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      <Text>&lt;p&gt;Iberian Studies have developed in the last quarter of a century to the point of making one speak of a real &lt;italic&gt;Iberian Turn&lt;/italic&gt;. Starting from the rejection of the classic scheme that places the two states (Portugal and Spain) as privileged agents of the representation of the Iberian space, the proposal of the Iberian Studies is to work on the system of historical exchanges and interferences that have shaped the cultural fabric of the peninsula, investigating both the points of connection as much as those of the fracture between its different realities (such as the Basque, Catalan and Galician ones, as well as the Castilian and Lusitanian ones). Accompanied by a “Reasoned Bibliography on Iberian Studies and Iberian Studies from Italy”, this volume examines the state of the art, with particular attention to the Italian context, in which these researches show a still unequal rooting and diffusion. A first section, dedicated to a general framework of the discipline and the exposition of theoretical issues and method problems, is followed by a second that presents critical contributions that address individual case studies. Born in part as a reaction to the so-called ‘crisis of Hispanism’, Iberian Studies offer themselves as an alternative to the traditional model of peninsular Hispanism, to its uninational and monolingual paradigm. They also place the emphasis on diversity and the relational aspect, looking with suspicion at every hegemonic design aimed at establishing a ‘centre’ within a heterogeneous cultural landscape. Attentive to the phenomena of immigration and linguistic minorities, to the colonial past and relations with the Latin American world, but also to the themes of comparativism, translation, theory and the rethinking of criticism, Iberian Studies are a field in which not only debates about literature and the arts are included, but also about ideology.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume is the result of the debates held at Ca’ Foscari University during the Iberismo(s) study day, aimed at discussing the ethical, theoretical and methodological limits of Iberian Studies and demonstrating their applications. Far from a unidirectional reading, the works gathered here explore the multiple aspects of Iberism, or rather ­Iberisms: different aspects such as the literary, cultural, economic and political ones are taken into account and interpreted on the basis of their plurality – since the diversity of actors, discourses, and contexts makes it impossible to outline a closed narrative. According to Claudio Guillén, “national literature is […] an institution that is not only insufficient, but also spurious and fraudulent”, hence the commitment to redefine this field of study. Moreover, its analytical perspective is associated with the ‘crisis of Hispanism’ as a ‘uninational’ and monolingual paradigm. Iberian Studies as such do not take root in a simple broadening of the object of research in order to give space – and thus a new location – to the more peripheral realities; it is rather a theoretical and methodological reformulation in constant development, as all the essays in this volume attest.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The present volume aims at contributing to the ongoing discussion on the relationship between Italian and the Sicilian dialects, by updating it to the new communication dimension represented by Social Media, and the related increase of the written domain in daily digital interactions. The volume starts with a chapter on the technical terminology that is needed to address the question ‘&lt;italic&gt;lingua&lt;/italic&gt; vs. &lt;italic&gt;dialetto&lt;/italic&gt;’, which will justify the use of the term &lt;italic&gt;dilalico&lt;/italic&gt;, à la Berruto, to describe the Italian sociolinguistic scenario. Chapter 2 offers an overview of the main European linguistic settings and discusses both the legal choices made by the Italian State regarding what varieties spoken in the Peninsula should be considered as minority languages to protect, and the normative reaction by the Sicilian regional government. Chapter 3 discusses those features that differentiate the Sicilian dialects from Standard Italian, sometimes characterising the regional Italian spoken in Sicily. It is crucial that these features are carefully taken into account in order to foster metalinguistic abilities and activate those cognitive advantages documented in different bilingual contexts. Chapter 4 deals with the issue of writing in dialect. Texting on Social Media is almost exclusively the domain of Italian, considering the persisting difficulties in promoting a written code that could be shared by most users. This is detrimental for dilalic speakers whose overall opportunities to use their dialects in such an important context diminish remarkably. Chapter 5 provides a discussion of the fact that awareness of the linguistic properties of the dialects could contribute to better control the competence in Italian, and to learn foreign languages more easily by capitalising on what dilalic speakers know about their dialects. The volume ends with some educational considerations that also hold for the other dilalic situations in Italy.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The volume collects the proceedings of the International Conference &lt;italic&gt;The Myth of the Atreidai from Ancient Theatre to Contemporary Times&lt;/italic&gt;, held in Pisa on 26-27 May 2022, at the conclusion of a Research Project financed by the University of Pisa and coordinated by Prof. Enrico Medda. The papers presented here aim to investigate various aspects of a myth that had an immense fortune in antiquity and profoundly influenced art and literature throughout Western culture. The subject is approached from a number of different perspectives and methods (textual-critical study of ancient texts, historical-anthropological research on issues posed by the myth, dramaturgical analysis of plays, and study of their reception in modern authors). Without aspiring to deal comprehensively with such a broad topic, the authors have concentrated on peculiar aspects that have been less investigated up to now, and on modern authors for whom there is still much to say about their relationship with ancient myth. The contributions range, for the ancient part, from mythographers to Greek tragedy and comedy (with particular attention to fragments of lost works), up to Roman tragedy and comedy; for the modern part, the investigations concern authors from Italian, English and German literature: Alfieri, D’Annunzio, Pirandello, Saba, Pasolini, Testori, E. Pfeiffer, G. Hauptmann.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Questo volume contiene gli atti della giornata di studi dedicata a Il restauro come atto critico: Venezia e il suo territorio, organizzata a Ca’ Dolfin il 27 marzo 2012 come momento di collaborazione e confronto tra Università e Soprintendenze. La consapevolezza che il restauro sia sempre un atto critico dovrebbe essere il punto di convergenza tra storici dell’arte, restauratori, esperti scientifici e quanti sono coinvolti nella tutela del patrimonio. I contributi qui raccolti, pur con cronologie e prospettive diverse, confermano questo assunto e ne evidenziano, attraverso casi concreti, le conseguenze sul piano della storia dell’arte come su quello della teoria del restauro.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume brings together scholars from different backgrounds and career stages to rethink the role and scope of intertextuality in the context of premodern Japan. From antiquity to the rise of modernity, originality through repetition persists as a staple in the literary, performative, and artistic traditions of this country. Nonetheless, rather than slavish recycling of pre-existing tropes, the redeployment of familiar motifs by patterns of borrowing, allusion, and imitation would become a means to explore untrodden creative pathways and craft a shared sense of cultural belonging. Stemming from an international symposium hosted at Ca’ Foscari University of Venice in 2021 with the generous support of The Japan Foundation, the papers in this collection offer a thoughtful contribution to this debate by engaging texts from different historical periods, media, and genres – be it poetic, narrative, theatrical, visual, or religious. Although intertextuality may not be a new topic, the essays that follow attest to the enduring appeal of a concept whose explanatory power proves most effective when combined with other methods of inquiry, such as discourse analysis, social sciences, gender studies, and material culture. Thus, while opening new windows onto Japan’s literary worlds, these cross-disciplinary approaches provide further insights into the uses (and abuses) of the past in a non-Western non-modern society.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The grotesque, as a transtemporal category in its contemporary Iberian version of grotesque &lt;italic&gt;esperpento&lt;/italic&gt;, is the main focus of this book. Through a comparatist perspective, we analyse the Portuguese novel &lt;italic&gt;As Naus&lt;/italic&gt; (or &lt;italic&gt;The Return of the Caravels&lt;/italic&gt;) by António Lobo Antunes (1988) in contrast and comparison to the Spanish novel &lt;italic&gt;Tirano Banderas&lt;/italic&gt; by Ramón del Valle-Inclán (1927). These two literary works embody the &lt;italic&gt;esperpéntico&lt;/italic&gt; grotesque as a mode of representation which deconstructs institutionalized powers, official history and glorified heroes. In doing so, they build a process of hetero-mimesis and introduce a counter-representation of the pretentious or fictionalized narratives of the official historiographies. We analyse &lt;italic&gt;As Naus&lt;/italic&gt; from expressionism and, more precisely, from the &lt;italic&gt;esperpéntico&lt;/italic&gt; grotesque, with all the contextual and relational implications of this decision. The grotesque is perceived not only as a transtemporal category but also as a transterritorial representation mode. Our intention is, above all, to question the concepts and commonplaces of Literary Studies, taking into account our research and teaching experiences. In this pursuit, we attempt to grasp key formative moments of the western Poetics to better understand the place of grotesque literary representation in the hierarchy of representation modes in which solemn, realistic or epic modes have been prevalent until the contemporary era. Throughout this progressive deconstruction and paradigm shift, we always take philosophy into consideration, from Aristotle to Nietzsche, and the relationship between eras such as the Baroque and the Decadence-Symbolisms of the nineteenth century. Along the entirety of this path of gradual nihilification through grotesque artistic representation, metaphor clearly takes a leading role. Utilized and legitimised since the dawn of time, it is reassessed through the &lt;italic&gt;esperpéntico&lt;/italic&gt; grotesque.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The aim of this volume is to delve into the peculiarities of the commercial circuit that fed the cultural system of the Spanish Empire during the Golden Age through an overwhelming publishing production of literary texts. The relationship between center and periphery defined by political power did not necessarily correspond to the reality of social networks, business projects, the evolution of technical competence, and the development of a demand that was difficult to establish &lt;italic&gt;a priori&lt;/italic&gt;. We propose an open approach from different methodological perspectives that contribute to the definition of the artistic and literary phenomenon, and which can explain the development of certain publishing practices in particular economic, linguistic, and geographical contexts. An overall picture is offered of the great book marketing networks in Europe and New Spain (Pedro Rueda Ramírez), which multiply the focuses of analysis from family sagas, publishing agents, and hawkers, to land-based circulation and the potential of maritime routes or the transfer of books between the main printing capitals of the time. Benedetta Belloni examines the publishing center of Milan, Arantxa Llàcer Martorell studies the inventory of the assets of the Cormellas printing house in Barcelona, and Giada Blasut reviews the printed production of chivalric books in Seville. Laura Fernández García provides detailed insights into the work of printers in the preparation and publication of Lope de Vega’s &lt;italic&gt;Partes de comedias&lt;/italic&gt; from 1617 to 1625 and in 1635. Guillermo Gómez Sánchez-Ferrer analyses the context that favoured the publishing success of the &lt;italic&gt;Viaje entretenido&lt;/italic&gt; by Agustín de Rojas, the relationship between reprints and the transformations in the world of printing. The volume concludes with a contribution by Alejandra Ulla, who presents the ISTAE project (&lt;italic&gt;Impresos sueltos del teatro antiguo español&lt;/italic&gt;) aimed at the recovery and revision of those plays that were considered lost or written by invisibilised playwrights among the noise of larger miscellaneous volumes.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Between around 1480 until the end of the sixteenth century, the city of Lyon became one of the most important printing hubs in Europe, second in France only to Paris. Developed along the banks of the two rivers Saône and Rhône, placed in a unique strategic position bordering Italy, Switzerland, and the south of Germany, the Renaissance city was a crossover of people, goods, and ideas. In Lyon was published the first illustrated book in France, &lt;italic&gt;Le Mirouer de la Rédemption de l’Humaine Lignage&lt;/italic&gt; (Huss, 1478). Funded by the Equipex Biblissima (CNRS), the project &lt;italic&gt;Le Livre Illustré à Lyon (1480-1600)&lt;/italic&gt; collected a substantial number of illustrated editions printed in the city in the sixteenth century, indexing these illustrations iconographically. The corpus includes more than 3300 indexed images currently hosted in the Warburg Institute Iconographic Database. These images also served as material to initiate a digital project in collaboration with the Visual Geometry Group in Oxford and the Venice Centre for Digital and Public Humanities in Venice. In between Digital Iconography, Digital Art History and the History of Collections, the book offers insight into the new methodologies of the Digital Humanities to index, search, and share early modern printed images.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The essay focuses on the linguistic contact between Quechua from Santiago del Estero and Spanish, as well as sociolinguistic aspects about the current situation and the survival of this language, an aspect that for many authors continues to be a “linguistic enigma” (Courthès 2007). The theory of James Crawford (2000) is taken into consideration, who maintains that the phenomena of geographic dislocation, social dislocation and cultural dislocation would forcefully lead a language to disappear. This is the opposite of what happens in the so-called “linguistic island” of Santiago del Estero, where the language remains in force and is used daily by its inhabitants both inside and outside that area. In this sense, a field work has been carried out in which a sample of interviews with bilingual speakers from the “linguistic island” living in the urban areas of Buenos Aires is analyzed. In all cases, these are inhabitants who are in a situation of linguistic contact between the Quechua of Santiago del Estero and Spanish. Based on an intersemiotic and interlinguistic analysis of the novel &lt;italic&gt;Shunko&lt;/italic&gt; (1949) by Jorge W. Ábalos and its homonymous film adaptation (1960) by Lautaro Murúa, the contact between Quechua and Spanish is addressed, since it is presented as a fundamental part of the linguistic and metalinguistic elements that account for the clash between the teacher’s voice and the children’s voices (Aguilar 2005). In this sense, attitudes and language use are also observed in order to trace the relationships between code-switching and code-mixing (Poplack 1980) as well as aspects proxemics that contribute to the sociolinguistic realism of the characters in both the novel and the film.Bilingualism. Interlinguistic Translation. Intersemiotic Translation. Migration. Santiago del Estero Quechua and Spanish.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The volume comprises a selection of papers presented at the 6th Postgraduate International Conference organized by the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice (Venice, 9-11 October 2024): &lt;italic&gt;In my End is my Beginning. Dialectical Images in Times of Crisis&lt;/italic&gt;. &lt;/p&gt;&lt;p&gt; Both in the past and the present, humanity has been witnessing the collapse of its own identity, sociopolitical system and cultural order, as well as their restoration. In this imbalance, Ernesto De Martino acknowledges the roots of crisis, elaborating how the end of the world represents the culmination of the issue of existence, caught between the risk of downfall and the quest for redemption. At that moment, an apocalypse happens to reveal when a specific order needs to be replaced by new symbolic formations that correspond to the changed &lt;italic&gt;Zeitgeist&lt;/italic&gt;. The vitality of an apocalyptic thinking, which continually transforms and produces new images of the crisis, leads us to consider a dimension in which the clash between the past and the future creates a generative power. In this liminal space between different meanings of ‘crisis’ and their translation into images, it is fundamental to consider what Walter Benjamin conceptualized as a dialectical image, a fragment wherein “what has been comes together in a flash with the now to form a constellation” (&lt;italic&gt;Arcades Project&lt;/italic&gt;, 1999, 462).&lt;/p&gt;&lt;p&gt;The 6th Postgraduate International Conference was aimed at investigating the liminal space between different meanings of ‘crisis’ and ‘apocalypse’, discovering how, through multiple processes of translation into images, these notions reveal new, unexpected beginnings. This volume therefore investigates the image as a representation of this dialectical moment.&lt;/p&gt;</Text>
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    <Subject>
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      <SubjectHeadingText>Comunicazione socio-aptica</SubjectHeadingText>
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      <SubjectHeadingText>Tactile Italian Sign Language (LISt)</SubjectHeadingText>
    </Subject>
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      <SubjectHeadingText>Italian Sign Language</SubjectHeadingText>
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      <Text>&lt;p&gt;Italian Sign Language (LIS) and Tactile Italian Sign Language (LISt) were only recently recognised by the Italian Parliament (Law no. 69, 21 May 2021). While political recognition is recent, academic recognition dates back more than twenty-five years, when LIS was recognised as a scientific discipline by the Ministerial Decree of 23 June 1997 (G.U. 1997-07-27). This enabled Italian universities to include the teaching of LIS and LISt in their programmes. In recent years, the training of professionals working in the field of deafness (interpreters, translators, teachers, and communication assistants) has gradually shifted from associations and private entities to universities. The establishment of new university courses in this area will improve the adoption of teaching methods based on established scientific research. This volume delves into the teaching of LIS and LISt at university level and outlines possible future developments in this field. The contributions share established teaching experiences and explore innovative methodologies and tools capable of promoting the development of LIS and LISt linguistic skills among university students.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The text examines the issue of interpreting PRC history from a variety of perspectives, ranging from the Communist Party’s reinterpretation of its own past to the instrumental use of the so-called ‘historical nihilism’, from the practice of historical analogy with reference to current political events to the historiographical approach of Global History. The volume also explores the complex relationship between history and memory – public and individual – as it unfolds in modern and contemporary Chinese literature. Finally, to complete the overall picture, historical narratives of television production and specific examples of the gendered history of the Hakka minority are included.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Gender-based violence perpetrated within the family is an issue of global importance. It is no coincidence that the statistics on domestic violence committed during the ongoing pandemic have shown it as a worrying phenomenon crossing national borders and social levels. In China the consideration of domestic violence as an element of destabilisation of the family unit is rather recent. In fact, the traditional patriarchal values on which the Chinese family based its relations considered intra-family violence – particularly towards women – an accepted and fully integrated component in the normal course of relations among people belonging to the same lineage. The Pandora’s Box, which for centuries has concealed and neglected the problem, has only been uncovered since the Fourth World Conference on Women held in Beijing in 1995, which started the debate on the issue of gender-based violence and brought China to draw up annual reports on the female condition. The inclusion of the category “domestic violence” in a national law dates back to 2001 (Marriage Law) and the first ad hoc legislation to 2016. The relationship between domestic violence, social and family stability was the leitmotif that accompanied the official documents of the legislative process that led to the drafting of the Law against Domestic Violence of the PRC. This latter has focused on a prevention network aiming primarily to empower civil society, but overshadowing mere legal instruments. By analysing all the phases of this legislative process, the book aims to reflect on the regulatory instruments – in particular, divorce and the system of protection orders – and on the features of these institutions created to limit and control the problem of family violence. Furthermore, this analysis will provide insights into the social and linguistic implications that the issue of domestic violence has determined in China in the past up to nowadays.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Nel 2009 è uscito per i tipi di FrancoAngeli Il secolo di carta. Antonio Bosio artigiano di testi e immagini nella Venezia del Seicento. Allargando lo sguardo oltre i limiti biografici del protagonista – libraio, tipografo e incisore – e quelli geografici di Venezia, lo studio aveva cercato di fare di un oscuro ma poliedrico artigiano della carta stampata la chiave di lettura del commercio di testi e immagini dell’epoca in cui operava. Qui la seconda e ultima puntata del Secolo di carta, l’edizione integrale dell’inventario di bottega di Antonio Bosio, dal quale la prima ricerca era sbocciata. Era importante dare la possibilità di scorrerne le pagine per la quantità e l’estrema varietà dei materiali ivi descritti, che va dal libro al foglio volante di preghiere, dall’incisione da collezione a quella d’arredo o per laurea, dalle cartegloria ai ventagli e a molto altro ancora. Varietà che rende l’inventario veneziano quasi unico. L’edizione dell’Inventario, con nuovi documenti sulla famiglia Bosio illustrati nell’introduzione, nasce sotto l’auspicio della collaborazione tra persone e discipline. Fra bibliografia e storia – a torto spesso ritenute in competizione tra loro –, perché l’edizione di una fonte come questa invita a formulare riflessioni storiche a partire dall’osservazione di fenomeni bibliografici, anche i più minuti e apparentemente insignificanti. Collaborazione fra persone perché invita tutti i lettori ad appassionarsi al gioco di individuazione degli esemplari superstiti delle voci d’inventario che ancora mancano di identificazione, o, al contrario, a prendere coscienza della loro definitiva scomparsa, spia sfuggente dei silenzi della storia.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Mega events are often perceived as an opportunity to foster economic development and are thus regularly present on the policy agenda in Italy as in other countries. However, no convincing analysis has yet been written, at least in Italy, about the real impact of mega events. This book partially fills in this gap. It achieves a critic of existing studies on the mega events in Italy, specifically focusing on Turin 2006 and Milan 2015. This research analyses the methodological issues that hinder the validity of these assessments and generate inflated estimated impacts. This book has been written for experts, researchers, students and more generally whoever is interested in evaluating the impact of projects capable of shifting billions of euro of public expenditures.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The volume is dedicated to the history of the international relations of Ca’ Foscari through its 150 years’ history. As the contributions to this volume illustrate, it is characterised by intense cultural, educational and scientific exchanges with people and institutions outside the national context, and its internationalisation was – and still is – promoted through the presence of foreign teachers and students and native language instructors, the exchange of bulletins and scientific publications with foreign institutions, the international contacts and networks developed by the alumni both individually and collectively, a growing number of scholarships of different kinds for study abroad as well as a growing number of foreign visiting scholars and professors. Thus, this volume eloquently testifies to the eminently international vocation that has characterised Ca’ Foscari since its foundation.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;There is part of the children’s population who experiences, in the language-acquisition field, an unparalleled and unique phenomenon: they are youngsters who arrive in Italy through international adoption. When they arrive, they are effectively legal citizens. However, at first Italian appears to be a foreign language which, gradually, is going to become a second language and, eventually, is going to turn into a second mother tongue. This process is extremely fast but it is also painful even because, along the way, the biological mother tongue is notched and replaced by the new adopted language. Often, these youngsters display to have linguistic and communicative disorders caused, on the one hand, by the pre-adoptive conditions and, on the other hand, by the urgency to organize the new language. It is a peculiar and evocative process which entails the intersection of bonds, languages and cultural worlds which are normally distant and divergent. The choice of adoption – with its permanent traits – challenges the family, the siblings and the newcomer. Several studies have already deepened the psychological consequences which an adoption may imply, but little is known about the linguistic-communicative aspects. This publication aims to approach the linguistic and acquisitional data of the adoptive experience, in relation to the primary mother tongue and the new-secondary mother tongue. A field research, conducted in the province of Mantua, allowed us to hand out a questionnaire, to the adoptive parents, regarding the linguistic process which has affected their children once they have come in contact with our language. A reasoned vocabulary of the linguistic terms related to adoption supplies additional and operational information to teachers, educators and parents&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Realizzato nel 1960 a Berlino, nell’ex DDR, dal regista  Glauco Pellegrini, &lt;italic&gt;Italienisches Capriccio&lt;/italic&gt; (&lt;italic&gt;Capriccio Italiano&lt;/italic&gt;) si configura come una trasposizione cinematografica degli episodi più significativi della vita di Carlo Goldoni, reinventati in modo originale nello stile delle sue commedie. L’incredibile storia subita dal film,  di cui fu osteggiata la lavorazione, l’‘imprigionamento’ della pellicola con l’edificazione del Muro nel 1961  e la sua ‘liberazione’, avvenuta per merito del regista Carlo Lizzani, testimoniano i fermenti culturali  del cinema italiano degli anni ’50-’60 e il clima politico  e sociale della Guerra Fredda. Pellegrini realizza &lt;italic&gt;Capriccio Italiano&lt;/italic&gt; avvalendosi della sceneggiatura di Liana Ferri e del grande sceneggiatore premio Oscar, Ugo Pirro. E dirigendo nel film attori di diversa nazionalità, anticipando così i tempi, Pellegrini scriveva: «Gli artisti possono svolgere un ruolo importante per la fraterna intesa fra i popoli […] io cerco col lavoro di affermare  che esiste un’Europa Unica, e che questa grande famiglia di nazioni guarda alla pace e respinge la guerra».&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This book is a documentary analysis of an event that has received little attention in existing historiography: the Italian declaration of war on Japan, with effect from July 15, 1945, when the Italian government, with American approval, decided to create a &lt;italic&gt;fait accompli&lt;/italic&gt;. The goal was to regain some space in the international policy on the eve of the Potsdam Conference and in view of the establishment of the United Nations, which would be attended firstly by the countries that had declared war on the Axis nations. The attempt did not go well: in fact, Italy started from the difficult position of a defeated country, even if, in the role of a co-belligerent nation (according to the Armistice dictate), Italy had offered commendable and sincere proofs in the fight against Nazi-fascism, both with the resistance struggle and with the reborn national army. Unlike France, which had no less faults (Vichy!), Italy had however begun the war on the wrong side, and this could not be forgiven, even after the great will of fighting the last power of the Axis still at war. The unexpected, sudden closure of the conflict in East Asia played against the extreme war gesture of Italy: the Americans had decided to take a radical step (the atomic bombs) after the Japanese refusal of the Potsdam ultimatum, as they estimated the expected invasion of the Japanese archipelago too burdensome in terms of casualties. The sudden conclusion of the war put an end to the Italian attempts to organise their own Far East expedition, which perhaps, in symbolic terms, could also have been developed. It is particularly ungenerous, as was done up to now, to ridicule or trivialise the choice of the Government in Rome, made by policy makers like Ferruccio Parri and Alcide De Gasperi, both above suspicions. The book starts from the analysis of the relations between Italy and Japan, up to the Tripartite Pact with Germany, and by reconstructing the story of the arrest and detention of the Italian diplomatic mission in Japan after 8 September 1943, an unprecedented episode, at that time, in the history of international relations, in order to arrive at the long ‘political’ preparation of the declaration of war on Japan, and it also addresses the difficult consequences of that really peculiar postwar period.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This book aims to trace the ideological configurations of the literary imaginary on the Italian/Argentine emigration of the nineteenth, twentieth and twenty-first centuries, through texts of various kinds, in particular novels – written and published in both countries –, as a reflection of the different political and ideological attitudes that have accompanied the phenomenon over time. In the history of migrations, the ‘Argentine case’, as stated by Vanni Blengino (2003), is still exemplary today for a series of reasons, among which the continuity of the emigration process which begins with the United Italy and develops until to the years following the Second World War, another important reason lies to the extent of the phenomenon that involves, as never happened in any other country, the entire regional span. This factor refers to the complexity of the event – a dream and at the same time a nightmare in the face of the harsh reality of America – which, in Italy at the end of the nineteenth century, first affected the regions of the north and then extended to those of the south. Italian emigration to Argentina has been a phenomenon that has now ended, but its consequences, as Braudel would say, are long-lasting, they produce signals of a social and cultural nature still in the present. In addition to the socio-historical point of view, Italian culture has inserted itself, conditioning its development, in all the ganglia of the life of Argentina, starting from music (Héctor Piazzolla, Manlio Francia, Mario Battistella and the bands, for example), as Annibale Cetrangolo (2018) tells us, to the kitchen (&lt;italic&gt;Los sorrentinos&lt;/italic&gt; by Virginia Higa), without neglecting the arts in general and, specially, literature. In the latter case, the study of events related to the social imaginary is interesting, clearly visible both in the late nineteenth-century texts and in the contemporary ones, published mostly in Argentina, in a sort of rhetorical continuity and, to a lesser extent, in Italy too. The authors of the research – developed in “Diaspore”, volume 19, written in Italian and Castilian – are two scholars from the geographic areas analysed, both university professors, experts on the subject. This book is the result of frequent travels and study exchanges, made over long years of friendship and intellectual complicity that have fuelled mostly coincident visions even if there is no lack of different points of view. This testifies once again the variety of approaches to the migration process, considered on both sides of the ocean, without detracting from the richness of human and collective experiences, from the paths of integration and shared values, in the belief that only the meeting with the Other can give everyone his own identity and generate a real experience.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;In the last twenty years, Food Studies have fortunately become increasingly widespread and reflected in important academic and business institutions, as well as closely connected to popular media. They offer multidisciplinary perspectives of the relationship between food and the different components of the societies to which they are linked, in particular; science, culture, communication, economics, finance, and environmental sustainability. The approach to the subject, precisely because of its broad spectrum, allows a wide range of scholars and experts from different sectors to study the relationship with their respective disciplines in progressively dynamic and transversal ways. The &lt;italic&gt;Food+ Symposium&lt;/italic&gt;, organised by Ca’ Foscari University of Venice in collaboration with the Consulate General of Japan in Milan, hosted some of the most prestigious names in different fields, with particular reference to the specificities of two of the countries where food has traditionally had greater symbolic value: Italy and Japan. These two culinary realities are now exported all over the world and have been for a long time representative of lifestyles, social and economic dynamics, in many cases similar all along their respective histories. This volume, therefore, presents the result of the contributions offered by the main exponents of the Italian-Japanese economic-cultural scene, intended as a starting point for further investigations.The participation of authorities and guests, managers, experts, journalists and scholars from Japan and Italy to the Symposium, gave a chance to achieve a great overview into Food Studies. Our guests have presented a great number of implications of the cultural representations of Food Culture analysed in a multi-perspective approach, underlying the value of Food and cuisine in Japan and Italy nowadays as in the past, through a considerable transition between tradition and modernity.