Thoth distribution@thoth.pub 20260403T091437

urn:uuid:269aeecd-59e3-41af-92b9-ca9ab5dd7666 03 01 01 thoth-work-id urn:uuid:94c92bfe-5893-4c4d-95b0-9ea2d380b030 01 thoth-publication-id urn:uuid:269aeecd-59e3-41af-92b9-ca9ab5dd7666 15 9781805113027 03 9781805113027 06 10.11647/OBP.0403 23 1443868876 00 BC 10 01 234 mm 01 23.4 cm 01 9.21 in 02 156 mm 02 15.6 cm 02 6.14 in 03 34 mm 03 3.4 cm 03 1.34 in 08 900 gr 08 31.7466 oz Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). 02 https://creativecommons.org/licenses/by-nc/4.0/ 01 01 Music and Spirituality Theological Approaches, Empirical Methods, and Christian Worship 1 B01 21 0000000270433253 George Corbett George Corbett Professor of Theology, School of Divinity University of St Andrews <p>George Corbett is Professor of Theology at the University of St Andrews. His publications include Dante and Epicurus (2013), Dante’s Christian Ethics (2020), and, as editor, Annunciations: Sacred Music for the Twenty-First Century (2019).</p> 2 B01 21 0000000322799274 Sarah Moerman Sarah Moerman Research Fellow in Theology and Music University of St Andrews <p>Sarah Moerman is a Research Fellow in Theology and Music at the University of St Andrews. She also holds a research fellowship in social cognition from the University of Birmingham which provides psychology cross-training for theologians. Her research focuses on the various intersections between music, theology, and psychology.</p> 01 eng 00 478 03 09 18 11 2 12 AVA 93 AVLK 10 MUS048000 B2 Music B2 Archaeology and Religion 12 AVGD 93 AVLA 10 MUS048010 93 AVA 12 HRCR 10 REL055000 93 QRVJ1 20 Spiritual; Western culture; Christianity; Musicology; Ethnomusicology; Neuroscience 01 06 02 00 <p><p>The composer Sir James MacMillan has often referred to music as ‘the most spiritual of the arts’, and for many people, regardless of religious affiliation, this rings true. In listening to music, we are drawn to dimensions of human experience beyond the material. This collection brings together leading scholars from various disciplines – incl 03 00 <p><p>The composer Sir James MacMillan has often referred to music as ‘the most spiritual of the arts’, and for many people, regardless of religious affiliation, this rings true. In listening to music, we are drawn to dimensions of human experience beyond the material. This collection brings together leading scholars from various disciplines – including Christian theology, musicology, and psychology and neuroscience – to interrogate the intimate relationship between music and spirituality. </p><p>Organised in three parts – theological approaches, empirical methods, and Christian worship – the volume covers a vibrant array of topics. From examining how the Covid-19 pandemic has reshaped the profile of contemporary worship to investigating the spiritual effects of bodily positioning in liturgical spaces, from exploring spiritual experience through heart and breathing activity, electrodermal activity, and saliva samples to comparing the spiritual experiences of British Methodists with Welsh sporting fans, these essays attend to the lived reality of people’s perceived spiritual experiences through music.</p><p>This collection will be an invaluable resource for scholars in the growing field of Christian theology and music, and will serve as a cornerstone for future research at the intersection of theology, music, and psychology and neuroscience. It will also appeal to anyone curious about why music consistently, across cultures, occupies a unique space bridging the material and spiritual dimensions of human life.</p></p> 30 00 <p><p>The composer Sir James MacMillan has often referred to music as ‘the most spiritual of the arts’, and for many people, regardless of religious affiliation, this rings true. In listening to music, we are drawn to dimensions of human experience beyond the material. This collection brings together leading scholars from various disciplines – including Christian theology, musicology, and psychology and neuroscience – to interrogate the intimate relationship between music and spirituality. </p><p>Organised in three parts – theological approaches, empirical methods, and Christian worship – the volume covers a vibrant array of topics. From examining how the Covid-19 pandemic has reshaped the profile of contemporary worship to investigating the spiritual effects of bodily positioning in liturgical spaces, from exploring spiritual experience through heart and breathing activity, electrodermal activity, and saliva samples to comparing the spiritual experiences of British Methodists with Welsh sporting fans, these essays attend to the lived reality of people’s perceived spiritual experiences through music.</p><p>This collection will be an invaluable resource for scholars in the growing field of Christian theology and music, and will serve as a cornerstone for future research at the intersection of theology, music, and psychology and neuroscience. It will also appeal to anyone curious about why music consistently, across cultures, occupies a unique space bridging the material and spiritual dimensions of human life.</p></p> 04 00 Acknowledgments Notes on Contributors Introduction Foreword: A Composer’s Perspective I. THEOLOGICAL APPROACHES 1. Encountering the Uncontrollable: Music’s Resistance to Reductionism and Its Theological Ramifications 2. Cross and Consolation: Music’s Empathic Spirituality 3. Music, Breath, and Spirit 4. An Adorative Posture towards Music and Spiritual Realities 5. Religion, Science, and Music: An Augustinian Trinity 6. Dissonant Spirituality: A Hermeneutical Aesthetics of Outlaw Country II. EMPIRICAL METHODS 7. From the Sacred to the Ordinary through the Lens of Psychological Science 8. An Inquiry into Musical Trance 9. An Ethnomusicology of Spiritual Realities 10. The Concept of ‘Atmosphere’ as a Bridge between Music and Spirituality 11. Spiritual Subjects: Musicking, Biography, and the Connections We Make 12. The Impetus to Compose: Where is Fantasy Bred? III. CHRISTIAN WORSHIP 13. Music in Christian Services as a Means to Induce Religious Feelings 14. Spiritual Cultures: Innovations in Choral and Classical Music 15. Listening to the Lived Experiences of Worshippers: A Study of Post-Pandemic Mixed Ecology Worship 16. An Abductive Study of Digital Worship through the Lenses of Netnography and Digital Ecclesiology 17. Choral Singers and Spiritual Realities:A Perspective from St Mary’s Catholic Cathedral 18. Music and Spirituality in Communal Song: Methodists and Welsh Sporting Crowds Afterword: A Psychologist’s Perspective List of Figures and Tables Bibliography Index 20 00 Open Access 01 00 03 02 https://books.openbookpublishers.com/10.11647/obp.0403_frontcover.jpg 1 03 06 10.11647/obp.0403.20 1 12 12 2 03 06 10.11647/obp.0403.00 13 18 6 3 03 06 10.11647/obp.0403.01 21 40 20 4 03 06 10.11647/obp.0403.02 41 54 14 5 03 06 10.11647/obp.0403.03 55 72 18 6 03 06 10.11647/obp.0403.04 73 86 14 7 03 06 10.11647/obp.0403.05 87 108 22 8 03 06 10.11647/obp.0403.06 109 136 28 9 03 06 10.11647/obp.0403.07 139 158 20 10 03 06 10.11647/obp.0403.08 159 192 34 11 03 06 10.11647/obp.0403.09 193 208 16 12 03 06 10.11647/obp.0403.10 209 232 24 13 03 06 10.11647/obp.0403.11 233 254 22 14 03 06 10.11647/obp.0403.12 255 270 16 15 03 06 10.11647/obp.0403.13 273 284 12 16 03 06 10.11647/obp.0403.14 285 304 20 17 03 06 10.11647/obp.0403.15 305 326 22 18 03 06 10.11647/obp.0403.16 327 354 28 19 03 06 10.11647/obp.0403.17 355 370 16 20 03 06 10.11647/obp.0403.18 371 388 18 21 03 06 10.11647/obp.0403.19 389 398 10 01 URL https://www.openbookpublishers.com/ Open Book Publishers 01 Open Book Publishers 01 Publisher's website: home page https://www.openbookpublishers.com/ 02 Publisher's website: webpage for this title https://www.openbookpublishers.com/books/10.11647/OBP.0403 16 40 02wn5qz54 32 10.13039/501100000740 University of St Andrews 01 programname University of St Andrews’ Institutional Open Access Fund 16 40 02q53mk25 32 10.13039/501100013437 Templeton Religion Trust Cambridge, UK 04 01 20240628 George Corbett Sarah Moerman. Copyright of individual chapters are maintained by the chapter author(s). 