05218nam 22008292 4500 b194856c-33a3-442d-a913-3ac00088b02e m o d cr n 260403t20232023 ob 000 0 eng d 9783957962201 (Paperback) 9783957962218 (PDF) 10.14619/2201 doi UkCbTOM eng local P87-96 JFD bicssc AK bicssc PSAF bicssc SOC052000 bisacsh DES000000 bisacsh SCI020000 bisacsh JBCT1 thema AK thema PSAF thema Koffi Agbodjinou, Sename, author. Material Trajectories : Designing With Care? / edited by Léa Perraudin, Clemens Winkler, Claudia Mareis, Matthias Held. Lüneburg : meson press, 2023. ©2023 1 online resource (288 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Future Ecologies ; 0000-0001 0000-0000 Available through meson press. Open Access Unrestricted online access star Material Trajectories: Designing With Care? turns towards material-driven design processes with the aim of relocating technoscientific trajectories. Concerned with new forms of caretaking, it combines positions from the extended fields of design research and humanities scholarship including practice-based approaches. The contributions explore current ecological conditions through multiple acts of making-with and seek to complicate questions of sustainability, livability, and cooperation. In reassessing the status quo in design and architecture as material practices, they provide outlines for a nuanced reading of these worldmaking processes and ask what different ways of designing with care and complicity might entail. Deutsche Forschungsgemeinschaft 390648296 Germany's Excellence Strategy Matters of Activity. Image Space Material Swiss National Science Foundation Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. caretaking sustainability ecology architecture design design Perraudin, Léa, editor. Humboldt-Universität zu Berlin. (orcid)0009000309235682 https://orcid.org/0009-0003-0923-5682 Winkler, Clemens, editor. Humboldt-Universität zu Berlin. Mareis, Claudia, editor. Humboldt-Universität zu Berlin. (orcid)0000000256376889 https://orcid.org/0000-0002-5637-6889 Held, Matthias, editor. University of Design Schwäbisch Gmünd. Ahrensfeld, Viola S., author. Bauhaus University, Weimar. Boehnert, Joanna, author. Bath Spa University. (orcid)0000000289900325 https://orcid.org/0000-0002-8990-0325 Bulling, Jessica, author. TU Dresden. Büsse, Michaela, author. TU Dresden. De Visscher, Emile, author. École Normale Supérieure - PSL. Kirschner, Roman, author. Zurich University of the Arts. (orcid)0000000181520910 https://orcid.org/0000-0001-8152-0910 Kretzer, Manuel, author. Anhalt University of Applied Sciences. (orcid)0000000206143374 https://orcid.org/0000-0002-0614-3374 Kundoo, Anupama, author. University of Applied Sciences Potsdam. Müller, Martin, author. Humboldt-Universität zu Berlin. (orcid)0009000477698811 https://orcid.org/0009-0004-7769-8811 Peluso, Fara, author. Schäffner, Wolfgang, author. Humboldt-Universität zu Berlin. (orcid)0000000168633689 https://orcid.org/0000-0001-6863-3689 Schmidt, Lea, author. Lucerne University of Applied Sciences and Arts. Schneider, Maxie, author. Humboldt-Universität zu Berlin. (orcid)0000000182606214 https://orcid.org/0000-0001-8260-6214 Tikka, Emilia, author. Aalto University. (orcid)0009000046127128 https://orcid.org/0009-0000-4612-7128 Fransén Waldhör, Ebba, author. Wenig, Charlett, author. Max Planck Institute of Colloids and Interfaces. (orcid)0000000302457541 https://orcid.org/0000-0003-0245-7541 Witzgall, Susanne, author. Academy of Fine Arts Munich. meson press, publisher. Future Ecologies ; 0000-0001 0000-0000 https://doi.org/10.14619/2201 Connect to e-book https://meson.press/wp-content/uploads/2023/12/Material-Trajectories-Cover.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02715nam 22005892 4500 ce4bfb3b-6f5b-4d37-8d85-9ca20c35d279 m o d cr n 260403t20212021 ob 000 0 eng d 9783957960283 (PDF) 10.14619/028-3 doi UkCbTOM eng local P87-96 HD28-9999 HD28-70 JFD bicssc JHBL bicssc KJ bicssc SOC052000 bisacsh BUS041000 bisacsh JBCT1 thema JHBL thema KJ thema Andrijasevic, Rutvica, author. University of Bristol. Media and Management / Rutvica Andrijasevic, Julie Yujie Chen, Melissa Gregg, Marc Steinberg. Lüneburg : meson press, 2021. ©2021 1 online resource (124 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier In Search of Media ; 0000-0007 0000-0006 Available through meson press. Open Access Unrestricted online access star Management is enabled by media, just as media give life to management. Studying the management innovations learned through media uncovers the evolving relationship between workers and employers. With a view to history, Media and Management shows the interdependence of hardware, software, and human experience adjusting to algorithmically defined rhythms. Simon Fraser University Canada 150 Research Chairs Program Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-nc/4.0/ Metadata licensed under CC0 Public Domain Dedication. Management Arbeit Digitalisierung Logistik Medien Chen, Julie Yujie, author. University of Toronto. Gregg, Melissa, author. Intel (United States). Steinberg, Marc, author. Concordia University. meson press, publisher. In Search of Media ; 0000-0007 0000-0006 https://doi.org/10.14619/028-3 Connect to e-book https://meson.press/wp-content/uploads/2021/10/978-3-95796-028-3_FC.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03669nam 22006612 4500 9d3b1a51-b2d0-44df-a037-f1e219d0e436 m o d cr n 260403t20232023 ob 000 0 ger d 9783957962126 (Paperback) 9783957962133 (PDF) 10.14619/2126 doi UkCbTOM eng local P87-96 JFD bicssc JH bicssc JNF bicssc SOC052000 bisacsh SOC002000 bisacsh JBCT1 thema JH thema JNF thema KJMV22 thema YXP thema Hörl, Erich, author. Mediale Teilhabe : Partizipation zwischen Anspruch und Inanspruchnahme / edited by Beate Ochsner. Lüneburg : meson press, 2023. ©2023 1 online resource (274 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star Gesellschaftliche, politische und wissenschaftliche Forderungen nach mehr Beteiligung, Zugang und Mitwirkung sind ebenso allgegenwärtig wie spannungsgeladen und durchzogen von Ambivalenzen. Mediale Teilhabe fragt nach den medialen Ermöglichungs- und Austauschprozessen, als deren Effekt Teilhabe/Nicht-Teilhabe entsteht. Entlang der Modalitäten Verschalten, Temporalisieren und Teilhabende Kritik entwickeln die Beiträge einen differenzierten Blick auf Teilhabe im Spannungsfeld von Anspruch und Inanspruchnahme. Deutsche Forschungsgemeinschaft 272138722 Mediale Teilhabe: Partizipation zwischen Anspruch und Inanspruchnahme Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Ochsner, Beate, editor. University of Konstanz. (orcid)0000000260419968 https://orcid.org/0000-0002-6041-9968 Stürmer, Milan, author. (orcid)0000000337919240 https://orcid.org/0000-0003-3791-9240 Spöhrer, Markus, author. Stock, Robert, author. (orcid)0000000222560928 https://orcid.org/0000-0002-2256-0928 Otto, Isabell, author. Stäheli, Urs, author. Ganzert, Anne, author. (orcid)0000000316918898 https://orcid.org/0000-0003-1691-8898 Denecke, Mathias, author. (orcid)0000000289550222 https://orcid.org/0000-0002-8955-0222 Drusell, Matthias, author. Bippus, Elke, author. (orcid)0000000163330400 https://orcid.org/0000-0001-6333-0400 Brunner, Christoph, author. (orcid)000000032392783X https://orcid.org/0000-0003-2392-783X Nigro, Roberto, author. Schreiber, Michel, author. wessalowski, nate, author. Lang, Ruth, author. (orcid)0000000163963080 https://orcid.org/0000-0001-6396-3080 meson press, publisher. https://doi.org/10.14619/2126 Connect to e-book https://meson.press/wp-content/uploads/2023/08/cover_ochsner_mediale_teilhabe.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03221nam 22006252 4500 adb9c4b8-831c-45a3-b547-a1ae8702bdcc m o d cr n 260403t20172017 ob 000 0 ger d 9783957961150 (Paperback) 9783957961167 (PDF) 9783957961174 (Epub) 10.14619/1150 doi UkCbTOM eng local P87-96 JFDT bicssc KNT bicssc SOC052000 bisacsh BUS0700060 bisacsh JBCT1 thema JBCT2 thema KNT thema Mangold, Jana, author. (orcid)0000000218237511 https://orcid.org/0000-0002-1823-7511 Medien verstehen : Marshall McLuhans Understanding Media / edited by Till A. Heilmann, Jens Schröter. Lüneburg : meson press, 2017. ©2017 1 online resource (202 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star Medien in ihrer historischen und technischen Vielfalt zu verstehen, das war das Versprechen, das Marshall McLuhan vor über fünfzig Jahren mit Understanding Media gegeben hatte. Unsere digital veränderte Gegenwart erfordert, das Buch heute erneut zu lesen und vor dem Hintergrund aktueller technischer Entwicklungen zu hinterfragen. Gegenstand des Sammelbandes sind u. a. McLuhans Idee von Medien als „Umwelten“, seine eigenwillige Sprache und Argumentation sowie seine Annahme der technischen Verfasstheit von Wahrnehmung. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Medien Fernsehen Kommunikation Interface McLuhan Computer Heilmann, Till, editor. University of Bonn. Schröter, Jens, editor. University of Bonn. Sprenger, Florian, author. (orcid)0000000252258711 https://orcid.org/0000-0002-5225-8711 Schabacher, Gabriele, author. Löffler, Petra, author. Leeker, Martina, author. Angerer, Marie-Luise, author. (orcid)0000000329439394 https://orcid.org/0000-0003-2943-9394 Leschke, Rainer, author. (orcid)0000000192227613 https://orcid.org/0000-0001-9222-7613 Engell, Lorenz, author. meson press, publisher. https://doi.org/10.14619/1150 Connect to e-book https://meson.press/wp-content/uploads/2017/09/978-3-95796-115-0_Medien-verstehen_Cover_small-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02791nam 22005652 4500 2760f92c-ce83-46fa-8a4f-aebb161c564d m o d cr n 260403t20192019 ob 000 0 eng d 9783957960047 (PDF) 10.14619/0047 doi UkCbTOM eng local PN1993-1994 TR845-899.5 APFX bicssc APFA bicssc JFD bicssc PER004010 bisacsh PER004030 bisacsh SOC052000 bisacsh ATFX thema ATFA thema JBCT1 thema Turquety, Benoît, author. University of Lausanne. Medium, Format, Configuration : The Displacements of Film / Benoît Turquety. Lüneburg : meson press, 2019. ©2019 1 online resource (54 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Configurations of Film ; 0000-0009 0000-0008 Available through meson press. Open Access Unrestricted online access star In contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of images and sounds. Formats, institutionalized as standards, frame the “technical networks” defined by Gilbert Simondon, that unfold technical objects into economically and politically structured webs that cover the world. Media are always formatted and, as such, do not flow: they are displaced. Deutsche Forschungsgemeinschaft 310565625 Graduiertenkolleg GRK 2279: Konfigurationen des Films Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Media Networks Digital Cinema Format Gilbert Simondon Technology meson press, publisher. Configurations of Film ; 0000-0009 0000-0008 https://doi.org/10.14619/0047 Connect to e-book https://meson.press/wp-content/uploads/2019/11/CoF2-Turquety-Cover_web.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03122nam 22004212 4500 fe62ff9c-1613-4e23-b522-2697d207bc20 m o d cr n 260403t20242024 ob 000 0 eng d 9783957960832 (PDF) 10.14619/0832 doi UkCbTOM eng local P87-96 SOC052000 bisacsh JBCT1 thema Singh Dhaliwal, Ranjodh, author. University of Notre Dame. (orcid)0000000298260614 https://orcid.org/0000-0002-9826-0614 Neural Networks / Ranjodh Singh Dhaliwal, Théo Lepage-Richer, Lucy Suchman. Lüneburg : meson press, 2024. ©2024 1 online resource (122 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier In Search of Media ; 0000-0007 0000-0006 Available through meson press. Open Access Unrestricted online access star Neural Networks proposes to reconstruct situated practices, social histories, mediating techniques, and ontological assumptions that inform the computational project of the same name. If so-called machine learning comprises a statistical approach to pattern extraction, then neural networks can be defined as a biologically inspired model that relies on probabilistically weighted neuron-like units to identify such patterns. Far from signaling the ultimate convergence of human and machine intelligence, however, neural networks highlight the technologization of neurophysiology that characterizes virtually all strands of neuroscientific and AI research of the past century. Taking this traffic as its starting point, this volume explores how cognition came to be constructed as essentially computational in nature, to the point of underwriting a technologized view of human biology, psychology, and sociability, and how countermovements provide resources for thinking otherwise. Simon Fraser University Canada 150 Research Chairs Program Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-nc/4.0/ Metadata licensed under CC0 Public Domain Dedication. Lepage-Richer, Théo, author. University of Toronto. (orcid)0000000224648536 https://orcid.org/0000-0002-2464-8536 Suchman, Lucy, author. Lancaster University. (orcid)0000000197524684 https://orcid.org/0000-0001-9752-4684 meson press, publisher. In Search of Media ; 0000-0007 0000-0006 https://doi.org/10.14619/0832 Connect to e-book https://meson.press/wp-content/uploads/2024/05/978-3-95796-083-2-Neural-Networks-300dpi.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02596nam 22004932 4500 33e93b1b-167d-4ca8-ae6c-1e57c9d7bb4b m o d cr n 260403t20222022 ob 000 0 eng d 9783957962041 (Paperback) 9783957962058 (PDF) 10.14619/2041 doi UkCbTOM eng local P87-96 JBCT1 thema JM thema TB thema UKL thema Angerer, Marie-Luise, author. (orcid)0000000329439394 https://orcid.org/0000-0003-2943-9394 Nonconscious : On the Affective Synching of Mind and Machine / Marie-Luise Angerer. Lüneburg : meson press, 2022. ©2022 1 online resource (87 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star Growing numbers of nonhuman companions (smart objects, technical environments, sensor technologies used to augment the human body) are creating affective synching between human and nonhuman agency. Unlike the unconscious of psychoanalysis, this book argues, the resulting nonconscious is no longer coupled to a subject grounded in language, instead acting as an affective link between technical, mental, and physical processes. But how is this nonconscious to be understood? Is it something additional, a new zone intervening between the unconscious and consciousness? Or does it fundamentally call into question the distinction between the two? Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. affect technical environments smart objects sensors body human agency nonhuman agency psychoanalysis meson press, publisher. https://doi.org/10.14619/2041 Connect to e-book https://meson.press/wp-content/uploads/2022/09/9783957962041_FC.png Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03334nam 22005892 4500 d14f250a-75d7-4b5f-af55-602e3c9a593d m o d cr n 260403t20182018 ob 000 0 eng d 9783957961259 (Paperback) 9783957961266 (PDF) 10.14619/1259 doi UkCbTOM eng local P87-96 JFD bicssc SOC052000 bisacsh JBCT1 thema ATN thema Beyes, Timon, author. Leuphana University of Lüneburg. Non-Knowledge and Digital Cultures / edited by Andreas Bernard, Matthias Koch, Martina Leeker. Lüneburg : meson press, 2018. ©2018 1 online resource (160 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Digital Cultures ; 0000-0005 0000-0004 Available through meson press. Open Access Unrestricted online access star Making available massive amounts of data that are generated, distributed, and modeled, digital media provide us with the possibility of abundant information and knowledge. This possibility has been attracting various scenarios in which technology either eliminates non-knowledge or plants it deep within contemporary cultures through the universal power and opacity of algorithms. This volume comprises contributions from media studies, literary studies, sociology, ethnography, anthropology, and philosophy to discuss non-knowledge as an important concept for understanding contemporary digital cultures. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Algorithms Data Digital Culture Information Knowledge Non-Knowledge Bernard, Andreas, editor. Leuphana University of Lüneburg. Koch, Matthias, editor. Leuphana University of Lüneburg. Leeker, Martina, editor. Leuphana University of Lüneburg. Bialski, Paula, author. Leuphana University of Lüneburg. (orcid)0000000182966041 https://orcid.org/0000-0001-8296-6041 Monnin, Alexandre, author. ESC Clermont Business School. (orcid)0000000270521974 https://orcid.org/0000-0002-7052-1974 Moser, Jeannie, author. Technische Universität Berlin. Pias, Claus, author. Leuphana University of Lüneburg. Wulf, Christoph, author. Freie Universität Berlin. meson press, publisher. Digital Cultures ; 0000-0005 0000-0004 https://doi.org/10.14619/1259 Connect to e-book https://meson.press/wp-content/uploads/2018/04/9783957961259_cover_small-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03387nam 22006732 4500 7a9354c9-449a-4a2d-954b-b44969aa12e0 m o d cr n 260403t20182018 ob 000 0 ger d 9783957961204 (Paperback) 9783957961211 (PDF) 10.14619/1204 doi UkCbTOM eng local P87-96 JFD bicssc GPFC bicssc PSAF bicssc RNPG bicssc UYM bicssc SOC052000 bisacsh COM017000 bisacsh SCI020000 bisacsh JBCT1 thema GPFC thema GTB thema PSAF thema RNPG thema UYM thema Friedrich, Alexander, author. Ökologien der Erde : Zur Wissensgeschichte und Aktualität der Gaia-Hypothese / Alexander Friedrich, Petra Löffler, Niklas Schrape, Florian Sprenger. Lüneburg : meson press, 2018. ©2018 1 online resource (154 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Digital Cultures ; 0000-0005 0000-0004 Available through meson press. Open Access Unrestricted online access star Ökologien der Erde bestimmen die Gegenwart. Dabei gewinnt die in den 1970er Jahren von James Lovelock gemeinsam mit Lynn Margulis entwickelte Gaia-Theorie heute neue Erklärungskraft. Wenn Gaia bei Bruno Latour sogar zum allgemeinen Modell der Welterklärung im 21. Jahrhundert wird, gilt es, nach der Plausibilität zu fragen, die die Rede von Gaia aktuell entwickelt. Die vier Beiträge des Bandes geben hierauf eine Antwort, indem sie die metaphorologischen und begriffshistorischen Linien der Gaia-Theorie nachzeichnen und ihren Bezug auf zeitgenössische Computersimulationen in den Blick nehmen. So wird der gegenwärtige Ort des Wiederauflebens Gaias deutlich – und damit die Verschränkung von kybernetischen und organizistischen Ökologien mit der Annahme einer Programmierbarkeit von Umgebungen. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Computersimulation Gaia-Hypothese Latour Lovelock Margulis Medienökologie Metapher Ökologie Löffler, Petra, author. Schrape, Niklas, author. Sprenger, Florian, author. (orcid)0000000252258711 https://orcid.org/0000-0002-5225-8711 meson press, publisher. Digital Cultures ; 0000-0005 0000-0004 https://doi.org/10.14619/1204 Connect to e-book https://meson.press/wp-content/uploads/2018/03/9783957961204-Cover_small-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03014nam 22006132 4500 d77159e0-b2c4-49e5-97db-f85a52198b9e m o d cr n 260403t20192019 ob 000 0 eng d 9783957961518 (PDF) 10.14619/1518 doi UkCbTOM eng local P87-96 JFD bicssc JHB bicssc JP bicssc SOC052000 bisacsh SOC026000 bisacsh JBCT1 thema JHB thema JP thema Beyes, Timon, author. Leuphana University of Lüneburg. Organize / Timon Beyes, Lisa Conrad, Reinhold Martin. Lüneburg : meson press, 2019. ©2019 1 online resource (115 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier In Search of Media ; 0000-0007 0000-0006 Available through meson press. Open Access Unrestricted online access star Digital media technologies re-pose the question of organization—and thus of power and domination, control and surveillance, disruption and emancipation. This book interrogates organization as effect and condition of media. How can we understand the recursive relationship between media and organization? How can we think, explore, critique—and perhaps alter—the organizational bodies and scripts that shape contemporary life? Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-nc/4.0/ Metadata licensed under CC0 Public Domain Dedication. Power Domination Organization Emancipation Control Disruption Digital Media Politics Surveillance Conrad, Lisa, author. Leuphana University of Lüneburg. (orcid)0000000199979455 https://orcid.org/0000-0001-9997-9455 Martin, Reinhold, author. Columbia University. Lovink, Geert, afterword by. Institute of Network Cultures. (orcid)0000000235546543 https://orcid.org/0000-0002-3554-6543 Rossiter, Ned, afterword by. Western Sydney University. (orcid)0000000307102109 https://orcid.org/0000-0003-0710-2109 meson press, publisher. In Search of Media ; 0000-0007 0000-0006 https://doi.org/10.14619/1518 Connect to e-book https://meson.press/wp-content/uploads/2019/11/Organize_Cover.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 06748nam 22011532 4500 8710628b-6e37-45b3-ad8d-8918b35030de m o d cr n 260403t20202020 ob 000 0 eng d 9783957960085 (Paperback) 9783957960092 (PDF) 10.14619/0085 doi UkCbTOM eng local P87-96 JFD bicssc APF bicssc SOC052000 bisacsh PER004000 bisacsh PER004140 bisacsh JBCT1 thema ATF thema ATMN thema ATN thema Ackerman, Ada, author. Théorie et Histoire des Arts et des Littératures de la Modernité. Pandemic Media : Preliminary Notes Toward an Inventory / edited by Philipp Dominik Keidl, Laliv Melamed, Vinzenz Hediger, Antonio Somaini. Lüneburg : meson press, 2020. ©2020 1 online resource (380 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Configurations of Film ; 0000-0009 0000-0008 Available through meson press. Open Access Unrestricted online access star With its unprecedented scale and consequences the COVID-19 pandemic has generated a variety of new configurations of media. Responding to demands for information, synchronization, regulation, and containment, these “pandemic media” reorder social interactions, spaces, and temporalities, thus contributing to a reconfiguration of media technologies and the cultures and polities with which they are entangled. Highlighting media’s adaptability, malleability, and scalability under the conditions of a pandemic, the contributions to this volume track and analyze how media emerge, operate, and change in response to the global crisis and provide elements toward an understanding of the post-pandemic world to come. Deutsche Forschungsgemeinschaft 310565625 Graduiertenkolleg GRK 2279: Konfigurationen des Films Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Coronavirus Media Scale Technologies Materialities Time Digitalization Activism Space Sociability Instruction COVID-19 Pandemic Temporality Education Keidl, Philipp Dominik, editor. Goethe University Frankfurt. Melamed, Laliv, editor. Goethe University Frankfurt. Hediger, Vinzenz, editor. Goethe University Frankfurt. (orcid)0000000234552423 https://orcid.org/0000-0002-3455-2423 Somaini, Antonio, editor. Sorbonne Nouvelle University. Alexander, Neta, author. Colgate University. Bak, Meredith A., author. Rutgers University. Baronian, Marie-Aude, author. University of Amsterdam. Bergermann, Ulrike, author. Braunschweig University of Art. Biswas, Amrita, author. Goethe University Frankfurt. Castro, Teresa, author. Sorbonne Nouvelle University. (orcid)0000000202207529 https://orcid.org/0000-0002-0220-7529 Cheeka, Didi, author. Cho, Michelle, author. University of Toronto. Denson, Shane, author. Stanford University. da Silva Machado, Guilherme, author. Sorbonne Nouvelle University. de Valck, Marijke, author. Utrecht University. Dogruel, Kerim, author. Goethe University Frankfurt. Duguay, Stefanie, author. Concordia University. (orcid)0000000297960619 https://orcid.org/0000-0002-9796-0619 Dyer, Kester, author. Carleton University. Engemann, Christoph, author. Bauhaus University, Weimar. Fleck, Karin, author. Goethe University Frankfurt. Ghosh, Bishnupriya, author. University of California, Santa Barbara. Gräfe, Sophia, author. Philipps University of Marburg. Hagener, Malte, author. Philipps University of Marburg. (orcid)0000000346645536 https://orcid.org/0000-0003-4664-5536 Hoof, Florian, author. Leuphana University of Lüneburg. Jancovic, Marek, author. VU Amsterdam. Leroy, Alice, author. Université Gustave Eiffel. Llamas-Rodriguez, Juan, author. The University of Texas at Dallas. (orcid)0000000251959217 https://orcid.org/0000-0002-5195-9217 Mowitt, John, author. University of Leeds. Neves, Joshua, author. Concordia University. Schneider, Alexandra, author. Johannes Gutenberg University Mainz. Schultz-Figueroa, Benjamín, author. Seattle University. (orcid)0000000211276040 https://orcid.org/0000-0002-1127-6040 Semerene, Diego, author. Oxford Brookes University. (orcid)0000000331132359 https://orcid.org/0000-0003-3113-2359 Simon, Felix M., author. Oxford Internet Institute. (orcid)0000000203714653 https://orcid.org/0000-0002-0371-4653 Steinberg, Marc, author. Concordia University. Strauven, Wanda, author. Goethe University Frankfurt. Verheul, Jaap, author. King's College London. Waysdorf, Abby S., author. Utrecht University. (orcid)0000000307984797 https://orcid.org/0000-0003-0798-4797 Williams, Rebecca, author. University of South Wales. (orcid)0000000158968995 https://orcid.org/0000-0001-5896-8995 Zilch, Leonie, author. Johannes Gutenberg University Mainz. Zimmermann, Yvonne, author. Philipps University of Marburg. meson press, publisher. Configurations of Film ; 0000-0009 0000-0008 https://doi.org/10.14619/0085 Connect to e-book https://meson.press/wp-content/uploads/2020/10/Pandemic_Media_Cover.