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=245  00$aVertical Readings in Dante's Comedy :$bVolume 2 /$cedited by George Corbett, Heather Webb.
=264  \1$aCambridge, UK :$bOpen Book Publishers,$c2016.
=264  \4$c©2016
=300  \\$a1 online resource (xiv + 290 pages): $b1 illustration.
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=500  \\$aAvailable through Open Book Publishers.
=505  0\$aAcknowledgementsEditions Followed and AbbreviationsNotes on the ContributorsIntroductionGeorge Corbett and Heather Webb12. Centaurs, Spiders and SaintsChristian Moevs13. ‘Would you Adam and Eve it?’Robert Wilson14. The Patterning of History: Poetry, Politics and Adamic RenewalCatherine M. Keen15. Dante’s FatherlandsSimone Marchesi16. Politics of DesireManuele Gragnolati17. Seductive Lies, Unpalatable Truths, Alter EgosTristan Kay18. Women, War and WisdomAnne C. Leone19. Inside OutAmbrogio Camozzi Pistoja20. Prediction, Prophecy and Predestination: Eternalising Poetry in the CommediaClaudia Rossignoli21. God’s Beloved: From Pitch, Through Script, to WritCorinna Salvadori Lonergan22. Truth, Autobiography and the Poetry of SalvationGiuseppe LeddaBibliographyIndex of Names
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aVertical Readings in Dante’s Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem.This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante.
=536  \\$aTrinity College, Cambridge
=536  \\$aSelwyn College, Cambridge
=536  \\$aKeith Sykes
=536  \\$aItalian Department, University of Cambridge
=536  \\$aCambridge Italian Research Network (CIRN)
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). For more detailed information consult the publisher's website.$uhttp://creativecommons.org/licenses/by/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aDante Alighieri
=653  \\$aCommedia
=653  \\$aInferno
=653  \\$aPurgatorio
=653  \\$aParadiso
=653  \\$aItalian poetry
=653  \\$aItalian literature
=653  \\$avertical readings
=653  \\$acomparative
=700  1\$aCorbett, George,$eeditor.$uUniversity of St Andrews.$0(orcid)0000000270433253$1https://orcid.org/0000-0002-7043-3253
=700  1\$aWebb, Heather,$eeditor.$uUniversity of Cambridge.
=710  2\$aOpen Book Publishers,$epublisher.
=856  40$uhttps://doi.org/10.11647/obp.0100$zConnect to e-book
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=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License