<?xml version="1.0" encoding="utf-8"?>
<ONIXMessage release="3.0" xmlns="http://ns.editeur.org/onix/3.0/reference">
  <Header>
    <Sender>
      <SenderName>Thoth</SenderName>
      <EmailAddress>distribution@thoth.pub</EmailAddress>
    </Sender>
    <SentDateTime>20260403T145325</SentDateTime>
  </Header>
  <Product>
    <RecordReference>urn:uuid:4e6fa5b9-86f4-4148-b369-db463ca0e151</RecordReference>
    <NotificationType>03</NotificationType>
    <RecordSourceType>01</RecordSourceType>
    <ProductIdentifier>
      <ProductIDType>01</ProductIDType>
      <IDTypeName>thoth-work-id</IDTypeName>
      <IDValue>urn:uuid:7fc74c5c-b2f6-4801-9a7b-e9268e368328</IDValue>
    </ProductIdentifier>
    <ProductIdentifier>
      <ProductIDType>01</ProductIDType>
      <IDTypeName>thoth-publication-id</IDTypeName>
      <IDValue>urn:uuid:4e6fa5b9-86f4-4148-b369-db463ca0e151</IDValue>
    </ProductIdentifier>
    <ProductIdentifier>
      <ProductIDType>06</ProductIDType>
      <IDValue>10.11647/obp.0403.08</IDValue>
    </ProductIdentifier>
    <DescriptiveDetail>
      <ProductComposition>00</ProductComposition>
      <ProductForm>EB</ProductForm>
      <ProductFormDetail>E107</ProductFormDetail>
      <PrimaryContentType>10</PrimaryContentType>
      <EpubLicense>
        <EpubLicenseName>Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0).</EpubLicenseName>
        <EpubLicenseExpression>
          <EpubLicenseExpressionType>02</EpubLicenseExpressionType>
          <EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-nc/4.0/</EpubLicenseExpressionLink>
        </EpubLicenseExpression>
      </EpubLicense>
      <TitleDetail>
        <TitleType>01</TitleType>
        <TitleElement>
          <TitleElementLevel>01</TitleElementLevel>
          <TitleText language="EN">8. An Inquiry into Musical Trance</TitleText>
        </TitleElement>
      </TitleDetail>
      <Contributor>
        <SequenceNumber>1</SequenceNumber>
        <ContributorRole>A01</ContributorRole>
        <NameIdentifier>
          <NameIDType>21</NameIDType>
          <IDValue>0000000157680818</IDValue>
        </NameIdentifier>
        <PersonName>Dilara Turan</PersonName>
        <NamesBeforeKey>Dilara</NamesBeforeKey>
        <KeyNames>Turan</KeyNames>
        <ProfessionalAffiliation>
          <ProfessionalPosition>Research Assistant in the Department of Music</ProfessionalPosition>
          <Affiliation>Istanbul Bilgi University</Affiliation>
        </ProfessionalAffiliation>
        <BiographicalNote>&lt;p&gt;Dilara Turan is a Research Assistant in the Department of Music, Istanbul Bilgi University, Turkey, where she also received her doctorate. Her current research focuses on the spirituality of music and the cultural study of avant-garde music practices.&lt;/p&gt;</BiographicalNote>
      </Contributor>
      <Language>
        <LanguageRole>01</LanguageRole>
        <LanguageCode>eng</LanguageCode>
      </Language>
      <Extent>
        <ExtentType>00</ExtentType>
        <ExtentValue>34</ExtentValue>
        <ExtentUnit>03</ExtentUnit>
      </Extent>
      <Audience>
        <AudienceCodeType>01</AudienceCodeType>
        <AudienceCodeValue>06</AudienceCodeValue>
      </Audience>
    </DescriptiveDetail>
    <CollateralDetail>
      <TextContent>
        <TextType>03</TextType>
        <ContentAudience>00</ContentAudience>
        <Text textformat="03">&lt;p&gt;&lt;p&gt;Establishing a comprehensive framework for investigating the profound connection between music and spiritual experiences, this chapter first introduces the Metaphysics of Quality by Robert Pirsig. This philosophical approach offers specific ontological positions on spirituality and empiricism, laying the groundwork for the exploration of music and trance phenomena, often considered outside of empirical studies. Drawing upon the Metaphysics of Quality, the study then adopts a multidisciplinary approach to unravel the intricate dynamics of musical trance. It addresses the prevailing dichotomy in existing literature, which often isolates either the socio-cultural significance or the psychoacoustic mechanisms of music in trance states. In order to bridge this gap, the inquiry simultaneously delves into music's role as a culture-specific sign and a sonic inducer within spiritual contexts. Through cognitive and psychological lenses, the study explores theories of altered states of consciousness (ASC), examines ethnographic examples of musical trance practices from nine distinct geographical regions, and provides comparative analysis of field recordings to gain insights into the psychoacoustic properties accompanying trance states. While direct causality between sound and trance induction remains elusive, the study identifies common sonic patterns hinting at a complementary function of music in ASC. Various units of statistical regularities in music emerge as significant elements linking sound to perceptual and socio-cultural contexts of trance rituals. Through integration within a non-dualist eco-social model of sonic signification, the chapter provides a nuanced understanding of music's multifaceted role in facilitating spiritual experiences across diverse cultural landscapes.&lt;/p&gt;&lt;/p&gt;</Text>
      </TextContent>
      <TextContent>
        <TextType>30</TextType>
        <ContentAudience>00</ContentAudience>
        <Text textformat="03">&lt;p&gt;&lt;p&gt;Establishing a comprehensive framework for investigating the profound connection between music and spiritual experiences, this chapter first introduces the Metaphysics of Quality by Robert Pirsig. This philosophical approach offers specific ontological positions on spirituality and empiricism, laying the groundwork for the exploration of music and trance phenomena, often considered outside of empirical studies. Drawing upon the Metaphysics of Quality, the study then adopts a multidisciplinary approach to unravel the intricate dynamics of musical trance. It addresses the prevailing dichotomy in existing literature, which often isolates either the socio-cultural significance or the psychoacoustic mechanisms of music in trance states. In order to bridge this gap, the inquiry simultaneously delves into music's role as a culture-specific sign and a sonic inducer within spiritual contexts. Through cognitive and psychological lenses, the study explores theories of altered states of consciousness (ASC), examines ethnographic examples of musical trance practices from nine distinct geographical regions, and provides comparative analysis of field recordings to gain insights into the psychoacoustic properties accompanying trance states. While direct causality between sound and trance induction remains elusive, the study identifies common sonic patterns hinting at a complementary function of music in ASC. Various units of statistical regularities in music emerge as significant elements linking sound to perceptual and socio-cultural contexts of trance rituals. Through integration within a non-dualist eco-social model of sonic signification, the chapter provides a nuanced understanding of music's multifaceted role in facilitating spiritual experiences across diverse cultural landscapes.&lt;/p&gt;&lt;/p&gt;</Text>
      </TextContent>
      <TextContent>
        <TextType>20</TextType>
        <ContentAudience>00</ContentAudience>
        <Text language="eng">Open Access</Text>
      </TextContent>
    </CollateralDetail>
    <PublishingDetail>
      <Imprint>
        <ImprintIdentifier>
          <ImprintIDType>01</ImprintIDType>
          <IDTypeName>URL</IDTypeName>
          <IDValue>https://www.openbookpublishers.com/</IDValue>
        </ImprintIdentifier>
        <ImprintName>Open Book Publishers</ImprintName>
      </Imprint>
      <Publisher>
        <PublishingRole>01</PublishingRole>
        <PublisherName>Open Book Publishers</PublisherName>
        <Website>
          <WebsiteRole>01</WebsiteRole>
          <WebsiteDescription>Publisher's website: home page</WebsiteDescription>
          <WebsiteLink>https://www.openbookpublishers.com/</WebsiteLink>
        </Website>
        <Website>
          <WebsiteRole>02</WebsiteRole>
          <WebsiteDescription>Publisher's website: webpage for this title</WebsiteDescription>
          <WebsiteLink>https://www.openbookpublishers.com/books/10.11647/obp.0403/chapters/10.11647/obp.0403.08</WebsiteLink>
        </Website>
      </Publisher>
      <CityOfPublication>Cambridge, UK</CityOfPublication>
      <PublishingStatus>04</PublishingStatus>
      <PublishingDate>
        <PublishingDateRole>01</PublishingDateRole>
        <Date dateformat="00">20240628</Date>
      </PublishingDate>
      <CopyrightStatement>
        <CopyrightOwner>
          <PersonName>Dilara Turan</PersonName>
        </CopyrightOwner>
      </CopyrightStatement>
      <SalesRights>
        <SalesRightsType>02</SalesRightsType>
        <Territory>
          <RegionsIncluded>WORLD</RegionsIncluded>
        </Territory>
      </SalesRights>
    </PublishingDetail>
    <RelatedMaterial>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>D. Bernez [Performer], ‘Na Go De’ [Liner notes and recordings by Scott Kiehl]. On Akom: Art of Possession, Track Number 19 [CD] (Village Pulse VPU-1009, 2000).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>1</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>2</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘An Evening with the Flute Ensemble’ [Liner notes and recordings by Artur Simon]. On Berta—Waza, Bal Naggaro, Abangaran—Die Musik Der Berta Am Blauen Nil—Music of the Berta from the Blue Nile, Track Number 15 [CD], Museum Collection Berlin (WERGO—SM 17082, 2003).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>3</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Bartha, the Winner’ [Liner notes and recordings by Artur Simon]. On Berta—Waza, Bal Naggaro, Abangaran—Die Musik Der Berta Am Blauen Nil—Music of the Berta from the Blue Nile, Track Number 14 [CD], Museum Collection Berlin (WERGO —SM 17082, 2003).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>4</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘The Bata Repertoire for Shango in Sakété: Oba Koso’ [Liner notes and recordings by Carol Hardy, compilation by Marcos Branda-Lacerda]. On The World’s Musical Traditions, Vol. 8: Yoruba Drums from Benin, West Africa, Track Number 7 [CD] (Smithsonian Folkways Recordings 40440, 1996).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>5</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Matsuhira Yuji [Screen name], ‘Bira Dance at Great Zimbabwe’, YouTube, 20 January 2013 [online video recording], https://www.youtube.com/watch?v=Pbs80p4-nGM</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>6</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘La Cérémonie Du Bobé’ [Produced by Caroline Bourgine]. On Congo: Cérémonie du Bobé, Track Number 2 [CD] (Ocora W 560010, 1991).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>7</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Le Bobé S’est Rapproché’ [Produced by Caroline Bourgine]. On Congo: Cérémonie du Bobé, Track Number 3 [CD] (Ocora W 560010, 1991).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>8</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Musique de Divination Diye’ [Liner notes and recordings by Simha Arom]. On Anthologie de la musique des Pygmées Aka = Musical anthology of the Aka Pygmies, Disc 2, Track Number 9 [CD] (Ocora C 560171/72, 2002).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>9</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Foundation for Hausa Performing Arts, ‘Dodorido Koroso Dance Drama Segment 2 Bori Adept’, 8 January 2012 [online video recording], https://www.youtube.com/watch?v=hpjrw_VRW1Y</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>10</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Music for the Buma Dance’ [Liner notes and recordings by Simha Arom &amp; Patrick Renaud]. On Cameroon: Baka Pygmy Music, Disc 1, Track Number 1, 10 [CD] (Smithsonian Folkways Recordings/UNESCO, 1977).