=LDR  05825nam  22005292  4500
=001  4cc9e4e8-9bcd-4b55-9acf-2a42b65b1816
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  250626t20252025\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9781912186938$q(Paperback)
=020  \\$a9781912186945$q(PDF)
=024  7\$a10.63308/63878687083054.book$2doi
=040  \\$aUkCbTOM$beng$elocal
=072   7$aSOC002010$2bisacsh
=072   7$aART078000$2bisacsh
=072   7$aNAT001000$2bisacsh
=072   7$aJHMC$2thema
=072   7$aWNC$2thema
=245  00$aMultispecies Ethnography and Artful Methods /$cedited by Andrea Petitt, Anke Tonnaer, Véronique Servais, Catrien Notermans, Natasha Fijn.
=264  \1$aWinwick, Cambs., UK :$bThe White Horse Press,$c2025.
=264  \4$c©2025
=300  \\$a1 online resource (207 pages): $b92 illustrations, 5 audio tracks, 3 videos.
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aThis publication has two Open Access ebook PDFs:
978-1-912186-95-2 (standard) https://books.whpress.co.uk/10.63308/63878687083054.book.pdf
978-1-912186-94-5 (MEAM multimedia) https://books.whpress.co.uk/10.63308/63883606284145.book.pdf
=504  \\$aIncludes bibliographic references.
=505  0\$aINTRODUCTIONAndrea Petitt, Anke Tonnaer, Véronique Servais, Catrien Notermans and Natasha Fijn1. WRITING A SONG FOR AIIA. SPECULATIVE FICTION IN AN ART-SCIENCE COLLABORATIONText: Catrien Notermans and Anke TonnaerVisuals: Marcel van Brakel[essay, poetry and AI visuals]2. EARTH SWIMMERS / ON CAPTURE: A PRACTICE-BASED ETHNOGRAPHY OF MOLE CATCHING AND FILM MAKING IN NORTH YORKSHIRE. Hermione Spriggs in collaboration with mole catcher Nigel Stock[essay and film]3. THE SOUNDS OF SNOW: AN EXPLORATION OF HUMAN-SNOW RELATIONS IN ILULISSAT, KALAALLIT NUNAATNanna Sandager Kisby[essay, photos and sound]4. THE ENDURING PRESENCE OF THE EUCALYPTUS TREE: A PHOTO ESSAYNatasha Fijn[photo essay]5. ARTISTIC CO-DISCOVERY IN MULTISPECIES COLLABORATION Bartram+Deigaard[essay and image composites]6. ATTENDING TO FIREBUGS: ARTISTIC INVESTIGATIONS FOR RESPECTFUL CORRESPONDENCESCharlotte Dorn[photo essay]7. FARMING COWS AND WORMSSimone de Boer and Hanna Charlotta Wernersson [essay and multimedia montage]8. TO TOUCH LIGHTLY IN PASSING Merlijn Huntjens, Nina Willems and Leonie Cornips [essay, photos, sketches and poetry]9. FREAKS OF NATURE: USING DEEP REFLEXIVITY TO UNDERSTAND TRANSGENICSLisa Jean Moore [essay and photos]10. ETHNOGRAPHY OF WORKING COWHORSES: RHYMING SENSORY METHODSAndrea Petitt[essay and poetry]AFTERWORDKarin Bolender
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aMultispecies Ethnography and Artful Methods explores the potential of multimodal art practices in doing qualitative research beyond the human. Through artful endeavours such as creative writing, photography, filmmaking, drawing and poetry, the volume aims to overcome the shortcomings of conventional, anthropocentric and logocentric methods in multispecies research. To move beyond the limitations of language and linguistic communication, the contributors build on the long tradition of visual and sensory anthropology while also engaging in and consciously reflecting on innovative, creative and artistic methods. Taking a multispecies and more-than-human perspective – ranging from snow and trees to animals and an AI oracle – the volume investigates ways to touch, speak, listen, feel, walk with and reach across different species.This book and accompanying multimedia website advance the frontier of publishing artful expressions of academic research by highlighting how creative practices can be the very core of data collection, analysis and the communication of research. As such, the artful pieces are not ‘just’ illustrations of textual representations, but are practised as part of an iterative process of data collection and analysis. The contributions by well-established scholars, early career researchers and postgraduates who carry out new, cutting-edge research offer an engaging range of analytical, methodological and empiric orientations, while conversing at the intersection of multispecies ethnography and artful methods.
=536  \\$aOpen Book Collective
=536  \\$aAustralian National University
=536  \\$aAustralian Research Council
=536  \\$aRadboud University
=536  \\$aUniversity of Liège
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license (CC BY-NC-ND 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc-nd/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=700  1\$aPetitt, Andrea,$eeditor.$uUniversity of Liège.$0(orcid)0000000338110531$1https://orcid.org/0000-0003-3811-0531
=700  1\$aTonnaer, Anke,$eeditor.$uRadboud University.$0(orcid)000000030804369X$1https://orcid.org/0000-0003-0804-369X
=700  1\$aServais, Véronique,$eeditor.$uUniversity of Liège.$0(orcid)000000029006685X$1https://orcid.org/0000-0002-9006-685X
=700  1\$aNotermans, Catrien,$eeditor.$uRadboud University.$0(orcid)0009000933540226$1https://orcid.org/0009-0009-3354-0226
=700  1\$aFijn, Natasha,$eeditor.$uAustralian National University.$0(orcid)0000000224743365$1https://orcid.org/0000-0002-2474-3365
=710  2\$aThe White Horse Press,$epublisher.
=856  40$uhttps://doi.org/10.63308/63878687083054.book$zConnect to e-book
=856  42$uhttps://books.whpress.co.uk/10.63308/63878687083054.book.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License