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Ruskin’s work is strongly embedded in the broad European context, marking an important moment in the movement for the establishment of a community culture and spirit. The essays collected here intend to place the theme of Ruskin’s fruitful and vital relationship with Europe at the centre of a critical reflection, opportunities for an in-depth study and a discussion on issues related to aesthetics, the protection of tangible and intangible heritage, cultural and literary memory. By bringing to the attention of the scientific community the multiple aspects – geographic, historical-artistic, critical-aesthetic, literary, socio-political – of Ruskin’s work from inter- and transcultural perspectives, the volume aims to (re)discover a deliberately European Ruskin and to stimulate new research paths.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Atti del IV Congresso della società di Didattica delle Lingue e Linguistica Educativa DILLE (Università Ca’ Foscari Venezia, 2-4 febbraio 2017). Il fenomeno dell’internazionalizzazione è sempre più presente in ogni sfera della vita economica, sociale e culturale del paese. In ambito educativo, l’internazionalizzazione è associata a nuove condizioni culturali e linguistiche, nuove esigenze e problemi, e i suoi effetti sono ad ampio raggio, dal momento che il fenomeno produce un impatto importante sull’educazione linguistica, sui programmi formativi per gli studenti, sulla formazione dei docenti, sull’erogazione di corsi. Dietro lo sfondo della crescente natura internazionale del sistema educativo, i contributi presentati al Congresso hanno esplorato le implicazioni per l’insegnamento/apprendimento delle lingue e per l’educazione linguistica in generale.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Bookbinding has always been a fundamental component of the book in codex form, a system for assembling the sheets containing the text and protecting them from the wounds of time and the manipulations associated with book use. In addition to their functionality, historical bookbindings can be considered mines of non-textual information. In their multi-materiality, they reveal the complexity of craftsmanship, technological advancement, usage, trade, and even the faith of the human community that produced them. However, the interest in more than just decorating the covers in these objects is quite recent and it is related to the gradual understanding that books are artefacts to be safeguarded in their entirety as material historical evidence and part of our cultural heritage. The essays collected in this volume reflect different approaches to the study of historical bookbindings in the Western Mediterranean basin as well as in the Byzantine and Islamic worlds, including projects for the census of bindings, the study of written sources, the direct examination of book collections and the application of the methods of the archaeology of the book to analyse materials and structures involved in bookbinding manufacture. Terminologycal issues in their description  are also addressed. Many different approaches help to place the book artefact in the historical context in which it was produced and to learn in detail about the technical characteristics of its production.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The volume collects the contributions of academics from various Italian universities who have worked with Carmel Mary Coonan throughout her career at Ca’ Foscari University. Starting from the themes that have characterised Carmel’s research interests, including Content and Language Integrated Learning (CLIL), professional development for language teachers and action research practice, the volume opens up to original methodological reflections and new lines of research in the field of educational linguistics. The relevance and variety of the studies here described confirm the lively and dynamic character of research and experimentation that shape our discipline. By questioning different language learning environments (both inside and outside language classroom), educational contexts (from kindergarten to university and beyond) and subjects (students as well as teachers), the volume highlights significant gains achieved in the field of language teaching and learning so far. At the same time, however, it makes clear the urge to further boost plurilingualism in language education, a goal that Carmel has tenaciously pursued throughout her whole career.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The transformations in ancient mind can be recognized by means of texts, which testify to the elaboration of the cultural semantic. Amongst these written sources, we can recognize some specific case-studies, such as the Greaco-Egyptian Papyri (&lt;italic&gt;PGM&lt;/italic&gt;). By conducting open and experimental group research, this study aims to introduce new elements and suggestions for the history of both ideas and tradition of the scientific thought, in the frame of some late rituals. The starting point of this research is the Mediterranean Late Antiquity, an extraordinary lab for exchange, contacts and conflicts amongst traditions and knowledge: as stated by Ph. Borgeaud in his foreword, a perfect place for the study of cultures in contact.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;From 1880 to 1920, the rubber industry opened up the Amazon basin – and particularly the Bolivian jungle – to international trade; therefore, for the first time, the inhospitable and hitherto marginal lands of regions such as Beni, Acre and Pando gained both a strategic position on the republican chessboard and a more direct link to the global market. The productive boom prompted a systematic policy of exploration of the jungle territory, the opening of new communication routes and the consolidation of national borders. But, above all, the extractive vertigo also translated into a notorious demographic expansion: the Amazon jungle thus began to receive increasing waves of immigrants from other parts of Bolivia, as well as a growing mass of international workers dazzled by the almost instant fortune promised by the ‘gold’ that flowed from the rubber trees. However, documentary sources often present us with the canonical image of a hyper-masculinised jungle landscape and rubber industry: indeed, we know little or nothing of the Creole, European or Indigenous women involved in one way or another in the extractive endeavour. Women are usually represented as minor social actors: transparent, anonymous, almost invisible, forgotten, relegated or in any case mentioned laterally, obliquely or indirectly by historical sources. This rule, however, is challenged by some notable exceptions. One of these is undoubtedly the testimony of the British Elisabeth ‘Lizzie’ Hessel, whose letters to her family in Europe provide the only first-person account that allows us to piece together the female experience in a Bolivian rubber plantation. Her observations, therefore, constitute an exceptional period document of the lights and shadows of the extractive boom.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Galeazzo Gualdo Priorato, in his youth a soldier of the king of France and the Habsburgs, from 1640 published historical works on events of his time, earning the title of Cesarean historian. The essays collected here allow us to focus on a figure that has been for a long time neglected in the studies of the Italian seventeenth century. On the contrary, the profile that here emerges is that of a prolific but learned author, with political but also literary ambitions, a courtier historian well introduced in the Europe of the great monarchies, but culturally engaged in the libertine addresses of Venetian literature of the Academy of the Incogniti.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The volume introduces the papers presented at the Ninth Seminar on Armenian and Christian Eastern Art of the Ca’ Foscari University of Venice. These studies provide a broad overview of the art of the South Caucasus and beyond; from Christian Art (the furnishings of the Basilica of the Nativity; the so-called crosses of St. Thomas; the illustrations of the apocryphal Gospels in Armenian manuscripts of the Vaspurakan School) to the transmigration of iconographic and symbolic themes between Persia and Armenia, to the travel narrative (&lt;italic&gt;Itinerarium&lt;/italic&gt;) of Friar William Rubruk, to the Iron Age archaeological site of Taštepe (Iran), and concluding with the different architectural phases of the House of Creativity on Lake Sevan during the Soviet period. The volume restores the richness of themes and possible research perspectives in Eastern Christian Art, highlighting the important role of inscriptions as a possible leading thread.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The present volume brings together papers given at the &lt;italic&gt;International Conference on the vernacular tradition of the prosimetrum from Dante to Bembo&lt;/italic&gt;, which took place last summer at Ca’ Foscari University of Venice at the end of a Marie Sklodowska-Curie postdoctoral fellowship. The conference followed on from a seminar held at the University of Trento over twenty-five years ago; however, the focus was on the mixed texts composed in the early centuries instead of embracing the entire period of Italian literature. The bibliography on these vernacular works considered as a whole is quite limited in comparison to that on the prosimetric production in classical and medieval Latin. Further, it is difficult to establish a satisfactory definition of &lt;italic&gt;prosimetrum&lt;/italic&gt; which goes beyond the etymological meaning described – with few different nuances – in both the early &lt;italic&gt;Artes Dictandi&lt;/italic&gt; and in modern treatises of metrics. Dante’s &lt;italic&gt;Vita Nova&lt;/italic&gt;, the first – and in many respects exceptional – example of this vernacular tradition, does not offer a suitable model for the abundant prosimetra written in the subsequent two centuries, which were characterized by a considerable variety of themes and genres. Therefore, it seemed preferable to reconsider the subject and look closely at all those texts in which the evident alternation of prose sections and poetic compositions conformed to a precise authorial intent on the basis of a relationship of mutual dependence. The papers collected here are intended to offer fresh insights into both famous and lesser-known prosimetra, written between approximately 1250 and 1500, in order to advance our understanding of this hybrid literary phenomenon. Each contributor takes a single prosimetrum focusing either on the interaction between prose and verse or any other relevant aspect, such as textual tradition and critical analysis of the poems, in line with the standard form that was used to examine the works included in the online inventory available at www.unive.it/inprov.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;From trucks and bulldozers to smaller tools like chainsaws and electric generators, a massive influx of machinery is currently reshaping Latin America’s peripheral landscapes. This process of mechanical colonization introduces disruptive and often violent forms of acceleration that profoundly impact environments and societies. Drawing on anthropology, history, and geography, this volume analyzes mechanical accidents as critical events. These events are not random fatalities but reveal tensions between machines, territories, and societies, prompting a re-evaluation of concepts like materiality, agency and causality.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume presents a study of Kura-Araxes architecture in the Southern Caucasus, the cradle of the homonymous cultural phenomenon. Kura-Araxes communities, who emerged around the mid-fourth millennium BCE in the region, had a lasting impact and spread across a wide territory from northwestern Iran to eastern Anatolia, reaching the Levantine coast. A detailed analysis conducted over almost fifty settlements with more than three-hundred structures in the present states of Armenia, Azerbaijan, Georgia, Iran and Turkey focused on building features and building techniques adopted by these communities for one thousand years. The study highlighted a very heterogeneous situation, characterised by the use of different building materials, building plans and building dimensions – as well as construction techniques – throughout the Southern Caucasus. In spite of these various ‘formal’ aspects, Kura-Araxes buildings share a common use of the internal space, essentially composed of one or, more rarely, two/three rooms. Internal installations, not homogeneously distributed, usually consist of hearths and benches. Almost all the analysed structures are residential units, with a few possible exceptions represented by ‘shrines’, platforms, ‘wall terraces’ and fortifications. Despite the great heterogeneity of the Kura-Araxes buildings, the study verified the presence of common and persistent architectural traditions in four geographical regions, namely the Kura valley, the Georgian-Armenian highlands, the Kvemo-Kartli mountains and the Araxes valley.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Questo è il primo di una serie di quattro volumi pubblicati dai dipartimenti di Management, di Economia, di Studi Linguistici e Culturali Comparati e di Studi sull’Asia e sull’Africa Mediterranea dell’Università Ca’ Foscari per celebrare il 150° anniversario della fondazione della Scuola Superiore di Commercio in Venezia. Esso è dedicato al contributo apportato dalle discipline economiche e aziendali alle dinamiche storico-evolutive di Ca’ Foscari, con approfondimenti specifici sull’istituzione della Scuola Superiore, sugli studiosi che hanno insegnato nell’Ateneo e sull’evoluzione dei contenuti e delle modalità didattiche delle discipline economico-aziendali.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;È possibile individuare un’opera letteraria o scientifica che riassuma per ciascuno di noi il senso della storia d’Italia negli ultimi 150 anni? Che esprima i fattori caratterizzanti dell’appartenenza nazionale italiana? Si tratterà di un romanzo, di una poesia, di un racconto, di un saggio, di un libro di storia? Non intendiamo costituire biblioteche ideali o proporre canoni letterari, ma comporre una biblioteca vissuta che esprima, dalle più diverse prospettive, il senso o i sensi (o dissensi) delle storie e delle appartenenze che hanno costruito negli ultimi 150 anni, e costruiscono oggi, la «comunità immaginata» dell’Italia e degli italiani. Con questo scopo il 6 giugno 2011 si è riunito alla Biblioteca di Area Umanistica (BAUM) di Ca’ Foscari un gruppo di docenti, studenti, personale e amici a vario titolo dell’Ateneo, in occasione del 150o anniversario dell’unità d’Italia. Ciò che ne è risultato, oltre a una lunga e intensa giornata di letture, è raccolto ora in questo piccolo volume che contiene trentasei esercizi di lettura, dei più diversi testi – dalle opere canoniche della storia della letteratura italiana, a saggi scientifici, da poesie a testi teatrali, da lettere private a cartoline e dediche – a comporre un quadro ricco e variegato dell’Italia di ieri e di oggi, nei suoi chiaroscuri, nei suoi vizi e nelle sue virtù, attraverso la sua storia e le sue molteplici memorie. Non solo i testi selezionati, ma gli approcci e gli stili di lettura, come si potrà immediatamente constatare, sono i più vari e diversi: da quelli brevi e personali, a quelli accademici e criticamente agguerriti, da quelli militanti a quelli condotti sul filo, talora intimo, dei ricordi familiari, qui rievocati anche come parte della storia e memoria nazionali, ricostruite, rivissute, «lette» da Ca’ Foscari.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;I saggi raccolti in questo volume rappresentano una duplice testimonianza: la lunga tradizione di alcuni insegnamenti di lingue dell’area occidentale presenti fin dalle origini dell’allora Regia Scuola Superiore di Commercio, ma anche l’attenzione all’evoluzione sociale e culturale che richiede un continuo aggiornamento ed arricchimento dell’offerta formativa. Nel volume si ripercorre la storia di insegnamenti di consolidata presenza congiuntamente a quelli di lingue e letterature introdotte in tempi più recenti nei piani di studio. Questo insieme di tradizione e modernità ha fatto di Ca’ Foscari un centro di assoluta eccellenza per le lingue e le culture straniere, oltre che il primo ateneo in Italia ad avere una facoltà specifica per questo genere di studi.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Giunta alla sua terza pubblicazione, la collana Obratnaja perspektiva | La Prospettiva rovesciata continua la sua missione di indagine e divulgazione di aspetti rilevanti della cultura figurativa russa, approfondendo l’apporto specifico di influenti personalità. Questo volume è dedicato alla figura di Jurij Lotman (1922-1993), il cui pensiero ha ispirato studiosi e pensatori di ogni disciplina e provenienza, come è ben dimostrato dalla presente selezione di interventi, pubblicati in lingua originale, e presentati da studiosi di diverse nazionalità e giovani ricercatori italiani in occasione del convegno «Le Muse fanno il girotondo. Jurij Lotman e le arti» e del seminario propedeutico al convegno stesso. A chiudere la rassegna lotmaniana e il presente volume, entrambi a cura del Centro Studi sulle Arti della Russia (CSAR) dell’Università Ca’ Foscari Venezia, si propone una selezione di disegni realizzati da Lotman, oggi conservati presso le Università di Tallinn e Tartu.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Nell’epoca moderna, la dissidenza religiosa in ambito cattolico e riformato ha instaurato un dialogo fecondo con la filosofia e suscitato interrogativi importanti, fino a sollecitare un ripensamento complessivo della categoria ‘Cristianesimo’. Dello scambio intenso e fecondo tra dissidenza religiosa e filosofia questo volume intende dare una testimonianza attraverso una raccolta di saggi incentrati su problemi, opere e personaggi celebri o ancora poco noti della crisi della coscienza europea.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Il testo affronta il delicato tema della crisi economica e sociale analizzando le ricadute sui sistemi sanitari e sui cittadini in termini di equità e di umanizzazione delle cure, alla luce dell’attuale scenario sociosanitario generato (anche) dalla digital society. Sono raccolti qui i contributi di esperti del mondo del lavoro e dell’università presentati in occasione del Convegno organizzato dalla Società Italiana di Sociologia della Salute (SISS), tenutosi a Roma il 29 maggio 2014. Cardini della riflessione sono la social innovation, la ‘crisi del sistema’ e la possibilità di un suo superamento: quali sono le modifiche attuabili in futuro per ridurre la complessità del ‘sistema sanitario’ in epoca di deterritorializzazione delle strutture sanitarie e di digital m-care?&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;‘Naturalism’ is a category that applies to different philosophical perspectives sharing the idea that nature is the primary object of philosophical enquiry. However, the philosophical debate of the second half of the twentieth century, mainly within analytical philosophy, has led towards an identification of naturalism with the sole scientific naturalism. The volume contains the proceedings of a doctoral workshop, in which PhD students and professors of Ca’ Foscari University of Venice and Université Paris 1 Panthéon-Sorbonne critically discussed this tendency. The contributions present some versions of naturalism, from ancient to contemporary philosophy, with the aim of showing how a naturalistic approach, together with some notions it implies (i.e. nature, habits, disposition, behaviour), may constitute valid categories of interpretation of reality out of a scientist paradigm.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Los once trabajos de este segundo volumen de la colección VenPalabras ponen a disposición del investigador en lexicología y de los lingüistas e historiados del español un conjunto de estudios que, bien asentados en la mejor tradición filológica de nuestra lengua, proyectan la mirada hacia el futuro y ofrecen nuevas perspectivas de estudio. Los términos &lt;italic&gt;lexicalización&lt;/italic&gt;, &lt;italic&gt;léxico&lt;/italic&gt; y &lt;italic&gt;lexicografía&lt;/italic&gt; organizan las tres partes del volumen.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Passing through the Heptanese and on the route to Constantinople, dominating Candia, Cyprus and the other outposts in the Levant, the Republic of Venice left its mark on the modern Greek world for many centuries. In the shadow of Saint Mark’s banner, relations between the two worlds, exchanges and the dense network of contacts that contributed to the development of knowledge were natural and obvious. Stories of encounters, animated by events, people, books and words that have left deep traces on the path of history are partly retraced and recounted in this volume dedicated to the memory of the illustrious Hellenist Mario Vitti (1926-2023).&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Nuzi was a town in what is today northeastern Iraq. It flourished as part of the kingdom of Mittanni from about 1475 to 1350 BCE, early in the Late Bronze Age. Uniquely for a town of its moderate size, Nuzi produced a huge number of documents of which almost 7,000 survive. These include economic, legal, administrative, and even a few scholastic texts. They come from government offices in the town, private houses from several of the town’s neighborhoods, and private villas in Nuzi’s wealthy suburbs. The present volume presents text editions, including transliterations, translations, and analyses of some  of these tablets from the suburbs, predominantly from a single family’s records, a huge private archive, one of the largest ever to have been unearthed in the entire ancient world.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This study explores the idea of a &lt;italic&gt;significant business&lt;/italic&gt;, framing it through the key concepts that define it and illustrating it through a case study that narrates the evolution of a century-old company. Born as an intellectual response to the economic and financial crisis of 2008, the significant business is conceived as an entity capable of enduring over time through the creation of value and its distribution within the community in which it operates. The significant business should be also aware of its own identity and of the need to innovate itself over time considering the synergies and the collaborations that the territory offers, to continue to create wealth. This contribution is part of a series of works that, resulting from numerous action-research projects coordinated by Professor Carlo Bagnoli, have seen as protagonists the companies and their strategic innovation. The starting point of many of these projects is the &lt;italic&gt;Manifesto of the Significant Company&lt;/italic&gt; (Bagnoli et al. 2015), which aims at imagining a business model able to explore and innovate the company to increase its competitiveness, and also to restore meaning to the company itself, through the definition of its own identity. Contributing to previous works, this book explores the idea of significant enterprise by adopting a business and a historical perspective. The first part of the book deals with the business perspective, to introduce the value model commonly used in action research studies undertaken by the spin-off Strategy Innovation of Ca’ Foscari University of Venice, and to describe the specific model of a significant business. The second part of the book narrates the story of a centuries-long business, Barovier&amp;amp;Toso, exploring its evolutions. Focusing on the different perspectives that shaped the key concepts and narrating the path followed by a centenary company, this work hopes to shed further light on this fascinating theme together with the reader.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The representation of migratory flows within European societies is often influenced by distorted perceptions due to a lack of knowledge and awareness of migration itself, of the individuals involved, and their roles, as well as a lack of knowledge of the phenomenon, and by inadequate and misleading ways of interpreting information. Transnational migratory flows generate multiple narratives, conveyed in the current era through specific forms and modes of transmission. These are crucial in shaping the content with which migration is represented in the host societies. Such narratives design and influence the policies used to manage migration and affect how immigrants themselves experience it, as they are compelled to confront the images and ideas that host societies form about them. Since narratives are a type of text, that can reveal the nature of the phenomenon within which they are produced, this work focuses on the relationship between migration and detention to investigate perceptions of the discourse on migration and deviance. The volume gathers testimonies from experts in different fields who explore the physical and symbolic spaces of the prison environment, which can potentially provide a plurality of (in)formations that go beyond the perception that public opinion has of migrants, migration, and detained immigrants. The narratives are thus produced and explored from various perspectives (semiotic, linguistic, legal) and include both self-representations and hetero-representations present in different spheres of discourse (e.g., public, institutional, educational contexts, reception centres, the prison itself, etc.) with the aim of deconstructing distorted perceptions and ensuring that the debate regarding migration and deviance would be well-informed.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Linking Ancient and Contemporary: Continuities and Discontinuities in Chinese Literature is a collection of essays which stems from a project of cooperation between the Department of Asian and African Studies of Ca’ Foscari University of Venice and the Department of Chinese Language and Literature of Peking University. The first conference was held in Venice on 21-22 March 2013, the second will be held in Peking University on 14-16 October 2016. The volume reflects the desire to compare and integrate different approaches to Chinese literature, showing how, in different epochs, traditional intellectual and literary values have been repeatedly criticized and rejected, yet have often resurfaced in many different ways and have been reinterpreted.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Literary education and language education are connected by a relationship of mutual exchange. On the one hand, without the mastery of appropriate language skills it is impossible to grasp the complexity of literary works. On the other, improving language competence is one of the multiple aims of literary education. Moreover, considering the current multicultural dimension of the Italian school system, teaching literature from an intercultural perspective provides an opportunity to foster the development of relational skills while discussing the meaning of the works. In this scenario, we explore the state of the art of literary education and the teaching of literature in Italy and we consider their implications with language education, intercultural education, and intercultural communication. Furthermore, we present both a model of literary and intercultural communicative competence and a hermeneutic and relational method, also aimed at improving language acquisition and promoting intercultural awareness. In our view, literary and intercultural communicative competence makes it possible to communicate effectively in events where the language is spoken in order to understand literary texts, to identify the original meanings, to discuss their significance from the students’ current perspective, and to formulate critical judgements. The aim of the volume is to offer content and methodological resources for the teaching of literature that can impact positively on the development of language and relational skills. Thus, we draw up some guidelines aimed at increasing students’ motivation for studying the works, fostering their active participation and allowing literature to preserve its educational function.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Quelles sont la signification et la position de la littérature chinoise (ou des littératures de la sinosphère) dans l’utopie politico-culturelle de Goethe, la &lt;italic&gt;Weltliteratur&lt;/italic&gt; reprise aujourd’hui par les chercheurs de littérature comparée et traductologie ? Quelles sont les identités plurielles dessinées et globalisées dans les rapports entre Chine et Occident, à une époque où les frontières culturelles et linguistiques sont effacées ? Ce volume, &lt;italic&gt;Littérature chinoise et globalisation. Enjeux linguistiques, traductologiques et génériques&lt;/italic&gt;, offre une réflexion théorique et une analyse de cas d’études représentatifs : de la traduction poétique de Guo Moruo et Gao Xingjian à la littérature fantastique chinoise en ligne et la contre-fiction politique, de la réception de Pirandello et Goldoni en Chine à la gestion éditoriale des auteurs chinois contemporains en Italie.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The tragic poets themselves regarded Homer as their master, and Aristotle in the &lt;italic&gt;Poetics&lt;/italic&gt; considers epic and tragedy as two particularly kindred genres. Unlike Aeschylus and Euripides, however, no monograph has been devoted to the study of the vast and complex Homeric legacy in Sophocles. This book represents a first attempt in that direction, examining two tragedies, &lt;italic&gt;Ajax&lt;/italic&gt; and the &lt;italic&gt;Trachiniae&lt;/italic&gt;. The investigation of Homeric reworkings and echoes is conducted on multiple levels – lexis, allusions, poetic imagery, core themes – and focuses especially on the choral odes, while nevertheless taking into account the plays as a whole. It seeks to offer original interpretative insights both with respect to the characters and to the central themes of the two tragedies. The analysis integrates linguistic and stylistic dimensions with an inquiry into the intertextual and dramaturgical resonance, as well as the conceptual scope, of Sophoclean Homerisms. The ancient renown of Sophocles as the ‘tragic Homer’ is thus confirmed in these pages, both in terms of poetry and of thought.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The selection presented in this volume embraces fifteen of the most significant contributions dedicated by the author (for many years full professor of Medieval and Humanistic Latin Philology and Literature at Ca’ Foscari) to grammatical and rhetorical production in the medieval and humanistic ages: one of the fields in which his activity as researcher and lecturer has been most explicit. The collection is intended to be paradigmatic of the path taken by the scholar over the course of his career, which we wish to recapitulate here through a selection, spanning from the 1970s to the present day, of articles that are exemplary of his working method and the scientific results he achieved.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume presents the posthumous French edition of the &lt;italic&gt;Livre de messire Marco Polo&lt;/italic&gt;, established by Luigi Foscolo Benedetto (1886-1966) in the 1950s. This unpublished work followed Benedetto’s monumental 1928 edition, and the English and Italian translations provided in 1931 and 1932. Thanks to Ernest Giddey’s heirs, this critical edition ­― prefaced by Benedetto himself ― can now finally come to light. The text is accompanied by four essays which offer an analysis of the history of Benedetto’s editions, and of the compositional architecture, language and style of his publishing enterprise. The volume is the first of a larger project which includes the publication of Benedetto’s own commentary to the &lt;italic&gt;Livre&lt;/italic&gt; (voll. 2-4) and of a collection of essays on Marco Polo written by Benedetto between 1924 and 1960 (vol. 5).&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;By remembering Attilio Bettinzoli with this collection of essays, the intent of friends and colleagues is to recognize the legacy of knowledge and affectionate memories that he left in those who attended him in his intellectual excursions. His entire life was dedicated to literature and teaching, with a fine critical spirit and with joyful curiosity, both on the academic side as a refined reader – in the footsteps of Vittore Branca and exploring paths ranging from Boccaccio, Poliziano, Ficino, Pico and Iacopo Sannazaro up to the poets of the twentieth century, with a predilection for Rebora – and in poetic writing, along an existential line interpreted with dense and suggestive poetic collections that accompany the path of investigation into twentieth-century poetry in friendly and esteemed voices such as those of Eugenio Montale, Emilio Cecchi, Giovanni Boine, Camillo Sbarbaro, Cristina Campo, Giorgio Caproni and Giorgio Vigolo, often assigned to students as a topic in numerous theses, to attest to research constantly linked to teaching. These are also the thematic and conceptual lines on which the essays offered by colleagues and students move, in a small sign of friendship and gratitude for the path shared over the years.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The catalogue includes contributions from the participants in the artistic project &lt;italic&gt;Mal d’aria&lt;/italic&gt;. The Ca’ Foscari University of Venice, in collaboration with the Iuav University of Venice, the University of Padua, the University of Verona and the artist Laura Pugno, winner of the Sustainable Art Prize 2022, realised the project focusing on sustainability issues. Through the active involvement of the university community and the use of artistic language, the project created a space for reflection on the problems caused by air pollution and their possible solutions.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This book gathers together two essays. The first deals with the origins of the character of Farhād, the unlucky lover of Shīrīn, who – in the Persian narrative tradition – digs a route through Mount Bīsutūn and accomplishes other admirable works. The essay suggests that Farhād, as we know him from long narrative poems, historical chronicles, and reports by geographers and travelers, is the issue of a conflation between the legendary character of the Master of Mount Bīsutūn and a historical personage, Farrahān, the general-in-chief of the Sasanid king Khusraw II Parvīz’s army (r. 590-628 EC), as this figure was re-elaborated in a number of later legends. The second essay identifies a character named ‘Būrān-dukht’ as the prototype from which Turandot, the heroine of the tale well-known in Europe from Puccini’s opera (1926), springs. Two historical personages, both called Būrān or Būrān-dukht, are relevant in this line of development: the first is the daughter of the Sasanid king Khusraw II Parvīz (r. 580-628 CE), who was queen of Persia for a short period (630-631 CE); the other is the daughter of Ḥasan b. Sahl, wife of Caliph al-Maʾmūn (813-833 CE).&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Matthew Paris’s &lt;italic&gt;Iter de Londinio in Terram Sanctam&lt;/italic&gt; is a work on the boundary between cartography and travel literature. Contained in four autograph manuscripts and accompanied by a precious iconographic apparatus, the &lt;italic&gt;Iter&lt;/italic&gt; is conceived as an itinerary that starts in London and, passing through France and Italy, reaches the Holy Land. Along the way there are Anglo-Norman captions relating to the main stops encountered along the way: from Rome to Sicily, passing through Antioch and Damascus, Armenia and the rich East, crossing Africa, until reaching Jerusalem and Acre. This volume, starting from a philological and linguistic methodology, aims to provide a new edition of the work to replace the previous one, now dated and unsatisfactory, edited by Michelant and Raynaud (1882). The edition is accompanied by an introductory study that intends to address Matthew Paris’s production, both Latin and vernacular, in its entirety, in the light of a new and broader historical, linguistic, and material contextualisation. In this way, it has been possible to fully consider the &lt;italic&gt;Iter de Londinio in Terram Sanctam&lt;/italic&gt;, its peculiarities, and the dynamics through which it fits into the broader artistic-literary production of its author. What ultimately emerges is a profound link between Matthew Paris’s vernacular production and the historical and cultural context of the Plantagenet court in the mid-thirteenth century, marked by King Henry III’s crusade plans.