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          <TitleText>The Nordic Minuet</TitleText>
          <Subtitle>Royal Fashion and Peasant Tradition</Subtitle>
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        <PersonName>Petri Hoppu</PersonName>
        <BiographicalNote>&lt;p&gt;Petri Hoppu PhD studied ethnomusicology at the University of Tampere, Finland, and graduated in 1995. He continued his studies in Tampere and wrote his doctoral thesis (1999) on the minuet in Finland. Today he is a Principal Lecturer at the Oulu University of Applied Sciences and Adjunct Professor (Docent) in dance studies at Tampere University. His areas of expertise include theory and methodology in dance anthropology as well as research of Skolt Saami dances, Finnish-Karelian vernacular dances and Nordic folk dance revitalization. He has been a project manager of several research projects, including Dance in Nordic Spaces (2007–2012) and KanTaMus (developing common pedagogy for folk dance and music, 2021–2023). He has written several peer-reviewed articles and co-edited the book Nordic Dance Spaces: Practicing and Imagining a Region (2014) with professor Karen Vedel and Dance Research Journal 52 (1) Special Issue In and Out of Norden - Dance and the Migratory Condition (2020) with professor Inger Damsholt. He has been the editor of the only annual Nordic folk dance research journal, Folkdansforksning i Norden, since 2002. He has been on boards of international dance scholars’ associations and giving lectures at universities in Europe and the US.&lt;/p&gt;</BiographicalNote>
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        <PersonName>Egil Bakka</PersonName>
        <BiographicalNote>&lt;p&gt;Egil Bakka was the founding Director at the Norwegian Centre for Traditional Music and Dance (1973-2013) and is professor emeritus of Dance studies at the Norwegian University of Science and Technology. He built and chaired the programme for dance studies at his university and initiated the NOFOD Nordic master programme with Danish, Finnish and Swedish colleagues and the Choreomundus Erasmus international master’s in dance Knowledge, Practice and Heritage with colleagues from France, Hungary and UK. He was the first academic coordinator of both masters. He held many positions as chair or board member of national and international organisations, institutions, research projects and conferences, has seven honorary membership and prizes and is Commander of the Royal St. Olav Order.  He has conducted extensive fieldwork in Norway and the Faroe Islands and had tasks in the UNESCO environment with the Safeguarding of Intangible Cultural Heritage.  Publications: Bakka, Egil et al. ed., Waltzing through Europe: Attitudes Towards Couple Dances in the Long Nineteenth-Century (Open Book Publishers, 2020), Bakka, Egil, 'Dance and Music in Interplay: Types of Choreo-Musical Relationships in Norwegian Heritage', in Diverging Ontologies in Music for Dancing European Voices V, ed. by Ardian Ahmedaja (Wien: Böhlau Verlag, 2023), pp. 29-50&lt;/p&gt;</BiographicalNote>
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        <PersonName>Anne Margrete Fiskvik</PersonName>
        <BiographicalNote>&lt;p&gt;Anne Margrete Fiskvik PhD works as professor of dance studies at the Department for Musicology, Norwegian University of Science and Technology, Trondheim. Previously a professional dancer and choreographer, she has pursued an academic career and today her main research areas are within dance and music history. She has especially been interested in Norwegian theatre dance and itinerant practices during the 18th and 19th centuries. Fiskvik was a member of the research projects Performing Arts between Dilettantism and Professionalism (pArts) and Dance in Nordic Spaces. Fiskvik is also a certified dance movement therapist and interested in health aspects of dance. Her most recent publication includes the editing of Dance Articulated 8 (1) Special Issue Dance. A way towards health and well being (2022). Some of her recent publications dealing with dance historie(s) include the co-editing of the anthology Performing Arts in Changing Societies: Opera, Dance and Theatre in European and Nordic countries around 1800 (Routledge, 2020), as well as the article 'Renegotiation Identify Markers in Contemporary Halling', published in Dance Research Journal vol. 52 (1), (2020).&lt;/p&gt;</BiographicalNote>
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        <SubjectCode>Minuet</SubjectCode>
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        <Text language="eng" textformat="03">&lt;p&gt;This major new anthology of the minuet in the Nordic countries comprehensively explores the dance as a historical, social and cultural phenomenon. One of the most significant dances in Europe, with a strong symbolic significance in western dance culture and dance scholarship, the minuet has evolved a distinctive pathway in this region, which these rigorous and pioneering essays explore.&lt;/p&gt;&lt;p&gt;As well as situating the minuet in different national and cultural contexts, this collection marshals a vast number of sources, including images and films, to analyze the changes in the dance across time and among different classes. Following the development of the minuet into dance revival and historical dance movements of the twentieth century, this rich compendium draws together a distinguished group of scholars to stimulate fresh evaluations and new perspectives on the minuet in history and practice.&lt;/p&gt;&lt;p&gt;The Nordic Minuet: Royal Fashion and Peasant Tradition is essential reading for researchers, students and practitioners of dance; musicologists; and historical and folk dancers; it will be of interest to anybody who wants to learn more about this vibrant dance tradition.&lt;/p&gt;</Text>
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        <Text language="eng">Foreword
1. Introduction

PART I: DEFINING AND SITUATING THE MINUET IN HISTORY AND RESEARCH
2. Situating the Minuet
3. The Minuet as Part of Instrumental and Dance Music in Europe

PART II: REFERENCES AND NARRATIVES
4. Nordic Dancing Masters during the Eighteenth Century
5. The Minuet in Sweden – and its Eastern Part Finland – during the Seventeenth and Eighteenth Centuries and in Sweden after 1800
6. The Minuet in Finland after 1800 
7. The Minuet in Norway
8. The Minuet in Denmark 1688–1820

PART III: SOURCES ABOUT THE DANCE FORM AND HOW THEY WERE CREATED
9. Historical Examples of the Forms of the Minuet
10. The Minuet in the Theatre
11. Collecting Minuets in Denmark in the Twentieth Century
12. Collecting Minuets among the Swedish-speaking Population in Finland
13. Minuet Music in the Nordic Countries

PART IV: THE MINUET AS MOVEMENT PATTERNS
14. Nordic Forms of the Minuet
15. Minuet Structures
16. New Perspectives on the Minuet Step

PART V: POST REVIVAL – THE LATE TWENTIETH AND TWENTY-FIRST CENTURIES
17. Minuet Memories and the Minuet among the Swedish-speaking Population in Finland today
18. Minuet Constructions and Reconstructions
19. New Forms and Contexts of the Minuet in the Nordic Countries

EPILOGUE
20. Some Reflections on the Minuet

List of Illustrations
List of Videos
Map of Locations
About the Authors	
Index</Text>
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