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urn:uuid:1fd727ff-d2dc-406c-bc0d-a2739da3b1bd 03 15 9783957960191 00 EB E107 10 10 02 00000009 01 02 Configurations of Film 01 01 Serge Daney and Queer Cinephilia 1 B01 Pierre Eugène Pierre Eugène is Lecturer in Film Studies at the Université de Picardie Jules Verne (Amiens, France) and a member of the Cahiers du cinéma editorial board since 2020. His research focuses on Serge Daney, cinema writers and film aesthetics. He has published articles on many European and American filmmakers, and co-edited Jean-Claude Biette, appunti et contrappunti (De l’Incidence, 2018) with Hervé-Joubert-Laurencin and Philippe Fauvel. His book Serge Daney, Exercices de relecture (Éditions du Linteau, 2023) has just appeared, and he is currently working on a book devoted to Paul Vecchiali’s film Femmes femmes (1974) (Yellow Now Editions). 2 B01 Kate Ince Kate Ince is Professor of French and Visual Studies at the University of Birmingham (UK). She has published books on the performance artist Orlan (Orlan, millennial female, Berg 2000), on French filmmakers Georges Franju (Georges Franju, Manchester University Press, 2005; in French as Georges Franju: au-delà du cinema fantastique, Paris, L’Harmattan, 2008) and Mia Hansen- Løve (The Cinema of Mia Hansen-Løve: candour and vulnerability, Edinburgh University Press, 2021), and developed a feminist phenomenological approach to women’s cinema in The Body and the Screen: female subjectivities in contemporary women’s cinema (Bloomsbury plc, 2017). She has just completed an essay that employs psychology and phenomenology in conjunction with Céline Sciamma’s Petite maman (2021). 3 B01 Marc Siegel Marc Siegel is Professor of Film Studies at the Johannes Gutenberg University in Mainz. His research and publications focus mainly on issues in queer studies and experimental film. His book A Gossip of Images is forthcoming from Duke University Press. He has also been active internationally as a freelance curator for film series, programs and performance festivals. He is a member of the Academy of World Arts and Culture in Cologne and the Berlinbased art collective CHEAP. He is currently working on a book about bathrooms in film and video. 4 A01 Claire Allouche Claire Allouche is currently Attachée Temporaire d’Éducation et de recherche at the Université Paris 8 Saint-Denis-Vincennes (France) and a PhD candidate under the supervision of Dork Zabunyan and Thierry Roche. She trained in Film Studies (Université Paris 8 and ENS Ulm in France, UNSAM in Argentina) and in the humanities and sociology of space at EHESS. Her doctoral research focuses on the process of creating fiction outside the traditional production centres of Argentina and Brazil between 2008 and 2019. She is also a critic (Cahiers du cinéma) and programmer (Doc&Doc, CLaP, Regards Satellites). 5 A01 Raymond Bellour Raymond Bellour is a researcher, author, emeritus research scientist at the CNRS (Paris). He has been responsible for editing the complete works of Henri Michaux in the Pléiade (1996–2004) and has (co)curated several exhibitions (from Passages de l’image, 1990, to Chris Marker, 2018). His books include L’Analyse du film (1979); L’Entre-Images. Photo, cinéma, vidéo (1990); L’Entre-Images 2. Mots, Images (1999); Le Corps du cinéma:Hypnoses, Émotions, Animalités (2009); La Querelle des dispositifs. Cinéma – installations, expositions (2012), Pensées du cinéma (2016). He is a founding member of the journal Trafic. 6 A01 Mélina Delmas Mélina Delmas holds master’s degrees in Translation from Université Paris 3 and Université Bordeaux-Montaigne (France), as well as a PhD in Translation Studies from the University of Birmingham (UK). Since 2021 she has been working as a Research Assistant at the University of Warwick (UK) where she collaborates closely with Professor Jo Angouri on various projects relating to multilingualism, linguistic landscapes and pedagogy. Additionally, in her role as the Warwick local facilitator for the EUTOPIA alliance, Mélina works to support several EUTOPIA Learning Communities. Mélina has also worked as a freelance translator for various clients since 2014. 