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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Deserts – vast, empty places where time appears to stand still. The very word conjures images of endless seas of sand, blistering heat and a virtual absence of life. However, deserts encompass a large variety of landscapes and life beyond our stereotypes. As well as magnificent Saharan dunes under blazing sun, the desert concept encompasses the intensely cold winters of the Gobi, the snow-covered expanse of Antarctica and the rock-strewn drylands of Pakistan. Deserts are environments in perpetual flux and home to peoples as diverse as their surroundings, peoples who grapple with a broad spectrum of cultural, political and environmental issues as they wrest livelihoods from marginal lands.&lt;break/&gt;The cultures, environments and histories of deserts, while fundamentally entangled, are rarely studied as part of a network. To bring different disciplines together, the 1st Oxford Interdisciplinary Deserts Conference in March 2010 brought together a wide range of researchers from backgrounds as varied as physics, history, archaeology anthropology, geology and geography. This volume draws on the diversity of papers presented to give an overview of current research in deserts and drylands. Readers are invited to explore the wide range of desert environments and peoples and the ever-evolving challenges they face.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;"Conservation Song" explores ways in which colonial relations shaped meanings and conflicts over environmental control and management in Malawi. By focusing on soil conservation, which required an integrated approach to the use and management of such natural resources as land, water and forestry, it examines the origins and effects of policies and their legacies in the post-colonial era. That interrelationship has fundamental contemporary significance and is not simply a phenomenon created in the colonial period. For instance, like other countries in the region, post-colonial Malawi has been bedevilled by increasing rates of environmental degradation due, in part, to the expansion of human and animal populations, cash crop production, drought and consequent deforestation. These issues are as critical today as they were six or seven decades ago. In fact, they are part of a conservation song that has a long and complex history. The song of conservation was initially composed and performed in the colonial period, modified during the immediate postcolonial period and further refashioned in the post-dictatorship period to suit the evolving political climate; but the basic lyrics remain essentially the same. This book attempts to explain the evolution of the conservationist idea whilst demonstrating changes and continuities in peasant-state relations under different political systems.&lt;break/&gt;The dominant narrative posits conservation as a progressive movement aimed at re-organising natural resources and protecting them from destruction but the idea was contested and deeply embedded in colonial power relations and scientific ethos. Conservation emerged as an important tool of colonial state intervention and control concerning people and scarce resources. Conservation Song shows how the idea of conservation was rooted in and driven by a particular type of science about the organisation of space and landscapes. It offers a strategic entry point to understanding the historical roots of Africa’s social and ecological problems over time, which are also intertwined with power and poverty relationships. In the postcolonial period, the conservation tempo subsided and became neglected in public discourse, only to re-emerge in the 1990s through the democratisation movement.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Richard Sylvan and Val Plumwood were eminent twentieth-century Australian philosophers who, in the way of philosophers, devoted their lives to examining fundamental assumptions about thought and the world. Though they were both renowned logicians – and probed metaphysics, ethics, epistemology, social and political theory and economics – it was their determination to fuse the practical and the intellectual, to ‘walk the talk’, that made them special. The world they sought to elucidate was not solely interior; not for them mere navel-gazing or abstract theorising, but a passionate concern about the non-human world and the non-human others with which we share it: Sylvan was convinced of the culpability of the philosopher who could ‘fiddle while the Earth begins to burn’.&lt;break/&gt;They were renowned as practical and rhetorical defenders of Australia’s forests, as zealous conservationists who not only campaigned for the non-human world but tried to codify philosophically an ‘environmental culture’ that would be ethically and rationally engaged with it. Their philosophical endeavours to provide a modern foundation for such a culture were as much rooted in the forests they inhabited and worked physically to protect as in the academy; indeed Plumwood claimed that her every word had ‘the thought of the forest behind it, as the ultimate progenitor and meaning of my speech’. To them, the separation of physical and intellectual labour was as wrong as, and symptomatic of, human alienation from nature; and they strove to reconnect these artificial, dangerous dichotomies. While Sylvan strove for the general ‘greening of ethics’, Plumwood became increasingly aware of other toxic dichotomies that infused gender politics, going on to gain recognition as a pioneering eco-feminist.&lt;break/&gt;Sylvan and Plumwood were iconoclastic, anarchic, and spoke what they believed without concern for social nicety. In their lives and in their works they promoted an ‘eco-logic’ to live by, a world view that, in the years since their deaths, has become ever more essential. In the present volume Dominic Hyde explores their intertwined lives and complex ideas with lucidity, respect and clear-sighted affection.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;"Enclosing Water" is an environmental history of the Industrial Revolution, as inscribed on the Liri valley in Italy’s Central Apennines. Amid forces of revolution and empire, and Enlightenment discourses of ‘improvement’ and political economy, the Liri’s natural wealth – water-power – generated sweeping changes in its landscape and working and living environments. This book tells the story of how defining water as property – both materially and discursively – led to the emergence of an industrial riverscape, and of a concomitant new ecological consciousness; to heightened environmental risks and awareness of those risks. A dramatic century in the Liri’s socio-environmental history, with its cast of new industrial bourgeoisie, engineers and civil servants, illuminates how material developments and ideological currents completely reshaped the relationship between society and nature at the periphery of 19th century Europe. By integrating Political Economy into the narrative of European environmental history, this pioneering book offers a critical new view of discourses of water disorder and environmental politics in the Mediterranean region. &lt;break/&gt;ENCLOSING WATER was the winner of the 2011 TURKU BOOK AWARD for environmental history.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;The study of islands is booming. Small wonder: islands have played a key role in the history of continents, have been crucial locales of state-making, have served dictatorships as sites of prison systems and have acted as frontiers and stepping stones of empires. However, the role that island environments have played in creating and shaping these histories has so far received little attention. To understand why an island became a penal colony, an atomic test site or a tourist destination we need to take a close look at its environmental peculiarities: its physical shape, its geology, its climate, its flora and fauna, and its position vis-à-vis other places. And to more deeply comprehend an island’s place in history we must consider the changing ways in which it was perceived, used, valued or dismissed, protected or mistreated over time.&lt;break/&gt;Through fourteen stories of islands and archipelagos from around the globe Entire of Itself? Towards an Environmental History of Islands showcases islands as dynamic entities that both shape history and are shaped by it. Covering time periods from antiquity to the present day, Entire of Itself? attempts a group portrait of this exceptional category of places in the context of environmental history. Exploring the intertwined temporal, material and identity layers of island environments, and their transformations in response to human endeavours of conservation, exploitation and experimentation, the contributions in this volume challenge the traditional center-periphery perspective, and instead take an island-centred approach, delving into both the islands’ own stories and their role in larger historical developments.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;The study of islands is booming. Small wonder: islands have played a key role in the history of continents, have been crucial locales of state-making, have served dictatorships as sites of prison systems and have acted as frontiers and stepping stones of empires. However, the role that island environments have played in creating and shaping these histories has so far received little attention. To understand why an island became a penal colony, an atomic test site or a tourist destination we need to take a close look at its environmental peculiarities: its physical shape, its geology, its climate, its flora and fauna, and its position vis-à-vis other places. And to more deeply comprehend an island’s place in history we must consider the changing ways in which it was perceived, used, valued or dismissed, protected or mistreated over time.&lt;break/&gt;Through fourteen stories of islands and archipelagos from around the globe Entire of Itself? Towards an Environmental History of Islands showcases islands as dynamic entities that both shape history and are shaped by it. Covering time periods from antiquity to the present day, Entire of Itself? attempts a group portrait of this exceptional category of places in the context of environmental history. Exploring the intertwined temporal, material and identity layers of island environments, and their transformations in response to human endeavours of conservation, exploitation and experimentation, the contributions in this volume challenge the traditional center-periphery perspective, and instead take an island-centred approach, delving into both the islands’ own stories and their role in larger historical developments.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;The study of islands is booming. Small wonder: islands have played a key role in the history of continents, have been crucial locales of state-making, have served dictatorships as sites of prison systems and have acted as frontiers and stepping stones of empires. However, the role that island environments have played in creating and shaping these histories has so far received little attention. To understand why an island became a penal colony, an atomic test site or a tourist destination we need to take a close look at its environmental peculiarities: its physical shape, its geology, its climate, its flora and fauna, and its position vis-à-vis other places. And to more deeply comprehend an island’s place in history we must consider the changing ways in which it was perceived, used, valued or dismissed, protected or mistreated over time.&lt;break/&gt;Through fourteen stories of islands and archipelagos from around the globe Entire of Itself? Towards an Environmental History of Islands showcases islands as dynamic entities that both shape history and are shaped by it. Covering time periods from antiquity to the present day, Entire of Itself? attempts a group portrait of this exceptional category of places in the context of environmental history. Exploring the intertwined temporal, material and identity layers of island environments, and their transformations in response to human endeavours of conservation, exploitation and experimentation, the contributions in this volume challenge the traditional center-periphery perspective, and instead take an island-centred approach, delving into both the islands’ own stories and their role in larger historical developments.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;The study of islands is booming. Small wonder: islands have played a key role in the history of continents, have been crucial locales of state-making, have served dictatorships as sites of prison systems and have acted as frontiers and stepping stones of empires. However, the role that island environments have played in creating and shaping these histories has so far received little attention. To understand why an island became a penal colony, an atomic test site or a tourist destination we need to take a close look at its environmental peculiarities: its physical shape, its geology, its climate, its flora and fauna, and its position vis-à-vis other places. And to more deeply comprehend an island’s place in history we must consider the changing ways in which it was perceived, used, valued or dismissed, protected or mistreated over time.&lt;break/&gt;Through fourteen stories of islands and archipelagos from around the globe Entire of Itself? Towards an Environmental History of Islands showcases islands as dynamic entities that both shape history and are shaped by it. Covering time periods from antiquity to the present day, Entire of Itself? attempts a group portrait of this exceptional category of places in the context of environmental history. Exploring the intertwined temporal, material and identity layers of island environments, and their transformations in response to human endeavours of conservation, exploitation and experimentation, the contributions in this volume challenge the traditional center-periphery perspective, and instead take an island-centred approach, delving into both the islands’ own stories and their role in larger historical developments.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;The study of islands is booming. Small wonder: islands have played a key role in the history of continents, have been crucial locales of state-making, have served dictatorships as sites of prison systems and have acted as frontiers and stepping stones of empires. However, the role that island environments have played in creating and shaping these histories has so far received little attention. To understand why an island became a penal colony, an atomic test site or a tourist destination we need to take a close look at its environmental peculiarities: its physical shape, its geology, its climate, its flora and fauna, and its position vis-à-vis other places. And to more deeply comprehend an island’s place in history we must consider the changing ways in which it was perceived, used, valued or dismissed, protected or mistreated over time.&lt;break/&gt;Through fourteen stories of islands and archipelagos from around the globe Entire of Itself? Towards an Environmental History of Islands showcases islands as dynamic entities that both shape history and are shaped by it. Covering time periods from antiquity to the present day, Entire of Itself? attempts a group portrait of this exceptional category of places in the context of environmental history. Exploring the intertwined temporal, material and identity layers of island environments, and their transformations in response to human endeavours of conservation, exploitation and experimentation, the contributions in this volume challenge the traditional center-periphery perspective, and instead take an island-centred approach, delving into both the islands’ own stories and their role in larger historical developments.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;A new edition of Dawn Chatty’s seminal 1986 study of the Bedouin of Lebanon and Syria, which investigates the community’s meshing of modernity and tradition as manifested in the transition from camel to truck as primary means of transport. This is a classic study of cultural endurance and radical change in the Arabian desert.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;A new edition of Dawn Chatty’s seminal 1986 study of the Bedouin of Lebanon and Syria, which investigates the community’s meshing of modernity and tradition as manifested in the transition from camel to truck as primary means of transport. This is a classic study of cultural endurance and radical change in the Arabian desert.&lt;break/&gt;The Bedouin tribes of Northern Arabia have lived thousands of years as pastoralists, migrating across the semi-arid badia in search of graze and browse for their herds. Romantic images of Bedouin – black tents, robed Arabs and camels – still persist. However, mobile pastoral livelihoods have come under pressure to change in recent years. The modern nation-states of the Middle East view pastoralism as anachronistic and encourage Bedouin to become settled cultivators. An even more dramatic shift has taken place within the last few decades: the Bedouin have traded in their camels as beasts of burden in favour of the half-ton truck. The ship of the desert is now a Toyota, Datsun, Nissan or General Motors pick-up. Nevertheless, many Bedouin continue to herd livestock – sheep, goat and camel – at the same time as engaging in new economic activities. They have been open to remarkable change whilst firmly holding onto their culture, and their traditional moral and value systems. The truck has allowed many the possibility of interacting with the region’s modern economy while still pursuing their mobile pastoral livelihoods.&lt;break/&gt;Extensive field research underlies anthropologist Dawn Chatty’s comprehensive study. She examines contemporary Bedouin society of Lebanon and Syria in the contexts of history, economy and political and moral culture. She details the consequences of motorized transport for this community – and she draws some surprising conclusions about its future viability.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;A new edition of Dawn Chatty’s seminal 1986 study of the Bedouin of Lebanon and Syria, which investigates the community’s meshing of modernity and tradition as manifested in the transition from camel to truck as primary means of transport. This is a classic study of cultural endurance and radical change in the Arabian desert.&lt;break/&gt;The Bedouin tribes of Northern Arabia have lived thousands of years as pastoralists, migrating across the semi-arid badia in search of graze and browse for their herds. Romantic images of Bedouin – black tents, robed Arabs and camels – still persist. However, mobile pastoral livelihoods have come under pressure to change in recent years. The modern nation-states of the Middle East view pastoralism as anachronistic and encourage Bedouin to become settled cultivators. An even more dramatic shift has taken place within the last few decades: the Bedouin have traded in their camels as beasts of burden in favour of the half-ton truck. The ship of the desert is now a Toyota, Datsun, Nissan or General Motors pick-up. Nevertheless, many Bedouin continue to herd livestock – sheep, goat and camel – at the same time as engaging in new economic activities. They have been open to remarkable change whilst firmly holding onto their culture, and their traditional moral and value systems. The truck has allowed many the possibility of interacting with the region’s modern economy while still pursuing their mobile pastoral livelihoods.&lt;break/&gt;Extensive field research underlies anthropologist Dawn Chatty’s comprehensive study. She examines contemporary Bedouin society of Lebanon and Syria in the contexts of history, economy and political and moral culture. She details the consequences of motorized transport for this community – and she draws some surprising conclusions about its future viability.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Soil is a nearly ubiquitous presence in our lives, regardless of whether we spend much time noticing it. Soil holds worlds within itself and also builds other worlds; it devours and remakes things; it sustains life and gives cover to the dead. Grasping Soil is a collectively-authored syllabus and series of essays, all examining, with different inflections, the fundamental question: what comes into view when we ‘grasp’ soil as a vessel of human history and point of view for inquiry?&lt;/p&gt;&lt;p&gt;Part I is an interdisciplinary syllabus that traces the contours of a growing body of work in the humanities that uses soil as a bridge between human and more-than-human histories. The syllabus offers a template of readings, discussion questions and assignments with an accompanying website for easy access to the supporting materials. The essays that follow in Part 2 explore particular moments and locations in which communities have modified, depleted or remade soil to suit a particular need. In examining these engagements with soil, each essay provides a particular view on the social, political or economic conditions that they reflect and create. The essays range from mountain top mining in Appalachia to the construction of a load-bearing monolith in Nazi-era Berlin, and the layered, residual histories of agricultural projects in Tanzania. As these essays make clear, soil is a lively presence not an inert recipient of human desires and actions. It is a living and not always governable community with ever-changing stories to tell.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Soil is a nearly ubiquitous presence in our lives, regardless of whether we spend much time noticing it. Soil holds worlds within itself and also builds other worlds; it devours and remakes things; it sustains life and gives cover to the dead. Grasping Soil is a collectively-authored syllabus and series of essays, all examining, with different inflections, the fundamental question: what comes into view when we ‘grasp’ soil as a vessel of human history and point of view for inquiry?&lt;/p&gt;&lt;p&gt;Part I is an interdisciplinary syllabus that traces the contours of a growing body of work in the humanities that uses soil as a bridge between human and more-than-human histories. The syllabus offers a template of readings, discussion questions and assignments with an accompanying website for easy access to the supporting materials. The essays that follow in Part 2 explore particular moments and locations in which communities have modified, depleted or remade soil to suit a particular need. In examining these engagements with soil, each essay provides a particular view on the social, political or economic conditions that they reflect and create. The essays range from mountain top mining in Appalachia to the construction of a load-bearing monolith in Nazi-era Berlin, and the layered, residual histories of agricultural projects in Tanzania. As these essays make clear, soil is a lively presence not an inert recipient of human desires and actions. It is a living and not always governable community with ever-changing stories to tell.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text>Introduction 

