=LDR 06456nam 22012012 4500 =001 f696445f-8a9f-4ab2-95d2-3f222b83b37b =006 m\\\\\o\\d\\\\\\\\ =007 cr\\n\\\\\\\\\ =008 250102t20232023\\\\\\\\ob\\\\000\0\eng\d =020 \\$z9783957960535$q(Paperback) =020 \\$a9783957960542$q(PDF) =024 7\$a10.14619/0535$2doi =040 \\$aUkCbTOM$beng$elocal =050 00$aP87-96 =072 7$aPER004030$2bisacsh =072 7$aLAN025020$2bisacsh =072 7$aSOC052000$2bisacsh =072 7$aATFA$2thema =072 7$aGLP$2thema =072 7$aJBCT$2thema =072 7$aJPW$2thema =100 1\$aAgina, Añulika,$eauthor.$uPan-Atlantic University. =245 10$aAccidental Archivism :$bShaping Cinema’s Futures with Remnants of the Past /$cedited by Stefanie Schulte Strathaus, Vinzenz Hediger. =264 \1$aLüneburg :$bmeson press,$c2023. =264 \4$c©2023 =300 \\$a1 online resource (492 pages). =336 \\$atext$btxt$2rdacontent =337 \\$acomputer$bc$2rdamedia =338 \\$aonline resource$bcr$2rdacarrier =490 1\$aConfigurations of Film ;$vvol. 8.$x0000-0009$x0000-0008 =500 \\$aAvailable through meson press. =506 0\$aOpen Access$fUnrestricted online access$2star =520 \\$aIn the digital media ecology, archives are changing. Artists, curators, critics and scholars assume the role of accidental archivists. They shape cinema’s futures by salvaging precarious repositories and making them matter in new ways. In the process, the cinema’s public, a democratic body seemingly scattered about platforms and niches in a post-pandemic world, re-emerges as a political force.Accidental Archivism brings together programmatic statements and proposals to explore an artistic space between archiving and activism, a space where remnants of the past become the building blocks of new ways of making, showing, teaching and thinking cinema. =536 \\$aDeutsche Forschungsgemeinschaft$c310565625$eGraduiertenkolleg$fGRK 2279: Konfigurationen des Films =538 \\$aMode of access: World Wide Web. =540 \\$aThe text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website.$uhttps://creativecommons.org/licenses/by-sa/4.0/ =588 0\$aMetadata licensed under CC0 Public Domain Dedication. =653 \\$aactivism =653 \\$apandemic =653 \\$acinema =653 \\$adigitality =653 \\$aarchivism =653 \\$amedia ecology =653 \\$arepositories =700 1\$aSchulte Strathaus, Stefanie,$eeditor. =700 1\$aHediger, Vinzenz,$eeditor.$uGoethe University Frankfurt.$0(orcid)0000000234552423$1https://orcid.org/0000-0002-3455-2423 =700 1\$aAlipanah, Hadi,$eauthor. =700 1\$aBabić, Gaby,$eauthor. =700 1\$aBalatbat-Helbock, Lynhan,$eauthor. =700 1\$aBalsom, Erika,$eauthor.$uKing's College London.$0(orcid)0000000178072010$1https://orcid.org/0000-0001-7807-2010 =700 1\$aBeckmann, Marie Sophie,$eauthor.$uUniversity of Oldenburg. =700 1\$aBernien, Mareike,$eauthor. =700 1\$aBiswas, Amrita,$eauthor.$uGoethe University Frankfurt. =700 1\$aÇakmak, Sema,$eauthor.$uGoethe University Frankfurt. =700 1\$aCampanini, Sonia,$eauthor.