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        <BiographicalNote>&lt;p&gt;Tim Ingold is Professor Emeritus of Social Anthropology at the University of Aberdeen. He has carried out fieldwork among Saami and Finnish people in Lapland, and has written on environment, technology and social organisation in the circumpolar North, on animals in human society and on human ecology and evolutionary theory. His more recent work explores environmental perception and skilled practice. Ingold’s current interests lie on the interface between anthropology, archaeology, art and architecture. His recent books include The Perception of the Environment (2000), Lines (2007), Being Alive (2011), Making (2013), The Life of Lines (2015), Anthropology and/as Education (2018), Anthropology: Why It Matters (2018), Correspondences (2020), Imagining for Real (2022) and The Rise and Fall of Generation Now (2024). Ingold is a Fellow of the British Academy and the Royal Society of Edinburgh. In 2022 he was made a CBE for services to Anthropology.&lt;/p&gt;</BiographicalNote>
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        <BiographicalNote>&lt;p&gt;Robert Gibb teaches anthropology and sociology at the University of Glasgow. He has conducted anthropological research on the antiracist movement in France and on questions of translation and interpretation in the asylum process in France and Bulgaria. His most recent publications are ‘Metaphors and practices of translation in anglophone anthropology’ (Social Science Information, 2023) and ‘Re-Learning Hope: On Alienation, Theory and the “Death” of Universities’ (The Sociological Review, forthcoming).&lt;/p&gt;</BiographicalNote>
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        <BiographicalNote>&lt;p&gt;Philip Tonner is a Senior Lecturer in the School of Education at the University of Glasgow. He holds a PhD in Philosophy from the University of Glasgow (2006), a DPhil in Archaeology from the University of Oxford (2016) and a PGDE (2006) from the University of Strathclyde. His work explores themes at the intersection of philosophy, archaeology and education. He is the author of three books, Heidegger, Metaphysics and the Univocity of Being (Continuum 2010), Phenomenology Between Aesthetics and Idealism (Noesis Press 2015) and Dwelling: Heidegger, Archaeology, Mortality (Routledge 2018).&lt;/p&gt;</BiographicalNote>
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        <BiographicalNote>&lt;p&gt;Diego Maria Malara is a Senior Lecturer in Social Anthropology at the School of Social and Political Sciences, University of Glasgow. He holds a PhD in Social Anthropology from the University of Edinburgh and has studied in Italy, Sweden and the UK. His research to date has focused on religion and politics in Ethiopia, specifically Ethiopian Orthodox Christianity. His publications explore themes including secrecy, kinship, healing, historicity, ethics, food, embodiment, religious pluralism and nationalism. He has recently edited special issues on ‘Lenience in Systems of Religious Meaning and Practices’ (Social Analysis) and ‘Ethnographies of Ethiopian Orthodox Christianity’ (Northeast African Studies), and co-authored a report entitled ‘Religion in Contemporary Ethiopia: History, Politics and Inter-religious Relations’ (Rift Valley Institute).&lt;/p&gt;</BiographicalNote>
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        <Text language="eng" textformat="03">&lt;p&gt;&lt;p&gt;Conversations with Tim Ingold offers a comprehensive and accessible introduction to the work of Tim Ingold, one of the leading anthropologists of our time. Presented as a series of interviews conducted by three anthropologists from the University of Glasgow over a period of two years, the book explores Ingold's key contributions to anthropology and other disciplines. In his responses, Ingold describes the significant influences shaping his life and career, and addresses some of the criticisms that have been made of his ideas. &lt;/p&gt;&lt;p&gt;Following an introductory chapter, the book consists of five edited and annotated interviews, each focusing on a specific theme: 'Life and Career,' 'Anthropology, Ethnography, Education and the University,' 'Environment, Perception and Skill,' 'Animals, Lines and Imagination,' and 'Looking Back and Forward.' Each chapter ends with a 'Further Reading' section, referencing Ingold's work and that of other scholars, to assist readers who want to follow up particular issues and debates. It concludes with an ‘Afterword’ authored by Ingold himself.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text language="eng">Notes on Authors -- Acknowledgements -- Introduction / Robert Gibb and Philip Tonner -- Conversation 1: Life and Career -- Conversation 2: Anthropology, Ethnography, Education, and the University -- Conversation 3: Environment, Perception, and Skill -- Conversation 4: Animals, Lines, and Imagination -- Conversation 5: Looking Back and Forward -- Afterword / Tim Ingold -- References -- Index</Text>