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The volume collects the contributions presented at the international workshop &lt;italic&gt;METra&lt;/italic&gt;(&lt;italic&gt;Mapping Epic in Tragedy – Epica e tragedia greca: una mappatura&lt;/italic&gt;), held at the University of Verona in May 2021. The aim of these Proceedings is to investigate the rich legacy of archaic Greek Epic (primarily Homer) inherited by Attic Tragedy. All essays focus on this topic both from a variety of perspectives and from a multidisciplinary standpoint, ranging from linguistic, metrical, and philological exegesis to literary, stylistic, and dramaturgical interpretations, as well as from anthropological and religious approaches to the cultural and intellectual history of archaic and classical Greece. Although inevitably partial, this volume provides a multifaceted mapping of the fertile, constant, and innovative reinterpretations of epic poetry offered by the tragedians of the 5th century BC.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The volume represents the second ‘chapter’ of the &lt;italic&gt;METra&lt;/italic&gt; research project (&lt;italic&gt;Mapping Epic in Tragedy – Epica e tragedia greca: una mappatura&lt;/italic&gt;), and contains the papers presented during the international workshop &lt;italic&gt;METra 2&lt;/italic&gt;, held in Verona in June 2022. Carrying on with the lines of research whose first results were published in &lt;italic&gt;METra 1&lt;/italic&gt; (Lexis Supplements 11, 2022), this second collection of essays focuses on further aspects of the Homeric legacy in Attic tragedy. As in the first volume, the papers apply different disciplinary approaches, covering a wide range of topics: from metrical, linguistic, and stylistic features to matters of intertextuality and literary allusiveness, from the cultural, religious, and ethical values of archaic Greece – and their persistence in the classical age – to the ‘dialogue’ between ancient epics and modernity.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;&lt;italic&gt;Narratives of Violence&lt;/italic&gt; is a contribution to the ethical turn in literary studies. In the current context of systemic political violence unleashed in the wake of 9/11 and the global advance of capitalism and neoliberalism, literature constitutes a particularly timely device to raise awareness about injustice, the abuse of power, and the violation of human rights. Literature may also be helpful in order to face social challenges such as peaceful coexistence with immigrants and displaced people, and the settling of refugees. This book is an invitation to read a selection of narratives of violence anchored in different geopolitical realities, and located in historical contexts ranging from the beginning of the 20th century to the present day. By adopting ethical criticism in order to tackle the dilemmas posed by these stories, we aim to contribute to the configuration of global imaginaries based on respect, recognition, and empathy, especially towards those who are most vulnerable. This collection offers critical readings of works of various genres, originally written in different languages. Authors discussed comprise Mrīrīda nʾait ʿAtiq (Morocco), Janina Hescheles (Poland), Eva Koch (Denmark), María Galindo (Bolivia) and Sonia Sánchez (Argentina), Najat El Hachmi (Morocco-Catalonia), Arundhati Roy (India), Leila Abdelrazaq (Palestine), and Yū Miri, Murata Sayaka, and Kawakami Mieko (Japan). The corpus includes biographical, autobiographical, testimonial, and fictional narratives, sometimes very close to documentary or life history. The works analysed in this collection portray experiences of violence and oppression caused by social, political, economic, and military conflicts. The novelty of this book lies in the challenge it poses to the Western-centric and patriarchal bias often found in similar collections of scholarly essays. Thus, the book focuses on female authors, seeking to give visibility and voice to women victims, generally forgotten in hegemonic cultural discourses.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The aim of this book is to shed new light on the connections between the islands of the &lt;italic&gt;Odyssey&lt;/italic&gt;, setting aside the common perspectives which fully contrast Ithaka to the isles of Odysseus’s travels. Indeed, on a close reading, the idea of ‘otherness’ frequently associated to these isles can be perceived as the result of shared traits. The book first offers an introductory survey on the studies about islands and insularity (not only) in the &lt;italic&gt;Odyssey&lt;/italic&gt;. Then, it analyses how and in which terms the Odyssean representations of the islands are elaborated by means of references to the characters’ senses and actions. These representations are frequently parts of archipelagos of memories, and all bear witness to the fact that fantastic and realistic traits are intermingled and can permeate each other on all the Odyssean islands. Thus, the isles of these travels can be perceived as marginal and mixed places which are also meaningfully part of the archipelago of thematic and formal relations which links all Odyssean islands. The second section of the book examines this archipelagic scenario by using the concepts of utopia and heterotopia. The section shows how the islands of the &lt;italic&gt;Odyssey&lt;/italic&gt; and, especially, the islands the hero encountered on his travels should not be considered utopias in the strict sense of the word. It then goes on to show how M. Foucault’s heterotopia can help to highlight a series of insular aspects, which, otherwise, could pass unnoticed. These lands stand at the margins of the world of the &lt;italic&gt;Odyssey&lt;/italic&gt; and are, at the same time, connected to all the other islands. As a result, they work like mirrors which reflect images of different and possible worlds. In particular, the Odyssean isles of women mirror different and possible relationships between Odysseus and the lady of the island and help to enlighten the place which the hero perceives as the perfect home among all the possible choices. Finally, a brief analysis of the prophecy about the hero’s future last adventure shows that there is no chance of Odysseus feeling at home on that ‘other’ place of this last journey.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume collects most of the contributions presented at the conference of the same name, organised as part of a broad research project on the figure of Francesco Filelfo, financed by MIUR within the framework of the Italian Fund for Basic Research (FIRB) 2012. Through the conference, the research unit present at Ca’ Foscari, directed by Filippo Bognini, aimed to provide further stimuli to the scientific debate on what the metaphor of the title evokes: i.e. the new spaces occupied, in the age of Humanism, by the fundamental genre of the epistle, not only in Filelfo (whose production in the vernacular and the intercurrent relations between epistles and &lt;italic&gt;Odes&lt;/italic&gt; are investigated here), but also in other personalities who, in different contexts, made a significant contribution to the genre (from the Bolognese humanists up to Machiavelli, not excluding in-depth studies on only apparently minor figures, such as Bartolomeo Baldana or Girolamo Aliotti).&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This book examines the evolution of contemporary Spanish literature in the aftermath of the 2008 economic crisis, proposing the concept of the postcrisis novel. The term does not suggest the end of the crisis but rather refers to a shift in narrative focus towards the ongoing consequences and social transformations triggered by this pivotal moment. The postcrisis novel is not merely a record of the repercussions but a deeper exploration of how these events challenge and reshape cultural, political, and social landscapes. The book highlights the diverse forms of crises – economic, political, social, ecological – across different regions of Spain and explores how they have influenced the literatures of each community. These events catalyzed a repoliticization of literature, where narratives no longer align with dominant ideologies but instead highlight the fractures and inconsistencies within them. The book brings a comparative perspective to the four main literatures of the Spanish state – Catalan, Basque, Galician, and Spanish – analyzing how they reflect their respective communities’ issues not just thematically but also discursively. By studying novels published after these events, this book argues that contemporary political novels in Spain are varied, context-specific, and contingent. The comparative approach breaks away from traditional separations based on linguistic, institutional, and ideological barriers, emphasizing instead the interconnectedness of these literatures. While acknowledging each literary field’s unique characteristics, it posits that all are influenced by the political dynamics of the Spanish state. Thus, the book respects these specificities while also exploring how the repoliticization of literature in each region can be understood in relation to the others, offering a nuanced understanding of the political novel in contemporary Spain.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;In an effort to revive a European silk industry devastated by the spread of the silkworm disease pébrine, in 1859 the noblemen Giovan Battista Castellani and Gherardo Freschi proposed an expedition to India and China to acquire healthy silkworms. The photographer Giacomo Caneva joined the expedition, producing images that permit today’s reader to observe, as if the distance of time and space was nullified, the snuff bottle of a Shanghai Qing official, the lotus shoes of Huzhou’s noblewomen, or a stone-carved monumental gate. In our contemporary society, characterized as it is by the near total ubiquity of digital images, this exhibition presents photographs not only as visual stimuli but also as unique, unrepeatable objects defined by specific techniques, materialities, and colours, as well as the traces of their turbulent lives.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The book collects eight contributions presented during the conference organised on 25 May 2021 at the Archaeological Museum of Oderzo, Fondazione Oderzo Cultura, towards the end of the exhibition &lt;italic&gt;L’anima delle cose. Riti e corredi dalla necropoli romana di ‘Opitergium’&lt;/italic&gt;. The proceedings expand the research framework regarding the Opitergium necropolis of Roman and late antiquity ages, addressing specifically funerary monumentality, epigraphic documentation and funerary rituals. Some peculiar finds discovered within burial equipment are examined too (pairs of miniature ollas, writing tools, a bucket made with reused foils), also in relation to the wider context of the Veneto region and northern Italy.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The interviews and audio recordings comprised in this volume are the outcome of a field research to Maharashtra and Andhra Pradesh which took place in October-November 1985 for the preparation of the Author’s BA thesis on the life and teachings of the Indian saint Sai Baba of Shirdi (d. 1918), discussed at the Ca’ Foscari University of Venice in June 1987 (&lt;italic&gt;Un maestro dell’India moderna: il Sāī Bābā di Śirḍī. L’uomo, l’ambiente, gli insegnamenti&lt;/italic&gt;). The conversations of each day are preceded by excerpts from the Authorʼs diary. These testimonies record the words of various people in the village of Shirdi and other locales, among whom are the last old men who knew Sai Baba: Balaji Pilaji Gurav, Bappaji Lakshman Ratna Parke, Martanda Mhalsapati, Pandharinath Bhagavant Gonkar, Tukaram Raghujiv Borawke, and Uddhavrao Madhavrao Deshpande. While in Shirdi the Author was also able to interview Uttamrao Patil, son of Tatya Kote Patil, and in Mumbai he had the privilege of meeting Swami Ram Baba, who first met the saint in 1914. Taken altogether, these conversations are primary sources for the study of Sai Baba and may help to contextualize Shirdi as a pilgrimage place in the mid-1980s.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;L’Osservatorio 2023 conferma la crescita delle imprese in rete e delle reti, sottolinea una maggior concentrazione territoriale delle reti e la crescente diffusione di aggregazioni tra imprese dello stesso settore, la crescita di reti ‘piccole’ o micro, conferma il ruolo del settore agroalimentare ed evidenzia la crescita delle reti nell’edilizia e nel commercio. Queste reti nascono prevalentemente per aumentare il potere contrattuale, per condividere spese e per partecipare a bandi e appalti e le loro performance sono positivamente correlate alla complementarità delle risorse. Quando però si parla di resilienza e innovazione, l’apertura della rete ad imprese di settori diversi sembra essere un plus. Infine, lo studio enfatizza l’importanza di utilizzare di più e meglio gli strumenti giuslavoristici e fiscali a disposizione delle reti.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume provides an integrated empirical and analytical assessment of business networks established through network contracts in Italy, drawing on data from the 2025 edition of the National Observatory of Network Contracts. Combining administrative data with an original survey of 178 networks, the book examines the diffusion, structural characteristics, governance mechanisms, leadership practices, performance outcomes, and policy-relevant dimensions of inter-firm collaboration.  The contributions show that network contracts have reached a phase of institutional maturity, shifting attention from their quantitative diffusion to the quality and effectiveness of collaboration. Empirical evidence highlights significant heterogeneity across networks in terms of objectives, sectoral specialization, governance configurations, and leadership orientations. While networks generally display satisfactory levels of cohesion and perceived benefits for participating firms, innovation outcomes – especially radical innovation – remain uneven and contingent on specific organizational conditions.  A central contribution of the volume lies in its analysis of governance and leadership. Networks increasingly adopt hybrid coordination arrangements combining formal mechanisms and relational practices, while leadership emerges as a dynamic and contingent process rather than a purely formal role. Goal-oriented and efficient leadership supports innovation and network attractiveness, whereas cohesion enhances stability but may limit openness and renewal. These findings frame networks as adaptive organizational systems rather than static contractual arrangements.  The volume also addresses incentives, skills, and training, revealing a persistent gap between the strategic importance attributed to competencies and the limited use of structured training and managerial tools. This gap constrains the long-term sustainability of networks and calls for policy interventions that move beyond financial incentives toward organizational and capability-building support.  Overall, the book contributes to the literature on inter-organizational networks by conceptualizing network contracts as intermediate organizational forms and offers evidence-based insights for policy makers and practitioners aiming to strengthen collaborative capacity and competitiveness within the Italian productive system.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;L’industria automotive rappresenta uno dei settori cruciali per l’economia italiana ed europea. La competitività delle imprese automotive e dell’intero comparto dipende dalla capacità dei principali &lt;italic&gt;player&lt;/italic&gt; nazionali di stare sul mercato secondo le nuove regole del gioco, interpretando correttamente i fattori chiave sui quali si giocheranno le dinamiche competitive nel futuro dell’industria. Al contempo, l’efficacia delle politiche pubbliche promosse a livello nazionale e comunitario dipende largamente dalla capacità dei &lt;italic&gt;policy makers&lt;/italic&gt; di comprendere le dinamiche settoriali e di interpretare correttamente i trend in atto che caratterizzeranno il futuro delle imprese automotive. Con questo obiettivo è stato scritto il presente volume ed è stata sviluppata l’edizione 2016 dell’&lt;italic&gt;Osservatorio sulla componentistica automotive italiana&lt;/italic&gt;. L’indagine e l’analisi dei suoi risultati, inquadrati nel contesto globale attraverso la presentazione dei dati disponibili sull’industria mondiale, hanno lo scopo di informare i principali operatori pubblici e privati dell’industria, così come gli studiosi del settore. Il presente volume tenta dunque di offrire un quadro sulla componentistica automotive Italiana, approfondendo le dinamiche dell’industria rispetto all’attenzione alle nuove tendenze tecnologiche, all’innovazione dei business model, ai fattori rilevanti per la competitività, e all’articolazione della geografia della concorrenza.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;La filiera automotive italiana vive un momento di crescita e sviluppo, che conferma il &lt;italic&gt;trend&lt;/italic&gt; positivo avviato negli ultimi anni. Tuttavia, l’industria automotive globale è al centro di profondi cambiamenti che potrebbero portare all’affermarsi di scenari futuri dominati da veicoli a motorizzazioni alternative, auto a guida autonoma, o città riorganizzate sulla base di nuovi paradigmi di mobilità. Le imprese italiane della componentistica potrebbero rappresentare il futuro dell’industria della mobilità in Italia, ma le sfide da vincere sono numerose. Il volume &lt;italic&gt;Osservatorio sulla componentistica automotive italiana 2017&lt;/italic&gt; è stato realizzato con il duplice obiettivo di approfondire punti di forza e debolezza delle imprese italiane, e di collocarli nel quadro complessivo di opportunità e minacce che emergono dagli sviluppi dell’industria a livello internazionale.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;A fronte dei numerosi cambiamenti che si stanno configurando su scala mondiale, riguardanti la diffusione dei veicoli a motorizzazioni alternative, l’emergere di nuovi paradigmi di mobilità individuale, il ruolo centrale delle tecnologie informatiche e della comunicazione nei processi produttivi e nei prodotti, il volume &lt;italic&gt;Osservatorio sulla componentistica automotive italiana 2018&lt;/italic&gt; offre una lettura dei dati che mira a comprendere in che modo tale evoluzione tecnologica e della regolamentazione influenzerà le sorti della filiera auto italiana. Il quadro che emerge dal rapporto è ancora una volta quello di una filiera che non investe abbastanza nella ricerca e sviluppo, con l’intento di seguire piuttosto che anticipare le esigenze del cliente. In questo scenario i fornitori italiani, supportati adeguatamente dal regolatore, devono fare quindi la loro parte, tanto più che il sistema della componentistica locale conferma il suo ruolo centrale nell’orientare le scelte di investimento da parte dei carmaker.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;In un quadro macro-economico caratterizzato da forti incertezze e tensioni internazionali, nel corso dell’ultimo anno l’industria automotive ha mostrato segni di rallenta-mento, sia sul fronte della domanda sia su quello della produzione. Per quanto riguarda il settore italiano, il volume 2019 dell’Osservatorio propone la fotografia di una filiera automotive attraversata da dinamiche di cambiamento e riconversione produttiva molto sfidanti. Tuttavia, dal quadro complessivo emergono alcuni possibili scenari di sviluppo della componentistica, avviata verso un percorso virtuoso di diversificazione e internazionalizzazione, nella quale è importante favorire politiche per superare la dipendenza da FCA ed agevolare l’ampliamento del mix produttivo. Tali strategie necessitano di essere declinate tenendo conto delle specificità territoriali, che se valorizzate e sostenute da interventi puntuali e mirati, potrebbero diventare lo strumento per traghettare la filiera italiana verso il futuro dell’industria automotive.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Nel 2021 il mondo ha dovuto fare i conti per il secondo anno di fila con la crisi sanitaria ed economica determinata dalla diffusione del virus COVID-19. Per l’industria dell’auto la crisi ha prodotto una serie di effetti sia sull’offerta sia sulla domanda, tra cui la crisi dei semiconduttori, l’incertezza economica legata alla crisi sanitaria, e la decisa accelerazione, a trazione EU, della transizione verso la mobilità elettrica. Per la filiera automotive italiana, ulteriori incognite sono legate alla formazione di Stellantis e il conseguente spostamento del baricentro decisionale fuori dall’Italia. Il quadro che emerge dal rapporto 2021 dell’Osservatorio è quello di una filiera i cui risultati in termini di fatturato, produzione ed export continuano ad essere in contrazione, e che necessita con urgenza dell’avvio di un programma di investimenti pubblici per sostenere l’attrattività di investimenti privati in Italia, e del rilancio dei poli italiani di eccellenza attraverso nuovi investimenti in ricerca e sviluppo, struttura manageriale, risorse finanziarie e una rinnovata capacità di ‘fare rete’.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume reports the first results of the Observatory on the Transformations of the Italian Automotive Ecosystem. The main focus is on the consequences of the technology acceleration following the European legislation that has decreed the end of the sales of the production of endothermic motors in 2035. The Observatory was founded by CAMI - Department of Management of Ca' Foscari University of Venice and Motus-E, the association of industrial operators that promote electric vehicles. It seeks to identify the key variables to assess whether and to what extent the current technological development is shaping the evolution of the automotive ecosystem, and ultimately whether it represents an opportunity or a threat for incumbents. The main objective of the Observatory is to produce and identify scientific evidence on the ecosystem of mobility to be made available to economic, entrepreneurial, political-institutional and scientific networks. The Observatory is based on a database composed of companies belonging to the industrial chain of road mobility (supply chain for cars, motorcycles, micro-mobility, buses, trucks, as well as companies providing engineering services, components and after-market services and infrastructure for electric and similar refuelling and charging). The technological evolution of recent years is affecting the drive-train of vehicles, which will be subject to radical changes starting from the abandonment of internal combustion engine technology. In this scenario it is no longer enough to continue analysing the ‘traditional supply chain’, but a broader analysis is needed that takes into account the entire mobility ecosystem. Electric mobility is, to date, the most mature technology to replace the endothermic engine and will involve: a radical change in the technological base; an expansion of the boundaries of the automotive supply chain involving those of digitalisation and services; the need for complementary asset development.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;L’edizione 2023 del volume dell’Osservatorio sulle trasformazioni dell’ecosistema automotive italiano rende un quadro aggiornato sugli effetti della trasformazione tecnologica in atto sulle imprese della filiera italiana. I dati presentati nel volume sono il risultato di una indagine disegnata per fornire evidenze sia sui segmenti della filiera che scontano un ritardo tecnologico e sulle loro esigenze di riconversione, sia sulle imprese già attive nella componentistica per il drivetrain elettrico e le infrastrutture di ricarica. I dati mostrano che la crescita di quest’ultimo segmento dell’ecosistema, insieme alla tenuta di molti dei fornitori tradizionali il cui portafoglio prodotti è neutrale rispetto alla trasformazione in atto, sta permettendo alla filiera nel suo complesso di mantenere i livelli occupazionali degli anni recenti, con prospettive positive per il prossimo futuro. Il volume presenta evidenze utili ad orientare azioni di politica industriale in grado di arginare la decrescita dei comparti maggiormente esposti al cambiamento tecnologico e favorire lo sviluppo della filiera italiana nel suo complesso.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;L’edizione 2024 del volume dell’Osservatorio sulle trasformazioni dell’ecosistema automotive italiano rende un quadro aggiornato sugli effetti della trasformazione tecnologica in atto sulle imprese della filiera italiana. I dati presentati nel volume sono il risultato di una indagine disegnata per fornire evidenze sia sui segmenti della filiera che scontano un ritardo tecnologico e sulle loro esigenze di riconversione, sia sulle imprese già attive nella componentistica per i veicoli elettrici e le infrastrutture di ricarica. I dati mostrano che la crescita di quest’ultimo segmento dell’ecosistema, insieme alla tenuta di molti dei fornitori tradizionali il cui portafoglio prodotti è neutrale rispetto alla trasformazione in atto, sta permettendo alla filiera nel suo complesso di contenere la riduzione occupazionale indotta in massima parte dall’evoluzione della domanda. Il volume presenta evidenze utili a orientare azioni di politica industriale in grado di arginare la decrescita dei comparti maggiormente esposti al cambiamento tecnologico e favorire lo sviluppo della filiera italiana nel suo complesso e negli approfondimenti territoriali che sono stati integrati in questa edizione.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The 2025 edition of the Observatory on the transformations of the Italian automotive ecosystem provides an updated overview of the effects that the ongoing technological transition is having on companies within the national supply chain. The data presented in the volume result from a survey designed to offer evidence both on the segments of the supply chain that are facing technological delays – and their related reconversion needs – and on companies already active in the production of components for electric vehicles and charging infrastructure. The survey was launched and completed between September and October 2025, while meetings with the Steering Committee took place both before the survey’s launch, to define the most relevant topics, and afterwards, to discuss and interpret the results. The first findings of the survey were also presented at the Ministry of Enterprises and Made in Italy in January 2026. The report therefore also benefits from the discussion that emerged in that setting, as well as from the contributions provided through engagement with the institutions.&lt;/p&gt;</Text>
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Lisa Ouakil’s &lt;italic&gt;corpus&lt;/italic&gt; of works evokes the evolution of the Venetian landscapes in the context of climate change and industrial activity, through the prism of colour, poetry, and narrative.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;&lt;italic&gt;al-Naḫl yamūtu wāqifan&lt;/italic&gt; (Palm Trees Wither Upright) is the first work by Tunisian writer Ibrāhīm Darġūṯī, born in El-Mahassen (Tozeur) in 1955, proponent of the experimentalism and magical realism, and known all over the Arab world for his pungent writing style. The work was published in Sfax in 1989, and is a collection of short stories devoted to the local life of al-Ǧarīd region, in southern Tunisia; to its traditions, distinctive traits and, at times, to imagination, creating a unique mixture, which is representative of Darġūṯī’s literature. Men, the desert, and palm trees are the essential elements, the three primary colours of this literary text. Stories unfold around this triad and through them its author introduces the many facets of local reality. “A hand full of sun for ʿAzīz” or “Lion’s paw” reveal an intimate relationship between nature, represented by the palm grove, and the inhabitants of that land; a sort of tacit agreement for which one has promised to take care of the other since the dawn of time. Other stories explore all the repressive elements of the system: class differences, hunger, humiliation, tyranny; in short, the loss of fundamental rights. In this sense, Darġūṯī’s work is not remission or defenceless immobility in the face of the injustices perpetrated by man on his neighbour; on the contrary, it is pure rebellion. &lt;italic&gt;al-Naḫl&lt;/italic&gt; is a vivid mixture in which multiple traditions blend. It is a set of fragments of an Arab, Tunisian or Saharan setting fairy tale, or of the Islamic cultural heritage. It shows the scars left by French colonialism, or the challenge of man facing the change of times. It is a condemnation of all kinds of injustice, a cry of anguish and restlessness for the troubles of everyday life. It is a glimpse of the Ǧarīd with its mysteries, the desert that claims men’s lives, the almost metaphysical landscapes of a salt lake that was once a sea. It is the first work by Darġūṯī translated into Italian.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The volume contains eleven contributions that were presented at the second conference dedicated to &lt;italic&gt;voluntas&lt;/italic&gt;, held at Ca’ Foscari University of Venice in 2023. The focus of this collection is the Western conception of &lt;italic&gt;voluntas&lt;/italic&gt;, which, in its paradigmatic value, had been established in the Greco-Roman world. The authors proceed to explore the history of the concept in medieval and modern philosophy, highlighting the contributions of prominent figures such as Augustine, Duns Scotus, Descartes, and twentieth-century German philosophy. Important advances in this area can be attributed, at least in part, to efforts to delineate the dynamism and mutation of the paradigm adopted. The concept of &lt;italic&gt;voluntas&lt;/italic&gt;, originally introduced by Cicero and subsequently elaborated by Augustine inside a Platonic, Aristotelian and Stoic tradition, encapsulates the fundamental principle of subjective action and the desire unequivocally present in all human beings. Later, in the Romance languages and finally in modern contexts, voluntas underwent a process of recalibration, redefinition, and reshaping. In the nineteenth century, &lt;italic&gt;voluntas&lt;/italic&gt; began to take on the character and force of a non-rational metaphysical foundation of the whole of reality. This transformation is evident in the depersonalisation of &lt;italic&gt;voluntas&lt;/italic&gt;, as evidenced by Schopenhauer’s representation of the ‘World’ and Nietzsche’s conception of the ‘Dionysian character’ and ‘Will to power’. These philosophers argue that &lt;italic&gt;voluntas&lt;/italic&gt; functions as an all-encompassing horizon of vital occurrence in constant becoming, aspiring to unceasingly empower itself. Today, the problematic radical distinction between ‘will’ and ‘free-will’ on the one hand; the meaning of ‘intentionality’ and the concept of ‘agent-causality’ on the other appear to predominate. The dichotomy between will and reason can indeed be theorised; nevertheless, when considered collectively, it can be reasonably contested.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;‘Will’ descends, etymologically, from &lt;italic&gt;voluntas&lt;/italic&gt;. However, in the meaning of &lt;italic&gt;voluntas&lt;/italic&gt;it is no longer possible to grasp the terminological plurivocity present in the Greek language. Consequently, the theory of action, which Aristotle and Greek thought in general had extensively dealt with, in the Roman context has adapted to a simplified conceptual framework. The essays collected here have allowed us to focus on a brand new articulated paradigm. Within it, we find a renewed concept of ‘will’: the &lt;italic&gt;voluntas &lt;/italic&gt;that is explained in the modern interpretation of the ‘voluntary act’, and ‘voluntarism’ &lt;italic&gt;tout-court&lt;/italic&gt;.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This book explores a range of pathways in the evolution and variation of the Spanish language across different communicative domains related to football. From press conferences to the language used by analysts and fans, from journalistic reports to media broadcasts and social networks, and from the very name of the sport to regional variants within Spanish football vocabulary, Partido a partido. La lengua del fútbol addresses a variety of linguistic research topics. These include lexical, discursive, and pragmatic phenomena, as well as diachronic, variational, sociopragmatic, comparative, and intralingual translation-based approaches. The book brings together nine papers, each with distinct aims, scopes, and analytical techniques. Despite this diversity, all the papers focus on the linguistic peculiarities of historical changes and contemporary variations in the Spanish language (across more than one country), which can be observed – though not exclusively – in the language of football. Although exploratory in nature, this volume encourages readers to view the communicative dynamics inspired by football as more than merely ‘mundane’ or ‘ephemeral’. While some phenomena arise solely within the football community under specific circumstances, certain linguistic innovations shaped by football references may eventually extend to other thematic domains. In sum, this book offers readers an overview of the features and complexities that characterise the Spanish language. Like football itself, these features spark interest and foster discussion among specialists.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The volume collects contributions that were presented at the PARTE workshop in Budapest in September 2022 or at the Partitive Online Talks, with the goal of investigating the universal and varying properties of partitive constructions and partitive elements. Since the expression of partitivity in Romance languages has been studied extensively, in this volume special attention is paid to other European languages, such as Germanic, Gaelic, Finno-Ugric and Slavic languages. With data from microvariation and variation that spans over vast geographical distances and involves various contact situations, this volume brings new insights into what is universal and what is particular in partitive constructions and elements in Europe.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This miscellaneous volume in honour of Paolo Mastandrea includes contributions by colleagues and friends dealing with some of the main topics of his scientific interests: intertextuality, late Latin studies, philological problems, the legacy of Classics in Renaissance, digital humanities. The first section, «Literary History and Intertextuality», focuses on special patterns in Latin literature within a very wide chronological range, from Vergil to Optatianus. Specific attention is dedicated to elegy and to mythological characters in elegy and tragedy. The section named «Philological Notes» deals with critical problems within texts by Sallustius, Macrobius and &lt;italic&gt;Historia Augusta&lt;/italic&gt;. The following section, «Late Latin studies», is dedicated to several authors and topics: Simphosius’ &lt;italic&gt;Aenigmata&lt;/italic&gt;, Sidonius, &lt;italic&gt;Historia Augusta&lt;/italic&gt;, Claudianus, &lt;italic&gt;Epigrammata Bobiensia&lt;/italic&gt;, Johannes Lydus and literary &lt;italic&gt;topoi&lt;/italic&gt; used in late Latin texts. The final one, «Classical Reception Studies», examines a few examples of the legacy of Latin authors in the Italian Renaissance. A history of the database &lt;italic&gt;Musisque Deoque&lt;/italic&gt;, along with the future perspectives of this crucial project designed in 2005 by Paolo Mastandrea, are provided in a specific «Appendix».