FWO)$cG007422N$fCreating Suspense Across Versions: Genetic Narratology and Stephen King’s IT =538 \\$aMode of access: World Wide Web. =540 \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/ =588 0\$aMetadata licensed under CC0 Public Domain Dedication. =653 \\$aGenetic Narratology =653 \\$aNarrative Theory =653 \\$aWriting Process =653 \\$aTextual Variants =653 \\$aManuscript Studies =653 \\$aStory Genesis =700 1\$aVan Hulle, Dirk,$eeditor.$uUniversity of Oxford.$0(orcid)0000000270666313$1https://orcid.org/0000-0002-7066-6313 =710 2\$aOpen Book Publishers,$epublisher. =856 40$uhttps://doi.org/10.11647/obp.0426$zConnect to e-book =856 42$uhttps://books.openbookpublishers.com/10.11647/obp.0426_frontcover.jpg$zConnect to cover image =856 42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License