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>11</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Le Jeune Eland (Nang Tzema Tzi)’ [Liner notes by Emmanuelle Olivier]. On Namibia: Songs of the Ju’hoansi Bushmen, Track Number 18 [CD] (Ocora C 560117, 1997). </IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>12</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Oryx (Go’e Tzi)’ (1997) [Liner notes by Emmanuelle Olivier]. On Namibia: Songs of the Ju’hoansi Bushmen, Track Number 19 [CD] (Ocora 560117, 1997).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>13</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Mtendeni Maulid Ensemble, ‘Dahala 3: Marihaba / Hua Maulana / Salat / Jalla Jalaluh / Khamsa Arkan / Man A’ala / Leo Mambo’ [Liner notes by Aïsha Schmitt]. On Zanzibara, Vol. 6—A Sufi Performance from Zanzibar, Track Number 3 [CD] (Buda Musique 860219, 2012).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>14</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Hadra Song: “Al hamdou lillahAlgeria”’ [Liner notes and recordings by Pierre Augier]. On Algeria: Sahara - Music of Gourara Disc 1, Track Number 3 [CD] (Smithsonian Folkways Recordings/UNESCO, 1975).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>15</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Jinele: chant de divination’ [Liner notes by Jean L. Jenkins, Ralph Harrisson and Ragnar Johnson]. On Ethiopie: musiques vocales et instrumentales, Disc 2, Track Number 10 [CD] (Ocora C 580055/56, 1994).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>16</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Būderbāla / Būḥāla’. On The Music Of Islām—Volume Six: Al-Maghrib, Gnāwa Music, Marrakesh, Morocco, Track Number 4 [CD] (Celestial Harmonies 13146-2, 1997).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>17</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Matsuhira Yuji [Screen name], ‘The Mbira Ceremony’, YouTube, 18 May 2012 [online video recording], https://www.youtube.com/watch?v=OXBQbn6wZeQ</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>18</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Molimo Song of Devotion to the Forest’ [Liner notes and recordings by Colin Turnbull and Francis S. Chapman]. On Mbuti Pygmies of the Ituri Rainforest, Track Number 26 [CD] (Smithsonian Folkways Recordings 40401, 1997).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>19</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Molimo Song: Darkness Is Good’ [Liner notes and recordings by Colin Turnbull and Francis S. Chapman]. On Mbuti Pygmies of the Ituri Rainforest, Track Number 25 [CD] (Smithsonian Folkways Recordings 40401, 1997).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>20</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Gnawalux Brussels [Screen name], ‘Stambali 1—Gnawa Tunisie’, YouTube, 27 August 2008 [online video recording], https://www.youtube.com/watch?v=wK-UasuUtdo</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>21</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Tazenkharet’ [Liner notes and recordings by Finola Holiday &amp; Geoffrey Holiday]. On Tuareg Music of the Southern Sahar, Disc 1, Track Number 13 [CD] (Ethnic Folkways Library FE 4470, 1960).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>22</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Timgui’ [Liner notes and recordings by Charles Duvelle]. On Bariba—Bénin, Track Number 5 [CD] (Philips Music Group France 538721-2, 1999).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>23</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Mwizenge Tembo [Screen name], ‘Vimbuza Dance Ritual Ceremony’, YouTube, 20 July 2008 [online video recording], https://www.youtube.com/watch?v=6wpsNQp1ci4</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>24</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Alto Bung’o Horn (Kenya)’ [Compiled by Stephen Innocenzi]. On Africa, Music from the Nonesuch Explorer Series, Track Number 1 [CD] (Nonesuch Records 7559-79793-2, 2002).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>25</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Ivo Biegman. [Screen name], ‘Zar ritual in Egypt’, YouTube, 19 May 2011 [online video recording], https://www.youtube.com/watch?v=YNiUc4W5Kzo&amp;list=RDYNiUc4W5Kzo#t=517</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>26</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Zar Omdurman’ [Liner notes and compilation by Peter Verney]. On Rough Guide to Sudan, Track Number 7 [CD]. (World Music Network—RGNET 1152, 2005).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>27</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Danse, Bozok Semahi’ [Liner notes by Jean During and Jerome Cler]. On Turquie: Ceremonie du Djem Alevi (Turkey: Djem Alevi Ceremony), Track Number 12 [CD] (Ocora C 560125, 1998).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>28</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>kabultransit [Screen name]. ‘Kabul Transit—Zikr’, YouTube, 7 November 2007 [online video recording], https://www.youtube.com/watch?v=_BvSLgJSBBY</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>29</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Zikr’ [Liner notes by Jean During]. On Kurdistan: Zikr et chants soufis, Disc 2, Track Number 2 [CD] (Ocora C 560071/72, 1994).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>30</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Iraqi Maqam [Screen name], ‘Dhikr Ceremony in Iraq’, YouTube, 1 January 2009 [online video recording], https://www.youtube.com/watch?v=yyrK-oAo3DM&amp;list=PL5B186F663D6F3052&amp;index=2</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>31</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Iraqi Maqam [Screen name], ‘Qadiri Dhikr—God is Eternal’, YouTube, 8 December 2008 [online video recording], https://www.youtube.com/watch?v=lV52djNFcKk&amp;index=1&amp;list=PL5B186F663D6F3052</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>32</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Zikr/ Du’a / Tekbir’ [Liner notes and recordings by Bernard Mauguin]. On Islamic Ritual from Kosovo, Track Number 2 [CD] (Smithsonian Folkways Recordings/ UNESCO-UNES08055, 1974).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>33</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Islamic Ritual Zikr’ [Liner notes by Christian Poché, recordings by Jochen Wenzel]. On Syria: Islamic Ritual Zikr in Aleppo, Track Number 2 [CD] (Smithsonian Folkways Recordings/UNESCO-UNES08013, 1975).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>34</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Zikr’ [Liner notes by David Stevens]. On Turquie: Musique Soufi, Track Number 1 [CD] (Ocora C559017, 1987).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>35</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Zikr-e Allah et percussions’ [Liner notes by Jean During]. On Kurdistan: Zikr et chants soufis, Disc 2, Track Number 1 [CD] (Ocora C 560071/72, 1994).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>36</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>H. Shakkûr &amp; Ensemble Al-Kindî [Performer], ‘Meditation’ [Liner notes by Peter Pannke]. On Sufi Soul (Echos Du Paradis), Disc 1, Track Number 2 [CD]. (Network Medien—26.982, 1997).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>37</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Muhammad Al Ashiq [Performer], ‘Qasida: Saluha Limadha’ [Liner notes by Andre Jouve and Christian Poche]. On Archives De La Musique Arabe Vol. 1, Track Number 2 [CD] (Ocora C 558678, 1987).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>38</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Mobarak &amp; Molabakhsh Nuri [Performer], ‘Qalandari Tune’. On Troubadours of Allah: Sufi Music from the Indus Valley, Disc 1, Track Number 2 [CD] (Wergo SM 16172, 1999).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>39</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Yâr Mohammad [Performer], ‘Qalandari Tune (Khorasani)’ [Liner notes by Peter Pannke]. On Sufi Soul (Echos Du Paradis), Disc 2, Track Number 10 [CD] (Network Medien—26.982, 1997).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>40</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Tamburah (Voice of the Lyre)’ [Liner notes and recordings by Dieter Christensen]. On Oman: Traditional Arts of the Sultanate of Oman, Track Number 7 [CD] (Smithsonian Folkways Recordings/UNESCO-UNES08211, 1993).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>41</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>O. Y. Traibi [Performer], ‘Zar’ [Liner notes by Christian Poché, recordings by Jochen Wenzel]. On Yemen: Traditional Music of the North, Track Number 3 [CD] (Smithsonian Folkways Recordings/UNESCO-UNES08004, 1978).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>42</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Ozman Khaled [Screen name], ‘ZAAR Ceremony at Qeshm’, YouTube, 18 April 2016 [online video recording], https://www.youtube.com/watch?v=gifUSI1RFCQ</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>43</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Zikr’ [Liner notes and production by Jean During and Ted Levin]. On The Silk Road: A Musical Caravan, Disc 2, Track Number 19 [CD]. (Smithsonian Folkways Recordings SFW40438, 2002).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>44</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Aznash Ensemble [Performer]. Konya Mystic Music Festival [Screen name], ‘Aznash Ensemble’, YouTube, 5 August 2013 [online video recording], https://www.youtube.com/watch?v=TiPqB4GNzT0&amp;list=RDtx6dwa4u8Lg&amp;index=11</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>45</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Swiatoslaw Wojtkowiak [Screen name], ‘Chechen Female Zikr: Opening’, YouTube, 16 December 2010 [online video recording], https://www.youtube.com/watch?v=tx6dwa4u8Lg</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>46</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>S. Aqmoldaev [Performer], ‘Kertolghau’ [Liner notes and production by Jean During and Ted Levin]. On The Silk Road: A Musical Caravan, Disc 2, Track Number 16 [CD] (Smithsonian Folkways Recordings SFW40438, 2002).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>47</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>T. S. Qalebov and S. Tawarov [Performer], ‘Madh’ [Liner notes and production by Jean During and Ted Levin]. On The Silk Road: A Musical Caravan, Disc 2, Track Number 18 [CD] (Smithsonian Folkways Recordings SFW40438, 2002).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>48</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Supergnak [Screen name], ‘Le tour du monde en musique: Kazakhstan—Le kobyz du chaman’, YouTube, 14 January 2010 [online video recording], https://www.youtube.com/watch?v=5M6DA5w6aCc</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>49</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Shod-i Uforash and Ufor-i Tezash: Dilbaram Shumo’ [Liner notes and recordings by Ted Levin]. On Bukhara: Musical Crossroads of Asia, Track Number 1 [CD] (Smithsonian Folkways Recordings SFW40050, 1991).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>50</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Cérémonie De Propitiation De Nag-Zhig’ [Liner notes and recording by Ricardo Canzio]. On Tibet: Traditions Rituelles Des Bonpos, Track Number 2 [CD] (Ocora C 580016, 1993).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>51</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Shamanic Bear Session’ [Liner notes and recording by Henry Lecomte]. On Siberia, Vol. 1—Shamanic &amp; Narrative Songs of Siberian Arctic, Track Number 12 [CD] (Buda Musique—925642, 1995).