02 WORLD 06 15 9781805113034 03 9781805113034 06 15 9781805113041 03 9781805113041 06 15 9781805113072 03 9781805113072 06 15 9781805113058 03 9781805113058 34 06 10.1086/421160 34 06 10.1371/journal.pone.0263384 34 01 Unstructured citation Adorno, Theodor W., ‘On the Fetish-Character in Music and the Regression of Listening’, in The Culture Industry: Selected Essays on Mass Culture, ed. by J. M. 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Steinhoff and Jeffrey T. Zalar (Berlin: De Gruyter, forthcoming). 34 06 10.1093/oxfordhb/9780198718406.013.40 34 06 10.4324/9780429492020-8 34 06 10.1093/oxfordhb/9780190616922.013.21 WORLD 09 Open Book Publishers 02 Publisher's website: webpage for this product https://www.openbookpublishers.com/books/10.11647/obp.0403 29 Publisher's website: download the title https://www.openbookpublishers.com/books/10.11647/obp.0403 20 08 20240628 02 68.95 AUD WORLD 02 75.95 CAD WORLD 02 42.95 EUR WORLD 02 35.95 GBP WORLD 02 51.95 USD WORLD urn:uuid:7ae7205f-2cd2-44a9-9867-7ffc4abdbe11 03 01 01 thoth-work-id urn:uuid:94c92bfe-5893-4c4d-95b0-9ea2d380b030 01 thoth-publication-id urn:uuid:7ae7205f-2cd2-44a9-9867-7ffc4abdbe11 15 9781805113034 03 9781805113034 06 10.11647/OBP.0403 23 1443868876 00 BB 10 01 234 mm 01 23.4 cm 01 9.21 in 02 156 mm 02 15.6 cm 02 6.14 in 03 37 mm 03 3.7 cm 03 1.46 in 08 1084 gr 08 38.237 oz Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). 02 https://creativecommons.org/licenses/by-nc/4.0/ 01 01 Music and Spirituality Theological Approaches, Empirical Methods, and Christian Worship 1 B01 21 0000000270433253 George Corbett George Corbett Professor of Theology, School of Divinity University of St Andrews <p>George Corbett is Professor of Theology at the University of St Andrews. His publications include Dante and Epicurus (2013), Dante’s Christian Ethics (2020), and, as editor, Annunciations: Sacred Music for the Twenty-First Century (2019).</p> 2 B01 21 0000000322799274 Sarah Moerman Sarah Moerman Research Fellow in Theology and Music University of St Andrews <p>Sarah Moerman is a Research Fellow in Theology and Music at the University of St Andrews. She also holds a research fellowship in social cognition from the University of Birmingham which provides psychology cross-training for theologians. Her research focuses on the various intersections between music, theology, and psychology.</p> 01 eng 00 478 03 09 18 11 2 12 AVA 93 AVLK 10 MUS048000 B2 Music B2 Archaeology and Religion 12 AVGD 93 AVLA 10 MUS048010 93 AVA 12 HRCR 10 REL055000 93 QRVJ1 20 Spiritual; Western culture; Christianity; Musicology; Ethnomusicology; Neuroscience 01 06 02 00 <p><p>The composer Sir James MacMillan has often referred to music as ‘the most spiritual of the arts’, and for many people, regardless of religious affiliation, this rings true. In listening to music, we are drawn to dimensions of human experience beyond the material. This collection brings together leading scholars from various disciplines – incl 03 00 <p><p>The composer Sir James MacMillan has often referred to music as ‘the most spiritual of the arts’, and for many people, regardless of religious affiliation, this rings true. In listening to music, we are drawn to dimensions of human experience beyond the material. This collection brings together leading scholars from various disciplines – including Christian theology, musicology, and psychology and neuroscience – to interrogate the intimate relationship between music and spirituality. </p><p>Organised in three parts – theological approaches, empirical methods, and Christian worship – the volume covers a vibrant array of topics. From examining how the Covid-19 pandemic has reshaped the profile of contemporary worship to investigating the spiritual effects of bodily positioning in liturgical spaces, from exploring spiritual experience through heart and breathing activity, electrodermal activity, and saliva samples to comparing the spiritual experiences of British Methodists with Welsh sporting fans, these essays attend to the lived reality of people’s perceived spiritual experiences through music.</p><p>This collection will be an invaluable resource for scholars in the growing field of Christian theology and music, and will serve as a cornerstone for future research at the intersection of theology, music, and psychology and neuroscience. It will also appeal to anyone curious about why music consistently, across cultures, occupies a unique space bridging the material and spiritual dimensions of human life.</p></p> 30 00 <p><p>The composer Sir James MacMillan has often referred to music as ‘the most spiritual of the arts’, and for many people, regardless of religious affiliation, this rings true. In listening to music, we are drawn to dimensions of human experience beyond the material. This collection brings together leading scholars from various disciplines – including Christian theology, musicology, and psychology and neuroscience – to interrogate the intimate relationship between music and spirituality. </p><p>Organised in three parts – theological approaches, empirical methods, and Christian worship – the volume covers a vibrant array of topics. From examining how the Covid-19 pandemic has reshaped the profile of contemporary worship to investigating the spiritual effects of bodily positioning in liturgical spaces, from exploring spiritual experience through heart and breathing activity, electrodermal activity, and saliva samples to comparing the spiritual experiences of British Methodists with Welsh sporting fans, these essays attend to the lived reality of people’s perceived spiritual experiences through music.</p><p>This collection will be an invaluable resource for scholars in the growing field of Christian theology and music, and will serve as a cornerstone for future research at the intersection of theology, music, and psychology and neuroscience. It will also appeal to anyone curious about why music consistently, across cultures, occupies a unique space bridging the material and spiritual dimensions of human life.