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        <BiographicalNote>&lt;p&gt;James O’Sullivan lectures in the Department of Digital Humanities at University College Cork, where he is Director of Research for the School of English and Digital Humanities, as well as a member of the Research and Innovation Committee for the College Arts, Celtic Studies and Social Sciences. He is a member of the board of the Future Humanities Institute, for which he leads the Digital Cultures, New Media, and Cultural Analytics research cluster. He is the author of  'Towards a Digital Poetics' (Palgrave Macmillan 2019). James has edited several collections of scholarly essays, including 'The Bloomsbury Handbook to the Digital Humanities' (Bloomsbury 2023) and 'Technology in Irish Literature and Culture' (Cambridge University Press 2023). He is the Principal Investigator (Ireland) on 'C21 Editions: Editing and Publishing in the Digital Age', funded under the UK-Ireland Collaboration in the Digital Humanities. See www.jamesosullivan.org for more on his work.&lt;/p&gt;</BiographicalNote>
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        <BiographicalNote>&lt;p&gt;Michael Pidd is Director of the Digital Humanities Institute at the University of Sheffield. He has nearly 30 years of experience in developing, managing and delivering large collaborative research projects and technology R&amp;D in the humanities and heritage subject domains. During that time the DHI has been the technical partner in over 120 national and international projects with over 100 clients. He is the Principal Investigator (UK) on 'C21 Editions: Editing and Publishing in the Digital Age', funded under the UK-Ireland Collaboration in the Digital Humanities. Michael was Principal Investigator on the following projects: 'Connecting Shakespeare' (HEIF), Dewdrop (Jisc), 'Reinventing Local Public Libraries' (HEIF), and 'Manuscripts Online' (Jisc); as well as Co-Investigator on 'Intoxicants and Early Modernity' (ESRC/AHRC), 'Linguistic DNA' (AHRC), 'Beyond the Multiplex' (AHRC) and 'Ways of Being in the Digital Age' (ESRC). He has been the technical lead on a wide number of projects, such as 'Digital Panopticon' (AHRC).&lt;/p&gt;</BiographicalNote>
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        <BiographicalNote>&lt;p&gt;Sophie Whittle is a Research Associate on 'C21 Editions: Editing and Publishing in the Digital Age' project, responsible for developing a prototype online teaching edition of Geoffrey Chaucer’s Pardoner’s Prologue and Tale using machine assisted methods. Sophie has taught on modules in the history of English, historical pragmatics, research methods and syntax. She has co-ordinated interdisciplinary workshops on centring anti-racist research in the linguistics curric-ulum, inviting speakers from across the globe to present their research on the pragmatics of postcolonial communities, language and culture sharing and human rights, and has since become a member of the Linguistic Association of Great Britain’s racial justice subcommittee. She is also an organiser at the Sheffield Feminist Archive, and has recently contributed to the creation of a digital archive named 'Women in Lockdown', a project that houses women’s stories and experiences of the pandemic via oral history, testimony, diary entries and artwork submissions.&lt;/p&gt;</BiographicalNote>
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        <BiographicalNote>&lt;p&gt;Bridgette Wessels is Professor of Sociology and Social Inequalities at the University of Glasgow, UK. Her research focuses on the development and use of digital technology and services in social and cultural life. This includes digital services and communication in the public sphere, everyday life and civic life, social and digital inequalities, as well as specific areas such as telehealth, mobile communication and privacy in digital communication. She is co-lead of the ESRC’s Productivity Institute’s Scottish Forum, as well as a founding member of the Digital Technology and Social Change hub of the European University Alliance CIVIS network. She has a strong track record of research funding from UKRI and the EU, as well as other research foundations. Bridgette is a Co-Investigator on 'C21 Editions: Editing and Publishing in the Digital Age', funded under the UK-Ireland Collaboration in the Digital Humanities.&lt;/p&gt;</BiographicalNote>
