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        <Text language="eng" textformat="03">&lt;p&gt;'Performance Research Methods' is the first comprehensive guide to contemporary methodologies in performance studies, offering a clear and structured overview of the tools currently shaping research in theatre, dance, and performance. While many volumes focus on individual methods, this book uniquely surveys a range of approaches, presenting their historical background, analytical potential, practical application, and interdisciplinary relevance.&lt;/p&gt;&lt;p&gt;Designed with clarity and usability in mind, each chapter follows a consistent structure: introduction, contextual framing, practical application, case study demonstration, interdisciplinary expansion, and suggestions for further reading. This format enables readers to compare methods with ease and understand how each can be adapted to real-world research.&lt;/p&gt;&lt;p&gt;Developed by scholars actively teaching these methods in graduate and undergraduate programs, this hands-on volume addresses a key gap in the field: the lack of explicit, accessible discussions of performance research methods. Responding to the societal, technological, and ecological contexts of contemporary performance, the book makes visible the knowledge practices that often remain confined to the classroom.&lt;/p&gt;&lt;p&gt;Accessible to students, researchers, and arts professionals alike, this volume provides an essential resource for anyone looking to engage critically and creatively with performance in the twenty-first century.&lt;/p&gt;</Text>
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        <Text language="eng">List of Illustrations
List of Audio/Video files
About the Contributors
Acknowledgments 
Introduction
Liesbeth Groot Nibbelink and Laura Karreman
PART I: OBJECT-ORIENTED DRAMATURGIES AND
CULTURAL ANALYSIS
1. Concept-Based Analysis
Laura Karreman
2. Dramaturgical Analysis: A Relational Approach
Liesbeth Groot Nibbelink and Sigrid Merx
3. Spectatorship Analysis
Maaike Bleeker
4. Movement Analysis
Andrew Fuhrmann, Lise Uytterhoeven, and Rachel Fensham
5. Dance Analysis
Sarah Whatley
6. Music Always Does Something: Analysing Musical Theatre 
Millie Taylor
7. A Multimodal Critical Discourse Analysis of Listening
Pieter Verstraete
PART II: HISTORIES, CONTEXTS, ECOLOGIES
8. Discourse Analysis
Sruti Bala
9. Creating Art Ecologies through Contextual Analysis
Liesbeth Groot Nibbelink
10. Cultural Materialism and the Politics of Performance
Dick Zijp
11. Tracing Histories: An Archaeological Approach
Evelyn Wan
12. Archival Research Expanded: Bodily Archives and
Embodied Fabulation
Lisa Skwirblies
PART III: SITUATED KNOWLEDGES
13. Intersectionality
Anika Marschall
14. Personal Narratives and Social Constructs through Autoethnography in Performance Studies
Wigbertson Julian Isenia
15. Autoethnography in Performance Studies:
The Performativity of Queer Parenting
Fabiola Camuti and Annemijn van der Schaar
PART IV: EMBEDDED AND PROCESS-BASED
APPROACHES
16. Practice-led Research: Transversal Ways of Sensing/Knowing
Konstantina Georgelou
17. Affective Attunement: Mapping the Invisible
Theron Schmidt
18. Doing Performance Philosophy: Thinking alongside Performance
Laura Cull Ó Maoilearca
19. Hyphenated Thinking in Performance Processes:
Thinking through Performance-pedagogical Entanglements with More-than-human Matter
Christel Stalpaert
Index</Text>
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