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>52</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>O. A. Njavan [Performer], ‘Song, Kkas Drum and Jampa Jingle Belt, Imitation of Kamlanie’ [Liner notes and recording by Henry Lecomte]. On Siberia, Vol. 6: Sakhalin—Vocal &amp; Instrumental Music, Nivkh Ujl’ta, Track Number 8 [CD] (Buda Musique—927212, 1998).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>53</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Chant Chamanique’ [Liner notes and recording by Henry Lecomte]. On Siberia, Vol. 5—Shamanic &amp; Daily Songs from the Amur Basin, Track Number 8 [CD] (Buda Musique—926712, 1997).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>54</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Chant Chamanique’ [Liner notes and recording by Henry Lecomte]. On Siberia, Vol. 5—Shamanic &amp; Daily Songs from the Amur Basin, Track Number 27 [CD] (Buda Musique—926712, 1997).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>55</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Pei-tou Liturgy (Great Bear Liturgy)’ [Produced by John Levy]. On Chinese Buddhist Music, Track Number 6 [CD] (Lyrichord—LLST 7222, 2004).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>56</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Dai Hannya Tendoku E’ [Liner notes by Toshiro Kido and Pierre Landy]. On Japan: Shomyo Buddhist Ritual—Dai Hannya Ceremony, Track Number 1, 17:00–31:42 [CD] (Smithsonian Folkways Recordings/UNESCO-UNES08036, 1975).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>57</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Sinawi’ [Liner notes and recording by Kwon Oh Sung]. On Korea: Folkloric Instrumental Traditions, Vol. 1: Sinawi and Sanjo, Track Number 1 [CD] (JVC Ethnic Sound Series #25, JVC VID- 25020, 1988).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>58</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>O-Suwa-Daiko [Performer]. ‘Ama-No-Naru Tatsu-O Dai-Kagura’ [Liner notes by Iyori Takei]. On Japan: O-Suwa-Daiko Drums, Track Number 3 [CD] (Smithsonian Folkways Recordings/UNESCO-UNES08030, 1978).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>59</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Rimse’ [Liner notes and recording by Jean-Jacques Nattiez and Kazuyuki Tanimoto]. On Japan: Ainu Songs, Track Number 4 [CD] (Smithsonian Folkways Recordings/UNESCO-UNES08047, 1980).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>60</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>M. K. Seo [Author and Recorder], ‘Tangak’. In the CD of the book Hanyang Kut: Korean Shaman Ritual Music from Seoul (Current Research in Ethnomusicology: Outstanding Dissertations), Track, Number 20, pp. 165, 171, and 194 (New York &amp; London: Routledge, 2002).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>61</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>B. Salchak [Performer], ‘Kham [Shaman Ritual]’ [Liner notes and recording by Dina Oiun]. On Voices from the Distant Steppe, Track Number 16 [CD] (Real World Records—CDRW41, 1994).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>62</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>K. Yokoyama [Performer], ‘Ko-ku (Vacuity)’ [Liner notes by Akira Tamba]. On Japon, Kinshi Turata—Katsuya Yokoyama, Track Number 2 [CD] (Ocora C 558518 1994).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>63</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>V. G. Anastasija [Performer], ‘Vocals and Jajar Frame Drum: A Song for the Khololo Celebration’ [Liner notes and recording by Henry Lecomte]. On Siberia, Vol. 4 Kamtchatka: Dance Drums from Siberian Far East, Track Number 15 [CD] (Buda Musique—925982, 1994).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>64</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Tus’ [Liner notes and recording by Jean-Jacques Nattiez and Kazuyuki Tanimoto]. On Japan: Ainu Songs, Track Number 10 [CD] (Smithsonian Folkways Recordings/UNESCO-UNES08047, 1980).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>65</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Upopo’ [Liner notes and recording by Jean-Jacques Nattiez and Kazuyuki Tanimoto]. On Japan: Ainu Songs, Track Number 2 [CD] (Smithsonian Folkways Recordings/UNESCO-UNES08047, 1980).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>66</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Smaon’ [Liner notes by John Schaefer and recording by David Parsons]. On The Music of Cambodia (Royal Court Music), Track Number 19 [CD] (Celestial Harmonies 13075-2, 1993).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>67</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Beliatn Sentiyu Suite’ (excerpt) [Liner notes and recording by Philip Yampolsky]. On Music of Indonesia, Vol. 17: Kalimantan: Dayak Ritual and Festival Music, Track Number 14 [CD] (Smithsonian Folkways Recordings SFW40444, 1998).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>68</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>P. Pargi Mina [Performer] (1984), ‘Devi Ambav ro dhak’ [Recording by David Roche]. On The Garland Encyclopedia of World Music, Vol. 5: South Asia: The Indian Subcontinent Audio, Track Number 13 [CD] (Garland Publishing, 2000).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>69</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Buddhist Ritual Music and Chant in Honor of A-phyi’ (1976). [Recording by Mireille Helffer]. On The Garland Encyclopedia of World Music, Vol. 5: South Asia: The Indian Subcontinent Audio, Track Number 24 [CD] (Garland Publishing, 2000).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>70</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Ritual Chanting (Ngāyung) of Mediums (to Rid the Settlement of Malign Forest Spirits) [Produced by Harold C. Conklin]. On Hanunóo Music from the Philippines, Side 1, Band 11 [LP] (Ethnic Folkways Library ‎FE 4466, 1956).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>71</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Châu Văn’ [Liner notes by Trần Văn Khê]. On Viêtnam Musique de Huê: Chants de Huê et Musique de Cour, Track Number 18 [CD] (Inedit—W 260073, 2005).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>72</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Dabuih’ [Produced by Margaret J. Kartomi]. On The Music of Islam, Vol. 15: Muslim Music Of Indonesia, Aceh And West Sumatra, Disc 1, Track Number 16 [CD] (Celestial Harmonies 14232, 1998).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>73</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Dzikir Samman: Allahu Allah’ [Produced by Philip Yampolsky]. On Music of Indonesia, Vol. 19: Music of Maluku: Halmahera, Buru, Kei, Track Number 17 [CD] (Smithsonian Folkways Recordings SFW40446, 1999).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>74</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Gamelan Salunding, Tenganan—Gending Sekar Gadung’ [Liner notes and recording by David Lewiston]. On Bali: Gamelan &amp; Kecak, Track Number 5 [CD] (Elektra Nonesuch—9 79204-2, 1989).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>75</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Musique des anciennes cérémonies religieuses avec une guru sibaso: Begu deleng/ Odak-odak/ Pertang-tang sabe/ Peseluken’ [Liner notes by Artur Simon]. On Sumatra: Musiques Des Batak Karo, Toba, Simalungun, Track Number 2 [CD] (Inedit—W 260061, 1995).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>76</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Gondang “Pangelek-elek Ni Jujungan Ro”’ [Liner notes by Artur Simon]. On Sumatra: Musiques Des Batak Karo, Toba, Simalungun, Track Number 5 [CD] (Inedit—W 260061, 1995).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>77</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Kecak From Blakiuh Near Mengwi’ [Liner notes by Wolfgang Hamm and Rika Reissler]. On Bali: A Suite of Tropical Music and Sound, Track Number 9 [CD] (World Network 35, 1995). </IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>78</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Sekaha Ganda Sari, Bona—Kecak’ [Liner notes and recording by David Lewiston]. On Bali: Gamelan &amp; Kecak, Track Number 8 [CD] (Elektra Nonesuch—9 79204-2, 1989). </IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>79</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Kuda Kepang’. On The Ethnic Sampler 4, Track Number 25 [CD] (APM Music, Sonoton—SAS 107, 1995).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>80</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Phléng khlom’ [Liner notes and recording by Jacques Brunet]. On Cambodia: Folk and Ceremonial Music, Track Number 12 [CD] (Smithsonian Folkways Recordings/ UNESCO-UNES08068, 1996).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>81</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Pheng Phi Fa’ [Liner notes and recording by Jacques Brunet]. On Laos—Traditional Music Of The South, Track Number 1 [CD] (UNESCO—D 8042, 1992). </IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>82</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Nanduni Pattu—Song to Bhadrakali’ [Liner notes and recordings by Rolf Killius]. On Ritual Music of Kerala, Track Number 5 [CD] (Archives and Research Centre for Ethnomusicology—ARCE00028, 2008).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>83</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Burmese “Pwe”’ [Liner notes and recording by the collection of La Meri]. On Exotic Dances, Track Number 4 [LP] (Folkways Records FP 52, 1950).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>84</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘A Healing Ceremony at Kg’ [Liner notes and compilation by Marina Roseman]. On Dream Songs and Healing Sounds in the Rainforests of Malaysia, Track Number 10 [CD] (Smithsonian Folkways Recordings SFW40417, 1995).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>85</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Piphat Mon: Spirit Dance’ [Liner notes by Andrew Shahriari]. On Silk, Spirits and Song—Music from North Thailand, Track Number 12 [CD] (Lyrichord—LYRCD 7451, 2006).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>86</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Perdjuritan (Soldiers Dance)’ [Edited by Henry Cowell]. On Music of Indonesia, Track Number 7 [CD] (Folkways Records FE 4537, 1961). </IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>87</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Invocation to the Goddess Yeshiki Mamo (Tantric Puja) Part II’ [Recording by Manfred Junius and P. C. Misra]. On The Lamas of The Nyingmapa Monastery of Dehra Dun—Tibetan Ritual, Track Number 2 [CD]. (UNESCO Collection of Traditional Music of the World Series, Auvidis ‎– D 8034, 1991).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>88</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Salai Jin, Pt. 2’ [Produced by Margaret J. Kartomi]. On Music of Indonesia: Maluku &amp; North Maluku, Disc 1, Track Number 5 [CD] (Celestial Harmonies 14232, 2003).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>89</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Bandina Devi ninna charana’ [Liner notes and recordings by Luisse Gunnel]. On Inde: Rythmes et Chants du Nord—Karnataka, Rythmes—Comptines, Chants dévotionnels, Track Number 43 [CD] (Buda Musique—1978542, 2001).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>90</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Tovil (Drum Dance)’. On Sri Lanka, Nepal &amp; Bhutan: Ritual, Festival, Masked Dance and Drum Traditions, Track Number 1 [CD] (Music of the Earth, 2015).