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          <TitleText>Henry James's Europe</TitleText>
          <Subtitle>Heritage and Transfer</Subtitle>
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        <Text language="eng" textformat="03">&lt;p&gt;As an American author who chose to live in Europe, Henry James frequently wrote about cultural differences between the Old and New World. The plight of bewildered Americans adrift on a sea of European sophistication became a regular theme in his fiction.&lt;/p&gt;&lt;p&gt;This collection of twenty-four papers from some of the world’s leading James scholars offers a comprehensive picture of the author’s cross-cultural aesthetics. It provides detailed analyses of James’s perception of Europe—of its people and places, its history and culture, its artists and thinkers, its aesthetics and its ethics—which ultimately lead to a profound reevaluation of his writing.&lt;/p&gt;</Text>
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        <Text>Preface
Dennis Tredy
On ‘The European Society of Jamesian Studies’
Adrian Harding

Part 1: Ethics and Aesthetics
1. Henry James on Opening the Door to the Devil
Jean Gooder
2. From Romance to Redemption: James and the Ethics of Globalization
Roxana Oltean
3. James’s Sociology of Taste: The Ambassadors, Commodity Consumption and Cultural Critique
Esther Sanchez-Pardo
4. Bad Investments
Eric Savoy

Part 2: French and Italian Hours
5. ‘The Crash of Civilization’: James and the Idea of France, 1914-15
Hazel Hutchison
6. The Citizens of Babylon and the Imperial Imperative: James’s Modern Parisian Women
Claire Garcia
7. French as the Fantasmal Idiom of Truth in What Maisie Knew
Agnès Derail-Imbert
8. Figures of Fulfilment: James and ‘a Sense of Italy’
Jacek Gutorow
9. The Aspern Papers: from Florence to an Intertextual City, Venice
Rosella Mamoli Zorzi
10. The Wavering Ruins of The American
Enrico Botta

Part 3: Appropriating European Thematics
11. Balzacian Intertextuality and Jamesian Autobiography in The Ambassadors
Kathleen Lawrence
12. A Discordance Between the Self and the World: The Collector in Balzac’s Cousin Pons and James’s ‘Adina’ Simone Francescato
13. ‘Déjà vu’ in ‘The Turn of the Screw’
Max Duperray

Part 4: Allusion
14. Some Allusions in the Early Stories
Angus Wrenn
15. C’est strictement confidentiel: Buried Allusions in Confidence (1879)
Rebekah Scott
16. James and the Habit of Allusion
Oliver Herford

Part 5: Performance
17. The Absent Writer in The Tragic Muse
Nelly Valtat-Comet
18. James and the ‘Paradox of the Comedian’
Richard Anker
19. Benjamin Britten’s Appropriation of James in ‘Owen Wingrave’
Hubert Teyssandier

Part 6: Authorship and Self-Representation
20. Narrative Heterogeneity as an Adjustable Fictional Lens in The American Scene
Eleftheria Arapoglou
21. James’s Faces: Appearance, Absorption and the Aesthetic Significance of the Face
Jakob Stougaard-Nielson
22. From Copying to Revision: The American to The Ambassadors
Paula Marantz Cohen
23. Friction with the Publishers, or How James Manipulated his Editors in the Early 1870’s
Pierre A. Walker
24. Losing Oneself: Autobiography, Memory, Vision
John Holland

Bibliography of works cited
Index</Text>
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