PART I: SYLLABUS 

Soil as Substrate 
Cynthia Browne, Johannes Lehmann  

Soil as Archive 
Amiel Bize, Seth Denizen, Jayson Maurice Porter

Soil as Health
Emily Brownell, Tamar Novick, Lulu Tessua 

Soil as Belonging
Dotan Halevy, Basil Ibrahim, Paul Kurek, Steven Stoll 

Syllabus bibliography

PART II: ESSAYS 

Soil’s Metabolisms

Under the electron microscope, Lehmann Lab, Cornell University, New York: 
Behaviour instead of Identity: Functional Complexity of Organic Matter as an Organising Principle in Soil Ecosystems
Johannes Lehmann

British Mandate Palestine: 
“The Fertility of the Soil is in Your Hand”: On Manure and the Colonial Roots and Branches of the Organic Movement 
Tamar Novick 

Kwale District, Kenya:
Building Roads, Counting Worms: Soil as a Medium for Parasitic Relations
Emily Brownell 

Residual Histories 

The Ring of Fire, Americas: 
Arsenic Cycles through Racism and Empire 
Jayson Maurice Porter

Appalachia, USA:
Mountains Become Wasteland 
Steven Stoll

Ndungu, Tanzania:
Knowing Soil as a Living Thing, Treating it as a Non-Living Body: Contradictory forms of Care
Lulu Tessua

Lusatia, Germany: 
Punkt Null (Point Zero): An Ecological Substrate Begins Anew
Cynthia Browne

Substrates and Belonging 

Berlin, the Cosmos:
Blood over Soil? Albert Speer’s Heavy Load-Bearing Cylinder, Glacial Till, and Racial Terra Forming
Paul Kurek 

The Gaza Strip, Palestine:
Cultivating an Ancient Soil: Sub-dune Histories and Ecologies 
Dotan Halevy</Text>
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          <Text>Syllabus also available online at https://graspingsoil.org</Text>
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          <BiographicalNote>&lt;p&gt;Johannes Lehmann is the Liberty Hyde Bailey Professor of Soil Biogeochemistry at Cornell University. His research focuses on nano-scale investigations of soil organic matter, the biogeochemistry of pyrogenic carbon, sustainable soil management, climate change, biochar systems and the circular economy. He is a member of the US National Academy of Sciences and the German National Academy of Sciences (Leopoldina), and serves as Associate Editor for the Proceedings of the National Academy of Sciences.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;In this unit, we approach soil as an active material that contributes to compos- ing (and decomposing!) our lifeworlds. Doing so asks us to consider how the composition of soil is linked to flows of energy and materials and dynamically intertwined with perception and response of various living and non-living processes. We borrow Tim Ingold’s notion of the ‘ecology of material’ to help us think through soil as ‘matter that is always already historical’ and how its mate- rial properties become a matter of concern for present communities and future generations. This unit seeks to answer these questions through 1) introductory overview to the material composition of soil and its relation to use; 2) a review of the ‘metabolic’ turn in soil studies; and 3) an exercise to think through the composition of soil as a form of material memory that shapes future growth. See the source list at the end of the syllabus for full details of suggested reading and viewing materials.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;In this unit, we approach soil as an active material that contributes to compos- ing (and decomposing!) our lifeworlds. Doing so asks us to consider how the composition of soil is linked to flows of energy and materials and dynamically intertwined with perception and response of various living and non-living processes. We borrow Tim Ingold’s notion of the ‘ecology of material’ to help us think through soil as ‘matter that is always already historical’ and how its mate- rial properties become a matter of concern for present communities and future generations. This unit seeks to answer these questions through 1) introductory overview to the material composition of soil and its relation to use; 2) a review of the ‘metabolic’ turn in soil studies; and 3) an exercise to think through the composition of soil as a form of material memory that shapes future growth. See the source list at the end of the syllabus for full details of suggested reading and viewing materials.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;How does soil speak? What are its silences? In this unit we consider the histories that are embedded in, revealed by and erased by soil.&lt;/p&gt;&lt;p&gt;Michel-Rolph Trouillot writes: Silences enter the process of historical production at four crucial moments: the mo- ment of fact creation (the making of sources); the moment of fact assembly (the making of archives); the moment of fact retrieval (the making of narratives); and the moment of introspective significance (the making of history in the final instance) (pp. 26–27)&lt;/p&gt;&lt;p&gt;This unit builds on the previous unit’s exploration of soil’s ability to hold and reflect historical metabolisms to consider its role in holding, reflecting or obscuring history more broadly. We ask the following questions to frame this unit’s activities and readings:&lt;/p&gt;&lt;p&gt;‒ How can we envision soil as an archive – what does this help us see? What silences are embedded in this archive?&lt;break/&gt;‒ How have soil archives been created and used and in the service of what projects? What erasures are embedded in this process?&lt;break/&gt;‒ How can we reimagine soil as an archive – one that materialises the lasting legacies of imperial histories and racialised social relations? &lt;/p&gt;&lt;p&gt;Understanding how social and historical processes manifest materially in the soil can both help us to understand how we live with the legacies of past and ongoing processes, and to take control of the archive – to better understand what those legacies are and how we might reshape them.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;How does soil speak? What are its silences? In this unit we consider the histories that are embedded in, revealed by and erased by soil.&lt;/p&gt;&lt;p&gt;Michel-Rolph Trouillot writes: Silences enter the process of historical production at four crucial moments: the mo- ment of fact creation (the making of sources); the moment of fact assembly (the making of archives); the moment of fact retrieval (the making of narratives); and the moment of introspective significance (the making of history in the final instance) (pp. 26–27)&lt;/p&gt;&lt;p&gt;This unit builds on the previous unit’s exploration of soil’s ability to hold and reflect historical metabolisms to consider its role in holding, reflecting or obscuring history more broadly. We ask the following questions to frame this unit’s activities and readings:&lt;/p&gt;&lt;p&gt;‒ How can we envision soil as an archive – what does this help us see? What silences are embedded in this archive?&lt;break/&gt;‒ How have soil archives been created and used and in the service of what projects? What erasures are embedded in this process?&lt;break/&gt;‒ How can we reimagine soil as an archive – one that materialises the lasting legacies of imperial histories and racialised social relations? &lt;/p&gt;&lt;p&gt;Understanding how social and historical processes manifest materially in the soil can both help us to understand how we live with the legacies of past and ongoing processes, and to take control of the archive – to better understand what those legacies are and how we might reshape them.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;What is a healthy soil? Across time and cultures, soil health has often been used as a barometer for societal health. The now predictable argument is that if civilisations do not tend to the health and fertility of their own soil, they will eventually fall. The geologist David Montgomery’s book, Dirt: The Ero- sion of Civilizations, tracks this argument from Mesopotamia to the present while also providing a history of how scientists have come to understand the importance of soil as the ‘skin of the earth’. And yet, the question remains: what is a healthy soil, who gets to decide such things in any given place and time and what measures of coercion or freedom are taken to cultivate ‘healthy’ soil? We might look back and in retrospect see that what was considered healthy was actually harming. Thus, health is a historically and culturally constructed judgement of soil that is never without debate. This unit aims to construct a more nuanced conversation about how human health and soil health have been intertwined at different historical moments. We argue that societies have defined and intervened in soil health in a variety of ways and that we are now living out the legacies of these various definitions. The unit starts by considering how we evaluate soil, building on some of the readings and exercises from Unit 1. We then look at how humans intervene to change soil health, and how soil health changes human health. The final day considers how soil is often seen as a reflection not just of individual bodies, but of the body politic, mirroring some of the topics discussed in the fourth and final unit on soil and belonging.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;What is a healthy soil? Across time and cultures, soil health has often been used as a barometer for societal health. The now predictable argument is that if civilisations do not tend to the health and fertility of their own soil, they will eventually fall. The geologist David Montgomery’s book, Dirt: The Ero- sion of Civilizations, tracks this argument from Mesopotamia to the present while also providing a history of how scientists have come to understand the importance of soil as the ‘skin of the earth’. And yet, the question remains: what is a healthy soil, who gets to decide such things in any given place and time and what measures of coercion or freedom are taken to cultivate ‘healthy’ soil? We might look back and in retrospect see that what was considered healthy was actually harming. Thus, health is a historically and culturally constructed judgement of soil that is never without debate. This unit aims to construct a more nuanced conversation about how human health and soil health have been intertwined at different historical moments. We argue that societies have defined and intervened in soil health in a variety of ways and that we are now living out the legacies of these various definitions. The unit starts by considering how we evaluate soil, building on some of the readings and exercises from Unit 1. We then look at how humans intervene to change soil health, and how soil health changes human health. The final day considers how soil is often seen as a reflection not just of individual bodies, but of the body politic, mirroring some of the topics discussed in the fourth and final unit on soil and belonging.&lt;/p&gt;&lt;/p&gt;</Text>
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        <BiographicalNote>&lt;p&gt;Seth Denizen is a researcher and design practitioner trained in landscape architecture, evolutionary biology, and human geography. His published work is multidisciplinary, addressing art and design, soil science, urban geography and agriculture. He is currently an Assistant Professor at the Sam Fox School of Design and Visual Arts and his book with Montserrat Bonvehi-Rosich, Thinking through Soil: Wastewater Agriculture in the Mezquital Valley came out with Harvard Design Press in the spring of 2025.&lt;/p&gt;</BiographicalNote>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Soil is a nearly ubiquitous presence in our lives, regardless of whether we spend much time noticing it. Soil holds worlds within itself and also builds other worlds; it devours and remakes things; it sustains life and gives cover to the dead. Grasping Soil is a collectively-authored syllabus and series of essays, all examining, with different inflections, the fundamental question: what comes into view when we ‘grasp’ soil as a vessel of human history and point of view for inquiry?&lt;/p&gt;&lt;p&gt;Part I is an interdisciplinary syllabus that traces the contours of a growing body of work in the humanities that uses soil as a bridge between human and more-than-human histories. The syllabus offers a template of readings, discussion questions and assignments with an accompanying website for easy access to the supporting materials. The essays that follow in Part 2 explore particular moments and locations in which communities have modified, depleted or remade soil to suit a particular need. In examining these engagements with soil, each essay provides a particular view on the social, political or economic conditions that they reflect and create. The essays range from mountain top mining in Appalachia to the construction of a load-bearing monolith in Nazi-era Berlin, and the layered, residual histories of agricultural projects in Tanzania. As these essays make clear, soil is a lively presence not an inert recipient of human desires and actions. It is a living and not always governable community with ever-changing stories to tell.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Soil is a nearly ubiquitous presence in our lives, regardless of whether we spend much time noticing it. Soil holds worlds within itself and also builds other worlds; it devours and remakes things; it sustains life and gives cover to the dead. Grasping Soil is a collectively-authored syllabus and series of essays, all examining, with different inflections, the fundamental question: what comes into view when we ‘grasp’ soil as a vessel of human history and point of view for inquiry?&lt;/p&gt;&lt;p&gt;Part I is an interdisciplinary syllabus that traces the contours of a growing body of work in the humanities that uses soil as a bridge between human and more-than-human histories. The syllabus offers a template of readings, discussion questions and assignments with an accompanying website for easy access to the supporting materials. The essays that follow in Part 2 explore particular moments and locations in which communities have modified, depleted or remade soil to suit a particular need. In examining these engagements with soil, each essay provides a particular view on the social, political or economic conditions that they reflect and create. The essays range from mountain top mining in Appalachia to the construction of a load-bearing monolith in Nazi-era Berlin, and the layered, residual histories of agricultural projects in Tanzania. As these essays make clear, soil is a lively presence not an inert recipient of human desires and actions. It is a living and not always governable community with ever-changing stories to tell.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text>Introduction 