</p></p> 04 00 Acknowledgments Notes on Contributors Introduction Foreword: A Composer’s Perspective I. THEOLOGICAL APPROACHES 1. Encountering the Uncontrollable: Music’s Resistance to Reductionism and Its Theological Ramifications 2. Cross and Consolation: Music’s Empathic Spirituality 3. Music, Breath, and Spirit 4. An Adorative Posture towards Music and Spiritual Realities 5. Religion, Science, and Music: An Augustinian Trinity 6. Dissonant Spirituality: A Hermeneutical Aesthetics of Outlaw Country II. EMPIRICAL METHODS 7. From the Sacred to the Ordinary through the Lens of Psychological Science 8. An Inquiry into Musical Trance 9. An Ethnomusicology of Spiritual Realities 10. The Concept of ‘Atmosphere’ as a Bridge between Music and Spirituality 11. Spiritual Subjects: Musicking, Biography, and the Connections We Make 12. The Impetus to Compose: Where is Fantasy Bred? III. CHRISTIAN WORSHIP 13. Music in Christian Services as a Means to Induce Religious Feelings 14. Spiritual Cultures: Innovations in Choral and Classical Music 15. Listening to the Lived Experiences of Worshippers: A Study of Post-Pandemic Mixed Ecology Worship 16. An Abductive Study of Digital Worship through the Lenses of Netnography and Digital Ecclesiology 17. Choral Singers and Spiritual Realities:A Perspective from St Mary’s Catholic Cathedral 18. Music and Spirituality in Communal Song: Methodists and Welsh Sporting Crowds Afterword: A Psychologist’s Perspective List of Figures and Tables Bibliography Index 20 00 Open Access 01 00 03 02 https://books.openbookpublishers.com/10.11647/obp.0403_frontcover.jpg 1 03 06 10.11647/obp.0403.20 1 12 12 2 03 06 10.11647/obp.0403.00 13 18 6 3 03 06 10.11647/obp.0403.01 21 40 20 4 03 06 10.11647/obp.0403.02 41 54 14 5 03 06 10.11647/obp.0403.03 55 72 18 6 03 06 10.11647/obp.0403.04 73 86 14 7 03 06 10.11647/obp.0403.05 87 108 22 8 03 06 10.11647/obp.0403.06 109 136 28 9 03 06 10.11647/obp.0403.07 139 158 20 10 03 06 10.11647/obp.0403.08 159 192 34 11 03 06 10.11647/obp.0403.09 193 208 16 12 03 06 10.11647/obp.0403.10 209 232 24 13 03 06 10.11647/obp.0403.11 233 254 22 14 03 06 10.11647/obp.0403.12 255 270 16 15 03 06 10.11647/obp.0403.13 273 284 12 16 03 06 10.11647/obp.0403.14 285 304 20 17 03 06 10.11647/obp.0403.15 305 326 22 18 03 06 10.11647/obp.0403.16 327 354 28 19 03 06 10.11647/obp.0403.17 355 370 16 20 03 06 10.11647/obp.0403.18 371 388 18 21 03 06 10.11647/obp.0403.19 389 398 10 01 URL https://www.openbookpublishers.com/ Open Book Publishers 01 Open Book Publishers 01 Publisher's website: home page https://www.openbookpublishers.com/ 02 Publisher's website: webpage for this title https://www.openbookpublishers.com/books/10.11647/OBP.0403 16 40 02wn5qz54 32 10.13039/501100000740 University of St Andrews 01 programname University of St Andrews’ Institutional Open Access Fund 16 40 02q53mk25 32 10.13039/501100013437 Templeton Religion Trust Cambridge, UK 04 01 20240628 George Corbett Sarah Moerman. Copyright of individual chapters are maintained by the chapter author(s). 02 WORLD 06 15 9781805113027 03 9781805113027 06 15 9781805113041 03 9781805113041 06 15 9781805113072 03 9781805113072 06 15 9781805113058 03 9781805113058 34 06 10.1086/421160 34 06 10.1371/journal.pone.0263384 34 01 Unstructured citation Adorno, Theodor W., ‘On the Fetish-Character in Music and the Regression of Listening’, in The Culture Industry: Selected Essays on Mass Culture, ed. by J. M. 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Proceedings of the Fifth World Conference on Faith and Order in Santiago de Compostela, ed. by Thomas Best and Gunther Gassmann (Geneva: World Council of Churches Publications, 1993). 34 01 Unstructured citation World Economic Forum (WEF), The Global Risks Report 2020 Insight Report (Geneva: WEF, 2010), https://www3.weforum.org/docs/WEF_Global_Risk_Report_2020.pdf 34 06 10.1080/17439760.2018.1484940 34 06 10.1037/gpr0000102 34 01 Unstructured citation Yogananda, Paramhansa, Cosmic Chants (Los Angeles, CA: Self-Realization Fellowship Publishers, 1974). 34 01 Unstructured citation Zizioulas, John D., Being as Communion: Studies in Personhood and the Church (Crestwood, NY: St Vladimir’s Seminary Press, 1985). 34 01 Unstructured citation Zon, Bennett, ‘Elgar as Theology’, in The Oxford Handbook of Music and Christian Theology, ed. by Steve Guthrie and Zon, 5 vols (Oxford: Oxford University Press, forthcoming), III. 34 06 10.1515/9781474405874-009 34 06 10.1017/9781139103985 34 01 Unstructured citation —, ‘Evolution: Music in the Autobiologies of Darwin and Spencer’, in The Oxford Handbook of Music and Life Writing, ed. by Paul Watt and Michael Allis (Oxford: Oxford University Press, forthcoming). 34 01 Unstructured citation —, ‘Music’, in Handbook of Religious Culture in Nineteenth-Century Europe, ed. by Anthony J. Steinhoff and Jeffrey T. Zalar (Berlin: De Gruyter, forthcoming). 34 06 10.1093/oxfordhb/9780198718406.013.40 34 06 10.4324/9780429492020-8 34 06 10.1093/oxfordhb/9780190616922.013.21 WORLD 09 Open Book Publishers 02 Publisher's website: webpage for this product https://www.openbookpublishers.com/books/10.11647/obp.0403 29 Publisher's website: download the title https://www.openbookpublishers.com/books/10.11647/obp.0403 20 08 20240628 02 93.95 AUD WORLD 02 101.95 CAD WORLD 02 59.95 EUR WORLD 02 49.95 GBP WORLD 02 69.95 USD WORLD urn:uuid:6b95b312-c4d0-4cc4-87a2-ac36f0067fba 03 01 01 thoth-work-id urn:uuid:94c92bfe-5893-4c4d-95b0-9ea2d380b030 01 thoth-publication-id urn:uuid:6b95b312-c4d0-4cc4-87a2-ac36f0067fba 15 9781805113041 03 9781805113041 06 10.11647/OBP.0403 23 1443868876 00 EB E107 10 Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). 02 https://creativecommons.org/licenses/by-nc/4.0/ 01 01 Music and Spirituality Theological Approaches, Empirical Methods, and Christian Worship 1 B01 21 0000000270433253 George Corbett George Corbett Professor of Theology, School of Divinity University of St Andrews <p>George Corbett is Professor of Theology at the University of St Andrews. His publications include Dante and Epicurus (2013), Dante’s Christian Ethics (2020), and, as editor, Annunciations: Sacred Music for the Twenty-First Century (2019).</p> 2 B01 21 0000000322799274 Sarah Moerman Sarah Moerman Research Fellow in Theology and Music University of St Andrews <p>Sarah Moerman is a Research Fellow in Theology and Music at the University of St Andrews. She also holds a research fellowship in social cognition from the University of Birmingham which provides psychology cross-training for theologians. Her research focuses on the various intersections between music, theology, and psychology.</p> 01 eng 00 478 03 09 18 11 2 12 AVA 93 AVLK 10 MUS048000 B2 Music B2 Archaeology and Religion 12 AVGD 93 AVLA 10 MUS048010 93 AVA 12 HRCR 10 REL055000 93 QRVJ1 20 Spiritual; Western culture; Christianity; Musicology; Ethnomusicology; Neuroscience 01 06 02 00 <p><p>The composer Sir James MacMillan has often referred to music as ‘the most spiritual of the arts’, and for many people, regardless of religious affiliation, this rings true. In listening to music, we are drawn to dimensions of human experience beyond the material. This collection brings together leading scholars from various disciplines – incl 03 00 <p><p>The composer Sir James MacMillan has often referred to music as ‘the most spiritual of the arts’, and for many people, regardless of religious affiliation, this rings true. In listening to music, we are drawn to dimensions of human experience beyond the material. This collection brings together leading scholars from various disciplines – including Christian theology, musicology, and psychology and neuroscience – to interrogate the intimate relationship between music and spirituality. </p><p>Organised in three parts – theological approaches, empirical methods, and Christian worship – the volume covers a vibrant array of topics. From examining how the Covid-19 pandemic has reshaped the profile of contemporary worship to investigating the spiritual effects of bodily positioning in liturgical spaces, from exploring spiritual experience through heart and breathing activity, electrodermal activity, and saliva samples to comparing the spiritual experiences of British Methodists with Welsh sporting fans, these essays attend to the lived reality of people’s perceived spiritual experiences through music.