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          <TitleText>Algorithmic Authenticity</TitleText>
          <Subtitle>An Overview</Subtitle>
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        <PersonName>Anthony Glyn Burton</PersonName>
        <BiographicalNote>&lt;p&gt;Anthony Glyn Burton is a Mellon-SFU Data Fluencies Fellow at the Digital Democracies Institute and a PhD Candidate in the School of Communication at Simon Fraser University.&lt;/p&gt;</BiographicalNote>
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        <PersonName>Wendy Hui Kyong Chun</PersonName>
        <BiographicalNote>&lt;p&gt;Wendy Hui Kyong Chun is Simon Fraser University's Canada 150 Research Chair in New Media and Professor of Communication and Director of the SFU Digital Democracies Institute. Her last book is Discriminating Data: Correlation, Neighborhoods, and the New Politics of Recognition (MIT Press).&lt;/p&gt;</BiographicalNote>
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        <PersonName>Liliana Bounegru</PersonName>
        <BiographicalNote>&lt;p&gt;Liliana Bounegru is Lecturer in Digital Methods at the Department of Digital Humanities, King's College London, co-founder of the Public Data Lab and affiliated with the Digital Methods Initiative in Amsterdam and the médialab, Sciences Po in Paris. More about her work can be found at lilianabounegru.org.&lt;/p&gt;</BiographicalNote>
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        <PersonName>Melody Devries</PersonName>
        <BiographicalNote>&lt;p&gt;Melody Devries is a PhD candidate in the Communication &amp;amp; Culture Department at Toronto Metropolitan University. She uses ethnographic methods to analyze processes of political conviction online.&lt;/p&gt;</BiographicalNote>
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        <BiographicalNote>&lt;p&gt;Amy Harris is a PhD candidate in the School of Communication at Simon Fraser University and a researcher at the Digital Democracies Institute. Her research focuses on how museums and exhibitions about climate change help people to understand what the future will look like.&lt;/p&gt;</BiographicalNote>
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        <BiographicalNote>&lt;p&gt;hannah holtzclaw is a Ph.D. student in the School of Communications, as well as a Data Fluencies Fellow to the Digital Democracies Institute, at Simon Fraser University.&lt;/p&gt;</BiographicalNote>
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        <PersonName>Ioana B. Jucan</PersonName>
        <BiographicalNote>&lt;p&gt;Ioana B. Jucan is a scholar and artis. Juncan is Assistant Professor of Social and Cultural Inquiry at Emerson College and the author of Malicious Deceivers: Thinking Machines and Performative Objects (Stanford University Press, 2023).&lt;/p&gt;</BiographicalNote>
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        <PersonName>Alexandra Juhasz</PersonName>
        <BiographicalNote>&lt;p&gt;Alexandra Juhasz is distinguished professor of film at Brooklyn College, CUNY.&lt;/p&gt;</BiographicalNote>
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        <PersonName>D.W. Kamish</PersonName>
        <BiographicalNote>&lt;p&gt;D. W. Kamish is a PhD student in the School of Communication at Simon Fraser University and researcher at the Digital Democracies Institute.&lt;/p&gt;</BiographicalNote>
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        <PersonName>Ganaele Langlois</PersonName>
        <BiographicalNote>&lt;p&gt;Ganaele Langlois is Associate Professor in the Department of Communication and Media Studies at York University, Canada. Her research areas are: digital cultures, digital methods, and critical media theory.&lt;/p&gt;</BiographicalNote>
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        <PersonName>Jasmine Proctor</PersonName>
        <BiographicalNote>&lt;p&gt;Jasmine Proctor (she/they) is an independent researcher whose work focuses on the intersection of identity, labour, and fandom. Her previous work has focused on how the relationship between fan labour, government policy, and corporate strategy has allowed for Korean popular music to be leveraged as a soft power tool.&lt;/p&gt;</BiographicalNote>
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        <PersonName>Christine Tomlinson</PersonName>
        <BiographicalNote>&lt;p&gt;Christine Tomlinson is a lecturer and researcher in the School of Social Sciences at the University of California, Irvine investigating online cultures and interaction, video game players' experiences, and video game content. Christine previously worked as a game studies specialist with the Digital Democracies Institute at Simon Fraser University.&lt;/p&gt;</BiographicalNote>
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        <PersonName>Roopa Vasudevan</PersonName>
        <BiographicalNote>&lt;p&gt;Roopa Vasudevan is a new media artist, computer programmer and researcher whose work examines social and technological defaults; interrogates rules, conventions and protocols that we often ignore or take for granted; and centers humanity and community in explorations of technology’s impacts on society. Her current academic research investigates the complex and involved relationships between new media artists and the tech industry.&lt;/p&gt;</BiographicalNote>
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        <PersonName>Esther Weltevrede</PersonName>
        <BiographicalNote>&lt;p&gt;Esther Weltevrede is Assistant Professor of New Media and Digital Culture at the University of Amsterdam, and a member of the Digital Methods Initiative and the App Studies Initiative. Her research is supported by the Dutch Research Council (NWO), project number VI.Veni.191C.048.&lt;/p&gt;</BiographicalNote>
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        <Text language="eng" textformat="03">&lt;p&gt;What makes information feel true or compelling in our contemporary digital societies? This book brings together different disciplinary understandings of “authenticity” in order to find alternative ways to approach mis- and disinformation that go beyond contemporary fact-checking and its search for the “authentic” truth. Patterned under the algorithmic flows of digital capitalism, authenticity itself is subject to variation, iteration, and outside influence. Linking cross-disciplinary research on the history and practices of algorithmic authenticity points to new research questions to understand the impact of algorithmic authenticity on social life and its role in contemporary information disorder.&lt;/p&gt;</Text>
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