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        <Text language="eng" textformat="03">&lt;p&gt;&lt;p&gt;Without microbes, no other forms of life would be possible. But what does it mean to be with microbes? With Microbes sets microbes and the multiple ways they exist around, in and on humans at center stage. In this book, 24 social scientists and artists attune to microbes and describe their complicated relationships with humans and other beings. The book shows the multiplicity of these relationships and their dynamism, through detailed ethnographies of the relationships between humans, animals, plants, and microbes. Ethnographic explorations with fermented foods, waste, faecal matter, immunity, antimicrobial resistance, phages, as well as indigenous and scientific understandings of microbes challenge ideas of them being simple entities: not just pathogenic foes, old friends or good fermentation minions, but so much more. By describing these complex, dynamic, and ever-changing entanglements between humans and microbes, the chapters raise crucial points about how microbes are ‘known’ and how social scientists can study microbes with ethnographic methods, more often than not in the absence of microscopes, models, and computations. Following these various entanglements, the book tells how these relations transform both humans and microbes in the process.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text language="eng" textformat="03">&lt;p&gt;&lt;p&gt;The 1st Edition of The Ethnographic Case, published in 2017, was an experiment in post-publication peer review, with the book published online and open to comments from readers. In this new 2nd edition, to be published later this year, the editors and authors have updated the text, both in response to these comments and taking into account changing contexts in the years since the book’s first publication. &lt;/p&gt;&lt;p&gt;The Ethnographic Case: A doctor injects turpentine into the leg of a dying patient; the patient lives and years later a granddaughter uses this story of survival to write a story of her own. A refugee is questioned in court for falsifying paternity; a cultural expert intervenes to develop a legal case for kinship that exceeds DNA. The actions of a caring father pose a dilemma for how a filmmaker represents Ecuadorian sex workers. In all three chapters, “the case” shapes possibilities for action. In each chapter, the practice of case-making is also specific to the details of the case. The Ethnographic Case challenges a widespread academic inclination to treat concepts as immutable mobiles. The contributions to this volume develop “ethnographic casing” as a technique of attending to heterogeneities in systems of thought. Medical cases. Legal cases. Museum showcases. Detective cases. Some cases featured are violent, others compassionate; some set stereotypes in motion, others break them down. Connected more by difference than similarity, the “cases” in this volume make a case for the virtue of relational science. This is a science that is not beholden to master narratives, but which embraces the double-work of caring for detail, while caring for the practices through which one learns to care. In 26 gripping and provocative installations, the volume showcases research from numerous influential feminist and decolonial scholars. Where anthropology has long sought to identify patterns in culture, this volume makes space for inquiry focused on particularities and advocates for an intellectual politics where that which seemingly doesn’t fit is still allowed to matter.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text language="eng" textformat="03">&lt;p&gt;&lt;p&gt;A book full of boxes. A box in itself. An unboxing. This book explores boxes in their broadest sense and size. It invites us to step into the field, unravel how and why things are contained and how it might be otherwise. By turning the focus of Science and Technology Studies (STS) to boxing practices, this collation of essays examines boxes as world-making devices.&lt;/p&gt;&lt;p&gt;Gathered in the format of a field guide, it offers an introduction to ways of ordering the world, unpacking their boxed-up, largely invisible politics and epistemics. Performatively, pushing against conventional uses of academic books, this volume is about rethinking taken-for-granted formats and infrastructures of scholarly ordering – thinking, writing, reading. It diverges from encyclopedic logics and representative overviews of boxing practices and the architectural organization of monographs and edited volumes through a single, overarching argument.&lt;/p&gt;&lt;p&gt;This book asks its users to leave well-trodden paths of linear and comprehensive reading and invites them to read sideways, creating their own orders through associations and relating. Thus, this book is best understood as an intervention, a beginning, an open box, a slim volume that needs expansion and further experiments with ordering by its users.