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        <BiographicalNote>&lt;p&gt;Michael Kurzmeier is Postdoctoral Research Fellow on the 'C21 Editions: Editing and Publishing in the Digital Age' project. His work revolves around the intersections of technology and society. His IRC-funded PhD thesis, 'Political Expression in Web Defacements', investigated political expression through hacking and introduces novel methods for retrieval and analysis of this special kind of archived web material. Michael is a chair of the research methods work group at the Aarhus-led Web ARChive studies network, researching web domains and events (WARCnet), as well as one of the founders of the Engaging with Web Archives (EWA) conference, Ireland’s first dedicated web archiving conference.&lt;/p&gt;</BiographicalNote>
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        <BiographicalNote>&lt;p&gt;Órla Murphy is Head of the School of English and Digital Humanities, University College Cork. Her EU international leadership as service roles include National Co-ordinator of the Digital Research Infrastructure for the Arts and Humanities, National Representative and vice chair on the Scientific Committee of CoST-EU, Cooperation in Science and Technology and National Representative on the Social Science and Humanities Strategy Working Group of the European Strategy Forum on Research Infrastructures. Nationally, she is a board member of the Digital Repository of Ireland and co-chair of The Arts and Culture in Education Research Repository. Órla is a Co-Investigator on 'C21 Editions: Editing and Publishing in the Digital Age', funded under the UK-Ireland Collaboration in the Digital Humanities.&lt;/p&gt;</BiographicalNote>
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        <Text language="eng" textformat="03">&lt;p&gt;&lt;p&gt;Despite recent calls to explore the full potential of digital text, digital scholarly editing and publishing remain rooted in the cultural and structural logics of print. This volume provides a wide range of perspectives on the current state and future of the field in an effort to further that dialogue, and to encourage continued exploration of how we make and share knowledge and meaning in the digital age. &lt;/p&gt;&lt;p&gt;Digital editing and publishing in the twenty-first century brings together twenty chapters that cover practical design processes and conceptual approaches to editing born-digital material. &lt;/p&gt;&lt;p&gt;The collection also engages with timely, important, and often-neglected topics, including accessibility, artificial intelligence, queer approaches to editing, and the data edition. &lt;/p&gt;&lt;p&gt;By recognising the valuable insights and knowledge that can be gained from scholarly digital editions and by understanding the opportunities of their creative use, this volume emphasises how they can be made more widely available and relevant in various contexts beyond academia.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text language="eng" textformat="03">&lt;p&gt;&lt;p&gt;Though monastic life is often imagined to be a flight from the world, Benedictine monks take on the intense social commitment of life in close community. Drawing on long-term anthropological fieldwork in a Catholic English Benedictine monastery, this book traces the monks’ daily lives as they confront the eternal in the fabric of the everyday. &lt;/p&gt;&lt;p&gt;Bringing into focus the vow of stability – a lifelong commitment to the monastery and its community – this ethnography explores the rhythms and architecture that sustain shared life in a world of movement and fleeting interaction. At the same time, it analyses those social processes that damage and undermine the monastic institution and those in contact with it – in particular the harm caused by sexual abuse. &lt;/p&gt;&lt;p&gt;Engaging with the everyday dynamics of life in close community while paying close attention to the time-depth of monastic history, this is a study of how religious institutions endure and change through generations.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text language="eng">Acknowledgements 

Part I: The nature of stability 

Chapter 1 The promise of stability 

Chapter 2 The architecture of stability 

Chapter 3 The rhythm of stability 

Part II: Prayer, private and public 

Chapter 4 Liturgical prayer and the limits of participation 

Chapter 5 Contemplative prayer and the problem of other people 

Chapter 6 Reading as prayer and learning to listen 

Part III: Flight from the world? 

Chapter 7 Work and pray 

Chapter 8 Abuse and the failure of responsibility 

Chapter 9 Leaving home 

References 

Index</Text>
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