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02813nam 22005532 4500 bbb6aad2-8809-47e9-8f14-b6f28990ef70 m o d cr n 260403t20182018 ob 000 0 eng d 9783957961457 (PDF) 10.14619/1457 doi UkCbTOM eng local P87-96 JFD bicssc UMB bicssc UYQ bicssc SOC052000 bisacsh COM051300 bisacsh COM004000 bisacsh JBCT1 thema UMB thema UYQ thema UYQ thema Apprich, Clemens, author. Leuphana University of Lüneburg. (orcid)0000000276193801 https://orcid.org/0000-0002-7619-3801 Pattern Discrimination / Clemens Apprich, Florian Cramer, Wendy Hui Kyong Chun, Hito Steyerl. Lüneburg : meson press, 2018. ©2018 1 online resource (124 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier In Search of Media ; 0000-0007 0000-0006 Available through meson press. Open Access Unrestricted online access star Algorithmic identity politics reinstate old forms of social segregation—in a digital world, identity politics is pattern discrimination. It is by recognizing patterns in input data that Artificial Intelligence algorithms create bias and practice racial exclusions thereby inscribing power relations into media. How can we filter information out of data without reinserting racist, sexist, and classist beliefs? Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-nc/4.0/ Metadata licensed under CC0 Public Domain Dedication. Media Studies Artificial Intelligence Critical Algorithms Studies Cramer, Florian, author. Willem de Kooning Academy in Rotterdam. Chun, Wendy Hui Kyong, author. Simon Fraser University. Steyerl, Hito, author. Berlin University of the Arts. meson press, publisher. In Search of Media ; 0000-0007 0000-0006 https://doi.org/10.14619/1457 Connect to e-book https://meson.press/wp-content/uploads/2018/11/Pattern_Discrimination_Cover-small-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 04605nam 22007692 4500 1f7dde18-d15f-49ae-ade6-bd1b72251f18 m o d cr n 260403t20252025 ob 000 0 eng d 9783957960733 (Paperback) 9783957960740 (PDF) 10.14619/0733 doi UkCbTOM eng local P87-96 SOC052000 bisacsh BUS070060 bisacsh PER004000 bisacsh JBCT1 thema KNT thema ATF thema Basu, Sudipto, author. Concordia University. (orcid)0009000619032418 https://orcid.org/0009-0006-1903-2418 Platforms and the Moving Image / edited by Jana Zündel, Philipp Dominik Keidl. Lüneburg : meson press, 2025. ©2025 1 online resource (356 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Configurations of Film ; 0000-0009 0000-0008 Available through meson press. Open Access Unrestricted online access star Platforms and the Moving Image offers a multifaceted look at how digital platforms shape and are shaped by economic, cultural, and political forces. The collection examines the effects of gaming, social media, streaming and videosharing platforms on the production, circulation, and consumption of moving images. Through diverse methodologies—archival research, social media ethnography, and textual analysis—the essays investigate the global movements of film and video formats, the platformization of cultural industries, and the evolving nature of media consumption. The volume emphasizes the importance of considering digital labor, media infrastructures, and user practices in understanding platforms’ role in contemporary society. Deutsche Forschungsgemeinschaft 310565625 Graduiertenkolleg GRK 2279: Konfigurationen des Films Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. platforms moving images gaming social media streaming digital labor media infrastructures user practices Zündel, Jana, editor. Goethe University Frankfurt. (orcid)0000000295411691 https://orcid.org/0000-0002-9541-1691 Keidl, Philipp Dominik, editor. Utrecht University. Bell, Anna, author. Biswas, Amrita, author. Goethe University Frankfurt. Crawford, Colin, author. Concordia University. (orcid)0000000276406838 https://orcid.org/0000-0002-7640-6838 Hediger, Vinzenz, author. Goethe University Frankfurt. (orcid)0000000234552423 https://orcid.org/0000-0002-3455-2423 Holt, Becky, author. Concordia University. (orcid)0009000355265292 https://orcid.org/0009-0003-5526-5292 Kumar, Sneha, author. Concordia University. Campregher Paiva, Isadora, author. University of Amsterdam. (orcid)0009000568248138 https://orcid.org/0009-0005-6824-8138 Pitre, Jake, author. Concordia University. (orcid)0000000172427255 https://orcid.org/0000-0001-7242-7255 Podlesnigg, Clara, author. Goethe University Frankfurt. Schneider, Alexandra, author. Johannes Gutenberg University Mainz. Steinberg, Marc, foreword by. Concordia University. Tiwary, Ishita, afterword by. Thompson, Sam, author. Concordia University. Tuna, Zeynep, author. Wasson, Haidee, author. Concordia University. Zimmermann, Yvonne, author. Philipps University of Marburg. meson press, publisher. Configurations of Film ; 0000-0009 0000-0008 https://doi.org/10.14619/0733 Connect to e-book https://meson.press/wp-content/uploads/2024/09/Platforms_and_the_Moving_Imge_Cover_s-1.png Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03864nam 22007212 4500 502660b2-9bc2-42de-8052-84496cfeb413 m o d cr n 260403t20152015 ob 000 0 ger d 9783957960351 (Paperback) 9783957960368 (PDF) 9783957960375 (Epub) 10.14619/004 doi UkCbTOM eng local P87-96 T58.5-58.64 JFD bicssc UBW bicssc UTN bicssc UTP bicssc SOC052000 bisacsh COM060000 bisacsh COM043040 bisacsh JBCT1 thema UBW thema UTN thema UTP thema Sprenger, Florian, author. (orcid)0000000252258711 https://orcid.org/0000-0002-5225-8711 Politik der Mikroentscheidungen : Edward Snowden, Netzneutralität und die Architekturen des Internets / Florian Sprenger. Lüneburg : meson press, 2015. ©2015 1 online resource (130 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Digital Cultures ; 0000-0005 0000-0004 Available through meson press. Open Access Unrestricted online access star Ob beim Aufrufen einer Webseite, beim Versenden einer E-Mail oder beim Hochfrequenzhandel an der Börse: Auf ihrem Weg durch die Weiten digitaler Netze durchqueren Bits zahlreiche Knoten, an denen eine Reihe von Mikroentscheidungen getroffen werden. Diese Entscheidungen betreffen den besten Pfad zum Ziel, die Verarbeitungsgeschwindigkeit oder die Priorität zwischen den ankommenden Paketen.In ihrer vielschichtigen Gestalt bilden solche Mikroentscheidungen eine bislang nur marginal beachtete Dimension von Kontrolle und Überwachung im 21. Jahrhundert. Sie sind sowohl die kleinste Einheit als auch die technische Voraussetzung einer gegenwärtigen Politik digitaler Netzwerke – und des Widerstands gegen sie. Die aktuellen Debatten um Netzneutralität und Edward Snowdens Enthüllung der NSA-Überwachung bilden dabei lediglich die Spitze des Eisbergs. Auf dem Spiel steht nicht weniger als die Zukunft des Internets, wie wir es kennen. European Union European Regional Development Fund Innovationsinkubator Niedersächsisches Ministerium für Wissenschaft und Kultur Niedersächsisches Vorab Volkswagen Foundation Niedersächsisches Vorab Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Infrastruktur Internetarchitektur Materialität Politik Medienwissenschaft Edward Snowden Paul Baran Überwachung Macht Netzneutralität Netzwerke Mikroentscheidungen Kelty, Christopher, foreword by. (orcid)0000000302535554 https://orcid.org/0000-0003-0253-5554 meson press, publisher. Digital Cultures ; 0000-0005 0000-0004 https://doi.org/10.14619/004 Connect to e-book http://meson.press/wp-content/uploads/2015/04/Sprenger-Politik-der-Mikroentscheidungen_small-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03474nam 22007812 4500 1760edb5-e2a6-458f-b1a9-5f80349d11db m o d cr n 260403t20232023 ob 000 0 eng d 9783957960436 (Paperback) 9783957960443 (PDF) 10.14619/0436 doi UkCbTOM eng local P87-96 JFD bicssc AFKV bicssc APF bicssc TJFM1 bicssc UDBS bicssc UYQ bicssc UYV bicssc SOC052000 bisacsh ART057000 bisacsh COM004000 bisacsh JBCT1 thema AFKV thema ATF thema ATN thema KCVM thema TJFM1 thema UDBS thema UKL thema UYQ thema UYV thema Denson, Shane, author. Stanford University. Post-Cinematic Bodies / Shane Denson. Lüneburg : meson press, 2023. ©2023 1 online resource (248 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Configurations of Film ; 0000-0009 0000-0008 Available through meson press. Open Access Unrestricted online access star How is human embodiment transformed in an age of algorithms? How do post-cinematic media technologies such as AI, VR, and robotics target and re-shape our bodies? Post-Cinematic Bodies grapples with these questions by attending both to mundane devices—such as smartphones, networked exercise machines, and smart watches and other wearables equipped with heartrate sensors—as well as to new media artworks that rework such equipment to reveal to us the ways that our fleshly existences are increasingly up for grabs. Through an equally philosophical and interpretive analysis, the book aims to develop a new aesthetics of embodied experience that is attuned to a new age of predictive technology and metabolic capitalism. Deutsche Forschungsgemeinschaft 310565625 Graduiertenkolleg GRK 2279: Konfigurationen des Films Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. predictive technology aesthetics Artificial Intelligence new media artworks Virtual Reality embodiment wearables post-cinematic algorithms media technologies capitalism robotics bodies meson press, publisher. Configurations of Film ; 0000-0009 0000-0008 https://doi.org/10.14619/0436 Connect to e-book https://meson.press/wp-content/uploads/2023/02/Denson_Post-Cinematic_Bodies_FC.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 04173nam 22007212 4500 1321e6df-fcb0-44ab-a874-071781ae9681 m o d cr n 260403t20152015 ob 000 0 eng d 9783957960306 (Paperback) 9783957960313 (PDF) 9783957960320 (Epub) 10.14619/002 doi UkCbTOM eng local NX1-820 UD bicssc HP bicssc UT bicssc PHI000000 bisacsh COM043000 bisacsh UD thema QD thema UT thema Boissier, Jean-Louis, author. Paris 8 University. 30 Years After Les Immatériaux : Art, Science and Theory / edited by Andreas Broeckmann, Yuk Hui. Lüneburg : meson press, 2015. ©2015 1 online resource (276 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star In 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condition. This book features a previously unpublished report by Jean-François Lyotard on the conception of Les Immatériaux and its relation to postmodernity. Reviewing the historical significance of the exhibition, his text is accompanied by twelve contemporary meditations. The philosophers, art historians, and artists analyse this important moment in the history of media and theory, and reflect on the new material conditions brought about by digital technologies in the last 30 years. European Union European Regional Development Fund Innovation Incubator Lüneburg Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. art Jean-François Lyotard reorientation digital technologies philosophy anamnesis postmodernity materiality science Broeckmann, Andreas, editor. Leuphana University of Lüneburg. (orcid)0000000163229062 https://orcid.org/0000-0001-6322-9062 Hui, Yuk, editor. Leuphana University of Lüneburg. (orcid)0000000232429819 https://orcid.org/0000-0002-3242-9819 Birnbaum, Daniel, author. Moderna Museet Stockholm. Dufrêne, Thierry, author. Université Paris Nanterre. Gallo, Francesca, author. Sapienza University of Rome. Gere, Charlie, author. Lancaster University. (orcid)0000000223967914 https://orcid.org/0000-0002-2396-7914 Hudek, Antony, author. Objectif Exhibitions. Lyotard, Jean-François, author. Paris 8 University. Mackay, Robin, author. Goldsmiths University of London. Sejten, Anne Elisabeth, author. Roskilde University. (orcid)0000000281888421 https://orcid.org/0000-0002-8188-8421 Stiegler, Bernard, author. Centre Pompidou. Wallenstein, Sven-Olov, author. Södertörn University. meson press, publisher. https://doi.org/10.14619/002 Connect to e-book http://meson.press/wp-content/uploads/2015/03/Cover-Broeckmann-Hui-30-Years_klein-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 06438nam 22012012 4500 f696445f-8a9f-4ab2-95d2-3f222b83b37b m o d cr n 260403t20232023 ob 000 0 eng d 9783957960535 (Paperback) 9783957960542 (PDF) 10.14619/0535 doi UkCbTOM eng local P87-96 PER004030 bisacsh LAN025020 bisacsh SOC052000 bisacsh ATFA thema GLP thema JBCT thema JPW thema Agina, Añulika, author. Pan-Atlantic University. Accidental Archivism : Shaping Cinema’s Futures with Remnants of the Past / edited by Stefanie Schulte Strathaus, Vinzenz Hediger. Lüneburg : meson press, 2023. ©2023 1 online resource (492 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Configurations of Film ; 0000-0009 0000-0008 Available through meson press. Open Access Unrestricted online access star In the digital media ecology, archives are changing. Artists, curators, critics and scholars assume the role of accidental archivists. They shape cinema’s futures by salvaging precarious repositories and making them matter in new ways. In the process, the cinema’s public, a democratic body seemingly scattered about platforms and niches in a post-pandemic world, re-emerges as a political force.Accidental Archivism brings together programmatic statements and proposals to explore an artistic space between archiving and activism, a space where remnants of the past become the building blocks of new ways of making, showing, teaching and thinking cinema. Deutsche Forschungsgemeinschaft 310565625 Graduiertenkolleg GRK 2279: Konfigurationen des Films Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. activism pandemic cinema digitality archivism media ecology repositories Schulte Strathaus, Stefanie, editor. Hediger, Vinzenz, editor. Goethe University Frankfurt. (orcid)0000000234552423 https://orcid.org/0000-0002-3455-2423 Alipanah, Hadi, author. Babić, Gaby, author. Balatbat-Helbock, Lynhan, author. Balsom, Erika, author. King's College London. (orcid)0000000178072010 https://orcid.org/0000-0001-7807-2010 Beckmann, Marie Sophie, author. University of Oldenburg. Bernien, Mareike, author. Biswas, Amrita, author. Goethe University Frankfurt. Çakmak, Sema, author. Goethe University Frankfurt. Campanini, Sonia, author. Goethe University Frankfurt. (orcid)0009000324704790 https://orcid.org/0009-0003-2470-4790 Carter, Erica, author. King's College London. (orcid)0000000323795777 https://orcid.org/0000-0003-2379-5777 Çelikaslan, Özge, author. (orcid)0000000275224813 https://orcid.org/0000-0002-7522-4813 César, Filipa, author. Cheeka, Didi, author. Davis, Vaginal, author. Dutta, Madhusree, author. El Said, Tamer, author. Escobar López, Almudena, author. Toronto Metropolitan University. (orcid)0000000318867166 https://orcid.org/0000-0003-1886-7166 Glazunova, Mariia, author. Gregor, Ulrich, author. Goncharuk, Olena, author. Gramann, Karola, author. Hariharan, Veena, author. Goethe University Frankfurt. Hassan, Mohammad Shawky, author. Heredia, Shai, author. Hering, Tobias, author. Ingravalle, Grazia, author. Queen Mary, University of London. Kaushik, Ritika, author. Goethe University Frankfurt. Keidl, Philipp Dominik, author. Utrecht University. Pratiwi, Julita, author. Rahman, Lisabona, author. Khitsinska, Ivanna, author. Kim, Hieyoon, author. University of Wisconsin-Madison. Kloeckner, Laura, author. Kröger, Merle, author. Makarevic, Asja, author. Goethe University Frankfurt. Meyn, Nils, author. Goethe University Frankfurt. Ndaliko Katondolo, Petna, author. Ohene-Asah, Rebecca, author. (orcid)0009000600154511 https://orcid.org/0009-0006-0015-4511 Pantenburg, Volker, author. University of Zurich. (orcid)0000000243037677 https://orcid.org/0000-0002-4303-7677 Perneczky, Nikolaus, author. Pitassio, Francesco, author. University of Udine. Ruhm, Constanze, author. Schlüpmann, Heide, author. Schneider, Alexandra, author. Johannes Gutenberg University Mainz. Shambu, Girish, author. Canisius College. Siegel, Marc, author. Johannes Gutenberg University Mainz. (orcid)0000000163269558 https://orcid.org/0000-0001-6326-9558 Sungu, Can, author. Thieme, Clarissa, author. Turajlić, Mila, author. Vasudevan, Ravi, author. Venturini, Simone, author. University of Udine. Younis, Ala, author. meson press, publisher. Configurations of Film ; 0000-0009 0000-0008 https://doi.org/10.14619/0535 Connect to e-book https://meson.press/wp-content/uploads/2023/05/mp_Accidental_Archivism_FC.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02742nam 22005412 4500 8b907071-1f79-49b1-98b2-0fed337e063a m o d cr n 260403t20202020 ob 000 0 eng d 9783957961525 (PDF) 10.14619/152-5 doi UkCbTOM eng local P87-96 T58.5-58.64 JFD bicssc UT bicssc UYM bicssc SOC052000 bisacsh COM043000 bisacsh JBCT1 thema UT thema UYM thema Durham Peters, John, author. Yale University. Action at a Distance / John Durham Peters, Florian Sprenger, Christina Vagt. Lüneburg : meson press, 2020. ©2020 1 online resource (94 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier In Search of Media ; 0000-0007 0000-0006 Available through meson press. Open Access Unrestricted online access star The mediality of transmission and the materiality of communication result today more than ever in “acting at a distance” – an action whose agency lies in a medium. This book provides an overview into this crucial phenomenon, thereby introducing urgent questions of human interaction, the binding and breaking of time and space, and the entanglement of the material and the immaterial. Three vivid inquiries deal with histories and theories of mediality and materiality. Simon Fraser University Canada 150 Research Chairs Program Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-nc/4.0/ Metadata licensed under CC0 Public Domain Dedication. Materiality Transmission Mediality Sprenger, Florian, author. Ruhr University Bochum. (orcid)0000000252258711 https://orcid.org/0000-0002-5225-8711 Vagt, Christina, author. University of California. meson press, publisher. In Search of Media ; 0000-0007 0000-0006 https://doi.org/10.14619/152-5 Connect to e-book https://meson.press/wp-content/uploads/2020/08/Action-at-a-Distance.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02898nam 22005532 4500 9f3d4c12-64dd-4156-8c8c-ca8faf135ca4 m o d cr n 260403t20212021 ob 000 0 eng d 9783957961808 (Paperback) 9783957961815 (PDF) 10.14619/1808 doi UkCbTOM eng local P87-96 JFD bicssc AFKP bicssc HPN bicssc SOC052000 bisacsh PHI001000 bisacsh JBCT thema ATN thema QDTN thema Förster, Desiree, author. University of Chicago. Aesthetic Experience of Metabolic Processes / Desiree Förster. Lüneburg : meson press, 2021. ©2021 1 online resource (184 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Future Ecologies ; 0000-0001 0000-0000 Available through meson press. Open Access Unrestricted online access star Simultaneously speculative and inspired by everyday experiences, this volume develops an aesthetics of metabolism that offers a new perspective on the human-environment relation, one that is processual, relational, and not dependent on conscious thought. In art installations, design prototypes, and research-creation projects that utilize air, light, or temperature to impact subjective experience the author finds aesthetic milieus that shift our awareness to the role of different sense modalities in aesthetic experience. Metabolic and atmospheric processes allow for an aesthetics besides and beyond the usually dominant visual sense.Aesthetic Experience of Metabolic Processes is part of the series Future Ecologies dedicated to rethink the multiple ecologies that flourish and struggle on Earth and beyond. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Design Aesthetics Metabolism Atmospheres Senses Art Experience meson press, publisher. Future Ecologies ; 0000-0001 0000-0000 https://doi.org/10.14619/1808 Connect to e-book https://meson.press/wp-content/uploads/2021/03/978-3-95796-181-5_Cover.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 04745nam 22008292 4500 64150609-a549-4415-b8c1-814902f463ac m o d cr n 260403t20202020 ob 000 0 eng d 9783957961655 (Paperback) 9783957961662 (PDF) 10.14619/1655 doi UkCbTOM eng local P87-96 BF511-593 JFD bicssc JMQ bicssc JPA bicssc JPHV bicssc PDR bicssc HP bicssc SOC052000 bisacsh PSY013000 bisacsh POL010000 bisacsh JBCT1 thema JMQ thema JPA thema JPHV thema PDR thema QD thema Angerer, Marie-Luise, author. University of Potsdam. (orcid)0000000329439394 https://orcid.org/0000-0003-2943-9394 Affective Transformations : Politics – Algorithms – Media / edited by Bernd Bösel, Serjoscha Wiemer. Lüneburg : meson press, 2020. ©2020 1 online resource (243 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star The Affective Turn has lost its former innocence and euphoria. Affect Studies and its adjacent disciplines have now to prove that they can cope with the return of the affective real that technology, economy, and politics entail.Two seemingly contradictory developments serve as starting points for this volume. First, technological innovations such as affective computing, mood tracking, sentiment analysis, and social robotics all share a focus on the recognition and modulation of human affectivity. Affect gets measured, calculated, controlled. Secondly, recent developments in politics, social media usage, and right-wing journalism have contributed to a conspicuous rise of hate speech, cybermobbing, public shaming, “felt truths,” and resentful populisms. In a very specific way, politics as well as power have become affective.Affect gets mobilized, fomented, unleashed. When the ways we deal with our affectivity get unsettled in such a dramatic fashion, we have to rethink our ethical, aesthetical, political as well as legal regimes of affect organization. Deutsche Forschungsgemeinschaft Affect- und Psychotechnology Studies Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Algorithmen Psychologie Medien Politik Ästhetik Demokratie Social Media Affekt Emotion Populismus Bösel, Bernd, editor. University of Potsdam. Wiemer, Serjoscha, editor. Paderborn University. Cassou-Noguès, Pierre, author. Paris 8 University. (orcid)0000000167764089 https://orcid.org/0000-0001-6776-4089 Clam, Jean, author. Centre National de la Recherche Scientifique. Fuchs, Mathias, author. Leuphana University of Lüneburg. (orcid)0000000345433478 https://orcid.org/0000-0003-4543-3478 Gramelsberger, Gabriele, author. RWTH Aachen University. Kaldrack, Irina, author. Braunschweig University of Art. Kasprowicz, Dawid, author. RWTH Aachen University. Leistert, Oliver, author. Leuphana University of Lüneburg. (orcid)0000000177788965 https://orcid.org/0000-0001-7778-8965 Ott, Michaela, author. Academy of Fine Arts Hamburg. Rautzenberg, Markus, author. Folkwang University of the Arts. Ross, Andrew, author. Ohio University. Stenner, Paul, author. The Open University. (orcid)0000000345056422 https://orcid.org/0000-0003-4505-6422 meson press, publisher. https://doi.org/10.14619/1655 Connect to e-book https://meson.press/wp-content/uploads/2020/10/Affective_Transformations-Cover_medium.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02401nam 22004932 4500 292d32ae-6768-44e7-ae18-7e6bc48b263f m o d cr n 260403t20172017 ob 000 0 ger d 9783957960900 (Paperback) 9783957960917 (PDF) 10.14619/019 doi UkCbTOM eng local P87-96 JFD bicssc SOC052000 bisacsh JBCT1 thema Angerer, Marie-Luise, author. University of Potsdam. (orcid)0000000329439394 https://orcid.org/0000-0003-2943-9394 Affektökologie : Intensive Milieus und zufällige Begegnungen / Marie-Luise Angerer. Lüneburg : meson press, 2017. ©2017 1 online resource (72 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star Das Denken des Humanen wird in besonderer Weise von den medientechnologischen Verschiebungen des 20. Jahrhunderts berührt. Affekt wird hier zu einem neuen Schwellenbegriff, der den Körper medientechnisch und politisch auf neue Weise anschlussfähig macht. In einer relationalen Neu-Organisation verdichtet sich das organische und technische Leben auf neue, intensive Weise zu einer Ökologie des Affektiven. