=LDR 07231nam 22006252 4500 =001 80204dff-c8a9-4155-a539-7ee980102875 =006 m\\\\\o\\d\\\\\\\\ =007 cr\\n\\\\\\\\\ =008 250412t20122012\\\\\\\\ob\\\\000\0\eng\d =010 \\$a2019467807 =020 \\$z9781906924706$q(Paperback) =020 \\$z9781906924713$q(Hardback) =020 \\$a9781906924720$q(PDF) =020 \\$a9781800644526$q(HTML) =020 \\$a9781906924737$q(Epub) =020 \\$a9781906924744$q(Mobi) =024 7\$a10.11647/OBP.0025$2doi =024 7\$a969711848$2worldcat =040 \\$aUkCbTOM$beng$elocal =050 00$aPL8010 =072 7$aJHMC$2bicssc =072 7$aHBTD$2bicssc =072 7$a1H$2bicssc =072 7$aSOC002010$2bisacsh =072 7$aLIT004010$2bisacsh =072 7$aDRA011000$2bisacsh =100 1\$aFinnegan, Ruth,$eauthor.$uBritish Academy. =245 10$aOral Literature in Africa /$cRuth Finnegan. =264 \1$aCambridge, UK :$bOpen Book Publishers,$c2012. =264 \4$c©2012 =300 \\$a1 online resource (xliv + 570 pages): $b39 illustrations, 1 table. =336 \\$atext$btxt$2rdacontent =337 \\$acomputer$bc$2rdamedia =338 \\$aonline resource$bcr$2rdacarrier =490 1\$aWorld Oral Literature Series ;$vvol. 1.$x2054-362X$x2050-7933 =500 \\$a\$iPrint version:$aOriginal edition published as part of the series: Oxford library of African literature. London : Clarendon Press, 1970. =505 0\$aContents Online ResourcesIllustrationsForward by Mark TurinPrefacesAcknowledgementsAbbreviationsNote on Sources and ReferencesI • INTRODUCTION 1. The 'oral' nature of African unwritten literature The significance of performance in actualization, transmission, and composition. Audience and occasion. Implications for the study of oral literature. Oral art as literature.2. The perception of African oral literature Nineteenth-century approaches and collections. Speculations and neglect in the twentieth century. Recent trends in African studies and the revival of interest in oral literature.3. The social, linguistic, and literary background Social and literary background. The linguistic basis — the example of Bantu. Some literary tools. Presentation of the material. The literary complexity of African cultures.II • POETRY4. Poetry and patronage Variations in the poet's position. Court poets. Religious patronage. Free-lance and wandering poets. Part-time poets. A note on 'epic'.5. Panegyric Introductory: nature and distribution; composers and reciters; occasions. Southern Bantu praise poetry: form and style; occa­sions and delivery; traditional and contemporary significance.6. Elegiac poetry General and introductory. Akan funeral dirges: content and themes; structure, style, and delivery; occasions and functions; the dirge as literature.7. Religious poetry Introductory. Didactic and narrative religious poetry and the Islamic tradition; the Swahili tenzi. Hymns, prayers, and incanta­tions: general survey; the Fante Methodist lyric. Mantic poetry: Sotho divining praises; odu Ifa (Yoruba).8. Special purpose poetry — war, hunting, and work Military poetry: Nguni; Akan. Hunting poetry: Yoruba ijala; Ambo hunters' songs. Work songs.9. Lyric Occasions. Subject-matter. Form. Composition.10. Topical and political songs Topical and local poetry. Songs of political parties and movements: Mau Mau hymns; Guinea R.D.A. songs; Northern Rhodesian party songs.11. Children's songs and rhymes Lullabies and nursery rhymes. Children's games and verses; Southern Sudanese action songs.III • PROSE12. Prose narratives I. Problems and theoriesIntroductory. Evolutionist interpretations. Historical-geographi­cal school. Classification and typologies. Structural-functional approach. Conclusion.13. Prose narratives II. Content and form. What is known to date: content and plot; main characters. Types of tales: animal stories; stories about people; 'myths'; ‘legends' and historical narratives. What demands further study: occasions; role of narrators; purpose and function; literary conventions; per­formance; originality and authorship. Conclusion.14. Proverbs The significance and concept of the proverb. Form and style. Content. Occasions and functions. Specific examples: Jabo; Zulu; Azande. Conclusion.15. Riddles Riddles and related forms. Style and content. Occasions and uses. Conclusion.16. Oratory, formal speaking, and other stylized forms Oratory and rhetoric: Burundi; Limba. Prayers, curses, etc. Word play and verbal formulas. Names.IV • SOME SPECIAL FORMS17. Drum language and literature Introductory — the principle of drum language. Examples of drum literature: announcements and calls; names; proverbs; poetry. Conclusion.18. Drama Introductory. Some minor examples: Bushman 'plays'; West African puppet shows. Mande comedies. West African masquerades: South-Eastern Nigeria; Kalabari. Conclusion.ConclusionMapsBibliography Index =506 0\$aOpen Access$fUnrestricted online access$2star =520 \\$aRuth Finnegan’s Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan’s ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. Oral Literature in Africa has been accessed by hundreds of readers in over 60 different countries, including Ethiopia, Kenya, Rwanda and numerous other African countries. The digital editions of this book are free to download thanks to the generous support of interested readers and organisations, who made donations using the crowd-funding website Unglue.it. Oral Literature in Africa is part of our World Oral Literature Series in conjunction with the World Oral Literature Project. =538 \\$aMode of access: World Wide Web. =540 \\$aThe text of this book is licensed under a Creative Commons Attribution 3.0 Unported license (CC BY 3.0). For more detailed information consult the publisher's website.$uhttp://creativecommons.org/licenses/by/3.0/ =588 0\$aMetadata licensed under CC0 Public Domain Dedication. =653 \\$aOral literature =653 \\$aAfrican culture =653 \\$aOrality =653 \\$aUnglue.it =653 \\$aStorytelling =653 \\$aLimba =653 \\$aSierra Leone =700 1\$aTurin, Mark,$eforeword by.$0(orcid)0000000222620986$1https://orcid.org/0000-0002-2262-0986 =710 2\$aOpen Book Publishers,$epublisher. =830 \0$aWorld Oral Literature Series ;$vvol. 1.$x2054-362X$x2050-7933 =856 40$uhttps://doi.org/10.11647/obp.0025$zConnect to e-book =856 42$uhttps://books.openbookpublishers.com/10.11647/obp.0025_frontcover.jpg$zConnect to cover image =856 42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License