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          <TitleText>Barge Life</TitleText>
          <Subtitle>On Jean Vigo's "L'Atalante"</Subtitle>
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        <PersonName>Florian Deroo</PersonName>
        <BiographicalNote>&lt;p&gt;Florian Deroo is a historian and literary scholar. He studied in Ghent and New York, and is currently preparing a dissertation on interwar travel writing at the Vrije Universiteit Brussel. He has written on film for various publications and is the editor of De Netflix: Essays (2021).&lt;/p&gt;</BiographicalNote>
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        <Text language="eng" textformat="03">&lt;p&gt;&lt;p&gt;Waves washing up against the hull, a bed and a small stove, the deck hatch sealed shut — the vessel is the ultimate dwelling.&lt;/p&gt;&lt;p&gt;How to live together in cramped quarters? How to create a microcosm against hostile surroundings? In Barge Life, Florian Deroo tackles these question by looking at a mythical classic of French cinema: Jean Vigo’s 1934 film L’Atalante. A work brimming with the energies of surrealism and anarchism, L’Atalante follows a young couple, two shipmates, and a clowder of cats who dwell in the belly of a river barge. Deroo offers a wide-ranging essay on the film, revealing how it invokes a small group that withdraws from the rhythm of modern life to establish a different kind of existence elsewhere. In L’Atalante’s most riveting moments, the river barge becomes a vehicle for a powerful fantasy: a flexible collective life, lived in sensuous interdependence.&lt;/p&gt;&lt;p&gt;Combining film criticism, philosophy, and biography, this book reconsiders a forerunner of the French New Wave and the early death of its director. Drawing readers into the living spaces of L’Atalante, Deroo explores the allure of retreating into a self-sufficient shelter, along with its intractable problems.&lt;/p&gt;&lt;/p&gt;</Text>
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