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Intervall Antagonismus Umwelt Empfinden Dislokation Intensität Milieu Intra-aktion Politische Affizierung meson press, publisher. https://doi.org/10.14619/019 Connect to e-book http://meson.press/wp-content/uploads/2017/04/cover_angerer_de_web-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 04616nam 22008172 4500 a33e74ee-865c-4d16-94af-fbddf977f721 m o d cr n 260403t20232023 ob 000 0 eng d 9783957962102 (Paperback) 9783957962119 (PDF) 10.14619/2102 doi UkCbTOM eng local P87-96 JFD bicssc JFFK bicssc JP bicssc KNT bicssc SOC052000 bisacsh SOC010000 bisacsh BUS070060 bisacsh JBCT1 thema JBCT3 thema JBSF thema JBSF11 thema JP thema KNT thema Burton, Anthony Glyn, author. Simon Fraser University. (orcid)0000000164740313 https://orcid.org/0000-0001-6474-0313 Algorithmic Authenticity : An Overview / Anthony Glyn Burton, Wendy Hui Kyong Chun, Liliana Bounegru, Melody Devries, Amy Harris, hannah holtzclaw, Ioana B. Jucan, Alexandra Juhasz, D.W. Kamish, Ganaele Langlois, Jasmine Proctor, Christine Tomlinson, Roopa Vasudevan, Esther Weltevrede. Lüneburg : meson press, 2023. ©2023 1 online resource (138 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star What makes information feel true or compelling in our contemporary digital societies? This book brings together different disciplinary understandings of “authenticity” in order to find alternative ways to approach mis- and disinformation that go beyond contemporary fact-checking and its search for the “authentic” truth. Patterned under the algorithmic flows of digital capitalism, authenticity itself is subject to variation, iteration, and outside influence. Linking cross-disciplinary research on the history and practices of algorithmic authenticity points to new research questions to understand the impact of algorithmic authenticity on social life and its role in contemporary information disorder. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. information disorder algorithms authentication race digital capitalism fact-checking digital society politics misinformation gender performance relationality truth Chun, Wendy Hui Kyong, author. Simon Fraser University. Bounegru, Liliana, author. King's College London. (orcid)0000000301985158 https://orcid.org/0000-0003-0198-5158 Devries, Melody, author. Toronto Metropolitan University. (orcid)0000000300633134 https://orcid.org/0000-0003-0063-3134 Harris, Amy, author. Simon Fraser University. holtzclaw, hannah, author. Simon Fraser University. Jucan, Ioana B., author. Emerson College. Juhasz, Alexandra, author. Brooklyn College. (orcid)0000000176167323 https://orcid.org/0000-0001-7616-7323 Kamish, D.W., author. Simon Fraser University. (orcid)0000000224696255 https://orcid.org/0000-0002-2469-6255 Langlois, Ganaele, author. York University. Proctor, Jasmine, author. Tomlinson, Christine, author. University of California, Irvine. (orcid)0000000275982913 https://orcid.org/0000-0002-7598-2913 Vasudevan, Roopa, author. (orcid)0000000175970819 https://orcid.org/0000-0001-7597-0819 Weltevrede, Esther, author. University of Amsterdam. (orcid)000000015276297X https://orcid.org/0000-0001-5276-297X meson press, publisher. https://doi.org/10.14619/2102 Connect to e-book https://meson.press/wp-content/uploads/2023/06/Algorithmic_Authenticity_FC.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03906nam 22006972 4500 966892e1-59f8-4658-93ae-3d212a44b21d m o d cr n 260403t20152015 ob 000 0 eng d 9783957960658 (Paperback) 9783957960665 (PDF) 10.14619/014 doi UkCbTOM eng local P87-96 C300-390 UYQ bicssc GPFC bicssc JFD bicssc PSAN bicssc HP bicssc SOC052000 bisacsh COM017000 bisacsh COM004000 bisacsh UYQ thema GPFC thema JBCT1 thema PSAN thema QD thema Pasquinelli, Matteo, editor, author. Pratt Institute. Alleys of Your Mind : Augmented Intelligence and Its Traumas / edited by Matteo Pasquinelli. Lüneburg : meson press, 2015. ©2015 1 online resource (212 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star What does thinking mean in the age of Artificial Intelligence? How is big-scale computation transforming the way our brains function? This collection discusses these pressing questions by looking beyond instrumental rationality. Exploring recent developments as well as examples from the history of cybernetics, the book uncovers the positive role played by errors and traumas in the construction of our contemporary technological minds. With texts by Benjamin Bratton, Orit Halpern, Adrian Lahoud, Jon Lindblom, Catherine Malabou, Reza Negarestani, Luciana Parisi, Matteo Pasquinelli, Ana Teixeira Pinto, Michael Wheeler, Charles Wolfe, and Ben Woodard. European Union European Regional Development Fund Innovation Incubator Lüneburg Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Artificial Intelligence Extended Mind Speculative Realism Bratton, Benjamin H., author. University of California, San Diego. Halpern, Orit, author. (orcid)0000000180093160 https://orcid.org/0000-0001-8009-3160 Lahoud, Adrian, author. Goldsmiths University of London. Lindblom, Jon, author. Goldsmiths University of London. Malabou, Catherine, author. Kingston University. (orcid)0000000229714707 https://orcid.org/0000-0002-2971-4707 Negarestani, Reza, author. Parisi, Luciana, author. Goldsmiths University of London. Teixeira Pinto, Ana, author. Berlin University of the Arts. Wheeler, Michael, author. University of Stirling. (orcid)0000000336381215 https://orcid.org/0000-0003-3638-1215 Wolfe, Charles, author. Ghent University. (orcid)0000000279569085 https://orcid.org/0000-0002-7956-9085 Woodard, Ben, author. Western University. (orcid)0000000160175193 https://orcid.org/0000-0001-6017-5193 meson press, publisher. https://doi.org/10.14619/014 Connect to e-book http://meson.press/wp-content/uploads/2015/10/Pasquinelli-Cover-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03026nam 22006132 4500 0646db25-6828-4c46-93f6-8ea8524554b9 m o d cr n 260403t20192019 ob 000 0 eng d 9783957961501 (PDF) 10.14619/1501 doi UkCbTOM eng local P87-96 CD921-4280 JFD bicssc GLP bicssc KNTC bicssc KNTP bicssc SOC052000 bisacsh LAN025020 bisacsh JBCT1 thema GLP thema KNTC thema KNTP thema Lison, Andrew, author. University at Buffalo, State University of New York. (orcid)0000000226605249 https://orcid.org/0000-0002-2660-5249 Archives / Andrew Lison, Marcell Mars, Tomislav Medak, Rick Prelinger. Lüneburg : meson press, 2019. ©2019 1 online resource (97 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier In Search of Media ; 0000-0007 0000-0006 Available through meson press. Open Access Unrestricted online access star Archives have become a nexus in the wake of the digital turn. This book sets out to show how expanded archival practices can challenge contemporary conceptions and inform the redistribution of power and resources. Calling for the necessity to reimagine the potentials of archives in practice, the three contributions ask: Can archives fulfill their paradoxical potential as utopian sites in which the analog and the digital, the past and future, and remembrance and forgetting commingle? Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-nc/4.0/ Metadata licensed under CC0 Public Domain Dedication. Digitization Film Preservation Digital Publishing Archives Archiving Digital Memory Digital Media Mars, Marcell, author. Coventry University. Medak, Tomislav, author. Coventry University. (orcid)0000000338440434 https://orcid.org/0000-0003-3844-0434 Prelinger, Rick, author. University of California, Santa Cruz. meson press, publisher. In Search of Media ; 0000-0007 0000-0006 https://doi.org/10.14619/1501 Connect to e-book https://meson.press/wp-content/uploads/2019/07/archives_cover_web-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02408nam 22004692 4500 ced8071c-142a-43c6-b698-d0ad8eb82846 m o d cr n 260403t20192019 ob 000 0 eng d 9783957961600 (Paperback) 9783957961617 (PDF) 10.14619/1600 doi UkCbTOM eng local P87-96 JFD bicssc SOC052000 bisacsh JBCT1 thema GTB thema KCVM thema KNTP thema Walkowski, Niels-Oliver, author. University of Luxembourg. (orcid)0000000330433010 https://orcid.org/0000-0003-3043-3010 Beyond the Flow : Scholarly Publications During and After the Digital / Niels-Oliver Walkowski. Lüneburg : meson press, 2019. ©2019 1 online resource (383 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star In the wake of the so-called digital revolution numerous attempts have been made to rethink and redesign what scholarly publications can or should be. Beyond the Flow examines the technologies as well as narratives driving this unfolding transformation. By unpacking the confusion, heterogeneity and uncertainty that is surrounding scholarly publishing today the book asks for how a sustainable post-digital publishing ecology can be imagined. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Digital Media Digital Publishing Open Access Post-Digital meson press, publisher. https://doi.org/10.14619/1600 Connect to e-book https://meson.press/wp-content/uploads/2019/07/beyond_the_flow_web-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02901nam 22004452 4500 bb92508e-9bb5-4335-a4b2-51e134659967 m o d cr n 260403t20232023 ob 000 0 eng d 9783957960597 (PDF) 10.14619/0597 doi UkCbTOM eng local P87-96 SOC052000 bisacsh JBCT1 thema Beiguelman, Giselle, author. Universidade de São Paulo. (orcid)0000000348125972 https://orcid.org/0000-0003-4812-5972 Boundary Images / Giselle Beiguelman, Melody Devries, Winnie Soon, Magdalena Tyżlik-Carver. Lüneburg : meson press, 2023. ©2023 1 online resource (146 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier In Search of Media ; 0000-0007 0000-0006 Available through meson press. Open Access Unrestricted online access star How are images made, and how should we understand the capacities of digital images? This book investigates images as well as the technologies that host them. Its three chapters discuss the boundaries that images cross and blur between humans, machines, and nature and the ways in which images are political, material, and visual. Exploring these boundaries of images, this book places itself at the limits of the visual and beyond what can be seen, understanding these as starting points for the production of new and radically different ways of knowing about the world and its becomings. Simon Fraser University Canada 150 Research Chairs Program Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-nc/4.0/ Metadata licensed under CC0 Public Domain Dedication. digital images Devries, Melody, author. Toronto Metropolitan University. (orcid)0000000300633134 https://orcid.org/0000-0003-0063-3134 Soon, Winnie, author. University of the Arts London. (orcid)0000000207904737 https://orcid.org/0000-0002-0790-4737 Tyżlik-Carver, Magdalena, author. Aarhus University. (orcid)0000000329030353 https://orcid.org/0000-0003-2903-0353 meson press, publisher. In Search of Media ; 0000-0007 0000-0006 https://doi.org/10.14619/0597 Connect to e-book https://meson.press/wp-content/uploads/2024/01/Boundary_Images_FC.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02750nam 22005652 4500 e77608d1-021d-4dd4-a38c-4ac98cf2d1cf m o d cr n 260403t20252025 ob 000 0 eng d 9783957960887 (Paperback) 9783957960894 (PDF) 10.14619/0887 doi UkCbTOM eng local P87-96 PER004000 bisacsh SOC052000 bisacsh ATF thema JBCT1 thema JN thema Schneider, Alexandra, author. Johannes Gutenberg University Mainz. Children Reinventing Cinema : Snapshots from the Early 21st Century / Alexandra Schneider, Wanda Strauven. Lüneburg : meson press, 2025. ©2025 1 online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier Configurations of Film ; 0000-0009 0000-0008 Available through meson press. Open Access Unrestricted online access star Children today discover a new digital drawing tool, the camera-crayon, at a very young age. They appropriate devices such as compact cameras and mobile phones and make their own media artifacts in their play. Expanding on a media-archaeological approach to film history, this book maps children’s playful and imaginative knowledge of contemporary media culture and explores their filmmaking practices that push the boundaries of forms and formats. Deutsche Forschungsgemeinschaft 310565625 Graduiertenkolleg GRK 2279: Konfigurationen des Films Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. children cinema film camera mobile phone media archaeology media culture formats play Strauven, Wanda, author. Columbia University. meson press, publisher. Configurations of Film ; 0000-0009 0000-0008 https://doi.org/10.14619/0887 Connect to e-book https://meson.press/wp-content/uploads/2025/06/Children_Reinventing_Cinema_FC.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03417nam 22005292 4500 5bbbfd29-5db6-4059-a392-1323bd13cab4 m o d cr n 260403t20152015 ob 000 0 eng d 9783957960450 (Paperback) 9783957960467 (PDF) 9783957960474 (Epub) 10.14619/010 doi UkCbTOM eng local P87-96 JF799-1177 JFD bicssc JPH bicssc SOC052000 bisacsh POL016000 bisacsh JBCT1 thema JPH thema Olsen, Lief Thomas, author. Citizen Lobby : From Capacity to Influence / Leif Thomas Olsen. Lüneburg : meson press, 2015. ©2015 1 online resource (169 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Media, Democracy & Political Process ; 0000-0003 0000-0002 Available through meson press. Open Access Unrestricted online access star The Internet holds endless opportunities for exchange and dialogue and the promise of developing a better democratic model. Day-to-day politics are largely driven by economic lobbies in the interest of what Habermas calls their „generalised particularism,“ the threat to take jobs and tax revenues elsewhere. Citizens’ influence over politicians is twofold: they are asked for their input in elections, referenda, online consultations and surveys, and citizens can initiate issues where they see political action needed. Yet these “participative forces,” including NGOs, street rallies and charities, regularly fail to reach the ears of elected politicians as effectively as those of well-funded corporate lobbies. Also, this type of voluntary engagement often falls short of presenting the kind of reasoned challenges to the incumbents—by the electorate—that Habermas’ communicative action aimed at. A more powerful model would therefore organise the efforts of the electorate in a way that both generates those reasoned arguments, which, as Habermas quite correctly pointed out differ from mere opinions, and delivers them to the elected politicians in a manner they can neither refuse nor ignore. This is what the Citizen Lobby intends to do. European Union European Regional Development Fund Innovation Incubator Lüneburg Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Politics Political System Jürgen Habermas Participation meson press, publisher. Media, Democracy & Political Process ; 0000-0003 0000-0002 https://doi.org/10.14619/010 Connect to e-book http://meson.press/wp-content/uploads/2015/07/Olsen-Cover_small-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03237nam 22004932 4500 473fcddc-23ee-46a4-8ffa-afa5020ac540 m o d cr n 260403t20192019 ob 000 0 eng d 9783957961464 (PDF) 10.14619/1464 doi UkCbTOM eng local P87-96 JFD bicssc UT bicssc SOC052000 bisacsh COM043000 bisacsh JBCT1 thema UT thema Bialski, Paula, author. Leuphana University of Lüneburg. (orcid)0000000182966041 https://orcid.org/0000-0001-8296-6041 Communication / Paula Bialski, Finn Brunton, Mercedes Bunz. Lüneburg : meson press, 2019. ©2019 1 online resource (136 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier In Search of Media ; 0000-0007 0000-0006 Available through meson press. Open Access Unrestricted online access star Contemporary communication puts us not only in conversation with one another but also with our machinery. Machine communication—to communicate not just via but also with machines—is therefore the focus of this volume. Diving into digital communications history, Finn Brunton brings to the fore the alienness of computational communication by looking at network timekeeping, automated trolling, and early attempts at communication with extraterrestrial life. Picking up this fascination with inhuman communication, Mercedes Bunz then performs a close reading of interaction design and interfaces to show how technology addresses humans (as very young children). Finally, Paula Bialski shares her findings from a field study of software development, analyzing the communicative forms that occur when code is written by separate people. Today, communication unfolds merely between two or more conscious entities but often includes an invisible third party. Inspired by this drastic shift, this volume uncovers new meanings of what it means “to communicate.” Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-nc/4.0/ Metadata licensed under CC0 Public Domain Dedication. Communication Digital Media Media Studies Brunton, Finn, author. New York University. Bunz, Mercedes, author. King's College London. (orcid)0000000328760522 https://orcid.org/0000-0003-2876-0522 meson press, publisher. In Search of Media ; 0000-0007 0000-0006 https://doi.org/10.14619/1464 Connect to e-book https://meson.press/wp-content/uploads/2019/01/communication_cover_small-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 04239nam 22007092 4500 714e307f-5d81-44ef-811a-4483dd88b32e m o d cr n 260403t20242024 ob 000 0 eng d 9783957962188 (Paperback) 9783957962195 (PDF) 10.14619/2188 doi UkCbTOM eng local P87-96 HQ1101-2030.7 SF1-1100 Q1-390 BISAC052000 bisacsh SOC010000 bisacsh SCI075000 bisacsh SCI075000 bisacsh JBCT1 thema JBFU thema JBSF11 thema PDR thema Agostinho, Daniela, author. Aarhus University. (orcid)0000000211055977 https://orcid.org/0000-0002-1105-5977 Containment : Technologies of Holding, Filtering, Leaking / edited by Marie-Luise Angerer, Ingrid Richardson, Hannah Schmedes, Zoë Sofoulis. Lüneburg : meson press, 2024. ©2024 1 online resource (220 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star Containers are ubiquitous and inescapable. From handbags to houses, barrels to databases, captivating gameworlds to the “bag of stars” that Ursula Le Guin calls the universe, containers furnish infrastructures for living and action while extending our capacities for managing things across space and time. They not only give shape to our lifeworlds: they form and transform our bodies and being.The chapters in Containment: Technologies of Holding, Filtering, Leaking traverse technologies, bodies, ontologies and imaginaries, reflecting on what different container technologies, containment strategies, and container metaphors tell us about ourselves and how we relate to our worlds. With common reference to Zoë Sofia’s (2000) foundational essay on container technologies, contributors draw on media and cultural studies, social history, architecture, and postdualistic approaches in philosophy and social science to explore liminalities of containment both as and beyond holding. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Daten Medien Philosophie Körper Feminismus Container Tierrechte Angerer, Marie-Luise, editor. University of Potsdam. (orcid)0000000329439394 https://orcid.org/0000-0003-2943-9394 Richardson, Ingrid, editor. RMIT University. (orcid)0000000184485778 https://orcid.org/0000-0001-8448-5778 Schmedes, Hannah, editor. Ruhr University Bochum. Sofoulis, Zoë, editor. Frichot, Hélène, author. University of Melbourne. (orcid)0000000217555075 https://orcid.org/0000-0002-1755-5075 Jones, Meredith, author. Brunel University. Otter, Chris, author. Ohio State University. Raven, Paul Graham, author. Runting, Helen, author. Strengers, Yolande, author. Monash University. (orcid)000000025664621X https://orcid.org/0000-0002-5664-621X Bonde Thylstrup, Nanna, author. University of Copenhagen. (orcid)0000000160942970 https://orcid.org/0000-0001-6094-2970 Wadiwel, Dinesh, author. University of Sydney. meson press, publisher. https://doi.org/10.14619/2188 Connect to e-book https://meson.press/wp-content/uploads/2024/06/Containment_FC.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02458nam 22004332 4500 240dac06-209a-44ff-b038-c7b4ac18b927 m o d cr n 260403t20232023 ob 000 0 eng d 9783957960481 (Paperback) 9783957960498 (PDF) 10.14619/0481 doi UkCbTOM eng local P87-96 JFD bicssc SOC052000 bisacsh BUS029000 bisacsh JBCT1 thema ATN thema KCSA thema QDTS1 thema Miyazaki, Shintaro, author. Humboldt-Universität zu Berlin. (orcid)000000027922735X https://orcid.org/0000-0002-7922-735X Counter-Dancing Digitality : On Commoning and Computation / Shintaro Miyazaki. Lüneburg : meson press, 2023. ©2023 1 online resource (101 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star Digitality is imposed upon us! To change this, we should not turn away from it, but look carefully into its transformative power and make operable alternatives such as counter-algorhythms and solidarity-oriented commoning. The aim is a world where profit and property no longer exist, but instead where a cooperative dance – between all the needs posed by our ecosystems, and all the needs of people – becomes practicable. This book is a critical media theory of future-building, modulated by a focus on the potentials of counter-dancing as providing ways to unfold fugitive practices. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. meson press, publisher. https://doi.org/10.14619/0481 Connect to e-book https://meson.press/wp-content/uploads/2023/03/978-3-95796-049-8_Miyazaki_Cover.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03010nam 22005052 4500 7193e5a9-cd34-49e6-8294-987464f8fe9a m o d cr n 260403t20252025 ob 000 0 ger d 9783957962287 (Paperback) 9783957962294 (PDF) 10.14619/2287 doi UkCbTOM eng local SOC052000 bisacsh COM004000 bisacsh PSY013000 bisacsh JBCT1 thema JM thema UYQM thema Schreiber, Lisa, author. (orcid)0009000120867811 https://orcid.org/0009-0001-2086-7811 Gefühle Vermessen : Zur Genealogie des Affective Computing / Lisa Schreiber. Lüneburg : meson press, 2025. ©2025 1 online resource (196 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star Seit Anfang der 2010er Jahre beschäftigt sich das Affective Computing mit der Entwicklung von digitalen Technologien zur automatischen Erfassung menschlicher Gefühle. Das sogenannte emotion detection operiert auf Grundlage des Facial Action Coding System (FACS), einem Klassifikationssystem für Emotionen, das verspricht, Gefühle anhand der Bewegung der Gesichtsmuskeln zu entschlüsseln. Das FACS transportiert jedoch ein Gefühlsparadigma, das ungelöste Probleme aus der Vorgeschichte der Emotionsforschung bündelt. Gefühle Vermessen untersucht das Nachwirken dieser Probleme in der computergestützten Depressionsforschung und Autismustherapie, welche die Verfahren des Affective Computing anwenden. Im Zentrum steht die Frage, warum das Codierungssystem trotz dieser Ambivalenzen eine mächtige Produktivität entfaltet. Bundesministerium für Bildung und Forschung Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Affective Computing Facial Action Coding System Machine Learning Austismus-Spektrum-Störung Intermedialität Laborforschung Dokumentarische Medien meson press, publisher. https://doi.org/10.14619/2287 Connect to e-book https://meson.press/wp-content/uploads/2025/04/Gefuehle-Vermessen-Cover-scaled.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02833nam 22005532 4500 2c826665-3208-42da-b84d-d262826cba3b m o d cr n 260403t20222022 ob 000 0 eng d 9783957962065 (Paperback) 9783957962072 (PDF) 10.14619/2065 doi UkCbTOM eng local P87-96 JF20-2112 E151-889 JFD bicssc JP bicssc HBJK bicssc SOC052000 bisacsh HIS038000 bisacsh JBCT1 thema JP thema NHK thema Boguska, Rebecca, author. Guantánamo Frames / Rebecca Boguska. Lüneburg : meson press, 2022. ©2022 1 online resource (276 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star For the last twenty years, the Guantánamo Bay detention camp has not just been a military prison and security facility, but also a site of media production. Films, photographs, and documents have continued to emerge from the camp and become the focus of fierce legal and political battles, as well as intense moral anguish. This book looks at how the US Department of Defense has struggled, and often failed, to control the public perception of these media objects through complex, layered framing devices. It traces how small ruptures in the Department’s framings have provided openings for critical interventions from various fields – ranging from journalism and human rights law to the arts. Guantánamo Frames thus lays the groundwork for a critical reappraisal of the entanglement of media, violence, and the security state in a broader sense. