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        <Text>Um Trabalho De Tecelagem 
Retomemos
Buscando O Fio Em Muitos Novelos Introdução 
Cruzando Os Pontos Na Tentativa De Um Bordado Perspectiva Teórica 
Teórica 
Opção Metodológica 
Sentir O Silêncio: Uma Exigência Em Mim 
Quem Se Fez Parceiro De Caminhada Metodológica 
Como Fotografei As Situações Na Coleta De Dados 
Os Protagonistas Da Pesquisa 
O Espaço Da Pesquisa: O Terreiro, Esse Lugar Da História, Da Festa E Do Silêncio
De Um Silêncio, Muitos 
Tecendo Redes De Silencio 
Por Uma Pedagogia Da Existência: A Existência: A Face Simbólica Do Silêncio 
Aprender A Palavra: Gesto Inaugural 
Silêncio: Um Apelo Ao Conhecimento 
Silêncio: A Aprendizagem Da Escuta 
O Silêncio Em Movimento
O Dito Do Babalorixá 
O Dito Dos Filhos-De-Santo 
Por Uma Pedagogia Da Resistência: A Resistência: A Face Do Silêncio-Segredo 
Segredar: Um Verbo Necessário 
O Jogo Do Silêncio: Psiu, Há Estranhos Em Casa!
Silêncio: A Negação Do Dizer 
 A Palavra Suspensa: O Dizer Do Silêncio 
Por Uma Pedagogia Transcultural: A Face Apelativa Do Silêncio 
Um Dizer Que Fez Falta: As Palavras Do Silêncio
Mostrando Uma Dentre As Muitas Tapeçarias Possíveis 
Considerações Finais 
Bibliografia</Text>
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Capítulo IV – Memória e “civilização”: o exemplo dos mortos ilustres
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Capítulo II – Urbanismo e modernização no sul da Bahia
Capítulo III – Morte e narrativa
Capítulo IV – Memória e “civilização”: o exemplo dos mortos ilustres
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Introdução
Capítulo I – A comarca de São Jorge dos Ilhéus, 1760-1860
Capítulo II – Urbanismo e modernização no sul da Bahia
Capítulo III – Morte e narrativa
Capítulo IV – Memória e “civilização”: o exemplo dos mortos ilustres
Capítulo V – Os espaços cemiteriais e as representações da morte no sul da Bahia
Considerações finais
Fontes
Referências</Text>
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