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            <TitleText>Configurations of Film</TitleText>
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          <TitleText>Property</TitleText>
          <Subtitle>Colonial Histories and Messages to the Future</Subtitle>
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        <PersonName>Ulrike Bergermann</PersonName>
        <BiographicalNote>&lt;p&gt;Ulrike Bergermann (sie/ihr), Professorin für Medienwissenschaft, HBK Braunschweig, Schwerpunke: Gender und Postcolonial Studies. Vita und Publikationen: ulrikebergermann.de, zuletzt: A Side Taken. Relating To Slavery in Octavia Butler’s Kindred, in: Elke Bippus et al. (Hg.), Taking Sides, Bielefeld 2021; Connect and Divide: The Practice Turn in Media Studies, hg. m. Erhard Schüttpelz et al., Zürich 2021.&lt;/p&gt;</BiographicalNote>
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        <Text language="eng" textformat="03">&lt;p&gt;To possess something is to lose something: Start­ing from this seemingly contradictory claim this essay invokes various registers to defamiliarize the ways in which property structures subjec­tivity, world relations and affects. Intertwined with colonialism, racism and sexism, concepts of property have found an echo in piracy and “postcolonial copyright.” At the level of theory, a crossing out and a reversal of time are required to undo property-related violence and its mind­sets. At the level of artistic practice new modes of appropriation become imaginable. And while the commons will not be restored, multiple modes of having and commoning are possible.&lt;/p&gt;</Text>
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