PART I: SYLLABUS 

Soil as Substrate 
Cynthia Browne, Johannes Lehmann  

Soil as Archive 
Amiel Bize, Seth Denizen, Jayson Maurice Porter

Soil as Health
Emily Brownell, Tamar Novick, Lulu Tessua 

Soil as Belonging
Dotan Halevy, Basil Ibrahim, Paul Kurek, Steven Stoll 

Syllabus bibliography

PART II: ESSAYS 

Soil’s Metabolisms

Under the electron microscope, Lehmann Lab, Cornell University, New York: 
Behaviour instead of Identity: Functional Complexity of Organic Matter as an Organising Principle in Soil Ecosystems
Johannes Lehmann

British Mandate Palestine: 
“The Fertility of the Soil is in Your Hand”: On Manure and the Colonial Roots and Branches of the Organic Movement 
Tamar Novick 

Kwale District, Kenya:
Building Roads, Counting Worms: Soil as a Medium for Parasitic Relations
Emily Brownell 

Residual Histories 

The Ring of Fire, Americas: 
Arsenic Cycles through Racism and Empire 
Jayson Maurice Porter

Appalachia, USA:
Mountains Become Wasteland 
Steven Stoll

Ndungu, Tanzania:
Knowing Soil as a Living Thing, Treating it as a Non-Living Body: Contradictory forms of Care
Lulu Tessua

Lusatia, Germany: 
Punkt Null (Point Zero): An Ecological Substrate Begins Anew
Cynthia Browne

Substrates and Belonging 

Berlin, the Cosmos:
Blood over Soil? Albert Speer’s Heavy Load-Bearing Cylinder, Glacial Till, and Racial Terra Forming
Paul Kurek 

The Gaza Strip, Palestine:
Cultivating an Ancient Soil: Sub-dune Histories and Ecologies 
Dotan Halevy</Text>
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            <TitleText language="eng">Part I: Syllabus</TitleText>
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          <Text>Syllabus also available online at https://graspingsoil.org</Text>
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            <TitleText language="eng">Unit 1: Soil as Substrate</TitleText>
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          <BiographicalNote>&lt;p&gt;Cynthia Browne is a Research Scholar at the Max Planck Institute for History of Science, where she currently leads the working group ‘Troubling Exposure’. The group, as well as Browne’s research, examines exposure as a documentary practice that has been foundational to certain forms of environmental knowledge, as well as integral to counter-documentary practices that work to disclose how trajectories of environmental exposure intersect with legacies and infrastructures of colonialism and racial privilege.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Johannes Lehmann is the Liberty Hyde Bailey Professor of Soil Biogeochemistry at Cornell University. His research focuses on nano-scale investigations of soil organic matter, the biogeochemistry of pyrogenic carbon, sustainable soil management, climate change, biochar systems and the circular economy. He is a member of the US National Academy of Sciences and the German National Academy of Sciences (Leopoldina), and serves as Associate Editor for the Proceedings of the National Academy of Sciences.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;In this unit, we approach soil as an active material that contributes to compos- ing (and decomposing!) our lifeworlds. Doing so asks us to consider how the composition of soil is linked to flows of energy and materials and dynamically intertwined with perception and response of various living and non-living processes. We borrow Tim Ingold’s notion of the ‘ecology of material’ to help us think through soil as ‘matter that is always already historical’ and how its mate- rial properties become a matter of concern for present communities and future generations. This unit seeks to answer these questions through 1) introductory overview to the material composition of soil and its relation to use; 2) a review of the ‘metabolic’ turn in soil studies; and 3) an exercise to think through the composition of soil as a form of material memory that shapes future growth. See the source list at the end of the syllabus for full details of suggested reading and viewing materials.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;In this unit, we approach soil as an active material that contributes to compos- ing (and decomposing!) our lifeworlds. Doing so asks us to consider how the composition of soil is linked to flows of energy and materials and dynamically intertwined with perception and response of various living and non-living processes. We borrow Tim Ingold’s notion of the ‘ecology of material’ to help us think through soil as ‘matter that is always already historical’ and how its mate- rial properties become a matter of concern for present communities and future generations. This unit seeks to answer these questions through 1) introductory overview to the material composition of soil and its relation to use; 2) a review of the ‘metabolic’ turn in soil studies; and 3) an exercise to think through the composition of soil as a form of material memory that shapes future growth. See the source list at the end of the syllabus for full details of suggested reading and viewing materials.&lt;/p&gt;&lt;/p&gt;</Text>
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          <BiographicalNote>&lt;p&gt;Amiel Bize is an Assistant Professor of Anthropology at Cornell University whose research focuses on social and economic transformations at capitalist margins. Her current book project, The Post-Agrarian Question, considers how people make value, in material and meaningful ways, in rural East Africa. She has also published on practices of ‘gleaning’ (claiming the right to leftovers) and is beginning new research on green finance.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Seth Denizen is a researcher and design practitioner trained in landscape architecture, evolutionary biology, and human geography. His published work is multidisciplinary, addressing art and design, soil science, urban geography and agriculture. He is currently an Assistant Professor at the Sam Fox School of Design and Visual Arts and his book with Montserrat Bonvehi-Rosich, Thinking through Soil: Wastewater Agriculture in the Mezquital Valley came out with Harvard Design Press in the spring of 2025.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Jayson Maurice Porter is an assistant professor of history at the University of Mary- land, College Park where he teaches environmental histories of Mexico, the African Diaspora, oilseed crops, and agrochemicals. He serves as a Black and Indigenous Cli- mate Faculty Fellow at UMD’s Indigenous Futures Lab, a board member of Rutgers University’s Black Ecologies Lab, and a co-designer of the Chicago Teachers Union’s Environmental Justice Freedom School.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;How does soil speak? What are its silences? In this unit we consider the histories that are embedded in, revealed by and erased by soil.&lt;/p&gt;&lt;p&gt;Michel-Rolph Trouillot writes: Silences enter the process of historical production at four crucial moments: the mo- ment of fact creation (the making of sources); the moment of fact assembly (the making of archives); the moment of fact retrieval (the making of narratives); and the moment of introspective significance (the making of history in the final instance) (pp. 26–27)&lt;/p&gt;&lt;p&gt;This unit builds on the previous unit’s exploration of soil’s ability to hold and reflect historical metabolisms to consider its role in holding, reflecting or obscuring history more broadly. We ask the following questions to frame this unit’s activities and readings:&lt;/p&gt;&lt;p&gt;‒ How can we envision soil as an archive – what does this help us see? What silences are embedded in this archive?&lt;break/&gt;‒ How have soil archives been created and used and in the service of what projects? What erasures are embedded in this process?&lt;break/&gt;‒ How can we reimagine soil as an archive – one that materialises the lasting legacies of imperial histories and racialised social relations? &lt;/p&gt;&lt;p&gt;Understanding how social and historical processes manifest materially in the soil can both help us to understand how we live with the legacies of past and ongoing processes, and to take control of the archive – to better understand what those legacies are and how we might reshape them.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;How does soil speak? What are its silences? In this unit we consider the histories that are embedded in, revealed by and erased by soil.&lt;/p&gt;&lt;p&gt;Michel-Rolph Trouillot writes: Silences enter the process of historical production at four crucial moments: the mo- ment of fact creation (the making of sources); the moment of fact assembly (the making of archives); the moment of fact retrieval (the making of narratives); and the moment of introspective significance (the making of history in the final instance) (pp. 26–27)&lt;/p&gt;&lt;p&gt;This unit builds on the previous unit’s exploration of soil’s ability to hold and reflect historical metabolisms to consider its role in holding, reflecting or obscuring history more broadly. We ask the following questions to frame this unit’s activities and readings:&lt;/p&gt;&lt;p&gt;‒ How can we envision soil as an archive – what does this help us see? What silences are embedded in this archive?&lt;break/&gt;‒ How have soil archives been created and used and in the service of what projects? What erasures are embedded in this process?&lt;break/&gt;‒ How can we reimagine soil as an archive – one that materialises the lasting legacies of imperial histories and racialised social relations? &lt;/p&gt;&lt;p&gt;Understanding how social and historical processes manifest materially in the soil can both help us to understand how we live with the legacies of past and ongoing processes, and to take control of the archive – to better understand what those legacies are and how we might reshape them.&lt;/p&gt;&lt;/p&gt;</Text>
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          <BiographicalNote>&lt;p&gt;Emily Brownell is a Senior Lecturer in Environmental History at the University of Edinburgh. Her current project, Stories from the Substrate, considers twentieth-century East African history through a variety of interventions with, and extractions from, the soil.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;What is a healthy soil? Across time and cultures, soil health has often been used as a barometer for societal health. The now predictable argument is that if civilisations do not tend to the health and fertility of their own soil, they will eventually fall. The geologist David Montgomery’s book, Dirt: The Ero- sion of Civilizations, tracks this argument from Mesopotamia to the present while also providing a history of how scientists have come to understand the importance of soil as the ‘skin of the earth’. And yet, the question remains: what is a healthy soil, who gets to decide such things in any given place and time and what measures of coercion or freedom are taken to cultivate ‘healthy’ soil? We might look back and in retrospect see that what was considered healthy was actually harming. Thus, health is a historically and culturally constructed judgement of soil that is never without debate. This unit aims to construct a more nuanced conversation about how human health and soil health have been intertwined at different historical moments. We argue that societies have defined and intervened in soil health in a variety of ways and that we are now living out the legacies of these various definitions. The unit starts by considering how we evaluate soil, building on some of the readings and exercises from Unit 1. We then look at how humans intervene to change soil health, and how soil health changes human health. The final day considers how soil is often seen as a reflection not just of individual bodies, but of the body politic, mirroring some of the topics discussed in the fourth and final unit on soil and belonging.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;What is a healthy soil? Across time and cultures, soil health has often been used as a barometer for societal health. The now predictable argument is that if civilisations do not tend to the health and fertility of their own soil, they will eventually fall. The geologist David Montgomery’s book, Dirt: The Ero- sion of Civilizations, tracks this argument from Mesopotamia to the present while also providing a history of how scientists have come to understand the importance of soil as the ‘skin of the earth’. And yet, the question remains: what is a healthy soil, who gets to decide such things in any given place and time and what measures of coercion or freedom are taken to cultivate ‘healthy’ soil? We might look back and in retrospect see that what was considered healthy was actually harming. Thus, health is a historically and culturally constructed judgement of soil that is never without debate. This unit aims to construct a more nuanced conversation about how human health and soil health have been intertwined at different historical moments. We argue that societies have defined and intervened in soil health in a variety of ways and that we are now living out the legacies of these various definitions. The unit starts by considering how we evaluate soil, building on some of the readings and exercises from Unit 1. We then look at how humans intervene to change soil health, and how soil health changes human health. The final day considers how soil is often seen as a reflection not just of individual bodies, but of the body politic, mirroring some of the topics discussed in the fourth and final unit on soil and belonging.&lt;/p&gt;&lt;/p&gt;</Text>
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          <BiographicalNote>&lt;p&gt;Johannes Lehmann is the Liberty Hyde Bailey Professor of Soil Biogeochemistry at Cornell University. His research focuses on nano-scale investigations of soil organic matter, the biogeochemistry of pyrogenic carbon, sustainable soil management, climate change, biochar systems and the circular economy. He is a member of the US National Academy of Sciences and the German National Academy of Sciences (Leopoldina), and serves as Associate Editor for the Proceedings of the National Academy of Sciences.&lt;/p&gt;</BiographicalNote>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Soil is a nearly ubiquitous presence in our lives, regardless of whether we spend much time noticing it. Soil holds worlds within itself and also builds other worlds; it devours and remakes things; it sustains life and gives cover to the dead. Grasping Soil is a collectively-authored syllabus and series of essays, all examining, with different inflections, the fundamental question: what comes into view when we ‘grasp’ soil as a vessel of human history and point of view for inquiry?&lt;/p&gt;&lt;p&gt;Part I is an interdisciplinary syllabus that traces the contours of a growing body of work in the humanities that uses soil as a bridge between human and more-than-human histories. The syllabus offers a template of readings, discussion questions and assignments with an accompanying website for easy access to the supporting materials. The essays that follow in Part 2 explore particular moments and locations in which communities have modified, depleted or remade soil to suit a particular need. In examining these engagements with soil, each essay provides a particular view on the social, political or economic conditions that they reflect and create. The essays range from mountain top mining in Appalachia to the construction of a load-bearing monolith in Nazi-era Berlin, and the layered, residual histories of agricultural projects in Tanzania. As these essays make clear, soil is a lively presence not an inert recipient of human desires and actions. It is a living and not always governable community with ever-changing stories to tell.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Soil is a nearly ubiquitous presence in our lives, regardless of whether we spend much time noticing it. Soil holds worlds within itself and also builds other worlds; it devours and remakes things; it sustains life and gives cover to the dead. Grasping Soil is a collectively-authored syllabus and series of essays, all examining, with different inflections, the fundamental question: what comes into view when we ‘grasp’ soil as a vessel of human history and point of view for inquiry?&lt;/p&gt;&lt;p&gt;Part I is an interdisciplinary syllabus that traces the contours of a growing body of work in the humanities that uses soil as a bridge between human and more-than-human histories. The syllabus offers a template of readings, discussion questions and assignments with an accompanying website for easy access to the supporting materials. The essays that follow in Part 2 explore particular moments and locations in which communities have modified, depleted or remade soil to suit a particular need. In examining these engagements with soil, each essay provides a particular view on the social, political or economic conditions that they reflect and create. The essays range from mountain top mining in Appalachia to the construction of a load-bearing monolith in Nazi-era Berlin, and the layered, residual histories of agricultural projects in Tanzania. As these essays make clear, soil is a lively presence not an inert recipient of human desires and actions. It is a living and not always governable community with ever-changing stories to tell.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text>Introduction 