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>91</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Kohomba Kankariya (Dance Ritual)’. On Sri Lanka, Nepal &amp; Bhutan: Ritual, Festival, Masked Dance and Drum Traditions, Track Number 2 [CD] (Music of the Earth, 2015).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>92</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Baha Festival Dance’ [Liner notes and recordings by Deben Bhattacharya (1973)]. On Music of the Santal Tribe, Track Number 11 [CD] (ARC Music Productions EUCD2510, 2014).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>93</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Uunu’ [Liner notes and recording by Hugo Zemp]. On Solomon Islands: Fataleka and Baegu Music from Malaita, Track Number 1 [CD] (Smithsonian Folkways Recordings/UNESCO-UNES08027, 1973).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>94</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Kabu Kei Conua Group [Performer], ‘Yavulo, Yavulo, Vuni Maqo E Buto’ [Liner notes by Ad Linkels]. On Viti Levu: The Multicultural Heart of Fiji, Track Number 14 [CD] (Pan 2096, 2000).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>95</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Seance Gisalo Song by Aiba with Weeping’ [Liner notes and recording by Steven Feld]. On Bosavi: Rainforest Music from Papua New Guinea, Disc Number 3, Track Number 4 [CD] (Smithsonian Folkways Recordings SFW40487, 2001). </IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>96</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Songs of the Spirits (Newet)—Lo, Torres’ [Liner notes by Alexandre François and Monika Stern]. On Music of Vanuatu: Celebrations and Mysteries, Track Number 39 [CD] (Inedit—W 260147, 2013).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>97</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Alujà de Xangô Aira’ (2005). On Brésil: Les Eaux D’Oxala—Afro-Brazilian Ritual: Candomblé, Track Number 8 [CD] (Buda Musique 92576-2, 1973).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>98</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Shipibo Song’ [Produced by Alan Jabbour and Mickey Hart]. On The Spirit Cries: Music of the Rain Forests of South America &amp; The Caribbean, Track Number 12 [CD] (Rykodisc—RCD 10250, 1993).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>99</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Selk’ham-Tierra del Fuego-Arrow Ordeal Chant’ [Produced by Alan Lazar]. On Anthology of Central and South American Indian Music, Disc 2, Track Number 14 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04542/FE 4542, 1975).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>100</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Kumanti’ [Produced by Alan Jabbour and Mickey Hart]. On The Spirit Cries: Music of the Rain Forests of South America &amp; The Caribbean, Track Number 20 [CD] (Rykodisc—RCD 10250, 1993).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>101</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Warao Male Hoarotu Shaman’s Curing Song’ [Recorded by Dale A. Olsen]. On The Garland Encyclopedia of World Music, Vol. 2: South America, Mexico, Central America, and the Caribbean Audio CD, Track Number 3 [CD] (Garland Publishing, 1998).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>102</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Curing Ritual’ [Produced by Alan Lazar]. On Anthology of Central and South American Indian Music, Disc 1, Track Number 19 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04542/FE 4542, 1975).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>103</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Warao Male Wisiratu Shaman’s Curing Song’ [Recorded by Dale A. Olsen]. On The Garland Encyclopedia of World Music, Vol. 2: South America, Mexico, Central America, and the Caribbean Audio CD, Track Number 3 [CD] (Garland Publishing, 1998).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>104</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Yanomamö Male Shaman’s Curing Song’ [Recorded by Pitts Collection]. On The Garland Encyclopedia of World Music, Vol. 2: South America, Mexico, Central America, and the Caribbean Audio CD, Track Number 1 [CD] (Garland Publishing, 1998).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>105</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Yekuana Male Shaman’s Curing Song’ [Recorded by Walter Coppens]. On The Garland Encyclopedia of World Music, Vol. 2: South America, Mexico, Central America, and the Caribbean Audio CD, Track Number 2 [CD] (Garland Publishing, 1998).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>106</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Healing Song’ [Produced by Alan Jabbour and Mickey Hart]. On The Spirit Cries: Music of the Rain Forests of South America &amp; the Caribbean, Track Number 11 [CD] (Rykodisc—RCD 10250, 1993).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>107</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Shango Cult: Annual Ceremony in a Rural Area’ [Liner notes and recordings by George Eaton Simpson]. On Cult Music of Trinidad, Track Number 7 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04478/FE 4478, 1961).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>108</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Shamanistic Ritual: The Dance’ [Liner notes and recordings by Peter Kloos]. On The Maroni River Caribs of Surinam, Track Number 11 [CD] (Pan PANKCD4005, 1997).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>109</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Winti Medley’ [Liner notes and recordings by Clifford Entes]. On Creole Music of Surinam, Track Number 8, 33:25’ [CD] (Smithsonian Folkways Recordings/Folkways Records FW04233/FE 4233, 1978).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>110</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Abelagudahani’ [Produced by Alan Jabbour and Mickey Hart]. On The Spirit Cries: Music of the Rain Forests of South America &amp; the Caribbean, Track Number 1 [CD] (Rykodisc—RCD 10250, 1993).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>111</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Gropo Laka [Performer], ‘Danca de tambor pulaya / Pulaya Drum Dance’ [Liner notes and production by Sten Sandahl]. On Music from Honduras, Disc 1, Track Number 3 [CD] (Caprice Records CAP 21632, 2000).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>112</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Salve’ [Recorded and produced by Isidro Bobadilla and Morton Marks]. On Afro-Dominican Music from San Cristobal, Dominican Republic, Track Number 3 [CD] (Smithsonian Folkways Recording/Folkways Records FW04285/FE 4285, 1983).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>113</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Kumina “Bailo”’ [Recorded and produced by Edward P.G. Seaga]. On Folk Music of Jamaica, Track Number 4 [CD] (Folkways Records FW04453/FE 4453, 1956).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>114</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Jo Leh [Recorded and produced by Kenneth M. Bilby]. On Drums of Defiance: Maroon Music from the Earliest Free Black Communities of Jamaica, Track Number 14 [CD] (Smithsonian Folkways Recordings SFW40412, 1992).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>115</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Vodoun Dance (Three Vodoun Drums)’ [Liner notes and recordings by Harold Courlander]. On Music of Haiti: Vol. 2, Drums of Haiti, Track Number 1 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04403/FE 4403, 1950).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>116</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Petro Dance (Two Drums)’. On Music of Haiti: Vol. 2, Drums of Haiti, Track Number 5 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04403/FE 4403, 1950).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>117</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Bear Dance’ [Produced by Gertrude Prokosch Kurath]. On Songs and Dances of the Great Lakes Indians, Disc 1, Track Number 7 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04003/FE 4003, 1956).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>118</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Peyote Song: First Song Cycle’ [Produced by Michael Asch]. On Anthology of North American Indian and Eskimo Music, Disc 1, Track Number 13 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04541/FE 4541, 1973).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>119</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Peyote Song’ [Produced by John Bierhorst]. On Cry from the Earth: Music of the North American Indians, Disc 1, Track Number 31 [CD] (Smithsonian Folkways Recordings/Folkways Records FW37777/FA 37777, 1979).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>120</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Crown Dance’ [Produced by Charlotte Heth and Terence Winch]. On Creation’s Journey: Native American Music, Track Number 4 [CD] (Smithsonian Folkways Recordings SFW40410, 1994).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>121</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Drum Dance’ [Produced by John Bierhorst]. On Cry from the Earth: Music of the North American Indians, Disc 1, Track Number 12 [CD] (Smithsonian Folkways Recordings/Folkways Records FW37777/FA 37777, 1979).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>122</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Peter Webster [Performer], ‘Medicine Man Song’ [Liner notes and production by Ida Halpern]. On Nootka Indian Music of the Pacific North West Coast, Disc 1, Track Number 4 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04524/FE 4524, 1974).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>123</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Huichol—Peyote Dance’ [Produced by Henrietta Yurchenco]. On Indian Music of Mexico, Track Number 9 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04413/FE 4413, 1952).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>124</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Yaqui—Deer Dance’ [Produced by Henrietta Yurchenco]. On Indian Music of Mexico, Track Number 8 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04413/FE 4413, 1952).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>125</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Wolf Dance’ [Liner notes and production by Ida Halpern]. On Nootka Indian Music of the Pacific North West Coast, Disc 2, Track Number 2 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04524/FE 4524, 1974).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
    </RelatedMaterial>
    <ProductSupply>
      <Market>
        <Territory>
          <RegionsIncluded>WORLD</RegionsIncluded>
        </Territory>
      </Market>
      <SupplyDetail>
        <Supplier>
          <SupplierRole>11</SupplierRole>
          <SupplierName>Unknown</SupplierName>
          <Website>
            <WebsiteRole>36</WebsiteRole>
            <WebsiteDescription>Unspecified hosting platform: webpage for this product</WebsiteDescription>
            <WebsiteLink>https://www.openbookpublishers.com/books/10.11647/obp.0403/chapters/10.11647/obp.0403.08</WebsiteLink>
          </Website>
          <Website>
            <WebsiteRole>29</WebsiteRole>
            <WebsiteDescription>Unspecified hosting platform: download the title</WebsiteDescription>
            <WebsiteLink>https://books.openbookpublishers.com/10.11647/obp.0403.08.pdf</WebsiteLink>
          </Website>
        </Supplier>
        <ProductAvailability>20</ProductAvailability>
        <SupplyDate>
          <SupplyDateRole>08</SupplyDateRole>
          <Date dateformat="00">20240628</Date>
        </SupplyDate>
        <UnpricedItemType>01</UnpricedItemType>
      </SupplyDetail>
