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          <TitleText>re: evolution</TitleText>
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        <PersonName>Kim Rosenfield</PersonName>
        <BiographicalNote>&lt;p&gt;Kim Rosenfield is a poet and psychotherapist. She is the author of several books of poetry, including USO: I’ll Be Seeing You from Ugly Duckling Presse(2014). She is the 2023 recipient of the FENCE Ottoline Prize. Her latest book, Phantom Captain, will be published by FENCE in fall 2023. Rosenfield is an originating member of the international artist/writers collective, Collective Task. Her clinical writing can be found in Psychoanalytic Dialogues and Studies in Gender and Sexuality. She lives and works in Brooklyn, NY.&lt;/p&gt;</BiographicalNote>
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        <PersonName>Sianne Ngai</PersonName>
        <BiographicalNote>&lt;p&gt;Sianne Ngai is Associate Professor of English at UCLA. She is the author of Ugly Feelings (Harvard University Press 2005), Criteria (O Books 1998), and Discredit (Burning Deck 1997).&lt;/p&gt;</BiographicalNote>
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        <PersonName>Diana Hamilton</PersonName>
        <BiographicalNote>&lt;p&gt;Diana hamilton is a poet who lives in Brooklyn. She is a co-coordinator of the Friday Night Reading Series at the Poetry Project at St. Mark’s Church for the 08- 09 season. The analysis included here appeared as one chapter of her B.A. thesis, Borrowed Authority: Appropriated Science in Contemporary Poetries. She received her B.A. in Comparative Literature from NYU in 2008.&lt;/p&gt;</BiographicalNote>
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        <PersonName>Jennifer Calkins</PersonName>
        <BiographicalNote>&lt;p&gt;Jennifer Calkins is a writer and evolutionary biologist in the Department of Genome Science, University of Washington, Seattle. Her publications include Devil’s Card (Beard of Bees Press 2005) and A Story of Witchery (Les Figues Press 2006). Her scientific papers have appeared in Proceedings of the National Academy of Sciences, Animal Behaviour, Behavioral Ecology, Journal of Molecular Evolution and Condor.&lt;/p&gt;</BiographicalNote>
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        <Text language="eng" textformat="03">&lt;p&gt;Delving into the fissures of language as an opportunity to create something new, Rosenfield appropriates texts from various fields of knowledge (evolutionary theory, psychoanalysis, advice on the science of living, and feminist theory) to rewire ideas of authority, subjectivity and expert opinion. The resulting re: evolution is part text-book, part poem, part song-of-science, part feminist guide-to-living. Presented alongside research and analysis from a literary critic (Sianne Ngai), a poet/academic (Diana Hamilton), and an evolutionary biologist (Jennifer Calkins), re: evolution prompts the question: what moves around what?&lt;/p&gt;</Text>
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