PART I: SYLLABUS 

Soil as Substrate 
Cynthia Browne, Johannes Lehmann  

Soil as Archive 
Amiel Bize, Seth Denizen, Jayson Maurice Porter

Soil as Health
Emily Brownell, Tamar Novick, Lulu Tessua 

Soil as Belonging
Dotan Halevy, Basil Ibrahim, Paul Kurek, Steven Stoll 

Syllabus bibliography

PART II: ESSAYS 

Soil’s Metabolisms

Under the electron microscope, Lehmann Lab, Cornell University, New York: 
Behaviour instead of Identity: Functional Complexity of Organic Matter as an Organising Principle in Soil Ecosystems
Johannes Lehmann

British Mandate Palestine: 
“The Fertility of the Soil is in Your Hand”: On Manure and the Colonial Roots and Branches of the Organic Movement 
Tamar Novick 

Kwale District, Kenya:
Building Roads, Counting Worms: Soil as a Medium for Parasitic Relations
Emily Brownell 

Residual Histories 

The Ring of Fire, Americas: 
Arsenic Cycles through Racism and Empire 
Jayson Maurice Porter

Appalachia, USA:
Mountains Become Wasteland 
Steven Stoll

Ndungu, Tanzania:
Knowing Soil as a Living Thing, Treating it as a Non-Living Body: Contradictory forms of Care
Lulu Tessua

Lusatia, Germany: 
Punkt Null (Point Zero): An Ecological Substrate Begins Anew
Cynthia Browne

Substrates and Belonging 

Berlin, the Cosmos:
Blood over Soil? Albert Speer’s Heavy Load-Bearing Cylinder, Glacial Till, and Racial Terra Forming
Paul Kurek 

The Gaza Strip, Palestine:
Cultivating an Ancient Soil: Sub-dune Histories and Ecologies 
Dotan Halevy</Text>
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          <BiographicalNote>&lt;p&gt;Johannes Lehmann is the Liberty Hyde Bailey Professor of Soil Biogeochemistry at Cornell University. His research focuses on nano-scale investigations of soil organic matter, the biogeochemistry of pyrogenic carbon, sustainable soil management, climate change, biochar systems and the circular economy. He is a member of the US National Academy of Sciences and the German National Academy of Sciences (Leopoldina), and serves as Associate Editor for the Proceedings of the National Academy of Sciences.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;In this unit, we approach soil as an active material that contributes to compos- ing (and decomposing!) our lifeworlds. Doing so asks us to consider how the composition of soil is linked to flows of energy and materials and dynamically intertwined with perception and response of various living and non-living processes. We borrow Tim Ingold’s notion of the ‘ecology of material’ to help us think through soil as ‘matter that is always already historical’ and how its mate- rial properties become a matter of concern for present communities and future generations. This unit seeks to answer these questions through 1) introductory overview to the material composition of soil and its relation to use; 2) a review of the ‘metabolic’ turn in soil studies; and 3) an exercise to think through the composition of soil as a form of material memory that shapes future growth. See the source list at the end of the syllabus for full details of suggested reading and viewing materials.&lt;/p&gt;&lt;/p&gt;</Text>
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          <BiographicalNote>&lt;p&gt;Amiel Bize is an Assistant Professor of Anthropology at Cornell University whose research focuses on social and economic transformations at capitalist margins. Her current book project, The Post-Agrarian Question, considers how people make value, in material and meaningful ways, in rural East Africa. She has also published on practices of ‘gleaning’ (claiming the right to leftovers) and is beginning new research on green finance.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Seth Denizen is a researcher and design practitioner trained in landscape architecture, evolutionary biology, and human geography. His published work is multidisciplinary, addressing art and design, soil science, urban geography and agriculture. He is currently an Assistant Professor at the Sam Fox School of Design and Visual Arts and his book with Montserrat Bonvehi-Rosich, Thinking through Soil: Wastewater Agriculture in the Mezquital Valley came out with Harvard Design Press in the spring of 2025.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Jayson Maurice Porter is an assistant professor of history at the University of Mary- land, College Park where he teaches environmental histories of Mexico, the African Diaspora, oilseed crops, and agrochemicals. He serves as a Black and Indigenous Cli- mate Faculty Fellow at UMD’s Indigenous Futures Lab, a board member of Rutgers University’s Black Ecologies Lab, and a co-designer of the Chicago Teachers Union’s Environmental Justice Freedom School.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;How does soil speak? What are its silences? In this unit we consider the histories that are embedded in, revealed by and erased by soil.&lt;/p&gt;&lt;p&gt;Michel-Rolph Trouillot writes: Silences enter the process of historical production at four crucial moments: the mo- ment of fact creation (the making of sources); the moment of fact assembly (the making of archives); the moment of fact retrieval (the making of narratives); and the moment of introspective significance (the making of history in the final instance) (pp. 26–27)&lt;/p&gt;&lt;p&gt;This unit builds on the previous unit’s exploration of soil’s ability to hold and reflect historical metabolisms to consider its role in holding, reflecting or obscuring history more broadly. We ask the following questions to frame this unit’s activities and readings:&lt;/p&gt;&lt;p&gt;‒ How can we envision soil as an archive – what does this help us see? What silences are embedded in this archive?&lt;break/&gt;‒ How have soil archives been created and used and in the service of what projects? What erasures are embedded in this process?&lt;break/&gt;‒ How can we reimagine soil as an archive – one that materialises the lasting legacies of imperial histories and racialised social relations? &lt;/p&gt;&lt;p&gt;Understanding how social and historical processes manifest materially in the soil can both help us to understand how we live with the legacies of past and ongoing processes, and to take control of the archive – to better understand what those legacies are and how we might reshape them.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;How does soil speak? What are its silences? In this unit we consider the histories that are embedded in, revealed by and erased by soil.&lt;/p&gt;&lt;p&gt;Michel-Rolph Trouillot writes: Silences enter the process of historical production at four crucial moments: the mo- ment of fact creation (the making of sources); the moment of fact assembly (the making of archives); the moment of fact retrieval (the making of narratives); and the moment of introspective significance (the making of history in the final instance) (pp. 26–27)&lt;/p&gt;&lt;p&gt;This unit builds on the previous unit’s exploration of soil’s ability to hold and reflect historical metabolisms to consider its role in holding, reflecting or obscuring history more broadly. We ask the following questions to frame this unit’s activities and readings:&lt;/p&gt;&lt;p&gt;‒ How can we envision soil as an archive – what does this help us see? What silences are embedded in this archive?&lt;break/&gt;‒ How have soil archives been created and used and in the service of what projects? What erasures are embedded in this process?&lt;break/&gt;‒ How can we reimagine soil as an archive – one that materialises the lasting legacies of imperial histories and racialised social relations? &lt;/p&gt;&lt;p&gt;Understanding how social and historical processes manifest materially in the soil can both help us to understand how we live with the legacies of past and ongoing processes, and to take control of the archive – to better understand what those legacies are and how we might reshape them.&lt;/p&gt;&lt;/p&gt;</Text>
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          <BiographicalNote>&lt;p&gt;Emily Brownell is a Senior Lecturer in Environmental History at the University of Edinburgh. Her current project, Stories from the Substrate, considers twentieth-century East African history through a variety of interventions with, and extractions from, the soil.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;What is a healthy soil? Across time and cultures, soil health has often been used as a barometer for societal health. The now predictable argument is that if civilisations do not tend to the health and fertility of their own soil, they will eventually fall. The geologist David Montgomery’s book, Dirt: The Ero- sion of Civilizations, tracks this argument from Mesopotamia to the present while also providing a history of how scientists have come to understand the importance of soil as the ‘skin of the earth’. And yet, the question remains: what is a healthy soil, who gets to decide such things in any given place and time and what measures of coercion or freedom are taken to cultivate ‘healthy’ soil? We might look back and in retrospect see that what was considered healthy was actually harming. Thus, health is a historically and culturally constructed judgement of soil that is never without debate. This unit aims to construct a more nuanced conversation about how human health and soil health have been intertwined at different historical moments. We argue that societies have defined and intervened in soil health in a variety of ways and that we are now living out the legacies of these various definitions. The unit starts by considering how we evaluate soil, building on some of the readings and exercises from Unit 1. We then look at how humans intervene to change soil health, and how soil health changes human health. The final day considers how soil is often seen as a reflection not just of individual bodies, but of the body politic, mirroring some of the topics discussed in the fourth and final unit on soil and belonging.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;What is a healthy soil? Across time and cultures, soil health has often been used as a barometer for societal health. The now predictable argument is that if civilisations do not tend to the health and fertility of their own soil, they will eventually fall. The geologist David Montgomery’s book, Dirt: The Ero- sion of Civilizations, tracks this argument from Mesopotamia to the present while also providing a history of how scientists have come to understand the importance of soil as the ‘skin of the earth’. And yet, the question remains: what is a healthy soil, who gets to decide such things in any given place and time and what measures of coercion or freedom are taken to cultivate ‘healthy’ soil? We might look back and in retrospect see that what was considered healthy was actually harming. Thus, health is a historically and culturally constructed judgement of soil that is never without debate. This unit aims to construct a more nuanced conversation about how human health and soil health have been intertwined at different historical moments. We argue that societies have defined and intervened in soil health in a variety of ways and that we are now living out the legacies of these various definitions. The unit starts by considering how we evaluate soil, building on some of the readings and exercises from Unit 1. We then look at how humans intervene to change soil health, and how soil health changes human health. The final day considers how soil is often seen as a reflection not just of individual bodies, but of the body politic, mirroring some of the topics discussed in the fourth and final unit on soil and belonging.&lt;/p&gt;&lt;/p&gt;</Text>
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          <BiographicalNote>&lt;p&gt;Johannes Lehmann is the Liberty Hyde Bailey Professor of Soil Biogeochemistry at Cornell University. His research focuses on nano-scale investigations of soil organic matter, the biogeochemistry of pyrogenic carbon, sustainable soil management, climate change, biochar systems and the circular economy. He is a member of the US National Academy of Sciences and the German National Academy of Sciences (Leopoldina), and serves as Associate Editor for the Proceedings of the National Academy of Sciences.&lt;/p&gt;</BiographicalNote>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Authors in this volume argue that Finland, similarly to Denmark, Norway and Sweden, has evolved into a green superpower at the cost of considerable environmental problems. Ironically, Finland’s current leading position in sustainable development has been built on the heavy use of natural resources and by sacrificing ecosystem health.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Finland has often been labelled a ‘green superpower’, lauded as one of the world’s cleanest and greenest countries. Nordic countries in general have tended to be idealised as ‘pristine and green’, in contrast to the rest of the rapidly contaminating world where the race for markets and profits has enormously accelerated consumption, imposing on the environment an alarming level of extraction and commerce, and a wide array of new and old forms of pollution. &lt;break/&gt;Environmental historians, however, can perceive that the reputed ‘greenness’ of the Nordic countries is partly an illusion. Authors in this volume argue that Finland, similarly to Denmark, Norway and Sweden, has evolved into a green superpower at the cost of considerable environmental problems. Ironically, Finland’s current leading position in sustainable development has been built on the heavy use of natural resources and by sacrificing ecosystem health. &lt;break/&gt;This volume thus seeks to acquaint the reader with many stories of long-lasting negative environmental impacts in and around Finland: old-growth forests have been replaced by intensive forest farming for lumber and pulp industries; most wetlands have been drained for agriculture, forest cultivation and peat extraction; wild animal populations have been decimated; and Finland today is confined to the south and west by arguably the most polluted sea in the world.&lt;break/&gt;There are lessons for the future to be learnt from Finland’s tendency to rest on the laurels of a positive environmental reputation built at least in part on myth. In the twenty-first century, the world badly needs less greenwashing and a truer commitment to green-ness.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Finland has often been labelled a ‘green superpower’, lauded as one of the world’s cleanest and greenest countries. Nordic countries in general have tended to be idealised as ‘pristine and green’, in contrast to the rest of the rapidly contaminating world where the race for markets and profits has enormously accelerated consumption, imposing on the environment an alarming level of extraction and commerce, and a wide array of new and old forms of pollution. &lt;break/&gt;Environmental historians, however, can perceive that the reputed ‘greenness’ of the Nordic countries is partly an illusion. Authors in this volume argue that Finland, similarly to Denmark, Norway and Sweden, has evolved into a green superpower at the cost of considerable environmental problems. Ironically, Finland’s current leading position in sustainable development has been built on the heavy use of natural resources and by sacrificing ecosystem health. &lt;break/&gt;This volume thus seeks to acquaint the reader with many stories of long-lasting negative environmental impacts in and around Finland: old-growth forests have been replaced by intensive forest farming for lumber and pulp industries; most wetlands have been drained for agriculture, forest cultivation and peat extraction; wild animal populations have been decimated; and Finland today is confined to the south and west by arguably the most polluted sea in the world.&lt;break/&gt;There are lessons for the future to be learnt from Finland’s tendency to rest on the laurels of a positive environmental reputation built at least in part on myth. In the twenty-first century, the world badly needs less greenwashing and a truer commitment to green-ness.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text>Contributor Biographies

