<?xml version="1.0" encoding="utf-8"?>
<ONIXMessage release="3.0" xmlns="http://ns.editeur.org/onix/3.0/reference">
  <Header>
    <Sender>
      <SenderName>Thoth</SenderName>
      <EmailAddress>distribution@thoth.pub</EmailAddress>
    </Sender>
    <Addressee>
      <AddresseeName>Google</AddresseeName>
    </Addressee>
    <SentDateTime>20260421T122413</SentDateTime>
  </Header>
  <Product>
    <RecordReference>urn:uuid:2d928244-b4c7-495d-8655-75138cef5754</RecordReference>
    <NotificationType>03</NotificationType>
    <ProductIdentifier>
      <ProductIDType>15</ProductIDType>
      <IDValue>9781951399429</IDValue>
    </ProductIdentifier>
    <DescriptiveDetail>
      <ProductComposition>00</ProductComposition>
      <ProductForm>EB</ProductForm>
      <ProductFormDetail>E101</ProductFormDetail>
      <PrimaryContentType>10</PrimaryContentType>
      <Collection>
        <CollectionType>10</CollectionType>
        <CollectionIdentifier>
          <CollectionIDType>02</CollectionIDType>
          <IDValue>28326202</IDValue>
        </CollectionIdentifier>
        <TitleDetail>
          <TitleType>01</TitleType>
          <TitleElement>
            <TitleElementLevel>02</TitleElementLevel>
            <TitleText>Media Manifold Series</TitleText>
          </TitleElement>
        </TitleDetail>
      </Collection>
      <TitleDetail>
        <TitleType>01</TitleType>
        <TitleElement>
          <TitleElementLevel>01</TitleElementLevel>
          <TitleText>Defund Culture</TitleText>
          <Subtitle>A Radical Proposal</Subtitle>
        </TitleElement>
      </TitleDetail>
      <Contributor>
        <SequenceNumber>1</SequenceNumber>
        <ContributorRole>A01</ContributorRole>
        <PersonName>Gary Hall</PersonName>
        <BiographicalNote>&lt;p&gt;Gary Hall is Professor of Media and Performing Arts and Executive Director of the Centre for Postdigital Cultures at Coventry University. His work sits at the intersection of critical theory, media philosophy, and cultural politics. He is the author of Culture in Bits (2002), Digitize This Book! (2008), and Pirate Philosophy (2016), and co‑founder of the open-access journal Culture Machine and Open Humanities Press.&lt;/p&gt;</BiographicalNote>
      </Contributor>
      <Language>
        <LanguageRole>01</LanguageRole>
        <LanguageCode>eng</LanguageCode>
      </Language>
      <Extent>
        <ExtentType>00</ExtentType>
        <ExtentValue>97</ExtentValue>
        <ExtentUnit>03</ExtentUnit>
      </Extent>
      <Subject>
        <SubjectSchemeIdentifier>10</SubjectSchemeIdentifier>
        <SubjectCode>ART037000</SubjectCode>
      </Subject>
      <Subject>
        <SubjectSchemeIdentifier>23</SubjectSchemeIdentifier>
        <SubjectCode>Cultural studies </SubjectCode>
      </Subject>
      <Subject>
        <SubjectSchemeIdentifier>23</SubjectSchemeIdentifier>
        <SubjectCode>Federal government</SubjectCode>
      </Subject>
      <Subject>
        <SubjectSchemeIdentifier>10</SubjectSchemeIdentifier>
        <SubjectCode>POL028000</SubjectCode>
      </Subject>
      <Subject>
        <SubjectSchemeIdentifier>23</SubjectSchemeIdentifier>
        <SubjectCode>Cultural policies &amp; debates</SubjectCode>
      </Subject>
      <Subject>
        <SubjectSchemeIdentifier>10</SubjectSchemeIdentifier>
        <SubjectCode>POL038000</SubjectCode>
      </Subject>
      <Audience>
        <AudienceCodeType>01</AudienceCodeType>
        <AudienceCodeValue>06</AudienceCodeValue>
      </Audience>
    </DescriptiveDetail>
    <CollateralDetail>
      <TextContent>
        <TextType>03</TextType>
        <ContentAudience>00</ContentAudience>