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Guantanamo politics media journalism human rights security state violence meson press, publisher. https://doi.org/10.14619/2065 Connect to e-book https://meson.press/wp-content/uploads/2022/09/978-3-95796-206-5_Cover.png Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02611nam 22005292 4500 daa81608-7f43-487c-8edd-03283c412a6d m o d cr n 260403t20202020 ob 000 0 ger d 9783957961747 (Paperback) 9783957961761 (Hardback) 9783957961754 (PDF) 10.14619/1747 doi UkCbTOM eng local P87-96 JBCT thema QD thema Linseisen, Elisa, author. Paderborn University. High Definition : Medienphilosophisches Image Processing / Elisa Linseisen. Lüneburg : meson press, 2020. ©2020 1 online resource (409 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star Dieses Buch zoomt in informationsreiche und pixeldichte Welten in HD. Digitalbildliche Hochauflösung ist hier ein Potenzial, das es ermöglicht, mit und an Bildern Wirklichkeit zu erforschen und zu befragen. Dokumentarfilme, Videokunstarbeiten, Galaxiefotografien, Blockbuster, Pressebilder und Netflix-Serien bestellen diese visuelle Kultur in HD und zeigen auf, dass Bilder und Wirklichkeit nicht in fixierten Rahmen sitzen, sondern im Prozess werden. HD heißt Image Processing. Lässt man sich darauf ein, entfaltet sich das Angebot, mit HD zu denken und sich vom Denken der Bildprozesse mitreißen zu lassen. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Philosophie Film Video Medientechnik Medienphilosophie Hyperrealismus Fotografie Postproduktion Medien Digitalisierung Fernsehen Ästhetik meson press, publisher. https://doi.org/10.14619/1747 Connect to e-book https://meson.press/wp-content/uploads/2020/09/Linseisen_HD_Cover_small.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02411nam 22003372 4500 7c465a36-68bc-4a3c-acb8-a10153eef1a1 m o d cr n 260403t20152015 ob 000 0 eng d 9781785420092 (Paperback) 9781785420108 (PDF) 10.14619/016 doi UkCbTOM eng local Stengers, Isabelle, author. Université Libre de Bruxelles. In Catastrophic Times : Resisting the Coming Barbarism / Isabelle Stengers. Lüneburg : meson press, 2015. ©2015 1 online resource (156 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star There has been an epochal shift: the possibility of a global climate crisis is now upon us. Pollution, the poison of pesticides, the exhaustion of natural resources, falling water tables, growing social inequalities – these are all problems that can no longer be treated separately. The effects of global warming have a cumulative impact, and it is not a matter of a crisis that will “pass” before everything goes back to “normal.”Our governments are totally incapable of dealing with the situation. Economic warfare obliges them to stick to the goal of irresponsible, even criminal, economic growth, whatever the cost. It is no surprise that people were so struck by the catastrophe in New Orleans. The response of the authorities – to abandon the poor whilst the rich were able to take shelter – is a symbol of the coming barbarism. European Union European Regional Development Fund Innovation Incubator Lüneburg Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license (CC BY-NC-ND 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-nc-nd/4.0/ Metadata licensed under CC0 Public Domain Dedication. meson press, publisher. https://doi.org/10.14619/016 Connect to e-book https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 04332nam 22007332 4500 e373ed62-6c7b-4fde-8391-5015998ecc2c m o d cr n 260403t20172017 ob 000 0 eng d 9783957961051 (Paperback) 9783957961068 (PDF) 9783957961075 (Epub) 10.14619/022 doi UkCbTOM eng local P87-96 QC170-197 JFD bicssc PDA bicssc PHQ bicssc UYM bicssc SOC052000 bisacsh SCI075000 bisacsh COM072000 bisacsh JBCT1 thema PDA thema PHQ thema UYM thema Borrelli, Arianna, author. Technische Universität Berlin. Interferences and Events : On Epistemic Shifts in Physics through Computer Simulations / edited by Anne Dippel, Martin Warnke. Lüneburg : meson press, 2017. ©2017 1 online resource (182 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star Computer simulations are omnipresent media in today’s knowledge production. For scientific endeavors such as the detection of gravitational waves and the exploration of subatomic worlds, simulations are essential; however, the epistemic status of computer simulations is rather controversial as they are neither just theory nor just experiment. Therefore, computer simulations have challenged well-established insights and common scientific practices as well as our very understanding of knowledge. This volume contributes to the ongoing discussion on the epistemic position of computer simulations in a variety of physical disciplines, such as quantum optics, quantum mechanics, and computational physics. Originating from an interdisciplinary event, it shows that accounts of contemporary physics can constructively interfere with media theory, philosophy, and the history of science. Deutsche Forschungsgemeinschaft FOR 1927 Kolleg Forschungsgruppe media cultures of computer simulation Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. interferences quantum physics computer simulation science and technology studies computer media theory simulation events physics Dippel, Anne, editor. Friedrich Schiller University Jena. (orcid)0000000306727326 https://orcid.org/0000-0003-0672-7326 Warnke, Martin, editor. Leuphana University of Lüneburg. (orcid)0000000335004354 https://orcid.org/0000-0003-3500-4354 De Raedt, Hans, author. University of Groningen. (orcid)0000000184614015 https://orcid.org/0000-0001-8461-4015 Hagen, Wolfgang, author. Leuphana University of Lüneburg. Mairhofer, Lukas, author. University of Vienna. Maiwöger, Mira, author. TU Wien. (orcid)0000000191531461 https://orcid.org/0000-0001-9153-1461 Michielsen, Kristel, author. Forschungszentrum Jülich. (orcid)0000000314444262 https://orcid.org/0000-0003-1444-4262 Pasemann, Frank, author. Max Planck Institute for Mathematics in the Sciences. Rheinberger, Hans-Jörg, author. Max Planck Institute for the History of Science. meson press, publisher. https://doi.org/10.14619/022 Connect to e-book https://meson.press/wp-content/uploads/2017/07/9783957961051_Interferences_Cover_small-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03471nam 22006252 4500 4572e853-6304-4dac-9bc9-aedc1dda27c1 m o d cr n 260403t20172017 ob 000 0 eng d 9783957961105 (Paperback) 9783957961112 (PDF) 10.14619/1105 doi UkCbTOM eng local P87-96 JFD bicssc SOC052000 bisacsh ATN thema JBCT1 thema Bergermann, Ulrike, author. Braunschweig University of Art. Interventions in Digital Cultures : Technology, the Political, Methods / edited by Howard Caygill, Martina Leeker, Tobias Schulze. Lüneburg : meson press, 2017. ©2017 1 online resource (148 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Digital Cultures ; 0000-0005 0000-0004 Available through meson press. Open Access Unrestricted online access star How to intervene? Interventions are in vogue in digital cultures as forms of critique or political actions into public spheres. By engaging in social, political, and economic contexts, interventions attempt to interrupt and change situations—often with artistic means. This volume maps methods of interventions under the specific conditions of the digital. How are interventions shaped by these conditions? And how can they contribute to altering them? In essays and interviews, this book interrogates modes of intervening in and through art, infrastructures, techno-ecological environments, bio-technology, and political protests to highlight their potentials as well as their ambivalences. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. critique infrastructures politics digital cultures resilience performativity critical methods interventions ambivalences Caygill, Howard, editor. Kingston University, London. Leeker, Martina, editor. Leuphana University of Lüneburg. Schulze, Tobias, editor. Humboldt-Universität zu Berlin. Chun, Wendy Hui Kyong, author. Brown University. Galloway, Alexander R., author. New York University. Jungnickel, Kat, author. Goldsmiths University of London. (orcid)0000000325910820 https://orcid.org/0000-0003-2591-0820 Kurtz, Steve, author. State University of New York. Turner, Fred, author. Stanford University. meson press, publisher. Digital Cultures ; 0000-0005 0000-0004 https://doi.org/10.14619/1105 Connect to e-book https://meson.press/wp-content/uploads/2017/11/9783957961155_Interventions_cover.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03292nam 22005532 4500 70ebdb3f-4086-4971-8bc9-87213f4a25f0 m o d cr n 260403t20152015 ob 000 0 eng d 9783957960054 (Paperback) 9783957960061 (PDF) 9783957960078 (Epub) 10.14619/009 doi UkCbTOM eng local B1-5802 PDA thema QDTJ thema Axelos, Kostas, author. Introduction to a Future Way of Thought : On Marx and Heidegger / Kostas Axelos; edited by Stuart Elden. Lüneburg : meson press, 2015. ©2015 1 online resource (180 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star “Technologists only change the world in various ways in generalized indifference; the point is to think the world and interpret the changes in its unfathomability, to perceive and experience the difference binding being to the nothing.” Anticipating the age of planetary technology Kostas Axelos, a Greek-French philosopher, approaches the technological question in this book, first published in 1966, by connecting the thought of Karl Marx and Martin Heidegger. Marx famously declared that philosophers had only interpreted the world, but the point was to change it. Heidegger on his part stressed that our modern malaise was due to the forgetting of being, for which he thought technological questions were central. Following from his study of Marx as a thinker of technology, and foreseeing debates about globalization, Axelos recognizes that technology now determines the world. Providing an introduction to some of his major themes, including the play of the world, Axelos asks if planetary technology requires a new, a future way of thought which in itself is planetary. European Union European Regional Development Fund Innovation Incubator Lüneburg Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Heidegger technology world globalization mondialisation science play technological condition Marx philosophy planetary Elden, Stuart, editor. (orcid)0000000278852444 https://orcid.org/0000-0002-7885-2444 Mills, Kenneth, translator. meson press, publisher. https://doi.org/10.14619/009 Connect to e-book http://meson.press/wp-content/uploads/2015/04/Axelos-FutureThought-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03810nam 22006372 4500 41bbc60f-d7e2-4dc5-bc38-19c2f39c594e m o d cr n 260403t20242024 ob 000 0 ger d 9783957962362 (Paperback) 9783957962379 (PDF) UkCbTOM eng local P87-96 SOC052000 bisacsh SCI020000 bisacsh JBCT1 thema PSAF thema AFKP thema Brim, Viktor, author. Kritik des Neo-Extraktivismus in der Gegenwartskunst / edited by Hauke Ohls, Birgit Mersmann. Lüneburg : meson press, 2024. ©2024 1 online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier Future Ecologies ; 0000-0001 0000-0000 Available through meson press. Open Access Unrestricted online access star Wie reflektieren Künstler*innen und Kollektive die globalen Herausforderungen der akzelerierenden Rohstoffausbeutung? Und welches Widerstandspotenzial entfalten diese künstlerischen Praktiken gegen die Paradigmen des (Neo-)Extraktivismus? Die Beiträge in Kritik des Neo-Extraktivismus in der Gegenwartskunst analysieren die künstlerische Auseinandersetzung mit unterschiedlichen extraktivistischen Phänomenen aus kunstwissenschaftlichen, kuratorischen und künstlerischen Perspektiven. Eröffnet wird ein globaler Blickwinkel, der kritisch die Materialitäten und Infrastrukturen des (Neo-)Extraktivismus beleuchtet und um dekoloniale Perspektiven ergänzt. University of Bonn Open-Access-Publikationsfonds Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Extraktivismus Gegenwartskunst Materialitäten Infrastrukturen Ohls, Hauke, editor. University of Bonn. Mersmann, Birgit, editor. University of Bonn. Burchert, Linn, author. Central Institute for Art History. (orcid)0009000473998526 https://orcid.org/0009-0004-7399-8526 Geuer, Lena, author. TU Dresden. (orcid)0009000759200014 https://orcid.org/0009-0007-5920-0014 Gómez, Liliana, author. University of Kassel. Neddermeyer, Ina, author. Goethe University Frankfurt. Peselmann, Veronica Peselmann, author. University of Groningen. (orcid)0009000090771498 https://orcid.org/0009-0000-9077-1498 Sanguino, Jorge, author. Schepers, Lukas, author. Institute for Advanced Study in the Humanities Essen. Schütze, Irene, author. Johannes Gutenberg University Mainz. (orcid)0009000068881412 https://orcid.org/0009-0000-6888-1412 Siegler, Martin, author. Bauhaus University, Weimar. Spengler, Franca, author. University of Vienna. Telsnig, Florian, author. University of Vienna. Witzgall, Susanne, author. Academy of Fine Arts Munich. meson press, publisher. Future Ecologies ; 0000-0001 0000-0000 https://meson.press/wp-content/uploads/2024/12/978-3-95796-237-9_Neo-Extraktivismus_FC.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02691nam 22005172 4500 9b3e628b-184e-4930-8e27-27c8e517290d m o d cr n 260403t20232023 ob 000 0 ger d 9783957960382 (Paperback) 9783957960399 (PDF) 10.14619/0382 doi UkCbTOM eng local P87-96 JFD bicssc JP bicssc KJU bicssc HP bicssc SOC052000 bisacsh BUS085000 bisacsh JBCT1 thema JP thema KJU thema QD thema Kritik postdigital / edited by Laura Hille, Daniela Wentz. Lüneburg : meson press, 2023. ©2023 1 online resource (139 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Digital Cultures ; 0000-0005 0000-0004 Available through meson press. Open Access Unrestricted online access star Die realpolitische Affirmation der Universalität des Digitalen geht mit einer regelrechten Abwehr der kritischen Reflexion seiner scheinbaren Axiome einher. Umso dringlicher ist es zu fragen: Was sind die Bedingungen und Möglichkeiten von Kritik am Digitalen und seiner Kulturen? Wie lässt sich die drängende Notwendigkeit politischer Haltung und kritischer Praxis mit einem wissenschaftlichen Einsatz verbinden, der die Eigengesetzlichkeiten des Digitalen ernst nimmt? Die Beiträge in Kritik postdigital begegnen diesen Herausforderungen aus sozial-, medienwissenschaftlicher und philosophischer Perspektive. Leuphana University of Lüneburg Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Hille, Laura, editor. Leuphana University of Lüneburg. Wentz, Daniela, editor. Ruhr University Bochum. meson press, publisher. Digital Cultures ; 0000-0005 0000-0004 https://doi.org/10.14619/0382 Connect to e-book https://meson.press/wp-content/uploads/2023/02/Cover_Kritik-postdigital.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03600nam 22006372 4500 3705c0ca-b53c-4cb3-95a1-385bdf05346e m o d cr n 260403t20152015 ob 000 0 ger d 9783957960252 (Paperback) 9783957960269 (PDF) 9783957960276 (Epub) 10.14619/006 doi UkCbTOM eng local P87-96 AZ(20)-999 JFC bicssc CBW bicssc GT bicssc SOC000000 bisacsh LAN005000 bisacsh JBCC thema CBW thema GT thema Krentel, Friedolin, author. Library Life : Werkstätten kulturwissenschaftlichen Forschens / Friedolin Krentel, Katja Barthel, Sebastian Brand, Alexander Friedrich, Anna Rebecca Hoffmann, Laura Meneghello, Jennifer Ch. Müller, Christian Wilke. Lüneburg : meson press, 2015. ©2015 1 online resource (302 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star Wie und wo entsteht kulturwissenschaftliches Wissen? Im Kopf? In der Bibliothek? Am Schreibtisch? Inspiriert von den Laborstudien der Science & Technology Studies ging das Autor*innen-Kollektiv des vorliegenden Buchs diesen Fragen nach. Aufgesucht wurden die persönlichen Schreiborte von Kulturwissenschaftler*innen verschiedener Disziplinen. In ihren Beiträgen eröffnen die Autor*innen vielfältige Perspektiven auf bislang kaum erforschte Praktiken kulturwissenschaftlicher Wissensproduktion. Hierdurch wird ein komplexes Zusammenspiel technisch-materieller, praktischer, medialer, sozialer, institutioneller, ökonomischer, politischer und ideeller Dimensionen in den Werkstätten kulturwissenschaftlichen Forschens freigelegt. Die Ergebnisse der interdisziplinär angelegten und kollaborativ erarbeiteten Studien liefern überraschende Einsichten und eröffnen weiterführende Forschungsfragen: ein Plädoyer für eine reflexive, kollaborativ-interdisziplinäre Wissenschaftspraxis. European Union European Regional Development Fund Innovation Incubator Lüneburg Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. laboratory studies Wissenschaftsforschung Hochschulpolitik Akteur-Network-Theorie Interdisziplinarität Bruno Latour Barthel, Katja, author. Brand, Sebastian, author. Friedrich, Alexander, author. Hoffmann, Anna Rebecca, author. Meneghello, Laura, author. Müller, Jennifer, author. Wilke, Christian, author. meson press, publisher. https://doi.org/10.14619/006 Connect to e-book http://meson.press/wp-content/uploads/2015/06/library-life-cover-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02587nam 22004812 4500 1cfdc698-1513-4bf6-b849-8257fd231b92 m o d cr n 260403t20152015 ob 000 0 eng d 9783957960702 (Paperback) 9783957960719 (PDF) 10.14619/015 doi UkCbTOM eng local B1-5802 QD thema Barthélémy, Jean-Hugues, author. Université Paris Nanterre. Life and Technology : An Inquiry Into and Beyond Simondon / Jean-Hugues Barthélémy. Lüneburg : meson press, 2015. ©2015 1 online resource (73 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star The philosophy of Gilbert Simondon has reinvigorated contemporary thinking about biological and technological beings. In this book, Jean-Hugues Barthélémy takes up Simondon’s thought and shows how life and technology are connected by a transversal theme: individuation. In the first essay, Barthélémy delivers a contemporary interpretation of Simondon’s concept of ontogenesis against the backdrop of biology and cybernetics. In the second essay, he extends his reflections to propose a non-anthropological understanding of technology, and so sets up a confrontation with the work of Martin Heidegger. European Union European Regional Development Fund Innovation Incubator Lüneburg Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Ontogenesis Heidegger Cybernetics Life Biology Individuation Technology Simondon Norman, Barnaby, translator. meson press, publisher. https://doi.org/10.14619/015 Connect to e-book http://meson.press/wp-content/uploads/2015/11/Barthelemy-Cover-small-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02661nam 22005412 4500 3553f7c2-9ca9-4c98-8e0e-27d036e95f8c m o d cr n 260403t20192019 ob 000 0 eng d 9783957961488 (PDF) 10.14619/1488 doi UkCbTOM eng local P87-96 JFD bicssc SOC052000 bisacsh JBCT1 thema Pringle, Thomas, author. Brown University. Machine / Thomas Patrick Pringle, Gertrud Koch, Bernard Stiegler. Lüneburg : meson press, 2019. ©2019 1 online resource (104 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier In Search of Media ; 0000-0007 0000-0006 Available through meson press. Open Access Unrestricted online access star In contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of images and sounds. Formats, institutionalized as standards, frame the “technical networks” defined by Gilbert Simondon, that unfold technical objects into economically and politically structured webs that cover the world. Media are always formatted and, as such, do not flow: they are displaced. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-nc/4.0/ Metadata licensed under CC0 Public Domain Dedication. Animation Automation Cybernetics Digitization Economics Ecosystems Exploitation Philosophy Politics Technology Koch, Gertrud, author. Freie Universität Berlin. Stiegler, Bernard, author. Centre Pompidou. meson press, publisher. In Search of Media ; 0000-0007 0000-0006 https://doi.org/10.14619/1488 Connect to e-book https://meson.press/wp-content/uploads/2019/04/Machine_U1.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03339nam 22005292 4500 20e321b0-ebf3-4b85-9712-d3d88836be61 m o d cr n 260403t20192019 ob 000 0 eng d 9783957961471 (PDF) 10.14619/1471 doi UkCbTOM eng local P87-96 JFD bicssc KCBM bicssc SOC052000 bisacsh BUS045000 bisacsh JBCT1 thema KCBM thema KCSA thema Beverungen, Armin, author. University of Siegen. (orcid)0000000336090573 https://orcid.org/0000-0003-3609-0573 Markets / Armin Beverungen, Philip Mirowski, Edward Nik-Khah, Jens Schröter. Lüneburg : meson press, 2019. ©2019 1 online resource (144 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier In Search of Media ; 0000-0007 0000-0006 Available through meson press. Open Access Unrestricted online access star Markets abound in media—but a media theory of markets is still emerging. Anthropology offers media archaeologies of markets, and the sociology of markets and finance unravels how contemporary financial markets have witnessed a media technological arms race. Building on such work, this volume brings together key thinkers of economic studies with German media theory, describes the central role of the media specificity of markets in new detail and inflects them in three distinct ways. Nik-Khah and Mirowski show how the denigration of human cognition and the concomitant faith in computation prevalent in contemporary market-design practices rely on neoliberal conceptions of information in markets. Schröter confronts the asymmetries and abstractions that characterize money as a medium and explores the absence of money in media. Beverungen situates these inflections and gathers further elements for a politically and historically attuned media theory of markets concerned with contemporary phenomena such as high-frequency trading and cryptocurrencies. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-nc/4.0/ Metadata licensed under CC0 Public Domain Dedication. Capitalism Digital Media Media Studies Money Mirowski, Philip, author. University of Notre Dame. Nik-Khah, Edward, author. (orcid)0000000158408744 https://orcid.org/0000-0001-5840-8744 Schröter, Jens, author. University of Bonn. meson press, publisher. In Search of Media ; 0000-0007 0000-0006 https://doi.org/10.14619/1471 Connect to e-book https://meson.press/wp-content/uploads/2019/01/markets_cover_small-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 04210nam 22006732 4500 91343972-c0a7-48ed-890b-c6a4b6caec92 m o d cr n 260403t20232023 ob 000 0 ger d 9783957962140 (Paperback) 9783957962157 (PDF) UkCbTOM eng local P87-96 SOC052000 bisacsh PER004000 bisacsh PHO014000 bisacsh JBCT thema AJF thema ATF thema JPW thema UDT thema Braida, Nicole, author. Philipps University of Marburg. (orcid)0000000294466762 https://orcid.org/0000-0002-9446-6762 Deine Kamera ist eine App : Über Medienverflechtungen des Applizierens und Appropriierens / edited by Elisa Linseisen, Alena Strohmaier. Lüneburg : meson press, 2023. ©2023 1 online resource (231 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star Der vorliegende Band untersucht systematisch das Verhältnis von digitalen Kameras und ihren softwaretechnischen Grundlagen, die wir unter „Apps“ zusammenfassen. Als konzeptuelles Framing in der Auseinandersetzung mit dieser medialen Verbindung aus Kamera/App wählen wir das ästhetische wie theoretische Spektrum aus Techniken des Appropriierens und Applizierens und damit verbundene Theorietraditionen der Filmwissenschaft sowie der Software, Platform und App Studies. Mit dem programmatischen Befund ‚Deine Kamera ist eine App‘ soll in vier dialogischen Textpaaren dem offenen Themenfeld zwischen Appropriation/Applikation und seiner zeitgenössischen Brisanz wie historischen Tiefe entlang übergreifender Konzepte wie Partizipation, Format und Widerstand nachgegangen werden. Dabei beleuchtet der Band die Verbindung von Ästhetik und Technik, Kunst und Software und wendet sich neben dem Film auch den sogenannten Medienkünsten, dokumentarischen Videoformaten, Selbstdokumentationen und dem Gaming zu. Bundesministerium für Bildung und Forschung Kleine Fächer – Große Potenziale „Filmische Aneignungsprozesse von Videos der populären Aufstandsbewegungen 2009–11 im Mittleren Osten und Nordafrika" Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Soziale Medien Software Serious Games Fototheorie Ukraine-Krieg Aktivismus Kamera Smartphone Dokumentarfilm Apps Widerstand MENA-Region Format Linseisen, Elisa, editor. Universität Hamburg. Strohmaier, Alena, editor. Paderborn University. Ganzert, Anne, author. University of Konstanz. (orcid)0000000316918898 https://orcid.org/0000-0003-1691-8898 Jouini, Angela, author. Freie Universität Berlin. (orcid)0000000311144336 https://orcid.org/0000-0003-1114-4336 Krautkrämer, Florian, author. Lucerne University of Applied Sciences and Arts. (orcid)0009000717053255 https://orcid.org/0009-0007-1705-3255 Mücke, Laura Katharina, author. Johannes Gutenberg University Mainz. Pfeifer, Simone, author. University of Cologne. (orcid)0000000303679090 https://orcid.org/0000-0003-0367-9090 meson press, publisher. https://meson.press/wp-content/uploads/2024/01/978-3-95796-214-0_Cover.