=LDR 03767nam 22006132 4500 =001 3ccdbbfc-6550-49f4-8ec9-77fc94a7a099 =006 m\\\\\o\\d\\\\\\\\ =007 cr\\n\\\\\\\\\ =008 250605t20222022\\\\\\\\ob\\\\000\0\eng\d =010 \\$a2022930407 =020 \\$z9781685710583$q(Paperback) =020 \\$a9781685710590$q(PDF) =024 7\$a10.53288/0341.1.00$2doi =040 \\$aUkCbTOM$beng$elocal =041 1\$aeng$ajpn$hita =072 7$aAGB$2bicssc =072 7$aACXJ5$2bicssc =072 7$a1DVWA$2bicssc =072 7$aART037000$2bisacsh =072 7$aART016030$2bisacsh =072 7$aAGB$2thema =072 7$a1DXA$2thema =072 7$a1DXA-AL-T$2thema =072 7$a6CK$2thema =100 1\$aMazzi, Marco,$eauthor. =245 10$aBroken Narrative :$bThe Politics of Contemporary Art in Albania /$cMarco Mazzi, Armando Lulaj; translated by Brenda Porster, Tomii Keiko. =264 \1$aEarth, Milky Way :$bpunctum books,$c2022. =264 \4$c©2022 =300 \\$a1 online resource (364 pages). =336 \\$atext$btxt$2rdacontent =337 \\$acomputer$bc$2rdamedia =338 \\$aonline resource$bcr$2rdacarrier =500 \\$aAvailable through punctum books. =506 0\$aOpen Access$fUnrestricted online access$2star =520 \\$aBroken Narrative provides an extensive reflection on history, politics, and contemporary art, revolving around the cornerstones of the artistic practice of Albanian artist Armando Lulaj. The core of the book is formed by and extended interview of Lulaj by Italian artist and writer Marco Mazzi. This inquiry starts in the year 1997, a year of social and political upheaval in Albania, of anarchy, controversies and emigration, of toxic seeds of neoliberalism sprouting in an already wounded country, and continues to the present day, where politics, hidden behind art forms, has practically destroyed (again) every different and possible future of the country. This book also sketches out a connection between the recent Albanian political context and contemporary art by considering the realities of Albania as essential for an understanding of the dynamics of international power in contemporary art and architecture, and the role of politics therein.Broken Narrative comes in a bilingual English–Japanese edition, in part as homage to the subtle esthetics of Japanese poetry, which has inspired many of the Lulaj’s works, while equally evoking the subversive films of the Red Army, active in Japan at the turn of the 1960s and ’70s. Broken Narrative contains a double preface in English by Albanian scholar Jonida Gashi and in Japanese by photographer Osamu Kanemura. =538 \\$aMode of access: World Wide Web. =540 \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license (CC BY-NC-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc-sa/4.0/ =588 0\$aMetadata licensed under CC0 Public Domain Dedication. =653 \\$aAlbania =653 \\$apolitical art =653 \\$apost-communism =653 \\$aresistance =653 \\$apublic space =653 \\$aesthetics =653 \\$astate capture =700 1\$aLulaj, Armando,$eauthor. =700 1\$aPorster, Brenda,$etranslator. =700 0\$aTomii Keiko,$etranslator. =700 1\$aGashi, Jonida,$epreface by.$uAcademy of Sciences of Albania. =700 1\$aKanemura, Osamu,$epreface by. =710 2\$apunctum books,$epublisher. =856 40$uhttps://doi.org/10.53288/0341.1.00$zConnect to e-book =856 42$uhttps://books.punctumbooks.com/10.53288/0341.1.00_frontcover.jpg$zConnect to cover image =856 42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License