&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;La figura e il pensiero di Pavel Florenskij (1882-1937), il ‘Leonardo da Vinci russo’, godono da tempo di grande attenzione nel nostro Paese. Lo confermano gli atti del convegno internazionale promosso nel 2012 dal Centro Studi sulle Arti della Russia (CSAR) dell’Università Ca’ Foscari Venezia, quando studiosi provenienti da Italia, Russia, Stati Uniti e Gran Bretagna hanno ragionato sul fondamentale contributo offerto dal pensatore russo allo studio e alla valorizzazione della cultura figurativa russa dalle origini fino alla contemporaneità d’allora, con una particolare attenzione verso le sue forme espressive più genuine come l’Icona e l’Avanguardia storica. Il volume presenta le riflessioni critiche di quegli autorevoli studiosi, qui raccolte nelle rispettive lingue madri, all’insegna, secondo lo spirito della lezione florenskiana, di una stimolante intertestualità linguistica, disciplinare e metodologica.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Through a nuanced analysis of the 1970s intellectual landscape in Italy, this book navigates the trajectory from a materialist analysis of science rooted in Marxism towards a linguistic-epistemological approach. This transition, as envisioned through Gargani’s &lt;italic&gt;Il sapere senza fondamenti&lt;/italic&gt; (1975) and Wittgenstein’s philosophy, culminates in a provocative exploration of a politically infused approach to understanding science and knowledge. Under this light, the book explores the notion of ‘political epistemology,’ delineating varied perspectives on how philosophy engages with politics and how Wittgenstein’s philosophy can be politically construed. Chapters 1 and 2 reconstruct the terms of the debate on the nature and limits of science, with a specific focus on some of the positions expressed in the Italian intellectual context of the mid-1970s. By examining various historiographical perspectives and methodological approaches, these chapters define the possibility of a historical-analytical approach to the study of science and knowledge. They do so by emphasising the novelty of Aldo Giorgio Gargani’s intervention in the debate, which aimed at reassessing the ties between science and ordinary forms of knowledge and experience avoiding both purely externalist as well as purely internalist interpretations of science. Chapter 3 retraces Gargani’s reading of science to Ludwig Wittgenstein’s philosophy of language, especially to the reflections developed by the latter in the intermediate phase between the publication of the &lt;italic&gt;Tractatus Logico-Philosophicus&lt;/italic&gt; (1921) and his so-called ‘second philosophy’, as expressed in the Philosophical Investigations (1953). The genesis of an analytical methodology applicable to the historical study of scientific concepts is sought in Wittgenstein’s critical views on the phenomena of fetishism inherent to language that he developed in this intermediate phase of his life and work. In Chapter 4, different and alternative possibilities are illustrated wherein philosophy engages with politics, as well as various ways of politicising Wittgenstein’s philosophy. A resolute reading of Wittgenstein on meaning and nonsense justifies maintaining the avenue for linguistic-social critique and, consequently, political change. Thus, ‘political’ epistemology enables us to return to science and its foundational discussions with an entirely different approach and methodology.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Today Yunnan is a highly productive agricultural region within Southwest China. Located at the ecological transition between temperate and tropical East Asia, the mild year-round climate supports up to three crop harvests per year in some areas. This has allowed it to become the fourth largest exporter of vegetable products in the country, despite having been considered to have only 6% of land originally suitable for agriculture. How did Yunnan become such an agriculturally productive region? This book examines the accumulated archaeological evidence for ancient plant remains in Yunnan and reconstructs the origin and development of farming practices in the province. Covering the period from the first sedentary villages to the Han conquest of the Dian Kingdom (third millennium BCE to early first millennium CE), the book also explores the local evolution of farming in the broader context of external connections and local adaptations. Special attention is given to the Sanjiang area, where the Yangzi, Mekong, and Salween rivers converge, creating a hub for connections between East, South and Southeast Asia, as well as the Dian Basin, the core region of the Dian Kingdom. By analysing crops cultivation and uses, and comparing findings from Yunnan with those from broader Southwest China and mainland Southeast Asia, this monograph addresses the question of early human migrations in and out of Yunnan, and how these impacted the evolution of the region’s first agricultural societies, ultimately laying the basis for the flourishing agricultural production we see in the province today.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Il volume raccoglie gli atti della Giornata di Studio dedicata a Giuliano Scabia e alla tetralogia narrativa di Nane Oca svoltasi presso l’Università degli Studi di Milano-Bicocca il 26 novembre 2019. La pubblicazione del &lt;italic&gt;Lato oscuro di Nane Oca&lt;/italic&gt; (Einaudi, 2019), segmento conclusivo del ciclo  che narra le avventure dell’eroe Giovanni, e della raccolta di scritti &lt;italic&gt;Una signora impressionante&lt;/italic&gt;, edita da Casagrande nel settembre dello stesso anno, invita lettori e studiosi a nuove ricognizioni, offrendo nel contempo l’occasione per aggiornare la precedente cartografia critica e per tracciare  altri sentieri dentro le foreste del racconto. Il volume è arricchito da un testo di Giuliano Scabia e da un’appendice iconografica con materiali d’archivio inediti.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This book offers a comprehensive linguistic evaluation of the 376 personal names attested in the roughly 600 Aramaic inscriptions of Hatra, the famous Northern Mesopotamian city that flourished in the Parthian age, between the 1st century BC and the 3rd century AD. This study benefits from the publication of many Hatran inscriptions during recent decades, which have yielded rich onomastic data, and some fresh readings of these epigraphic sources. This work is subdivided into three main parts: an “Onomastic Catalogue”, a “Linguistic Analysis”, and a “Concordances Section”. The “Catalogue” is organized as a list of entries, in which every name is transliterated, translated (whenever possible), discussed from an etymological perspective, provided with onomastic parallels, and accompanied by its attestations in the Hatran Aramaic corpus. The “Catalogue” is followed by a “Linguistic Analysis” which describes, firstly, the principal orthographic, phonological, morphological, and syntactical features of Hatran names. The linguistic discussion proper is followed by a semantic taxonomy of the names which make up the corpus and an overview of the religious significance of the theophoric names. “Charts of Concordances” end the book.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The volume, published on the occasion of Paolo Eleuteri’s retirement from Ca’ Foscari University of Venice, brings together contributions from colleagues and scholars in various disciplines who wished to pay tribute to him through brief scholarly essays. The diversity of themes reflects the range of interests and expertise that characterize the academic community with which Eleuteri has shared his research and teaching activity.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Japan’s ecological variety seems to parallel the multitude of different languages and dialects attested in the Japanese archipelago. In addition to standard Japanese and its dialects, there exist other Japonic languages such as Ryūkyūan and Hachijō, as well as non-Japonic varieties like Ainu. In this volume, four articles explore the importance of a philological approach to sources for historical linguistics: “Adopting a Philological Approach Toward &lt;italic&gt;Chishi&lt;/italic&gt;” by Étienne Baudel; “Elements of Sakhalin Ainu Phonetics, Phonology, and Morphosyntax in Bronisław Piłsudski’s Corpus of Ainu Folklore” by Elia Dal Corso; “The Language of Miyako Oral Traditions” by Aleksandra Jarosz; “Reflexes of Proto-Ryukyuan Mid Vowels in &lt;italic&gt;Haedong Chegukki&lt;/italic&gt;” by Marc Miyake.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This essay focuses on the ‘voice’ as it sounds in a specific type of recordings. This recordings always reproduce a poet performing a poem of his/her by reading it aloud. Nowadays this kind of recordings are quite common on Internet, while before the ’90 digital turn it was possible to find them only in specific collection of poetry books that came with a music cassette or a CD. These cultural objects, as other and more ancient analogic sources, were quite expensive to produce and acquire. However, all of them contain this same type of recoding which share the same characteristic: the author’s voice reading aloud a poem of his/her. By bearing in mind this specific cultural objet and its characteristics, this study aims to analyse the «intermedial relation» that occur between a poetic text and its recorded version with the author’s voice. This «intermedial relation» occurs especially when these two elements (text and voice) are juxtaposed and experienced simultaneously. In fact, some online archives dedicated to this type of recording present this configuration forcing the user to receive both text and voice in the same space and at the same time This specific configuration not just activates the intermedial relation, but also hybridises the status of both the reader, who become a «reader-listener», and the author, who become a «author-reader». By using an interdisciplinary approach that combines philosophy, psychology, anthropology, linguistics and cognitive sciences, the essay propose a method to «critically listening» some Spanish poets’ way of vocalising their poems. In addition, the book present Phonodia web archive built at the Ca’ Foscari University of Venice as a paradigmatic answer to editorial problems related to online multimedia archives dedicated to these specific recordings. An extent part of the book is dedicated to the twenty-eight interviews made to the Spanish contemporary poets who became part of Phonodia and agreed in discussing about their personal relation to ‘voice’ and how this element works in their creative practice.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This book collects the papers presented at the Italian-German Conference held in Villa Vigoni in May 2015, &lt;italic&gt;Pius XI’s pontificate in the European Crisis: historiographic questions&lt;/italic&gt;. Pope Pius XI reigned in crucial decades of the European history (February 1922 - February 1939). The interwar period saw the rise of authoritarian governments, the growth of a totalitarian control on individuals and societies, and the spread of legalized racism and antisemitism. The Catholic hierarchy (the pope, the national episcopacies and the clergy) was called to face these political, social and cultural changes. Scholars were invited to submitt the results of their studies based on documents available in the Vatican Archives, or to discuss new methodological and interpretative problems of still on going research.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;&lt;italic&gt;8 tesi per 150 anni&lt;/italic&gt; è un filo rosso che parte dalle pagine di alcuni libri-tesi, preziosamente conservati tra le mura dell’Archivio Storico di Ca’ Foscari, per trasformarsi nel corso del 2018 nel simbolico volo di alcune rondini-studenti. Mettendo insieme voci provenienti dal passato e voci e corpi della nostra contemporaneità, Fucina Arti Performative Ca’ Foscari ha celebrato, nell’anno dei festeggiamenti per i 150 anni dell’Ateneo veneziano, gli otto Dipartimenti, dedicando ad ognuno di questi una performance realizzata partendo dall’elaborazione di una tesi.Spaziando cronologicamente (la prima tesi affrontata è del 1913) tra le diverse aree di studio – Economia, Studi Linguistici e Culturali Comparati, Scienze Molecolari e Nanosistemi, Filosofia e Beni Culturali, Studi sull’Asia e sull’Africa Mediterranea, Studi Umanistici, Management e Scienze Ambientali, Informatica, Statistica – e, itinerando tra la magnificenza di sale, aule magne, cortili e auditorium cafoscarini, Fucina – con i suoi abitanti virtuali, studenti provenienti da tutti e otto i Dipartimenti, a cui si sono aggiunti studenti del Conservatorio Benedetto Marcello e dell’Accademia di Belle Arti di Venezia – è riuscita a costruire un mosaico di narrazioni intrecciando temi, ricerche, personaggi storici e figure immaginifiche, che ha condiviso con un pubblico curioso e attento. Il testo che qui presentiamo è la testimonianza di quanto realizzato ed è costituito dalla raccolta degli otto copioni, elaborati di volta in volta da uno studente-curatore. La collaborazione con i direttori dei Dipartimenti, con docenti di discipline diverse, con il personale cafoscarino coinvolto nella sfida, oltre alla partecipazione di Ca’ Foscari Alumni e di altre istituzioni veneziane, insieme all’Agenzia di Venezia di Banca Mediolanum, ha trasformato quest’esperienza in un possibile modello universitario di ricerca performativa. Se chi legge riuscirà a mettere in movimento processi immaginativi, allora per tutti coloro che hanno vissuto e condiviso questo progetto ambizioso sarà un ulteriore traguardo raggiunto.Fucina Arti Performative Ca’ Foscari nasce con il nome di Cantiere Teatro Ca’ Foscari nel 2011 come spazio fisico e mentale, teorico e pratico, aperto durante l’anno accademico agli studenti dei vari Dipartimenti desiderosi di confrontarsi con tematiche e sviluppi del mondo delle arti performative, realizzando produzioni proprie. Nel 2018 Cantiere Teatro Ca’ Foscari, diretto da Elisabetta Brusa, si trasforma in Fucina Arti Performative Ca’ Foscari.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;&lt;italic&gt;Fortuny&lt;/italic&gt; (1983) by Pere Gimferrer is the only novel (at least to date) that the author has written in Catalan and it represents one of the most unique novels of contemporary Hispanic narrative. The aims of the present study are mainly two: to shed light on one of the most important, but least studied, works by Pere Gimferrer, the greatest representative of Hispanic creativity for the Post-War Generation, and to analyse critical reception of the work and show how the novel has evolved from the time of publication in 1983 until today. This essay consists of three major parts: the study of critical reception, the narratological analysis of the text and the unveiling of the textual, but above all visual, references that make up the novel. The latter allows us to explain two essential elements of the novel: the imaginary Fortuny on the one hand and, on the other, the novel’s intertextual concrete figure of speech, its ekphrasis. The study of this intentionally visual character of the novel not only wanted to highlight the importance of two arts to which Gimferrer has always paid special attention – we refer to cinema and painting – but has also demonstrated the desire of the writer to innovate the Catalan narrative scene, using different literary devices to push the limits of the genre novel.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;In recent years, endorsed by the updated (2018) version of the Common European Framework, intelligibility has replaced native-like pronunciation as a primary objective in foreign language teaching. But accent and pronunciation continue to be central issues for university students of languages. This volume presents the results of an investigation into the attitudes of some 370 first-year students at Ca’ Foscari University of Venice, the first such study in Italy, involving students of 13 languages, the principal ones being English, Spanish, French, German and Russian. The survey investigated the importance given to pronunciation in the foreign language, the motivation students have to improve it, and the possible conflict of identity which the acquisition of a ‘foreign’ pronunciation might incur. Students were invited to reflect on the quality and variability of their pronunciation in the two foreign languages they were studying, on their ability to assess it, on affective aspects linked to pronunciation, and on their awareness of phonetic features. They were also asked for their opinions about the pronunciation of English as a Lingua Franca (ELF) and about Italian when spoken with a foreign accent. The contributions in this volume describe the linguistic background of respondents, present and analyse the attitudes which emerge, verify the role of some independent variables (gender, plurilingualism, motivation for enrolment, languages studied, level of proficiency), and (in the case of ELF) report the findings of a follow-up study of master’s level students. The result is an overall picture likely to be of interest to anyone working in the field of university language teaching and who wishes to have a better idea of what students think about foreign language pronunciation.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Published in Chongqing in 1937, &lt;italic&gt;Xiandai Xizang&lt;/italic&gt; 現代西藏 (Modern Tibet) is a key study of Tibet during the tumultuous period of Japan’s invasion of China in World War II. Authored by Fazun 法尊 (1902-1980), an eminent monk, scholar, translator, and authority on the Tibetan language, this work illuminates the interplay of society, religion, politics, and empire that shaped China-Tibet relations in a transformative age. Despite Fazun’s major contribution to Tibetan and Buddhist studies in China, his legacy has often been detached from the relationships he cultivated with his Tibetan teachers and reimagined in modernity within the ancient lineage of Chinese pilgrim-translators. Still, his influence remains profound to this day. This project presents the first English translation of Fazun’s original work, striving to bridge a gap in academic scholarship and enhance understanding of this critical historical period. The translation is grounded in philological research and historical-religious analysis. It is based on the first edition of &lt;italic&gt;Xiandai Xizang&lt;/italic&gt; from 1937, which the author consulted during his tenure at the University of Sichuan, Chengdu in 2006. The translated volume is structured to include the translator’s introduction, the English translation, and the original Chinese text. The introduction not only outlines Fazun’s life and the context of his work but also assesses how effectively he carried the legacy of the Chinese pilgrim-translator tradition into modernity. This project, by offering the first comprehensive study of Fazun’s original thought and writings, aims to refine existing insights and foster a dynamic dialogue with contemporary scholarship in Tibetan and Buddhist studies.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This book is the result of a fruitful exchange between the textual studies about Marco Polo’s &lt;italic&gt;Devisement dou Monde&lt;/italic&gt; and the socio-historical research regarding Mendicant Orders. The Order of Preachers, in particular, includes the figure of the Venetian merchant as an &lt;italic&gt;auctoritas&lt;/italic&gt; in the area of anthropological knowledge of Eastern traditions, through a Latin translation process contributing to evangelization in Asia. The aim of this book is to analyze the Dominican reception hybridizing philological and linguistical with historical and archival methods. The crossing of these research trajectories led to the finding of a parchment that testifies definitively the trusting relationship between Marco and the preachers of SS. Giovanni e Paolo convent. This convent is a key cultural center in the humanistic environment of Veneto, within which the Latin version Z is elaborated. This research has shed light on several fundamental moments of the P Latin version’s textual history, exploring the material aspects of manuscript witnesses as well as the textual relation with the vernacular source and Francesco Pipino’s &lt;italic&gt;Chronicon&lt;/italic&gt;. Finally, an investigation is dedicated to the edifying adaptation of Marco Polo’s tales in Nicoluccio d’Ascoli’s sermons. The Dominican reception of &lt;italic&gt;Devisement dou Monde&lt;/italic&gt; has relevant consequences for the text and its circulation, hopefully this book suggests a new perspective on Marco Polo and Dominican studies, stimulating further research.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The volume comprises a selection of papers presented at the 5th Postgraduate International Conference organized by the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice (Venice, 4-6 October 2023): &lt;italic&gt;A Driving Force. On the Rhetoric of Images and Power.&lt;/italic&gt; In the introduction to his well-known &lt;italic&gt;The Power of Images&lt;/italic&gt; (1989), David Freedberg claims not only that images hold power over us, but they are also, inevitably, related to ‘power’ itself. Art is therefore a powerful and non-neutral tool. Its forms and expressions influence and manipulate the realm of the real. Throughout human history, the artist’s creative power gave form, substance, and meaning to otherwise inert matter. This process turned the artist into a demiurge. Furthermore, once images are given their final form, they circulate and live a life of their own. The 5th Postgraduate International Conference was aimed at investigating the rhetorical nature of the intersection between image and power. In 1979 Yuri Lotman claimed that “rhetoric” is the displacement of the structural principles of a given semiotic sphere into another semiotic sphere. The Tartu semiologist’s approach implies that the “correlation with different semiotic systems gives rise to a rhetorical situation in which a powerful source of elaboration of new meanings is contained”. In exploring these meanings from a multidisciplinary perspective, this volume investigates two main themes: the power of the image, as an autonomous device, endowed with a pervasive and persuasive character; the image as a form for representing power which addresses questions concerning the sense of authority, and its negation, namely a sense of dissidence and counter-narrations.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The Jesuit textual production from the sixteenth century leaves no doubt that the Japanese evangelising enterprise was publicised as the epitome of success. Francisco Cabral, third superior of the mission, who had initially shared this judgement, in time began fearing that the mission was, instead, doomed to failure. As he perceived the loosening of the internal ties of the Society of Jesus, and the salvation of the catechumens as more and more independent of that of the Jesuits, Cabral concluded that God had abandoned the mission. This study, using little-known manuscript sources, examines Cabral’s attitudes towards his confreres and the Japanese people, to illuminate how particular salvation mechanics could define early modern Catholic missions.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Ángel Bonomini was born in Buenos Aires in 1929 where he lived until his death at the age of sixty-four in 1994. He worked for various newspapers and magazines as an art critic and translator, but always maintaining his literary activity. He inherited the tradition of the Argentine fantastic and was a prolific writer: his production includes essays, poems and fantastic tales.Although he lived in a period of great cultural splendor and his literary talent was recognised by authors such as Borges and Bioy Casares, he fell into an unexplained oblivion, disappearing quite early from the contemporary intellectual environment. His first poems, which date back to the 1950s, were published in &lt;italic&gt;Sur&lt;/italic&gt; magazine and some of his tales were included in well-known anthologies of fantastic literature.Among his collections of poems there are: &lt;italic&gt;Primera enunciación&lt;/italic&gt; (1947), &lt;italic&gt;Argumento del enamorado. Baladas con Ángel&lt;/italic&gt; (1952) written with María Elena Walsh, &lt;italic&gt;Torres para el silencio&lt;/italic&gt; (1982) and &lt;italic&gt;Poética&lt;/italic&gt; (1994). In 1972 he achieved great success with the publication of his first collection of fantastic tales, &lt;italic&gt;Los novicios de Lerna&lt;/italic&gt;, followed by the publication of other books: &lt;italic&gt;Libro de los casos&lt;/italic&gt; (1975), &lt;italic&gt;Los lentos elefantes de Milán&lt;/italic&gt; (1978), &lt;italic&gt;Cuentos de amor&lt;/italic&gt; (1982), &lt;italic&gt;Historias secretas&lt;/italic&gt; (1985) and &lt;italic&gt;Más allá del puente&lt;/italic&gt; (1996), posthumously published.A particular use of the fantastic characterises his work and distinguishes him from his contemporary authors. In his tales there is a continuous contrast between metaphysics and existentialism; in this way, he makes a deep investigation of the reality and, at the same time, he tries to go beyond it.This volume aims to analyse some emblematic tales by Bonomini in which it is possible to find the main &lt;italic&gt;topoi&lt;/italic&gt; of Argentine fantastic and to understand why the author’s literary work is worth studying.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This survey aims to highlight Italian Middle School student’s personal perceptions of the study of French. In the Italian School System, English is a compulsory subject from first year of Primary School to last year of Secondary School. This has led students to perceive English as a useful, essential language to learn – a perception also confirmed by the media – placing other languages in a secondary position. The minor role attributed to other languages often results in insufficient motivation to learn them because they are seen as less useful and less interesting.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;What happens when ‘strangers’ become part of the very fabric of a place? In Cyprus, newcomers have never been a rarity. Owing to the island’s strategic position at the crossroads of the eastern Mediterranean, they have long played a central role in its history. Far from disrupting the cohesion of local society, their presence has often enriched Cypriot culture, fostering coexistence and diversity rather than friction and division. This volume comprises seven essays that explore the diverse circumstances, narratives and contributions of non-native individuals to Cypriot society, economy, politics and culture – from prehistory to the present day. The authors, whose expertise spans archaeology, epigraphy, history and anthropology, apply distinct methodologies to a broad range of topics: the circulation of Aegean pottery; epigraphic practices in Hellenistic inscriptions; the presence of Greek Orthodox Venetians in mid-eighteenth-century Larnaca; the activities of French consuls in Cyprus during the mid-nineteenth century; the 1962 visit of Soviet professor Sergey Kisselyoff, marking the first contact between the USSR and Cyprus; the service of Václav Ježek as a priest in twentieth-century rural Cyprus; and a reflection on Cypriot antiquities collections through the work of contemporary artist Marianna Christofides. A thought-provoking preface and an introspective afterword provide the broader interpretive frame for the volume. &lt;italic&gt;A Land for Strangers&lt;/italic&gt; offers insight into Cyprus’s identity as a meeting ground for human encounters, while also proposing a model of fruitful coexistence of lasting relevance to contemporary societies.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Based on the Hegelian dialectic of the servant-master, this comedy represents, with the sarcasm and irony typical of its author, a profound reflection on the relationships between human beings. Starting from the local, with a pungent criticism on the social and political condition of Egypt in the Sixties, the two protagonists Farfūr and the Master guide and involve the spectator in a consideration on humanity and on the meaning of life that reaches universality. Divided into two acts, the comedy has no precise indications about time and space, which is confused with the time of representation, also thanks to the involvement of actors who are among the spectators. Discussing each other on names, trades and interpersonal relationships, the two protagonists criticise corruption, poor management of public health, social inequalities, but also the intellectual class that fails to give answers to people’s practical needs. The division in two of human society is even more evident with the second act, when the author’s reflection moves towards the existing organisational and economic systems, dismantling the complexity and reducing them again to a mere servant-master relationship. The other characters of the play are functional to the discourse of Idrīs: wives and children, spectators-actors and especially the figure of the author, who gradually disappears and abandons his own creatures to their fate.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This book aims to give a new meaning to corporate identity, presenting an alternative model of analysis and intervention which, through the alchemical system, borrowed from Jungian psychoanalysis and already applied in literature, is able to concentrate on the deepest roots of the company and extract a mythical patrimony, not only useful for the corporate storytelling but for the reconstruction of the identity itself.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Research in the field of epigraphy is continually enriched by the discovery of unpublished documents and is today experiencing a radical renewal thanks to digital technologies. A fundamental component of the ‘epigrapher’s craft’, however, is also the philological reconstruction and investigation of the figures who engaged in the collation of ancient inscription witnesses. The volume includes sixteen essays by Italian and French scholars dedicated to the examination of the manuscript and printed tradition of epigraphy, which Theodor Mommsen called the “most difficult part” of the discipline. From the treasures still hidden in numerous libraries across Europe, a picture of great documentary richness emerges, which portends enormous potential for future research.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume offers an academic homage to Professor Gianclaudio Macchiarella and is at the same time a gathering of close friends and colleagues in memory of a Maestro and a friend.  A year after his death, the intention here is to bear witness to the scholar in all his versatility and complexity, with even informal tones that are befitting of a great affection: that of colleagues and friends who collaborated and participated in his missions, who clashed and confronted with him, and shared fragments of life, important for their training and growth.  The title chosen for the volume 'A mari usque ad mare' is intended to evoke the spatial extent of the interventions of the authors who took part in this publication. A breadth that is a reflection of Gianclaudio Macchiarella's studies, which from an initial interest in the Italian early Middle Ages, then turned to the Christians of the East, then Islamic art and architecture, the restoration and preservation of cultural heritage, and finally, in recent years, India and the Balkans.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This book offers a new reconstruction of Amerigo Vespucci’s navigational and scientific endeavours in their historical context. The author argues that all of the manuscripts or texts that Vespucci left to posterity are reliable and true, except for several amendments imposed upon him for reasons linked to the political and economic interests of those who authorised him to undertake his journeys or which were the result of relationships with his companions. The earliest genuine documentation, which dates from the late fifteenth century or early sixteenth century, confirms this position. Fortunately, careful philological studies of Vespucci’s principal written works are available, while some of his original drawings, which confirm, clarify and enrich what he narrated in his letters, can be identified in Waldseemüller’s large map known as &lt;italic&gt;Universalis cosmographia&lt;/italic&gt; (1507).&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Knowledge of the grammar of verse, which reached its highest speculative level with the theory of al-Halıl ibn Ahmad in the 8th century, is the secret heart of Arabic poetry – never hitherto systematically scrutinised – on which the challenges and disputes of poets and their critics have been nourished over the centuries. Beginning with a reading of medieval metrical treatises, the historical framework of the discipline of versification and the reconstruction of its technical foundations are offered here, followed by an analysis of each of the sixteen metres and finally an examination of the ways in which rhyme is composed.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume is born from the desire to bring together two worlds: that of Dante scholars and that of cartoonists and illustrators who have drawn inspiration from Dante. The volume is composed of two sections, the first of which, without any claim to being exhaustive, intends to retrace and analyse the presence of Dante and his works in Italian comics and cartoons from the end of the nineteenth century to the present day. Here, from the relationship with the archetypal Gustave Doré, we come to the most recent realisations on web platforms, crossing important junctions in the history of Italy along with some of the most important representatives of the ninth art – Guido Martina, Milo Manara, Benito Jacovitti, Marcello, Astrid – and the equally (and perhaps more) famous characters protagonists of these albums: Mickey Mouse, Geppo, Cattivik and many others. The second section of this volume, instead, hosts a gallery of unpublished works, and alternates brief writings by important exponents of the world of comics with contributions by established or emerging artists who wanted to lend Dante their colourful inks: Marco Amatori, Susanna Barsotti, Alice Boffa, Carola Borelli, Stella Elisa Cassinese, Francesco Dossena, Mattia Iacono, Bruno Letizia, Fabio Listrani, Marcello Magiantini, Fabio Mantovani, Susanna Mariani, Helena Masellis, Davide Messina, Ilaria Palleschi, Michele Penco, Virginia Salucci and Alessio Zanon.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This new volume in the series "Eurasiatica. Quaderni di studi su Balcani, Anatolia, Iran, Caucasus and Central Asia" by Edizioni Ca' Foscari of Venice collects several articles devoted to Armenia, Caucasus and Central Asia. The volume reflects some of the main lines of research pursued in recent years by Italian and international scholars. It includes articles of a philological, historical, economic and political nature that deal with numerous relevant topics for the study of these regions, characterised as much by a rich cultural tradition as by a growing relevance in the contemporary political scenario.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The exploration of Armenian art began in the 19th century thanks to French, Russian, German, Finnish, Austrian and Armenian art historians, and continued in the 20th century mainly with Russian, Armenian, Ukrainian, American and Italian scholars. Thanks to them, the general public, not just researchers, had the chance to discover the artistic heritage of a territory extending beyond the borders of present-day Armenia, and encompassing an area defined as Subcaucasia, a term by which is meant the territory that runs from the Southern Caucasus into the Iranian and Anatolian highlands. Interest in Armenian art, from illuminated manuscripts to khachkars and architecture, has grown in the last twenty years, giving these testimonies a global dimension. The volume illustrates the characteristics, themes and methods of the various research paths emerging from the different historiographical traditions, thus tracing a map that helps to orient oneself among the artistic and cultural phenomena of this complex territory, providing different keys to understanding them and useful reasoning for future scientific investigations.