</p><p>This collection will be an invaluable resource for scholars in the growing field of Christian theology and music, and will serve as a cornerstone for future research at the intersection of theology, music, and psychology and neuroscience. It will also appeal to anyone curious about why music consistently, across cultures, occupies a unique space bridging the material and spiritual dimensions of human life.</p></p> 30 00 <p><p>The composer Sir James MacMillan has often referred to music as ‘the most spiritual of the arts’, and for many people, regardless of religious affiliation, this rings true. In listening to music, we are drawn to dimensions of human experience beyond the material. This collection brings together leading scholars from various disciplines – including Christian theology, musicology, and psychology and neuroscience – to interrogate the intimate relationship between music and spirituality. </p><p>Organised in three parts – theological approaches, empirical methods, and Christian worship – the volume covers a vibrant array of topics. From examining how the Covid-19 pandemic has reshaped the profile of contemporary worship to investigating the spiritual effects of bodily positioning in liturgical spaces, from exploring spiritual experience through heart and breathing activity, electrodermal activity, and saliva samples to comparing the spiritual experiences of British Methodists with Welsh sporting fans, these essays attend to the lived reality of people’s perceived spiritual experiences through music.</p><p>This collection will be an invaluable resource for scholars in the growing field of Christian theology and music, and will serve as a cornerstone for future research at the intersection of theology, music, and psychology and neuroscience. It will also appeal to anyone curious about why music consistently, across cultures, occupies a unique space bridging the material and spiritual dimensions of human life.</p></p> 04 00 Acknowledgments Notes on Contributors Introduction Foreword: A Composer’s Perspective I. THEOLOGICAL APPROACHES 1. Encountering the Uncontrollable: Music’s Resistance to Reductionism and Its Theological Ramifications 2. Cross and Consolation: Music’s Empathic Spirituality 3. Music, Breath, and Spirit 4. An Adorative Posture towards Music and Spiritual Realities 5. Religion, Science, and Music: An Augustinian Trinity 6. Dissonant Spirituality: A Hermeneutical Aesthetics of Outlaw Country II. EMPIRICAL METHODS 7. From the Sacred to the Ordinary through the Lens of Psychological Science 8. An Inquiry into Musical Trance 9. An Ethnomusicology of Spiritual Realities 10. The Concept of ‘Atmosphere’ as a Bridge between Music and Spirituality 11. Spiritual Subjects: Musicking, Biography, and the Connections We Make 12. The Impetus to Compose: Where is Fantasy Bred? III. CHRISTIAN WORSHIP 13. Music in Christian Services as a Means to Induce Religious Feelings 14. Spiritual Cultures: Innovations in Choral and Classical Music 15. Listening to the Lived Experiences of Worshippers: A Study of Post-Pandemic Mixed Ecology Worship 16. An Abductive Study of Digital Worship through the Lenses of Netnography and Digital Ecclesiology 17. Choral Singers and Spiritual Realities:A Perspective from St Mary’s Catholic Cathedral 18. Music and Spirituality in Communal Song: Methodists and Welsh Sporting Crowds Afterword: A Psychologist’s Perspective List of Figures and Tables Bibliography Index 20 00 Open Access 01 00 03 02 https://books.openbookpublishers.com/10.11647/obp.0403_frontcover.jpg 1 03 06 10.11647/obp.0403.20 1 12 12 2 03 06 10.11647/obp.0403.00 13 18 6 3 03 06 10.11647/obp.0403.01 21 40 20 4 03 06 10.11647/obp.0403.02 41 54 14 5 03 06 10.11647/obp.0403.03 55 72 18 6 03 06 10.11647/obp.0403.04 73 86 14 7 03 06 10.11647/obp.0403.05 87 108 22 8 03 06 10.11647/obp.0403.06 109 136 28 9 03 06 10.11647/obp.0403.07 139 158 20 10 03 06 10.11647/obp.0403.08 159 192 34 11 03 06 10.11647/obp.0403.09 193 208 16 12 03 06 10.11647/obp.0403.10 209 232 24 13 03 06 10.11647/obp.0403.11 233 254 22 14 03 06 10.11647/obp.0403.12 255 270 16 15 03 06 10.11647/obp.0403.13 273 284 12 16 03 06 10.11647/obp.0403.14 285 304 20 17 03 06 10.11647/obp.0403.15 305 326 22 18 03 06 10.11647/obp.0403.16 327 354 28 19 03 06 10.11647/obp.0403.17 355 370 16 20 03 06 10.11647/obp.0403.18 371 388 18 21 03 06 10.11647/obp.0403.19 389 398 10 01 URL https://www.openbookpublishers.com/ Open Book Publishers 01 Open Book Publishers 01 Publisher's website: home page https://www.openbookpublishers.com/ 02 Publisher's website: webpage for this title https://www.openbookpublishers.com/books/10.11647/OBP.0403 16 40 02wn5qz54 32 10.13039/501100000740 University of St Andrews 01 programname University of St Andrews’ Institutional Open Access Fund 16 40 02q53mk25 32 10.13039/501100013437 Templeton Religion Trust Cambridge, UK 04 01 20240628 George Corbett Sarah Moerman. Copyright of individual chapters are maintained by the chapter author(s). 02 WORLD 06 15 9781805113027 03 9781805113027 06 15 9781805113034 03 9781805113034 06 15 9781805113072 03 9781805113072 06 15 9781805113058 03 9781805113058 34 06 10.1086/421160 34 06 10.1371/journal.pone.0263384 34 01 Unstructured citation Adorno, Theodor W., ‘On the Fetish-Character in Music and the Regression of Listening’, in The Culture Industry: Selected Essays on Mass Culture, ed. by J. M. Bernstein (London and New York: Routledge, 1991), pp. 29–60. 34 01 Unstructured citation —, ‘On the Social Situation of Music’, in Essays on Music, ed. by Richard Leppert (Berkeley and Los Angeles, CA: University of California Press, 2002), pp. 391–436. 34 01 Unstructured citation Adnams, Gordan Alban, ‘The Experience of Congregational Singing: An Ethno-Phenomenological Approach’ (unpublished doctoral thesis, Concordia University of Edmonton, 2008). 34 01 Unstructured citation al Faruqi, Lois Ibsen, ‘What Makes ‘Religious Music’ Religious?’ in Sacred Sound: Music in Religious Thought and Practice, ed. by Joyce Irwin (Chico, CA: Scholars Press, 1983), pp. 21–34. 34 01 Unstructured citation Alcorta, Candace C., ‘Music and the Miraculous: The Neurophysiology of Music’s Emotive Meaning’, in Miracles: God, Science, and Psychology in the Paranormal, ed. by J. Harold Ellens, 3 vols (Westport, CT, and London: Praeger, 2008), III, pp. 230–52. 34 01 Unstructured citation Allwood, Peter, ‘UK’s World-Renowned Sacred Music Tradition Faces Long-Term Sustainability Crisis, New Report Shows’, Cathedral Music Trust, 2 October 2022, https://www.cathedralmusictrust.org.uk/CMT/CMT/News/Articles/UK%E2%80%99s-world-renowned-sacred-music-tradition-faces-sustainability-crisis-new-report-shows.aspx 34 06 10.1080/17411912.2020.1770115 34 01 Unstructured citation Anderson, Benedict, Imagined Communities: Reflections on the Origin and Spread of Nationalism, rev. ed. 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Eerdmans, 1998). 