    </ProductSupply>
  </Product>
  <Product>
    <RecordReference>urn:uuid:e69f2f12-cff6-40ea-b6fc-8f92c9fbc392</RecordReference>
    <NotificationType>03</NotificationType>
    <RecordSourceType>01</RecordSourceType>
    <ProductIdentifier>
      <ProductIDType>01</ProductIDType>
      <IDTypeName>thoth-work-id</IDTypeName>
      <IDValue>urn:uuid:7fc74c5c-b2f6-4801-9a7b-e9268e368328</IDValue>
    </ProductIdentifier>
    <ProductIdentifier>
      <ProductIDType>01</ProductIDType>
      <IDTypeName>thoth-publication-id</IDTypeName>
      <IDValue>urn:uuid:e69f2f12-cff6-40ea-b6fc-8f92c9fbc392</IDValue>
    </ProductIdentifier>
    <ProductIdentifier>
      <ProductIDType>06</ProductIDType>
      <IDValue>10.11647/obp.0403.08</IDValue>
    </ProductIdentifier>
    <DescriptiveDetail>
      <ProductComposition>00</ProductComposition>
      <ProductForm>EB</ProductForm>
      <ProductFormDetail>E105</ProductFormDetail>
      <PrimaryContentType>10</PrimaryContentType>
      <EpubLicense>
        <EpubLicenseName>Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0).</EpubLicenseName>
        <EpubLicenseExpression>
          <EpubLicenseExpressionType>02</EpubLicenseExpressionType>
          <EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-nc/4.0/</EpubLicenseExpressionLink>
        </EpubLicenseExpression>
      </EpubLicense>
      <TitleDetail>
        <TitleType>01</TitleType>
        <TitleElement>
          <TitleElementLevel>01</TitleElementLevel>
          <TitleText language="EN">8. An Inquiry into Musical Trance</TitleText>
        </TitleElement>
      </TitleDetail>
      <Contributor>
        <SequenceNumber>1</SequenceNumber>
        <ContributorRole>A01</ContributorRole>
        <NameIdentifier>
          <NameIDType>21</NameIDType>
          <IDValue>0000000157680818</IDValue>
        </NameIdentifier>
        <PersonName>Dilara Turan</PersonName>
        <NamesBeforeKey>Dilara</NamesBeforeKey>
        <KeyNames>Turan</KeyNames>
        <ProfessionalAffiliation>
          <ProfessionalPosition>Research Assistant in the Department of Music</ProfessionalPosition>
          <Affiliation>Istanbul Bilgi University</Affiliation>
        </ProfessionalAffiliation>
        <BiographicalNote>&lt;p&gt;Dilara Turan is a Research Assistant in the Department of Music, Istanbul Bilgi University, Turkey, where she also received her doctorate. Her current research focuses on the spirituality of music and the cultural study of avant-garde music practices.&lt;/p&gt;</BiographicalNote>
      </Contributor>
      <Language>
        <LanguageRole>01</LanguageRole>
        <LanguageCode>eng</LanguageCode>
      </Language>
      <Extent>
        <ExtentType>00</ExtentType>
        <ExtentValue>34</ExtentValue>
        <ExtentUnit>03</ExtentUnit>
      </Extent>
      <Audience>
        <AudienceCodeType>01</AudienceCodeType>
        <AudienceCodeValue>06</AudienceCodeValue>
      </Audience>
    </DescriptiveDetail>
    <CollateralDetail>
      <TextContent>
        <TextType>03</TextType>
        <ContentAudience>00</ContentAudience>
        <Text textformat="03">&lt;p&gt;&lt;p&gt;Establishing a comprehensive framework for investigating the profound connection between music and spiritual experiences, this chapter first introduces the Metaphysics of Quality by Robert Pirsig. This philosophical approach offers specific ontological positions on spirituality and empiricism, laying the groundwork for the exploration of music and trance phenomena, often considered outside of empirical studies. Drawing upon the Metaphysics of Quality, the study then adopts a multidisciplinary approach to unravel the intricate dynamics of musical trance. It addresses the prevailing dichotomy in existing literature, which often isolates either the socio-cultural significance or the psychoacoustic mechanisms of music in trance states. In order to bridge this gap, the inquiry simultaneously delves into music's role as a culture-specific sign and a sonic inducer within spiritual contexts. Through cognitive and psychological lenses, the study explores theories of altered states of consciousness (ASC), examines ethnographic examples of musical trance practices from nine distinct geographical regions, and provides comparative analysis of field recordings to gain insights into the psychoacoustic properties accompanying trance states. While direct causality between sound and trance induction remains elusive, the study identifies common sonic patterns hinting at a complementary function of music in ASC. Various units of statistical regularities in music emerge as significant elements linking sound to perceptual and socio-cultural contexts of trance rituals. Through integration within a non-dualist eco-social model of sonic signification, the chapter provides a nuanced understanding of music's multifaceted role in facilitating spiritual experiences across diverse cultural landscapes.&lt;/p&gt;&lt;/p&gt;</Text>
      </TextContent>
      <TextContent>
        <TextType>30</TextType>
        <ContentAudience>00</ContentAudience>
        <Text textformat="03">&lt;p&gt;&lt;p&gt;Establishing a comprehensive framework for investigating the profound connection between music and spiritual experiences, this chapter first introduces the Metaphysics of Quality by Robert Pirsig. This philosophical approach offers specific ontological positions on spirituality and empiricism, laying the groundwork for the exploration of music and trance phenomena, often considered outside of empirical studies. Drawing upon the Metaphysics of Quality, the study then adopts a multidisciplinary approach to unravel the intricate dynamics of musical trance. It addresses the prevailing dichotomy in existing literature, which often isolates either the socio-cultural significance or the psychoacoustic mechanisms of music in trance states. In order to bridge this gap, the inquiry simultaneously delves into music's role as a culture-specific sign and a sonic inducer within spiritual contexts. Through cognitive and psychological lenses, the study explores theories of altered states of consciousness (ASC), examines ethnographic examples of musical trance practices from nine distinct geographical regions, and provides comparative analysis of field recordings to gain insights into the psychoacoustic properties accompanying trance states. While direct causality between sound and trance induction remains elusive, the study identifies common sonic patterns hinting at a complementary function of music in ASC. Various units of statistical regularities in music emerge as significant elements linking sound to perceptual and socio-cultural contexts of trance rituals. Through integration within a non-dualist eco-social model of sonic signification, the chapter provides a nuanced understanding of music's multifaceted role in facilitating spiritual experiences across diverse cultural landscapes.&lt;/p&gt;&lt;/p&gt;</Text>
      </TextContent>
      <TextContent>
        <TextType>20</TextType>
        <ContentAudience>00</ContentAudience>
        <Text language="eng">Open Access</Text>
      </TextContent>
    </CollateralDetail>
    <PublishingDetail>
      <Imprint>
        <ImprintIdentifier>
          <ImprintIDType>01</ImprintIDType>
          <IDTypeName>URL</IDTypeName>
          <IDValue>https://www.openbookpublishers.com/</IDValue>
        </ImprintIdentifier>
        <ImprintName>Open Book Publishers</ImprintName>
      </Imprint>
      <Publisher>
        <PublishingRole>01</PublishingRole>
        <PublisherName>Open Book Publishers</PublisherName>
        <Website>
          <WebsiteRole>01</WebsiteRole>
          <WebsiteDescription>Publisher's website: home page</WebsiteDescription>
          <WebsiteLink>https://www.openbookpublishers.com/</WebsiteLink>
        </Website>
        <Website>
          <WebsiteRole>02</WebsiteRole>
          <WebsiteDescription>Publisher's website: webpage for this title</WebsiteDescription>
          <WebsiteLink>https://www.openbookpublishers.com/books/10.11647/obp.0403/chapters/10.11647/obp.0403.08</WebsiteLink>
        </Website>
      </Publisher>
      <CityOfPublication>Cambridge, UK</CityOfPublication>
      <PublishingStatus>04</PublishingStatus>
      <PublishingDate>
        <PublishingDateRole>01</PublishingDateRole>
        <Date dateformat="00">20240628</Date>
      </PublishingDate>
      <CopyrightStatement>
        <CopyrightOwner>
          <PersonName>Dilara Turan</PersonName>
        </CopyrightOwner>
      </CopyrightStatement>
      <SalesRights>
        <SalesRightsType>02</SalesRightsType>
        <Territory>
          <RegionsIncluded>WORLD</RegionsIncluded>
        </Territory>
      </SalesRights>
    </PublishingDetail>
    <RelatedMaterial>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>D. Bernez [Performer], ‘Na Go De’ [Liner notes and recordings by Scott Kiehl]. On Akom: Art of Possession, Track Number 19 [CD] (Village Pulse VPU-1009, 2000).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>1</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>2</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘An Evening with the Flute Ensemble’ [Liner notes and recordings by Artur Simon]. On Berta—Waza, Bal Naggaro, Abangaran—Die Musik Der Berta Am Blauen Nil—Music of the Berta from the Blue Nile, Track Number 15 [CD], Museum Collection Berlin (WERGO—SM 17082, 2003).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>3</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Bartha, the Winner’ [Liner notes and recordings by Artur Simon]. On Berta—Waza, Bal Naggaro, Abangaran—Die Musik Der Berta Am Blauen Nil—Music of the Berta from the Blue Nile, Track Number 14 [CD], Museum Collection Berlin (WERGO —SM 17082, 2003).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>4</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘The Bata Repertoire for Shango in Sakété: Oba Koso’ [Liner notes and recordings by Carol Hardy, compilation by Marcos Branda-Lacerda]. On The World’s Musical Traditions, Vol. 8: Yoruba Drums from Benin, West Africa, Track Number 7 [CD] (Smithsonian Folkways Recordings 40440, 1996).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>5</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Matsuhira Yuji [Screen name], ‘Bira Dance at Great Zimbabwe’, YouTube, 20 January 2013 [online video recording], https://www.youtube.com/watch?v=Pbs80p4-nGM</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>6</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘La Cérémonie Du Bobé’ [Produced by Caroline Bourgine]. On Congo: Cérémonie du Bobé, Track Number 2 [CD] (Ocora W 560010, 1991).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>7</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Le Bobé S’est Rapproché’ [Produced by Caroline Bourgine]. On Congo: Cérémonie du Bobé, Track Number 3 [CD] (Ocora W 560010, 1991).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>8</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Musique de Divination Diye’ [Liner notes and recordings by Simha Arom]. On Anthologie de la musique des Pygmées Aka = Musical anthology of the Aka Pygmies, Disc 2, Track Number 9 [CD] (Ocora C 560171/72, 2002).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>9</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Foundation for Hausa Performing Arts, ‘Dodorido Koroso Dance Drama Segment 2 Bori Adept’, 8 January 2012 [online video recording], https://www.youtube.com/watch?v=hpjrw_VRW1Y</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>10</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Music for the Buma Dance’ [Liner notes and recordings by Simha Arom &amp; Patrick Renaud]. On Cameroon: Baka Pygmy Music, Disc 1, Track Number 1, 10 [CD] (Smithsonian Folkways Recordings/UNESCO, 1977).