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume gathers essays by scholars of different backgrounds dedicated to the narratives that visitors, merchants, missionaries and travellers of various historical periods and origins have dedicated to Armenia, its history and culture. Through the analysis of primary sources and unpublished documents, the theme of travel to Armenia is addressed from historical, art-historical, religious, philological and literary perspectives, covering a period of almost a thousand years.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume collects the outcomes of the conference &lt;italic&gt;Art – Law – Restoration&lt;/italic&gt;, that was held at the University Ca’ Foscari of Venice in July 2021. Through the studies outlined by several international scholars, crucial aspects of the history of heritage protection and restoration in sixteenth- to nineteenth-century Europe are reconsidered, combining different disciplines and geographical contexts into a comparative perspective. The systems elaborated in the early modern States to preserve artefacts, monuments, and antiquities are evaluated following multifarious approaches – including archaeology, art history, history of law, social history, and the history of museums. Particular consideration is given to the practices established in the Kingdom of Naples, Spain, the Grand Duchy of Tuscany, Greece, Prussia, the Papal States, Portugal, and the Scandinavian Countries to protect what they thought of as ‘heritage’ respectively. The project LawLove and the publication of this volume are supported by the European Commission (Marie Skłodowska-Curie project no. 837857).&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Authors read and they use their readings within their writing process. Scrutinizing authors’ readings provides information on their tastes, working subjects at a given period, methodology, and scholarly milieu. It also brings a lot to intellectual history, highlighting the texts and manuscripts circulating in a certain context. Eight contributions investigating the readings of as many authors, from different points of view, are gathered here. The studied authors are mainly from pre-modern Islam – al-Qādī al-Fāḍil, Ibn Taymiyya, al-Ṣafadī, al-Subkī, al-Maqrīzī – with three exceptions: an incursion into the Ottoman 19th century – Esʿad Efendi –, a detour by the French court of Charles V – Evrart de Conty –, and a preface about Greek Antiquity – Philodème de Gadara.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The volume includes papers presented at the III International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies of Moscow (Venice, 22-24 September 2021). The word ‘image’ derives from the Latin &lt;italic&gt;imago&lt;/italic&gt;, a word that has many different meanings that go from ‘portrait’ to ‘ghost’, from ‘idea’ to ‘dream’, from ‘memory’ to ‘reflection’. We most commonly associate the word ‘image’ with a picture, but its etymology keeps reminding us of its infinite conceptual potential. In his famous book &lt;italic&gt;Behind the Image: The Art of Reading Paintings&lt;/italic&gt;, Federico Zeri argues that there are infinite ways to observe the work of art as an image. But since the image is something that goes beyond its mere material and physical form and refers to the categories of perception and thought, the expression “beyond the image” encourages new formulations related to this polyvalent concept. The image, the imagination and the imaginable are the transversal categories that the papers collected in this volume aim to explore, inquiring the concept of image as a metaphor, a model, a method, a representation, a tool for a new understanding of reality.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;La mostra dal titolo &lt;italic&gt;Il libro di Bessarione in difesa di Platone: nell’officina dell’ultimo filosofo bizantino&lt;/italic&gt; celebra la figura di Bessarione, una delle personalità più affascinanti e, al contempo, uno dei Bizantini più influenti del quindicesimo secolo. Oggetto dell’esposizione sono alcuni preziosi documenti conservati nella Biblioteca Marciana: manoscritti, incunaboli, prime versioni a stampa dell’&lt;italic&gt;In Calumniatorem Platonis&lt;/italic&gt;, il capolavoro di Bessarione. Il percorso espositivo permette al visitatore di entrare nell’‘officina’ di Bessarione e di ripercorrere le tappe del lungo e travagliato percorso intellettuale che portò all’elaborazione e pubblicazione dell’opera bessarionea, seguendo insieme le vicende dei testi in cui il progetto filosofico e culturale di Bessarione andava via via concretizzandosi. Il presente catalogo accompagna il percorso espositivo consentendo al visitatore una più proficua fruizione della mostra e aprendo al contempo interessanti orizzonti di approfondimento. Il volume si apre con un saggio che introduce al percorso espositivo; la seconda parte contiene le immagini dei documenti esposti, corredate da una breve descrizione; la terza parte ospita alcuni saggi critici che illuminano aspetti particolari dell’opera bessarionea.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;In Japanese history the establishment of the &lt;italic&gt;ie&lt;/italic&gt;, or family system, on which patriarchal authority was based, represents one of the most important turning points. The &lt;italic&gt;ie&lt;/italic&gt; that came into being from the late eleventh century onwards, differs from the &lt;italic&gt;uji&lt;/italic&gt; that had characterised previous eras, not so much on account of its patriarchal system but because it would place the married couple in prime position. The family, previously made up of a man engaging in occasional relationships with a number of women, would gradually become a more stable nucleus comprising of a husband with a wife who enjoyed a legally recognised position of privilege compared with all the other concubines. After her husband’s death, she would naturally become a sort of substitute figure, often gaining considerable authority and prestige. With the threat of the Mongolian invasions (from 1274 and 1281) and the consequent increase in limitations on women’s inheritance rights, many widows were forced to take vows as a sign of loyalty and tangible proof of their choice not to remarry if they were to secure their husband’s property. The literary production of Nun Abutsu (1225 ca.-1283 ca.) written in a period which led to the inevitable breakdown of the economic, social, and political balance of Japan, offers a realistic description of women’s ambitions, duties and concerns in an era of great transformation. In a close reading of her major works &lt;italic&gt;Abutsu no fumi&lt;/italic&gt; (The letter of Abutsu, 1264 ca.), &lt;italic&gt;Utatane&lt;/italic&gt; (Fitful slumbers, XIII century) and &lt;italic&gt;Izayoi nikki&lt;/italic&gt; (The Diary of the sixteenth night moon, 1280 ca.), the book casts light on some important issues in Japanese women’s history: the gradual shift from uxorical to virilocal marriage, the consequences of this process for inheritance patterns, the meaning of women’s participation in the intellectual life of their time.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This publication is meant to provide a vivid snapshot of the main intercultural communication problems that may arise in interactions between Italians and Russians. Russians, by their own admission, have a well-known and widespread feeling of congeniality towards Italy and a predilection for the country and its inhabitants. Nevertheless, it is impossible to avoid some cultural factors, the misinterpretation of which can lead to misunderstandings. These misunderstandings have an impact on the effectiveness of communication between interlocutors, obscuring the real meaning of the message they want to get across. More often than not, the most common misunderstandings among speakers with different native languages are due to inaccuracies closely linked to linguistic interactions. Grammatical, syntactic and lexical errors are usually due to a speaker’s degree of competence in a foreign language. English as a ‘lingua franca’ is not always spoken correctly by non-native speakers. It does not necessarily represent the ideal and most suitable mode of communication for foreigners. The critical issues inside the frame of intercultural communication discussed and analysed in this publication are the problems related to non-verbal codes and the basic values that characterize and differentiate the two cultures. Some communicative events, or rather the circumstances in which communication is actually carried out among people from different places, and the competence of their respective interpersonal skills, are fundamental to reducing or removing any risk of making the interaction ineffective or even impossible.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The aim of this work is to illustrate the main intercultural communicative problems which could arise in the interactions between Italians on the one side and Bosnians, Croatians, Montenegrins and Serbs (who will also be referred to as South Slavs or Slavs from the South) on the other. The general field of research of this study – the intercultural communication – allows us to shed light on aspects which could influence more than morphological or syntactic errors the success of interactions between speakers who do not share the same mother tongue and culture. The communications involving interlocutors belonging to different ‘worlds’ can lead, as a matter of fact, to negative consequences on the interaction and on the relationship between the speakers, if and when they do not take sufficiently into account certain cultural aspects, such as the values guiding the speakers in the communication, the use of verbal and non-verbal languages, and the way in which some cultural traits are conceived. Therefore, it is necessary for each speaker to consider and analise carefully the main aspects which could give rise to intercultural communicative misunderstandings or even conflicts with their interlocutor so as to reduce the risks of the above-mentioned situations arising.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume offers an overview on a variety of intertextual, interdiscursive and cross-cultural practices in the field of translation between Asian and European languages. From a twelth-century Persian poet to a Chinese female novelist of the last century, from the ‘cultural translation’ of Christian texts carried out in pre-modern Japan and modern China, up to the making of the modern Chinese theory of translation based on its encounter with Western literature, the articles collected provide many valuable insights, ensuring a deeper comprehension of the evolving relations between cultures and of the tools adopted by both Asian and European translators on each particular occasion.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Many enquiries about Dante’s epistles are aimed at pinpointing Dantean features and personal traits: this literary perspective is mainly concerned with his reuse of classical &lt;italic&gt;auctoritates&lt;/italic&gt; or the novelty of his metaphors. This book proposes another complementary method for approaching the issue, that is to say a systematic study concerning the ‘formulaic points of contact’ between Dante’s epistles and the Italian Duecento epistolary tradition contained in those pontifical, imperial and municipal &lt;italic&gt;summae dictaminis&lt;/italic&gt; that might have influenced Dante. The clauses taken for comparison are principally selected through the frame of the letters’ semi-rhythmic structure: there, automatism or semi-automatism imposed on writing through &lt;italic&gt;cursus rhythmicus&lt;/italic&gt; raises compelling issues. The results of such an investigation show the potential of a systematic approach that aims at contextualizing Dante’s letters within both the teaching logic and the rhetorical practice of the Italian Duecento.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This collection of essays stands as the first volume of the new Eurasiatica series entirely devoted to the vast territories of Iranian culture, understood in the widest sense possible and in an open chronological perspective. Explicitly refusing any fetishization of particularism, it contains fourteen studies organized in thematic pairs: a sequence of interrelated itineraries exploring several heterogeneous borderlands – from Avestan philology to film studies – starting from plural, competing and coexisting ideas of Iran.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume examines the entanglements between contemporary art practices, ecology, and non-human subjects through contributions from scholars, art writers, critics, artist-researchers and designers. The collected essays reveal contemporary art’s potential to reorient epistemological and ontological coordinates amid ecological and existential crises, questioning human exceptionalism and the exploitative logics of extractivism and planetary industrialization. Central to the volume are issues of environmental degradation and violence, racial capitalism, colonial legacies, the emergence of the Anthropocene, in relation to the diverse terrain of contemporary art practices. Emphasizing the agency of more-than-human collaborators, from animals to microbial ecologies, and from oceans to nuclear waste, these practices expose injustices, reclaim damaged ecosystems, and propose alternative ways of being in and with the planet. Artist-researchers contribute perspectives that open up new avenues for knowledge creation in the disrupted landscapes of the Anthropocene, pointing to symbiotic relationships between humans and non-human entities that are only beginning to be explored. By sharing theoretical frameworks and languages, the artists’ and writers’ contributions make clear that the environmental crises impacting the ecosystems require new collaborations to build common epistemological grounds, and shared visions of planetary futures.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The volume is partly inspired by the papers presented during the thematic session &lt;italic&gt;Byzantium and Its Neighbours: Religious Self and Otherness in Dialogue&lt;/italic&gt; at the 24th; International Congress of Byzantine Studies held in Venice/Padua in August 2022. Its primary focus lies in Byzantine polemics against religious others, especially Muslims, Jews, Armenians and Latins. The contributions cover a wide range of themes, including the repertoire of &lt;italic&gt;topoi &lt;/italic&gt;and arguments developed by Byzantine polemicists against various opponents, the linguistic and rhetorical strategies employed in the works analysed, and questions of authorship and audience. The volume helps to elucidate aspects of the political and socio-cultural context in which this significant body of Byzantine literature was produced or received, while at the same time opening up new ways of approaching this typology of sources.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Il presente volume raccoglie gli Atti della Giornata di Studio dedicata all’«ocaromanzo» di Giuliano Scabia, cioè alla trilogia (Nane Oca, 1992; Le foreste sorelle. Nuove straordinarie avventure di Nane Oca, 2005; Nane Oca rivelato, 2009) che narra le avventure di Giovanni detto Nane Oca, tenutasi a Venezia, nella splendida cornice dell’aula Baratto, il 19 maggio 2015. Le relazioni di questo incontro, qui offerte al lettore, consentono di percorrere molti e diversi sentieri che conducono dentro l’universo narrativo dell’autore e costituiscono il tentativo, rivelatosi assai fruttuoso, di mapparne la geografia  fisica ed emozionale, esplorandone la lingua e interrogandone i personaggi, al pari delle dinamiche della scrittura. Il singolare simposio veneziano si presenta dunque come un importante bilancio critico su una parte rilevante della produzione di Giuliano Scabia e insieme come punto d’avvio per ulteriori esplorazioni nelle foreste del racconto. Il volume è arricchito da un’intervista all’autore realizzata da Paolo Di Stefano e da alcune fotogra e di Maurizio Conca.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Teacher training is expensive in terms of time and money. Language teacher training is even more so because language education changes according to the language taught and the learners’ age and aims. As a result, training courses require a wide range of trainers – and qualified trainers are difficult to find and costly to get. As a consequence, it is common to invite qualified trainers to deliver isolated lectures. However, being ‘isolated’, they are not a part of a systematic process, and, being ‘lectures’, they disseminate new ideas but have little or no impact on the trainees’ teaching practice. Flipped teacher training, according to the model designed in this study, can change the idea and the practice of language teacher training. The core idea is to split the organization and management of training courses and the availability of high-level methodological input. The book discusses how to form local trainers (both teachers who organize training and freelance professional trainers). These trainers are, in fact, tutors who know how to detect the needs of the teachers and schools in a specific area. Tutors should (a) promote training modules on such needs; (b) collect the teaching practices of trainees on the topic of the module and then share and discuss them; (c) choose one or more videos concerning the topic of the module, among the videos provided by scholars and collected in the many repositories available on line, and then guide trainees in comparing their practice to the principles discussed in the experts’ videos; (d) invite trainees to produce teaching materials to try and implement the experts’ proposals and test them in their classes; and (e) disseminate the results through language teaching journals, seminars, and so on.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Carles Riba, one of the most relevant personalities in Catalan letters, not only as a poet but also as a linguist, has been considered a difficult writer. This book aims to examine how his theoretical preparation and his ideas in linguistics influenced his work in the particular case of some early stories in which he tries “uns utilíssims exercicis de simplicitat”. Carles Riba did not present his linguistic theories in a single text in a complete and articulated way but we can evaluate them in various papers he wrote and published up until his death in 1959. The first part of this work, after an introduction which sets the author in the context of European linguistics, is a review of the ideas that can be found in the collections of essays: &lt;italic&gt;Escolis i altres articles&lt;/italic&gt; (1921), &lt;italic&gt;Els marges&lt;/italic&gt; (1927), &lt;italic&gt;Per comprendre&lt;/italic&gt; (1937), &lt;italic&gt;... més els poemes&lt;/italic&gt; (1957), and in a few other particularly interesting papers.This part focuses also on some of the controversies in which Carles Riba is involved as a linguist during the spanish dictatorship: especially his role on the publication of the second edition of Pompeu Fabra’s dictionary in 1954 and the consequences of the prologue he wrote for the volume. Joan Coromines considers an attack on the linguist Pompeu Fabra the negative comparison Riba proposes with the &lt;italic&gt;honnête homme&lt;/italic&gt;: in our research we re-evaluate this consideration and analyse the historical and semantic value of this expression belonging to 17th-century French culture.The second part of this paper is a strictly linguistic analysis of three texts, chosen among Carles Riba’s works for children. The interest of those texts is in the author’s deliberate intent of using the most simple language, which enables us to determine what he considers the basic aspects of linguistic quality. Furthermore, the existence of different editions of those texts permits a philological analysis of those versions showing Carles Riba’s ‘simple’ language in three very representative moments, from the beginning of his career as a writer to the difficult situation during the dictatorship.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The remarkable and still increasing expansion of the international Socialist movement at the beginning of the 20th century was an important matter of concern for Catholic Church. This identified socialism as the last standard bearer of a basically anti-Christian modernity, as outcome and together vehicle of the secularization process, which was deemed as a deadly enemy of the traditional Christian social order and of religion itself. Thus for the Catholic word was the fight against the further spread of Socialist ‘heresy’ an absolute need. This research focuses precisely on the nature, forms and elements of Catholic antisocialism during the pontificate of Pius X (1903-1914). In doing so, it examines both the Italian and German context, which are investigated by means of two specific case studies: the diocese of Mainz for Germany, the archdiocese of Pisa for Italy. The analysis of the diocesan dimension, therefore of urban and rural parishes – the lowest level of the ecclesiastical framework –, allows to recognise the actual ways in which Catholic clergymen and lay people attempted to counter the growth of socialism in their communities, as well as their thought patterns. Furthermore, the comparative approach of the reaserch brings to light similarities and differences which ultimately concern not only to the selected cases but, with the proper precautions, even Italian and German Catholicism as a whole. The volume is organised in three main parts and several chapters. Topic of the first part is theoretical Catholic anti-socialism, that is the representation of socialism in Catholic culture between the 19th and 20th centuries. The second and the third part focus on practical anti-socialism, regarding respectively the diocese of Mainz and of Pisa. Finally the results of this study, which follow from the adopted methodology, are shown in the last pages.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;La forza performativa della finzione letteraria costituisce il punto di partenza di questo studio che, attraverso un nuovo approccio critico, prende in esame i modi con cui la letteratura riesce sia a rappresentare, sia a produrre nuove realtà. Nell’analizzare opere quali &lt;italic&gt;Il paese dove non si muore mai&lt;/italic&gt; (Ornela Vorpsi, 2005) e &lt;italic&gt;Timira. Romanzo meticcio&lt;/italic&gt; (Wu Ming 2 e Antar Mohamed, 2012), questo studio applica per la prima volta un approccio pienamente intersezionale ai testi della letteratura legata alle migrazioni. Esso mostra come l’efficacia delle figure letterarie della diversità, messe in scena in questi romanzi, sia esito di una sottile tessitura, che fa interagire tra loro fattori connessi al genere, all’estrazione socio-culturale e all’appartenenza/esclusione a un gruppo.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The essays collected in this book were originally presented at the international workshop Chiang Kai-shek and His Time. New Historical and Historiographical perspectives, held at the Department of Asian and African Studies of Ca’ Foscari University of Venice on October 18th, 2013 and jointly funded by the Ministry of Culture of the Republic of China at Taiwan (Taiwan Spotlight Project) and Ca’ Foscari University. The contributions of scholars from Europe, China, Taiwan and Japan collected in the volume illustrate the major trends in recent international research on Chiang Kai-shek, not only enriching the understanding of Chiang’s personality and life but also placing Chiang and his historical experience in the broader framework of China’s domestic and international context.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The translation project of the &lt;italic&gt;Sigao Shengjing&lt;/italic&gt; 思高聖經 or Studium Biblicum Version of the Catholic Bible in Mandarin Chinese was undertaken by the Italian Franciscan missionary Gabriele M. Allegra in 1935. In 1945 he decided to gather a group of collaborators and established the Studium Biblicum Franciscanum Sinense (&lt;italic&gt;Sigao Shengjing Xuehui&lt;/italic&gt; 思高聖經學會), an institute in charge of the translation and publication of the biblical volumes, which still operates today in Hong Kong. The single volume of the Bible was published in 1968 and is known with the name of the Studium Biblicum, however, the work of Father Allegra has been explored, while very few details on the Chinese members of the institute are available to date. The contribution of the Chinese friars was fundamental and remarkable in the translation and publication process, and they had an important role in the life of the Catholic Church during and after their work at the Studium. Furthermore, exploring their lives and activities, it must be noticed that their presence would be of primary importance in establishing the Franciscan Vicary, and later Province, of Our Lady of China. This volume considers the Chinese point of view in the experience of the translation of the Catholic Bible in Chinese and the life of the Franciscan Order in China, giving the historical context and outlining the lives and activities of the first ten Chinese members of the Studium Biblicum Franciscanum Sinense, exploring their work in the context of the biblical translation and the life of the Studium Biblicum. In particular, it focuses on Father Ludovicus Liu Xutang 劉緒堂 (1916-1989) whose life and activity details were collected in the booklet &lt;italic&gt;Huainian Liu Xutang shenfu&lt;/italic&gt; 懷念劉緒堂神父, published in 1990. Its translation and comment will support the presentation of the peculiarities and the importance of the Chinese Franciscan Friars in the life of the Chinese Catholic Church in the twentieth century, both in biblical translation and in the issues related to the Franciscan Order.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;At the time of its discovery, Christian Palestinian Aramaic suffered from its proximity to Syriac and from the fact that its literary production encompassed mostly translations from Greek. Spanning inscriptions, magical texts, and many literary genres, the Christian Palestinian Aramaic corpus has recently gained scholarly attention and is now recognised for its historical value. This shift has fostered a deeper understanding of the linguistic, textual, and cultural history of Melkite Christians in Syria and Sinai. This volume presents a selection of studies in Christian Palestinian Aramaic linguistics, epigraphy, and literature, complemented by a comprehensive bibliography of the field.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Like its predecessors, &lt;italic&gt;Edipo classico e contemporaneo&lt;/italic&gt;, edited by F. Citti and A. Iannucci (Hildesheim; Zürich; New York, 2012) and &lt;italic&gt;Troiane classiche e contemporanee&lt;/italic&gt;, edited by F. Citti, A. Iannucci, A. Ziosi (Hildesheim; Zürich; New York, 2017) this new volume seeks to stage a dialogue between a Greek play and a Latin one, Aeschylus’s Agamemnon and its Latin rewriting by Seneca. But at the same time, this intertextual dialogue becomes, in turn, a fundamental hypotext for further and varied ‘rewritings’ of the myth and the story of Agamemnon, in plays, opera librettos, novels, films, paintings and reenactments, from the Renaissance to the present day, as many papers in this book show, with new and original insights in the ever-growing realm of Reception studies.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Recently, public policies of urban regeneration have intensified and multiplied. They are being promoted with the aim to start social and economic dynamics within the local context which is subject to intervention. From the empirical analysis, we realise that such activities are mainly implemented by three subjects or by mixed coalitions (public institutions, actors of the third sector and companies). Within them, each player is moved by a multiplicity of interests and goals that go beyond their own nature – public interest, market and mutualism – and tend to redefine themselves, thus becoming hybrid forms of production of value (social, economic, cultural). By studying a number Italian and Catalan cases, this essay deals with the theory that, under specific conditions and configurations, a collaborative direction – of organization, production and design – would give life to successful procedures, even without the identification of a one-best-way. The collaboration is not simply a choice of operation, but a real production method which mobilises social resources to create hybrid solutions – between state, market and society – to complex issues that could not be faced solely with the use of the rationale of action of one among the three actors. In this framework, the systems of relations and interactions between players and shared capital become an essential condition for the success of every initiative of urban redevelopment, or failure thereof. Such initiatives are brought to life by the strategic role of individuals who foster connections as well as the dissemination of non-redundant information between social networks, and collective and individual actors which would otherwise be separated and barely able to communicate and collaborate with each other. In addition to the functions carried out by knowledge brokers, that have been extensively described in organisational studies and economic sociology, the aforementioned figures act as real social enzymes, that is to say, they handle the available information and function as catalysts of social processes of production of knowledge. Moreover, they increase the reaction speed, working on mechanisms which control the spontaneity.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The volume has come to life from the international meeting promoted by the Laboratorio per lo Studio Letterario del Fumetto in Venice, the first international congress on comics in Spain &lt;italic&gt;Historieta o Cómic. Biografía de la narración gráfica en España&lt;/italic&gt;. Through a selection of unpublished thematic essays that form part of the publication, an organic framework of the phenomenon is constructed and an opportunity for discussion is provided to open up horizons for interdisciplinary research into an unusual object of study but one that is susceptible to differentiated approaches, assuming the Hispanic area as a centre of production and reception of expressions characterised by the interaction between text and image and by the crossover between heterogeneous languages.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume gathers the contributions of various professionals in cultural heritage conservation who participated in the debate organised by “Spoke 9” – CHANGES project (National Recovery and Resilience Plan), coordinated by Ca’ Foscari University of Venice, in Cibiana di Cadore (23-24 September 2024). Endorsed by the Municipality of Cibiana and the National PhD in Heritage Science, the meeting involved the local community and representatives of other Italian ‘Painted Villages’. It addressed mural conservation through its cultural and social significance and the application of advanced technologies, highlighting legal recognition, non-invasive monitoring, and sustainable preservation.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The present volume collects essays on the subject of ‘family constellations’ in modern and contemporary Iberoamerican fiction, including case studies from Spain, Portugal, Hispanophone Latin America, and Brazil, with analyses of novels ranging from 1973 (Concha Alós, &lt;italic&gt;La madama&lt;/italic&gt;) to 2020 (Juan Gabriel Vásquez, &lt;italic&gt;Volver la vista atrás&lt;/italic&gt;). The volume proposes the idea of ‘family constellations’ as a critical concept to capture the different ways in which these literary works transcend or escape the customary generic rubric of the family novel/saga. In contrast to more organic notions of family or the conventional scheme of genealogical sequence (and decadence), the novelistic works studied here are distinguished by the partial and subjective way in which they imagine affective bonds across or within a generation. Moreover, in contrast to the time-honored allegorical equation of family (history) and nation, the novels of the past decades and of most recent publication tend to foreground transnational and multi-relational or multilateral connections, bonds, and memories, and they frequently also appeal to an international readership. Historical legacies continue to play an important role, but frequently what is focused upon is not the direct experience of ‘historical’ events, but rather the transgenerational and traumatic transmission of historical memories over time and across generations. Finally, many of the novels discussed tend to connect the representation of family relations to meta-fictional and meta-historical devices.Through the eight individual studies presented here, the volume wants to make a case for the continued importance of ‘family’ in contemporary Iberoamerican literature, and to suggest concepts and approaches for further study, that highlight the more flexible and fragmentary modes in which familial relations undergird the content and form of recent fiction.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;While language contacts are a classic topic in linguistics, less attention is paid to writing contacts, both because of the many skills (linguistic, palaeographical, ethno-anthropological) required of those studying them and because of an approach that interprets writing as ancillary to language. Hence the challenge of this volume: to bring together linguists from different fields with the twofold aim of offering a broad selection of the different forms of contact between languages and between scripts and, through comparison, to highlight the elements common to situations that are distant in time and space.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;All’interno della millenaria storia della Crimea, questo volume prende in considerazione l’arco temporale del dominio imperiale russo sulla regione, vale a dire dalla conquista del 1783 sino alla Rivoluzione del 1917. L’accento principale è posto sul tema della dimensione multietnica e multiculturale della penisola, che in questo periodo costituiva un vero e proprio mosaico di popolazioni. L’idea centrale del volume è che alla storia politica e culturale della Crimea in epoca imperiale occorra accostarsi superando sia il tradizionale russocentrismo, sia uno studio troppo parziale delle singole comunità e culture, quasi non interagissero le une con le altre e non si trovassero inserite in un contesto più ampio al quale dovevano tutte corrispondere, sia pure con modalità proprie.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The recent emergence of ‘Iberian Studies’ requires a crucial reflection on the challenges and potentialities associated with this area. This volume intends to contribute to methodological renewal and compiles essays that explore possibilities of analysis over the Iberian space and related phenomena. It offers a plural framework of theoretical references and perspectives, in which the challenges posed by Basque, Catalan and Galician cases are especially focused. Thereby, this book is a valuable tool for reading the current situation and for developing a new critical thinking about this object of study.