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02519nam 22004572 4500 d4128974-60ee-467c-b337-7001c37d6de5 m o d cr n 260403t20242024 ob 000 0 eng d 9783957962249 (Paperback) 9783957962256 (PDF) UkCbTOM eng local P87-96 SOC052000 bisacsh POL007000 bisacsh COM051300 bisacsh JBCT1 thema JPHV thema UMB thema Poechhacker, Nikolaus, author. University of Klagenfurt. (orcid)0000000269282099 https://orcid.org/0000-0002-6928-2099 Democratic Algorithms : Ethnography of a Public Recommender System / Nikolaus Poechhacker. Lüneburg : meson press, 2024. ©2024 1 online resource (214 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star Can an algorithm be democratic? And how can we understand algorithms not only as technical, but also as social and political phenomena? Democratic Algorithms offers theoretically and empirically informed perspectives on how we can imagine and design algorithms for a democratic society, and what we even mean by that. Based on ethnographic fieldwork, the book illustrates how a recommender system was built in a public broadcaster, raising questions not only about organizational and technical implementation, but also about the possible compatibility of such an algorithmic system with democratic constitutions. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. STS algorithm studies public broadcasting recommender systems media studies meson press, publisher. https://meson.press/wp-content/uploads/2024/05/9783957962249_Poechhacker_FC.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03019nam 22005292 4500 446d6ab7-31df-4ee5-86d7-0f7cb31f0f1b m o d cr n 260403t20152015 ob 000 0 ger d 9783957960153 (Paperback) 9783957960160 (PDF) 9783957960177 (Epub) 10.14619/003 doi UkCbTOM eng local B1-5802 BH1-301 HPCF3 bicssc HPN bicssc PHI006000 bisacsh PHI001000 bisacsh QDHR5 thema QDTN thema Souriau, Étienne, author. Sorbonne Université. Die verschiedenen Modi der Existenz / Étienne Souriau. Lüneburg : meson press, 2015. ©2015 1 online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star „Wäre die Philosophie auch nur eine Stunde der Mühe wert, wenn sie uns nicht für das Leben rüstete?“ Gezielten Schrittes entwirft der französische Philosoph Étienne Souriau in diesem dicht gedrängten Buch eine Grammatik der Existenz. Im Fokus steht nicht nur ihre Theorie, sondern auch die tatsächliche Ausübung der „Kunst des Existierens“. Wie Gilles Deleuze und William James vertritt Souriau dabei die These eines existenziellen Pluralismus: Es gibt Phänomene, Dinge, das Virtuelle, fiktionale Wesen – die Existenz ist polyphon. Souriaus radikale Herangehensweise hat auch Bruno Latour und Isabelle Stengers entscheidend beeinflusst. In ihrer ausführlichen Einleitung zu Souriaus Text von 1943 und dem ebenfalls zum ersten Mal in deutscher Sprache veröffentlichten Vortrag „Über den Modus der Existenz des zu vollbringenden Werks“ (1956) zeigt sich eindrucksvoll die Aktualität seines Denkens. European Union European Regional Development Fund Innovation Incubator Lüneburg Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Ästhetik Bruno Latour ANT Philosophie Existenzweisen Wäckerle, Thomas, translator. meson press, publisher. https://doi.org/10.14619/003 Connect to e-book http://meson.press/wp-content/uploads/2015/05/Souriau-Die-verschiedenen-Modi-der-Exiszenz-WEB-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 04640nam 22007812 4500 525e7119-52be-4afb-8a02-947babc292d2 m o d cr n 260403t20152015 ob 000 0 eng d 9783957960504 (Paperback) 9783957960511 (PDF) 9783957960528 (Epub) 10.14619/013 doi UkCbTOM eng local P87-96 JFD bicssc JPSL bicssc UD bicssc SOC052000 bisacsh POL062000 bisacsh JBCT1 thema JPSL thema UD thema Purayil Sneha, Puthiya, editor, author. Centre for Internet and Society. Digital Activism in Asia Reader / edited by Nishant Shah, Puthiya Purayil Sneha, Sumandro Chattapadhyay. Lüneburg : meson press, 2015. ©2015 1 online resource (269 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. The digital turn might as well be marked as an Asian turn. From flash-mobs in Taiwan to feminist mobilisations in India, from hybrid media strategies of Syrian activists to cultural protests in Thailand, we see the emergence of political acts that transform the citizen from being a beneficiary of change to becoming an agent of change. In co-shaping these changes, what the digital shall be used for, and what its consequences will be, are both up for speculation and negotiation. Digital Activism in Asia marks a particular shift where these questions are no longer being refracted through the ICT4D logic, or the West’s attempts to save Asia from itself, but shaped by multiplicity, unevenness, and urgencies of digital sites and users in Asia. This reader crowd-sources critical tools, concepts, analyses, and annotations, self-identified by a network of change makers in Asia as important in their own practices within their own contexts. European Union European Regional Development Fund Innovation Incubator Lüneburg Mode of access: World Wide Web. Metadata licensed under CC0 Public Domain Dedication. Activism Networked Societies Digital Society Social Media Asia Shah, Nishant, editor. Leuphana University of Lüneburg. Chattapadhyay, Sumandro, editor. Centre for Internet and Society. (orcid)0000000157244557 https://orcid.org/0000-0001-5724-4557 Albornoz, Denisse, author. Al Shafei, Esra’a, author. Angelina, Maesy, author. Aung, Htaike Htaike, author. Ben-David, Anat, author. Open University of Israel. (orcid)0000000345105634 https://orcid.org/0000-0003-4510-5634 Chami, Nandini, author. IT for Change. Cheng, Tracey, author. Hurault, Armand, author. Jolley, Rachael, author. Kim, Youngmi, author. Central European University. (orcid)0000000155512415 https://orcid.org/0000-0001-5551-2415 Lim, Merlyna, author. Carleton University. (orcid)0000000215839920 https://orcid.org/0000-0002-1583-9920 McKeever, Sarah, author. King's College London. Panigrahi, Subhashish, author. Centre for Internet and Society. (orcid)0000000236658184 https://orcid.org/0000-0002-3665-8184 Pokharel, Prabhas, author. (orcid)0000000152711881 https://orcid.org/0000-0001-5271-1881 Ray Murray, Padmini, author. Srishti Institute of Art Design and Technology. (orcid)0000000165909555 https://orcid.org/0000-0001-6590-9555 Sarkar, Urvashi, author. S V, Shobha, author. Tsou, YiPing (Zona), author. Yong, Hu, author. Peking University. Yusuf, Huma, author. Woodrow Wilson International Center for Scholars. Zhang, Weiyu, author. National University of Singapore. (orcid)0000000329246517 https://orcid.org/0000-0003-2924-6517 meson press, publisher. https://doi.org/10.14619/013 Connect to e-book http://meson.press/wp-content/uploads/2015/07/digital-activism-asia-cover-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02388nam 22004212 4500 3395db15-4810-49d3-80bc-cc8997750462 m o d cr n 260403t20232023 ob 000 0 eng d 9783957960580 (PDF) 10.14619/0580 doi UkCbTOM eng local P87-96 JFD bicssc SOC052000 bisacsh JBCT1 thema Cooper, Zane Griffin Talley, author. University of Pennsylvania. (orcid)0000000328546980 https://orcid.org/0000-0003-2854-6980 Digital Energetics / Zane Griffin Talley Cooper, Jordan B. Kinder, Cindy Kaiying Lin, Anne Pasek. Lüneburg : meson press, 2023. ©2023 1 online resource (130 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier In Search of Media ; 0000-0007 0000-0006 Available through meson press. Media and energy require joint theorization as they are bound together across contemporary informational and fossil regimes. Digital Energetics traces the contours of a media analytic of energy and an energy analytic of media across the cultural, environmental, and labor relations they subtend. Focusing specifically on digital operations, its authors analyze how data and energy have jointly modulated the character of data work and politics in a warming world. Simon Fraser University Canada 150 Research Chairs Program Mode of access: World Wide Web. Metadata licensed under CC0 Public Domain Dedication. Kinder, Jordan B., author. Harvard University. (orcid)0000000349996147 https://orcid.org/0000-0003-4999-6147 Lin, Cindy Kaiying, author. Pennsylvania State University. Pasek, Anne, author. Trent University. (orcid)000000018770418X https://orcid.org/0000-0001-8770-418X meson press, publisher. In Search of Media ; 0000-0007 0000-0006 https://doi.org/10.14619/0580 Connect to e-book https://meson.press/wp-content/uploads/2023/06/Digital_Energetics_FC.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03522nam 22006852 4500 d2508c39-cb2a-4a0f-9e0e-0b771f1dbe80 m o d cr n 260403t20152015 ob 000 0 eng d 9783957960757 (Paperback) 9783957960764 (PDF) 9783957960771 (Epub) 10.14619/012 doi UkCbTOM eng local P87-96 UDX bicssc JFD bicssc KNT bicssc UGG bicssc UMK bicssc COM012040 bisacsh SOC052000 bisacsh BUS070060 bisacsh UDX thema JBCT1 thema KNT thema UGG thema UMK thema Ensslin, Astrid, author. Bangor University. (orcid)0000000321890025 https://orcid.org/0000-0003-2189-0025 Diversity of Play / edited by Mathias Fuchs. Lüneburg : meson press, 2015. ©2015 1 online resource (112 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star The early days when digital games were new, harmless, and a niche are long gone. Today’s games can simulate battlefields, predict disaster, and crash markets. We are faced with a diversity of play and the ubiquity of games, making them not only a popular medium, but the leading medium of our contemporary society. Based on the keynote lectures held at DiGRA2015, “Diversity of Play” provides a critical view on the current stage of digital games from a theoretic, artistic, and practical perspective by pointing towards the uncanny, the power of “unnatural” narratives, and the exceptions and uncertainties of digital ludic environments. With an interview with Karen Palmer and essays by Astrid Ensslin, Mathias Fuchs, Tanya Krzywinska, and Markus Rautzenberg. European Union European Regional Development Fund Innovation Incubator Lüneburg Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Game Studies Ludology Gamification Ludification Gothic Play Studies DiGRA Narratology Diversity Fuchs, Mathias, editor. Leuphana University of Lüneburg. (orcid)0000000345433478 https://orcid.org/0000-0003-4543-3478 Krzywinska, Tanya, author. Falmouth University. (orcid)0000000207444144 https://orcid.org/0000-0002-0744-4144 Palmer, Karen, author. Rautzenberg, Markus, author. Freie Universität Berlin. meson press, publisher. https://doi.org/10.14619/012 Connect to e-book http://meson.press/wp-content/uploads/2015/07/Diversity-of-Play-Cover_small-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03436nam 22006132 4500 59ecdda1-efd8-45d2-b6a6-11bc8fe480f5 m o d cr n 260403t20212021 ob 000 0 eng d 9783957961891 (Paperback) 9783957961907 (PDF) 10.14619/1891 doi UkCbTOM eng local P87-96 GE195-199 GF1-900 JPSL bicssc JFD bicssc RNA bicssc PSAF bicssc POL062000 bisacsh SOC052000 bisacsh SCI020000 bisacsh JPSL thema JBCT1 thema RNA thema PSAF thema Claus, Jakob, author. University of Oldenburg. Earth and Beyond in Tumultuous Times : A Critical Atlas of the Anthropocene / edited by Réka Patrícia Gál, Petra Löffler. Lüneburg : meson press, 2021. ©2021 1 online resource (218 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Future Ecologies ; 0000-0001 0000-0000 Available through meson press. Open Access Unrestricted online access star Earth and Beyond in Tumultuous Times offers a critical exploration of the Anthropocene concept. It addresses the urgent geopolitical and environmental questions raised by the new geological epoch. How are we to rethink landscapes, such as river deltas, oceans, or outer space? How can we create spaces for resistance and utopic dreaming? This volume confronts these questions by charting how space and place are constructed, deconstructed, and negotiated by humans and non-humans under conditions of globally entangled consumption, movement, and contamination. The essays in this volume are complemented by artistic interventions that offer a poetics for a harmed planet and the numerous worlds it contains.Earth and Beyond in Tumultuous Times is part of the series Future Ecologies dedicated to rethink the multiple ecologies that flourish and struggle on Earth and beyond. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Ecology Gál, Réka Patrícia, editor. University of Toronto. Löffler, Petra, editor. University of Oldenburg. Dünne, Jörg, author. Humboldt-Universität zu Berlin. Heinrichs, Marie, author. University of Potsdam. Schmedes, Hannah, author. University of Potsdam. Usón, Tomás J., author. Humboldt-Universität zu Berlin. meson press, publisher. Future Ecologies ; 0000-0001 0000-0000 https://doi.org/10.14619/1891 Connect to e-book https://meson.press/wp-content/uploads/2021/03/978-3-95796-189-1_Cover.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02407nam 22005052 4500 a3358bd7-38eb-4a1b-b045-ca1abdec6882 m o d cr n 260403t20172017 ob 000 0 eng d 9783957960955 (Paperback) 9783957960962 (PDF) 10.14619/020 doi UkCbTOM eng local P87-96 JFD bicssc SOC052000 bisacsh JBCT1 thema Angerer, Marie-Luise, author. University of Potsdam. (orcid)0000000329439394 https://orcid.org/0000-0003-2943-9394 Ecology of Affect : Intensive Milieus and Contingent Encounters / Marie-Luise Angerer. Lüneburg : meson press, 2017. ©2017 1 online resource (70 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star The way we conceive the human today is particularly affected by the shifts in media technology during the 20th century. Affect emerges as the new liminal concept that renders the body compatible in novel ways with the technology and politics of media. By ways of a relational reorganization the organic end technological life is condensed in a new, intense way to an ecology of affects. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. dislocation ecology milieu feeling antagonism interval intensity political affect affect Jackson, Gerrit, translator. meson press, publisher. https://doi.org/10.14619/020 Connect to e-book http://meson.press/wp-content/uploads/2017/04/cover_angerer_en_web-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 05645nam 22009372 4500 563a9a1a-f24b-482b-8c6a-54198a84c464 m o d cr n 260403t20202020 ob 000 0 eng d 9783957961778 (Paperback) 9783957961785 (PDF) 10.14619/1778 doi UkCbTOM eng local eng ger P87-96 JFD bicssc AFKP bicssc SOC052000 bisacsh JBCT1 thema ATN thema Bexte, Peter, editor, author. Academy of Media Arts Cologne. Ein Medium namens McLuhan : 37 Befragungen eines Klassikers / edited by Peter Bexte, Martina Leeker. Lüneburg : meson press, 2020. ©2020 1 online resource (141 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Digital Cultures ; 0000-0005 0000-0004 Available through meson press. Open Access Unrestricted online access star „If you don‘t like my arguments, I‘ve got some more.“ (Marshall McLuhan) Wie aber steht es um den Klassiker der Medienwissenschaften im 21. Jahrhundert? Diese Frage diskutieren 37 zeitgenössische Medienwissenschaftler_innen. Ihre Antworten stehen in einem reizvollen Kontrast zu Interviews, die 2007 entstanden und jetzt online zugänglich gemacht worden sind. Viele der ursprünglich Befragten sind erneut beteiligt, neue Stimmen kamen hinzu. Dabei zeigt sich im Vergleich: Die Medienwissenschaften sind diverser geworden, und manche Zukunftserwartung wurde drastisch revidiert. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Medienwissenschaften McLuhan Digitalisierung Interviews Medientheorie Leeker, Martina, editor, author. Leuphana University of Lüneburg. Altena, Arie, author. Angerer, Marie-Luise, author. University of Potsdam. (orcid)0000000329439394 https://orcid.org/0000-0003-2943-9394 Beil, Benjamin, author. University of Cologne. (orcid)0000000226326274 https://orcid.org/0000-0002-2632-6274 Benesch, Klaus, author. Ludwig-Maximilians-Universität München. Cavell, Richard, author. University of British Columbia. Distelmeyer, Jan, author. University of Applied Sciences Potsdam. Dotzler, Bernhard J., author. University of Regensburg. Ernst, Wolfgang, author. Humboldt-Universität zu Berlin. Gehring, Petra, author. Technical University of Darmstadt. Goriunova, Olga, author. Royal Holloway, University of London. Gottlieb, Baruch, author. Berlin University of the Arts. Hagen, Wolfgang, author. Leuphana University of Lüneburg. Halpern, Orit, author. Concordia University. (orcid)0000000180093160 https://orcid.org/0000-0001-8009-3160 Harrasser, Karin, author. University of Arts and Industrial Design Linz. (orcid)0000000155919995 https://orcid.org/0000-0001-5591-9995 Hauser, Jens, author. Michigan State University. Heidenreich, Stefan, author. Humboldt-Universität zu Berlin. Holl, Ute, author. University of Basel. de Kerckhove, Derrick, author. University of Naples Federico II. Löffler, Petra, author. University of Oldenburg. Mattern, Shannon, author. University of Pennsylvania. Mersch, Dieter, author. Zurich University of the Arts. (orcid)000000016623043X https://orcid.org/0000-0001-6623-043X Münker, Stefan, author. Humboldt-Universität zu Berlin. Peters, Benjamin, author. University of Tulsa. Durham Peters, John, author. Yale University. Pias, Claus, author. Leuphana University of Lüneburg. Rautzenberg, Markus, author. Folkwang University of the Arts. Rieger, Stefan, author. Ruhr University Bochum. Rothe, Katja, author. Berlin University of the Arts. Schmidt, Kerstin, author. Catholic University of Eichstätt-Ingolstadt. Schröter, Jens, author. University of Bonn. Schüttpelz, Erhard, author. University of Siegen. Sprenger, Florian, author. Ruhr University Bochum. (orcid)0000000252258711 https://orcid.org/0000-0002-5225-8711 Turner, Fred, author. Stanford University. Vagt, Christina, author. University of California, Santa Barbara. Winkler, Hartmut, author. Paderborn University. meson press, publisher. Digital Cultures ; 0000-0005 0000-0004 https://doi.org/10.14619/1778 Connect to e-book https://meson.press/wp-content/uploads/2020/12/9783957961785-Medium_McLuhan_Cover_s.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03155nam 22004932 4500 34098e5e-24d9-4c8d-90fe-101d7db7feeb m o d cr n 260403t20242024 ob 000 0 ger d 9783957962263 (Paperback) 9783957962270 (PDF) 10.14619/2263 doi UkCbTOM eng local P87-96 PER004000 bisacsh SOC052000 bisacsh SCI020000 bisacsh ATN thema ATF thema JBCT1 thema PSAF thema QD thema UYZG thema Perraudin, Léa, author. Humboldt-Universität zu Berlin. (orcid)0009000309235682 https://orcid.org/0009-0003-0923-5682 Elementare Ekstasen : Sondierungen der Technosphäre / Léa Perraudin. Lüneburg : meson press, 2024. ©2024 1 online resource (338 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Future Ecologies ; 0000-0001 0000-0000 Available through meson press. Open Access Unrestricted online access star Elementare Ekstasen überschwemmen, erodieren und evaporieren die wohlsortierten Grenzziehungen zwischen Technik, Umwelt und Mensch. Als Neuverortung im Spannungsfeld medienökologischer, neomaterialistischer und technikfeministischer Theoriebildung werden hier all jene Widerständigkeiten und Un/Verfügbarkeiten sondiert, die von techno-kapitalistisch protegierten Operationen nicht zu tilgen sind. Was hieße es, die planetarische Implikation der Technosphäre aus Mikroperspektiven zu denken, mit ihren Überlappungen, Leerstellen, Fragmentierungen, Akkumulationen des Technischen zu schreiben? Entlang ihrer materiellen Prozessualität werden elementare Medien wie Regen, Minerale, Staub und Schaum zur Gegenwartsdiagnose. Angesichts der umfassenden Ökologisierungstendenzen und ihrer experimentellen Verarbeitung in Medienkunst und Interfacedesign verdichtet sich ein kritisches Begriffsinventar, das die makrologische Karriere des Technischen anders denkt. Deutsche Forschungsgemeinschaft 390648296 Exzellenzstrategie des Bundes und der Länder Matters of Activity. Image Space Material Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. meson press, publisher. Future Ecologies ; 0000-0001 0000-0000 https://doi.org/10.14619/2263 Connect to e-book https://meson.press/wp-content/uploads/2024/05/Perraudin-Elementare-Ekstasen-Cover-300dpi.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03774nam 22007092 4500 7d4b8528-4916-471a-bac1-696dd8d0314c m o d cr n 260403t20222022 ob 000 0 ger d 9783957961952 (Paperback) 9783957961969 (PDF) 10.14619/1952 doi UkCbTOM eng local P87-96 JBCT1 thema ATFA thema ATFR thema JBSF11 thema JPW thema RNC thema RPT thema UYV thema Bee, Julia, author. University of Siegen. Fahrradutopien : Medien, Ästhetiken und Aktivismus / Julia Bee, Ulrike Bergermann, Linda Keck, Sarah Sander, Herbert Schwaab, Markus Stauff, Franzi Wagner. Lüneburg : meson press, 2022. ©2022 1 online resource (263 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star Das Fahrrad ist ein Medium sozialer Veränderung. Seine vielfältigen utopischen Potenziale ergeben sich nicht zuletzt aus seinen ebenso vielfältigen und häufig übersehenen medialen Qualitäten: Es vermittelt, es verbindet, es übersetzt; es modifiziert Wahrnehmung und Organisation von Raum und Zeit, von Körpern und von Sozialität. Umgekehrt kann auch das medienwissenschaftliche Denken fahrradmedial verändert werden. Das Fahrrad ist nicht nur Medium des sozialen und ökologischen Wandels: Radfahren eröffnet Perspektiven, verändert Räume, lässt neue Relationen entstehen und teilt Handlungsmacht neu auf.Fahrradutopien denkt vom Fahrrad aus und ergänzt dabei bestehende Ansätze zur Mobilitätsforschung um medienkulturwissenschaftliche Perspektiven. Die Beiträge verbinden Medienwissenschaften und Forschungen zu Fahrradaktivismus mit der Liebe zum Radfahren. Fokussiert werden Fahrradfilme und -vlogs, Verkehr und Infrastrukturen, Virtuelle Realität und Fahrrad, Fahrradkollektive und Fahrradfeminismus. Braunschweig University of Art Bauhaus University, Weimar Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Kollektive Feminismus Kino Gender Studies Ökologie Dokumentation Fahrrad Mobilität Digitale Medien Radfahren Digitalisierung Diversität Utopie Aktivismus Bergermann, Ulrike, author. Braunschweig University of Art. Keck, Linda, author. Bauhaus University, Weimar. Sander, Sarah, author. University of Vienna. Schwaab, Herbert, author. University of Regensburg. Stauff, Markus, author. University of Amsterdam. Wagner, Franzi, author. Braunschweig University of Art. meson press, publisher. https://doi.org/10.14619/1952 Connect to e-book https://meson.press/wp-content/uploads/2022/05/Fahrradutopien_FC.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03145nam 22006132 4500 0151e55d-474a-4825-a303-cc2e07cad6eb m o d cr n 260403t20182018 ob 000 0 eng d 9783957961402 (Paperback) 9783957961419 (PDF) 10.14619/1402 doi UkCbTOM eng local P87-96 JFD bicssc KNT bicssc SOC052000 bisacsh BUS070060 bisacsh JBCT1 thema ATN thema KNT thema Munn, Luke, author. Whitecliffe College of Arts and Design. (orcid)0000000210187433 https://orcid.org/0000-0002-1018-7433 Ferocious Logics : Unmaking the Algorithm / Luke Munn. Lüneburg : meson press, 2018. ©2018 1 online resource (172 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star Contemporary power manifests in the algorithmic. And yet this power seems incomprehensible: understood as code, it becomes apolitical; understood as a totality, it becomes overwhelming. This book takes an alternate approach, using it to unravel the operations of Uber and Palantir, Airbnb and Amazon Alexa. Moving off the whiteboard and into the world, the algorithmic must negotiate with frictions—the ‘merely’ technical routines of distributing data and running tasks coming together into broader social forces that shape subjectivities, steer bodies, and calibrate relationships. Driven by the imperatives of capital, the algorithmic exhausts subjects and spaces, a double move seeking to both exhaustively apprehend them and exhaust away their productivities. But these on-the-ground encounters also reveal that force is never guaranteed. The irreducibility of the world renders logic inadequate and control gives way to contingency. