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=245  00$aMusic and Spirituality :$bTheological Approaches, Empirical Methods, and Christian Worship /$cedited by George Corbett, Sarah Moerman.
=264  \1$aCambridge, UK :$bOpen Book Publishers,$c2024.
=264  \4$c©2024
=300  \\$a1 online resource (xiv+464 pages): $b18 illustrations, 2 tables.
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=500  \\$aAvailable through Open Book Publishers.
=505  0\$aAcknowledgmentsNotes on ContributorsIntroductionForeword: A Composer’s PerspectiveI. THEOLOGICAL APPROACHES1. Encountering the Uncontrollable: Music’s Resistance to Reductionism and Its Theological Ramifications2. Cross and Consolation: Music’s Empathic Spirituality3. Music, Breath, and Spirit4. An Adorative Posture towards Music and Spiritual Realities 5. Religion, Science, and Music: An Augustinian Trinity6. Dissonant Spirituality: A Hermeneutical Aesthetics of Outlaw CountryII. EMPIRICAL METHODS7. From the Sacred to the Ordinary through the Lens of Psychological Science8. An Inquiry into Musical Trance9. An Ethnomusicology of Spiritual Realities10. The Concept of ‘Atmosphere’ as a Bridge between Music and Spirituality11. Spiritual Subjects: Musicking, Biography, and the Connections We Make12. The Impetus to Compose: Where is Fantasy Bred?III. CHRISTIAN WORSHIP13. Music in Christian Services as a Means to Induce Religious Feelings14. Spiritual Cultures: Innovations in Choral and Classical Music 15. Listening to the Lived Experiences of Worshippers: A Study of Post-Pandemic Mixed Ecology Worship16. An Abductive Study of Digital Worship through the Lenses of Netnography and Digital Ecclesiology17. Choral Singers and Spiritual Realities:A Perspective from St Mary’s Catholic Cathedral18. Music and Spirituality in Communal Song: Methodists and Welsh Sporting CrowdsAfterword: A Psychologist’s PerspectiveList of Figures and TablesBibliographyIndex
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aThe composer Sir James MacMillan has often referred to music as ‘the most spiritual of the arts’, and for many people, regardless of religious affiliation, this rings true. In listening to music, we are drawn to dimensions of human experience beyond the material. This collection brings together leading scholars from various disciplines – including Christian theology, musicology, and psychology and neuroscience – to interrogate the intimate relationship between music and spirituality. Organised in three parts – theological approaches, empirical methods, and Christian worship – the volume covers a vibrant array of topics. From examining how the Covid-19 pandemic has reshaped the profile of contemporary worship to investigating the spiritual effects of bodily positioning in liturgical spaces, from exploring spiritual experience through heart and breathing activity, electrodermal activity, and saliva samples to comparing the spiritual experiences of British Methodists with Welsh sporting fans, these essays attend to the lived reality of people’s perceived spiritual experiences through music.This collection will be an invaluable resource for scholars in the growing field of Christian theology and music, and will serve as a cornerstone for future research at the intersection of theology, music, and psychology and neuroscience. It will also appeal to anyone curious about why music consistently, across cultures, occupies a unique space bridging the material and spiritual dimensions of human life.
=536  \\$aUniversity of St Andrews$eUniversity of St Andrews’ Institutional Open Access Fund
=536  \\$aTempleton Religion Trust
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aSpiritual
=653  \\$aWestern culture
=653  \\$aChristianity
=653  \\$aMusicology
=653  \\$aEthnomusicology
=653  \\$aNeuroscience
=700  1\$aCorbett, George,$eeditor.$uUniversity of St Andrews.$0(orcid)0000000270433253$1https://orcid.org/0000-0002-7043-3253
=700  1\$aMoerman, Sarah,$eeditor.$uUniversity of St Andrews.$0(orcid)0000000322799274$1https://orcid.org/0000-0003-2279-9274
=710  2\$aOpen Book Publishers,$epublisher.
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