34 01 Unstructured citation Waaijman, Kees, Spirituality: Forms, Foundations, Methods, trans. by John Vriend (Leuven: Peeters Publishers, 2002). 34 01 Unstructured citation Wainwright, Geoffrey, ‘Psalm 33’, in Geoffrey Wainwright, Embracing Purpose: Essays on God, the World, and the Church (Eugene, OR: Wipf and Stock, 2012), pp. 105–25. 34 01 Unstructured citation —, ‘Psalm 33 Interpreted of the Triune God’, Ex Auditu 16 (2000), 101–20. 34 01 Unstructured citation Wald-Fuhrmann, Melanie, ‘Liturgische Aufführungsbestimmungen zwischen Semiotik und Ästhetik: Ein Durchgang durch die “Allgemeine Einführung in das Römische Meßbuch”’, in Wirkungsästhetik der Liturgie: Transdisziplinäre Perspektiven ed. by Wald-Fuhrmann, Klaus-Peter Dannecker, and Sven Boenneke (Regensburg: Pustet, 2020), pp. 143–64. 34 01 Unstructured citation —, ‘Positive Aspekte des gemeinschaftlichen Singens: Ein Forschungsüberblick’, in Wirkungsästhetik der Liturgie: Transdisziplinäre Perspektiven ed. by Wald-Fuhrmann, Klaus-Peter Dannecker, and Sven Boenneke (Regensburg: Pustet, 2020), pp. 191–214. 34 06 10.3389/fpsyg.2020.570189 34 06 10.3389/fpsyg.2021.638783 34 01 Unstructured citation —, ‘Verführung zur Konversion: Händel, Scarlatti und das römische Oratorium um 1700’, in Jahrbuch des Staatlichen Instituts für Musikforschung 2010, ed. by Simone Hohmaier (Mainz: Schott, 2010), pp. 99–122. 34 01 Unstructured citation Wallace, Maurice O., King’s Vibrato: Modernism, Blackness, and the Sonic Life of Martin Luther King Jr. (Durham, NC: Duke University Press, 2022). 34 06 10.2466/pr0.1996.78.2.631 34 06 10.1037/0021-9010.82.2.247 34 06 10.1177/109442810144003 34 01 Unstructured citation Ward, Keith, The Big Questions in Science and Religion (West Conshohocken, PA: Templeton Foundation Press, 2008). 34 01 Unstructured citation Ward, Peter, Liquid Church (Eugene, OR: Wipf and Stock, 2002). 34 06 10.1017/cbo9781107358287 34 06 10.1093/019827002x.001.0001 34 01 Unstructured citation Welker, Michael, God the Spirit (Minneapolis, MN: Fortress Press, 1994). 34 01 Unstructured citation White, Andrew Dickson, A History of the Warfare of Science with Theology in Christendom (New York: D. Appleton and Company, 1896). 34 06 10.5040/9781350066748.ch-010 34 01 Unstructured citation Williams, Rowan, ‘Keeping in Time’, in Rowan Williams, Open to Judgment: Sermons and Addresses (London: Darton, Longman & Todd, 1994), p. 249. 34 01 Unstructured citation —, ‘Nick Cave: My Son’s Death Brought Me Back to Church’, The Times, 4 March 2023, https://www.thetimes.co.uk/article/nick-cave-my-sons-death-brought-me-back-to-church-qdskjx277 34 01 Unstructured citation —, Wrestling with Angels: Conversations in Modern Theology (Grand Rapids, MI: Eerdmans, 2007). 34 01 Unstructured citation Williams, Sean, ‘Buddhism and Music’, in Experiencing Music in World Religions, ed. by Guy. L. Beck (Ontario: Wilfrid Laurier University Press, 2006), pp. 169–89. 34 06 10.3758/bf03196322 34 06 10.1037/rel0000034 34 01 Unstructured citation Winkett, Lucy, Our Sound is Our Wound (London: Continuum, 2010). 34 01 Unstructured citation ‘Wolfgang Rihm in Conversation with Kirk Noreen and Joshua Cody’, Sospeso, 2006, http://web.archive.org/web/20060525100029/http://www.sospeso.com:80/contents/articles/rihm_p1.html 34 01 Unstructured citation Wolterstorff, Nicholas, Art in Action: Towards a Christian Aesthetic (Grand Rapids, MI: Eerdmans Publishing Company, 1980). 34 01 Unstructured citation World Council of Churches, The Church: Towards a Common Vision, Faith and Order Paper 214 (Geneva: World Council of Churches Publications, 2013), https://www.oikoumene.org/sites/default/files/Document/The_Church_Towards_a_common_vision.pdf 34 01 Unstructured citation —, Towards Koinonia in Faith, Life, and Witness: A Discussion Paper. Proceedings of the Fifth World Conference on Faith and Order in Santiago de Compostela, ed. by Thomas Best and Gunther Gassmann (Geneva: World Council of Churches Publications, 1993). 34 01 Unstructured citation World Economic Forum (WEF), The Global Risks Report 2020 Insight Report (Geneva: WEF, 2010), https://www3.weforum.org/docs/WEF_Global_Risk_Report_2020.pdf 34 06 10.1080/17439760.2018.1484940 34 06 10.1037/gpr0000102 34 01 Unstructured citation Yogananda, Paramhansa, Cosmic Chants (Los Angeles, CA: Self-Realization Fellowship Publishers, 1974). 34 01 Unstructured citation Zizioulas, John D., Being as Communion: Studies in Personhood and the Church (Crestwood, NY: St Vladimir’s Seminary Press, 1985). 34 01 Unstructured citation Zon, Bennett, ‘Elgar as Theology’, in The Oxford Handbook of Music and Christian Theology, ed. by Steve Guthrie and Zon, 5 vols (Oxford: Oxford University Press, forthcoming), III. 34 06 10.1515/9781474405874-009 34 06 10.1017/9781139103985 34 01 Unstructured citation —, ‘Evolution: Music in the Autobiologies of Darwin and Spencer’, in The Oxford Handbook of Music and Life Writing, ed. by Paul Watt and Michael Allis (Oxford: Oxford University Press, forthcoming). 34 01 Unstructured citation —, ‘Music’, in Handbook of Religious Culture in Nineteenth-Century Europe, ed. by Anthony J. Steinhoff and Jeffrey T. Zalar (Berlin: De Gruyter, forthcoming). 34 06 10.1093/oxfordhb/9780198718406.013.40 34 06 10.4324/9780429492020-8 34 06 10.1093/oxfordhb/9780190616922.013.21 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/91252 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/91252/obp.0403.pdf?sequence=1&isAllowed=y 20 08 20240628 01 11 DOAB 36 DOAB: webpage for this product https://directory.doabooks.org/handle/20.500.12854/139988 20 08 20240628 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://hdl.handle.net/2134/26201522 29 Unspecified hosting platform: download the title https://repository.lboro.ac.uk/ndownloader/files/47487335 20 08 20240628 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://thoth-arch.lib.cam.ac.uk/handle/1811/722 29 Unspecified hosting platform: download the title https://thoth-arch.lib.cam.ac.uk/bitstreams/d53fb1b8-92f9-4749-ab8a-8e97f13271e4/download 20 08 20240628 01 11 INTERNET_ARCHIVE 36 INTERNET_ARCHIVE: webpage for this product https://archive.org/details/94c92bfe-5893-4c4d-95b0-9ea2d380b030 29 INTERNET_ARCHIVE: download the title https://archive.org/download/94c92bfe-5893-4c4d-95b0-9ea2d380b030/94c92bfe-5893-4c4d-95b0-9ea2d380b030.pdf 20 08 20240628 01 09 Open Book Publishers 02 Publisher's website: webpage for this product https://www.openbookpublishers.com/books/10.11647/obp.0403 29 Publisher's website: download the title https://books.openbookpublishers.com/10.11647/obp.0403.pdf 20 08 20240628 01 urn:uuid:a9d20db4-1d3d-4f47-91f6-eddd1bd1fc59 03 01 01 thoth-work-id urn:uuid:94c92bfe-5893-4c4d-95b0-9ea2d380b030 01 thoth-publication-id urn:uuid:a9d20db4-1d3d-4f47-91f6-eddd1bd1fc59 15 9781805113072 03 9781805113072 06 10.11647/OBP.0403 23 1443868876 00 EB E105 10 Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). 02 https://creativecommons.org/licenses/by-nc/4.0/ 01 01 Music and Spirituality Theological Approaches, Empirical Methods, and Christian Worship 1 B01 21 0000000270433253 George Corbett George Corbett Professor of Theology, School of Divinity University of St Andrews <p>George Corbett is Professor of Theology at the University of St Andrews. His publications include Dante and Epicurus (2013), Dante’s Christian Ethics (2020), and, as editor, Annunciations: Sacred Music for the Twenty-First Century (2019).