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Production Alexa Relationships Body Subjectivity Algorithm Subject Airbnb Labor Space Capital Contingency Uber Palantir Productivity meson press, publisher. https://doi.org/10.14619/1402 Connect to e-book https://meson.press/wp-content/uploads/2018/09/Munn_U1_web-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 04270nam 22008052 4500 40c7d203-9e7e-41f1-8bdd-bd390b82ab38 m o d cr n 260403t20202020 ob 000 0 eng d 9783957961556 (Paperback) 9783957961563 (PDF) 10.14619/1556 doi UkCbTOM eng local P87-96 APFA bicssc GLP bicssc JFD bicssc JFD bicssc JFDT bicssc KNT bicssc UKS bicssc PER004030 bisacsh LAN025020 bisacsh SOC052000 bisacsh BUS070060 bisacsh COM030000 bisacsh ATN thema ATFA thema GLP thema JBCT1 thema JBCT2 thema KNT thema UKS thema Balsom, Erika, author. King's College London. (orcid)0000000178072010 https://orcid.org/0000-0001-7807-2010 Format Matters : Standards, Practices, and Politics in Media Cultures / edited by Marek Jancovic, Axel Volmar, Alexandra Schneider. Lüneburg : meson press, 2020. ©2020 1 online resource (285 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star From TIFF files to TED talks, from book sizes to blues stations—the term “format” circulates in a staggering array of contexts and applies to entirely dissimilar objects and practices. How can such a pliable notion meaningfully function as an instrument of classification in so many industries and scientific communities? Comprising a wide range of case studies on the standards, practices, and politics of formats from scholars of photography, film, radio, television, and the Internet, Format Matters charts the many ways in which formats shape and are shaped by past and present media cultures. This volume represents the first sustained collaborative effort to advance the emerging field of format studies. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Formats Formatting Media Cultures Politics Practices Standards Jancovic, Marek, editor. Johannes Gutenberg University Mainz. Volmar, Axel, editor. University of Siegen. Schneider, Alexandra, editor. Johannes Gutenberg University Mainz. Fahle, Oliver, author. Ruhr University Bochum. Hoof, Florian, author. Leuphana University of Lüneburg. Linseisen, Elisa, author. Paderborn University. Lobato, Ramon, author. RMIT University. (orcid)0000000216897233 https://orcid.org/0000-0002-1689-7233 Meyer, Roland, author. Brandenburg University of Technology Cottbus-Senftenberg. (orcid)0000000167376959 https://orcid.org/0000-0001-6737-6959 Michell, Kalani, author. University of California, Los Angeles. Somaini, Antonio, author. Sorbonne Nouvelle University. Stauff, Markus, author. University of Amsterdam. Strauven, Wanda, author. Johannes Gutenberg University Mainz. Thomas, Julian, author. RMIT University. (orcid)0000000229074586 https://orcid.org/0000-0002-2907-4586 meson press, publisher. https://doi.org/10.14619/1556 Connect to e-book https://meson.press/wp-content/uploads/2019/12/Format-Matters-Cover.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03324nam 22005772 4500 85261c62-801d-41e9-961f-456bae51e842 m o d cr n 260403t20222022 ob 000 0 ger d 9783957961983 (Paperback) 9783957961990 (PDF) 10.14619/1983 doi UkCbTOM eng local P87-96 AZ(20)-999 B69-99 JFD bicssc PDA bicssc HP bicssc SOC052000 bisacsh SCI075000 bisacsh JBCT1 thema GTB thema PDA thema QD thema Dotzler, Bernhard J., author. University of Regensburg. Foucault, digital / Bernhard J. Dotzler, Henning Schmidgen. Lüneburg : meson press, 2022. ©2022 1 online resource (104 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Digital Cultures ; 0000-0005 0000-0004 Available through meson press. Open Access Unrestricted online access star Mitte der 1960er Jahre hat Michel Foucault die Methode der „Diskursanalyse“ in die Geistes- und Sozialwissenschaften eingeführt. Besonders in der Archäologie des Wissens hat er dafür plädiert, die Geschichte des Wissens und der Wissenschaften zum Gegenstand diskursanalytischer Untersuchungen zu machen. Über ein halbes Jahrhundert später ist im Bereich der Informatik ein zunehmendes Interesse an der Diskursanalyse zu verzeichnen. In der Regel spielt Foucault dabei aber keine Rolle. Fern von jeder Archäologie setzen auch die Digital Humanities vermehrt auf die Analyse von historischen und gegenwärtigen Diskursen. Angesichts dieser Konjunkturen ist es an der Zeit, die Archäologie des Wissens neu zu lesen. Denn schon 1968 behauptete der französische Historiker Emmanuel Le Roy Ladurie „Der zukünftige Historiker wird Programmierer sein, oder er wird nicht sein.“ Ein Jahr später gibt Foucault mit seinem Buch auf eben diese Herausforderung eine ebenso informierte wie nuancierte Antwort. Diese Antwort ist in ihrer Aktualität und Relevanz erst noch zu entdecken. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Foucault Digitalisierung Wissenschaftsgeschichte Digital Humanities Diskursanalyse Schmidgen, Henning, author. Bauhaus University, Weimar. meson press, publisher. Digital Cultures ; 0000-0005 0000-0004 https://doi.org/10.14619/1983 Connect to e-book https://meson.press/wp-content/uploads/2022/02/DotzlerSchmidgen_Foucault-Digital_L.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03360nam 22005172 4500 b2ce3a55-dab4-407a-b698-7c8090cbcab0 m o d cr n 260403t20242024 ob 000 0 ger d 9783957962386 (Paperback) 9783957962393 (PDF) 10.14619/2386 doi UkCbTOM eng local P87-96 SOC052000 bisacsh ART046000 bisacsh ATN thema JBCT1 thema AFKV thema Polze, Anna, author. Ruhr University Bochum. (orcid)0009000308017552 https://orcid.org/0009-0003-0801-7552 Fragile Evidenz : Videodokumente illegaler Zurückweisungen an Europas Grenzen / Anna Polze. Lüneburg : meson press, 2024. ©2024 1 online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier Future Ecologies ; 0000-0001 0000-0000 Available through meson press. Open Access Unrestricted online access star Pushbacks finden systematisch an den EU-Außengrenzen statt. Von offizieller Seite wird ihr Einsatz geheim gehalten oder geleugnet. Fragile Evidenz stellt die Frage, wie aus einem gescheiterten Fluchtversuch eine aussagekräftige Falldarstellung europäischer Grenzregime entstehen kann. Es begreift die Dokumentation illegaler Zurückweisungen als mediale Aushandlungen von Sichtbarkeit und Hörbarkeit, Aufmerksamkeit, öffentlicher Anerkennung und vor allem Evidenz.Eine zehnminütige Videoinvestigation der Rechercheagentur Forensic Architecture erweist sich als Symptom für die Krisen politischen Auftretens in digitalen Medien. Sie wird detailliert als Montage von Smartphone-Dokumenten fliehender Personen und den Medien forensischer Verifikation aufgeschlüsselt. Im Zentrum steht die Spannung zwischen Fluchtauftritt und Evidenzprozess, das Wechselspiel von ästhetischen Strategien und rhetorischen Wirksamkeiten, von Situiertheit und Infrastrukturen. Fragile Evidenz ist eine analytische Reaktion auf die anwachsende Präsenz forensischer Medienpraktiken in digitalen Bildkulturen. Deutsche Forschungsgemeinschaft DFG-Graduiertenkolleg 2132 Das Dokumentarische. Exzess und Entzug Ruhr University Bochum Open Access-Monographienfonds Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Medientheorie Dokumentation forensische Medienpraktiken digitale Bildkulturen Forensic Architecture meson press, publisher. Future Ecologies ; 0000-0001 0000-0000 https://doi.org/10.14619/2386 Connect to e-book https://meson.press/wp-content/uploads/2024/12/Fragile-Evidenz-Cover.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03650nam 22006012 4500 14600c04-2346-4a93-baaa-deb45999f137 m o d cr n 260403t20232023 ob 000 0 eng d 9783957962164 (Paperback) 9783957962171 (PDF) 10.14619/2164 doi UkCbTOM eng local P87-96 JFD bicssc GPFC bicssc SOC052000 bisacsh COM017000 bisacsh JBCT thema GPFC thema Cretu, Andrei, author. The Ohio State University. Frictions : Inquiries into Cybernetic Thinking and Its Attempts towards Mate[real]ization / edited by Diego Gómez-Venegas. Lüneburg : meson press, 2023. ©2023 1 online resource (204 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star Frictions is a collective invitation to embrace the space of difference that both connects and separates techno-scientific discourses from their actual implementations—or even, from their non-implementations. Through a series of case studies focused on cybernetics, systems research, and some of their more contemporary inheritors, this book argues that such a middle space, the topology of frictions, offers significant insights to assess the historical and epistemological relevance of these interconnected fields. Characterized here as cybernetic thinking, this broad area of theoretical and applied projects would conceal, precisely within its frictions, the operational principles of our present. Humboldt-Universität zu Berlin Open Access Publication Fund Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. media archaeology cybernetics systems research media theory media history Gómez-Venegas, Diego, editor. Humboldt-Universität zu Berlin. (orcid)000000015640204X https://orcid.org/0000-0001-5640-204X Ernst, Wolfgang, author. Humboldt-Universität zu Berlin. Fischer, Thomas, author. Southern University of Science and Technology. von Herrmann, Hans-Christian, author. Technische Universität Berlin. (orcid)0000000157443433 https://orcid.org/0000-0001-5744-3433 Höltgen, Stefan, author. University of Bonn. (orcid)0000000186698507 https://orcid.org/0000-0001-8669-8507 Nohr, Rolf F., author. Braunschweig University of Art. (orcid)0000000238174706 https://orcid.org/0000-0002-3817-4706 Schauerte, Eva, author. Schrickel, Isabell, author. Leuphana University of Lüneburg. Vehlken, Sebastian, author. University of Oldenburg. meson press, publisher. https://doi.org/10.14619/2164 Connect to e-book https://meson.press/wp-content/uploads/2023/08/Cover_Frictions.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02774nam 22005772 4500 6511c840-9121-472c-a21a-6403bfa17e8c m o d cr n 260403t20232023 ob 000 0 eng d 9783957960337 (Paperback) 9783957960344 (PDF) 10.14619/0337 doi UkCbTOM eng local P87-96 JFD bicssc AK bicssc JFFR bicssc JP bicssc KCA bicssc HD bicssc RNPG bicssc SOC052000 bisacsh DES000000 bisacsh SOC037000 bisacsh JBCT1 thema AK thema JBFZ thema JP thema KCA thema QD thema RNPG thema Preferable Futures / edited by Irina Kaldrack, Rolf F. Nohr. ©2023 1 online resource (121 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Digital Cultures ; 0000-0005 0000-0004 Available through meson press. Open Access Unrestricted online access star Preferable Futures delves into the question of possible, probable, and desirable futures amidst the pressures of climate change and digitalization. Through a diverse range of perspectives, the book explores ways to negotiate and create desirable futures using the concept of transformation design in theory and practice, economic business simulations, and recent humanistic theories. This thought-provoking read challenges us to imagine and (re)shape a future we cannot predict and find ways to make a difference right now. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Kaldrack, Irina, editor. Bauhaus University, Weimar. Nohr, Rolf F., editor. Braunschweig University of Art. (orcid)0000000238174706 https://orcid.org/0000-0002-3817-4706 meson press, publisher. Digital Cultures ; 0000-0005 0000-0004 https://doi.org/10.14619/0337 Connect to e-book https://meson.press/wp-content/uploads/2023/02/Cover_Preferable-Futures.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03651nam 22006492 4500 fa1ecc01-36e5-4c02-a152-53d98cb3b9d5 m o d cr n 260403t20172017 ob 000 0 ger d 9783957961006 (Paperback) 9783957961013 (PDF) 9783957961020 (Epub) 10.14619/021 doi UkCbTOM eng local P87-96 JBCT1 thema JKV thema KFFL thema Berendt, Bettina, author. KU Leuven. (orcid)0000000280033413 https://orcid.org/0000-0002-8003-3413 Profile : Interdisziplinäre Beiträge / edited by Martin Degeling, Julius Othmer, Andreas Weich, Bianca Westermann. Lüneburg : meson press, 2017. ©2017 1 online resource (150 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Digital Cultures ; 0000-0005 0000-0004 Available through meson press. Open Access Unrestricted online access star Profile haben Konjunktur. Seit der Verbreitung von Social Networking Sites sind sie alltäglicher Ort der Selbstdarstellung. Doch die Praktiken und Techniken der Profilierung sind keineswegs neu. Schon lange beschreiben Profile potentielle StraftäterInnen. Nun bestimmen sie auch die potentielle Kreditwürdigkeit.Im Spannungsfeld zwischen Profil und Profilierung nehmen die Beiträge aus Medienwissenschaft, Soziologie, Geschichtswissenschaft und Informatik die vielschichtigen Dimensionen dieses zentralen Phänomens der digitalen Medienkultur in den Blick: Wie verändern sich Bedeutung und Bewertung des Profil-Begriffs? Wie stehen Profile in Zusammenhang mit Subjektivierung und Machtkonstellationen? Welche Wechselwirkungen zwischen Profilen und Privatheit sind gegenwärtig relevant? Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Identität Subjekt Personalisierung Privacy Profiling Macht Profil Big Data Geschichte Degeling, Martin, editor. Carnegie Mellon University. Othmer, Julius, editor. Technical University of Braunschweig. Weich, Andreas, editor. Technical University of Braunschweig. Westermann, Bianca, editor. Ruhr University Bochum. Bernard, Andreas, author. Leuphana University of Lüneburg. Grashöfer, Katja, author. Ruhr University Bochum. Kaldrack, Irina, author. Braunschweig University of Art. Lehner, Nikolaus, author. University of Vienna. Schmitt, Martin, author. Centre for Contemporary History. Pittroff, Fabian, author. University of Kassel. meson press, publisher. Digital Cultures ; 0000-0005 0000-0004 https://doi.org/10.14619/021 Connect to e-book https://meson.press/wp-content/uploads/2017/08/978-3-95796-100-6_COVER.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02607nam 22004332 4500 fae13043-5f7f-4739-84ff-7befb77aaf5f m o d cr n 260403t20252025 ob 000 0 eng d 9783957960689 (Paperback) 9783957960696 (PDF) 10.14619/0689 doi UkCbTOM eng local JV1-9480 P87-96 SOC052000 bisacsh JBCT thema NHTR1 thema Bergermann, Ulrike, author. Braunschweig University of Art. Property : Colonial Histories and Messages to the Future / Ulrike Bergermann. Lüneburg : meson press, 2025. ©2025 1 online resource (120 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Configurations of Film ; 0000-0009 0000-0008 Available through meson press. Open Access Unrestricted online access star To possess something is to lose something: Start­ing from this seemingly contradictory claim this essay invokes various registers to defamiliarize the ways in which property structures subjec­tivity, world relations and affects. Intertwined with colonialism, racism and sexism, concepts of property have found an echo in piracy and “postcolonial copyright.” At the level of theory, a crossing out and a reversal of time are required to undo property-related violence and its mind­sets. At the level of artistic practice new modes of appropriation become imaginable. And while the commons will not be restored, multiple modes of having and commoning are possible. Deutsche Forschungsgemeinschaft 310565625 Graduiertenkolleg GRK 2279: Konfigurationen des Films Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. meson press, publisher. Configurations of Film ; 0000-0009 0000-0008 https://doi.org/10.14619/0689 Connect to e-book https://meson.press/wp-content/uploads/2025/09/Poperty_Frontcover-1.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03038nam 22006012 4500 41cdd32b-c5e6-4eb9-beff-bd8e4a6cc69a m o d cr n 260403t20212021 ob 000 0 eng d 9783957961549 (PDF) 10.14619/154-9 doi UkCbTOM eng local P87-96 HQ1101-2030.7 JFD bicssc AFKV bicssc JFFK bicssc SOC052000 bisacsh ART057000 bisacsh SOC010000 bisacsh JBCT1 thema ATN thema JBSF11 thema Juhasz, Alexandra, author. Brooklyn College. (orcid)0000000176167323 https://orcid.org/0000-0001-7616-7323 Really Fake / Alexandra Juhasz, Ganaele Langlois, Nishant Shah. Lüneburg : meson press, 2021. ©2021 1 online resource (128 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier In Search of Media ; 0000-0007 0000-0006 Available through meson press. Open Access Unrestricted online access star With anchors in feminist theory, queer discourse, and digital politics, Really Fake rescues “fakeness” from the morass of “fake news” and rejuvenates “fake” as a material and tactical reality. This book treats fakeness as a media object itself: “Fakes” are things that travel and circulate through our bodies, sociality, and the technologies that envelop them. Punctuated with anecdotes, experiences, poetry, stories, and a strong feminist ethic and ethos of care, intimacy, and collectivity, Really Fake offers a series of entry points into reframing the debates of fakeness beyond polarized positions of performative outrage. Simon Fraser University Canada 150 Research Chairs Program Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-nc/4.0/ Metadata licensed under CC0 Public Domain Dedication. Feminism Care Intimacy Digital Politics Collectivity Fakeness Queer Theory Langlois, Ganaele, author. York University. Shah, Nishant, author. ArtEZ Institute of the Arts. meson press, publisher. In Search of Media ; 0000-0007 0000-0006 https://doi.org/10.14619/154-9 Connect to e-book https://meson.press/wp-content/uploads/2021/07/9783957961549_Cover.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03851nam 22005652 4500 f24a1091-900b-402b-bab8-d3fbace95e52 m o d cr n 260403t20222022 ob 000 0 eng d 9783957962089 (Paperback) 9783957962096 (PDF) 10.14619/2089 doi UkCbTOM eng local P87-96 JFD bicssc SOC052000 bisacsh JBCT1 thema Beckmann, Marie Sophie, author. University of Oldenburg. Records of Disaster : Media Infrastructures and Climate Change / edited by Jakob Claus, Petra Löffler. Lüneburg : meson press, 2022. ©2022 1 online resource (164 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Future Ecologies ; 0000-0001 0000-0000 Available through meson press. Open Access Unrestricted online access star Records of Disasters: Media Infrastructures and Climate Change explores how environmental disasters manifest and inscribe themselves in infrastructures. By turning to infrastructures, their logic and functioning, collapse and malfunction, the volume reveals their potential as fragile material witnesses to and of disasters. As climate change is unequally distributed across continuous dynamics and events, time scales and spatial registers, infrastructures can be understood as proxies or seismographs mediating different spatio-temporal layers that make these dynamics tangible. Disaster is made operational by negotiating what is defined as such, and under which geopolitical conditions. What connects melting glaciers and the knowledge from ice cores to the mapping of the ocean floor and the extraction of resources in the deep-sea? How can infrastructures be thought in time and “critical proximity”, and how do they bear witness to colonial pasts and presents? The volume proposes an analytical perspective on infrastructures as multi-layered witnesses to climate change, bringing together scientific and artistic approaches, students and scholars from different disciplines. Niedersächsisches Ministerium für Wissenschaft und Kultur Niedersächsisches Vorab Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Geopolitics Media Studies Infrastructures Climate Change Claus, Jakob, editor. University of Oldenburg. Löffler, Petra, editor. University of Oldenburg. Bolwin, Charlotte, author. Bauhaus University, Weimar. Köppert, Katrin, author. Hochschule für Grafik und Buchkunst Leipzig. Linke, Armin Linke, author. Schabacher, Gabriele, author. Johannes Gutenberg University Mainz. Schuppli, Susan, author. Goldsmiths University of London. Suess, Solveig Qu, author. University of Applied Sciences and Arts Northwestern Switzerland. meson press, publisher. Future Ecologies ; 0000-0001 0000-0000 https://doi.org/10.14619/2089 Connect to e-book https://meson.press/wp-content/uploads/2022/12/978-3-95796-209-6-Records-of-Disaster_FC.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02441nam 22004812 4500 64454359-e061-47e9-8d42-eb2af1456d93 m o d cr n 260403t20192019 ob 000 0 eng d 9783957961495 (PDF) 10.14619/1495 doi UkCbTOM eng local P87-96 JFD bicssc SOC052000 bisacsh JBCT1 thema Jucan, Ioana B., author. Remain / Ioana B. Jucan, Jussi Parikka, Rebecca Schneider. Lüneburg : meson press, 2019. ©2019 1 online resource (108 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier In Search of Media ; 0000-0007 0000-0006 Available through meson press. Open Access Unrestricted online access star In a world undergoing constant media-driven change, the infrastructures, materialities, and temporalities of remains have become urgent. This book engages with the remains and remainders of media cultures through the lens both of theater and performance studies and of media archaeology. By taking “remain” as a verb, noun, state, and process of becoming, the authors explore the epistemological, social, and political implications. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-nc/4.0/ Metadata licensed under CC0 Public Domain Dedication. media infrastructures materialities theater studies performance studies media archealogy Parikka, Jussi, author. (orcid)0000000222486377 https://orcid.org/0000-0002-2248-6377 Schneider, Rebecca, author. meson press, publisher. In Search of Media ; 0000-0007 0000-0006 https://doi.org/10.14619/1495 Connect to e-book https://meson.press/wp-content/uploads/2019/04/Remain_Cover.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 04683nam 22006132 4500 a3ac08e3-9855-4d5c-9d3d-a6399f7e059a m o d cr n 260403t20142014 ob 000 0 eng d 9783957960009 (Paperback) 9783957960016 (PDF) 9783957960023 (Epub) 10.14619/001 doi UkCbTOM eng local P87-96 JFDV bicssc SOC052000 bisacsh JBCT1 thema JBCT3 thema Fizek, Sonia, editor, author. Leuphana University of Lüneburg. Rethinking Gamification / edited by Mathias Fuchs, Sonia Fizek, Paolo Ruffino, Niklas Schrape. Lüneburg : meson press, 2014. ©2014 1 online resource (344 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star Gamification marks a major change to everyday life. It describes the permeation of economic, political, and social contexts by game-elements such as awards, rule structures, and interfaces that are inspired by video games. Sometimes the term is reduced to the implementation of points, badges, and leaderboards as incentives and motivations to be productive. Sometimes it is envisioned as a universal remedy to deeply transform society toward more humane and playful ends. Despite its use by corporations to manage brand communities and personnel, however, gamification is more than just a marketing buzzword. States are beginning to use it as a new tool for governing populations more effectively. It promises to fix what is wrong with reality by making every single one of us fitter, happier, and healthier. Indeed, it seems like all of society is up for being transformed into one massive game.The contributions in this book offer a candid assessment of the gamification hype. They trace back the historical roots of the phenomenon and explore novel design practices and methods. They critically discuss its social implications and even present artistic tactics for resistance. It is time to rethink gamification! European Union European Regional Development Fund Innovation Incubator Lüneburg Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Game Studies Gamification Media Studies Fuchs, Mathias, editor. Leuphana University of Lüneburg. (orcid)0000000345433478 https://orcid.org/0000-0003-4543-3478 Ruffino, Paolo, editor, author. Leuphana University of Lüneburg. Schrape, Niklas, editor, author. Leuphana University of Lüneburg. Deterding, Sebastian, author. Rochester Institute of Technology. (orcid)0000000300332104 https://orcid.org/0000-0003-0033-2104 Dragona, Daphne, author. National and Kapodistrian University of Athens. (orcid)0000000316972499 https://orcid.org/0000-0003-1697-2499 Ferri, Gabriele, author. Indiana University. (orcid)0000000239003351 https://orcid.org/0000-0002-3900-3351 Foxman, Maxwell, author. Columbia University. (orcid)0000000164994372 https://orcid.org/0000-0001-6499-4372 Nicholson, Scott, author. Syracuse University. Philippette, Thibault, author. Université Catholique de Louvain. (orcid)0000000156633956 https://orcid.org/0000-0001-5663-3956 Poltronieri, Fabrizio Augusto, author. Pontifícia Universidade Católica de São Paulo. (orcid)0000000174816086 https://orcid.org/0000-0001-7481-6086 Raczkowski, Felix, author. Ruhr University Bochum. Raessens, Joost, author. Utrecht University. (orcid)0000000206663118 https://orcid.org/0000-0002-0666-3118 Tiessen, Matthew, author. Toronto Metropolitan University. meson press, publisher. https://doi.org/10.14619/001 Connect to e-book https://meson.press/wp-content/uploads/2015/03/9783957960009-cover.