7 A01 Garin Dowd Garin Dowd is Professor of Film, Literature and Media at the University of West London, UK. He is the author of Abstract Machines: Samuel Beckett and Philosophy after Deleuze and Guattari (Rodopi 2007), co-author (with Fergus Daly) of Leos Carax (Manchester University Press, 2003) and co-editor (with Lesley Stevenson and Jeremy Strong) of Genre Matters: Essays in Theory and Criticism (Intellect) and (with Natalia Rulyova) of Genre Trajectories: Identifying, Mapping, Projecting (Palgrave Macmillan 2015). He is also the author of the chapter on Serge Daney in Felicity Colman (ed.) Film, Theory and Philosophy: The Key Thinkers (Acumen, 2009) and of “Pedagogies of the Image between Daney and Deleuze” in New Review of Film and Television Studies 8 (1), 2010. 8 A01 Chloé Galibert-Laîné Chloé Galibert-Laîné is a French researcher and filmmaker. They hold a PhD from the Ecole normale supérieure de Paris and are currently working as Senior Researcher at the Lucerne School of Art and Design in Switzerland. Their video essays and desktop documentaries explore the intersections between cinema and online media, with a particular interest in questions related to modes of spectatorship, gestures of appropriation and mediated memory. They have taught courses and workshops at various universities and art schools, most recently at the University of Massachusetts, the Beaux-Arts de Marseille and the California Institute of the Arts. 9 A01 Theresa Heath Theresa Heath is a post-doctoral researcher at Loughborough University, London, researching disabled access at film and cultural festivals and events. She has published articles and chapters on women’s and queer film festivals, representations of chronic illness in cinema, and is currently completing a book titled Queer Film Festivals and Urban Space: Remaking the City to be published in 2024. 10 A01 Andrea Inzerillo Andrea Inzerillo is the artistic director of the Sicilia Queer Filmfest. He has translated and edited the Italian edition of works by Michel Foucault, Jacques Rancière, Gilles Lipovetsky, Pierre Bayard, Madame de Staël, Douglas Sirk. He also recently edited the book Atlante del Cinema Queer Contemporaneo. Europa 2000– 2020 / Atlas of Contemporary Queer Cinema. Europe 2000–2020, published by Meltemi (Milano, 2023). A teacher of history and philosophy in high schools, he has recently been a post-doctoral research fellow in cinema at the University of Palermo. He collaborates with periodicals such as Alias – Il manifesto, Fata Morgana, Gli Asini. 11 A01 Hervé Joubert-Laurencin Hervé Joubert-Laurencin is Professor of Cinema Aesthetics at the University Paris Nanterre (France) and a member of the Institut Universitaire de France. His research includes Pasolini’s work (films, theatre, literature, politics and poetry, including translations into French), André Bazin’s writings (Ecrits complets, Paris, Macula, 2018), other écrivains de cinéma such as Jean-Claude Biette, Barthélemy Amengual, Serge Daney, André Martin, Glauber Rocha, and Animation theory. He realizes films with Marianne Dautrey (Bazin roman, 2018, Fontaine. Trente-trois minutes à la documenta fifteen, 2023) and is currently working on a long-term creative and research project focusing on four subversive filmmakers: Pasolini, Rocha, Fassbinder and Oshima. 