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=100  1\$aShephard, Tim,$eauthor.$uUniversity of Sheffield.$0(orcid)0000000340538916$1https://orcid.org/0000-0003-4053-8916
=245  10$aSounding the Bookshelf 1501 :$bMusic in a Year of Italian Printed Books /$cTim Shephard, Oliver Doyle, Ciara O’Flaherty, Annabelle Page, Laura Ştefănescu.
=264  \1$aCambridge, UK :$bOpen Book Publishers,$c2025.
=264  \4$c©2025
=300  \\$a1 online resource (vi+380 pages): $b4 illustrations.
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=500  \\$aAvailable through Open Book Publishers.
=505  0\$a0. Introduction0.1 Methodology0.2 Authors and Readers0.3 The 1501 Corpus and Contemporary Libraries0.4 Everyday Musical Knowledge0.5 Structure and Editorial Policies1. Lifestyle1.1 Education1.2 Conduct1.3 Health and Wellbeing1.4 Astrology1.5 Conclusions2. Poetry2.1 Indications of Performance2.2 Landscape2.3 The Beloved2.4 The Author2.5 Conclusions3. Scholarship3.1 Natural Philosophy3.2 Rhetoric3.3 Literature3.4 History3.5 Law4. Conclusions to Volume 1: A Musical Life in Italy c.1501Sounding the Bookshelf 1501Appendix: 1501 ExcerptsBibliographies1501 BooksOther Primary SourcesModern LiteratureIndex
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aThis volume explores how everyday texts in Renaissance Italy engaged with music, sound, and hearing. Of the 358 known editions printed in 1501, only a few contained formal music notation or specialist theory. Yet a surprising wealth of musical knowledge emerges from religious texts, classical commentaries, lifestyle guides, poetry, and more. These sources—rarely penned by professional musicians—reflect the broader cultural presence of music in early 16th-century life, touching on themes like music’s moral influence, its role in education, and its scientific understanding. Drawing from an ambitious cross-disciplinary survey, this groundbreaking study repositions everyday references to music as vital to understanding Renaissance musical culture. It challenges scholars to look beyond elite and theoretical traditions, and instead engage with the rich, often-overlooked world of non-specialist musical discourse. Set against the backdrop of 1501—a landmark year when Ottaviano Petrucci revolutionized music printing—this book offers a compelling snapshot of how music was understood and discussed by ordinary readers in Renaissance Italy. By sounding out these diverse voices, the project reimagines the contours of music history and opens new avenues for musicological inquiry.
=536  \\$aUniversity of Sheffield
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aRenaissance
=653  \\$aItaly
=653  \\$amusic
=653  \\$asound
=653  \\$ahearing
=653  \\$aknowledge
=700  1\$aDoyle, Oliver,$eauthor.$uUniversity of Sheffield.$0(orcid)0009000605071344$1https://orcid.org/0009-0006-0507-1344
=700  1\$aO’Flaherty, Ciara,$eauthor.$uUniversity of Sheffield.
=700  1\$aPage, Annabelle,$eauthor.$uCardiff University.
=700  1\$aŞtefănescu, Laura,$eauthor.$uIstituto Nazionale di Studi sul Rinascimento.$0(orcid)0000000275713350$1https://orcid.org/0000-0002-7571-3350
=710  2\$aOpen Book Publishers,$epublisher.
=856  40$uhttps://doi.org/10.11647/obp.0473$zConnect to e-book
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=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License