Chapter 1. Introduction to the Environmental Histories of Finland
Viktor Pál, Tuomas Räsänen, Mikko Saikku

Section 1. Ideas and the Human Construction of the Environment

Chapter 2. Knowledge on Trees and Forests – Finnish Forest Research from the Nineteenth to the Twentieth Century
Jaana Laine

Chapter 3. ‘Reaching Maturity’ or ‘Selling Out’? The Idea of Green Growth in Finnish Green Party Environmental Discourses 1988–1995
Risto-Matti Matero

Chapter 4. The Changing Status of Birch Trees in the Finnish Forests. From the Seventeenth to the Twentieth Century
Seija A. Niemi

Chapter 5. Trash Food? Fish as Food in Finnish Society between the 1870s and the 1990s
Matti Hannikainen

Section 2. Contested and Colonised Spaces

Chapter 6. Cultural Nature in Mid-Lappish Reindeer Herding Communities
Maria Lähteenmäki, Oona Ilmolahti, Outi Manninen and Sari Stark

Chapter 7. Sami Frames in the Planning and Management of Nature Protection Areas in Historical Perspective – Environmental Non-conflict in Inari
Jukka Nyyssönen

Chapter 8. Wolves and the Finnish Wilderness: Changing Forests and the Proper Place for Wolves in Twentieth Century Finland
Heta Lähdesmäki

Chapter 9. All Quiet on the Eastern Front? The Finnish Army and Wildlife during WWII
Mauri Soikkanen and Simo Laakkonen

Section 3. Altering the Environment

Chapter 10. From Stale Air to Toxic: Concerns About Urban Air in Finland
Janne Mäkiranta