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text language="eng" textformat="03">&lt;p&gt;&lt;p&gt;Concealing for Freedom: The Making of Encryption, Secure Messaging and Digital Liberties sets out to explore one of the core battlegrounds of Internet governance: the encryption of online communications. Current debates around encryption have fundamental implications for our individual liberties and collective presence on the Internet. Encryption of communications at scale and in increasingly usable ways has become a matter of public concern, especially since Edward Snowden’s 2013 revelations. A new cryptographic imaginary is taking hold, which sees encryption as a necessary precondition for the formation of networked publics. At the same time, there have been major evolutions and accelerations in the field of secure communications, prompted in part by the cryptography community’s renewed efforts to create next-generation secure messaging protocols and applications.&lt;/p&gt;&lt;p&gt;It is vital that we unveil the very recent, and sometimes less recent history of these protocols and their key applications. The book takes on this task, in order to show how the opportunities and constraints they provide to Internet users came about, and how both developer communities and institutions are working towards making them available for the largest possible audience. It explores how efforts towards this goal are built upon interwoven stories about technical development and architectural choices, about community-building – and about Internet governance and politics. In doing so, the book focuses on the experience of encryption in a wide variety of contemporary secure messaging protocols and tools, and looks at the implications of these endeavors for the “making of” digital liberties on the Internet.&lt;/p&gt;&lt;p&gt;Concealing for Freedom provides two key empirical and theoretical contributions. Firstly, it enriches a social sciences-informed understanding of encryption. It does so by examining how different solutions of cryptography for secure communications are created, developed, enacted and governed, and what this diverse experience of encryption, operating across many different sites, means for online civil liberties. Secondly, it contributes to understanding the social and political implications of particular design choices when it comes to the technical architecture of digital networks, in particular their degree of (de-)centralization. The book explores developers’ actions and their interactions with other stakeholders, for instance users, security trainers, standardising bodies, and funding organizations. It also examines their interactions with the technical artifacts they develop, in which a core common objective is to create tools that “conceal for freedom” even as how this objective is met differs according to technical architectures, the user publics being targeted and the tools’ underlying values and business models.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text language="eng" textformat="03">&lt;p&gt;&lt;p&gt;Democratic Situations challenges researchers and students in Science &amp; Technology Studies and related fields to treat democracy as an empirical phenomenon. This means leaving behind off-the-shelf theoretical notions of democracy that may have travelled into STS unexamined. The alternative strategy pursued in this volume is to pay as much analytical attention to the study of democratic politics as STS has previously offered to familiar topics of science and technology.&lt;break/&gt;This timely collection of empirical stories and conceptual inventions leads the way by showing how the making and doing of democracy can be placed at the centre of relational research. The book turns the well-known sites of contemporary Euro-American participatory democracy, such as elections, bureaucracies, public debate and citizen participation, into fluctuating democratic situations where supposedly untouchable democratic ideals are shaped, contested and warped in practice. The fact that Euro-American participatory democracy is often upheld as an ideal for the rest of the world makes it all the more important to study how it is a situated, distributed, material, emergent, heterogenous, fragile and at times faltering figure and project.&lt;break/&gt;Through situated analyses, the authors demonstrate that democracy cannot be reduced to theoretical ideals and schemes of conflict, institutions, or deliberation. Instead, the volume offers an urgently needed empirically driven renewal of our understanding of democratic politics in a time when conventional ideas increasingly fail to capture current events such as Brexit, Trump and Covid19.&lt;break/&gt;The twelve chapters are organised into three sections. The first part, entitled Interfaces of technodemocracy, focuses on how democratic politics is co-shaped by its interfaces with more or less rigid institutions and bureaucracies. The second section, Technosciences, democracy and situated enactments of participation, emphasises the relationships between science and public participation. The third part called Reconfigurations of democratic politics with new nonhuman actors focuses on the role of material objects, especially new digital technologies, in democratic politics.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text language="eng" textformat="03">&lt;p&gt;&lt;p&gt;In the context of accelerating environmental crises and exhausted intellectual paradigms, this book asks what comes after ‘after nature’. Instead of demanding new models and approaches, it invites its readers to look to the endpoints and failures of what is already known, in order to generate alternative forms of ethical engagement with worlds both on this planet, and beyond it.  