</p> 2 B01 21 0000000322799274 Sarah Moerman Sarah Moerman Research Fellow in Theology and Music University of St Andrews <p>Sarah Moerman is a Research Fellow in Theology and Music at the University of St Andrews. She also holds a research fellowship in social cognition from the University of Birmingham which provides psychology cross-training for theologians. Her research focuses on the various intersections between music, theology, and psychology.</p> 01 eng 00 478 03 09 18 11 2 12 AVA 93 AVLK 10 MUS048000 B2 Music B2 Archaeology and Religion 12 AVGD 93 AVLA 10 MUS048010 93 AVA 12 HRCR 10 REL055000 93 QRVJ1 20 Spiritual; Western culture; Christianity; Musicology; Ethnomusicology; Neuroscience 01 06 02 00 <p><p>The composer Sir James MacMillan has often referred to music as ‘the most spiritual of the arts’, and for many people, regardless of religious affiliation, this rings true. In listening to music, we are drawn to dimensions of human experience beyond the material. This collection brings together leading scholars from various disciplines – incl 03 00 <p><p>The composer Sir James MacMillan has often referred to music as ‘the most spiritual of the arts’, and for many people, regardless of religious affiliation, this rings true. In listening to music, we are drawn to dimensions of human experience beyond the material. This collection brings together leading scholars from various disciplines – including Christian theology, musicology, and psychology and neuroscience – to interrogate the intimate relationship between music and spirituality. </p><p>Organised in three parts – theological approaches, empirical methods, and Christian worship – the volume covers a vibrant array of topics. From examining how the Covid-19 pandemic has reshaped the profile of contemporary worship to investigating the spiritual effects of bodily positioning in liturgical spaces, from exploring spiritual experience through heart and breathing activity, electrodermal activity, and saliva samples to comparing the spiritual experiences of British Methodists with Welsh sporting fans, these essays attend to the lived reality of people’s perceived spiritual experiences through music.</p><p>This collection will be an invaluable resource for scholars in the growing field of Christian theology and music, and will serve as a cornerstone for future research at the intersection of theology, music, and psychology and neuroscience. It will also appeal to anyone curious about why music consistently, across cultures, occupies a unique space bridging the material and spiritual dimensions of human life.</p></p> 30 00 <p><p>The composer Sir James MacMillan has often referred to music as ‘the most spiritual of the arts’, and for many people, regardless of religious affiliation, this rings true. In listening to music, we are drawn to dimensions of human experience beyond the material. This collection brings together leading scholars from various disciplines – including Christian theology, musicology, and psychology and neuroscience – to interrogate the intimate relationship between music and spirituality. </p><p>Organised in three parts – theological approaches, empirical methods, and Christian worship – the volume covers a vibrant array of topics. From examining how the Covid-19 pandemic has reshaped the profile of contemporary worship to investigating the spiritual effects of bodily positioning in liturgical spaces, from exploring spiritual experience through heart and breathing activity, electrodermal activity, and saliva samples to comparing the spiritual experiences of British Methodists with Welsh sporting fans, these essays attend to the lived reality of people’s perceived spiritual experiences through music.</p><p>This collection will be an invaluable resource for scholars in the growing field of Christian theology and music, and will serve as a cornerstone for future research at the intersection of theology, music, and psychology and neuroscience. It will also appeal to anyone curious about why music consistently, across cultures, occupies a unique space bridging the material and spiritual dimensions of human life.</p></p> 04 00 Acknowledgments Notes on Contributors Introduction Foreword: A Composer’s Perspective I. THEOLOGICAL APPROACHES 1. Encountering the Uncontrollable: Music’s Resistance to Reductionism and Its Theological Ramifications 2. Cross and Consolation: Music’s Empathic Spirituality 3. Music, Breath, and Spirit 4. An Adorative Posture towards Music and Spiritual Realities 5. Religion, Science, and Music: An Augustinian Trinity 6. Dissonant Spirituality: A Hermeneutical Aesthetics of Outlaw Country II. EMPIRICAL METHODS 7. From the Sacred to the Ordinary through the Lens of Psychological Science 8. An Inquiry into Musical Trance 9. An Ethnomusicology of Spiritual Realities 10. The Concept of ‘Atmosphere’ as a Bridge between Music and Spirituality 11. Spiritual Subjects: Musicking, Biography, and the Connections We Make 12. The Impetus to Compose: Where is Fantasy Bred? III. CHRISTIAN WORSHIP 13. Music in Christian Services as a Means to Induce Religious Feelings 14. Spiritual Cultures: Innovations in Choral and Classical Music 15. Listening to the Lived Experiences of Worshippers: A Study of Post-Pandemic Mixed Ecology Worship 16. An Abductive Study of Digital Worship through the Lenses of Netnography and Digital Ecclesiology 17. Choral Singers and Spiritual Realities:A Perspective from St Mary’s Catholic Cathedral 18. Music and Spirituality in Communal Song: Methodists and Welsh Sporting Crowds Afterword: A Psychologist’s Perspective List of Figures and Tables Bibliography Index 20 00 Open Access 01 00 03 02 https://books.openbookpublishers.com/10.11647/obp.0403_frontcover.jpg 1 03 06 10.11647/obp.0403.20 1 12 12 2 03 06 10.11647/obp.0403.00 13 18 6 3 03 06 10.11647/obp.0403.01 21 40 20 4 03 06 10.11647/obp.0403.02 41 54 14 5 03 06 10.11647/obp.0403.03 55 72 18 6 03 06 10.11647/obp.0403.04 73 86 14 7 03 06 10.11647/obp.0403.05 87 108 22 8 03 06 10.11647/obp.0403.06 109 136 28 9 03 06 10.11647/obp.0403.07 139 158 20 10 03 06 10.11647/obp.0403.08 159 192 34 11 03 06 10.11647/obp.0403.09 193 208 16 12 03 06 10.11647/obp.0403.10 209 232 24 13 03 06 10.11647/obp.0403.11 233 254 22 14 03 06 10.11647/obp.0403.12 255 270 16 15 03 06 10.11647/obp.0403.13 273 284 12 16 03 06 10.11647/obp.0403.14 285 304 20 17 03 06 10.11647/obp.0403.15 305 326 22 18 03 06 10.11647/obp.0403.16 327 354 28 19 03 06 10.11647/obp.0403.17 355 370 16 20 03 06 10.11647/obp.0403.18 371 388 18 21 03 06 10.11647/obp.0403.19 389 398 10 01 URL https://www.openbookpublishers.com/ Open Book Publishers 01 Open Book Publishers 01 Publisher's website: home page https://www.openbookpublishers.com/ 02 Publisher's website: webpage for this title https://www.openbookpublishers.com/books/10.11647/OBP.0403 16 40 02wn5qz54 32 10.13039/501100000740 University of St Andrews 01 programname University of St Andrews’ Institutional Open Access Fund 16 40 02q53mk25 32 10.13039/501100013437 Templeton Religion Trust Cambridge, UK 04 01 20240628 George Corbett Sarah Moerman. Copyright of individual chapters are maintained by the chapter author(s). 