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 04278nam 22008652 4500 1fd727ff-d2dc-406c-bc0d-a2739da3b1bd m o d cr n 260403t20242024 ob 000 0 eng d 9783957960184 (Paperback) 9783957960191 (PDF) 10.14619/0184 doi UkCbTOM eng local P87-96 APFA bicssc APT bicssc GLP bicssc JFD bicssc PER004030 bisacsh SOC052000 bisacsh SOC064000 bisacsh ATFA thema ATJ thema GLP thema JBCT thema JBSF2 thema Allouche, Claire, author. Paris 8 University. Serge Daney and Queer Cinephilia / edited by Pierre Eugène, Kate Ince, Marc Siegel. Lüneburg : meson press, 2024. ©2024 1 online resource (310 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Configurations of Film ; 0000-0009 0000-0008 Available through meson press. Open Access Unrestricted online access star French critic Serge Daney was a central figure in film, television and media criticism of the second half of the twentieth century. He died of AIDS in 1992, just as the concept of queer cinema entered international film studies and just before the start of the digital era that has transformed film culture. This collection of new essays investigates the legacy of Daney’s work alongside considerations of feminist, queer and digital cinephilia and contemporary practices of film curation. Deutsche Forschungsgemeinschaft 310565625 Graduiertenkolleg GRK 2279: Konfigurationen des Films Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. digital film film curation cinephilia tv criticism film criticism media criticism queer cinema queer cinema film studies film culture Eugène, Pierre, editor. University of Picardie Jules Verne. (orcid)0009000714458695 https://orcid.org/0009-0007-1445-8695 Ince, Kate, editor. University of Birmingham. (orcid)0000000204560238 https://orcid.org/0000-0002-0456-0238 Siegel, Marc, editor. Johannes Gutenberg University Mainz. (orcid)0000000163269558 https://orcid.org/0000-0001-6326-9558 Bellour, Raymond, author. Centre National de la Recherche Scientifique. Delmas, Mélina, author. University of Warwick. Dowd, Garin, author. University of West London. Galibert-Laîné, Chloé, author. (orcid)0009000135038557 https://orcid.org/0009-0001-3503-8557 Heath, Theresa, author. Loughborough University. Inzerillo, Andrea, author. Joubert-Laurencin, Hervé, author. Université Paris Nanterre. Keidl, Philipp Dominik, author. Utrecht University. Pageau, Simon, author. Pierre-Ulmann, Sylvie, author. Pourvali, Bamchade, author. Rollet, Patrice, author. Uzal, Marcos, author. Mayer, So, author. Robertson, Selina, author. meson press, publisher. Configurations of Film ; 0000-0009 0000-0008 https://doi.org/10.14619/0184 Connect to e-book https://meson.press/wp-content/uploads/2021/07/Serge_Daney_and_Queer_Cinephilia_Cover.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 04349nam 22008052 4500 4ceae956-a5a3-43a5-96a7-ae87f0cb1b21 m o d cr n 260403t20172017 ob 000 0 eng d 9783957960856 (Paperback) 9783957960863 (PDF) 10.14619/018 doi UkCbTOM eng local AZ(20)-999 HM621-656 HP bicssc JFFS bicssc JF bicssc TBX bicssc PHI000000 bisacsh LIT020000 bisacsh POL033000 bisacsh QD thema DSM thema GTQ thema JB thema TBX thema Brillenburg Wurth, Kiene, author. Utrecht University. Symptoms of the Planetary Condition : A Critical Vocabulary / edited by Mercedes Bunz, Birgit Mara Kaiser, Kathrin Thiele. Lüneburg : meson press, 2017. ©2017 1 online resource (272 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star This book explores the future of critique in view of our planetary condition. How are we to intervene in contemporary constellations of finance capitalism, climate change and neoliberalism? Think we must! To get to the symptoms, the book’s 38 terms ranging from affect and affirmation to world and work provide the reader with a critical toolbox to be continued. Negativity, judgment and opposition as modes of critique have run out of steam. Critique as an attitude and a manner of enquiry has not. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. technology humanities literature globalization politics critical theory critique Bunz, Mercedes, editor. University of Westminster. (orcid)0000000328760522 https://orcid.org/0000-0003-2876-0522 Kaiser, Birgit Mara, editor. Utrecht University. Thiele, Kathrin, editor. Utrecht University. Buikema, Rosemarie, author. Utrecht University. Driscoll, Kári, author. University of Westminster. (orcid)0000000246544666 https://orcid.org/0000-0002-4654-4666 Förster, Yvonne, author. Leuphana University of Lüneburg. (orcid)0000000251743256 https://orcid.org/0000-0002-5174-3256 Halsema, Annemie, author. VU Amsterdam. Lawlor, Leonard, author. Pennsylvania State University. Lezra, Jacques, author. New York University. (orcid)000000018017784X https://orcid.org/0000-0001-8017-784X McAuliffe, Sam, author. Goldsmiths University of London. O’Leary, Timothy, author. University of Hong Kong. Papenburg, Bettina, author. Heinrich Heine University Düsseldorf. Peeren, Esther, author. University of Amsterdam. (orcid)0000000264322493 https://orcid.org/0000-0002-6432-2493 Szafraniec, Asja, author. Amsterdam University College. Sehgal, Melanie, author. European University Viadrina. van Keulen, Sybrandt, author. Vasterling, Veronica, author. Radboud University, Nijmegen. Wagner-Lawlor, Jennifer A., author. Pennsylvania State University. (orcid)0000000346670133 https://orcid.org/0000-0003-4667-0133 meson press, publisher. https://doi.org/10.14619/018 Connect to e-book https://meson.press/wp-content/uploads/2017/01/978-3-95796-086-3_Symptoms_COVER.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 04396nam 22007092 4500 97e922ea-d70c-477d-8ef1-30254b8bfaa3 m o d cr n 260403t20242024 ob 000 0 ger d 9783957962225 (Paperback) 9783957962232 (PDF) 10.14619/2225 doi UkCbTOM eng local P87-96 SOC052000 bisacsh PHI000000 bisacsh JBCT thema QD thema Bocquillon, Rémy, author. Catholic University of Eichstätt-Ingolstadt. (orcid)0000000328757040 https://orcid.org/0000-0003-2875-7040 Szenen kritischer Relationalität / edited by Charlotte Bolwin, Jasmin Degeling, Gabriel Geffert, Martin Kallmeyer, Gereon Rahnfeld, Nathalie Schäfer, Katia Schwerzmann. Lüneburg : meson press, 2024. ©2024 1 online resource (256 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star Kritische Relationalität interveniert in Ordnungen des Denkens, die Kritik als Operation des Trennens und Auseinanderhaltens entworfen und damit die modernen Dualismen von Menschlichem und Nicht-Menschlichem, Subjekten und Objekten, Organischem und Technischem, Natur und Kultur geprägt haben. Ausgehend von multiplen, verschränkten Krisen suchen die Beiträge dieses Bandes konkrete Szenen auf, in denen das kritische Potenzial von Verbindungen und Verstrickungen anschaulich wird. Das Ausloten von Relationalität wird dabei zu einem analytischen Modus, der für die Produktivität von Verbindungen sensibilisiert und zugleich ihre differenziellen Dimensionen anerkennt. Deutsche Forschungsgemeinschaft 413067638 Graduiertenkolleg GRK2558/1: Medienanthropologie Deutsche Forschungsgemeinschaft Open-Access-Publikationskosten Bauhaus University, Weimar Publikationsfonds Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Medien Relationalität Kritik Bolwin, Charlotte, editor. Bauhaus University, Weimar. Degeling, Jasmin, editor. Paderborn University. Geffert, Gabriel, editor. Bauhaus University, Weimar. Kallmeyer, Martin, editor. Bauhaus University, Weimar. Rahnfeld, Gereon, editor. Bauhaus University, Weimar. Schäfer, Nathalie, editor. Bauhaus University, Weimar. Schwerzmann, Katia, editor. Ruhr University Bochum. Claus, Jakob, author. University of Oldenburg. Deuber-Mankowsky, Astrid, author. Ruhr University Bochum. Engell, Lorenz, author. Bauhaus University, Weimar. Gineprini, Lorenzo, author. Bauhaus University, Weimar. Hohmann, Philipp, author. Ruhr University Bochum. Krivanec, Eva, author. Bauhaus University, Weimar. Raskin, Irina, author. Braunschweig University of Art. Rünker, Maximilian, editor. Bauhaus University, Weimar. Schade, Julia, author. Ruhr University Bochum. (orcid)0000000345324159 https://orcid.org/0000-0003-4532-4159 Siegler, Martin, author. Bauhaus University, Weimar. Voss, Christiane, author. Bauhaus University, Weimar. Walther, Max, author. Bauhaus University, Weimar. Weigelt, Shirin, author. Bauhaus University, Weimar. meson press, publisher. https://doi.org/10.14619/2225 Connect to e-book https://meson.press/wp-content/uploads/2024/02/978-3-95796-223-2_Szenen_kritischer_Relationalitaet-Cover.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 04680nam 22006732 4500 e1cab02b-71f2-4e7f-9721-a6559ecc4db8 m o d cr n 260403t20242024 ob 000 0 eng d 9783957960238 (Paperback) 9783957960245 (PDF) 10.14619/0238 doi UkCbTOM eng local P87-96 SOC000000 bisacsh PER004000 bisacsh POL010000 bisacsh JBC thema ATF thema JPA thema Fischer, Larissa, author. RWTH Aachen University. Tacit Cinematic Knowledge : Approaches and Practices / edited by Rebecca Boguska, Guilherme da Silva Machado, Rebecca Puchta, Marin Reljić. Lüneburg : meson press, 2024. ©2024 1 online resource (268 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Configurations of Film ; 0000-0009 0000-0008 Available through meson press. Open Access Unrestricted online access star Moving images are increasingly finding their way into laboratories, dentist offices, clinics, airports and gyms. In these places and institutions film and moving image technologies serve to advance knowledge, to show how things are done, to train, teach, educate, mobilize people, as well as to imagine complex social facts and visualize dynamic models and schemes through data visualizations, pattern recognition software, and in social graphs. But what these moving images do goes beyond instruction, illustration and visual education. This publication introduces the concept of tacit cinematic knowledge to designate a broad variety of epistemic environments in which knowledge is configured in and through cinematic practices, and in the interaction with moving images. The concept thus describes a challenge not only for film and media scholars, but also for social scientists, economists, data analysts and artists.Covering areas of study beyond the cinema and non-theatrical films which have recently become a focus of inquiry, the contributions analyze the operations of tacit cinematic knowledge in objects ranging from political campaigns, medical and scientific devices, corporate communications, devices for the study of animal behavior and more. Deutsche Forschungsgemeinschaft 310565625 Graduiertenkolleg GRK 2279: Konfigurationen des Films Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. knowledge epistemics cinema Boguska, Rebecca, editor. da Silva Machado, Guilherme, editor. Puchta, Rebecca, editor. (orcid)0000000155975452 https://orcid.org/0000-0001-5597-5452 Reljić, Marin Reljić, editor. Hariharan, Veena, author. Jawaharlal Nehru University. Hediger, Vinzenz, author. Goethe University Frankfurt. (orcid)0000000234552423 https://orcid.org/0000-0002-3455-2423 Mariani, Andrea, author. University of Udine. (orcid)0000000272766529 https://orcid.org/0000-0002-7276-6529 Paul, Bettina, author. Universität Hamburg. Rakin, Jelena, author. University of Zurich. (orcid)0000000311704401 https://orcid.org/0000-0003-1170-4401 R., Haritha, author. Salles, Claire, author. (orcid)0000000262107247 https://orcid.org/0000-0002-6210-7247 Schmidgen, Henning, author. Bauhaus University, Weimar. Simon, Felix M., author. Oxford Internet Institute. (orcid)0000000203714653 https://orcid.org/0000-0002-0371-4653 Soares, Felipe, author. Universidade Federal de Santa Catarina. Turquety, Benoît, author. Paris 8 University. meson press, publisher. Configurations of Film ; 0000-0009 0000-0008 https://doi.org/10.14619/0238 Connect to e-book https://meson.press/wp-content/uploads/2021/07/Tacit_Cinematic_Knowledge_FC.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02909nam 22005652 4500 a651589a-e4ed-42cb-bbe8-ab753a2dc318 m o d cr n 260403t20212021 ob 000 0 eng d 9783957961839 (Paperback) 9783957961846 (PDF) 10.14619/1839 doi UkCbTOM eng local NX1-820 AFKV bicssc JFD bicssc ART046000 bisacsh SOC052000 bisacsh AFKV thema ATN thema JBCT1 thema Zeilinger, Martin, author. Abertay University. Tactical Entanglements : AI Art, Creative Agency, and the Limits of Intellectual Property / Martin Zeilinger. Lüneburg : meson press, 2021. ©2021 1 online resource (186 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commons, this book is firmly positioned against the anthropomorphic spectacle of “creative AI.” It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes tactical entanglements between aesthetics, law, and capital. Abertay University Open Access Publication Fund Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Posthumanism Intellectual Property Law Artificial Intelligence Art Authorship Aesthetics Creative Agency Capital Ownership meson press, publisher. https://doi.org/10.14619/1839 Connect to e-book https://meson.press/wp-content/uploads/2021/03/Zeilinger_FC_l.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02200nam 22004692 4500 2bd07507-d6be-4818-a863-8dddce625013 m o d cr n 260403t20222022 ob 000 0 eng d 9783957960290 (PDF) 10.14619/029-0 doi UkCbTOM eng local P87-96 JFD bicssc SOC052000 bisacsh JBCT1 thema Neves, Joshua, author. Technopharmacology / Joshua Neves, Aleena Chia, Susanna Paasonen, Ravi Sundaram. Lüneburg : meson press, 2022. ©2022 1 online resource (144 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier In Search of Media ; 0000-0007 0000-0006 Available through meson press. Open Access Unrestricted online access star Technopharmacology is a modest call to expand media theoretical inquiry by attending to the biological, neurological, and pharmacological dimensions of media and centers on emergent affinities between big data and big pharma. Simon Fraser University Canada 150 Research Chairs Program Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-nc/4.0/ Metadata licensed under CC0 Public Domain Dedication. big data big pharma Chia, Aleena, author. Paasonen, Susanna, author. Sundaram, Ravi, author. meson press, publisher. In Search of Media ; 0000-0007 0000-0006 https://doi.org/10.14619/029-0 Connect to e-book https://meson.press/wp-content/uploads/2022/08/TechnoPharmmacology_Cover-1.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03067nam 22006612 4500 8d7e0885-31b0-492a-9dd6-dec00015d124 m o d cr n 260403t20152015 ob 000 0 eng d 9783957960108 (Paperback) 9783957960115 (PDF) 9783957960122 (Epub) 10.14619/007 doi UkCbTOM eng local P87-96 PN3427-3448 HQ1101-2030.7 FL bicssc JFFK bicssc UYQ bicssc FIC028000 bisacsh SOC010000 bisacsh COM004000 bisacsh FL thema JBSF11 thema UYQ thema Caronia, Antonio, author. The Cyborg : A Treatise on the Artificial Man / Antonio Caronia. Lüneburg : meson press, 2015. ©2015 1 online resource (172 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star Born on the pages of science fiction comics in the 1920s and 30s, the cyborg lives in popular imagination. As hero of the cyberpunk epic, in its brief but intense history, the cyborg has followed and anticipated the rapport and conflict between man and machine.In the post-fordist era of digital networked media the cyborg unfolds itself in the dissemination of multiple bodies: on the Internet, in the shift of individual identity, in the new collective aggregation connected by software. It bridges virtuality and concreteness, possibility and necessity. The cyborg thus becomes a field of social conflict, one of the new figures in which the bio-political perspective is embodied. European Union European Regional Development Fund Innovation Incubator Lüneburg Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. body Donna Haraway Ray Kurzweil cyberculture AI William Gibson transhumanism science fiction hybrids cyberpunk cyberfemism artificial intelligence Booth, Robert, translator. meson press, publisher. https://doi.org/10.14619/007 Connect to e-book http://meson.press/wp-content/uploads/2015/05/Caronia-Cyborg-U1-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03697nam 22004932 4500 3b769a54-5e54-45fc-afb2-c2dc335e5329 m o d cr n 260403t20252025 ob 000 0 eng d 9783957962591 (Paperback) 9783957962607 (PDF) 10.14619/2591 doi UkCbTOM eng local P87-96 NX440-632 SOC052000 bisacsh ART046000 bisacsh JBCT1 thema AGA thema AFKV thema Broeckmann, Andreas, author. Hochschule für Grafik und Buchkunst Leipzig. (orcid)0000000163229062 https://orcid.org/0000-0001-6322-9062 The Making of Les Immatériaux / Andreas Broeckmann. Lüneburg : meson press, 2025. ©2025 1 online resource (352 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star The exhibition Les Immatériaux was presented at the Centre Pompidou in Paris in 1985. Curated by the philosopher Jean-François Lyotard and design theoretician Thierry Chaput, it is widely regarded as a landmark in the history of postmodern philosophy, as well as for discourses around art, science and digital culture.Broeckmann’s book provides the first comprehensive account of the preparation of this epochal event. It shows how the exhibition resulted from multiple, collaborative and interdisciplinary trajectories in such diverse fields as contemporary art, architecture, science, and network media. Based on extensive archival research, The Making of Les Immatériaux offers detailed insights into the curatorial process. Throughout its ten chapters, the book highlights the different forms of cooperation among the people involved in the conception of the exhibition, including Lyotard, Chaput, the team at the Centre de Création Industrielle, and their consultations with artists, theorists, and scientists.Les Immatériaux marks a pivotal point in the history of exhibitions in the 20th century because it gave important impulses for the organisation, design and structure of interdisciplinary exhibitions. Broeckmann discusses the place of Les Immatériaux in the broader context of this history, examining the epistemology of exhibits, curatorial agency, and interdisciplinarity in research networks. The book takes up current questions about the relationship between materiality and immateriality, between subjectivity and thinghood, and shows how Les Immatériaux continues to offer a significant contribution to debates that over the last decades have become ever more urgent. Deutsche Forschungsgemeinschaft Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. art history exhibition history curating new media immateriality meson press, publisher. https://doi.org/10.14619/2591 Connect to e-book https://meson.press/wp-content/uploads/2025/02/9783957962591_FC.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02412nam 22005172 4500 bed1bcda-84e2-47cd-9f60-15bc20bf90e3 m o d cr n 260403t20152015 ob 000 0 eng d 9783957960603 (Paperback) 9783957960610 (PDF) 9783957960627 (Epub) 10.14619/011 doi UkCbTOM eng local P87-96 TK5101-6720 GTC bicssc JFDT bicssc LAN004000 bisacsh PER010000 bisacsh GTC thema JBCT2 thema Elstein, David, author. The Political Structure of UK Broadcasting 1949–1999 / David Elstein. Lüneburg : meson press, 2015. ©2015 1 online resource (208 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Media, Democracy & Political Process ; 0000-0003 0000-0002 Available through meson press. Open Access Unrestricted online access star In 1999 David Elstein delivered a lecture series examining the evolvement of UK Broadcasting policy from 1949 to 1999. His sharp analysis is a valuable contribution to the post-war development of the British broadcasting system and unfolds many topical issues in current media policy debates. European Union European Regional Development Fund Innovation Incubator Lüneburg Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Broadcasting media policy BBC meson press, publisher. Media, Democracy & Political Process ; 0000-0003 0000-0002 https://doi.org/10.14619/011 Connect to e-book http://meson.press/wp-content/uploads/2015/07/Elstein-Cover_small-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03801nam 22007332 4500 9a0ddf51-69f0-465a-906f-43c4a545e507 m o d cr n 260403t20152015 ob 000 0 eng d 9783957960405 (Paperback) 9783957960412 (PDF) 9783957960429 (Epub) 10.14619/005 doi UkCbTOM eng local P87-96 T58.5-58.64 JFD bicssc UBW bicssc UTN bicssc UTP bicssc SOC052000 bisacsh COM060000 bisacsh COM043040 bisacsh JBCT1 thema UBW thema UTN thema UTP thema Sprenger, Florian, author. (orcid)0000000252258711 https://orcid.org/0000-0002-5225-8711 The Politics of Micro-Decisions : Edward Snowden, Net Neutrality, and the Architectures of the Internet / Florian Sprenger. Lüneburg : meson press, 2015. ©2015 1 online resource (128 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Digital Cultures ; 0000-0005 0000-0004 Available through meson press. Open Access Unrestricted online access star Be it in the case of opening a website, sending an email, or high-frequency trading, bits and bytes of information have to cross numerous nodes at which micro-decisions are made. These decisions concern the most efficient path through the network, the processing speed, or the priority of incoming data packets.Despite their multifaceted nature, micro-decisions are a dimension of control and surveillance in the twenty-first century that has received little critical attention. They represent the smallest unit and the technical precondition of a contemporary network politics – and of our potential opposition to it. The current debates regarding net neutrality and Edward Snowden’s revelation of NSA surveillance are only the tip of the iceberg. What is at stake is nothing less than the future of the Internet as we know it. European Union European Regional Development Fund Innovationsinkubator Niedersächsisches Ministerium für Wissenschaft und Kultur Niedersächsisches Vorab Volkswagen Foundation Niedersächsisches Vorab Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. materiality Edward Snowden media studies power politics surveillance net neutrality networking micro-decisions Paul Baran internet architecture infrastructure Kelty, Christopher, foreword by. (orcid)0000000302535554 https://orcid.org/0000-0003-0253-5554 Pakis, Valentine, translator. meson press, publisher. Digital Cultures ; 0000-0005 0000-0004 https://doi.org/10.14619/005 Connect to e-book https://meson.press/wp-content/uploads/2015/04/9783957960412-Sprenger-The_Politics_of_Micro-Descisions_COVER.