Chapter 11. From Eradication Campaigns to Care Protection: Finnish Endangered Animals in the Twentieth Century
Tuomas Räsänen</Text>
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          <BiographicalNote>&lt;p&gt;Viktor Pál is a Hungarian environmental historian, an associate professor at the University of Tampere and the University of Ostrava, and a visiting researcher at the University of Helsinki. He is the author of Technology and the Environment in State-socialist Hungary: An Economic History (Palgrave Macmillan, 2017) and with Stephen Brain has co-edited the collection of essays, Environmentalism under Authoritarian Regimes. Myth, Propaganda, Reality (Routledge, 2019).&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Tuomas Räsänen works as an associate professor of environmental history at the University of Eastern Finland. His research interests include the history of human-wild animal relationship, the history of Finnish environmentalism and the Baltic Sea marine environmental history.&lt;/p&gt;</BiographicalNote>
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            <TitleText language="eng">Chapter 2. Knowledge of Trees and Forests – Finnish Forest Research from the Nineteenth to the Twentieth Century</TitleText>
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          <BiographicalNote>&lt;p&gt;Jaana Laine is a university lecturer in social sciences at the LUT University (Lappeenranta, Finland) and an associate professor at the University of Helsinki. Her publications concentrate on Finnish forest history, covering, for instance, timber trade institutions, forest workers and labour markets and the history of the Finnish Forest Research Institute. Recent research interests include human-forest relationships.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Finnish forestry and forest science reflect demands set by the state administration and the forest industry but also private forest and nature conservation organisations, and nowadays private citizens e.g., through social media. From the late nineteenth century to the 2020s, the history of forests, forest science and Finnish society consists </Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Finnish forestry and forest science reflect demands set by the state administration and the forest industry but also private forest and nature conservation organisations, and nowadays private citizens e.g., through social media. From the late nineteenth century to the 2020s, the history of forests, forest science and Finnish society consists of four&lt;break/&gt;main periods.&lt;break/&gt;During the first period – know the forests (late nineteenth century–1930s) – society needed and gained information on forests, especially on growing timber stock (the first forest inventory in the 1920s) and wood consumption (the first inventory of wood consumption in the 1930s). In addition, researchers produced knowledge for&lt;break/&gt;silvicultural practices and forest biology. Rationalising forestry and developing timber procurement were seen as essential during the second period – exploit the forests (1940s–1960s). Since timber removals exceeded annual growth, the state launched massive forest improvement actions. Large clear-cuttings were regenerated with conifer saplings and massive draining of bogs was enacted. As a result, society more extensively exploited and influenced the forests.&lt;break/&gt;During the third period – define the forests (1970s–1990s) –forests were no longer respected merely as a source of economic prosperity. Escalating disputes came about when environmental activism and public discussions challenged forestry practices. Scientific knowledge became imbricated, besides traditional forestry values, also with nature conservation, recreational and environmental values related to forests. &lt;break/&gt;During the 1990s, changes in forest legislation paved the way for more pluralistic values of forests.&lt;break/&gt;During the most recent period – discover forests’ futures (2000s–) – climate change and conflicting human-forest relationships set new demands for forestry and forest science. Forests’ importance has grown from the private and national level to the global context. Forests are respected as carbon sinks and storage, for their rich biodiversity, and as a source of mental and physical health. Forests as living entities are often recognised and new steps have been taken towards more pluralistic human-forest relationships, posthumanism and interspecies perspectives.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Finnish forestry and forest science reflect demands set by the state administration and the forest industry but also private forest and nature conservation organisations, and nowadays private citizens e.g., through social media. From the late nineteenth century to the 2020s, the history of forests, forest science and Finnish society consists of four&lt;break/&gt;main periods.&lt;break/&gt;During the first period – know the forests (late nineteenth century–1930s) – society needed and gained information on forests, especially on growing timber stock (the first forest inventory in the 1920s) and wood consumption (the first inventory of wood consumption in the 1930s). In addition, researchers produced knowledge for&lt;break/&gt;silvicultural practices and forest biology. Rationalising forestry and developing timber procurement were seen as essential during the second period – exploit the forests (1940s–1960s). Since timber removals exceeded annual growth, the state launched massive forest improvement actions. Large clear-cuttings were regenerated with conifer saplings and massive draining of bogs was enacted. As a result, society more extensively exploited and influenced the forests.&lt;break/&gt;During the third period – define the forests (1970s–1990s) –forests were no longer respected merely as a source of economic prosperity. Escalating disputes came about when environmental activism and public discussions challenged forestry practices. Scientific knowledge became imbricated, besides traditional forestry values, also with nature conservation, recreational and environmental values related to forests. &lt;break/&gt;During the 1990s, changes in forest legislation paved the way for more pluralistic values of forests.&lt;break/&gt;During the most recent period – discover forests’ futures (2000s–) – climate change and conflicting human-forest relationships set new demands for forestry and forest science. Forests’ importance has grown from the private and national level to the global context. Forests are respected as carbon sinks and storage, for their rich biodiversity, and as a source of mental and physical health. Forests as living entities are often recognised and new steps have been taken towards more pluralistic human-forest relationships, posthumanism and interspecies perspectives.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 3. ‘Reaching Maturity’ or ‘Selling Out’? The Idea of Green Growth in Finnish Green Party Environmental Discourses 1988–1995</TitleText>
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          <BiographicalNote>&lt;p&gt;Risto-Matti Matero (MA, M.Soc.Sci) is a Ph.D. Candidate in General History in the Department of History and Ethnology at the University of Jyväskylä. He is currently writing his dissertation on the development of environmental ideas in the 1980s and 1990s in Finnish and German Green Parties.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Over the past decades, major shifts have taken place in public environmental discourses transnationally, of which the Finnish Green party provides an illustrative example. Green parties were formed throughout Europe to represent radical alternative social movements and their growth-critical ideals. By the turn of the millennium, however, earl</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Over the past decades, major shifts have taken place in public environmental discourses transnationally, of which the Finnish Green party provides an illustrative example. Green parties were formed throughout Europe to represent radical alternative social movements and their growth-critical ideals. By the turn of the millennium, however, earlier radicalism was transformed into moderate ideals of green growth.&lt;break/&gt;This chapter demonstrates how green growth ideals were used as a political tool by the Finnish Green Party to better adapt to a free market political system, as well as some of the premises with which this turn was implemented. As a political act, the goal of implementing green growth ideals was to be more efficient within the prevailing political system. The need for such pragmatism can be explained with William Connolly’s framework of cultural belonging: in order to act meaningfully, one needs to adapt to the premises of the culture one operates in, causing a challenge for paradigm-shifting environmentalism to become implemented politically. The case of Finnish Green party ideological development provides an example of this transnational phenomenon.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Over the past decades, major shifts have taken place in public environmental discourses transnationally, of which the Finnish Green party provides an illustrative example. Green parties were formed throughout Europe to represent radical alternative social movements and their growth-critical ideals. By the turn of the millennium, however, earlier radicalism was transformed into moderate ideals of green growth.&lt;break/&gt;This chapter demonstrates how green growth ideals were used as a political tool by the Finnish Green Party to better adapt to a free market political system, as well as some of the premises with which this turn was implemented. As a political act, the goal of implementing green growth ideals was to be more efficient within the prevailing political system. The need for such pragmatism can be explained with William Connolly’s framework of cultural belonging: in order to act meaningfully, one needs to adapt to the premises of the culture one operates in, causing a challenge for paradigm-shifting environmentalism to become implemented politically. The case of Finnish Green party ideological development provides an example of this transnational phenomenon.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 4. The Changing Status of Birch Trees in Finnish Forests from the Seventeenth to the Twentieth Century</TitleText>
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          <BiographicalNote>&lt;p&gt;Seija A. Niemi is an independent scholar. Her doctoral thesis (2018) discusses the Finnish-Swedish explorer and scientist Adolf Erik Nordenskiöld (1832–1901) and his place in the history of early Nordic conservation. Her publications include, for example, ‘Exploring environmental literacy from a historical perspective’, in Estelita Vaz, Cristina Joanaz de Melo and Ligia M. Costa Pinto (eds), Environmental History in the Making. Volume I: Explaining (New York: Springer, 2016) and ‘How fossils gave the first hints of climate change’, in Dolly Jörgensen and Sverker Sörlin (eds), Northscapes: History, Technology, and the Making of Northern Environments (Vancouver: University of British Columbia Press, 2013). Niemi’s other articles can be found in several scientific journals.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This chapter illuminates the changing status of the birch tree, how the Finns have perceived it, and what have Finnish standards of environmental literacy have been from the seventeenth century to the twentieth century. This period covers both pre-industrial and industrial socio-economic changes, from the ancient hunters and slash-and-burn cu</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This chapter illuminates the changing status of the birch tree, how the Finns have perceived it, and what have Finnish standards of environmental literacy have been from the seventeenth century to the twentieth century. This period covers both pre-industrial and industrial socio-economic changes, from the ancient hunters and slash-and-burn cultivators to modern architecture, art and wood processing industries. Finland’s forests are relatively the largest in Europe: 86 % of the country’s surface is covered with the woods. The three most common tree species are pine, spruce and birch. The value of pine and spruce grew significantly when the wood processing industry began to use wood fibres in production, while birch has had its ups and downs which makes it an interesting tree to study.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This chapter illuminates the changing status of the birch tree, how the Finns have perceived it, and what have Finnish standards of environmental literacy have been from the seventeenth century to the twentieth century. This period covers both pre-industrial and industrial socio-economic changes, from the ancient hunters and slash-and-burn cultivators to modern architecture, art and wood processing industries. Finland’s forests are relatively the largest in Europe: 86 % of the country’s surface is covered with the woods. The three most common tree species are pine, spruce and birch. The value of pine and spruce grew significantly when the wood processing industry began to use wood fibres in production, while birch has had its ups and downs which makes it an interesting tree to study.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 5. Trash Food? Fish as Food in Finnish Society between the 1870s and the 1990s</TitleText>
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          <PersonName>Matti O. Hannikainen</PersonName>
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          <BiographicalNote>&lt;p&gt;Matti O. Hannikainen works as a post-doctoral researcher at the University of Helsinki. He is the author of Greening of London 1920–2000 (Ashgate 2016). He has specialised in environmental and urban history. His current focus is on cultural history of fish in Finnish society from the 1850s to the present.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;The relationship between the Finns and fish as food changed drastically during the twentieth century. In this chapter, we shall explore how the concept ‘trash fish’, which refers to those species with little or no value for human consumption, was invented and how it evolved and affected the consumption of fish in Finnish society. A scientific</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;The relationship between the Finns and fish as food changed drastically during the twentieth century. In this chapter, we shall explore how the concept ‘trash fish’, which refers to those species with little or no value for human consumption, was invented and how it evolved and affected the consumption of fish in Finnish society. A scientific discourse aimed at rationalising fishing by classifying fish species according to their (potential) commercial value, thus promoting the valuable species and labelling a few as trash. More importantly, Finns began to prefer both fresh and imported frozen fish over salted fish. This had a drastic impact on the consumption of fish, marking a change captured in numerous cookbooks. Based on the textual analysis of official documents, fishing manuals, journal articles and cookbooks all published in Finnish, we will explore how value of various fish species reflected changes in scientific and culinary discourses.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;The relationship between the Finns and fish as food changed drastically during the twentieth century. In this chapter, we shall explore how the concept ‘trash fish’, which refers to those species with little or no value for human consumption, was invented and how it evolved and affected the consumption of fish in Finnish society. A scientific discourse aimed at rationalising fishing by classifying fish species according to their (potential) commercial value, thus promoting the valuable species and labelling a few as trash. More importantly, Finns began to prefer both fresh and imported frozen fish over salted fish. This had a drastic impact on the consumption of fish, marking a change captured in numerous cookbooks. Based on the textual analysis of official documents, fishing manuals, journal articles and cookbooks all published in Finnish, we will explore how value of various fish species reflected changes in scientific and culinary discourses.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 6. Cultural Nature in Mid-Lappish Reindeer Herding Communities</TitleText>
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          <PersonName>Maria Lähteenmäki</PersonName>
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          <BiographicalNote>&lt;p&gt;Maria Lähteenmäki is Professor in History at the University of Eastern Finland and Adjunct Professor at the University of Helsinki. She specialises in the history of sub-arctic border regions and communities such as Lapland, the Barents region and Karelia. She has published works such as The Peoples in Lapland. Borders and Interaction in the North Calotte 1808–1889 (2006) and Footprints in the Snow: A Long History of the Arctic Finland (2017). She co-edited Lake Ladoga. The Coastal History of the Greatest Lake in Europe (2023) and co-edited The Barents Region. A Transnational History of Subarctic Northern Europe (2015). Her latest work is Punapakolaiset, which chronicles Finnish red refugees in Soviet Karelia in 1918‒1938.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Oona Ilmolahti has a Ph.D. in history, and she is a project researcher at the University of Eastern Finland. Her interests lie in the history of emotions and senses, post-war societies, transgenerational trauma, museology and culture nature interaction. In recent years she has studied border regions, in particular Karelian identities, as well as biographies. Her latest article concerns the multisensory history of Lake Ladoga (2022).&lt;/p&gt;</BiographicalNote>
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          <PersonName>Outi Manninen</PersonName>
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          <BiographicalNote>&lt;p&gt;Outi Manninen is a Doctor of Natural Sciences and Senior researcher. She is a plant ecologist, currently working as a researcher at the University of Lapland and Natural Resources Institute Finland. She is a member of the project ‘Historical sites as a novel tool for predicting long-term boreal and subarctic ecosystem change’ (HISTECO). Her latest co-authored article concerns historical reindeer corrals as portraits of human-nature relationships in Northern Finland (2022).&lt;/p&gt;</BiographicalNote>
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          <PersonName>Sari Stark</PersonName>
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          <BiographicalNote>&lt;p&gt;Sari Stark is Docent in Plant Ecology and university researcher in the University of Lapland. Her research focus is the effects of global changes on northern ecosystems. She is the PI of the project ‘Historical sites as a novel tool for predicting long-term boreal and subarctic ecosystem change’ (HISTECO), financed by Academy of Finland 2019‒2023. Her latest co-authored article is ‘The ecosystem effects of reindeer (Rangifer tarandus) in northern Fennoscandia: Past, present and future’, Perspectives in Plant Ecology, Evolution and Systematics 58 (2023).&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Our research task is to present and analyse features of the local human-nature and human-reindeer relations in the historical timespan of the twentieth century and in the context of cultural nature in the historical Forest Sami area of Finnish Mid-Lapland. By cultural nature we refer to the different meanings and attributes groups and individ</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Our research task is to present and analyse features of the local human-nature and human-reindeer relations in the historical timespan of the twentieth century and in the context of cultural nature in the historical Forest Sami area of Finnish Mid-Lapland. By cultural nature we refer to the different meanings and attributes groups and individuals give and have given to their surrounding natural environment with its fauna, flora, and waterways. The question is viewed through environmental changes and the meanings connected to reindeer roundups (corrals) and roundup places as an example of human-nature interaction. The reindeer roundups have historically been important social meeting places for subarctic communities, and the roundup events have traditionally been the highlight of the reindeer year. Our empirical focus lies in two reindeer herding cooperatives (Finn. paliskunta), Sattasniemi and Oraniemi, geographically located in the middle of Finnish Lapland ‒ mainly in Sodankylä, and partly in Savukoski and Pelkosenniemi municipalities ‒ and the reindeer roundup processes in these cooperatives. Our key source data consists of archival material, such as the minutes and reports of the Reindeer Herders Association and Sattasniemi co-operative. We have also utilised regional, local and occupational newspapers and magazines from the 1920s to the 2010s. In order to reach the voices of the contemporary herder communities we conducted a Cultural Nature Survey from 22 February to 30 March 2021. In the course of the twentieth century, Mid-Lapland faced enormous environmental changes. Intensive forestry, energy production and the mining industry have physically altered the landscape and disturbed reindeer herding based on natural pasture rotation. Continuity of livelihood and way of life are worrying issues in the region. The feeling of not being heard or understood also affects communities’ nature and reindeer relationships. The more the surrounding natural and cultural environments have changed, the more the Mid-Lappish communities have tried to revitalise the ‘original’ nature-human-reindeer relationship and the nostalgic stories of dense forests, free waterways and untouched wilderness. The locals emphasise their ‘authentic’ Lappish lifestyle, at least in terms of reindeer herding. This endeavour can be regarded as cultural use of nature.&lt;break/&gt;The article was prepared in cooperation between the University of Lapland and the University of Eastern Finland. It is part of the HISTECO project (2019‒2023) funded by the Academy of Finland and led by Sari Stark.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Our research task is to present and analyse features of the local human-nature and human-reindeer relations in the historical timespan of the twentieth century and in the context of cultural nature in the historical Forest Sami area of Finnish Mid-Lapland. By cultural nature we refer to the different meanings and attributes groups and individuals give and have given to their surrounding natural environment with its fauna, flora, and waterways. The question is viewed through environmental changes and the meanings connected to reindeer roundups (corrals) and roundup places as an example of human-nature interaction. The reindeer roundups have historically been important social meeting places for subarctic communities, and the roundup events have traditionally been the highlight of the reindeer year. Our empirical focus lies in two reindeer herding cooperatives (Finn. paliskunta), Sattasniemi and Oraniemi, geographically located in the middle of Finnish Lapland ‒ mainly in Sodankylä, and partly in Savukoski and Pelkosenniemi municipalities ‒ and the reindeer roundup processes in these cooperatives. Our key source data consists of archival material, such as the minutes and reports of the Reindeer Herders Association and Sattasniemi co-operative. We have also utilised regional, local and occupational newspapers and magazines from the 1920s to the 2010s. In order to reach the voices of the contemporary herder communities we conducted a Cultural Nature Survey from 22 February to 30 March 2021. In the course of the twentieth century, Mid-Lapland faced enormous environmental changes. Intensive forestry, energy production and the mining industry have physically altered the landscape and disturbed reindeer herding based on natural pasture rotation. Continuity of livelihood and way of life are worrying issues in the region. The feeling of not being heard or understood also affects communities’ nature and reindeer relationships. The more the surrounding natural and cultural environments have changed, the more the Mid-Lappish communities have tried to revitalise the ‘original’ nature-human-reindeer relationship and the nostalgic stories of dense forests, free waterways and untouched wilderness. The locals emphasise their ‘authentic’ Lappish lifestyle, at least in terms of reindeer herding. This endeavour can be regarded as cultural use of nature.&lt;break/&gt;The article was prepared in cooperation between the University of Lapland and the University of Eastern Finland. It is part of the HISTECO project (2019‒2023) funded by the Academy of Finland and led by Sari Stark.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 7. Sámi Frames in the Planning and Management of Nature Protection Areas in Historical Perspective – Environmental Non-conflict in Inari</TitleText>
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          <BiographicalNote>&lt;p&gt;Jukka Nyyssönen works as a Research Professor at The High North Department at the Norwegian Institute for Cultural Heritage Research in Tromsø, Norway. He has expertise on Sami history, which he has studied from numerous perspectives, including but not limited to Environmental History, History of Minorities and Animal History.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;What kind of framings can be detected in Sámi opinions on conservation of nature in Inari? The region has witnessed recurrent conflicts over land usage, fought between forestry officials and Sami herders. Establishment of nature reserves has aroused severe disputes as well, but conservation enjoys continuing support among the Sámi herders. Th</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;What kind of framings can be detected in Sámi opinions on conservation of nature in Inari? The region has witnessed recurrent conflicts over land usage, fought between forestry officials and Sami herders. Establishment of nature reserves has aroused severe disputes as well, but conservation enjoys continuing support among the Sámi herders. This article charts the preconditions for this state of affairs through cases of  the establishment of the state park of Koilliskaira (1975–1982) and recent administrative measures in park administration by the Sami Parliament (2000s). An analysis is undertaken of whether the frames concerning conservation aligned in the administrative setting and the background reasons for the (non-)alignment. The actors studied are those Sámi included in the establishment processes and the park administration: the Sámi herders and the Sami Parliament. The conservation history is contextualised in the history of the Sámi movement and its relations to state actors, the Forest and Park Service (FPS). The case is one of success for both conservationists and Sámi. The Sámi mostly favoured conservation, because the protection of parks meant protection of reindeer herding from competing land-use forms. Later, conservation became a way to manifest the cultural autonomy, self-determination and cultural rights of the Sámi. An institutional source for this success was the marginalisation of the FPS from park establishment processes. The case was framed mostly economically, as a possibility to safeguard the pastures from forestry, and later as a case of indigenous rights. The economic framing resonated well both with conservationists and the general sentiments of the era; only later did indigenous rights clash with environmental values.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;What kind of framings can be detected in Sámi opinions on conservation of nature in Inari? The region has witnessed recurrent conflicts over land usage, fought between forestry officials and Sami herders. Establishment of nature reserves has aroused severe disputes as well, but conservation enjoys continuing support among the Sámi herders. This article charts the preconditions for this state of affairs through cases of  the establishment of the state park of Koilliskaira (1975–1982) and recent administrative measures in park administration by the Sami Parliament (2000s). An analysis is undertaken of whether the frames concerning conservation aligned in the administrative setting and the background reasons for the (non-)alignment. The actors studied are those Sámi included in the establishment processes and the park administration: the Sámi herders and the Sami Parliament. The conservation history is contextualised in the history of the Sámi movement and its relations to state actors, the Forest and Park Service (FPS). The case is one of success for both conservationists and Sámi. The Sámi mostly favoured conservation, because the protection of parks meant protection of reindeer herding from competing land-use forms. Later, conservation became a way to manifest the cultural autonomy, self-determination and cultural rights of the Sámi. An institutional source for this success was the marginalisation of the FPS from park establishment processes. The case was framed mostly economically, as a possibility to safeguard the pastures from forestry, and later as a case of indigenous rights. The economic framing resonated well both with conservationists and the general sentiments of the era; only later did indigenous rights clash with environmental values.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 8. Wolves and the Finnish Wilderness: Changing Forests and the Proper Place for Wolves in Twentieth-Century Finland</TitleText>
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          <BiographicalNote>&lt;p&gt;Heta Lähdesmäki is a historian specialising in human-animal studies, human-wildlife conflicts and conservation. She completed a Ph.D. in cultural history in 2020 at the University of Turku, studying human-wolf relations in twentieth century Finland. After that, she studied the relationship between humans and nature in Seili island in a multidisciplinary research project, Seili - Elämän saari, funded by the Kone Foundation and led by the Biodiversity unit at the University of Turku. She is part of the Academy of Finland funded HumBio-project, investigating the human relationship with disappeared, endangered, introduced and non-native, as well as invasive, marine animals and plants in Finland. Currently, Lähdesmäki is a postdoctoral researcher at the University of Helsinki and the Helsinki Institute of Sustainability Science. She is part of the Helsinki Urban Rat Project and studies the history of bird feeding and rat conflicts in Helsinki city.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;These days, if wolves roam close to human settlements, people often argue that there is something problematic and unnatural in it. This is the case especially in western Finland where wolf packs are being observed after a long period of absence. Not everyone living in western Finland has welcomed wolves as neighbours. Local people can argue t</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;These days, if wolves roam close to human settlements, people often argue that there is something problematic and unnatural in it. This is the case especially in western Finland where wolf packs are being observed after a long period of absence. Not everyone living in western Finland has welcomed wolves as neighbours. Local people can argue that wolves should not live in western Finland because there are no wilderness areas there. Wolves have been connected to the wilderness in many countries and regions in the world. In some areas, the notion that the wolf belongs to the wilderness is old: For instance, historian Aleksander Pluskowski has argued that there was a persistent conceptual link between wolves and the wilderness in Britain and Scandinavia during the Middle Ages. In this chapter, I look into this notion and trace its history in the Finnish context by studying newspaper reports, magazine articles and contemporary literature. I argue that the idea that wolves belong to the wilderness is a relatively new and controversial notion connected to various social and environmental changes. Interestingly, at the same time as the idea that the wolf is a wilderness species strengthened, the Finnish environment underwent changes that meant that the areas that could be called wilderness became fewer.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;These days, if wolves roam close to human settlements, people often argue that there is something problematic and unnatural in it. This is the case especially in western Finland where wolf packs are being observed after a long period of absence. Not everyone living in western Finland has welcomed wolves as neighbours. Local people can argue that wolves should not live in western Finland because there are no wilderness areas there. Wolves have been connected to the wilderness in many countries and regions in the world. In some areas, the notion that the wolf belongs to the wilderness is old: For instance, historian Aleksander Pluskowski has argued that there was a persistent conceptual link between wolves and the wilderness in Britain and Scandinavia during the Middle Ages. In this chapter, I look into this notion and trace its history in the Finnish context by studying newspaper reports, magazine articles and contemporary literature. I argue that the idea that wolves belong to the wilderness is a relatively new and controversial notion connected to various social and environmental changes. Interestingly, at the same time as the idea that the wolf is a wilderness species strengthened, the Finnish environment underwent changes that meant that the areas that could be called wilderness became fewer.&lt;/p&gt;&lt;/p&gt;</Text>
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          <BiographicalNote>&lt;p&gt;Mauri Soikkanen, MA, is a retired journalist, editor and historian. Soikkanen studied natural history and biology at the University of Helsinki and worked as a geography assistant after graduation. He started as the first nature editor of the Finnish Broadcasting Corporation in 1956, later becoming the programme manager. Soikkanen was the editor-in-chief of Finland's longest-running hunting and fishing magazine. He has written or edited over thirty books on the history of hunting and fishing, including one book on World War Two.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;World War II was arguably the most important event of the last century. The war was waged on almost all continents. It engulfed three-quarters of the world’s population and was the world’s most destructive war, claiming fifty to seventy million lives. In addition, the war injured hundreds of millions of people and innumerable other living cre</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;World War II was arguably the most important event of the last century. The war was waged on almost all continents. It engulfed three-quarters of the world’s population and was the world’s most destructive war, claiming fifty to seventy million lives. In addition, the war injured hundreds of millions of people and innumerable other living creatures. Environmental history is a new way to explore the largest war that has taken place on Earth so far. This article focuses on the mobilisation of natural resources in this war. What role did hunting and fishing have during the Second World War? Depictions do exist in the memoirs of soldiers and officers from different countries, but hardly any historical studies have been conducted on these themes to date. This chapter is probably the first attempt made internationally to review the extent of hunting and fishing activity in wartime, and its importance both for military personnel and wildlife populations. It examines hunting and fishing along the thousand-kilometre border between Finland and the Soviet Union during World War Two. It focuses on the largest wilderness area in Europe where Finnish soldiers faced an oasis of wildlife that had disappeared from their own homesteads. However, within a short time period, this newly found wartime oasis disappeared too.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;World War II was arguably the most important event of the last century. The war was waged on almost all continents. It engulfed three-quarters of the world’s population and was the world’s most destructive war, claiming fifty to seventy million lives. In addition, the war injured hundreds of millions of people and innumerable other living creatures. Environmental history is a new way to explore the largest war that has taken place on Earth so far. This article focuses on the mobilisation of natural resources in this war. What role did hunting and fishing have during the Second World War? Depictions do exist in the memoirs of soldiers and officers from different countries, but hardly any historical studies have been conducted on these themes to date. This chapter is probably the first attempt made internationally to review the extent of hunting and fishing activity in wartime, and its importance both for military personnel and wildlife populations. It examines hunting and fishing along the thousand-kilometre border between Finland and the Soviet Union during World War Two. It focuses on the largest wilderness area in Europe where Finnish soldiers faced an oasis of wildlife that had disappeared from their own homesteads. However, within a short time period, this newly found wartime oasis disappeared too.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Air pollution can be seen as one of the oldest and most enduring environmental problems in human history. At the same time its modern form as a public health concern is relatively novel. The purpose of this chapter is to examine the concern about urban air quality in Finland from the late nineteenth century to the late 1960s, when the fear of</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Air pollution can be seen as one of the oldest and most enduring environmental problems in human history. At the same time its modern form as a public health concern is relatively novel. The purpose of this chapter is to examine the concern about urban air quality in Finland from the late nineteenth century to the late 1960s, when the fear of air pollution rose to new prominence. The chapter shows how nineteenth and early twentieth century concerns over urban air were based on the idea that clean air is beneficial for health. During the twentieth century, this vague hygienic idea was replaced by a more specific view that derived from medical research in industrial environments. From the late 1950s onwards, air pollution measurements and medical research provided a detailed analysis of air quality. As a result, the concern about urban air was directed towards specific pollutants and their potential effects on health. This toxicological approach has been criticised in environmental history for its reductionism. The chapter shows, however, how the same approach was embraced by the environmental critics of the late 1960s. These critics used the toxicological approach to make local air pollution part of the concern about global environmental contamination. The chapter concludes that, despite the new rhetoric of the 1960s, the concern over urban air was in many ways a continuation of the nineteenth century critique about the hazards of urban living and the general progress of civilisation. The longing for clean air was replaced by the ubiquitous threat of toxins in the environment.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Air pollution can be seen as one of the oldest and most enduring environmental problems in human history. At the same time its modern form as a public health concern is relatively novel. The purpose of this chapter is to examine the concern about urban air quality in Finland from the late nineteenth century to the late 1960s, when the fear of air pollution rose to new prominence. The chapter shows how nineteenth and early twentieth century concerns over urban air were based on the idea that clean air is beneficial for health. During the twentieth century, this vague hygienic idea was replaced by a more specific view that derived from medical research in industrial environments. From the late 1950s onwards, air pollution measurements and medical research provided a detailed analysis of air quality. As a result, the concern about urban air was directed towards specific pollutants and their potential effects on health. This toxicological approach has been criticised in environmental history for its reductionism. The chapter shows, however, how the same approach was embraced by the environmental critics of the late 1960s. These critics used the toxicological approach to make local air pollution part of the concern about global environmental contamination. The chapter concludes that, despite the new rhetoric of the 1960s, the concern over urban air was in many ways a continuation of the nineteenth century critique about the hazards of urban living and the general progress of civilisation. The longing for clean air was replaced by the ubiquitous threat of toxins in the environment.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This chapter examines the human relationship with wild animals in Finland during the twentieth century. The chapter analyses three distinctive, yet somewhat overlapping, stages of human-animal relations. The first stage covers much of the first part of the century, when wild animals were perceived almost solely through the prism of their util</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This chapter examines the human relationship with wild animals in Finland during the twentieth century. The chapter analyses three distinctive, yet somewhat overlapping, stages of human-animal relations. The first stage covers much of the first part of the century, when wild animals were perceived almost solely through the prism of their utility to humans. Game animals were considered as resources to be exploited, while predators were feared for the harm they might cause to humans and their domestic animals. As a result, many species from both categories were hunted to the brink of extinction. The second stage, around mid-century, saw the evolution of a more complex relation, when some species that were formerly hunted relentlessly were given protected status. Often these protected species were constructed as having cultural and historical significance for the Finnish people and thus being symbols of Finnishness. The third stage extends from the 1960s to the end of the century and beyond. During this stage, the protection of species and their habitats emerged as an elemental part of environmental discourse, with new labour-intensive techniques to protect wild animals. Yet, more than one tenth of Finnish animal species and half of habitats are endangered, and these trends have shown continuous deterioration.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This chapter examines the human relationship with wild animals in Finland during the twentieth century. The chapter analyses three distinctive, yet somewhat overlapping, stages of human-animal relations. The first stage covers much of the first part of the century, when wild animals were perceived almost solely through the prism of their utility to humans. Game animals were considered as resources to be exploited, while predators were feared for the harm they might cause to humans and their domestic animals. As a result, many species from both categories were hunted to the brink of extinction. The second stage, around mid-century, saw the evolution of a more complex relation, when some species that were formerly hunted relentlessly were given protected status. Often these protected species were constructed as having cultural and historical significance for the Finnish people and thus being symbols of Finnishness. The third stage extends from the 1960s to the end of the century and beyond. During this stage, the protection of species and their habitats emerged as an elemental part of environmental discourse, with new labour-intensive techniques to protect wild animals. Yet, more than one tenth of Finnish animal species and half of habitats are endangered, and these trends have shown continuous deterioration.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Authors in this volume argue that Finland, similarly to Denmark, Norway and Sweden, has evolved into a green superpower at the cost of considerable environmental problems. Ironically, Finland’s current leading position in sustainable development has been built on the heavy use of natural resources and by sacrificing ecosystem health.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Finland has often been labelled a ‘green superpower’, lauded as one of the world’s cleanest and greenest countries. Nordic countries in general have tended to be idealised as ‘pristine and green’, in contrast to the rest of the rapidly contaminating world where the race for markets and profits has enormously accelerated consumption, imposing on the environment an alarming level of extraction and commerce, and a wide array of new and old forms of pollution. &lt;break/&gt;Environmental historians, however, can perceive that the reputed ‘greenness’ of the Nordic countries is partly an illusion. Authors in this volume argue that Finland, similarly to Denmark, Norway and Sweden, has evolved into a green superpower at the cost of considerable environmental problems. Ironically, Finland’s current leading position in sustainable development has been built on the heavy use of natural resources and by sacrificing ecosystem health. &lt;break/&gt;This volume thus seeks to acquaint the reader with many stories of long-lasting negative environmental impacts in and around Finland: old-growth forests have been replaced by intensive forest farming for lumber and pulp industries; most wetlands have been drained for agriculture, forest cultivation and peat extraction; wild animal populations have been decimated; and Finland today is confined to the south and west by arguably the most polluted sea in the world.&lt;break/&gt;There are lessons for the future to be learnt from Finland’s tendency to rest on the laurels of a positive environmental reputation built at least in part on myth. In the twenty-first century, the world badly needs less greenwashing and a truer commitment to green-ness.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Finland has often been labelled a ‘green superpower’, lauded as one of the world’s cleanest and greenest countries. Nordic countries in general have tended to be idealised as ‘pristine and green’, in contrast to the rest of the rapidly contaminating world where the race for markets and profits has enormously accelerated consumption, imposing on the environment an alarming level of extraction and commerce, and a wide array of new and old forms of pollution. &lt;break/&gt;Environmental historians, however, can perceive that the reputed ‘greenness’ of the Nordic countries is partly an illusion. Authors in this volume argue that Finland, similarly to Denmark, Norway and Sweden, has evolved into a green superpower at the cost of considerable environmental problems. Ironically, Finland’s current leading position in sustainable development has been built on the heavy use of natural resources and by sacrificing ecosystem health. &lt;break/&gt;This volume thus seeks to acquaint the reader with many stories of long-lasting negative environmental impacts in and around Finland: old-growth forests have been replaced by intensive forest farming for lumber and pulp industries; most wetlands have been drained for agriculture, forest cultivation and peat extraction; wild animal populations have been decimated; and Finland today is confined to the south and west by arguably the most polluted sea in the world.&lt;break/&gt;There are lessons for the future to be learnt from Finland’s tendency to rest on the laurels of a positive environmental reputation built at least in part on myth. In the twenty-first century, the world badly needs less greenwashing and a truer commitment to green-ness.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text>Contributor Biographies

