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=245  00$aHenry James's Europe :$bHeritage and Transfer /$cedited by Dennis Tredy, Annick Duperray, Adrian Harding.
=264  \1$aCambridge, UK :$bOpen Book Publishers,$c2011.
=264  \4$c©2011
=300  \\$a1 online resource (xxiv + 294 pages): $b5 illustrations.
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=505  0\$aPrefaceDennis TredyOn ‘The European Society of Jamesian Studies’Adrian HardingPart 1: Ethics and Aesthetics1. Henry James on Opening the Door to the DevilJean Gooder2. From Romance to Redemption: James and the Ethics of GlobalizationRoxana Oltean3. James’s Sociology of Taste: The Ambassadors, Commodity Consumption and Cultural CritiqueEsther Sanchez-Pardo4. Bad InvestmentsEric SavoyPart 2: French and Italian Hours5. ‘The Crash of Civilization’: James and the Idea of France, 1914-15Hazel Hutchison6. The Citizens of Babylon and the Imperial Imperative: James’s Modern Parisian WomenClaire Garcia7. French as the Fantasmal Idiom of Truth in What Maisie KnewAgnès Derail-Imbert8. Figures of Fulfilment: James and ‘a Sense of Italy’Jacek Gutorow9. The Aspern Papers: from Florence to an Intertextual City, VeniceRosella Mamoli Zorzi10. The Wavering Ruins of The AmericanEnrico BottaPart 3: Appropriating European Thematics11. Balzacian Intertextuality and Jamesian Autobiography in The AmbassadorsKathleen Lawrence12. A Discordance Between the Self and the World: The Collector in Balzac’s Cousin Pons and James’s ‘Adina’ Simone Francescato13. ‘Déjà vu’ in ‘The Turn of the Screw’Max DuperrayPart 4: Allusion14. Some Allusions in the Early StoriesAngus Wrenn15. C’est strictement confidentiel: Buried Allusions in Confidence (1879)Rebekah Scott16. James and the Habit of AllusionOliver HerfordPart 5: Performance17. The Absent Writer in The Tragic MuseNelly Valtat-Comet18. James and the ‘Paradox of the Comedian’Richard Anker19. Benjamin Britten’s Appropriation of James in ‘Owen Wingrave’Hubert TeyssandierPart 6: Authorship and Self-Representation20. Narrative Heterogeneity as an Adjustable Fictional Lens in The American SceneEleftheria Arapoglou21. James’s Faces: Appearance, Absorption and the Aesthetic Significance of the FaceJakob Stougaard-Nielson22. From Copying to Revision: The American to The AmbassadorsPaula Marantz Cohen23. Friction with the Publishers, or How James Manipulated his Editors in the Early 1870’sPierre A. Walker24. Losing Oneself: Autobiography, Memory, VisionJohn HollandBibliography of works citedIndex
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aAs an American author who chose to live in Europe, Henry James frequently wrote about cultural differences between the Old and New World. The plight of bewildered Americans adrift on a sea of European sophistication became a regular theme in his fiction.This collection of twenty-four papers from some of the world’s leading James scholars offers a comprehensive picture of the author’s cross-cultural aesthetics. It provides detailed analyses of James’s perception of Europe—of its people and places, its history and culture, its artists and thinkers, its aesthetics and its ethics—which ultimately lead to a profound reevaluation of his writing.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 2.0 Generic license (CC BY-NC-ND 2.0). For more detailed information consult the publisher's website.$uhttp://creativecommons.org/licenses/by-nc-nd/2.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aHenry James
=653  \\$aEuropean reception of Henry James
=653  \\$aauthorship
=653  \\$aEnglish literature
=653  \\$aEuropean Society of Jamesian Studies
=653  \\$aAmericans in Europe
=653  \\$aAmerican literature
=653  \\$aThe Ambassadors
=653  \\$aWhat Maisie Knew
=653  \\$aThe American
=653  \\$aPortrait of a Lady
=653  \\$anovel
=700  1\$aTredy, Dennis,$eeditor.$uSorbonne Nouvelle University.
=700  1\$aDuperray, Annick,$eeditor.$uAix-Marseille Université.
=700  1\$aHarding, Adrian,$eeditor.$uAmerican University of Paris.
=710  2\$aOpen Book Publishers,$epublisher.
=856  40$uhttps://doi.org/10.11647/obp.0013$zConnect to e-book
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=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License