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          <TitleText>British Working-Class and Radical Writing Since 1700</TitleText>
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        <Text language="eng" textformat="03">&lt;p&gt;&lt;bold&gt;An essential history of how literature became a battleground for class struggle and political dissent in Britain.&lt;/bold&gt;&lt;/p&gt;&lt;p&gt;At a time when working-class writing is gaining long-overdue recognition and radical ideas may be more important than ever, this timely collection of eighteen essays examines the powerful intersection of British working-class and radical writing from the eighteenth century to the present day.&lt;/p&gt;&lt;p&gt;Taking the pioneering work of H. Gustav Klaus on British labouring-class, socialist and anarchist writing traditions as its foundation, the volume embraces variety to reflect the richness of working-class and radical cultures across the last three centuries. Cross-cutting topics include the ways in which working-class writers got into print, the obstacles they faced in doing so and in expressing their views, the rise of women writers and their involvement in radical culture, representations of animals and more-than-human perspectives, socialism and environmentalism, feminism, anti-imperialism, and the intersection of working-class and diasporic identities.&lt;/p&gt;&lt;p&gt;Questions of genre and form are also addressed, from dialect poetry to the novel, pastoral to melodrama, and life writing to theatre. Showcasing a wide range of innovative approaches, the volume contributes significantly to recovering the literary work and radicalism of several little-studied and forgotten working-class authors, as well as reappraising better-known figures such as John Clare and Ethel Carnie Holdsworth.&lt;/p&gt;</Text>
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        <Text>&lt;p&gt;Foreword: Remembering H. Gustav Klaus&lt;/p&gt;&lt;p&gt;&lt;em&gt;Christian Schmitt-Kilb&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Introduction&lt;/p&gt;&lt;p&gt;&lt;em&gt;John Goodridge and Adam Bridgen&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;I. The Making of the Working-Class Writer&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;'There is an End of the Thresher's Labours': Stephen Duck's Enigmatic Death&lt;/p&gt;&lt;p&gt;&lt;em&gt;William J. Christmas&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Other Realms of Labouring-Class Antislavery: The Early Verse and Medical Writing of Thomas Trotter&lt;/p&gt;&lt;p&gt;&lt;em&gt;Adam Bridgen&lt;/em&gt;&lt;/p&gt;&lt;p&gt;The Rise, Fall and Revival of Labouring-Class Poetry in the Commercial Market, 1800-1821&lt;/p&gt;&lt;p&gt;&lt;em&gt;Tim Fulford&lt;/em&gt;&lt;/p&gt;&lt;p&gt;The Post-Humanist John Clare&lt;/p&gt;&lt;p&gt;&lt;em&gt;Simon J. White&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;II. Nineteenth-Century Developments&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Mediated Melodies: ‘Jone o’ Grinfilt’ and the Challenges of Ballad Preservation&lt;/p&gt;&lt;p&gt;&lt;em&gt;Rebekah Erdman&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Friend of the People: The Poetry of H. H. Horton (1811-96) of Birmingham&lt;/p&gt;&lt;p&gt;&lt;em&gt;Stephen Roberts&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Rewriting Trauma: Elizabeth Campbell's Unedited and Edited Poems&lt;/p&gt;&lt;p&gt;&lt;em&gt;Florence Boos&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Helen Macfarlane: A Radical among Middle-Class Women Writers of the Mid-Nineteenth Century&lt;/p&gt;&lt;p&gt;&lt;em&gt;John Rignall&lt;/em&gt;&lt;/p&gt;&lt;p&gt;The Pit Mice: Animals in the Mines and the Working-Class Poet&lt;/p&gt;&lt;p&gt;&lt;em&gt;Kirstie Blair&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;III. Twentieth-Century Pioneers&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Paving the Road to Socialism: The Political Leadership and Pastoral Writing of Katharine Glasier (1867-1950)&lt;/p&gt;&lt;p&gt;&lt;em&gt;Heidi Renée Aijala&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Ethel Carnie Holdsworth (1886-1962) and the Question of Audience&lt;/p&gt;&lt;p&gt;&lt;em&gt;Kathleen Bell&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Intersections of Class and Gender in the Fiction of Lewis Grassic Gibbon and Tessa Hadley&lt;/p&gt;&lt;p&gt;&lt;em&gt;Livi Michael&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;IV. Postwar Issues: Deindustrialisation, Casual Work, Feminism&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;A Crisis in Masculinity? A comparison between English and West German Miners’ Novels, 1945-1970&lt;/p&gt;&lt;p&gt;&lt;em&gt;Steve Eszrenyi&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Woman Wanted Theatre Cleaner (8-12 daily): The Missing Literature of the Empty Mopped Stage&lt;/p&gt;&lt;p&gt;&lt;em&gt;Sarah K. Whitfield&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Thieves in the Night: Women in the early days of the Birmingham Centre for Contemporary Cultural Studies&lt;/p&gt;&lt;p&gt;&lt;em&gt;Monika Seidl&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;V. Contemporary Developments: Empire, Ecology, and Belonging&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;The Caribbean Radical Tradition and Diasporic Politics in George Lamming's &lt;em&gt;Water with Berries&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;Matti Ron&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Gypsy's Women's Lives: Facts, Autobiographies and Louise Doughty's Novel &lt;em&gt;Stone Cradle&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;Ingrid von Rosenberg&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Degrowth and Marxist Ecology: New Directions for Criticism after Gustav Klaus&lt;/p&gt;&lt;p&gt;&lt;em&gt;Luke Lewin Davies&lt;/em&gt;&lt;/p&gt;</Text>
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