12 A01 Philipp Dominik Keidl Philipp Dominik Keidl is Assistant Professor of Screen Media in Transition at Utrecht University. His research on fandom, material culture, and film heritage is published in Journal of Cinema and Media Studies, Film Criticism, Journal of Popular Culture, and The Moving Image. He is the co-editor of “Institutionalizing Moving Image Archival Training” (Synoptique 6.1, 2018), Pandemic Media (meson press, 2020), “Fandom Histories” (Transformative Works and Cultures 37, 2022) and Platforms and the Moving Image (meson press, forthcoming). 13 A01 Simon Pageau Simon Pageau is a film critic. At university, between 2017 and 2019, he worked on Trafic, the magazine created by Serge Daney in the early 1990s; then he co-founded a magazine, Apaches, whose first issues, published between 2020 and 2023, were partly devoted to classic American cinema. He is currently working on a book on Dodes’kaden by Akira Kurosawa. 14 A01 Sylvie Pierre-Ulmann Sylvie Pierre-Ulmann was a critic for Cahiers du cinéma in the 1960s and 1970s, and has been a teacher, editor, translator, and member of Trafic’s editorial board from the foundation of the journal in 1991 until its final issue in 2021. She edited Glauber Rocha, Textes et entretiens de Glauber Rocha, Paris, Éditions de l’Étoile/Cahiers du cinéma, 1987 and published « Frontière chinoise » de John Ford, Crisnée, Yellow Now, 2014. 15 A01 Bamchade Pourvali Bamchade Pourvali holds a doctorate in Film Studies and has taught at the École Polytechnique and Gustave Eiffel University. He is the author of Chris Marker (Cahiers du cinéma, 2003), Godard neuf zéro, les films des années 90 de Jean-Luc Godard (Séguier, 2006) and Wong Kar-wai, la modernité d’un cinéaste asiatique (L’Amandier, 2007). His latest book is L’essai au cinéma, de Chaplin à Godard (Créaphis, 2023). Also a specialist in Iranian cinema, he runs the “Iran ciné panorama” website (www.irancinepanorama.fr). 16 A01 Patrice Rollet Patrice Rollet is an essayist and film critic, an editor and teacher, and was a member of Trafic’s editorial board from its foundation by Serge Daney in 1991 up to its final issue in 2021. Literary director of Cahiers du cinéma in the 1990s, his publications include a collective book on John Ford (1990), the writings of James Agee (1991) and Stanley Cavell. For Editions P.O.L., in addition to his own books, he edited the writings of Manny Farber, Jonas Mekas, and the four volumes of the La Maison cinéma et le monde (2001-2015) collection of Serge Daney’s articles. Latest publication: Descentes aux limbes, Éditions P.O.L, 2019. 17 A01 Marcos Uzal Marcos Uzal has been editor-in-chief of Cahiers du cinéma since May 2020. He was a member of the board and then the editorial board of Trafic magazine, a critic for Libération newspaper and a member of Vertigo magazine. He has co-edited books on Tod Browning (2007), Jerzy Skolimowski (2013) and Guy Gilles (2014), and is the author of an essay on Jacques Tourneur’s I Walked With a Zombie (2006), for the Côté Film collection (Yellow Now Editions), which he directed from 2006 to 2020. He was also film programmer at the Musée d’Orsay in Paris from 2010 to 2020. 18 A01 So Mayer 19 A01 Selina Robertson 01 eng 00 310 03 12 APFA 23 digital film 04 P87-96 10 PER004030 12 APT 23 film curation 10 SOC052000 23 cinephilia 12 GLP 10 SOC064000 12 JFD 23 tv criticism 23 film criticism 23 media criticism 23 queer cinema 23 queer cinema 23 film studies 23 film culture 01 06 03 00 French critic Serge Daney was a central figure in film, television and media criticism of the second half of the twentieth century. He died of AIDS in 1992, just as the concept of queer cinema entered international film studies and just before the start of the digital era that has transformed film culture. This collection of new essays investigates the legacy of Daney’s work alongside considerations of feminist, queer and digital cinephilia and contemporary practices of film curation. meson press 01 meson press 04 01 20240228 02 WORLD 06 15 9783957960184 06 15 9783957960191 WORLD 09 meson press 20 01