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=100  1\$aMehl, Margaret,$eauthor.$uUniversity of Copenhagen.$0(orcid)0000000165129970$1https://orcid.org/0000-0001-6512-9970
=245  10$aMusic and the Making of Modern Japan :$bJoining the Global Concert /$cMargaret Mehl.
=264  \1$aCambridge, UK :$bOpen Book Publishers,$c2024.
=264  \4$c©2024
=300  \\$a1 online resource (xvi+456 pages): $b1 illustration.
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=505  0\$aAcknowledgements  Introduction: Music and Japan  Overview and Chapters of the Book  A Note on Terminology  Japanese Names  Part One: Global History, Modernity, and Western Music  1. Global History, Musical Modernity, and the Globalization of Western Music     Global Modernity     Musical Modernity     The Globalization of Western Music     Transnational Circulation in Northeast Asia     ‘Western’ versus ‘Modern’  2. Under Reconstruction: Japan, the United States, and the European Model     The Beginnings of Music Education in America     Concerts and the Veneration of European Art Music     The Quest for a National Music  3. The Case of Japan     Western Music and Musical Reform     Traditional Musical Genres and the Meiji Reforms     The Meiji Reforms and the Introduction of Western Music     The Expansion of the Musical Infrastructure     Globalization, Sound Technology, and the Quest for a Japanese Sound     The Postwar ‘Musical Miracle’ and Its Critics  Part Two: Music for the Nation  4. From Rites and Music to National Music  5. Isawa Shūji: Music, Movement, Science, and Language     Keeping Them Together in Time: Froebel’s Movement Games     Music, Language, and Science     Music Education  6. Civilizing Citizens: Music Reform     Isawa Shūji and the Tokyo Academy of Music     The Debate about the Existence of the Tokyo Academy of Music     Shikama Totsuji’s Contribution  7. Shikama Totsuji: Music Reform and a Nationwide Network     Global Ambitions and a Nationwide Network: The Musical Magazine (Ongaku zasshi)     Shikama Totsuji’s Other Publications     Shikama Totsuji as a Performer, Collector and Inventor of Musical Instruments, and Band Instructor  8. Playing Modern: Blending Japanese and Western Music     Music Reform in Practice: Graduates of the Tokyo Academy of Music and Blended Music     Blended Music as a Commercial Enterprise  Part Three: The World, Japan, and Sendai  9. Local Pioneers and the Beginnings of Western Music in Sendai     The Shikama Brothers in Sendai     Music in the Second High School     Sendai’s Concert Culture around 1907  10. Foreign Actors: Kate I. Hansen     A Transnational Life and a Musical Mission     Kate Hansen and the Music of Others: Sendai’s Concert Culture Through Foreign Ears     Teaching Japanese Girls to Sing  11. The World in Sendai     Tōhoku Ongakuin     The Second High School     Miyagi Normal School     Miyagi College     Other Institutions     Representing the Nation and the World in Sendai  Conclusion  Appendix: Chronological List of Concerts in Sendai Reported in Ongakukai  Bibliography  Index  About the Author
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aJapan was the first non-Western nation to compete with the Western powers at their own game. The country’s rise to a major player on the stage of Western music has been equally spectacular. The connection between these two developments, however, has never been explored.How did making music make Japan modern? How did Japan make music that originated in Europe its own? And what happened to Japan’s traditional music in the process? Music and the Making of Modern Japan answers these questions. Discussing musical modernization in the context of globalization and nation-building, Margaret Mehl argues that, far from being a side-show, music was part of the action on centre stage. Making music became an important vehicle for empowering the people of Japan to join in the shaping of the modern world. In only fifty years, from the 1870s to the early 1920s, Japanese people laid the foundations for the country’s post-war rise as a musical as well as an economic power. Meanwhile, new types of popular song, fuelled by the growing global record industry, successfully blended inspiration from the West with musical characteristics perceived as Japanese. Music and the Making of Modern Japan represents a fresh contribution to historical research on making music as a major cultural, social, and political force.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license (CC BY-NC-ND 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc-nd/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aJapan in the 1870s-early 1920s
=653  \\$aWestern powers
=653  \\$aMusic
=653  \\$aModernization
=653  \\$aGlobalization
=653  \\$aTraditional Japanese music
=710  2\$aOpen Book Publishers,$epublisher.
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