=LDR  06016nam  22004332  4500
=001  64891e84-6aac-437a-a380-0481312bd2ef
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  250223t20212021\\\\\\\\ob\\\\000\0\eng\d
=020  \\$a9781951399047$q(HTML)
=024  7\$a10.32376/3f8575cb.1fc3f80a$2doi
=040  \\$aUkCbTOM$beng$elocal
=072   7$aGTC$2bicssc
=072   7$aJFD$2bicssc
=072   7$aJMS$2bicssc
=072   7$aSOC052000$2bisacsh
=072   7$aSOC071000$2bisacsh
=072   7$aTEC052000$2bisacsh
=245  00$aSocial Media & the Self :$bAn Open Reader /$cedited by Jefferson Pooley.
=264  \1$aBethlehem, PA :$bmediastudies.press,$c2021.
=264  \4$c©2021
=300  \\$a1 online resource.
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=490  1\$aOpen Reader Series ;$vvol. 1.$x2770-940X$x2770-940X
=500  \\$aAvailable through mediastudies.press.
=505  0\$aTHE BILL: SOCIAL MEDIA & THE SELF: AN OPEN READERPreface: The Open ReaderJefferson PooleyIntroduction: Performance and AuthenticityJefferson PooleyPROLOGUE: THE SELF IN THE AGE OF ZOOMThe Zoom GazeAutumm CainesThe I in the InternetJia TolentinoACT I: THE SOCIAL SELFThe SelfWilliam JamesThe Looking-Glass SelfCharles Horton CooleyThe Genesis of the SelfGeorge Herbert MeadSearching for Oneself on YouTubeClaire Balleys, Florence Millerand, Christine Thoër, and Nina DuqueACT II: THE PERFORMING SELFThe Management of Information About OneselfErving GoffmanIndelicate CommunicationErving GoffmanShape Shifting Across Social MediaBrittany I. Davidson and Adam N. JoinsonWho Would I Be Without Instagram?Tavi GevinsonSudden Amnesia Showed Me the Self Is a Convenient FictionSteven HalesI Am Not a StoryGalen StrawsonHow Smartphone Cameras Changed the Way We Document Our LivesJane C. HuI Called Off My Wedding. The Internet Will Never ForgetLauren GoodeACT III: CALCULATED AUTHENTICITY‘Personality’ and the Making of Twentieth-Century CultureWarren I. SusmanThe Age of Instagram FaceJia TolentinoThe Theory and History of AuthenticityCharles LindholmThe #nofilter Self: The Contest for Authenticity among Social Networking Sites, 2002–2016Meredith Salisbury and Jefferson PooleyLayers of Identity: How to Be “Real” When Everyone Is WatchingCrystal AbidinWhen Your Authenticity Is an Act, Something’s Gone WrongJoseph E. DavisTikTok FaceCat Zhang“Do I Look Like My Selfie?”: Filters and the Digital-Forensic GazeChristine Lavrence and Carolina CambreACT IV: THE BUSINESS OF SHARINGGendered Visibility on Social Media: Navigating Instagram’s Authenticity BindBrooke Erin Duffy and Emily HundThe Promise—and Risk—of a Career in TikTokLauren Kaori GurleyIdols of Promotion: The Triumph of Self-Branding in an Age of PrecarityBrooke Erin Duffy and Jefferson PooleyUnderstanding Facebook’s Algorithm Could Change How You See YourselfAlexis PapazoglouExistence Precedes Likes: How Online Behaviour Defines UsFrancisco Mejia UribePersonal PanopticonsL. M. SacasasMirror of Your MindIsabel MunsonBeauty Filters Are Changing the Way Young Girls See ThemselvesTate Ryan-MosleyACT V: SOCIAL (MEDIA) IDENTITIESMediated Superficiality and Misogyny Through Cool on TinderJin Lee“Oh, She’s a Tumblr Feminist”: Exploring the Platform Vernacular of Girls’ Social Media FeminismsJessalyn KellerPerforming a Vanilla Self: Respectability Politics, Social Class, and the Digital WorldMikaela Pitcan, Alice E. Marwick, and danah boyd“Good Social Media?”: Underrepresented Youth Perspectives on the Ethical and Equitable Design of Social Media PlatformsMelissa Brough, Ioana Literat, and Amanda IkinENCORE: ALTERNATIVE FUTURESAttention Is Not a Resource but a Way of Being Alive to the WorldDan NixonAre We Already Living in Virtual Reality?Joshua RothmanHow Much Can We Afford to Forget, if We Train Machines to Remember?Gene TracyEat Me, Drink Me, Like MeTara Isabella Burton
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aSocial Media & the Self is a web-only reader centered on the online performance of identity and curated with university courses in mind. The approach taken is to treat the self on social media as suspended between authenticity and performance. The collection traces the roots of the popular demand for individual self-expression to the early twentieth century. The message, then as now, was that the best way to get ahead is to consciously cultivate an authentic persona. The task, if anything, is more onerous today, with our fingers hovering, and hesitating, over the post button. In a nod to the theatrical context, the collection is divided into “acts,“ five of them, followed by a handful of “encore” readings that speculate on the shareable future. Each of its component works already carries an open access license, or—in the case of copyrighted items—links to a web version. The collection will be updated with new material at least twice a year, in concert with the typical North American academic calendar. Social Media & the Self is edited by Jefferson Pooley.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=700  1\$aPooley, Jefferson,$eeditor.$uMuhlenberg College.$0(orcid)0000000236741930$1https://orcid.org/0000-0002-3674-1930
=710  2\$amediastudies.press,$epublisher.
=830  \0$aOpen Reader Series ;$vvol. 1.$x2770-940X$x2770-940X
=856  40$uhttps://doi.org/10.32376/3f8575cb.1fc3f80a$zConnect to e-book
=856  42$uhttps://books.mediastudies.press/10.32376/3f8575cb.1fc3f80a_frontcover.jpeg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License