Chapter 1. Introduction to the Environmental Histories of Finland
Viktor Pál, Tuomas Räsänen, Mikko Saikku

Section 1. Ideas and the Human Construction of the Environment

Chapter 2. Knowledge on Trees and Forests – Finnish Forest Research from the Nineteenth to the Twentieth Century
Jaana Laine

Chapter 3. ‘Reaching Maturity’ or ‘Selling Out’? The Idea of Green Growth in Finnish Green Party Environmental Discourses 1988–1995
Risto-Matti Matero

Chapter 4. The Changing Status of Birch Trees in the Finnish Forests. From the Seventeenth to the Twentieth Century
Seija A. Niemi

Chapter 5. Trash Food? Fish as Food in Finnish Society between the 1870s and the 1990s
Matti Hannikainen

Section 2. Contested and Colonised Spaces

Chapter 6. Cultural Nature in Mid-Lappish Reindeer Herding Communities
Maria Lähteenmäki, Oona Ilmolahti, Outi Manninen and Sari Stark

Chapter 7. Sami Frames in the Planning and Management of Nature Protection Areas in Historical Perspective – Environmental Non-conflict in Inari
Jukka Nyyssönen

Chapter 8. Wolves and the Finnish Wilderness: Changing Forests and the Proper Place for Wolves in Twentieth Century Finland
Heta Lähdesmäki

Chapter 9. All Quiet on the Eastern Front? The Finnish Army and Wildlife during WWII
Mauri Soikkanen and Simo Laakkonen