Drawing together scholarship from across science and technology studies, philosophy, and anthropology and bringing it into conversation with rich ethnographic and empirical material, the book asks how we might potentialise the contradictions and oppositions of critical social scientific thinking in order to develop a mode of paradoxical engagement that is in constant movement between knowledge and its edges, practices and their limits, and which allows us to relate to that which is excessive to relations and relationality.&lt;/p&gt;&lt;p&gt;The chapters in the book range across very different empirical settings and communities of people, from fishermen in the Scottish seas,  the sea folk of Indonesian archipelagos, indigenous peoples in forests in Lowland Ecuador, primatologists in the jungle of DR Congo, the personal and domestic space of living with dogs and the cosmological scale of planetary interactions. Each chapter explores different modes of environmental relationality and alterity by grappling with the spaces in-between – the contradictions, uncertainties, limits, excesses and liminalities which make up people’s everyday relations with their environments. The chapters are accompanied by in-depth conversations between scholars who frankly discuss the proposals of the book and the arguments of each chapter, with a view to inviting further reflection and discussion amongst the book’s readers. As the chapters and conversations in this book show, admitting that we still do not know what the environment is, even in times of crisis, can be a form of hopeful, humble environmental politics.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text language="eng" textformat="03">&lt;p&gt;&lt;p&gt;Ghost-Managed Medicine by Sergio Sismondo explores a spectral side of medical knowledge, based in pharmaceutical industry tactics and practices.&lt;/p&gt;&lt;p&gt;Hidden from the public view, the many invisible hands of the pharmaceutical industry and its agents channel streams of drug information and knowledge from contract research organizations (that extract data from experimental bodies) to publication planners (who produce ghostwritten medical journal articles) to key opinion leaders (who are sent out to educate physicians about drugs) to patient advocacy organizations (who ventriloquize views on diseases, treatments and regulations), and onward. The goal of this ‘assemblage marketing’ is to establish conditions that make specific diagnoses, prescriptions and purchases as obvious and frequent as possible. While staying in the shadows, companies create powerful markets in which increasing numbers of people become sick and the drugs largely sell themselves.&lt;/p&gt;&lt;p&gt;Most agents for drug companies aim to tell the truth, but the truths they tell are drawn from streams of knowledge that have been fed, channeled and maintained by the companies at every possible opportunity. Especially because those companies have concentrated influence and narrow interests, consumers and others should be concerned about how epistemic power is distributed – or ‘political economies of knowledge’ – and not just about truth and falsity of medical knowledge.&lt;/p&gt;&lt;p&gt;In pharmaceutical companies’ ideal worlds, medical research, education and marketing would be tightly fused. Doctors trying to educate themselves would turn to companies’ agents, such as researchers and educators sponsored to spread particular messages, local sales reps hired to change doctors’ behaviour, or journalists supplied with news stories. Ghost-Managed Medicine shows that the real world of medicine is not very far from the worlds that the companies want to create. Big Pharma’s many invisible hands are busy throughout medicine, and medicine changes as a result.&lt;/p&gt;&lt;p&gt;Ghost-Managed Medicine draws on presentations at industry conferences, especially ones where pharmaceutical companies interact with communication, marketing and other agencies. Participants at these interface conferences describe goals, practices and concerns; in the process, they reveal a lot about how the industry works. Some of the book’s other data is taken from publications that also serve as interfaces between the industry and adjacent actors, and from interviews with people engaged in pharmaceutical marketing.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text language="eng" textformat="03">&lt;p&gt;&lt;p&gt;In this book we go to five Australian classrooms, bustling with nine- and ten-year-old children. In each classroom, imaginations are being done, not just in minds, but with bodies too, using materials and words, laughter and ideas. Each classroom is part of a different type of school: a Waldorf/Steiner school, an exclusive private school, a middle-class government school, a diverse catholic school, and a school for intellectually disabled ‘special’ children. And at these five schools, we see imagination being done — to represent, to transform, to empathise, to work with others, and to think.&lt;/p&gt;&lt;p&gt;The book’s characters are children and teachers, with teachers working through the school day to give children the skills they will need to think, to think with and about others, and to be creative. What we notice are habits of imagining being instilled and these range from getting children to close their eyes and imagine accurate representations, through to getting them to imagine how others feel, to getting children to make new connections between thoughts and feelings. We wonder about the implications of these habits for good knowing and good doing.