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=100  1\$aStead, Evanghelia,$eauthor.$uUniversité de Versailles Saint-Quentin-en-Yvelines.$0(orcid)0000000257377947$1https://orcid.org/0000-0002-5737-7947
=245  10$aGrotesque and Performance in the Art of Aubrey Beardsley /$cEvanghelia Stead.
=264  \1$aCambridge, UK :$bOpen Book Publishers,$c2024.
=264  \4$c©2024
=300  \\$a1 online resource (xii+280 pages): $b134 illustrations.
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=500  \\$aAvailable through Open Book Publishers.
=505  0\$aList of AbbreviationsIntroductory Note and AcknowledgementsIntroduction: Breaking the Mould of Victorianism1. Grotesque Vignettes and the “All Margin” Book2. A Foetal Laboratory and Its Influence3. A Dandy’s Portico of Portraits4. Beardsley Images and the “Europe of Reviews”5. Paris Performance Alive and DeadBibliography and IconographyList of IllustrationsIndex
=506  0\$aOpen Access$fUnrestricted online access$2star
=520  \\$a“If I am not grotesque, I am nothing.”This insightful study illuminates previously unexplored aspects of Aubrey Beardsley’s relationship to the grotesque and his use of media, particularly his manipulation of the periodical press. For the first time and with keen intelligence, Evanghelia Stead fully reveals the aesthetic importance of Beardsley’s Bon-Mots vignettes, as well as the relationship between Darwinism, his innovative foetus motif, and Decadence itself.Beautifully illustrated throughout, the book calls on histories of culture and aesthetics to show how the artist reworked traditional imagery and manipulated it beyond recognition—revealing for instance the influence of cathedral grotesques on Beardsley’s own grotesque performances. Stead also demonstrates his major impact on Italian, French, American and German creative minds through the periodical press.Rich in original thought and detailed, comparative analysis, this book is an invigorating and enlightening read for scholars of Aubrey Beardsley, as well as for anyone interested in nineteenth-century visual culture, art history, art criticism, print culture, illustration, grotesque iconography, and cultural history.
=536  \\$aUniversité de Versailles Saint-Quentin-en-Yvelines
=538  \\$aMode of access: World Wide Web.
=540  \\$aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license (CC BY-NC-ND 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-nc-nd/4.0/
=588  0\$aMetadata licensed under CC0 Public Domain Dedication.
=653  \\$aAubrey Beardsley
=653  \\$agrotesque
=653  \\$amedia and print culture
=653  \\$amedia performance
=653  \\$afin-de-siècle
=653  \\$aBritish and comparative art
=710  2\$aOpen Book Publishers,$epublisher.
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=856  42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License