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>11</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Le Jeune Eland (Nang Tzema Tzi)’ [Liner notes by Emmanuelle Olivier]. On Namibia: Songs of the Ju’hoansi Bushmen, Track Number 18 [CD] (Ocora C 560117, 1997). </IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>12</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Oryx (Go’e Tzi)’ (1997) [Liner notes by Emmanuelle Olivier]. On Namibia: Songs of the Ju’hoansi Bushmen, Track Number 19 [CD] (Ocora 560117, 1997).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>13</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Mtendeni Maulid Ensemble, ‘Dahala 3: Marihaba / Hua Maulana / Salat / Jalla Jalaluh / Khamsa Arkan / Man A’ala / Leo Mambo’ [Liner notes by Aïsha Schmitt]. On Zanzibara, Vol. 6—A Sufi Performance from Zanzibar, Track Number 3 [CD] (Buda Musique 860219, 2012).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>14</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Hadra Song: “Al hamdou lillahAlgeria”’ [Liner notes and recordings by Pierre Augier]. On Algeria: Sahara - Music of Gourara Disc 1, Track Number 3 [CD] (Smithsonian Folkways Recordings/UNESCO, 1975).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>15</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Jinele: chant de divination’ [Liner notes by Jean L. Jenkins, Ralph Harrisson and Ragnar Johnson]. On Ethiopie: musiques vocales et instrumentales, Disc 2, Track Number 10 [CD] (Ocora C 580055/56, 1994).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>16</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Būderbāla / Būḥāla’. On The Music Of Islām—Volume Six: Al-Maghrib, Gnāwa Music, Marrakesh, Morocco, Track Number 4 [CD] (Celestial Harmonies 13146-2, 1997).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>17</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Matsuhira Yuji [Screen name], ‘The Mbira Ceremony’, YouTube, 18 May 2012 [online video recording], https://www.youtube.com/watch?v=OXBQbn6wZeQ</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>18</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Molimo Song of Devotion to the Forest’ [Liner notes and recordings by Colin Turnbull and Francis S. Chapman]. On Mbuti Pygmies of the Ituri Rainforest, Track Number 26 [CD] (Smithsonian Folkways Recordings 40401, 1997).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>19</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Molimo Song: Darkness Is Good’ [Liner notes and recordings by Colin Turnbull and Francis S. Chapman]. On Mbuti Pygmies of the Ituri Rainforest, Track Number 25 [CD] (Smithsonian Folkways Recordings 40401, 1997).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>20</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Gnawalux Brussels [Screen name], ‘Stambali 1—Gnawa Tunisie’, YouTube, 27 August 2008 [online video recording], https://www.youtube.com/watch?v=wK-UasuUtdo</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>21</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Tazenkharet’ [Liner notes and recordings by Finola Holiday &amp; Geoffrey Holiday]. On Tuareg Music of the Southern Sahar, Disc 1, Track Number 13 [CD] (Ethnic Folkways Library FE 4470, 1960).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>22</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Timgui’ [Liner notes and recordings by Charles Duvelle]. On Bariba—Bénin, Track Number 5 [CD] (Philips Music Group France 538721-2, 1999).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>23</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Mwizenge Tembo [Screen name], ‘Vimbuza Dance Ritual Ceremony’, YouTube, 20 July 2008 [online video recording], https://www.youtube.com/watch?v=6wpsNQp1ci4</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>24</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Alto Bung’o Horn (Kenya)’ [Compiled by Stephen Innocenzi]. On Africa, Music from the Nonesuch Explorer Series, Track Number 1 [CD] (Nonesuch Records 7559-79793-2, 2002).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>25</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Ivo Biegman. [Screen name], ‘Zar ritual in Egypt’, YouTube, 19 May 2011 [online video recording], https://www.youtube.com/watch?v=YNiUc4W5Kzo&amp;list=RDYNiUc4W5Kzo#t=517</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>26</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Zar Omdurman’ [Liner notes and compilation by Peter Verney]. On Rough Guide to Sudan, Track Number 7 [CD]. (World Music Network—RGNET 1152, 2005).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>27</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Danse, Bozok Semahi’ [Liner notes by Jean During and Jerome Cler]. On Turquie: Ceremonie du Djem Alevi (Turkey: Djem Alevi Ceremony), Track Number 12 [CD] (Ocora C 560125, 1998).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>28</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>kabultransit [Screen name]. ‘Kabul Transit—Zikr’, YouTube, 7 November 2007 [online video recording], https://www.youtube.com/watch?v=_BvSLgJSBBY</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>29</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Zikr’ [Liner notes by Jean During]. On Kurdistan: Zikr et chants soufis, Disc 2, Track Number 2 [CD] (Ocora C 560071/72, 1994).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>30</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Iraqi Maqam [Screen name], ‘Dhikr Ceremony in Iraq’, YouTube, 1 January 2009 [online video recording], https://www.youtube.com/watch?v=yyrK-oAo3DM&amp;list=PL5B186F663D6F3052&amp;index=2</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>31</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Iraqi Maqam [Screen name], ‘Qadiri Dhikr—God is Eternal’, YouTube, 8 December 2008 [online video recording], https://www.youtube.com/watch?v=lV52djNFcKk&amp;index=1&amp;list=PL5B186F663D6F3052</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>32</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Zikr/ Du’a / Tekbir’ [Liner notes and recordings by Bernard Mauguin]. On Islamic Ritual from Kosovo, Track Number 2 [CD] (Smithsonian Folkways Recordings/ UNESCO-UNES08055, 1974).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>33</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Islamic Ritual Zikr’ [Liner notes by Christian Poché, recordings by Jochen Wenzel]. On Syria: Islamic Ritual Zikr in Aleppo, Track Number 2 [CD] (Smithsonian Folkways Recordings/UNESCO-UNES08013, 1975).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>34</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Zikr’ [Liner notes by David Stevens]. On Turquie: Musique Soufi, Track Number 1 [CD] (Ocora C559017, 1987).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>35</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Zikr-e Allah et percussions’ [Liner notes by Jean During]. On Kurdistan: Zikr et chants soufis, Disc 2, Track Number 1 [CD] (Ocora C 560071/72, 1994).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>36</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>H. Shakkûr &amp; Ensemble Al-Kindî [Performer], ‘Meditation’ [Liner notes by Peter Pannke]. On Sufi Soul (Echos Du Paradis), Disc 1, Track Number 2 [CD]. (Network Medien—26.982, 1997).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>37</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Muhammad Al Ashiq [Performer], ‘Qasida: Saluha Limadha’ [Liner notes by Andre Jouve and Christian Poche]. On Archives De La Musique Arabe Vol. 1, Track Number 2 [CD] (Ocora C 558678, 1987).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>38</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Mobarak &amp; Molabakhsh Nuri [Performer], ‘Qalandari Tune’. On Troubadours of Allah: Sufi Music from the Indus Valley, Disc 1, Track Number 2 [CD] (Wergo SM 16172, 1999).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>39</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Yâr Mohammad [Performer], ‘Qalandari Tune (Khorasani)’ [Liner notes by Peter Pannke]. On Sufi Soul (Echos Du Paradis), Disc 2, Track Number 10 [CD] (Network Medien—26.982, 1997).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>40</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Tamburah (Voice of the Lyre)’ [Liner notes and recordings by Dieter Christensen]. On Oman: Traditional Arts of the Sultanate of Oman, Track Number 7 [CD] (Smithsonian Folkways Recordings/UNESCO-UNES08211, 1993).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>41</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>O. Y. Traibi [Performer], ‘Zar’ [Liner notes by Christian Poché, recordings by Jochen Wenzel]. On Yemen: Traditional Music of the North, Track Number 3 [CD] (Smithsonian Folkways Recordings/UNESCO-UNES08004, 1978).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>42</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Ozman Khaled [Screen name], ‘ZAAR Ceremony at Qeshm’, YouTube, 18 April 2016 [online video recording], https://www.youtube.com/watch?v=gifUSI1RFCQ</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>43</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Zikr’ [Liner notes and production by Jean During and Ted Levin]. On The Silk Road: A Musical Caravan, Disc 2, Track Number 19 [CD]. (Smithsonian Folkways Recordings SFW40438, 2002).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>44</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Aznash Ensemble [Performer]. Konya Mystic Music Festival [Screen name], ‘Aznash Ensemble’, YouTube, 5 August 2013 [online video recording], https://www.youtube.com/watch?v=TiPqB4GNzT0&amp;list=RDtx6dwa4u8Lg&amp;index=11</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>45</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Swiatoslaw Wojtkowiak [Screen name], ‘Chechen Female Zikr: Opening’, YouTube, 16 December 2010 [online video recording], https://www.youtube.com/watch?v=tx6dwa4u8Lg</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>46</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>S. Aqmoldaev [Performer], ‘Kertolghau’ [Liner notes and production by Jean During and Ted Levin]. On The Silk Road: A Musical Caravan, Disc 2, Track Number 16 [CD] (Smithsonian Folkways Recordings SFW40438, 2002).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>47</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>T. S. Qalebov and S. Tawarov [Performer], ‘Madh’ [Liner notes and production by Jean During and Ted Levin]. On The Silk Road: A Musical Caravan, Disc 2, Track Number 18 [CD] (Smithsonian Folkways Recordings SFW40438, 2002).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>48</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Supergnak [Screen name], ‘Le tour du monde en musique: Kazakhstan—Le kobyz du chaman’, YouTube, 14 January 2010 [online video recording], https://www.youtube.com/watch?v=5M6DA5w6aCc</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>49</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Shod-i Uforash and Ufor-i Tezash: Dilbaram Shumo’ [Liner notes and recordings by Ted Levin]. On Bukhara: Musical Crossroads of Asia, Track Number 1 [CD] (Smithsonian Folkways Recordings SFW40050, 1991).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>50</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Cérémonie De Propitiation De Nag-Zhig’ [Liner notes and recording by Ricardo Canzio]. On Tibet: Traditions Rituelles Des Bonpos, Track Number 2 [CD] (Ocora C 580016, 1993).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>51</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Shamanic Bear Session’ [Liner notes and recording by Henry Lecomte]. On Siberia, Vol. 1—Shamanic &amp; Narrative Songs of Siberian Arctic, Track Number 12 [CD] (Buda Musique—925642, 1995).