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          <TitleText>Cheap Print and Street Literature of the Long Eighteenth Century</TitleText>
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        <PersonName>David Atkinson</PersonName>
        <BiographicalNote>&lt;p&gt;David Atkinson is the author of The English Traditional Ballad (2002), The Anglo-Scottish Ballad and its Imaginary Contexts (2014), and The Ballad and its Pasts: Literary Histories and the Play of Memory (2018). With Steve Roud he has co-edited Street Ballads in Nineteenth-Century Britain, Ireland, and North America (2014), Street Literature of the Long Nineteenth Century (2017), Cheap Print and the People: European Perspectives on Popular Literature (2019), Street Literature and the Circulation of Songs (2019), and Printers, Pedlars, Sailors, Nuns: Aspects of Street Literature (2020). He has published articles on cheap print in The Library, Publishing History, Papers of the Bibliographical Society of America, and the Journal of the Edinburgh Bibliographical Society. He is the editor of Folk Music Journal, Honorary Research Fellow at the Elphinstone Institute, University of Aberdeen, and Executive Secretary of the Kommission für Volksdichtung (Ballad Commission).&lt;/p&gt;</BiographicalNote>
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        <PersonName>Steve Roud</PersonName>
        <BiographicalNote>&lt;p&gt;Steve Roud is a retired Local Studies librarian and now a freelance writer, researcher, and indexer specializing in the history of traditional song and street literature. He is the compiler of the online Folk Song Index and Broadside Index databases, and his Folk Song in England was published by Faber in 2017. Most recently, he has co-edited The Routledge Companion to English Folk Performance (2021). With David Atkinson he has co-edited Street Ballads in Nineteenth-Century Britain, Ireland, and North America (2014), Street Literature of the Long Nineteenth Century (2017), Cheap Print and the People: European Perspectives on Popular Literature (2019), Street Literature and the Circulation of Songs (2019), and Printers, Pedlars, Sailors, Nuns: Aspects of Street Literature (2020).&lt;/p&gt;</BiographicalNote>
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        <Text language="eng" textformat="03">&lt;p&gt;This deeply researched collection offers a comprehensive introduction to the eighteenth-century trade in street literature – ballads, chapbooks, and popular prints – in England and Scotland. Offering detailed studies of a selection of the printers, types of publication, and places of publication that constituted the cheap and popular print trade during the period, these essays delve into ballads, slip songs, story books, pictures, and more to push back against neat divisions between low and high culture, or popular and high literature.&lt;/p&gt;&lt;p&gt;The breadth and depth of the contributions give a much fuller and more nuanced picture of what was being widely published and read during this period than has previously been available. It will be of great value to scholars and students of eighteenth-century popular culture and literature, print history and the book trade, ballad and folk studies, children’s literature, and social history.&lt;/p&gt;</Text>
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        <Text language="eng">List of Abbreviations
1. Introduction
2. Charles and Sarah Bates and the Transition from Black-Letter
3. Pictures on the Street: Cheap Pictorial Prints in Eighteenth-Century Britain
4. Popular Print in a Regional Capital: Street Literature and Public Controversy in Norwich, 1701–1800
5. Anthony Soulby, Chapbook Printer of Penrith (1740–1816)	
6. Chapmen’s Books Printed for Henry Woodgate and Samuel Brooks (1757–61)
7. Slip Songs and Engraved Song Sheets
8. ‘The Arethusa’: Slip Songs and the Mainstream Canon
9. Story Books, Godly Books, Ballads, and Song Books: The Chapbook in Scotland, 1740–1820
10. Alphabet Pies, Animal Quacks, and Ugly Sisters: John Evans and the Growth of Cheap Books for Children	
11. Street Literature and Cheap Fiction
12. Afterword
Select Bibliography
Index</Text>
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