&lt;/p&gt;&lt;p&gt;At the same time, the book shines a critical lens onto the imaginative practices of ethnographers and participant-observers, to help us think about how we define, how we class, and how we analyse our data. Ethnographers, too, have habits of imagining, representing, empathising, and connecting, and noticing these habits can help us do them better. How are academic practices both material and imaginative? How might we make sure our work is both as accurate and as ethical as possible? Macknight argues that imagination is not just something hidden in minds — it is something we do. This, then, is a book about how to do imagination better for thinking, for making, and for living together.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text language="eng" textformat="03">&lt;p&gt;&lt;p&gt;Inventing the Social, edited by Noortje Marres, Michael Guggenheim and Alex Wilkie, showcases recent efforts to develop new ways of knowing society that combine social research with creative practice. With contributions from leading figures in sociology, architecture, geography, design, anthropology, and digital media, the book provides practical and conceptual pointers on how to move beyond the customary distinctions between knowledge and art, and on how to connect the doing, researching and making of social life in potentially new ways.&lt;/p&gt;&lt;p&gt;Presenting concrete projects with a creative approach to researching social life as well as reflections on the wider contexts from which these projects emerge, this collection shows how collaboration across social science, digital media and the arts opens up timely alternatives to narrow, instrumentalist proposals that seek to engineer behaviour and to design community from scratch. To invent the social is to recognise that social life is always already creative in itself and to take this as a starting point for developing different ways of combining representation and intervention in social life.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text language="eng" textformat="03">&lt;p&gt;&lt;p&gt;How might we think differently? This book is an attempt to respond to this question. Its contributors are all interested in non-standard modes of knowing. They are all more or less uneasy with the restrictions or the agendas implied by academic modes of knowing, and they have chosen to do this by working with, through, or against one important Western alternative — that of the baroque.&lt;/p&gt;&lt;p&gt;Why the baroque? One answer is that the baroque made space for and fostered many forms of otherness. It involved knowing things differently, extravagantly, excessively, and in materially heterogeneous ways, and it apprehended that which is other and could not be caught in a cognitive or symbolic net. It also involved knowing in ways that did not gather into a single point and knew itself to be performative. As part of a great Western division between rationalist and non-rationalist modes of knowing, the baroque is therefore a possible resource for creating ways of knowing differently — a storehouse of possible alternative techniques. To say this is not to say that it is the right mode of knowing. The book’s authors do not seek to create a ‘baroque social science’ whatever that might be, but instead work in a range of ways to explore how drawing on the ‘resources of the baroque’ can help us to think differently.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text language="eng" textformat="03">&lt;p&gt;&lt;p&gt;What draws us towards a shop window display? What drives us to grab a special offer, to enter the privileged circle of premium newspaper subscribers, to peruse the pages of an enticing magazine? Without doubt, it is curiosity — that essential force of everyday action which invites us to break from our habits and to become transported beyond our very selves.&lt;/p&gt;&lt;p&gt;Curiosity (whether healthy or unhealthy) is one of the favourite tricks of market seduction. Capturing a public — attracting the attention of a reader, seducing a customer, meeting the expectations of a user, persuading a voter … — often requires the construction of a set of technical devices that can play upon people’s inner motivations.&lt;/p&gt;&lt;p&gt;Cochoy invites us to take a sociological trip into these cabinets of curiosity, accompanied throughout by Bluebeard, a fairy tale that is both a model of the genre and a pure curiosity machine. At once a work of history and economic anthropology, the book meticulously analyses the devices designed by markets to arouse, excite, and sustain curiosity: a window display, practices of ‘teasing’, packaging, bus shelters, mobile internet technologies… In the Bettencourt and Strauss-Kahn affairs and the Wikileaks controversy, Cochoy also uncovers the work of investigative journalism and its attention-grabbing ‘scoops’, revealing the secrets of the revealers of secrets.&lt;/p&gt;&lt;p&gt;Available in English for the first time, this major work will arouse readers’ curiosity over the course of its unusual and colourful journey. By the end, now better informed and more cautious, they will be able to identify the traps of which they are the target. So long as curiosity is kept at bay, at least!&lt;/p&gt;&lt;/p&gt;</Text>
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