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=245  00$aWomen and Migration :$bResponses in Art and History /$cedited by Deborah Willis, Ellyn Toscano, Kalia Brooks Nelson.
=264  \1$aCambridge, UK :$bOpen Book Publishers,$c2019.
=264  \4$c©2019
=300  \\$a1 online resource (xxx+638 pages): $b156 illustrations, 5 tables.
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=500  \\$aAvailable through Open Book Publishers.
=505  0\$aList of ContributorsIntroduction: Women and Migration[s]D. Willis, E. Toscano and K. Brooks NelsonPart One: Imagining Family and Migration 11Between Self and MemoryEllyn ToscanoFragments of Memory: Writing the Migrant’s StoryAnna Arabindan-KessonA Congolese Woman’s Life in Europe: A Postcolonial Diptych of MigrationSandrine ColardMigrationsKathy EngelPart Two: Mobility and MigrationCarrying MemoryMarianne HirschMaking Through MotionWangechi MutuStrange Set of Circumstances: White Artistic Migration and Crazy QuiltKaren FinleyNora Holt: New Negro Composer and Jazz Age GoddessCheryl A. WallPart Three: Understanding PathwaysSilsila: Linking Bodies, Deserts, WaterSama AlshaibiMy Baby Saved My Life: Migration and Motherhood in an American High SchoolJessica IngramVisualizing Displacement Above The FoldLorie NovakUnveiling Violence: Gender and Migration in the Discourse of Right-Wing PopulismDebora SpiniA Different LensMaaza MengisteReinventing the Spaces Within: The Early Images of Artist Lalla EssaydiIsolde BrielmaierSwimming with E. C.Kellie JonesPart Four: Reclaiming Our TimeKinship, the Middle Passage, and the Origins of Racial SlaveryJennifer L. MorganBlack Women’s Work: Resisting and Undoing Character Education and the ‘Good’ White Liberal AgendaBettina L. LoveFilipina Stories: Gabriela NY and Justice for Mary Jane VelosoEditha MesinaWomen & Migrations: African Fashion’s Global TakeoverAllana FinleyWhat Would It Mean to Sing A Black Girl’s Song?: A Brief Statement on the Reality of Anti-Black Girl TerrorTreva B. LindseyPart Five: Situated at the EdgeFredi’s Migration: Washington’s Forgotten War on HollywoodPamela NewkirkJulia de Burgos: Cultural Crossing and IconicityVanessa Pérez-RosarioSarah Parker Remond’s Black American Grand TourSirpa SaleniusMaking Latinx Art: Juana Valdes at the Crossroads of Latinx and Latin American ArtArlene DávilaMoving Mountains: Harriet Hosmer’s Nineteenth-Century Italian Migration to Become the First Professional Woman SculptorPatricia CroninPart Six: Transit, Transiting, and TransitionUrban Candy: Screens, Selfies and ImaginingsRoshini KempadooControlled Images and Cultural Reassembly: Material Black Girls Living in an Avatar WorldJoan MorganSupershero Amrita Simla, Partitioned Once, Migrated TwiceSarah K. KhanDiaspora, Indigeneity, Queer Critique: Tracey Moffatt’s Aesthetics of Dwelling in DisplacementGayatri GopinathThe Performance of Doubles: The Transposition of Gender and Race in Ming Wong’s Life of ImitationKalia Brooks NelsonPart Seven: The World is Ours, TooThe Roots of Black American Women’s Internationalism: Migrations of the Spirit and the Heart Francille Rusan Wilson'The World is Ours, Too': Millennial Women and the New Black Travel MovementTiffany M. GillPerforming a Life: Mattie Allen McAdoo’s Odyssey from Ohio to South Africa, Australia and Beyond, 1890–1900Paulette Young'I Don't Pay Those Borders No Mind At All': Audley E. Moore (‘Queen Mother’ Moore) - Grassroots Global Traveler and ActivistSharon HarleyLöis Mailou Jones in the WorldCheryl FinleyPart Eight: Emotional Cartography: Tracing the PersonalThe Ones Who Leave… the Ones Who Are Left: Guyanese Migration StoryGrace Aneiza AliThe Acton Photograph Archive: Between Representation and Re-InterpretationAlessandra CapodacquaReconciliations at Sea: Reclaiming the Lusophone Archipelago in Mónica de Miranda’s Video WorksM. Neelika JayawardaneTransnational Minor Literature: Cristina Ali Farah’s Somali Italian StoriesAlessandra Di MaioSeizing Control of the NarrativeMisan SagayMigration as a Woman’s Right: Stories from Comparative and Transnational Slavery Histories in the North Atlantic and Indian Ocean WorldsGunja SenGuptaThe Sacred Migration of Sister Gertrude MorganImani UzuriList of IllustrationsIndex
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$aThe essays in this book chart how women’s profound and turbulent experiences of migration have been articulated in writing, photography, art and film. As a whole, the volume gives an impression of a wide range of migratory events from women’s perspectives, covering the Caribbean Diaspora, refugees and slavery through the various lenses of politics and war, love and family.The contributors, which include academics and artists, offer both personal and critical points of view on the artistic and historical repositories of these experiences. Selfies, motherhood, violence and Hollywood all feature in this substantial treasure-trove of women’s joy and suffering, disaster and delight, place, memory and identity. This collection appeals to artists and scholars of the humanities, particularly within the social sciences; though there is much to recommend it to creatives seeking inspiration or counsel on the issue of migratory experiences.
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). For more detailed information consult the publisher's website.$uhttp://creativecommons.org/licenses/by/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$acollection of essays
=653  \\$awomen
=653  \\$amigration
=653  \\$awomen’s experiences of migration
=653  \\$awomen’s perspectives
=653  \\$awriting
=653  \\$aphotography
=653  \\$aart
=653  \\$afilm
=700  1\$aWillis, Deborah,$eeditor.$uNew York University.
=700  1\$aToscano, Ellyn,$eeditor.$uNew York University Florence.
=700  1\$aBrooks Nelson, Kalia,$eeditor.$uNew York University.
=710  2\$aOpen Book Publishers,$epublisher.
=856  40$uhttps://doi.org/10.11647/obp.0153$zConnect to e-book
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=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License