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume encompasses the proceedings of the First International Conference of the East and West in Korean Studies project &lt;italic&gt;Cultural Exchanges Between Korea and the West: Artifacts and Intangible Heritage&lt;/italic&gt;, organized by Jong-Chol An and Ariane Perrin in the Department of Asian and North African Studies at Ca’ Foscari University of Venice in May 2021 with the support of the Academy of Korean Studies. Following an interdisciplinary approach from such fields as history, heritage studies, history of art and religious studies, nine essays were selected that best illustrate the main themes of the conference. This richly-illustrated publication presents little-known historical documents and various artifacts that had been lost to time within various institutions, private collections or museum collections, tracing back their history and significance.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The title of the Series «Sapere l’Europa, sapere d’Europa» voices the desire to investigate facets of the process of European integration without disregarding its most weighty, however controversial and bureaucratic, aspects, yet looking beyond them. The main intent is thus to make room for vision, feelings, imagination. In this fourth volume, &lt;italic&gt;Cultural Heritage. Scenarios 2015-2017&lt;/italic&gt;, the different profiles of the CH, tangible and intangible, are undoubtedly presented in an international and interdisciplinary perspective. Yet, as the constant reference to the Faro Convention proves, “practices, knowledge and collective traditions” – be they nested or not in the humus of Venice and the Veneto Region – still distinctively taste of Europe.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The Red Tent, which offered shelter to Umberto Nobile and the survivors of the 1928 Arctic expedition following the crash of the airship &lt;italic&gt;Italia&lt;/italic&gt;, acquired a highly symbolic value as soon as it was returned to Italy. Since 1952, the Tent has been kept at the Museo Nazionale Scienza e Tecnologia Leonardo da Vinci, on deposit from the City of Milan: the fragility of its silk, the long time spent on the pack and the decades of exposure made the restoration work essential, which was completed in 2023. Today the Red Tent is once again accessible to the public, in the Museum's Study Collections. This volume aims to recreate not only the complex restoration process, but also the historical context of Fascist Italy, which through scientific and geographical achievements aimed at asserting a policy of power. The various essays deal with the history of the explorations and the institutions that organised the Arctic expedition, supported by the world of industry and the press, the scientific research programme, the role of the media and the imagery that was conveyed to the general public around the object at the centre of these events: the Red Tent.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Il volume raccoglie gli atti di due convegni organizzati nel 2016 e nel 2017 dall’Università Ca’ Foscari in collaborazione con l’Università degli Studi di Padova e con l’Associazione Italiana dei conservatori e restauratori degli archivi e delle biblioteche (AICRAB). Il ritorno allo Stato nel 2015 delle funzioni di tutela dei beni librari, in precedenza delegate dallo Stato medesimo alle Regioni, è stato il tema del primo convegno ed è il filo conduttore delle riflessioni raccolte nella prima parte del volume. Esse si concentrano sull’organizzazione delle nuove Soprintendenze archivistiche e bibliografiche e sulle criticità comportate dalla riforma istituzionale. Il restauro, la più complessa tra le attività di conservazione del patrimonio storico, eppure irrinunciabile laddove la degradazione ne precluda la fruizione e ne metta a rischio la trasmissione al futuro, è stato l’argomento del successivo convegno. Nella seconda parte del volume, i diversi contributi riflettono sulle radici storiche e sull’evoluzione delle prassi di restauro del patrimonio manoscritto; si presentano inoltre alcuni casi di intervento metodologicamente esemplificativi, ponendo infine l’accento sull’apporto, oggi irrinunciabile, offerto dalla ricerca scientifica per migliorare la qualità degli interventi.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The book, dedicated to Gregory Palamas, one of the central figures in Byzantium history and literature and also in the philosophical-theological debates up to the contemporary age, presents him at work as an author but also as an editor of his own writings. Studied here is the third volume of his works that he personally edited, the history of this collection of homiletical and spiritual works, starting from the author’s own manuscript, and its transformation, based on pre-existing collections of the Patriarchate of Constantinople, into a homiliary that became central in the late Byzantine and post-Byzantine era.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;&lt;italic&gt;Dámusta saga&lt;/italic&gt; belongs to the genre of original &lt;italic&gt;riddarasögur&lt;/italic&gt;, the chivalric literature of medieval Iceland. The saga was likely composed sometime in the late fourteenth century and is extant in some twenty manuscripts and three versions. The story is set at the court of Constantinople and tells of Dámusti, a pious knight especially devout to the Virgin Mary: of his love for the emperor’s daughter, the fair Gratiana, and of the sin he commits for the sake of her love. This work represents the first Italian translation of &lt;italic&gt;Dámusta saga&lt;/italic&gt; and the first study wholly devoted to the text since 1937. The study opens with an overview of the Norse literary system and the &lt;italic&gt;riddarasögur&lt;/italic&gt; as a genre, from which the saga is set apart due to the centrality of the religious component as a driving force in the narrative. While scholars have been at odds in explaining how the saga justifies Dámusti’s salvation by the direct intercession of the Virgin despite his sin, this study argues for the coherence of the hero’s actions in light of the parable of sin and repentance that lies at the core of the saga. Through the discussion of parallels with European chivalric literature and Norse religious texts, the study demonstrates that this component is the supporting structure of a narrative which is in turn a tale of chivalric adventure and an example of penitential literature. The discussion of the manuscript tradition of the saga and of the codex of the version translated here (Reykjavík, Safn Jóns Sigurðssonar, JS 27 fol. (1670), ff. 314&lt;italic&gt;v&lt;/italic&gt;‐329&lt;italic&gt;r&lt;/italic&gt;) is followed by an overview of the other versions of the story that transmits Dámusti’s adventure and demonstrates its success beyond the medieval period. The translation of &lt;italic&gt;Dámusta saga&lt;/italic&gt; is based on the oldest complete manuscript. The facing Old Norse text is accompanied by a selection of significant variants chosen from other witnesses of the manuscript tradition.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The title of this volume refers to the Buddhist concepts of suffering, impermanence and dependent origination, which link the ideas of Death and Desire. This book stems from a research conducted in the last few years at Ca’ Foscari University of Venice, supported by the Japan Foundation. A great deal of work has been done by scholars in various disciplines about dying in Japan, but research has tended to focus on the practices through which death is settled and institutionalised. Yet, what about untamed and unsettled death? What about the cases in which death cannot be successfully coped with by ritual means? What happens if institutions and discourses are not enough to tame it? What about the cases in which unsettled death suddenly intrudes the social? What are the forms it takes and the consequences it has in the social? These are the questions that the volume addresses, by enmeshing representations, practices and performing arts, through contributions that rely on approaches from different disciplines. Each of them analyses one of the multiple and fragmented possibilities in which untamed death can tame the social.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This is a sequel to the volume &lt;italic&gt;My Mobility&lt;/italic&gt;, published as part of the celebrations to mark the 150th anniversary of Ca’ Foscari University of Venice. It contains 38 accounts by students from 21 different countries, who write about their experience in Venice and at Ca’ Foscari. As well as being a celebration of the mobility experience itself, it testifies to the huge importance of international exchanges between universities, and how they can contribute to the promotion of tolerance, friendship, and mutual understanding.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The essays collected in this volume constitute an ideal dialogue with Luigi Mariucci’s thought, a fertile and passionate author, who right up to the end looked at labour law as a window on the big world, an instrument of emancipation and social justice: objectives to which Mariucci made an important contribution both as a scholar and as a politician, in a rich and restless intellectual journey that was never satisfied. The ‘dialogues’ we present are actually analyses that look at what has remained alive in Mariucci’s thought and can be further discussed and thematised, delivering to the generations of young scholars – to whom Mariucci always looked with sympathy and interest – a rich harvest of ideas and projects on labour law and its social function. What emerges from these writings is above all the political sphere experienced by the author as a systemic ribbon that enters into every aspect of law, from trade union relations to labour relations issues up to epochal challenges (globalisation, climate crisis) in which the capitalist illusion of ‘infinite growth on a finite planet’ vanishes, and a space is reopened for the construction of alternatives.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume offers an innovative historiographical perspective on the Napoleonic era by shifting the focus from its most prominent figures to the lives of lesser-studied actors. Building on the view of the &lt;italic&gt;Grand Empire&lt;/italic&gt; as a collective enterprise, it argues that its political, institutional, socioeconomic, and cultural dynamics can only be fully understood by examining the contributions of mid-level public officials, politicians, intellectuals, military officers, and merchants. Through seven case studies, the book examines the multifaceted careers of individuals active in diverse contexts, including Italians serving in both Italy and France and French officials working in Italy. Their trajectories reveal how they contributed to the consolidation of Napoleonic power and capitalized on the opportunities created by the regime. After its collapse, many of them emerged as agents of continuity in a period of profound instability, shaping European society well into the Restoration. Transcending rigid politico-institutional boundaries, the book offers a nuanced and distinctive account of the interplay between society and the individuals who both shaped and experienced this transformative era.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Oggi celebriamo il 154esimo anno accademico della nostra Università, una comunità che conta 23mila studenti e 1.300 fra docenti e personale tecnico-amministrativo. L’inaugurazione dell’anno accademico è un momento solenne nella vita di un’università: il momento nel quale la sua grande comunità si riunisce attorno ai propri valori e condivide un percorso comune. La vocazione globale del nostro Ateneo corrisponde a quella di Venezia, città multiculturale e plurilingue. Siamo una comunità composta da cittadini del mondo. Per noi essere cittadini globali della conoscenza significa metterci continuamente in discussione, cercare di osservare anche ciò che ci sembra familiare con uno sguardo sempre nuovo.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This year marks the midpoint of my term of office. It has been an intense period for all of us, during which universities have had to come to terms with a completely changed world and have learned to work together. A profound reflection is under way on the future of the university, on priorities, on organisation, on innovative teaching. The university is confronted with an unprecedented challenge in the training of our future leaders, our citizens, in the development of the country. State, local authorities, civil society, businesses, are you prepared to acknowledge this role? And we prepared to assume it?&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;In 2018, Ca’ Foscari University of Venice celebrated the 150th anniversary of its foundation. In 2021 the Department of Economics celebrated its first 10 years in the new configuration, following the statutory reform due to the Gelmini law (nr. 240 of 30 December 2010). This volume is a tribute to some excellent cafoscarini who have made the history of Ca’ Foscari but also the cultural heritage of the Department of Economics, without claiming to be exhaustive, but with the desire to tell something about Ca’ Foscari excellences. Nine academic figures are described: from the economist Francesco Ferrara (founder of the Royal School of Commerce) to the administrative Feliciano Benvenuti (Rector from 1974 to 1982), from the mathematician Mario Volpato to the expert in private law Lycia Contursi-Lisi Gardani, who with their scientific, human and professional contributions, are still today a source of pride and strong inspiration for the Department. The collection includes the profiles of 9 professors who taught at the Venetian university: Francesco Ferrara (1810-1900), Primo Lanzoni (1862-1921), Gino Luzzatto (1878-1964), Silvio Trentin (1885-1944), Giulio La Volpe (1909-1996), Mario Volpato (1915-2000), Feliciano Benvenuti (1916-1999), Lycia Contursi-Lisi Gardani (1920-2004), Giulio Partesotti (1937-2004).&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;La edición de las didascalias escénicas es uno de los pasos más delicados de la labor del crítico textual, sobre todo en el caso de las acotaciones del teatro de los siglos XVI y XVII, cuyos textos nos han llegado de manera azarosa en versiones manipuladas por compañías de actores. Este volumen aborda la ecdótica de las didascalias desde distintas perspectivas: la semiótica, la estemmática, la transmisión manuscrita e impresa, la evolución de la escritura dramatúrgica, la historia del teatro, la praxis editorial pasada y presente, la traducción y la mirada comparatista hacia textos del Siglo de Oro español y los teatros nacionales inglés, francés, portugués y holandés.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Risulta molto difficile, per il mondo contemporaneo, conciliare la tutela del paesaggio con il suo cambiamento naturale e antropico. Come dobbiamo, quindi, intendere il paesaggio? Come una risorsa economica (sfruttabile per lo sviluppo e quindi anche per il turismo culturale) o come un bene culturale-ambientale da proteggere? Come possiamo inserire i segni del cambiamento nelle leggi di tutela, senza concedere troppo alle spinte trasformative del paesaggio? E, per contro, preservando al contempo le peculiarità del paesaggio senza trasformarlo in un ‘museo statico’? E come possiamo rispondere alla necessità di contrastare i cambiamenti climatici con una cultura di partecipazione e responsabilità condivisa? Queste sfide richiedono un mutamento della prospettiva collettiva e delle politiche pubbliche. Negli ultimi anni, c’è stato un crescente riconoscimento dell’importanza di coinvolgere le comunità locali e altri portatori di interesse nella definizione delle strategie di tutela e valorizzazione del paesaggio. Gli approcci partecipativi possono migliorare sia gli esiti della conservazione del paesaggio, sia il benessere delle comunità coinvolte, garantendo che le strategie siano più eque, sostenibili e in sintonia con le esigenze locali.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume contains the first Italian critical edition with introduction, translation and commentary of Euripides’ &lt;italic&gt;Iphigenia in Aulis&lt;/italic&gt;. The tragedy, exhibited posthumously in 405 BCE, stages the first mythical segment of the Trojan War, namely the sacrifice of Iphigenia, daughter of king Agamemnon, head of the Greek army, in order to propitiate the winds that should lead the navy to Troy. A tragedy of intrigue and unveiling, in which all the characters try to oppose the sacrifice, judged to be an impiety despite its sacred essence. It is therefore a tragedy without gods, in which characters of modest moral stature move, unstable, ready to sudden changes of mind, and among whom the protagonist stands out: the girl who, having overcome the dismay for the destiny awaiting her, voluntarily moves towards death on the altar, for a flimsy patriotic ideal and with the illusion of achieving immortal glory. Since the end of the eighteenth century, the text of this tragedy, handed over to us by the manuscript tradition, has been exposed more than others to a rigorous philological criticism that has broken its unity, through considerable expunctions of entire sections and sequences of verses. The volume traces the phases of this critical work, showing its methods – and sometimes its excesses – and choosing a balance line in the constitution of the text. The overall exegesis of the tragedy, which I propose in this study, consists in the belief that, despite the exodus being spurious, the finale, in view of which the entire dramaturgy was composed, still had to contemplate Iphigenia’s salvation. In fact, if the Panhellenic ideal of defence against the barbarians is now meaningless, and if a war of destruction, to begin with, needs the death of an innocent person, then this death must be transcended and the horror of human sacrifice must dissolve. It therefore seems that, once political current events become opaque, the poet’s research tends to create situations of great patheticism in an aesthetic setting of refined beauty.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;In this volume European specialists of Japanese language present new and original research into Japanese language over a wide spectrum of topics which include descriptive, sociolinguistic, pragmatic and didactic accounts. The articles share a focus on contemporary issues and adopt new approaches to the study of Japanese that often are specific to European traditions of language study. The articles address an audience that includes both Japanese Studies and Linguistics. They are representative of the wide range of topics that are currently studied in European universities, and they address scholars and students alike.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Fabio Besta was the most important scholar and professor of Accounting in Italy, as to deserve the name ‘Unsurpassed Master’. He is best known for his treatise published in three volumes between 1909 and 1916. However, his bibliographic production is much more extensive, and it has appeared mainly in the form of handouts for the students of the then Scuola Superiore di Commercio di Venezia (Ca’ Foscari Business School) where he taught for almost half a century, most notably in the courses of Accounting, Computisteria and State Accounting. Moreover, some of these writings formed the basis for the extensive treatise that was published at the beginning of the twentieth century. Published on the occasion of the centenary of the Master’s death, this volume analyses in detail the content of these handouts, which is not widely known due to their exclusive use for didactic purposes and their rarity. The first part of this work presents a brief biographical profile of Fabio Besta, and it illustrates the topics that are addressed in the various handouts and their specific characteristics. Lastly, it proposes an interpretative and critical layout of their contents. The second part of the work contains a large analytical and comparative bibliographic repertoire of these works, which were published between 1882 and 1921. This part contains all the bibliographic information of the various versions of the aforementioned handouts – some of which were not present in any repertoire until now – as well as the detailed indices highlighting the differences between the various editions. Worthy of note is also the mapping of the location of the known copies for each of them, among other things. This work ends with the chronological index of the Master’s works and their different editions.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;&lt;italic&gt;Fiore dei conversi&lt;/italic&gt; is an anonymous poem in refrained sonnets (372 poems) dating back to the end of the fourteenth century and preserved in a single manuscript (Vatican Apostolic Library, Chig. M.IV.99). It recounts an allegorical journey among the stars and to Paradise undertaken by the protagonist while still alive, accompanied by a wise and faithful guide, often referred to as the &lt;italic&gt;duca&lt;/italic&gt;. This work presents the critical edition of the poem: the first part (chapters 1‑6) offers a general introduction to the text from a literary and linguistic perspective, and includes a codicological description of the manuscript. Within this section, one chapter is devoted to the influence of Dante’s &lt;italic&gt;Commedia&lt;/italic&gt; on the imagination, linguistic &lt;italic&gt;usus scribendi&lt;/italic&gt;, and stylistic register of the anonymous poet. Furthermore, the study advances the hypothesis of a geographical localisation of the poem on the basis of several relevant linguistic features, whose presence suggests an origin in central Italy, particularly in Umbria. The second section of the work (chapter 7) contains the critical edition of the sonnets: each poem is preceded by an introduction summarising its content and followed by a commentary highlighting its most notable literary aspects. The poem may be considered one of the most interesting and innovative examples of the reception and reworking of Dante’s masterpiece, the &lt;italic&gt;Commedia&lt;/italic&gt;.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume brings together the papers presented at the &lt;italic&gt;Food and S.T.O.N.E.S.&lt;/italic&gt; conference (Venice, 9-11 May 2024) and explores the economic and social structures of the Early Middle Ages in the Adriatic region. It focuses on stone artefacts, metal objects, glass, and amphorae, re-examined through innovative analytical frameworks within an integrated methodology that places written sources in critical dialogue with archaeological evidence. This approach has enabled the reconstruction of material provenance and the identification of ancient riverine and maritime sites. The project’s findings are further enriched by the theoretical contributions of the conference discussants.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;An innovative model for the formation of the genre of the &lt;italic&gt;chansons de geste&lt;/italic&gt; in the eleventh-century France should focus on the concept of genre and conceive itself as a historical poetics. This approach will not take in consideration individual legends, but it will study how heroic narratives were transformed by the literary tradition of the first&lt;italic&gt; chansons de geste&lt;/italic&gt;. We cannot exclude the presence of very old materials (imagery, patterns, characters) that survive even in medieval poems, but these are dissolved and processed within the formal and structural frame of the medieval poetics and the Carolingian chronotope of the &lt;italic&gt;chansons de geste&lt;/italic&gt;. The matter of the French epic – a mass of polymorphic legends and texts, not able to set up a firm literary tradition before the genesis of the &lt;italic&gt;chansons&lt;/italic&gt; – through the first poems is in a certain sense reworked and canonized. The traditional models of the origins of the genre, the individualism and the traditionalism, fail to consider an approach to the genre: they are inclined to identify the stages of single legendary or poetic traditions; they explain, with different perspectives, how, for example, the legend about Roland evolved, but not what distinguishes specifically a &lt;italic&gt;chanson de geste&lt;/italic&gt; from other coeval vernacular heroic narratives, in terms of poetic techniques and rhetorical formulas, imagery, patterns, characters: this is instead the perspective of a historical poetics. The neologism ‘proto-gestic’ tries to label the materials preceding the chansons, not from a chronological point of view, but because they reflect a previous formal phase: it is an unstable mass of legends and texts, loose traditions and poetic narratives; the first &lt;italic&gt;chansons&lt;/italic&gt; were a portion of them that gradually gained importance and imposed a traditional form for the heroic epic with Carolingian background. In practice, the model presented is an individualism of the texts, according to which a few texts – a population of texts, in biological words – forged in a limited area (possibly, the Loire Valley) would have contributed to the definition of a more and more standardized form for the epic texts, through mutual imitation: these texts can be invested with a kind of &lt;italic&gt;rôle directeur&lt;/italic&gt; in the process of the definition of the verbal means of the &lt;italic&gt;chansons&lt;/italic&gt; and of their Carolingian chronotope, on which they are based and to which they always do reference.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;With the conquest of the first colonial territories at the end of the nineteenth century, imperial rhetoric began to circulate not only among the Venetian calli but also among the desks of Ca’ Foscari. The public discourse as well as the scientific-academic one, interacting with the historical-cultural background of the former Dominant, contributed to redefine the urban and university space, leaving traces that are still visible today. Starting from these, an attempt will be made to describe the events and identify the interpreters of a page of local history that is still little known.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Questo volume raccoglie alcuni dei numerosi testi che gli studenti delle scuole secondarie di primo e secondo grado della regione Veneto hanno inviato all’Archivio Scritture Scrittrici Migranti, partecipando al concorso letterario ‘Straniero a chi? Scriviamo le migrazioni’. A emergere sono i grandi nuclei tematici della migrazione: l’alterità, condizione avvertita come propria non solo di chi è costretto a migrare, ma anche di quanti avvertono un senso di estraneità al mondo che li circonda; il trauma del viaggio, le speranze in un futuro diverso e lo scontro con una realtà durissima, sia durante lo spostamento che all’arrivo; un percorso di inserimento nel luogo di approdo; il valore del dialogo e della solidarietà.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The symbolic and historical dimension of the main founding archetypes of Freemasonry – the Orient with a special focus on Egypt – are at the core of this book, which aims to recover the red thread with which masons tie together Masonry and Oriental esotericism. If, on the one hand, the Author points out mystifications and inventions that have characterised part of the Masonic narrative on its origins; on the other hand, she unearths the history of real contaminations and intersections between esotericism of the East and the West, digging up the common matrix that nourished them.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Le mostre giovanili dell’Opera Bevilacqua La Masa hanno lasciato un’impronta indelebile sull’immagine stessa di Venezia come luogo della modernità, e quindi come sede del rinnovamento promosso da artisti che si sono riconosciuti e hanno operato non in gruppi predefiniti, ma comunque con un senso identitario generazionale, cresciuti in uno spazio intermedio tra Accademia di Belle Arti e Biennale Internazionale d’Arte, tra autodidattismo e apprendimento di nuovi linguaggi grazie a viaggi all’estero verso Parigi, Vienna, Monaco. La mostra di Ca’ Pesaro del 1913 è una delle più significative.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Negli ultimi quaranta anni, che a buona ragione vengono chiamati l'era della globalizzazione neoliberista, è avvenuto un autentico cataclisma nella organizzazione del lavoro, nel mercato del lavoro, nella condizione dei lavoratori, nel movimento operaio. Ricardo Antunes analizza in profondità questo insieme di radicali trasformazioni, con uno sguardo ampio e critico, con una scrittura densa e stringata. Prendendo di petto le questioni più controverse: siamo forse davanti alla fine del lavoro? o alla perdita di centralità del lavoro nella vita della società e degli individui? Il lavoro immateriale ha davvero soppiantato quello materiale? È stata abolita la legge del valore? Quali prospettive si aprono per l'emancipazione della 'classe-che-vive-di-lavoro'?&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;In the twenty-nine articles that constitute the result of the 1960s travel experience in the Soviet Union, which have so far appeared only on the third page of La Stampa, the cultural-literary operation of Guido Piovene is outlined, perfectly reflecting the programmatic intention to conduct a wide-ranging investigation into Soviet society in the early 1960s, providing a useful comparison with the condition of the western world and overcoming the appearance and conventionality of preconceived ideas (by the visitor) and prepackaged information (from part of the Soviet administrative system). In his reportage Piovene is able to activate the dynamic functions that constitute the main lines of his literary writing: the inclusion of the landscape in the narrative context and the deep internal investigation conducted on the characters, in a balance between inside and outside, between observation and analysis, between reality and dream. The result is a corpus of articles that constitute an important cultural document of that historical period but at the same time another great literary reportage by one of the most refined journalist-writers of the Italian twentieth century.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume – which stems from an international conference held at the University of Graz on March 2, 2020, just before the outbreak of the COVID-19 pandemic – represents a small, but specifically targeted contribution to a field of research and discussion that has increasingly come to the fore in the last two decades, regarding the practice of covering or veiling womens’ heads or faces over different times and places. “Dress is never value free”, as anthropologists state, and veiling functions as an assertion/communication of relationship dynamics in terms of gender, social and cultural identity, phases and stages of life (puberty, marriage, death) or of religious beliefs – even reaching to a typical dichotomy of our times, the female condition between tradition and modernity.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Da qualche anno è in vita un progetto di ricerca dell’Università degli Studi di Bari, che ha all’attivo ormai diversi contributi, sulla ricezione della letteratura spagnola nell’Italia del Novecento. Se il primo obiettivo è stato quello di avere un quadro esaustivo delle traduzioni di letteratura spagnola in volume, non meno significativo appare il lavoro di recensione degli articoli pubblicati nelle riviste di cultura. Relativamente alle riviste della prima metà del secolo abbiamo strumenti che supportano la ricerca e studi che offrono delle prime conclusioni, mentre molto meno chiaro è il quadro del secondo Novecento di cui si offre in questo volume una prima esplorazione, in vista di uno spoglio sistematico, e di una disamina puntuale dei contenuti.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;&lt;italic&gt;Historiae&lt;/italic&gt; was born from the meeting of a group of colleagues, students and friends gathered to celebrate the long professional commitment of Gherardo Ortalli, who in October 2013 will reach his fortieth year at Ca’ Foscari University in Venice. This volume brings together the contributions of those who have shared this path with him, in the Department of Historical Studies and then in the Department of Humanities at Ca’ Foscari, as a tribute to his intense activity, which took place between teaching and research tasks, between cultural and publishing initiatives, between collaborations and institutional responsibilities, both within the Venetian University and at other Italian and international institutes and organisations. The texts cover a broad chronological and thematic span - according to the interests of the authors, but also (for the most part) of the recipient of the collection - distributed, from the early Middle Ages to the contemporary age, between the history of institutions and society, of culture and social commitment, between iconography and philological investigation, between anthropology and the environment. A heartfelt thank you to all those who wished to take part in this initiative and to the friends and colleagues from other universities and institutes who were unable to take part, but who nevertheless welcomed and supported it. We trust, however, that this tribute will be appreciated, at least for the intention that moved it, especially by its recipient, certain that we are not celebrating a milestone, but the start of a new season of commitments and projects. We believe we are interpreting the will of all in wishing him, for this, many good wishes.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Leibniz’s &lt;italic&gt;Theodicy&lt;/italic&gt; is both a work of reason and a work on reason: reason as rational ground  or justification, reason as universal order of the world, and reason as the human cognitive faculty, always in search of reasons. This book explores the depth of theodicean doctrines from the logical, metaphysical, and theological points of view. The first section is devoted to Leibniz’s argumentative style and rhetorical devices. The second section focuses on the metaphysical structures that underlie Leibniz’s vindication of God’s goodness. The third section offers new insights into Leibniz’s answer to one of the most difficult challenges faced by human reason: the existence of evil.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The contributions collected in these Acts offer a varied and articulate representation of the relations between Dante Alighieri’s work and late-medieval theological culture, observed in some of its fundamental aspects and with particular attention to the ancient exegesis of the &lt;italic&gt;Commedia&lt;/italic&gt;. The topics covered cover a broad spectrum of issues: the presence of heresy in the poem; the presumed heterodoxy of Dante himself; the references to the Cross and the Passion, examined in the light of the theological doctrines and devotional practices of the time; the influence exerted by the so-called ‘affective mysticism’ on Dante's poetological reflection; the problem of the creation and resurrection of bodies; the connection between theology and the Empyrean sky proposed in the &lt;italic&gt;Convivio&lt;/italic&gt;; the arduous theme of the prophetic vision, investigated starting from the &lt;italic&gt;Epistle to Cangrande&lt;/italic&gt;. The last two contributions are dedicated to as yet little-known episodes in the reception of Dante’s poem: the Anonymous Theologian’s comments on &lt;italic&gt;Paradise&lt;/italic&gt; and Dante’s presence in the 15th-century sermons of Gabriele Barletta and Paolo Attavanti.