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>52</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>O. A. Njavan [Performer], ‘Song, Kkas Drum and Jampa Jingle Belt, Imitation of Kamlanie’ [Liner notes and recording by Henry Lecomte]. On Siberia, Vol. 6: Sakhalin—Vocal &amp; Instrumental Music, Nivkh Ujl’ta, Track Number 8 [CD] (Buda Musique—927212, 1998).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>53</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Chant Chamanique’ [Liner notes and recording by Henry Lecomte]. On Siberia, Vol. 5—Shamanic &amp; Daily Songs from the Amur Basin, Track Number 8 [CD] (Buda Musique—926712, 1997).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>54</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Chant Chamanique’ [Liner notes and recording by Henry Lecomte]. On Siberia, Vol. 5—Shamanic &amp; Daily Songs from the Amur Basin, Track Number 27 [CD] (Buda Musique—926712, 1997).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>55</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Pei-tou Liturgy (Great Bear Liturgy)’ [Produced by John Levy]. On Chinese Buddhist Music, Track Number 6 [CD] (Lyrichord—LLST 7222, 2004).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>56</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Dai Hannya Tendoku E’ [Liner notes by Toshiro Kido and Pierre Landy]. On Japan: Shomyo Buddhist Ritual—Dai Hannya Ceremony, Track Number 1, 17:00–31:42 [CD] (Smithsonian Folkways Recordings/UNESCO-UNES08036, 1975).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>57</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Sinawi’ [Liner notes and recording by Kwon Oh Sung]. On Korea: Folkloric Instrumental Traditions, Vol. 1: Sinawi and Sanjo, Track Number 1 [CD] (JVC Ethnic Sound Series #25, JVC VID- 25020, 1988).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>58</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>O-Suwa-Daiko [Performer]. ‘Ama-No-Naru Tatsu-O Dai-Kagura’ [Liner notes by Iyori Takei]. On Japan: O-Suwa-Daiko Drums, Track Number 3 [CD] (Smithsonian Folkways Recordings/UNESCO-UNES08030, 1978).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>59</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Rimse’ [Liner notes and recording by Jean-Jacques Nattiez and Kazuyuki Tanimoto]. On Japan: Ainu Songs, Track Number 4 [CD] (Smithsonian Folkways Recordings/UNESCO-UNES08047, 1980).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>60</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>M. K. Seo [Author and Recorder], ‘Tangak’. In the CD of the book Hanyang Kut: Korean Shaman Ritual Music from Seoul (Current Research in Ethnomusicology: Outstanding Dissertations), Track, Number 20, pp. 165, 171, and 194 (New York &amp; London: Routledge, 2002).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>61</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>B. Salchak [Performer], ‘Kham [Shaman Ritual]’ [Liner notes and recording by Dina Oiun]. On Voices from the Distant Steppe, Track Number 16 [CD] (Real World Records—CDRW41, 1994).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>62</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>K. Yokoyama [Performer], ‘Ko-ku (Vacuity)’ [Liner notes by Akira Tamba]. On Japon, Kinshi Turata—Katsuya Yokoyama, Track Number 2 [CD] (Ocora C 558518 1994).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>63</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>V. G. Anastasija [Performer], ‘Vocals and Jajar Frame Drum: A Song for the Khololo Celebration’ [Liner notes and recording by Henry Lecomte]. On Siberia, Vol. 4 Kamtchatka: Dance Drums from Siberian Far East, Track Number 15 [CD] (Buda Musique—925982, 1994).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>64</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Tus’ [Liner notes and recording by Jean-Jacques Nattiez and Kazuyuki Tanimoto]. On Japan: Ainu Songs, Track Number 10 [CD] (Smithsonian Folkways Recordings/UNESCO-UNES08047, 1980).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>65</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Upopo’ [Liner notes and recording by Jean-Jacques Nattiez and Kazuyuki Tanimoto]. On Japan: Ainu Songs, Track Number 2 [CD] (Smithsonian Folkways Recordings/UNESCO-UNES08047, 1980).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>66</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Smaon’ [Liner notes by John Schaefer and recording by David Parsons]. On The Music of Cambodia (Royal Court Music), Track Number 19 [CD] (Celestial Harmonies 13075-2, 1993).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>67</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Beliatn Sentiyu Suite’ (excerpt) [Liner notes and recording by Philip Yampolsky]. On Music of Indonesia, Vol. 17: Kalimantan: Dayak Ritual and Festival Music, Track Number 14 [CD] (Smithsonian Folkways Recordings SFW40444, 1998).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>68</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>P. Pargi Mina [Performer] (1984), ‘Devi Ambav ro dhak’ [Recording by David Roche]. On The Garland Encyclopedia of World Music, Vol. 5: South Asia: The Indian Subcontinent Audio, Track Number 13 [CD] (Garland Publishing, 2000).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>69</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Buddhist Ritual Music and Chant in Honor of A-phyi’ (1976). [Recording by Mireille Helffer]. On The Garland Encyclopedia of World Music, Vol. 5: South Asia: The Indian Subcontinent Audio, Track Number 24 [CD] (Garland Publishing, 2000).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>70</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Ritual Chanting (Ngāyung) of Mediums (to Rid the Settlement of Malign Forest Spirits) [Produced by Harold C. Conklin]. On Hanunóo Music from the Philippines, Side 1, Band 11 [LP] (Ethnic Folkways Library ‎FE 4466, 1956).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>71</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Châu Văn’ [Liner notes by Trần Văn Khê]. On Viêtnam Musique de Huê: Chants de Huê et Musique de Cour, Track Number 18 [CD] (Inedit—W 260073, 2005).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>72</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Dabuih’ [Produced by Margaret J. Kartomi]. On The Music of Islam, Vol. 15: Muslim Music Of Indonesia, Aceh And West Sumatra, Disc 1, Track Number 16 [CD] (Celestial Harmonies 14232, 1998).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>73</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Dzikir Samman: Allahu Allah’ [Produced by Philip Yampolsky]. On Music of Indonesia, Vol. 19: Music of Maluku: Halmahera, Buru, Kei, Track Number 17 [CD] (Smithsonian Folkways Recordings SFW40446, 1999).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>74</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Gamelan Salunding, Tenganan—Gending Sekar Gadung’ [Liner notes and recording by David Lewiston]. On Bali: Gamelan &amp; Kecak, Track Number 5 [CD] (Elektra Nonesuch—9 79204-2, 1989).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>75</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Musique des anciennes cérémonies religieuses avec une guru sibaso: Begu deleng/ Odak-odak/ Pertang-tang sabe/ Peseluken’ [Liner notes by Artur Simon]. On Sumatra: Musiques Des Batak Karo, Toba, Simalungun, Track Number 2 [CD] (Inedit—W 260061, 1995).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>76</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Gondang “Pangelek-elek Ni Jujungan Ro”’ [Liner notes by Artur Simon]. On Sumatra: Musiques Des Batak Karo, Toba, Simalungun, Track Number 5 [CD] (Inedit—W 260061, 1995).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>77</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Kecak From Blakiuh Near Mengwi’ [Liner notes by Wolfgang Hamm and Rika Reissler]. On Bali: A Suite of Tropical Music and Sound, Track Number 9 [CD] (World Network 35, 1995). </IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>78</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Sekaha Ganda Sari, Bona—Kecak’ [Liner notes and recording by David Lewiston]. On Bali: Gamelan &amp; Kecak, Track Number 8 [CD] (Elektra Nonesuch—9 79204-2, 1989). </IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>79</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Kuda Kepang’. On The Ethnic Sampler 4, Track Number 25 [CD] (APM Music, Sonoton—SAS 107, 1995).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>80</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Phléng khlom’ [Liner notes and recording by Jacques Brunet]. On Cambodia: Folk and Ceremonial Music, Track Number 12 [CD] (Smithsonian Folkways Recordings/ UNESCO-UNES08068, 1996).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>81</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Pheng Phi Fa’ [Liner notes and recording by Jacques Brunet]. On Laos—Traditional Music Of The South, Track Number 1 [CD] (UNESCO—D 8042, 1992). </IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>82</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Nanduni Pattu—Song to Bhadrakali’ [Liner notes and recordings by Rolf Killius]. On Ritual Music of Kerala, Track Number 5 [CD] (Archives and Research Centre for Ethnomusicology—ARCE00028, 2008).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>83</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Burmese “Pwe”’ [Liner notes and recording by the collection of La Meri]. On Exotic Dances, Track Number 4 [LP] (Folkways Records FP 52, 1950).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>84</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘A Healing Ceremony at Kg’ [Liner notes and compilation by Marina Roseman]. On Dream Songs and Healing Sounds in the Rainforests of Malaysia, Track Number 10 [CD] (Smithsonian Folkways Recordings SFW40417, 1995).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>85</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Piphat Mon: Spirit Dance’ [Liner notes by Andrew Shahriari]. On Silk, Spirits and Song—Music from North Thailand, Track Number 12 [CD] (Lyrichord—LYRCD 7451, 2006).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>86</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Perdjuritan (Soldiers Dance)’ [Edited by Henry Cowell]. On Music of Indonesia, Track Number 7 [CD] (Folkways Records FE 4537, 1961). </IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>87</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Invocation to the Goddess Yeshiki Mamo (Tantric Puja) Part II’ [Recording by Manfred Junius and P. C. Misra]. On The Lamas of The Nyingmapa Monastery of Dehra Dun—Tibetan Ritual, Track Number 2 [CD]. (UNESCO Collection of Traditional Music of the World Series, Auvidis ‎– D 8034, 1991).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>88</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Salai Jin, Pt. 2’ [Produced by Margaret J. Kartomi]. On Music of Indonesia: Maluku &amp; North Maluku, Disc 1, Track Number 5 [CD] (Celestial Harmonies 14232, 2003).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>89</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Bandina Devi ninna charana’ [Liner notes and recordings by Luisse Gunnel]. On Inde: Rythmes et Chants du Nord—Karnataka, Rythmes—Comptines, Chants dévotionnels, Track Number 43 [CD] (Buda Musique—1978542, 2001).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>90</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Tovil (Drum Dance)’. On Sri Lanka, Nepal &amp; Bhutan: Ritual, Festival, Masked Dance and Drum Traditions, Track Number 1 [CD] (Music of the Earth, 2015).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>91</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Kohomba Kankariya (Dance Ritual)’. On Sri Lanka, Nepal &amp; Bhutan: Ritual, Festival, Masked Dance and Drum Traditions, Track Number 2 [CD] (Music of the Earth, 2015).