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        <Text language="eng" textformat="03">&lt;p&gt;&lt;p&gt;If “design” is the lens through which we glimpse into possible futures, this volume asks: What are the futures we are capable of imagining? As a subject of study, design is enabled and constrained by educational institutions and academic traditions. As a profession it is conditioned by systems of labor. As a creative activity it is shaped by what tools are programmed to do. Authors in this book challenge common ways of knowing, being, and doing in design with regard to the futures they facilitate and interrogate the role, responsibility, and potential of a plurality of design practices in confrontation with social and environmental crises. In this way, this volume does not only ask about designed futures, but also the futures of design: What are the consequences drawn from a critical examination of the histories and politics underlying normative renderings of design? How can we disrupt the perpetuation of biases and reification of social injustices? Self-reflexively engaging their own experiences and work, authors in this volume interrogate design in all its convoluted modalities: as activism, practice, discipline, way of knowing, field of study and set of objects.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text language="eng" textformat="03">&lt;p&gt;&lt;p&gt;How do the Moroccan sound archives of the writer Paul Bowles from the 1970s sound today with the musicians of that time? What does an earthquake in Agadir have to do with a Japanese science fiction film? What sound do stones have? And what do we learn about environmental pollution by listening to the agar agar algae?&lt;break/&gt;Drawing on critical sound studies, ethnographic research, and artistic practice, this book offers multivoiced narratives about acoustic practices in Morocco. Gilles Aubry‘s research on the sonic dimensions of our environment, ranges from animal, plant, and mineral voices to ritual practices and technological infrastructures. The Arabic word for these voices in the physical but also in the technological sense is sawt. In collaborations with local musicians, artists and scientists, Aubry explores in experimental settings listening as the basis of „sonic pluralism“.&lt;break/&gt;The dense descriptions of the multidisciplinary research are complemented by series of photographies. Via QR codes, the text is linked to audiovisual essays and compositions by the artist. The layout of the book takes up this close linking of digital and analog materials.&lt;/p&gt;&lt;/p&gt;</Text>
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