=LDR  05376nam  22006492  4500
=001  b23d8abf-4114-4472-8a84-30bbe88de0c4
=006  m\\\\\o\\d\\\\\\\\
=007  cr\\n\\\\\\\\\
=008  250410t20242024\\\\\\\\ob\\\\000\0\eng\d
=020  \\$z9781800648074$q(Paperback)
=020  \\$a9781800648098$q(PDF)
=020  \\$a9781800648135$q(HTML)
=020  \\$a9781800648104$q(Epub)
=024  7\$a10.11647/OBP.0313$2doi
=024  7\$a1458589178$2worldcat
=040  \\$aUkCbTOM$beng$elocal
=072   7$aAV$2bicssc
=072   7$aAVA$2bicssc
=072   7$aAVGE$2bicssc
=072   7$aJHMC$2bicssc
=072   7$a1FKA$2bicssc
=072   7$aAVX$2bicssc
=072   7$aMUS006000$2bisacsh
=072   7$aMUS020000$2bisacsh
=072   7$aMUS015000$2bisacsh
=072   7$aMUS032000$2bisacsh
=072   7$aAVLA$2thema
=072   7$aAVM$2thema
=072   7$aAVA$2thema
=072   7$aAVX$2thema
=072   7$aNHF$2thema
=100  1\$aClarke, David,$eauthor.$uNewcastle University.$0(orcid)0000000313654188$1https://orcid.org/0000-0003-1365-4188
=245  10$aRāgs Around the Clock :$bA Handbook for North Indian Classical Music, with Online Recordings in the Khayāl Style /$cDavid Clarke; music edited by Vijay Rajput.
=264  \1$aCambridge, UK :$bOpen Book Publishers,$c2024.
=264  \4$c©2024
=300  \\$a1 online resource (xxiv + 238 pages): $b50 illustrations, 63 audio tracks.
=336  \\$atext$btxt$2rdacontent
=337  \\$acomputer$bc$2rdamedia
=338  \\$aonline resource$bcr$2rdacarrier
=500  \\$aAvailable through Open Book Publishers.
=505  0\$aOnline Albums: Track ListRāg Samay CakraTwilight Rāgs from North IndiaPreface and AcknowledgementsBiographical NotesTransliteration and Other Textual ConventionsPrologue: First EncountersIntroduction: Origins, Overview, Contexts1. CONCEPTS, CONVENTIONS, HISTORY AND CULTURE1.1 Elements of Indian Classical Music1.2 Sargam Notation1.3 Rāg1.4 Tāl1.5 Tānpurā Drone, Svar1.6 Rāg and Time: Samay Cakra1.7 Khayāl: Stylistic and Performance Conventions1.8 Khayāl: Ornamentation1.9 Khayāl: Origins1.10 V. N. Bhatkhande1.11 The Guru-Śiṣyā Paramparā1.12 Riyāz2. A CYCLE OF RĀGS: RĀG SAMAY CAKRA2.1 The Album and Its Supporting Materials2.2 The Song Texts2.3 Notating the Bandiśes (and Performing Them)2.4 Terminology Used in the Rāg Specifications2.5 The Rāgs3. EXPLORATIONS AND ANALYSES (I): RĀG SAMAY CAKRA3.1 Introduction3.2 How Do You Sing an Ālāp?3.3 How Do You Sing a Choṭā Khayāl?4. EXPLORATIONS AND ANALYSES (II): TWILIGHT RĀGS FROM NORTH INDIA4.1 Introduction4.2 Rāg Bhairav: Texts, Notations and Commentaries4.3 How Do You Sing a Baṛā Khayāl? Performance Conventions, Aesthetics, Temporality Epilogue: Laya/PralayaGlossary of Terms Used in Hindustani Classical MusicReferencesList of Audio ExamplesList of FiguresIndex
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aRāgs Around the Clock is a rich and vibrant compendium for the discovery and study of North Indian classical music. The theory and practice of rāg are explored through two interlinked resources: a handbook of essays and analyses offering technical, historical, cultural and aesthetic perspectives; and two online albums – Rāg samay cakra and Twilight Rāgs from North India – featuring khayāl singer Vijay Rajput and accompanists.Extracts from the albums are also embedded into the text to enhance learning and understanding. Each rāg is accompanied by a description of its chief characteristics and technical features, a notation of the song (bandiś) on which the performance is based, and a transliteration and translation of the song text. Distinctively, Rāg samay cakra also includes spoken renditions of each of the texts, helping non-Hindavi speakers to achieve the correct pronunciation.Sharing insights from both theory and practice, this collection draws on recent scholarship while also showcasing the vocal idiom – the gāyakī – of Vijay Rajput, a disciple of the late Pandit Bhimsen Joshi. It offers invaluable reading for students and researchers of Indian classical music, world music and ethnomusicology, and a rich repository for teacher and student practitioners of the khayāl vocal style. The combination of an aural and written exploration of rāg will appeal to anyone drawn to this form of music – whether newcomer, student (śiṣyā) or aficionado (rasika).
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license (CC BY-NC-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc-sa/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aRāgs
=653  \\$aNorth Indian classical music
=653  \\$aHandbook
=653  \\$aSongs (music and text)
=653  \\$aworld music
=653  \\$aethnomusicology
=700  1\$aRajput, Vijay,$emusic editor.$uNewcastle University.
=710  2\$aOpen Book Publishers,$epublisher.
=856  40$uhttps://doi.org/10.11647/obp.0313$zConnect to e-book
=856  42$uhttps://books.openbookpublishers.com/10.11647/obp.0313_frontcover.jpg$zConnect to cover image
=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License