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 04145nam 22006732 4500 9d876020-fb2f-4fdb-a5d9-93c1e43ae8a2 m o d cr n 260403t20152015 ob 000 0 eng d 9783957960559 (Paperback) 9783957960566 (PDF) 9783957960573 (Epub) 10.14619/008 doi UkCbTOM eng local P87-96 JFD bicssc SOC052000 bisacsh JBCT1 thema Erickson, Seth, author. University of California, Los Angeles. (orcid)0000000255707201 https://orcid.org/0000-0002-5570-7201 There is no Software, there are just Services / edited by Irina Kaldrack, Martina Leeker. Lüneburg : meson press, 2015. ©2015 1 online resource (114 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Digital Cultures ; 0000-0005 0000-0004 Available through meson press. Open Access Unrestricted online access star Is software dead? Services like Google, Dropbox, Adobe Creative Cloud, or Social Media apps are all-pervasive in our digital media landscape. This marks the (re)emergence of the service paradigm that challenges traditional business and license models as well as modes of media creation and use. The short essays in this edited collection discuss how services shift the notion of software, the cultural technique of programming, conditions of labor as well as the ecology and politics of data and how they influence dispositifs of knowledge.Contributors: Ned Rossiter, Jussi Parikka, Christoph Neubert, Liam Magee, Andrew Lison, Christopher M. Kelty, Anders Fagerjord, and Seth Erickson. European Union European Regional Development Fund Innovationsinkubator Niedersächsisches Ministerium für Wissenschaft und Kultur Niedersächsisches Vorab Volkswagen Foundation Niedersächsisches Vorab Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. services social media knowledge programming software cultural technique data business models digital labor Kaldrack, Irina, editor. Leuphana University of Lüneburg. Leeker, Martina, editor. Leuphana University of Lüneburg. Fagerjord, Anders, author. University of Oslo. (orcid)0000000153910292 https://orcid.org/0000-0001-5391-0292 Kelty, Christopher, author. University of California, Los Angeles. (orcid)0000000302535554 https://orcid.org/0000-0003-0253-5554 Lison, Andrew, author. University of Kansas. (orcid)0000000226605249 https://orcid.org/0000-0002-2660-5249 Magee, Liam, author. Western Sydney University. (orcid)0000000326961064 https://orcid.org/0000-0003-2696-1064 Neubert, Christoph, author. Paderborn University. Parikka, Jussi, author. University of Southampton. (orcid)0000000222486377 https://orcid.org/0000-0002-2248-6377 Rossiter, Ned, author. Western Sydney University. (orcid)0000000307102109 https://orcid.org/0000-0003-0710-2109 meson press, publisher. Digital Cultures ; 0000-0005 0000-0004 https://doi.org/10.14619/008 Connect to e-book http://meson.press/wp-content/uploads/2015/06/Kaldrack-No-Software-Just-Services-Cover_Web-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02762nam 22006372 4500 36f7480e-ca45-452c-a5c0-ba1dccf135ec m o d cr n 260403t20212021 ob 000 0 eng d 9783957961860 (Paperback) 9783957961877 (PDF) 10.14619/1860 doi UkCbTOM eng local P87-96 PN1993-1994 PN1992-1992.92 JFD bicssc APFA bicssc APT bicssc AFKV bicssc SOC052000 bisacsh PER004030 bisacsh PER010000 bisacsh JBCT1 thema ATFA thema ATJ thema ATN thema Strauven, Wanda, author. Columbia University. Touchscreen Archaeology : Tracing Histories of Hands-On Media Practices / Wanda Strauven. Lüneburg : meson press, 2021. ©2021 1 online resource (260 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star The touchscreen belongs to a century-long history of hands-on media practices and touchable art objects. This media-archaeological excavation examines the nature of our sensual involvement with media and invites the reader to think about the touchscreen beyond its technological implications. In six chapters, the book questions and historicizes both aspects of the touchscreen, considering "touch" as a media practice and "screen" as a touchable object. Frankfurt Humanities Research Centre, Goethe University Frankfurt ProPostDoc Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Film Surface Media Archaeology Toys Gestures Tactile Art Touch Museum Television Interface meson press, publisher. https://doi.org/10.14619/1860 Connect to e-book https://meson.press/wp-content/uploads/2021/01/Strauven_Cover_s.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 04049nam 22006972 4500 618f4192-11d9-49bd-b776-a842e2331563 m o d cr n 260403t20192019 ob 000 0 eng d 9783957960030 (PDF) 10.14619/0030 doi UkCbTOM eng local P87-96 JFD bicssc AFKP bicssc AJRH bicssc APFA bicssc AVA bicssc AVGN bicssc SOC052000 bisacsh PHO022000 bisacsh PER004030 bisacsh JBCT thema AFKP thema AJTV thema ATFA thema ATN thema AVA thema AVLP thema Mowitt, John, author. University of Leeds. Tracks from the Crypt / John Mowitt. Lüneburg : meson press, 2019. ©2019 1 online resource (48 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Configurations of Film ; 0000-0009 0000-0008 Available through meson press. Open Access Unrestricted online access star David Bowie’s 2015 Blackstar has been understood by critics and fans alike to have a certain valedictory status. For them, perhaps for us, it is a 39-minute and 13-second farewell. A long goodbye. My angle is different. By situating the Bowie/Renck collaboration on “Lazarus” in the context of a meditation on the question once posed by Georg Stanitzek, “Was ist Kommunikation?” I consider the CD and the video as experiments in re-configuration. More specifically, by thinking about the distinctly cinematic iteration of the question of communication (citing here Captain’s “what we have here is … failure to communicate” from Cool Hand Luke) I propose that mediated communication embodies the Ich/Es modality of dialogue disparaged by Martin Buber. What this invites us to consider is whether “Lazarus” in particular isn’t the generation of an audiovisual tombeau from which or out of which communication strains are to be heard. Is it “saying” farewell? Is it “saying” anything? By drawing on Jacques Derrida’s appropriation of the crypt in the work of Abraham and Torok, I propose that “Lazarus” manages (and the feat is neither small nor insignificant) to communicate nothing. In effect, “Lazarus” is the very sound, not of a failure to communicate, but of a “speaking” emptied of what protects it from mediation. Here, Bowie’s gnomic persona assumes a political valence not typically ascribed to it. Deutsche Forschungsgemeinschaft 310565625 Graduiertenkolleg GRK 2279: Konfigurationen des Films Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Communication Crypt David Bowie Fama Jacques Derrida Machine Martin Buber Mediation Tombeau Boguska, Rebecca, introduction by. Hediger, Vinzenz, introduction by. (orcid)0000000234552423 https://orcid.org/0000-0002-3455-2423 meson press, publisher. Configurations of Film ; 0000-0009 0000-0008 https://doi.org/10.14619/0030 Connect to e-book https://meson.press/wp-content/uploads/2019/08/Mowitt_U1_small-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03523nam 22006012 4500 38872158-58b9-4ddf-a90e-f6001ac6c62d m o d cr n 260403t20162016 ob 000 0 ger d 9783957960801 (Paperback) 9783957960818 (PDF) 10.14619/017 doi UkCbTOM eng local P87-96 JBCT thema AJTF thema GPFC thema KNT thema QRYM2 thema QRYX5 thema TBX thema Vehlken, Sebastian, author. Leuphana University of Lüneburg. Trick 17 : Mediengeschichten zwischen Zauberkunst und Wissenschaft / Sebastian Vehlken, Katja Müller-Helle, Jan Müggenburg, Florian Sprenger. Lüneburg : meson press, 2016. ©2016 1 online resource (120 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star Der Zauber der Medien speist sich aus ihrem Geheimnis: Den Usern von heute sind Laptop, Smartphone oder Tablet eine Blackbox, die ihre Sinne im Bann hält und die Techniktricks im Inneren hinter einer opaken Oberfläche verbirgt. Doch solche Verzauberung ist nicht neu. Umihr auf die Spur zu kommen, nähert sich dieses Buch der Mediengeschichte der Zauberei an der Schwelle zwischen magischem Moment und Ent-Täuschung. Nicht seltenfolgt einer geradezu übernatürlich wirkenden Zaubervorführung die wissenschaftliche Erklärung und Offenlegung ihrer Tricks. Ein solcher Akt der Entzauberung mag zwar magische Momente als faulen Zauber demaskieren. Er rückt dafür jedoch die Technologien der Täuschung ins Rampenlicht: Erst die Ausnutzung physikalischer Gesetze, das Konstruieren mechanischer Zauberapparate und das Spiel mit der Wahrnehmung der Zuschauer machen deren ,Verzauberung’ möglich. Sie erlaubt, die Frage nach Wissen, dem medialen Zugriff auf unsere Sinne und dem sinnlichen Zugriff auf unsere Welt erneut zu stellen. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Techniktricks Mediengeschichte Technikgeschichte Spiritismus Trick Photography Trick Talking Head Zauberhandbuch Informationsgesellschaft Ubiquitous Computing Tricktechnik Zauberei Müller-Helle, Katja, author. Freie Universität Berlin. Jan, Müggenburg, author. Leuphana University of Lüneburg. Sprenger, Florian, author. Ruhr University Bochum. (orcid)0000000252258711 https://orcid.org/0000-0002-5225-8711 meson press, publisher. https://doi.org/10.14619/017 Connect to e-book http://meson.press/wp-content/uploads/2016/06/Trick17-U1-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02827nam 22005652 4500 9372f7a7-f72e-4a67-8818-9176667a1c52 m o d cr n 260403t20222022 ob 000 0 eng d 9783957962010 (Paperback) 9783957962027 (PDF) 10.14619/2010 doi UkCbTOM eng local P87-96 JBCT thema JBFA1 thema JPFQ thema PDA thema PSAF thema QDTS thema RNA thema Schnödl, Gottfried, author. Uexküll’s Surroundings : Umwelt Theory and Right-Wing Thought / Gottfried Schnödl, Florian Sprenger. Lüneburg : meson press, 2022. ©2022 1 online resource (252 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Future Ecologies ; 0000-0001 0000-0000 Available through meson press. Open Access Unrestricted online access star With its diversity of possible Umwelten or environments for living things, Jakob von Uexküll’s Umwelt theory has been hailed by many readers as the first step toward an innovative, pluralistic conception of nonhuman life. But what is generally ignored is its structural conservatism, its identitarian logic in which everything should remain in its place and nothing should mix, and its proximity to Nazi ideology and politics. By turning the spotlight on these neglected aspects, Uexküll’s Surroundings opens up a new perspective on Uexküll’s Umwelt theory. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Umwelt Theory Nazism New Right Racism Ecology Uexküll Sprenger, Florian, author. (orcid)0000000252258711 https://orcid.org/0000-0002-5225-8711 Taylor, Michael Thomas, translator. Yung, Wayne, translator. meson press, publisher. Future Ecologies ; 0000-0001 0000-0000 https://doi.org/10.14619/2010 Connect to e-book https://meson.press/wp-content/uploads/2022/02/Uexku%CC%88lls-Surroundings_Cover_En_300dpi.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02713nam 22005412 4500 548200fa-0468-4e56-9986-9b5b76ebc4f2 m o d cr n 260403t20212021 ob 000 0 ger d 9783957961921 (Paperback) 9783957961938 (PDF) 10.14619/1921 doi UkCbTOM eng local P87-96 JBCT thema JBFA1 thema JPFQ thema PDA thema PSAF thema QDTS thema RNA thema Schnödl, Gottfried, author. Uexkülls Umgebungen : Umweltlehre und rechtes Denken / Gottfried Schnödl, Florian Sprenger. Lüneburg : meson press, 2021. ©2021 1 online resource (253 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Future Ecologies ; 0000-0001 0000-0000 Available through meson press. Open Access Unrestricted online access star Die Lehre Jakob von Uexkülls wird oft mit anerkennendem Blick auf die Vielfalt möglicher Umwelten und als erster Schritt zu einem anderen, pluralen Nachdenken über nicht-menschliche Lebensformen gelesen. Ihr struktureller Konservatismus, ihre identitäre Logik, nach welcher alles an seinem Platz bleiben und sich nichts vermischen soll, und ihre Nähe zum Nationalsozialismus bleiben dabei in aller Regel außen vor. Uexkülls Umgebungen stellt diese Fragen ins Zentrum und eröffnet damit einen neuen Blick auf Uexkülls Umweltlehre. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Neue Rechte Rassismus Nationalsozialismus Uexküll Ökologie Umweltlehre Sprenger, Florian, author. (orcid)0000000252258711 https://orcid.org/0000-0002-5225-8711 meson press, publisher. Future Ecologies ; 0000-0001 0000-0000 https://doi.org/10.14619/1921 Connect to e-book https://meson.press/wp-content/uploads/2021/09/Uexku%CC%88lls-Umgebungen_Cover_De_300dpi.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02858nam 22004932 4500 5465cd7a-47a9-4c93-973b-96d471ec38dc m o d cr n 260403t20212021 ob 000 0 eng d 9783957961532 (PDF) 10.14619/153-2 doi UkCbTOM eng local P87-96 JFD bicssc SOC052000 bisacsh JBCT1 thema Karppi, Tero, author. University of Toronto. Undoing Networks / Tero Karppi, Urs Stäheli, Clara Wieghorst, Lea P. Zierott. Lüneburg : meson press, 2021. ©2021 1 online resource (140 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier In Search of Media ; 0000-0007 0000-0006 Available through meson press. Open Access Unrestricted online access star How do we think beyond the dominant images and imaginaries of connectivity? Undoing Networks enables a different connectivity: “digital detox” is a luxury for stressed urbanites wishing to lead a mindful life. Self-help books advocate “digital minimalism” to recover authentic experiences of the offline. Artists envision a world without the internet. Activists mobilize against the expansion of the 5G network.If connectivity brought us virtual communities, information superhighways, and participatory culture, disconnection comes with privacy tools, Faraday shields, and figures of the shy. This book explores non-usage and the “right to disconnect” from work and from the excessive demands of digital capitalism. Simon Fraser University Canada 150 Research Chairs Program Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-nc/4.0/ Metadata licensed under CC0 Public Domain Dedication. Disconnection Capitalism Connectivity Digital Detox Stäheli, Urs, author. Universität Hamburg. Wieghorst, Clara, author. Leuphana University of Lüneburg. Zierott, Lea, author. Universität Hamburg. meson press, publisher. In Search of Media ; 0000-0007 0000-0006 https://doi.org/10.14619/153-2 Connect to e-book https://meson.press/wp-content/uploads/2021/04/Undoing_Networks_l.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03741nam 22007572 4500 dbc440f5-0d0d-4602-bbf1-1f5c4330e8ad m o d cr n 260403t20182018 ob 000 0 ger d 9783957961358 (Paperback) 9783957961365 (PDF) 10.14619/1358 doi UkCbTOM eng local P87-96 JFD bicssc JPV bicssc KNT bicssc MBDC bicssc HPQ bicssc TJFM1 bicssc UYM bicssc UYZ bicssc SOC052000 bisacsh BUS070060 bisacsh COM079010 bisacsh JBCT1 thema JPV thema KNT thema MBDC thema QDTQ thema TJFM1 thema UYM thema UYZ thema Alpsancar, Suzana, author. Brandenburg University of Technology Cottbus-Senftenberg. Unterwachen und Schlafen : Anthropophile Medien nach dem Interface / edited by Michael Andreas, Dawid Kasprowicz, Stefan Rieger. Lüneburg : meson press, 2018. ©2018 1 online resource (190 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star Anthropophile Medien durchdringen zunehmend unsere lebensweltliche Realität, sei es im Ambient Assisted Living, als Pflegeassistenzsysteme, in den Arbeitsszenarien einer Industrie 4.0, als behagliche Interfaces des Affective Computing oder als Lifetracker der Quantified-Self-Bewegung. Verbunden ist damit der Einzug menschlicher Befindlichkeiten, Werte und sozialer Routinen in das Design medialer Agencies. Über 40 Jahre nach dem Erscheinen von Michel Foucaults "Surveiller et punir" gerät damit auch dessen Kritikbegriff ins Wanken. An die Stelle von "Überwachen und Strafen" tritt "Unterwachen und Schlafen". Unterwachen und Schlafen stellt nicht das theoretische Programm einer vollautomatisierten Lebenswelt in Aussicht, sondern das Konstrukt einer nunmehr medialen Umsetzung anthropologischer Grundelemente wie Autonomie, Freiheit oder Vertrauen. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Ambient Assisted Living Anthropologie Embodiment Künstliche Intelligenz Computersimulation Wearables Robotik Surveillance Autonomes Fahren Affective Computing Andreas, Michael, editor. Ruhr University Bochum. Kasprowicz, Dawid, editor. Witten/Herdecke University. Rieger, Stefan, editor. Ruhr University Bochum. Liggieri, Kevin, author. Ruhr University Bochum. Tuschling, Anna, author. Ruhr University Bochum. meson press, publisher. https://doi.org/10.14619/1358 Connect to e-book https://meson.press/wp-content/uploads/2018/03/9783957961358-Cover-small-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02711nam 22005292 4500 9b240ce3-dbd0-48a7-aa24-c39c8d9509d4 m o d cr n 260403t20182018 ob 000 0 ger d 9783957961303 (Paperback) 9783957961310 (PDF) 10.14619/1303 doi UkCbTOM eng local P87-96 JFD bicssc KNT bicssc PDK bicssc SOC052000 bisacsh BUS070060 bisacsh JBCT1 thema KNT thema PDK thema Heise, Christian, author. Leuphana University of Lüneburg. (orcid)000000018071860X https://orcid.org/0000-0001-8071-860X Von Open Access zu Open Science : Zum Wandel digitaler Kulturen der wissenschaftlichen Kommunikation / Christian Heise. Lüneburg : meson press, 2018. ©2018 1 online resource (312 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Available through meson press. Open Access Unrestricted online access star Mit der Digitalisierung geht der Ruf nach freiem Zugang zu wissenschaftlichen Forschungsergebnissen und einer Öffnung des Forschungsprozesses einher. Open Access und Open Science sind die Leitbegriffe dieses Transformationsprozesses, der von den einen euphorisch begrüßt und von den anderen heftig abgelehnt wird. Auf der Grundlage einer quantitativen Erhebung und eines reflexiven Experiments gibt das Buch Einblick in die aktuellen Debatten über die Chancen aber auch Hindernisse der Öffnung der Wissenschaften. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Digital Publishing Scientific Communication Digitalisierung Wissenschaftskommunikation Open Access Open Science Publikationswesen meson press, publisher. https://doi.org/10.14619/1303 Connect to e-book https://meson.press/wp-content/uploads/2018/01/Heise_Open_Access_Open_Science_Cover_web-140x200.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 04113nam 22005892 4500 f7831c76-fb66-489b-9fa2-123ae769878b m o d cr n 260403t20242024 ob 000 0 ger d 9783957962409 (Paperback) 9783957962416 (PDF) 10.14619/2409 doi UkCbTOM eng local P8796 HPN SOC052000 bisacsh PHI001000 bisacsh JBCT thema QDTN thema Alloa, Emmanuel, author. University of Fribourg. (orcid)0000000319195074 https://orcid.org/0000-0003-1919-5074 Was ist Medienästhetik? : Internationales Jahrbuch für Medienphilosophie und Medienästhetik / edited by Natascha Adamowsky, Judith Siegmund. Lüneburg : meson press, 2024. ©2024 1 online resource (231 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Internationales Jahrbuch für Medienphilosophie und Medienästhetik ; 0000-0011 0000-0010 Available through meson press. Open Access Unrestricted online access star Als Nachfolger des früheren Internationalen Jahrbuchs für Medienphilosophie beschäftigt sich das Internationale Jahrbuch für Medienphilosophie und Medienästhetik in der ersten Ausgabe nach dem Relaunch mit der wesentlichen Frage: Was ist Medienästhetik?Diese Frage steht für eine doppelte Öffnung: Medienästhetik markiert eine Suchbewegung, die die philosophischen wie medienwissenschaftlichen Grundlagen erkundet, die in medienästhetischen Kontexten in Erscheinung treten können. Zugleich lädt sie ein zu einer historischen Kartographierung und begrifflichen Konturierung von Medienästhetik, einer Diskussion ihrer unterschiedlichen Modellierungen und der sich daraus ergebenden Optionen für Kritik.Ziel ist es, den Begriff Medienästhetik offen zu halten und aus seiner Problematisierung immer wieder neue disziplinübergreifende Debatten anzustoßen. Das Jahrbuch bietet unterschiedlichen Projekten, Positionen und Fragestellungen Raum, die zueinander im Modus des Dissenses, der Überschneidung, der Assoziation, aber auch der inhaltlichen Weiterführung stehen können. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Medien Ästhetik Philosophie Medienphilosophie Medienästhetik Adamowsky, Natascha, editor. University of Passau. Siegmund, Judith, editor. Zurich University of the Arts. Beck, Martin, author. Berlin University of the Arts. (orcid)0009000211294887 https://orcid.org/0009-0002-1129-4887 Mersch, Dieter, author. Zurich University of the Arts. (orcid)000000016623043X https://orcid.org/0000-0001-6623-043X Ochsner, Beate, author. University of Konstanz. (orcid)0000000260419968 https://orcid.org/0000-0002-6041-9968 Papenburg, Bettina, author. Heinrich Heine University Düsseldorf. Ramming, Ulrike, author. University of Stuttgart. Sternagel, Jörg, author. University of Konstanz. (orcid)0000000209701087 https://orcid.org/0000-0002-0970-1087 meson press, publisher. Internationales Jahrbuch für Medienphilosophie und Medienästhetik ; 0000-0011 0000-0010 https://doi.org/10.14619/2409 Connect to e-book https://meson.press/wp-content/uploads/2024/12/IJMM2024-FC.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 02518nam 22004092 4500 b090bff9-4197-454d-8292-d1c6b31f8acf m o d cr n 260403t20212021 ob 000 0 eng d 9783957960146 (PDF) 10.14619/0146 doi UkCbTOM eng local P87-96 SOC052000 bisacsh Who Owns the Images? : The Paradox of Archives, between Commercialization, Free Circulation and Respect / edited by Sylvie Lindeperg, Ania Szczepanska. Lüneburg : meson press, 2021. ©2021 1 online resource (143 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Configurations of Film ; 0000-0009 0000-0008 Available through meson press. Open Access Unrestricted online access star Digitization carries the utopian promise of archival access unlimited by constraints of space and time, and with it, of new forms of research and historiographies. In reality, digital image archives pose a complex set of technical, legal, ethical and methodological challenges, particularly for film and media studies and adjacent fields. In a series of studies and interviews with practitioners, scholars and theorists, this volume draws a detailed map of these challenges and offers perspectives for further research and creative practice. Deutsche Forschungsgemeinschaft 310565625 Graduiertenkolleg GRK 2279: Konfigurationen des Films Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. media theory Lindeperg, Sylvie, editor. Pantheon-Sorbonne University. Szczepanska, Ania, editor. Pantheon-Sorbonne University. meson press, publisher. Configurations of Film ; 0000-0009 0000-0008 https://doi.org/10.14619/0146 Connect to e-book https://meson.press/wp-content/uploads/2023/04/CoF_4_FC.jpg Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License 03427nam 22005292 4500 9cd6ec0a-5b57-4ddf-acd1-c149d5673467 m o d cr n 260403t20252025 ob 000 0 ger d 9783957962614 (Paperback) 9783957962621 (PDF) 10.14619/2614 doi UkCbTOM eng local P87-96 SOC052000 bisacsh SCI020000 bisacsh JBCT1 thema PSAF thema Auerochs, Florian, author. Zonen : Für eine kritische Ökologie in den Geisteswissenschaften / edited by Jörg Dünne, Eva Horn, Birgit Schneider. Lüneburg : meson press, 2025. ©2025 1 online resource (124 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Future Ecologies ; 0000-0001 0000-0000 Available through meson press. Open Access Unrestricted online access star Die Erde befindet sich in einem vom Menschen bewirkten, tiefgreifenden Veränderungsprozess. Um dieses dringliche Problem neu anzugehen, nehmen die Autor*innen dieses Bandes den Begriff der „Zone“ zum Ausgangspunkt für eine kritische Ökologie.Das „Denken in Zonen“ hält der Makro-Perspektive des Planetarischen den Blick auf das Heterogene und Prozesshafte, auf die Übergänge, Grenzen und Singularitäten von Räumen entgegen. In den Vordergrund rücken damit die Handlungsmacht und Relationalität von Räumen, um die drastischen, ebenso materiellen wie epistemischen Veränderungen und Verschiebungen im Verhältnis des Menschen zur Erde im Anthropozän besser zu fassen.Mit Aufsätzen von Florian Auerochs, Jeanne Etelain, Mary Louise Pratt und Robert Stockhammer versammelt dieser Band erstmals maßgebliche Zugänge zu Begriff und Ästhetik der Zone, die seine Tragweite als Instrument ökologischen Denkens in den Kulturwissenschaften aufzeigen. Mode of access: World Wide Web. The text of this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). For more detailed information consult the publisher's website. https://creativecommons.org/licenses/by-sa/4.0/ Metadata licensed under CC0 Public Domain Dedication. Kritische Ökologie Anthropozän Relationen Dünne, Jörg, editor. Humboldt-Universität zu Berlin. Horn, Eva, editor. University of Vienna. Schneider, Birgit, editor. University of Potsdam. (orcid)0000000272176422 https://orcid.org/0000-0002-7217-6422 Etelain, Jeanne, author. Pratt, Mary Louise, author. New York University. (orcid)0000000319857779 https://orcid.org/0000-0003-1985-7779 Stockhammer, Robert, author. Ludwig-Maximilians-Universität München. meson press, publisher. Future Ecologies ; 0000-0001 0000-0000 https://doi.org/10.14619/2614 Connect to e-book https://meson.press/wp-content/uploads/2025/05/Dunne-et-al.%E2%80%93Zonen-Cover-1.png Connect to cover image https://creativecommons.org/publicdomain/zero/1.0/ CC0 Metadata License