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=100  1\$aFinnegan, Ruth,$eauthor.$uBritish Academy.
=245  10$aWhy Do We Quote? :$bThe Culture and History of Quotation /$cRuth Finnegan.
=264  \1$aCambridge, UK :$bOpen Book Publishers,$c2011.
=264  \4$c©2011
=300  \\$a1 online resource (xix + 331 pages): $b41 illustrations.
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=500  \\$aAvailable through Open Book Publishers.
=505  0\$aPrefaceI. SETTING THE PRESENT SCENE1. Prelude: a dip in quoting’s ocean2. Tastes of the present: the here and now of quoting3. Putting others’ words on stage: arts and ambiguities of today’s quotingII. BEYOND THE HERE AND NOW4. Quotation marks present, past, and future5. Harvesting others’ words: the long tradition of quotation collections6. Quotation in sight and sound7. Arts and rites of quoting8. Controlling quotation: the regulation of others’ words and voicesIII. DISTANCE AND PRESENCE9. What is quotation and why do we do it?Appendix 1: Quoting the academicsAppendix 2. List of the Mass Observation writersReferences
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aQuoting is all around us. But do we really know what it means? How do people actually quote today, and how did our present systems come about? This book brings together a down-to-earth account of contemporary quoting with an examination of the comparative and historical background that lies behind it and the characteristic way that quoting links past and present, the far and the near. Drawing from anthropology, cultural history, folklore, cultural studies, sociolinguistics, literary studies and the ethnography of speaking, Ruth Finnegan’s fascinating study sets our present conventions into cross-cultural and historical perspective. She traces the curious history of quotation marks, examines the long tradition of quotation collections with their remarkable recycling across the centuries, and explores the uses of quotation in literary, visual and oral traditions. The book tracks the changing definitions and control of quoting over the millennia and in doing so throws new light on ideas such as 'imitation', 'allusion', 'authorship', 'originality' and 'plagiarism'.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 2.0 Generic license (CC BY-NC-ND 2.0). For more detailed information consult the publisher's website.$uhttp://creativecommons.org/licenses/by-nc-nd/2.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aQuoting
=653  \\$aplagiarism
=653  \\$aimitation
=653  \\$aoriginality
=653  \\$aquotation marks
=653  \\$acultural history
=653  \\$acultural anthropology
=653  \\$aquotation
=653  \\$alanguage
=653  \\$aEnglish
=653  \\$afolklore
=653  \\$asociolinguistics
=653  \\$aoral traditions
=653  \\$aoral literature
=710  2\$aOpen Book Publishers,$epublisher.
=856  40$uhttps://doi.org/10.11647/obp.0012$zConnect to e-book
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=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License