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The aim of this book is to study the development of frontier and border relations between Christian and Muslim countries at the end of the Middle Ages and in the Modern Age. Few essays have been written about the Ottoman border in the Modern Age: when and how it was created, how it developed and which documents were produced to establish it. Some documents that have been recently discovered show that a proper border already existed at the end of the fifteenth century, at least in some regions of the Empire. The first chapter deals with the words used both in Europe and in the Islamic world to express the idea of frontier, border, boundary and other related concepts. Then, the second chapter tackles the concept of frontier in general. A further field of study is represented by the relations that took place in a frontier region; about this subject, several examples are provided by the contacts between the subjects of the Republic of Venice and those of the Ottoman Empire. For many centuries also the sea was considered only a frontier, crossed by ships of corsairs, pirates, &lt;italic&gt;levend&lt;/italic&gt;s and regular fleets. In the third chapter, the author analyses how a land-border was usually established. The first Ottoman border with a Christian state seems to have been that with the Republic of Venice. The fourth chapter describes the society that lived in a border region. The fifth chapter deals with the Mediterranean. In general, Europeans and Muslims had different opinions about the possession of the sea: on the one hand, the former thought that it belonged to everyone and no sovereign could presume to rule over it; on the other, the latter thought it could belong to a prince. A border is not only a line established on the ground. It may also be everything that separates two different ways of thinking and living. In this logic, the elements used to identify ‘the other’ become more and more important. The sixth and the seventh chapters deal with the means used to recognise a foreigner and the people who crossed a border. Signs were put on things, but also human bodies might be signed for ever; the behaviour was also another important element that divided the subjects of a ruler from those of another; also the way of imagining ‘the other’ varied according to the centuries, above all as far as Christians and Muslims were concerned. The development of the means used to identify a group or a person are also of special interest. With the appearance of new documents of personal identification, the study of the passage from the concept of frontier to that of border may be considered to be complete. A slow development that, in the sphere of Christian-Muslim relations, had begun in the Middle Ages had finally reached long-lasting results. Nowadays, new technical devices allow us to create new borders; they are no longer linked to the idea of space, but to the image individuals offer of themselves as well as to the way of living and considering our and others’ time.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The volume, deepening specific aspects of the popes from Pius X to Francis, offers, overall, a historical reading of the papacy from the early twentieth century to the present. In this time – between uncertainties, resistances, cautious openings – the papacy realised the transition from intransigent Catholicism to dialogue with modernity and its most characteristic cultural, political and social expressions. In this regard, the presence of swings and retractions in the popes of the last decades are also an expression of the troubles that have marked the long and difficult coexistence between papacy, Roman Catholic Church and modernity, until pope Bergoglio’s new guidelines.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume studies the original communion between architecture and poetry in the work of the bilingual Catalan-Spanish writer Joan Margarit (1938-2021) through a comparative analysis of poems, essays on creation, technical writings on the calculation of structures, press releases on projects where he worked as an architect in Catalonia and private exchanges around the poetry-architecture axis. Through a historical-critical methodology that combines contributions from the spatial turn, geocriticism, transmediality, topoanalysis and the calculation of lexical frequency, some analogies are illuminated between the forms of architectural intervention – construction, restoration, reinforcement, demolition of houses or neighbourhoods – and the sentimental experiences, moral dilemmas and linguistic choices of his poetic characters. Margarite’s lyrical-architectural imagination proposes a pioneering ecological vision, linked to the defence of building recycling that is valid, in its metaphorical dimension, also for human relations. The deep imbrication of literature and architecture impacts the poetic idiolect, which is characterised by the prolific contamination of practices, knowledge and discourses coming from the different subjects of architecture and urbanism, to the point of constituting, in Margarit, a stylema. However, this contamination of practices and discourses never produces in Margarit a rupture of aesthetic homogeneity, a clash of styles. There are no gratuitous technicalities or dissonances due to the insertion of technolects or obscure references to a non-expert reader. However, there is a contamination of discursive isotopies: the architectural and literary discourses. The analysis of the lexical frequency of &lt;italic&gt;topoi&lt;/italic&gt; reveals that the spaces that are most mentioned in Margarit’s poetry are houses (generally private homes, with gardens) as well as cemeteries, hospitals, hospices, orphanages and high school buildings.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The present book consists in the full publication of both the structures and related finds excavated in the Protopalatial building located at the southern slope of the so-called Acropoli Mediana at Phaistos, ca. 100 m West of the Palace (Rooms CV, CVI and CVII). This building was the object of a rescue excavation, carried out by Doro Levi in 1969 and 1971. Despite being only partially preserved, it stands out (a) for the extensive size of Room CVII, characterized by a long and impressive bench, (b) for the use of refined building materials and techniques, and (c) for the recovery of a few substantial and closed stratified ceramic deposits, that is, respectively, pottery Groups A, B and C, dated to the last phase of the building, and group E, earlier than the former as it was located beneath the slabs of a floor. In spite of the importance of the finds, Levi only cursorily reported the excavation in his major 1976 monograph on Phaistos; the ceramic assemblages, moreover, were only dealt with in a typological perspective in Levi and Carinci’s volume on the Protopalatial pottery from the site (1988). With the aim to solve some of the remaining uncertainties concerning both the architectural phases of the building and the chronology and function of the various pottery groups, the present author carried out a contextual study of the evidence available, taking into account also the unpublished pottery stored in the storerooms at the premises of the Italian Archaeological Mission at Phaistos. Therefore, the present study enabled her to reconsider the chronology of the pottery assemblages and accordingly that of the related architectural phases that was possible to identify; these, being four in number, span from MM IB to MM IIB. The analysis of Group E, dated to MM IIA, made it possible to assess both its nature and composition: originally, it quite probably formed a floor assemblage, that was discarded on purpose and sealed under the slabs, in order to memorialize the event or the context in which it had been used. Moreover, the contextual study of the architectural and ceramic evidence pertaining to the last phase in building’s life (MM IIB) suggests that it was devoted to some official function. Against such a framework, it becomes possible to make sense of its outstanding reception features, that provided seating for a high number of people. Judging from the analysis of Groups A, B and C, such a complex was mainly connected to community drinking practices.&lt;/p&gt;</Text>
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      <SubjectHeadingText>Separation of State and Church</SubjectHeadingText>
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      <SubjectHeadingText>Dechristianization</SubjectHeadingText>
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    <Subject>
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      <SubjectHeadingText>Cisleithanian bishops</SubjectHeadingText>
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    <Subject>
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      <SubjectHeadingText>Pius Kistler</SubjectHeadingText>
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      <SubjectHeadingText>Seminaries</SubjectHeadingText>
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    <OtherText>
      <TextTypeCode>46</TextTypeCode>
      <Text>https://creativecommons.org/licenses/by/4.0/</Text>
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      <Text>&lt;p&gt;The aim of the volume is to analyze the ‘practical implementation’ of the anti-modernist measures of Pius X’s encyclical &lt;italic&gt;Pascendi&lt;/italic&gt; (September 8, 1907) in the Roman Catholic Church. For the first time, the reports on Modernism produced by bishops and religious orders – and scattered in the Roman archives – are studied and compared, offering the reader an international picture of the widespread effect of anti-modernism until 1914 and, at least indirectly, of the general situation of the Catholic Church at the beginning of the twentieth century. At the same time, the various local interpretations and strategies come into focus, as well as the somewhat competition-driven inner-curial handling of the reports.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This book investigates the transmission of Sumerian literature to Syria and Anatolia (i.e. the Western periphery) during the Late Bronze Age. Sumerian is the most ancient language so far documented and remained for about three millennia the language of culture in Mesopotamia for its association with scribal education. With the end of the Old Babylonian period, Sumerian literary and lexical texts were disseminated to regions outside Mesopotamia. The volume, however, is not limited to the documentation stemming from peripheral sites but also includes a comprehensive study of contemporary Mesopotamian sources, i.e. Middle Babylonian and Middle Assyrian. Sumerian literature is best known through the Old Babylonian texts, to which countless studies were dedicated, while the subsequent period is poorly known and has been neglected by scholars for the scarcity of sources. Nevertheless, the Late Bronze Age is extremely important for the Sumerian literature because the process of selection and modification of texts that ended up in the first millennium canonization started in this period. Therefore, this book aims at filling a gap in our comprehension of the history of Sumerian literature. The primary objective of this book is the identification of the tradition of texts discovered in the Western periphery in comparison with second and first millennium Mesopotamian sources. The subject has been approached from different perspectives, taking into account philological, cultural, and historical aspects.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;There are several studies in the literature that emphasize the link between CLIL and student motivation for learning. The same does not apply for teachers – who teach a non-language subject through a foreign language – whose motivation for teaching in CLIL should not be taken for granted. Our research is an inquiry in the Italian upper secondary school with a dual focus: a main focus on CLIL teachers and a secondary one on CLIL students. The main aim of this cross-sectional study is to offer a snapshot of the existing situation from the point of view of teachers’ and students’ perceptions one year after the introduction of the legal requirement for compulsory CLIL, with a view to reflecting on the present in order to hypothesize possible future developments. The obtained results – which confirm the association between the motivational dimension of the CLIL teacher with the cognitive, affective and relational ones, and with the motivational dimension of CLIL students – are interpreted and discussed in the light of the most recent theoretical developments and suggestions for future practice and research are offered.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;When a scholar comes to the end of his or her professional life as a researcher, most of the ideas he or she contributed along the years are scattered in journals and libraries, and most of it is out of print and unavailable. No one apart from the researcher him or herself knows all that he or she has produced, and which among the ideas he or she contributed are original and innovative – or were so when they were published. At this point of his or her professional life a scholar can make a synthesis – and may move from the impersonal pronoun ‘we’ used by researchers to the subject ‘I’, thus taking up responsibility for what he or she stated and states. ICT provides an efficient setting to do so: a collection of videos, a text to guide the viewer through them, a collection of PDF essays for further reading. The result is this &lt;italic&gt;Thesaurs of Educational Linguistics&lt;/italic&gt;, which is available in the Phaidra repository: &lt;ext-link xlink:href="https://phaidra.cab.unipd.it/o:461216"&gt;https://phaidra.cab.unipd.it/o:461216&lt;/ext-link&gt;.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This book develops the theme of teaching Italian abroad, starting from the awareness of the motivations for foreign students to study the Italian language and the different methodological procedures in order to teach it.For this purpose, the book focuses on the problems concerning the training of teachers of Italian to foreigners and on the many aspects of teaching Italian in order to propose both a methodological reflection on the edulinguistic project and educational solutions aimed at improving the quality of the students’ learning.&lt;bold&gt;Part 1&lt;/bold&gt;The first part focuses on edulinguistic teaching vision for the learning of the Italian language as a foreign language based upon the principles of the Humanistic Approach.1. Teaching Italian Language Abroad: Institutional Language Policy and StrategiesThis chapter focuses on the situation of Italian foreign language teaching in the world. It also describes the linguistic policy for the promotion of Italian languages abroad adopted by the Italian Ministry of Foreign Affairs and the results obtained as the number of students involved in the different geographic areas.2. Teaching Trainer Courses as a Key Factor to Improve the Quality of Teaching Italian AbroadIn this chapter teaching trainer courses for Italian language teachers are considered as a part of a strategy to increase the students’ motivations and the learning process.3. Students as a Customer vs Students as a PersonLinguistic education and the Humanistic Approach aim to develop the students’ potential and create an autonomous language personality. Therefore, in this chapter, we outline a teaching perspective that considers the student as a person at the centre of teaching and learning Italian process.&lt;bold&gt;Part 2&lt;/bold&gt;In the second part teaching methodologies to improve the quality of teaching and learning Italian language to foreigners are described.4. Effective Cooperative Learning Strategies to Teach Italian as a Foreign Language Examples of cooperative learning are given to illustrate how the following teaching methodology is possible in teaching Italian language even if it demands strong research and clear guidance for educators.5. How to Teach Italian Grammar to ForeignersThis chapter examines the existing research about using a deductive form of teaching grammar versus using an inductive form of teaching it.6. Teaching Italian Through Literature, Movies and CartoonsIn this chapter, different media and sources to teach Italian are examined. Using both classic and digital tools, students can explore the Italian language and culture from different points of view, developing a strategy to revisit thinking and to collaborate with others during the reading of classic texts or reading a cartoon.7. Humanistic Testing and Assessment for Italian as a Foreign Language From a Humanistic point of view, in this chapter, testing and assessment are considered as potential and relevant instruments to measure the progress and performance of individual students of Italian language.8. How to Plan and Use an Environment to Teach Italian to ForeignersThis chapter focuses on learning space to teach Italian to foreigners. The main aim is to provide practical advice and support to the teachers of Italian language schools that are going to explore how to develop and adapt learning spaces to the teaching activities and the students’ needs.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This research stems from the need of the Italian Cultural Institute to map the institutions involved in teaching Italian in the area considered and to analyse the quality of the teaching and learning process of the Italian language. The objectives are multiple and linked to the importance of finding the causes that slow the growth of the study of Italian in Japanese Kansai. Therefore, the first part of this action research will outline the cultural and linguistic education coordinates that characterize the Japanese context; in the second part, the research data will be interpreted in order to trace new methodological development trajectories to increase the quality of the Italian teaching process in Kansai.Part 1This part focuses on the situation of foreign language teaching in Japan. It also describes the strategies to promote the teaching of the Italian language in Japan from 1980 to now.1 Modern Language Policy in Japan Between Past and Present This first chapter describes linguistic policy for the promotion of foreign languages in Japan by the Ministry of Education (MEXT).2 Japanese Educational System Focus of this chapter are the cultural, pedagogical and linguistic education characteristics of the context under investigation.3 Teaching Italian Language in Japan The purpose of this chapter is to outline the general frame of the spreading of the Italian cultural model in a traditional Japanese context.Part 2In the second part the action research and the training project design are described.4 The Action-Research Project This chapter describes the overall design of the research and the research questions that inspired an investigation in the context under study. The aim is to understand whether there is a link between the methodological choices of the teachers and the difficulties in learning Italian for Japanese students.Part 3In this third part, the situation of teaching Italian in relation to different learning contexts in Japanese Kansai will be examined.5 A Case Study at Italian Culture Institute in Osaka The goals of this chapter are to analyse the problems of teaching Italian at the IIC and suggest methodological improvement paths for teachers of Italian language at IIC.6 A Case Study at Osaka University The data obtained by the informants will be used to analyse the situation of the teaching of Italian at Department of Italian language of this university and suggest curricular and methodological improvements to increase the quality of teaching and learning Italian.7 A Case Study at Kyoto Sangyo University The chapter outlines the methodological and technical characteristics used to teach Italian at Kyoto Sangyo University and suggests strategies aimed at enhancing students’ language learning.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Daoism is one of the foremost religions of imperial China alongside Confucianism and Buddhism and historically represented an influential system for interpreting the cosmos. Throughout the centuries, Daoism continued to evolve by incorporating elements from other religious traditions and maintained a dialectical relationship with Chinese society as a whole, influencing the worldviews, value systems and practices of all social classes. Daoism’s creative power produced tangible relics: scriptures, stelae, works of art, temples and shrines. This book focuses on Tongbai Palace in Tiantai County, built in 711 by emperor Tang Ruizong (r. 684-690, 710-712) for the eminent court Daoist Sima Chengzhen (647-735). This event only raises more questions: why was that place chosen to build the temple? How did the institution fare in the following centuries and what ties did it entertain with Daoist movements during that period? Why did the emperor patronise its restoration in the 18th century and what were the consequences of this event? In attempting to answer such questions, this book also tackles more fundamental issues related to Daoist history, the history of religions and the role of religion in society. The introduction provides the theoretical framework of the book. The second chapter analyses the significance of the Tiantai area before the 8th century. The third follows the development of Tongbai Palace from its construction in 711 to the Ming dynasty and devotes more space to the earliest and best-documented stages in its history. The fourth chapter discusses the complete demise of the temple during the Ming dynasty, exacerbated by the involvement of the local gentry in a case of land encroachment. Finally, the fifth chapter studies the rebirth of Tongbai Palace in the 18th century and its position in the network of temples of the Daoist Longmen lineages in the southeast part of the Qing empire.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;El volumen tiene el objetivo de profundizar el tema de la traducción del teatro clásico español en la época contemporánea para ofrecer al lector un panorama de las modalidades de irradiación de este patrimonio artístico en los distintos ámbitos lingüísticos y culturales. Se recogen ensayos de carácter sociológico, literario y traductológico, además de contribuciones relativas a la experiencia de la traducción, descrita a menudo directamente por su protagonistas. Se añaden aportaciones más específicamente bibliográficas con el objetivo de contribuir a la constitución de un repertorio de estos particulares productos editoriales.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Che cosa fu il tiranno e che cos’è la tirannide? Come restituire problematicità speculativa a queste due nozioni usurate da indeterminatezza e discredito? I saggi della prima parte di questo volume indagano il senso della tirannide attraverso la ripresa di otto figure decisive: la coppia archetipica Giobbe-Edipo, il momento-Machiavelli, l’Illuminismo francese, Weber, Heidegger, Voegelin, Hayek e Aron. La seconda parte ricostruisce, a partire da testi inediti, lo scenario del classico dibattito che vide protagonisti Strauss e Kojève. Ad integrazione di tali indagini viene proposta la traduzione di due saggi di Strauss e Fessard, ed una bibliografia aggiornata.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;In 1974, the Museum of Modern and Contemporary Art named after Mario Rimoldi, hotelier and former mayor during the 1956 Olympics, opened its doors in Cortina, as part of a much older institution, the Regole d’Ampezzo. Thus was born one of the first private museums dedicated to 20th century Italian art, the virtuous outcome of Rimoldi's own collecting activity. The Museum enriched the Ampezzo community with a patrimony that was committed to enhancing the overall artistic heritage of the Dolomite basin, projecting Cortina’s role far beyond that of nature and hospitality. However, the Museum's archival materials, including correspondences and photographs tracing the vicissitudes of one of the most refined collectors of the mid-twentieth century with masters such as Giorgio de Chirico, Filippo de Pisis, Fortunato Depero, Alis Levi and Mario Sironi, had remained unexplored until now. This volume is the result of the project to analyse and adapt the digital identity and computer systems to manage, study and enhance the rich heritage of works and archival materials of the Regole d’Ampezzo on the occasion of the fiftieth anniversary of the founding of the Rimoldi Museum. In view of this milestone, the Museum, together with the Venice Centre for Digital and Public Humanities of Ca’ Foscari University of Venice, has carried out a thorough reorganisation of its heritage by reorganising the archival fonds and transferring them to a relational database. This catalogue accompanies the new public database as a useful tool to retrace the stages and areas of the reorganisation work, while at the same time tackling stringent methodological aspects in the debate on the digitisation of the art sector. If, on the one hand, the volume provides a moment of reflection on best practices in the Digital and Public Humanities, especially in the field of relational database creation, on the other it offers a privileged opportunity to discover previously unpublished material from the Museum, capable of shedding light on its birth as well as on the Ampezzo artistic context in the 20th century. As a concrete outcome of the relational methodology adopted in the creation of the new museum database, the catalogue presents for the first time a vast iconographic apparatus composed of letters, works, documents and photographs through which to indicate research paths and valorise artistic firsts in the heritage of the Regole d’Ampezzo.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Il titolo della collana esprime la volontà di approfondire i profili legati al processo di integrazione europeo, non ignorandone i risvolti più burocratici e discutibili, ma sapendo guardare al di là di essi, nella logica che traspare dal gioco di assonanze indicato dal titolo. In questo secondo volume, dedicato a crisi e trasformazioni della cittadinanza sociale, ‘l’avventura di avvicinamento all’Europa’, che l’ambizione della collana racchiude, si svolge tuttavia, di necessità, in termini assai critici, alla luce del contributo che le istituzioni dell’Unione Europea hanno, purtroppo, dato al propagarsi degli effetti più infausti della crisi.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Yaʿqūb Ṣannūʿ (1839-1912), but also James Sanua, the Egyptian Molière, and Abū Naẓẓāra: so many names identify one of the most original pioneers of the Nahḍa, who lived between Cairo, Livorno, and Paris, and is considered the founder of the Arabic theatre in Egypt. His works are influenced by his Egyptian, Italian, and Jewish origins, as well as his commitment to Freemasonry and Nationalism. This book, after reconstructing his activities and his life also on the basis of previously unpublished documents, presents three of his plays composed in Egyptian Arabic: &lt;italic&gt;al-ʿAlīl&lt;/italic&gt; (The Sick Man), &lt;italic&gt;al-Ḍarratayn&lt;/italic&gt; (The Rival Wives), &lt;italic&gt;Mūlyīr Miṣr wa-mā yuqāsīhi&lt;/italic&gt;(The Egyptian Molière and What He Suffers).&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume celebrates the closing of the long and prolific academic career of Giuseppe Grilli, whose long and fruitful path in the study of Catalan literature produced several illuminations and &lt;italic&gt;troballes&lt;/italic&gt;. It develops on the ambition of recalling this path through the testimonies of a life made up of affective and literary relationships: on the one hand, the memory of friends, pupils, poets; on the other hand, the diachronic development of the topics on which the most important strands of study of the second part of the 20th century were articulated. The comparison of the classics and the historiography of criticism, Italian translations and research on the Catalan Baroque are some of the Grillian themes presented here in their most topical approaches, together with the creative contributions of Manuel Foraster, Pere Gimferrer and Narcís Comadira.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Il 14 dicembre del 1995 a Parigi si firmò il General Framework Agreement for Peace che sanciva l’intesa politica raggiunta a Dayton (Ohio, Usa) e poneva fine alla guerra in Bosnia. Oltre a rappresentare un evento altamente simbolico, la pace raggiunta favorì una certa stabilità regionale. Tuttavia, vent’anni dopo, molte delle speranze e delle certezze di Dayton sembrano vacillare di fronte all’emergere di nuovi nazionalismi. L’Università Ca’ Foscari Venezia, attraverso la Scuola di Relazioni Internazionali e l’Archivio Scritture Scrittrici Migranti, ha organizzato una giornata di studio dal titolo ‘1995-2015, 20 anni di pace fredda in Bosnia ed Erzegovina’ che, oltre a ricordare la guerra e il debole rapporto con l’Europa, ha inteso avviare un bilancio di quanto la politica e la società civile hanno fatto fino ad ora.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume is the result of a scientific collaboration between the research centres of the Maison Méditerranéenne des Sciences de l’Homme in Aix-en-Provence and the Department of Humanities at Ca’ Foscari University of Venice, whose study interests converged in a joint experimental project. A detailed comparison between Cicero and Diodorus has never been proposed until now, probably because of the obvious disparity between their works. There is, on the one hand, an illustrious orator at the centre of the political and cultural experience of Rome, and on the other hand, a minor Greek historian whose intellectual profile has only recently been enhanced by critics. Yet, they have quite a lot in common: they both lived in the turbulent late Republican age, both came from wealthy families without any political role; both received rhetorical training, travelled and frequented cultured circles. The area where the comparison between the two authors is most instructive is undoubtedly Sicily, the homeland of Diodorus and the scene of the beginnings of Cicero’s political career. The two writers shared a deep personal knowledge of the island: Sicily is constantly present in Diodorus’ &lt;italic&gt;Bibliotheca&lt;/italic&gt; and is the focus of the judicial and political case exposed in the &lt;italic&gt;Verrinae&lt;/italic&gt;. Aspects of the island’s history and culture emerging from the work of each author have already been extensively considered. This study, however, aims to offer a more analytical comparison of the representation of Sicily in both works, examining how the same geographical, historical and religious information, originating from a shared cultural background and from personal knowledge, is reinterpreted by the two authors according to their different rhetorical and intellectual projects. We defined four major categories of information relating to the island: geography, history of great men, religious traditions and practices, artistic and monumental heritage. For each of these categories, we conducted parallel analyses on each work, focusing on the selection of data, the way they were presented and their function in the overall economy of Diodorus’ and Cicero’s works. These parallel analyses highlight similarities and dissimilarities between the two authors: the affinities show the existence of a codified representation of Sicily, its history and its specificity in the context of the first century BC; the discrepancies result both from the divergences in method and aims of the two authors and, more deeply, from their differences in terms of personal, cultural and linguistic backgrounds and perspectives.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume presents the proceedings of the 7th Postgraduate International Conference organised by the Department of Philosophy and Cultural Heritage at Ca’ Foscari University of Venice (8-10 October 2025). The event gathered early-career researchers to explore the notion of the relative void in the visual arts, spanning performative gestures, portable altars, drawing practices, architectural spaces, exhibitions, and feminist reconfigurations of artistic agency. Traditionally conceived as ‘empty space’, the void has evolved from its Aristotelian definition as absence of matter, through empirical physics, to profound artistic and philosophical interpretations. Its meaning oscillates between Western dualisms of fullness and emptiness and the Eastern conception (e.g. Jullien) of the void as integral to existence. Within contemporary practices, particularly feminist theory (Irigaray, Butler), this oscillation becomes a political tool: reconsidering absence can dismantle hierarchies of form and subjectivity, creating alternative spaces for visibility and care. Moving beyond the idea of an absolute void, the conference addressed the relative void as a shifting, relational condition where meaning arises through communication, absence, and transformation. If the void remains a “scientific reserve not yet exploited” (Burini), it represents “not a lack but an opportunity” (DeLillo): a field capable of questioning the very conditions of artistic production and perception. The contributions assembled here demonstrate that analysing the void, rather than fullness, shifts the gaze towards the margins of artworks: the aftermath of gestures, sustaining intervals, and the disappearance of substantial bodies. This approach proposes an aesthetic and methodological turn attentive to traces, thresholds, and silences that shape perception. Crucially, it also addresses erasures in histories marked by trauma and genocide – absences that artistic gestures, curatorial, and architectural practices can interrogate and make visible. The papers are organised around three axes: Erasure, Latency, and Potentiality.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Tra il 2017 e 2019 i due Autori hanno condotto una ricerca valutativa sui Piani Giovani della Regione del Veneto e sulle politiche giovanili locali. La ricerca è stata l’occasione per approfondire le modalità di funzionamento di coalizioni locali di welfare organizzate in modo reticolare e per coinvolgerle nella progettazione partecipata di un sistema di valutazione dell’impatto sociale. Lo SROI Explore è un mix-method che cerca di rispondere ai problemi storici della valutazione nell’ambito delle politiche sociali attraverso una strategia partecipativa e l’ancoraggio alle teorie incorporate nell’azione professionale con l’obiettivo di intensificare i processi di apprendimento degli attori coinvolti.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume gathers some original studies conducted by graduates of the Department of Linguistics and Comparative Cultural Studies at Ca’ Foscari University of Venice, who have contributed to the research in linguistics through the description of the linguistic competence of individuals whose access to language is compromised, and whose ability to verbally express themselves is limited or completely hindered. Thanks to their contributions, targeted linguistic strategies have also been developed to promote the enhancement of language and communication skills in some of these individuals. The first article provides some observations on the methods and tools available for assessing and improving linguistic competence in contexts of deafness and communication disabilities. Three articles focus on describing the linguistic competence of different groups of deaf or hard-of-hearing adults, assessing some linguistic properties (clitic pronouns and interrogative sentences) in Italian, and narrative abilities in Italian and Italian sign language. One contribution focuses on the case of a deaf girl of foreign origin with extremely poor linguistic competence in Italian. Teaching activities have been proposed using various multimedia and multimodal tools to enhance her language skills in Italian and her communicative abilities. The final contribution, following a similar approach, describes the communication methods based on the use of signs proposed to a girl with a phonological and articulatory disorder to allow her to interact with the people around her.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Over three decades after &lt;italic&gt;Venanzio Fortunato tra Italia e Francia&lt;/italic&gt; (Treviso, 1993), and more than twenty years after the international conference &lt;italic&gt;Venanzio Fortunato e il suo tempo&lt;/italic&gt; (Treviso, 2003), this new collective volume seeks to reassess the field of Fortunatian studies. Born in Duplavenis – today’s Valdobbiadene – between 530 and 540, and educated in the Byzantine Ravenna reconquered by Belisarius, Venantius Fortunatus left Italy around 565 to travel to Merovingian Gaul. Whether moved by a vow to Saint Martin, as he himself wrote, or by the hope of literary success in a land that still revered the prestige of Latin culture, Fortunatus found there both recognition and enduring fame among kings, aristocrats, and bishops. He eventually settled in Poitiers, near Queen Radegund’s monastery, where he later became bishop and died in the early years of the seventh century.