$uGoethe University Frankfurt.$0(orcid)0009000324704790$1https://orcid.org/0009-0003-2470-4790 =700 1\$aCarter, Erica,$eauthor.$uKing's College London.$0(orcid)0000000323795777$1https://orcid.org/0000-0003-2379-5777 =700 1\$aÇelikaslan, Özge,$eauthor.$0(orcid)0000000275224813$1https://orcid.org/0000-0002-7522-4813 =700 1\$aCésar, Filipa,$eauthor. =700 1\$aCheeka, Didi,$eauthor. =700 1\$aDavis, Vaginal,$eauthor. =700 1\$aDutta, Madhusree,$eauthor. =700 1\$aEl Said, Tamer,$eauthor. =700 1\$aEscobar López, Almudena,$eauthor.$uToronto Metropolitan University.$0(orcid)0000000318867166$1https://orcid.org/0000-0003-1886-7166 =700 1\$aGlazunova, Mariia,$eauthor. =700 1\$aGregor, Ulrich,$eauthor. =700 1\$aGoncharuk, Olena,$eauthor. =700 1\$aGramann, Karola,$eauthor. =700 1\$aHariharan, Veena,$eauthor.$uGoethe University Frankfurt. =700 1\$aHassan, Mohammad Shawky,$eauthor. =700 1\$aHeredia, Shai,$eauthor. =700 1\$aHering, Tobias,$eauthor. =700 1\$aIngravalle, Grazia,$eauthor.$uQueen Mary, University of London. =700 1\$aKaushik, Ritika,$eauthor.$uGoethe University Frankfurt. =700 1\$aKeidl, Philipp Dominik,$eauthor.$uUtrecht University. =700 1\$aPratiwi, Julita,$eauthor. =700 1\$aRahman, Lisabona,$eauthor. =700 1\$aKhitsinska, Ivanna,$eauthor. =700 1\$aKim, Hieyoon,$eauthor.$uUniversity of Wisconsin-Madison. =700 1\$aKloeckner, Laura,$eauthor. =700 1\$aKröger, Merle,$eauthor. =700 1\$aMakarevic, Asja,$eauthor.$uGoethe University Frankfurt. =700 1\$aMeyn, Nils,$eauthor.$uGoethe University Frankfurt. =700 1\$aNdaliko Katondolo, Petna,$eauthor. =700 1\$aOhene-Asah, Rebecca,$eauthor.$0(orcid)0009000600154511$1https://orcid.org/0009-0006-0015-4511 =700 1\$aPantenburg, Volker,$eauthor.$uUniversity of Zurich.$0(orcid)0000000243037677$1https://orcid.org/0000-0002-4303-7677 =700 1\$aPerneczky, Nikolaus,$eauthor. =700 1\$aPitassio, Francesco,$eauthor.$uUniversity of Udine. =700 1\$aRuhm, Constanze,$eauthor. =700 1\$aSchlüpmann, Heide,$eauthor. =700 1\$aSchneider, Alexandra,$eauthor.$uJohannes Gutenberg University Mainz. =700 1\$aShambu, Girish,$eauthor.$uCanisius College. =700 1\$aSiegel, Marc,$eauthor.$uJohannes Gutenberg University Mainz.$0(orcid)0000000163269558$1https://orcid.org/0000-0001-6326-9558 =700 1\$aSungu, Can,$eauthor. =700 1\$aThieme, Clarissa,$eauthor. =700 1\$aTurajlić, Mila,$eauthor. =700 1\$aVasudevan, Ravi,$eauthor. =700 1\$aVenturini, Simone,$eauthor.$uUniversity of Udine. =700 1\$aYounis, Ala,$eauthor. =710 2\$ameson press,$epublisher. =830 \0$aConfigurations of Film ;$vvol. 8.$x0000-0009$x0000-0008 =856 40$uhttps://doi.org/10.14619/0535$zConnect to e-book =856 42$uhttps://meson.press/wp-content/uploads/2023/05/mp_Accidental_Archivism_FC.jpg$zConnect to cover image =856 42$uhttps://creativecommons.org/publicdomain/zero/1.0/$zCC0 Metadata License