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>92</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Baha Festival Dance’ [Liner notes and recordings by Deben Bhattacharya (1973)]. On Music of the Santal Tribe, Track Number 11 [CD] (ARC Music Productions EUCD2510, 2014).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>93</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Uunu’ [Liner notes and recording by Hugo Zemp]. On Solomon Islands: Fataleka and Baegu Music from Malaita, Track Number 1 [CD] (Smithsonian Folkways Recordings/UNESCO-UNES08027, 1973).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>94</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Kabu Kei Conua Group [Performer], ‘Yavulo, Yavulo, Vuni Maqo E Buto’ [Liner notes by Ad Linkels]. On Viti Levu: The Multicultural Heart of Fiji, Track Number 14 [CD] (Pan 2096, 2000).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>95</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Seance Gisalo Song by Aiba with Weeping’ [Liner notes and recording by Steven Feld]. On Bosavi: Rainforest Music from Papua New Guinea, Disc Number 3, Track Number 4 [CD] (Smithsonian Folkways Recordings SFW40487, 2001). </IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>96</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Songs of the Spirits (Newet)—Lo, Torres’ [Liner notes by Alexandre François and Monika Stern]. On Music of Vanuatu: Celebrations and Mysteries, Track Number 39 [CD] (Inedit—W 260147, 2013).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>97</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Alujà de Xangô Aira’ (2005). On Brésil: Les Eaux D’Oxala—Afro-Brazilian Ritual: Candomblé, Track Number 8 [CD] (Buda Musique 92576-2, 1973).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>98</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Shipibo Song’ [Produced by Alan Jabbour and Mickey Hart]. On The Spirit Cries: Music of the Rain Forests of South America &amp; The Caribbean, Track Number 12 [CD] (Rykodisc—RCD 10250, 1993).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>99</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Selk’ham-Tierra del Fuego-Arrow Ordeal Chant’ [Produced by Alan Lazar]. On Anthology of Central and South American Indian Music, Disc 2, Track Number 14 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04542/FE 4542, 1975).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>100</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Kumanti’ [Produced by Alan Jabbour and Mickey Hart]. On The Spirit Cries: Music of the Rain Forests of South America &amp; The Caribbean, Track Number 20 [CD] (Rykodisc—RCD 10250, 1993).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>101</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Warao Male Hoarotu Shaman’s Curing Song’ [Recorded by Dale A. Olsen]. On The Garland Encyclopedia of World Music, Vol. 2: South America, Mexico, Central America, and the Caribbean Audio CD, Track Number 3 [CD] (Garland Publishing, 1998).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>102</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Curing Ritual’ [Produced by Alan Lazar]. On Anthology of Central and South American Indian Music, Disc 1, Track Number 19 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04542/FE 4542, 1975).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>103</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Warao Male Wisiratu Shaman’s Curing Song’ [Recorded by Dale A. Olsen]. On The Garland Encyclopedia of World Music, Vol. 2: South America, Mexico, Central America, and the Caribbean Audio CD, Track Number 3 [CD] (Garland Publishing, 1998).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>104</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Yanomamö Male Shaman’s Curing Song’ [Recorded by Pitts Collection]. On The Garland Encyclopedia of World Music, Vol. 2: South America, Mexico, Central America, and the Caribbean Audio CD, Track Number 1 [CD] (Garland Publishing, 1998).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>105</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Yekuana Male Shaman’s Curing Song’ [Recorded by Walter Coppens]. On The Garland Encyclopedia of World Music, Vol. 2: South America, Mexico, Central America, and the Caribbean Audio CD, Track Number 2 [CD] (Garland Publishing, 1998).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>106</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Healing Song’ [Produced by Alan Jabbour and Mickey Hart]. On The Spirit Cries: Music of the Rain Forests of South America &amp; the Caribbean, Track Number 11 [CD] (Rykodisc—RCD 10250, 1993).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>107</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Shango Cult: Annual Ceremony in a Rural Area’ [Liner notes and recordings by George Eaton Simpson]. On Cult Music of Trinidad, Track Number 7 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04478/FE 4478, 1961).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>108</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Shamanistic Ritual: The Dance’ [Liner notes and recordings by Peter Kloos]. On The Maroni River Caribs of Surinam, Track Number 11 [CD] (Pan PANKCD4005, 1997).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>109</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Winti Medley’ [Liner notes and recordings by Clifford Entes]. On Creole Music of Surinam, Track Number 8, 33:25’ [CD] (Smithsonian Folkways Recordings/Folkways Records FW04233/FE 4233, 1978).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>110</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Abelagudahani’ [Produced by Alan Jabbour and Mickey Hart]. On The Spirit Cries: Music of the Rain Forests of South America &amp; the Caribbean, Track Number 1 [CD] (Rykodisc—RCD 10250, 1993).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>111</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Gropo Laka [Performer], ‘Danca de tambor pulaya / Pulaya Drum Dance’ [Liner notes and production by Sten Sandahl]. On Music from Honduras, Disc 1, Track Number 3 [CD] (Caprice Records CAP 21632, 2000).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>112</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Salve’ [Recorded and produced by Isidro Bobadilla and Morton Marks]. On Afro-Dominican Music from San Cristobal, Dominican Republic, Track Number 3 [CD] (Smithsonian Folkways Recording/Folkways Records FW04285/FE 4285, 1983).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>113</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Kumina “Bailo”’ [Recorded and produced by Edward P.G. Seaga]. On Folk Music of Jamaica, Track Number 4 [CD] (Folkways Records FW04453/FE 4453, 1956).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>114</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Jo Leh [Recorded and produced by Kenneth M. Bilby]. On Drums of Defiance: Maroon Music from the Earliest Free Black Communities of Jamaica, Track Number 14 [CD] (Smithsonian Folkways Recordings SFW40412, 1992).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>115</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Vodoun Dance (Three Vodoun Drums)’ [Liner notes and recordings by Harold Courlander]. On Music of Haiti: Vol. 2, Drums of Haiti, Track Number 1 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04403/FE 4403, 1950).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>116</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Petro Dance (Two Drums)’. On Music of Haiti: Vol. 2, Drums of Haiti, Track Number 5 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04403/FE 4403, 1950).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>117</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Bear Dance’ [Produced by Gertrude Prokosch Kurath]. On Songs and Dances of the Great Lakes Indians, Disc 1, Track Number 7 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04003/FE 4003, 1956).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>118</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Peyote Song: First Song Cycle’ [Produced by Michael Asch]. On Anthology of North American Indian and Eskimo Music, Disc 1, Track Number 13 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04541/FE 4541, 1973).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>119</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Peyote Song’ [Produced by John Bierhorst]. On Cry from the Earth: Music of the North American Indians, Disc 1, Track Number 31 [CD] (Smithsonian Folkways Recordings/Folkways Records FW37777/FA 37777, 1979).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>120</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Crown Dance’ [Produced by Charlotte Heth and Terence Winch]. On Creation’s Journey: Native American Music, Track Number 4 [CD] (Smithsonian Folkways Recordings SFW40410, 1994).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>121</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Drum Dance’ [Produced by John Bierhorst]. On Cry from the Earth: Music of the North American Indians, Disc 1, Track Number 12 [CD] (Smithsonian Folkways Recordings/Folkways Records FW37777/FA 37777, 1979).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>122</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>Peter Webster [Performer], ‘Medicine Man Song’ [Liner notes and production by Ida Halpern]. On Nootka Indian Music of the Pacific North West Coast, Disc 1, Track Number 4 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04524/FE 4524, 1974).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>123</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Huichol—Peyote Dance’ [Produced by Henrietta Yurchenco]. On Indian Music of Mexico, Track Number 9 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04413/FE 4413, 1952).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>124</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Yaqui—Deer Dance’ [Produced by Henrietta Yurchenco]. On Indian Music of Mexico, Track Number 8 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04413/FE 4413, 1952).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>125</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
      <RelatedProduct>
        <ProductRelationCode>34</ProductRelationCode>
        <ProductIdentifier>
          <ProductIDType>01</ProductIDType>
          <IDTypeName>Unstructured citation</IDTypeName>
          <IDValue>‘Wolf Dance’ [Liner notes and production by Ida Halpern]. On Nootka Indian Music of the Pacific North West Coast, Disc 2, Track Number 2 [CD] (Smithsonian Folkways Recordings/Folkways Records FW04524/FE 4524, 1974).</IDValue>
        </ProductIdentifier>
      </RelatedProduct>
    </RelatedMaterial>
    <ProductSupply>
      <Market>
        <Territory>
          <RegionsIncluded>WORLD</RegionsIncluded>
        </Territory>
      </Market>
      <SupplyDetail>
        <Supplier>
          <SupplierRole>09</SupplierRole>
          <SupplierName>Open Book Publishers</SupplierName>
          <Website>
            <WebsiteRole>02</WebsiteRole>
            <WebsiteDescription>Publisher's website: webpage for this product</WebsiteDescription>
            <WebsiteLink>https://www.openbookpublishers.com/books/10.11647/obp.0403/chapters/10.11647/obp.0403.08</WebsiteLink>
          </Website>
          <Website>
            <WebsiteRole>29</WebsiteRole>
            <WebsiteDescription>Publisher's website: download the title</WebsiteDescription>
            <WebsiteLink>https://books.openbookpublishers.com/10.11647/obp.0403/ch8.xhtml</WebsiteLink>
          </Website>
        </Supplier>
        <ProductAvailability>20</ProductAvailability>
        <SupplyDate>
          <SupplyDateRole>08</SupplyDateRole>
          <Date dateformat="00">20240628</Date>
        </SupplyDate>
        <UnpricedItemType>01</UnpricedItemType>
      </SupplyDetail>
    </ProductSupply>
  </Product>
</ONIXMessage>