A poet of transition between Late Antiquity and the Middle Ages, Fortunatus inherited the refined literary legacy of the classical world while inaugurating the long and fertile season of medieval Latin poetry. His works – ranging from hagiography and panegyrics to personal and occasional compositions – bear witness to a new synthesis of classical form, Christian content, and Merovingian political reality. His influence extended far beyond his own time: from the epitaph written for him by Paul the Deacon to Dante’s citation in &lt;italic&gt;Inferno&lt;/italic&gt; XXXIV, Fortunatus was received as a model of elegance and poetic mastery. 

Bringing together leading scholars from Italy and abroad, this volume presents new research on Fortunatus’s language, style, theology, intertextual networks, and artistic legacy. Opening new paths of inquiry, the essays collected here illuminate the poet’s central place in the intellectual history of early medieval Europe and trace the continuity of his reception from Late Antiquity to the Modern Era.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;In the last few years, many researchers have highlighted the economic and cultural impact that crafts have on the development of territories, enhancing local identities and traditions. Various researches also point to the close relationship between trade (sometimes called ‘neighbourhood’ trade), crafts and historic centres, in terms of quality of life, and socio-economic and identity development of territories, showing their new centrality to processes of urban development and regeneration and the formation of social capital. It is evident how enterprise contributes to local development through social interactions based on negotiated and open collaborations between microenterprises, community and network. It was well argued how small business (commerce, crafts and neighbourhood stores) has always played an important role as a social garrison in sparsely populated areas, allowing cities and particularly urban centres to become more lively or livable, being able to give or take away quality from the city and the territory, attributing peculiarity, security and specificity to places or trivialising them in a homogenised landscape. Among the services of social utility recognised to the artisan workshop are: the guarantee of services useful to the livability of the place, the garrisoning of territories and the development of social relations, the promotion of local identity and its know-how, and the creation of employment opportunities through modest initial availability of capital. At the same time, the worsening recessionary dynamics that have occurred in the global economy over the past two decades and the disruptive digital transition have exposed such enterprises to increasing difficulties, disruptively accentuating the decline in competitiveness and propensity to innovate of a large proportion of craft SMEs, of which the socioeconomic literature does not see significant adaptations to the changed environment, such as reconfiguring the business model, adopting a totally new strategic plan adapting to the digital transition, generational transition, and adopting innovative organisational or system behaviours. This volume presents the &lt;italic&gt;Venice Original E-Commerce&lt;/italic&gt; case – a project carried out by the Venice Metropolitan CNA thanks to the support of J.P. Morgan, the support of the Venice Rovigo Chamber of Commerce and the sponsorship of the City of Venice and Ca’ Foscari University of Venice – as a reference project intervention to focus on a possible model of intervention to support culturally-valued artisan micro-enterprises, intervening on the process of strategic renewal and the conditions to foster generational turnover, understood as an opportunity to fill the gap on the digitisation of the artisan sector.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The present volume offers a detailed analysis of a fifteenth-century court debate on God’s unicity (&lt;italic&gt;tawḥīd&lt;/italic&gt;), involving the Ottoman scholars Mollā Zeyrek (d. 903/1497-98 [?]) and Ḫocazāde Muṣliḥuddīn Muṣṭafā (d. 893/1488), as a chance to highlight the dynamics of knowledge production at the time: in post-classical Islamic scholarship, an essential element of the process was scholars’ adroitness in synthesizing arguments from differing schools of philosophy and theology – via close readings of past masters. This dialectic unfolded during a period of imperial restructuring, at a time when Sultan Meḥmed II (d. 886/1481) realized his cosmopolitan and universalistic ambitions through his persistent patronage of philosophy and science, a case that is illustrated by his glorious palatine library. The setting, audience, and format of the debate, along with the analyses reveal that the production of knowledge in the early modern Islamic world was intricate, vibrant, and dynamic – not stale or derivative as previously thought. This book attempts at reconstructing the debate through the information found in bio-bibliographical sources, and comments on certain social and cultural aspects of the fifteenth-century Ottoman scholarship. Analyses of lemmata in the plethora of commentaries and glosses reveal that Ottoman scholars could posit numerous and disparate doctrinal positions, each referencing specific texts, through which the scholars gave their own syntheses based on their unique perspectives. This method of scholarly arbitration is called ‘verification’ (&lt;italic&gt;taḥqīq&lt;/italic&gt;) and is exemplified here in Ḫocazāde’s defense and recontextualization of Avicennan philosophy in early Ottoman philosophical theology. The court debate at hand concerns Avicenna’s often-contested ontological formulation, which equaled God’s quiddity/essence to His existence and necessity, a view that went against the theological principle of God’s singularity according to a tradition of Muslim theologians. Ḫocazāde’s defense of the philosophers’ proof demonstrated that one of the senses of the ontological term ‘necessity’ that Avicenna put forth was identical to God’s quiddity/essence, as well as His ‘pure existence’. Having gained the upper hand in the debate by verifying Avicenna’s thesis, Ḫocazāde’s argumentative efforts proved that not only could the philosophers’ claim be reconciled with post-classical Islamic theology, but this proof also held true on their own terms despite Zeyrek’s (and the theologians’) objections.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The volume engages with ongoing political and social transformations across the European and Eurasian space, focusing on emerging forms of human mobility that appear to offer a privileged analytical lens for understanding the reconfiguration of the macro-continent’s political and territorial order. Starting from the assumption that borders, identities, and movements are not separate dimensions but mutually constitutive processes, the volume proposes an integrated analysis of the crises and conflicts that have affected Europe and Eurasia over the past decade. It highlights how practices of reterritorialization, the contestation of post-Cold War borders, and new migratory experiences collectively contribute to the production of a geography of mobility that is radically different from that of the past. The approach adopted privileges a medium- to long-term perspective, aimed at capturing the sedimentation of structural dynamics rather than the mere succession of emergency events, and is grounded in an interdisciplinary dialogue between border studies, migration studies, and international relations.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The volume &lt;italic&gt;Wine Cultures. Gandhāra and Beyond&lt;/italic&gt; represents the primary outcome of the MALIWI project (SPIN Ca’ Foscari 2021) directed by Claudia Antonetti. Adopting an interdisciplinary approach, this work seeks to explore the production techniques, social functions, and cultural significance of intoxicating drinks with particular reference to wine – an extraordinary beverage that has been intertwined with human history for millennia. This volume gathers contributions by scholars interested in studying wine and drinking culture in Gandhāra and neighbouring regions, including Ancient Assyria, Arachosia, and present-day India. The topic is explored from three fundamental perspectives, employing a diverse range of sources, including literary and historical texts, as well as linguistic, iconographic, archaeological, and anthropological evidence.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Sotto un titolo senza dubbio attraente e provocatorio, questo libro raccoglie alcuni saggi e articoli essenziali per capire la condizione femminile nel momento in cui questa è posta in discussione, chiamata in causa, mossa dall’impulso alla fuga, da quel difficile spostamento della volontà che rivela chiaramente un potere in movimento, un’energia nomade che le donne, nel corso della storia, hanno sempre saputo praticare.Bajo un título atractivo y provocador, este libro hace algo más que compilar enjundiosos ensayos y artículos en torno a la condición femenina cuando se halla interpelada, convocada, lanzada por la fuga, por ese arduo desplazamiento de la voluntad que deja ver a las claras un poder en movimiento, una energía nómade que las mujeres han sabido practicar a lo largo de la historia.&lt;/p&gt;</Text>
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      <ExtentUnit>03</ExtentUnit>
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    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Carmina Latina Epigraphica 1395</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>93</SubjectSchemeIdentifier>
      <SubjectCode>NHC</SubjectCode>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Callimachus</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>93</SubjectSchemeIdentifier>
      <SubjectCode>DS</SubjectCode>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Moirai</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>93</SubjectSchemeIdentifier>
      <SubjectCode>NK</SubjectCode>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>93</SubjectSchemeIdentifier>
      <SubjectCode>DSBB</SubjectCode>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Enunciation</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Corinthian vases</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>93</SubjectSchemeIdentifier>
      <SubjectCode>DSBC</SubjectCode>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>93</SubjectSchemeIdentifier>
      <SubjectCode>1DXG</SubjectCode>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Prose</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>93</SubjectSchemeIdentifier>
      <SubjectCode>3CTB</SubjectCode>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Dionysus</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Melampous</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Asclepiades</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Homer</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Augustus</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Epigram</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Second Sophistic</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Hesiod</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Local traditions</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>The Greek West</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Aelian</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Carthage and Alexandria in the Aeneid</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Hedylus</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Longinus</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Aphrodite</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Ass</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Odyssey</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Funerary epigram</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Sacrifice</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Boeotian dialect</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Aristocracy</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Aristophanic scholia</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Strabo</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Human error</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Prometheus Bound</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Roman epic and politics</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Antiatticist</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Cyprus</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Epitaphs of animals</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Hesiodic Catalogue of Women</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Hyginus’ Astronomica</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Venus</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Lyric poetry</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Civil wars at Rome</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Plato</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Text and image</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Dancers</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Garland</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Athenaeus</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Curse</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Herodotus</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>μάχλος</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Typhonomachy</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Intertextuality</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Hecataeus of Miletus</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Book</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Corinna</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Papyrology</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Pyrwias</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Ancient scholarship</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Sicily</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Reperformance</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Heracles</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Verbal adjectives</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Textual history</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Apollonios Malakos</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Trojan War</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Atalanta</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Evenius</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Perioikoi</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Ibycus</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Kitharōidia</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Plutarch’s De musica</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Narrative</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Epic</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Greek Popes</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Alcibiades</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Theognis</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Tragic irony</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Homeric model</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Aeschylus</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Hexameter</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Xenophon</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Catalogue of Women</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Romance</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Ancient exegesis of comedy</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>μαχλοσύνη</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Critical editions</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Folklore</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Freud</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Knowledge</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Poetry</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Anthropology</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Pope John VII</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Platon curapalates</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Euphronius</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Herodicus</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Codex</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Delphic verse oracles</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Amphiaraus</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Epicleseis</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Greek epigram</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Virgil</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Alexandrian scholarship</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Hellenistic</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Oracular poetry</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Body doubles</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Adespota</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Ancient Rhetoric</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Socrates</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Byzantine Rome</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Linguistics</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Didactic poetry</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Etymology</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Antigone</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Etymologica</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Collection</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Epiploke</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Solon</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Mount Etna</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Early Greek hexameter poetry</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Authorship</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Rhodes</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Dares the Phrygian</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Eschatology</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Eumenides</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Lyric Poetry</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Epithets</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Magic</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Oxyrhynchus</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Metaphors</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Metric-rhythmic variation</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Aulōidia</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Homeric Hymns</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Aeschines</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>impersonation</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Pythian Apollo</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Cleopatra</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Priapus</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Sublime</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Ritual</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Comparatives</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Homeric hymn</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Eratosthenes’ Catasterismoi</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Frazer</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Hermes</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Iphigenia</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Erotodidaxis</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Lexicography</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Volcanism</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Commentary</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Pragmatics</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Byzantine poetry</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Sexual meaning</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Latin Literature</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Poetic allusivity</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>PSI X 1174</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Second stasimon</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Inscribed Greek verse</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Parthenopaeus</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Ps</SubjectHeadingText>
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    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Poetry and religion</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Ancient reception</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Aspasia</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Antinoupolis</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Aristophanes</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Iliad</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Poseidippus</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Pindar</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Didymus</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Cyrene</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Audience</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Caesarion</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Fragmentary poetry</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Alcman</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Greek Poetry</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Ausonius</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Sophocles</SubjectHeadingText>
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    <Subject>
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      <SubjectHeadingText>Narratology</SubjectHeadingText>
    </Subject>
    <Subject>
      <SubjectSchemeIdentifier>20</SubjectSchemeIdentifier>
      <SubjectHeadingText>Heraclides of Pontus</SubjectHeadingText>
    </Subject>
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      <Text>&lt;p&gt;The volume collects thirty-six essays honouring Ettore (‘Willy’) Cingano, Professor of Greek Language and Literature at Ca’ Foscari University of Venice. Current and former colleagues, students, and friends have contributed new studies on various aspects of Classical antiquity to celebrate his seventieth birthday. The work consists of seven main sections, mirroring and complementing Willy’s research interests. We start with the subjects to which Willy has contributed the most during his career, early Greek hexameter poetry (chapters 2-6: Calame, Coward, Currie, Meliadò, Sider) and lyric, broadly intended (chapters 7-15: Spelman, Cannatà Fera, Le Meur, Prodi, Tosi, Vecchiato, Hadjimichael, D’Alessio and Prauscello, de Kreij). Next come tragedy (Lomiento, Dorati), Hellenistic and later Greek poetry (Perale, Hunter, Bowie, Franceschini), historiographical and other Greek prose (Andolfi, De Vido, Gostoli, Cohen-Skalli, Kaczko), Latin poetry (Barchiesi, Garani, Mastandrea, Mondin), and finally linguistics and the history of scholarship, ancient and modern (Benuzzi, Cassio, Giangiulio, Guidorizzi, Tribulato). The volume is bookended by a collection of translations from medieval and modern Greek poetry (Carpinato) and a reflection on the dynamic aspect of the sublime (Schiesaro).&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Nel secondo volume della collana «Diaspore. Quaderni di ricerca» situazioni di viaggio e di migrazione vengono analizzate tenendo conto della diretta incidenza dell’intreccio delle due dimensioni essenziali di spazio e tempo, considerando quanto queste possano influire sulla persona e sulla sua percezione, intellettuale ed emotiva, e quanto quindi possano determinare la successiva esperienza di scrittura. Il risultato, in molti casi, è la compresenza non solo di più culture o più influssi letterari, ma addirittura di più scritture. I contributi del volume interpretano la connaturata predisposizione alla pluridimensionalità della scrittura e la diversa stratificazione delle esperienze che il viaggio, forzato o meno, di sopravvivenza o di indagine, consente.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;A bilingual collection of Italian translated poems on Armenian-themed topics penned by Armenian-Canadian Diaspora author and emeritus professor Alan Whitehorn. The poems deal with the 1915 Armenian Genocide, travels though Armenia, Armenian society and politics, the Nagorno Karabakh wars of the 1990s and 2020s, Diaspora identity issues, the continued vexing problem of genocide along with its denial, and the ongoing existential challenges facing Armenians, both in Armenia itself and in the Diaspora. Poems selected for the Italian volume are primarily drawn from Whitehorn’s previously published books: &lt;italic&gt;Ancestral Voices&lt;/italic&gt;, &lt;italic&gt;Just Poems&lt;/italic&gt;, &lt;italic&gt;Return to Armenia&lt;/italic&gt; and &lt;italic&gt;Karabakh Diary&lt;/italic&gt;. The poetry translations were led by Sona Haroutyunian, associate professor of Armenian and Translation Studies at Ca’ Foscari University Venice.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;&lt;italic&gt;Postcolonial Publics: Art and Citizen Media in Europe&lt;/italic&gt; presents a collection of sixteen chapters that explore the themes of how migrants, refugees and citizens express and share their political and social causes and experiences through art and media. These expressions, which we term ‘citizen media’, arguably become a platform for postcolonial intellectuals as the studies pursued in this volume investigate the different ways in which previously excluded social groups regain public voice. The volume strives to understand the different articulations of migrants’, refugees’, and citizens’ struggle against increasingly harsh European politics that allow them to achieve and empower political subjectivity in a mediated and creative space. In this way, the contributions in this volume present case studies of citizen media in the form of ‘activistic art’ or ‘artivism’ (Trandafoiu, Ruffini, Cazzato &amp;amp; Taronna, Koobak &amp;amp; Tali, Negrón-Muntaner), activism through different kinds of technological media (Chouliaraki and Al-Ghazzi, Jedlowski), such as documentaries and film (Denić), podcasts, music and soundscapes (Romeo and Fabbri, Western, Lazzari, Huggan), and activisms through writings from journalism to fiction (Longhi, Concilio, Festa, De Capitani). The volume argues that citizen media go hand in hand with postcolonial critique because of their shared focus on the deconstruction and decolonisation of Western logics and narratives. Moreover, both question the concept of citizen and of citizenship as they relate to the nation-state and explores the power of media as a tool for participation as well as an instrument of political strength. The book forwards postcolonial artivism and citizen media as a critical framework to understand the refugee and migrant situations in contemporary Europe.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;This volume, in ten chapters, interrogates the relationship between Marco Polo, Venice and the &lt;italic&gt;Devisement dou monde&lt;/italic&gt; after his return to the city from Genoese captivity. Since Marco’s book was probably revised and corrected in collaboration with the Dominicans of SS. Giovanni e Paolo, the authors of the chapters seek to define more precisely the cultural framework that made this revision possible and the social and political networks that contributed to it. The early fourteenth century is characterised by major transformations for the city and its protagonists. The connection of these elements into a unified landscape allowed for numerous acquisitions and a new vision.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;A history of the Jewish presence in Venice and in the Serenissima Republic before the establishment of the Venice Ghetto had not yet been written, because there was no relevant investigation into the documentary sources of archives and libraries. On the occasion of the celebrations for the five hundred years of the Ghetto, it was still maintained that only from 1516 did the Jews settle in the city. This book, the result of twenty years of systematic research, intends to controvert that myth, which is an integral part of the larger myth of Venice. The documentary scope covers almost three hundred years (between the midthirteenth century and the second decade of the sixteenth century), that is, from the first ascertained presence of Jews to their definitive settlement in the urban area called the Ghetto, in a particularly troubled period of Venetian history. In this historical context, Mestre had special importance, becoming, close to the fifteenth century, the capital of Venetian Judaism: not only did the loan banks operate there, but there were also the only official synagogue (with relative cult and rabbinate), the hostel for those who had business to see to in the capital, and the cemetery. Unfortunately, none of these testimonies was preserved, and the very memory of that community was soon erased. A very similar story took place in Treviso, a primary Ashkenazi centre, which disappeared at the end of the fifteenth century, unlike Padua that was the only one, among the largest and oldest Jewish communities, to overcome the centuries, without ever being able to contend for primacy with the Venice Ghetto.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The volume contains a reassessment of the economic and social impact of the printing revolution on the development of early modern European society, using 15th-century printed books, which still survive today in their thousands, as historical sources. Papers on production, trade, the cost of books in comparison with the cost of living, literacy, the transmission of texts in print, and the use and circulation of books and illustration are the result of several years of international, collaborative, and multidisciplinary research coordinated by the 15cBOOKTRADE project funded by an ERC Consolidator grant (2014-2019) and supported by the Consortium of European Research Libraries.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Maritime transport is both a major source of environmental pollution and a great opportunity for reducing road traffic. Moreover, for some Mediterranean countries, maritime transport offers a way to improve cross-border connectivity. However difficult this may be, improving maritime passenger transport is one way to increase cross-border connectivity and, in some cases, reduce the use of private cars. For this reason, the European Union is pursuing an intensive policy in support of the sustainable development of maritime transport, working on many fronts, including the strengthening of EU legislation on this topic, technical and financial support to reducing emissions from international shipping, investments for the improving of port facilities and infrastructures, involving national governments and regions in the definition of roadmaps and new targets towards 2050. There are many possible directions for improving maritime transport: ship technologies, port management, interchange connectivity, transit planning, and so on. The goal of this book is to collect rigorous contributions about what are currently considered to be the main areas of improvement to be pursued in cross-border maritime passenger transport. The book opens with an overview of EU policies on maritime and coastal transport. In the following chapters, a series of analyses and tools are proposed whose systematic application can significantly contribute to improving maritime passenger transport. This book was conceived within the framework of the MIMOSA project (Maritime and Multimodal Sustainable Passenger Transport Solutions and Services, Interreg V-A Italy-Croatia CBC Programme 2014-20). The project is focused on the improvement of cross-border connectivity between Italy and Croatia by tackling the common challenge of increasing multimodality and reducing the impact of transport on the environment.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;The present volume collects most of the contributions to the plenary sessions held at the &lt;italic&gt;24th International Congress of Byzantine Studies&lt;/italic&gt;, and incisively reflects the ever increasing broadening of the very concept of ‘Byzantine Studies’. Indeed, a particularly salient characteristic of the papers presented here is their strong focus on interdisciplinarity and their breadth of scope, both in terms of methodology and content. The cross-pollination between different fields of Byzantine Studies is also a major point of the volume. Archaeology and art history have pride of place; it is especially in archaeological papers that one can grasp the vital importance of the interaction with the so-called hard sciences and with new technologies for contemporary research. This relevance of science and technology for archaeology, however, also applies to, and have significant repercussions in, historical studies, where – for example – the study of climate change or the application of specific software to network studies are producing a major renewal of knowledge. In more traditional subject fields, like literary, political, and intellectual history, the contributions to the present volume offer some important reflections on the connection between Byzantium and other cultures and peoples through the intermediary of texts, stories, diplomacy, trade, and war.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Papers contained in this volume were prepared for the XV East Asia Net (EAN) Research Workshop, held at University Ca’ Foscari of Venice in Spring 2015. The workshop addressed two themes: the nature-culture-society nexus and cultural diplomacy. Works featured in this book draw from a variety of disciplinary and methodological approaches, representative of the the current trends in multidisciplinary research in the field of Asian Studies.&lt;/p&gt;</Text>
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      <Text>&lt;p&gt;Galician literary historiography shows links and ruptures that refer to the cultural history of Galicia itself and to the sequence of historical events that have delineated the social, economic and political development of the country since the nineteenth century. These coordinates comprise a series of processes, including the elaboration and propagation of ideologies aimed at achieving a way out of political subalternity and oriented towards the horizon of national emancipation. Those events and these processes also marked the connection of Galicia with modernity and the dynamics of historical change. As a result of the above, this book analyses critically the institutionalization processes of the history of Galician literature – with special emphasis on historiographic models such as that of Said Armesto, Carvalho Calero, Méndez Ferrín and others – and indicates the need to undertake a productive methodological innovation of the discipline in heuristic, organic and discursive terms. It further argues that this update should pay attention to substantive theoretical debates, not exclusively of specific cultural coordinates, such as Galician ones or any others that could be considered. Among these, the cooperation between history and sociology, the intellection of literary facts as historical facts, the review of the link between literary history and nation, the public uses of literary history, and the inquiry of discursive choices that promote a less self-indulgent and predictable historiography. This essentially involved a challenge, that of permanent dialogue with some of the most powerful critical reinterpretations of the Galician historiographic tradition and with alternative models constituted from feminist thought, postcolonial theories, the sociology of the literary field or the systemic theories of culture, as well as with the contributions made from a post-national understanding of the literary phenomenon.&lt;/p&gt;</Text>
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