02 WORLD 06 15 9781805113027 03 9781805113027 06 15 9781805113034 03 9781805113034 06 15 9781805113041 03 9781805113041 06 15 9781805113058 03 9781805113058 34 06 10.1086/421160 34 06 10.1371/journal.pone.0263384 34 01 Unstructured citation Adorno, Theodor W., ‘On the Fetish-Character in Music and the Regression of Listening’, in The Culture Industry: Selected Essays on Mass Culture, ed. by J. M. 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(London: Verso, 1991). 34 01 Unstructured citation Anselm, ‘Proslogion’, in Anselm of Canterbury: The Major Works, ed. by Brian Davies and Gillian Evans (Oxford: Oxford University Press, 2008), pp. 82–104. 34 01 Unstructured citation Ansermet, Ernest, Les fondments de la musique dans la conscience humanie et autres écrits (Paris: Robert Lafont, 1989). 34 06 10.1093/oxfordhb/9780199367313.013.18 34 01 Unstructured citation Arhoolie Foundation, ‘SACRED STEEL’ [41:43], online video recording, YouTube, 6 April 2020, https://www.youtube.com/watch?v=yRZS86tmvDA&t=2501s&ab_channel=ArhoolieFoundation 34 01 Unstructured citation Arnold, Jonathan, Experience of Music, 2018, www.experienceofmusic.org 34 06 10.1525/9780520931015 34 06 10.4324/9781315247595 34 01 Unstructured citation —, ed., Creative Chords: Studies in Music, Theology and Christian Formation (Leominster: Gracewing, 2000). 34 01 Unstructured citation —, Timothy Hone, and Mark Savage, eds, Creative Chords: Studies in Music, Theology and Christian Formation (Leominster: Gracewing, 2000). 34 01 Unstructured citation Attali, Jacques, Noise: The Political Economy of Music (Minneapolis, MN: University of Minnesota Press, 1985). 34 01 Unstructured citation Augustine, Confessions, in Saint Augustine Confessions, trans. by Henry Chadwick (Oxford: Oxford University Press, 1991). 34 01 Unstructured citation — , Confessions Books 9 to 13, ed. and trans. by Carolyn J. 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(Des Plaines, IL: Word on Fire, 2017). 34 01 Unstructured citation Barth, Karl, The Humanity of God (Richmond, VA: John Knox, 1972). 34 01 Unstructured citation Bartleet, Brydie-Leigh, and Carolyn Ellis, Music Autoethnographies: Making Autoethnography Sing/Making Music Personal (Bowen Hills: Australian Academic Press, 2010). 34 01 Unstructured citation Bauerschmidt, Frederick Christian, The Love That Is God: An Invitation to Christian Faith (Grand Rapids, MI: Eerdmans, 2020). 34 01 Unstructured citation Baumberger, Christoph, ‘Art and Understanding: In Defence of Aesthetic Cognitivism’, in Bilder Sehen. Perspektiven Der Bildwissenschaft, ed. by Mark Greenlee et al. (Regensburg: Schnell & Steiner, 2013), pp. 41–67. 34 01 Unstructured citation Beach, David W., ‘The Submediant as Third Divider: Its Representation at Different Structural Levels’, in Music Theory in Concept and Practice, ed. by James M. Baker, David W. Beach, and Jonathan W. Bernard (Rochester, NY: University of Rochester Press, 1997), pp. 309–35. 34 06 10.1093/acprof:oso/9780199751419.001.0001 34 01 Unstructured citation Beck, Guy L., ed., Experiencing Music in World Religions (Ontario: Wilfrid Laurier University Press, 2006). 34 01 Unstructured citation —, Musicology of Religion: Theories, Methods, and Directions (New York: State University of New York Press, 2023). 34 01 Unstructured citation —, Sonic Theology: Hinduism and Sacred Sound (Charleston, SC: University of South Carolina Press, 1993). 34 01 Unstructured citation Becker, Judith, Deep Listeners: Music, Emotion, and Trancing (Bloomington and Indianapolis, IN: Indiana University Press, 2004). 34 01 Unstructured citation Begbie, Jeremy, Abundantly More: The Theological Promise of the Arts in a Reductionist World (Grand Rapids, MI: Baker Academic, 2023). 34 06 10.1093/acprof:oso/9780199292448.001.0001 34 01 Unstructured citation —, Redeeming Transcendence in the Arts: Bearing Witness to the Triune God (London: SCM Press, 2018). 34 01 Unstructured citation —, and Steven Guthrie, eds, Resonant Witness: Conversations between Music and Theology (Grand Rapids, MI: W. 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Steinhoff and Jeffrey T. Zalar (Berlin: De Gruyter, forthcoming). 34 06 10.1093/oxfordhb/9780198718406.013.40 34 06 10.4324/9780429492020-8 34 06 10.1093/oxfordhb/9780190616922.013.21 WORLD 09 Open Book Publishers 02 Publisher's website: webpage for this product https://www.openbookpublishers.com/books/10.11647/obp.0403 29 Publisher's website: download the title https://books.openbookpublishers.com/10.11647/obp.0403/ 20 08 20240628 01 urn:uuid:1356d68c-1e6b-445f-8736-a40bc1e59925 03 01 01 thoth-work-id urn:uuid:94c92bfe-5893-4c4d-95b0-9ea2d380b030 01 thoth-publication-id urn:uuid:1356d68c-1e6b-445f-8736-a40bc1e59925 15 9781805113058 03 9781805113058 06 10.11647/OBP.0403 23 1443868876 00 EB E101 10 Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). 02 https://creativecommons.org/licenses/by-nc/4.0/ 01 01 Music and Spirituality Theological Approaches, Empirical Methods, and Christian Worship 1 B01 21 0000000270433253 George Corbett George Corbett Professor of Theology, School of Divinity University of St Andrews <p>George Corbett is Professor of Theology at the University of St Andrews. His publications include Dante and Epicurus (2013), Dante’s Christian Ethics (2020), and, as editor, Annunciations: Sacred Music for the Twenty-First Century (2019).</p> 2 B01 21 0000000322799274 Sarah Moerman Sarah Moerman Research Fellow in Theology and Music University of St Andrews <p>Sarah Moerman is a Research Fellow in Theology and Music at the University of St Andrews. She also holds a research fellowship in social cognition from the University of Birmingham which provides psychology cross-training for theologians. Her research focuses on the various intersections between music, theology, and psychology.</p> 01 eng 00 478 03 09 18 11 2 12 AVA 93 AVLK 10 MUS048000 B2 Music B2 Archaeology and Religion 12 AVGD 93 AVLA 10 MUS048010 93 AVA 12 HRCR 10 REL055000 93 QRVJ1 20 Spiritual; Western culture; Christianity; Musicology; Ethnomusicology; Neuroscience 01 06 02 00 <p><p>The composer Sir James MacMillan has often referred to music as ‘the most spiritual of the arts’, and for many people, regardless of religious affiliation, this rings true. In listening to music, we are drawn to dimensions of human experience beyond the material. This collection brings together leading scholars from various disciplines – incl 03 00 <p><p>The composer Sir James MacMillan has often referred to music as ‘the most spiritual of the arts’, and for many people, regardless of religious affiliation, this rings true. In listening to music, we are drawn to dimensions of human experience beyond the material. This collection brings together leading scholars from various disciplines – including Christian theology, musicology, and psychology and neuroscience – to interrogate the intimate relationship between music and spirituality. </p><p>Organised in three parts – theological approaches, empirical methods, and Christian worship – the volume covers a vibrant array of topics. From examining how the Covid-19 pandemic has reshaped the profile of contemporary worship to investigating the spiritual effects of bodily positioning in liturgical spaces, from exploring spiritual experience through heart and breathing activity, electrodermal activity, and saliva samples to comparing the spiritual experiences of British Methodists with Welsh sporting fans, these essays attend to the lived reality of people’s perceived spiritual experiences through music.