Thoth distribution@thoth.pub 20260518T154621

urn:uuid:0cf03817-370e-4a1a-b754-1f25a49bd074 03 01 01 urn:uuid:0cf03817-370e-4a1a-b754-1f25a49bd074 15 9781805112976 06 10.11647/OBP.0423 00 EB E107 10 Creative Commons License 02 https://creativecommons.org/licenses/by-nc/4.0/ 10 01 02 5 Digital Humanities Series 01 01 Digital Humanities in the India Rim Contemporary Scholarship in Australia and India 1 B01 21 0000-0001-8676-4420 Hart Cohen 2 B01 21 0000-0001-5940-8201 Ujjwal Jana 3 B01 21 0000-0002-8806-1726 Myra Gurney First edition. 01 eng 00 372 03 93 1F 04 AZ195 B2 Digital Humanities 10 SOC008020 93 1MBF 10 COM079010 B2 Politics and Sociology B2 Asian Studies 10 SOC052000 93 UXA 93 JBCT1 10 PHI005000 01 06 03 00 This varied collection delves into illuminating examples of Digital Humanities research and practice currently being undertaken by academics in India and Australia, and seeks to understand the shared challenges as well as the points of similarity and difference between them. From the influence of Netflix on International Relations to contemporary digital adaptations of Mary Shelley’s Frankenstein, via detours into erobotics (empathic robots) and the cultural specificity of online dating, these essays convey the distinctive breadth and imagination of research in this field.Digital Humanities is a relatively new discipline in the India Rim, and this novelty has created space for innovative research ideas, as well as the use of traditional methodologies and software in different ways within these unique cultural spaces that could potentially influence how Digital Humanities is conceptualised internationally. For example, drawing on Indian classical logic leads to novel designs and applications of computation.This lively volume offers a fresh look at the Digital Humanities and an important overview of the work taking place in a region other than the Western countries that typically dominate the field. It has much to offer both experienced researchers and those new to the Digital Humanities. 04 00 Acknowledgments About the authors Preface 1. Introduction Part 1: Digital Humanities: Institutions, Ethics, Politics 2. Mapping Digital Humanities at Western Sydney University 3. Netflix and the shaping of global politics 4. Digital justice: Interactions and rituals in the virtual courtroom 5. Artificial Intelligence, ethics and empathy: How empathic AI applications impact humanity Part 2: Digital Humanities and Literature 6. Digital hermeneutics: Interpretation and the interpretational 7. ‘Aboutness’ and semantic knowledge: A corpus-driven analysis of Yajnavalkya Smriti on the status and rights of women 8. Building a book history database: A novice voice 9. Are we ready to ‘screw around’ together?  Barriers to institutionalisation of DH pedagogy in literature departments 10. Literary masterpiece as a literary bank: A digital representation of intertextual references in T. S. Eliot’s The Waste Land 11. Hypertext as a ‘palimpsestuous’ construct: Analysing Shelley Jackson’s Patchwork Girl 12. Narratives of the self: Comments and confessions on Facebook Part 3: Digital Humanities and Technology: Methods and Methodology 13. Code against code: Creative coding as research methodology 14. Digital Humanities for a different purpose 15. Online dating: Transformations of marriage arrangements through digital media technologies in Australia’s Indian community 16. The digital mediation of film archives from the Strehlow Research Centre Afterword Index 20 00 Open Access Open Book Publishers 01 Open Book Publishers Cambridge, UK 04 01 20241106 2024 06 15 9781805113874 06 15 9781805113881 06 15 9781805112976 06 15 9781805113904 06 15 9781805113898 09 Open Book Publishers 02 Publisher's website: web shop https://www.openbookpublishers.com/books/10.11647/OBP.0423 99 01 09 Open Book Publishers 29 Publisher's website: download the title https://books.openbookpublishers.com/10.11647/obp.0423.pdf 99 01