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          <TitleText>From Memory to Marble Vol 1</TitleText>
          <Subtitle>The Historical Frieze of the Voortrekker Monument, Part I: The Frieze</Subtitle>
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        <PersonName>Elizabeth Rankin</PersonName>
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        <PersonName>Rolf Michael Schneider</PersonName>
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        <Text language="eng" textformat="03">&lt;p&gt;For the first time the 92-metre frieze of the Voortrekker Monument in Pretoria, one of the largest historical narratives in marble, has been made the subject of a book.&lt;/p&gt;&lt;p&gt;The pictorial narrative of the Boer pioneers who conquered South Africa’s interior during the ‘Great Trek’ (1835-52) represents a crucial period of South Africa’s past. Forming the concept of the frieze both reflected on and contributed to the country’s socio-political debates in the 1930s and 1940s when it was made. The frieze is unique in that it provides rare evidence of the complex processes followed in creating a major monument.&lt;/p&gt;&lt;p&gt;Based on unpublished documents, drawings and models, these processes are unfolded step by step, from the earliest discussions of the purpose and content of the frieze through all the stages of its design to its shipping to post-war Italy to be copied into marble and final installation in the Monument. The book examines how visual representation transforms historical memory in what it chooses to recount, and the forms in which it depicts this. It also investigates the active role the Monument played in the development of apartheid, and its place in post-apartheid heritage.&lt;/p&gt;</Text>
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        <Text language="eng">Synopsis of Part II 
Acknowledgements 
Abbreviations of key archives, documents, names 
Part I: The Frieze
Introduction 
1 Context 
A Great Trek? 
The Afrikaner cause 
The Monument committee 
Funding 
The site 
The centenary  
2 Concept 
Early ideas 
Van Wouw and Moerdyk 
Topics for the Great Trek 
The role of the architect 
Coetzer and the frieze 
3 Process 
The sculptors 
Harmony Hall 
Models and portraits 
The full-scale frieze 
The plaster casts 
The frieze in Italy 
Homecoming 
4 Image 
Composition 
The problem of form  
From plaster to marble 
The visual narrative 
Iconography and ideology 
viii  Contents
5 Heritage 
An Afrikaner monument 
Destroyed or redefined? 
Re-branding the Monument 
Representations and rejoinders 
Epilogue 
Illustrations Part I 
Bibliography of works consulted 
Index of people Part I 
Index of places Part I</Text>
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