</p><p>This collection will be an invaluable resource for scholars in the growing field of Christian theology and music, and will serve as a cornerstone for future research at the intersection of theology, music, and psychology and neuroscience. It will also appeal to anyone curious about why music consistently, across cultures, occupies a unique space bridging the material and spiritual dimensions of human life.</p></p> 30 00 <p><p>The composer Sir James MacMillan has often referred to music as ‘the most spiritual of the arts’, and for many people, regardless of religious affiliation, this rings true. In listening to music, we are drawn to dimensions of human experience beyond the material. This collection brings together leading scholars from various disciplines – including Christian theology, musicology, and psychology and neuroscience – to interrogate the intimate relationship between music and spirituality. </p><p>Organised in three parts – theological approaches, empirical methods, and Christian worship – the volume covers a vibrant array of topics. From examining how the Covid-19 pandemic has reshaped the profile of contemporary worship to investigating the spiritual effects of bodily positioning in liturgical spaces, from exploring spiritual experience through heart and breathing activity, electrodermal activity, and saliva samples to comparing the spiritual experiences of British Methodists with Welsh sporting fans, these essays attend to the lived reality of people’s perceived spiritual experiences through music.</p><p>This collection will be an invaluable resource for scholars in the growing field of Christian theology and music, and will serve as a cornerstone for future research at the intersection of theology, music, and psychology and neuroscience. It will also appeal to anyone curious about why music consistently, across cultures, occupies a unique space bridging the material and spiritual dimensions of human life.</p></p> 04 00 Acknowledgments Notes on Contributors Introduction Foreword: A Composer’s Perspective I. THEOLOGICAL APPROACHES 1. Encountering the Uncontrollable: Music’s Resistance to Reductionism and Its Theological Ramifications 2. Cross and Consolation: Music’s Empathic Spirituality 3. Music, Breath, and Spirit 4. An Adorative Posture towards Music and Spiritual Realities 5. Religion, Science, and Music: An Augustinian Trinity 6. Dissonant Spirituality: A Hermeneutical Aesthetics of Outlaw Country II. EMPIRICAL METHODS 7. From the Sacred to the Ordinary through the Lens of Psychological Science 8. An Inquiry into Musical Trance 9. An Ethnomusicology of Spiritual Realities 10. The Concept of ‘Atmosphere’ as a Bridge between Music and Spirituality 11. Spiritual Subjects: Musicking, Biography, and the Connections We Make 12. The Impetus to Compose: Where is Fantasy Bred? III. CHRISTIAN WORSHIP 13. Music in Christian Services as a Means to Induce Religious Feelings 14. Spiritual Cultures: Innovations in Choral and Classical Music 15. Listening to the Lived Experiences of Worshippers: A Study of Post-Pandemic Mixed Ecology Worship 16. An Abductive Study of Digital Worship through the Lenses of Netnography and Digital Ecclesiology 17. Choral Singers and Spiritual Realities:A Perspective from St Mary’s Catholic Cathedral 18. Music and Spirituality in Communal Song: Methodists and Welsh Sporting Crowds Afterword: A Psychologist’s Perspective List of Figures and Tables Bibliography Index 20 00 Open Access 01 00 03 02 https://books.openbookpublishers.com/10.11647/obp.0403_frontcover.jpg 1 03 06 10.11647/obp.0403.20 1 12 12 2 03 06 10.11647/obp.0403.00 13 18 6 3 03 06 10.11647/obp.0403.01 21 40 20 4 03 06 10.11647/obp.0403.02 41 54 14 5 03 06 10.11647/obp.0403.03 55 72 18 6 03 06 10.11647/obp.0403.04 73 86 14 7 03 06 10.11647/obp.0403.05 87 108 22 8 03 06 10.11647/obp.0403.06 109 136 28 9 03 06 10.11647/obp.0403.07 139 158 20 10 03 06 10.11647/obp.0403.08 159 192 34 11 03 06 10.11647/obp.0403.09 193 208 16 12 03 06 10.11647/obp.0403.10 209 232 24 13 03 06 10.11647/obp.0403.11 233 254 22 14 03 06 10.11647/obp.0403.12 255 270 16 15 03 06 10.11647/obp.0403.13 273 284 12 16 03 06 10.11647/obp.0403.14 285 304 20 17 03 06 10.11647/obp.0403.15 305 326 22 18 03 06 10.11647/obp.0403.16 327 354 28 19 03 06 10.11647/obp.0403.17 355 370 16 20 03 06 10.11647/obp.0403.18 371 388 18 21 03 06 10.11647/obp.0403.19 389 398 10 01 URL https://www.openbookpublishers.com/ Open Book Publishers 01 Open Book Publishers 01 Publisher's website: home page https://www.openbookpublishers.com/ 02 Publisher's website: webpage for this title https://www.openbookpublishers.com/books/10.11647/OBP.0403 16 40 02wn5qz54 32 10.13039/501100000740 University of St Andrews 01 programname University of St Andrews’ Institutional Open Access Fund 16 40 02q53mk25 32 10.13039/501100013437 Templeton Religion Trust Cambridge, UK 04 01 20240628 George Corbett Sarah Moerman. Copyright of individual chapters are maintained by the chapter author(s). 02 WORLD 06 15 9781805113027 03 9781805113027 06 15 9781805113034 03 9781805113034 06 15 9781805113041 03 9781805113041 06 15 9781805113072 03 9781805113072 34 06 10.1086/421160 34 06 10.1371/journal.pone.0263384 34 01 Unstructured citation Adorno, Theodor W., ‘On the Fetish-Character in Music and the Regression of Listening’, in The Culture Industry: Selected Essays on Mass Culture, ed. by J. M. 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Harold Ellens, 3 vols (Westport, CT, and London: Praeger, 2008), III, pp. 230–52. 34 01 Unstructured citation Allwood, Peter, ‘UK’s World-Renowned Sacred Music Tradition Faces Long-Term Sustainability Crisis, New Report Shows’, Cathedral Music Trust, 2 October 2022, https://www.cathedralmusictrust.org.uk/CMT/CMT/News/Articles/UK%E2%80%99s-world-renowned-sacred-music-tradition-faces-sustainability-crisis-new-report-shows.aspx 34 06 10.1080/17411912.2020.1770115 34 01 Unstructured citation Anderson, Benedict, Imagined Communities: Reflections on the Origin and Spread of Nationalism, rev. ed. 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Bernard (Rochester, NY: University of Rochester Press, 1997), pp. 309–35. 34 06 10.1093/acprof:oso/9780199751419.001.0001 34 01 Unstructured citation Beck, Guy L., ed., Experiencing Music in World Religions (Ontario: Wilfrid Laurier University Press, 2006). 34 01 Unstructured citation —, Musicology of Religion: Theories, Methods, and Directions (New York: State University of New York Press, 2023). 34 01 Unstructured citation —, Sonic Theology: Hinduism and Sacred Sound (Charleston, SC: University of South Carolina Press, 1993). 34 01 Unstructured citation Becker, Judith, Deep Listeners: Music, Emotion, and Trancing (Bloomington and Indianapolis, IN: Indiana University Press, 2004). 34 01 Unstructured citation Begbie, Jeremy, Abundantly More: The Theological Promise of the Arts in a Reductionist World (Grand Rapids, MI: Baker Academic, 2023). 34 06 10.1093/acprof:oso/9780199292448.001.0001 34 01 Unstructured citation —, Redeeming Transcendence in the Arts: Bearing Witness to the Triune God (London: SCM Press, 2018). 34 01 Unstructured citation —, and Steven Guthrie, eds, Resonant Witness: Conversations between Music and Theology (Grand Rapids, MI: W. 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