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            <TitleText>In Search of Media</TitleText>
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        <PersonName>Giselle Beiguelman</PersonName>
        <BiographicalNote>&lt;p&gt;Giselle Beiguelman is an artist and associate professor in the faculty of architecture, urbanism, and design at the University of São Paulo. She is the author of Políticas da Imagem: Vigilância e Resistência na Dadosfera Politics (Politics of the image: surveillance and resistance in the datasphere), among others. Her artistic works are part of museum collections in Brazil and abroad, including ZKM (Germany), Jewish Museum Berlin, and Pinacoteca de São Paulo.&lt;/p&gt;</BiographicalNote>
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        <PersonName>Melody Devries</PersonName>
        <BiographicalNote>&lt;p&gt;Melody Devries is a PhD candidate and digital ethnographer at Toronto Metropolitan University studying how users construct political worlds online. She is coeditor of Rise of the Far-Right: Technologies of Recruitment and Mobilization, has recently published in the Canadian Journal of Communication, and is currently editing a special issue with Big Data &amp;amp; Society.&lt;/p&gt;</BiographicalNote>
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        <BiographicalNote>&lt;p&gt;Winnie Soon is an artist and course leader/senior lecturer at Creative Computing Institute, University of the Arts London, as well as associate professor at Aarhus University. Their latest coauthored books are Aesthetic Programming: A Handbook of Software Studies and Fix My Code, intersecting critical art and technology practices.&lt;/p&gt;</BiographicalNote>
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        <BiographicalNote>&lt;p&gt;Magdalena Tyżlik-Carver is associate professor of digital communication and culture in the Department of Digital Design and Information Studies at Aarhus University and curator of digital art and design. Her recent curatorial projects include the exhibitions Fermenting Data: Aarhus 8000-8220 (2021) and Screenshots: Desire and Automated Image (2019). She is coeditor of Executing Practices.&lt;/p&gt;</BiographicalNote>
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        <Text language="eng" textformat="03">&lt;p&gt;How are images made, and how should we understand the capacities of digital images? This book investigates images as well as the technologies that host them. Its three chapters discuss the boundaries that images cross and blur between humans, machines, and nature and the ways in which images are political, material, and visual. Exploring these boundaries of images, this book places itself at the limits of the visual and beyond what can be seen, understanding these as starting points for the production of new and radically different ways of knowing about the world and its becomings.&lt;/p&gt;</Text>
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