        <Text language="eng" textformat="03">&lt;p&gt;Calls to expand public investment in the arts often treat the existing cultural and institutional landscape as a given. Defund Culture challenges this assumption, asking instead what kinds of culture are being supported, through which institutions, and to whose benefit.&lt;/p&gt;&lt;p&gt;In pursuing these questions, the book turns attention to the structural inequalities that shape Britain’s creative and intellectual life. Drawing on critical theory, political philosophy, and cultural policy, Gary Hall shows how the dominance of white, male, middle- and upper-class voices in the arts, media, and academy is sustained through longstanding funding arrangements and institutional hierarchies. Expanding access within this system—however well intentioned—will not, on its own, produce structural change.&lt;/p&gt;&lt;p&gt;Rather than offering a programme of reform, Defund Culture explores what it might mean to disinvest from cultural institutions as they currently operate. Taking cues from abolitionist calls to defund the police, Hall proposes redistributing resources away from elite institutions and toward more collective, commons-oriented, and radically relational alternatives grounded in redistribution, institutional transformation, and epistemic pluriversality.&lt;/p&gt;</Text>
      </TextContent>
      <TextContent>
        <TextType>04</TextType>
        <ContentAudience>00</ContentAudience>
        <Text language="eng">PART 1: WHY THE ARTS ARE SO WHITE, MALE, AND MIDDLE-CLASS
Chapter One: The Culture Wars and Attack on the Arts 
Chapter Two: Culture Must Be ['Defended' Struck-Through] Defunded 
Chapter Three: Culture in Ruins: "Are We the Bad Guys?"
PART 2: AND HERE’S SOME OF THE THINGS WE CAN DO ABOUT IT
Chapter Four: Culture and the University as White, Male, Liberal Humanist Public Space 
Chapter Five: De-Liberalizing Culture and Theory
Chapter Six: Coda 
References</Text>
      </TextContent>
    </CollateralDetail>
    <PublishingDetail>
      <Imprint>
        <ImprintName>mediastudies.press</ImprintName>
      </Imprint>
      <Publisher>
        <PublishingRole>01</PublishingRole>
        <PublisherName>mediastudies.press</PublisherName>
      </Publisher>
      <PublishingStatus>04</PublishingStatus>
      <PublishingDate>
        <PublishingDateRole>01</PublishingDateRole>
        <Date dateformat="00">20260105</Date>
      </PublishingDate>
      <SalesRights>
        <SalesRightsType>02</SalesRightsType>
        <Territory>
          <RegionsIncluded>WORLD</RegionsIncluded>
        </Territory>
      </SalesRights>
    </PublishingDetail>
    <RelatedMaterial>
      <RelatedProduct>
        <ProductRelationCode>06</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>15</ProductIDType>
          <IDValue>9781951399436</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>06</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>15</ProductIDType>
          <IDValue>9781951399405</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>06</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>15</ProductIDType>
          <IDValue>9781951399412</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>06</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>15</ProductIDType>
          <IDValue>9781951399429</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
    </RelatedMaterial>
    <ProductSupply>
      <Market>
        <Territory>
          <RegionsIncluded>WORLD</RegionsIncluded>
        </Territory>
      </Market>
      <SupplyDetail>
        <Supplier>
          <SupplierRole>09</SupplierRole>
          <SupplierName>mediastudies.press</SupplierName>
        </Supplier>
        <ProductAvailability>20</ProductAvailability>
        <UnpricedItemType>01</UnpricedItemType>
      </SupplyDetail>
    </ProductSupply>
  </Product>
</ONIXMessage>