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          <TitleText>Meta-Xenakis</TitleText>
          <Subtitle>New Perspectives on Iannis Xenakis’s Life, Work, and Legacies</Subtitle>
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        <Text language="eng" textformat="03">&lt;p&gt;Meta-Xenakis offers readers a comprehensive collection of insights into the history, works and legacy of Iannis Xenakis, one of the twentieth century’s most significant creative figures. It presents a transcontinental engagement with his life and output, focusing as much on the impact of the questions he posed as on the accomplishments of his body of work. &lt;/p&gt;&lt;p&gt;This volume evolved out of the multi-modal, international Meta-Xenakis Consortium’s artistic and scholarly events commemorating his centenary. Informative and comprehensive, contributions span subjects including music composition, creative pedagogy, aesthetics, game theory, architecture, and the social and political contexts in which Xenakis operated. The book is organized in eight sections, centered on different facets of Xenakis’s work and reception. It includes a digital archive of audio and visual media from the events staged throughout 2022, as well as computer software.&lt;/p&gt;&lt;p&gt;Bringing into conversation the diverse perspectives and insights of researchers, musicians and artists, this volume serves as a foundational resource for future research on the life and work of Xenakis. It will be of interest to students, scholars, and practitioners across a range of disciplines including music, architecture, cybernetics and computation, and the digital arts.&lt;/p&gt;</Text>
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        <Text>Notes on Contributors
Acknowledgements
Preface

The Meta-Xenakis Team Leaders
Introduction: Meta-Xenakis
Prolegomenon: Meta-materiality in the Thought and Creative Activity of Iannis Xenakis

XENAKIS BEFORE XENAKIS
1. Iannis Xenakis’s Theater Studies: An Unknown Aspect of the Composer’s Life during the Occupation
2. Iannis Xenakis through his Letters at the KSYME Archive

XENAKIS WITHOUT BORDERS
3. Iannis Xenakis in Berlin
4. Debating the Noise: The Reception of Iannis Xenakis’s Music in Serbia as a Part of the SFRY (1960–90)
5. Iannis Xenakis in Japan: Productive Performances and Reception of Texts

NEW CONTEXTS FOR UNDERSTANDING XENAKIS
6. Iannis Xenakis’s Free Stochastic Music Program as an Aid to Analysis
7. Continuum versus Disruptum: A Poetic-philosophical Approach to the Instrumental and Vocal Works
of Iannis Xenakis
8. Iannis Xenakis’s Materialism: On the Dialectic of Real-time Computation
9. Iannis Xenakis’s Philosophy of Music, Stochastics, and the Postmodern Sublime
10. Jean-Étienne Marie and Iannis Xenakis: The Vision of an Artistic Engineer and a Theorist of Microtonal Music
11. On the Link between the Exact Sciences and Music in Iannis Xenakis’s Creative Work
12. Activating Sound Phenomena in the Music of Iannis Xenakis
13. Spatial Movement of Sound Vectors

NEW PERSPECTIVES ON XENAKIS’S WORKS
14. The CIX Archives: Revalorizations and Hidden Treasures
15. Game Theory and Formal Structure in Iannis Xenakis’s Duel (1959)
16. A Myth of Recurrence in Iannis Xenakis’s La Légende d’Eer
17. Iannis Xenakis’s Hibiki Hana Ma and the Japanese Team for Tekkhokan (Steel Pavilion) at Expo ’70, Osaka
18. Iannis Xenakis’s Pithoprakta: A Phenomenological Approach
19. Performing Iannis Xenakis’s Polyrhythms: A Perception-informed Approach to Renotation
20. An Approach to the Epistemic Potential of the UPIC

XENAKIS AND ARCHITECTURE
21. Seeing Music and Listening to Architecture: Iannis Xenakis and La Philharmonie de Paris
22. Iannis Xenakis/Le Corbusier:A Confrontation en sol dur
23. Polytropos: Iannis Xenakis, Engineer in Music and Architecture

LIVING TESTIMONY
24. Liberated Music. A Loving Testimony
25. La Légende de Xenakis: Meta Xenakis
26. Creating and Learning with UPIC
27. Music, Science, Architecture: Two Conversations with Iannis Xenakis
28. The Pythagorean Wall: A Visual and Auditory Drama
29. Iannis Xenakis, Inventor of Music—Composer, Engineer, and Architect: The Voice of the “Inexpressible” and of “Revelation”
30. The UPIC System of Iannis Xenakis: Autoethnography as Rapprochement

META-XENAKIS (OR WHERE DO WE GO FROM HERE?)
31. UPISketch: New Perspectives
32. Somax2 and Reinterpreting Iannis Xenakis
33. Xenos: A Xenharmonic Dynamic Stochastic Synthesis Virtual Instrument
34. Light Tectonics: The New Aesthetics in Iannis Xenakis’s Work
35. Phoenix-Albatross: An Approach to Iannis Xenakis’s Work on Game Theory through Live Coding and Networked Dance
36. Mapping the Influence: Iannis Xenakis’s GENDYN Algorithms as a Means for Creative Explorations in Live Improvised Feedback Music
37. Notes on A Catalog of Difference
38. The Algorithmic Music of Iannis Xenakis—What’s Next?
39. The Process of Creating a Computational System: A Collective Audiovisual Composition
40. The Xenakis Networked Performance Marathon 2022: An Experiment in Networked Performance Collaboration
Inspired by Iannis Xenakis

META-XENAKIS: SUSTAINABLE RESOURCES
41. The Xenakis Networked Performance Marathon 2022 (Sustainable Resources)
42. Japanese Society for Electronic Music (JSEM) Concert—A Tribute Celebrating Iannis Xenakis’s Centennial
43. Meta-Xenakis Concert at Suntory Hall, Tokyo
44. The Establishment of the CMRC—KSYME in Athens: A Virtual Exhibit
45. In Memoriam, Joel Chadabe
46. A New Documentary: Iannis Xenakis: Music of the Universe
47. Reportage of a UPISketch Workshop in Japan
48. Polytope XXI: A Tribute to Iannis Xenakis
49. An Architecture of Alchemy: A Cinematic Painting
50. The Iranian Context of Iannis Xenakis’s Persepolis
51. Iannis Xenakis, 1922–2001

Appendix
List of Illustrations
Index</Text>
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