Section 3. Altering the Environment

Chapter 10. From Stale Air to Toxic: Concerns About Urban Air in Finland
Janne Mäkiranta

Chapter 11. From Eradication Campaigns to Care Protection: Finnish Endangered Animals in the Twentieth Century
Tuomas Räsänen</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Finnish forestry and forest science reflect demands set by the state administration and the forest industry but also private forest and nature conservation organisations, and nowadays private citizens e.g., through social media. From the late nineteenth century to the 2020s, the history of forests, forest science and Finnish society consists of four&lt;break/&gt;main periods.&lt;break/&gt;During the first period – know the forests (late nineteenth century–1930s) – society needed and gained information on forests, especially on growing timber stock (the first forest inventory in the 1920s) and wood consumption (the first inventory of wood consumption in the 1930s). In addition, researchers produced knowledge for&lt;break/&gt;silvicultural practices and forest biology. Rationalising forestry and developing timber procurement were seen as essential during the second period – exploit the forests (1940s–1960s). Since timber removals exceeded annual growth, the state launched massive forest improvement actions. Large clear-cuttings were regenerated with conifer saplings and massive draining of bogs was enacted. As a result, society more extensively exploited and influenced the forests.&lt;break/&gt;During the third period – define the forests (1970s–1990s) –forests were no longer respected merely as a source of economic prosperity. Escalating disputes came about when environmental activism and public discussions challenged forestry practices. Scientific knowledge became imbricated, besides traditional forestry values, also with nature conservation, recreational and environmental values related to forests. &lt;break/&gt;During the 1990s, changes in forest legislation paved the way for more pluralistic values of forests.&lt;break/&gt;During the most recent period – discover forests’ futures (2000s–) – climate change and conflicting human-forest relationships set new demands for forestry and forest science. Forests’ importance has grown from the private and national level to the global context. Forests are respected as carbon sinks and storage, for their rich biodiversity, and as a source of mental and physical health. Forests as living entities are often recognised and new steps have been taken towards more pluralistic human-forest relationships, posthumanism and interspecies perspectives.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Finnish forestry and forest science reflect demands set by the state administration and the forest industry but also private forest and nature conservation organisations, and nowadays private citizens e.g., through social media. From the late nineteenth century to the 2020s, the history of forests, forest science and Finnish society consists of four&lt;break/&gt;main periods.&lt;break/&gt;During the first period – know the forests (late nineteenth century–1930s) – society needed and gained information on forests, especially on growing timber stock (the first forest inventory in the 1920s) and wood consumption (the first inventory of wood consumption in the 1930s). In addition, researchers produced knowledge for&lt;break/&gt;silvicultural practices and forest biology. Rationalising forestry and developing timber procurement were seen as essential during the second period – exploit the forests (1940s–1960s). Since timber removals exceeded annual growth, the state launched massive forest improvement actions. Large clear-cuttings were regenerated with conifer saplings and massive draining of bogs was enacted. As a result, society more extensively exploited and influenced the forests.&lt;break/&gt;During the third period – define the forests (1970s–1990s) –forests were no longer respected merely as a source of economic prosperity. Escalating disputes came about when environmental activism and public discussions challenged forestry practices. Scientific knowledge became imbricated, besides traditional forestry values, also with nature conservation, recreational and environmental values related to forests. &lt;break/&gt;During the 1990s, changes in forest legislation paved the way for more pluralistic values of forests.&lt;break/&gt;During the most recent period – discover forests’ futures (2000s–) – climate change and conflicting human-forest relationships set new demands for forestry and forest science. Forests’ importance has grown from the private and national level to the global context. Forests are respected as carbon sinks and storage, for their rich biodiversity, and as a source of mental and physical health. Forests as living entities are often recognised and new steps have been taken towards more pluralistic human-forest relationships, posthumanism and interspecies perspectives.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 3. ‘Reaching Maturity’ or ‘Selling Out’? The Idea of Green Growth in Finnish Green Party Environmental Discourses 1988–1995</TitleText>
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          <PersonName>Risto-Matti Matero</PersonName>
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          <BiographicalNote>&lt;p&gt;Risto-Matti Matero (MA, M.Soc.Sci) is a Ph.D. Candidate in General History in the Department of History and Ethnology at the University of Jyväskylä. He is currently writing his dissertation on the development of environmental ideas in the 1980s and 1990s in Finnish and German Green Parties.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Over the past decades, major shifts have taken place in public environmental discourses transnationally, of which the Finnish Green party provides an illustrative example. Green parties were formed throughout Europe to represent radical alternative social movements and their growth-critical ideals. By the turn of the millennium, however, earl</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Over the past decades, major shifts have taken place in public environmental discourses transnationally, of which the Finnish Green party provides an illustrative example. Green parties were formed throughout Europe to represent radical alternative social movements and their growth-critical ideals. By the turn of the millennium, however, earlier radicalism was transformed into moderate ideals of green growth.&lt;break/&gt;This chapter demonstrates how green growth ideals were used as a political tool by the Finnish Green Party to better adapt to a free market political system, as well as some of the premises with which this turn was implemented. As a political act, the goal of implementing green growth ideals was to be more efficient within the prevailing political system. The need for such pragmatism can be explained with William Connolly’s framework of cultural belonging: in order to act meaningfully, one needs to adapt to the premises of the culture one operates in, causing a challenge for paradigm-shifting environmentalism to become implemented politically. The case of Finnish Green party ideological development provides an example of this transnational phenomenon.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Over the past decades, major shifts have taken place in public environmental discourses transnationally, of which the Finnish Green party provides an illustrative example. Green parties were formed throughout Europe to represent radical alternative social movements and their growth-critical ideals. By the turn of the millennium, however, earlier radicalism was transformed into moderate ideals of green growth.&lt;break/&gt;This chapter demonstrates how green growth ideals were used as a political tool by the Finnish Green Party to better adapt to a free market political system, as well as some of the premises with which this turn was implemented. As a political act, the goal of implementing green growth ideals was to be more efficient within the prevailing political system. The need for such pragmatism can be explained with William Connolly’s framework of cultural belonging: in order to act meaningfully, one needs to adapt to the premises of the culture one operates in, causing a challenge for paradigm-shifting environmentalism to become implemented politically. The case of Finnish Green party ideological development provides an example of this transnational phenomenon.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 4. The Changing Status of Birch Trees in Finnish Forests from the Seventeenth to the Twentieth Century</TitleText>
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          <PersonName>Seija A. Neimi</PersonName>
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          <BiographicalNote>&lt;p&gt;Seija A. Niemi is an independent scholar. Her doctoral thesis (2018) discusses the Finnish-Swedish explorer and scientist Adolf Erik Nordenskiöld (1832–1901) and his place in the history of early Nordic conservation. Her publications include, for example, ‘Exploring environmental literacy from a historical perspective’, in Estelita Vaz, Cristina Joanaz de Melo and Ligia M. Costa Pinto (eds), Environmental History in the Making. Volume I: Explaining (New York: Springer, 2016) and ‘How fossils gave the first hints of climate change’, in Dolly Jörgensen and Sverker Sörlin (eds), Northscapes: History, Technology, and the Making of Northern Environments (Vancouver: University of British Columbia Press, 2013). Niemi’s other articles can be found in several scientific journals.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This chapter illuminates the changing status of the birch tree, how the Finns have perceived it, and what have Finnish standards of environmental literacy have been from the seventeenth century to the twentieth century. This period covers both pre-industrial and industrial socio-economic changes, from the ancient hunters and slash-and-burn cu</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This chapter illuminates the changing status of the birch tree, how the Finns have perceived it, and what have Finnish standards of environmental literacy have been from the seventeenth century to the twentieth century. This period covers both pre-industrial and industrial socio-economic changes, from the ancient hunters and slash-and-burn cultivators to modern architecture, art and wood processing industries. Finland’s forests are relatively the largest in Europe: 86 % of the country’s surface is covered with the woods. The three most common tree species are pine, spruce and birch. The value of pine and spruce grew significantly when the wood processing industry began to use wood fibres in production, while birch has had its ups and downs which makes it an interesting tree to study.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This chapter illuminates the changing status of the birch tree, how the Finns have perceived it, and what have Finnish standards of environmental literacy have been from the seventeenth century to the twentieth century. This period covers both pre-industrial and industrial socio-economic changes, from the ancient hunters and slash-and-burn cultivators to modern architecture, art and wood processing industries. Finland’s forests are relatively the largest in Europe: 86 % of the country’s surface is covered with the woods. The three most common tree species are pine, spruce and birch. The value of pine and spruce grew significantly when the wood processing industry began to use wood fibres in production, while birch has had its ups and downs which makes it an interesting tree to study.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 5. Trash Food? Fish as Food in Finnish Society between the 1870s and the 1990s</TitleText>
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          <PersonName>Matti O. Hannikainen</PersonName>
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          <BiographicalNote>&lt;p&gt;Matti O. Hannikainen works as a post-doctoral researcher at the University of Helsinki. He is the author of Greening of London 1920–2000 (Ashgate 2016). He has specialised in environmental and urban history. His current focus is on cultural history of fish in Finnish society from the 1850s to the present.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;The relationship between the Finns and fish as food changed drastically during the twentieth century. In this chapter, we shall explore how the concept ‘trash fish’, which refers to those species with little or no value for human consumption, was invented and how it evolved and affected the consumption of fish in Finnish society. A scientific</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;The relationship between the Finns and fish as food changed drastically during the twentieth century. In this chapter, we shall explore how the concept ‘trash fish’, which refers to those species with little or no value for human consumption, was invented and how it evolved and affected the consumption of fish in Finnish society. A scientific discourse aimed at rationalising fishing by classifying fish species according to their (potential) commercial value, thus promoting the valuable species and labelling a few as trash. More importantly, Finns began to prefer both fresh and imported frozen fish over salted fish. This had a drastic impact on the consumption of fish, marking a change captured in numerous cookbooks. Based on the textual analysis of official documents, fishing manuals, journal articles and cookbooks all published in Finnish, we will explore how value of various fish species reflected changes in scientific and culinary discourses.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;The relationship between the Finns and fish as food changed drastically during the twentieth century. In this chapter, we shall explore how the concept ‘trash fish’, which refers to those species with little or no value for human consumption, was invented and how it evolved and affected the consumption of fish in Finnish society. A scientific discourse aimed at rationalising fishing by classifying fish species according to their (potential) commercial value, thus promoting the valuable species and labelling a few as trash. More importantly, Finns began to prefer both fresh and imported frozen fish over salted fish. This had a drastic impact on the consumption of fish, marking a change captured in numerous cookbooks. Based on the textual analysis of official documents, fishing manuals, journal articles and cookbooks all published in Finnish, we will explore how value of various fish species reflected changes in scientific and culinary discourses.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 6. Cultural Nature in Mid-Lappish Reindeer Herding Communities</TitleText>
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          <PersonName>Maria Lähteenmäki</PersonName>
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            <Affiliation>University of Eastern Finland</Affiliation>
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          <BiographicalNote>&lt;p&gt;Maria Lähteenmäki is Professor in History at the University of Eastern Finland and Adjunct Professor at the University of Helsinki. She specialises in the history of sub-arctic border regions and communities such as Lapland, the Barents region and Karelia. She has published works such as The Peoples in Lapland. Borders and Interaction in the North Calotte 1808–1889 (2006) and Footprints in the Snow: A Long History of the Arctic Finland (2017). She co-edited Lake Ladoga. The Coastal History of the Greatest Lake in Europe (2023) and co-edited The Barents Region. A Transnational History of Subarctic Northern Europe (2015). Her latest work is Punapakolaiset, which chronicles Finnish red refugees in Soviet Karelia in 1918‒1938.&lt;/p&gt;</BiographicalNote>
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          <PersonName>Oona Ilmolahti</PersonName>
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          <BiographicalNote>&lt;p&gt;Oona Ilmolahti has a Ph.D. in history, and she is a project researcher at the University of Eastern Finland. Her interests lie in the history of emotions and senses, post-war societies, transgenerational trauma, museology and culture nature interaction. In recent years she has studied border regions, in particular Karelian identities, as well as biographies. Her latest article concerns the multisensory history of Lake Ladoga (2022).&lt;/p&gt;</BiographicalNote>
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          <PersonName>Outi Manninen</PersonName>
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          <BiographicalNote>&lt;p&gt;Outi Manninen is a Doctor of Natural Sciences and Senior researcher. She is a plant ecologist, currently working as a researcher at the University of Lapland and Natural Resources Institute Finland. She is a member of the project ‘Historical sites as a novel tool for predicting long-term boreal and subarctic ecosystem change’ (HISTECO). Her latest co-authored article concerns historical reindeer corrals as portraits of human-nature relationships in Northern Finland (2022).&lt;/p&gt;</BiographicalNote>
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          <PersonName>Sari Stark</PersonName>
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          <BiographicalNote>&lt;p&gt;Sari Stark is Docent in Plant Ecology and university researcher in the University of Lapland. Her research focus is the effects of global changes on northern ecosystems. She is the PI of the project ‘Historical sites as a novel tool for predicting long-term boreal and subarctic ecosystem change’ (HISTECO), financed by Academy of Finland 2019‒2023. Her latest co-authored article is ‘The ecosystem effects of reindeer (Rangifer tarandus) in northern Fennoscandia: Past, present and future’, Perspectives in Plant Ecology, Evolution and Systematics 58 (2023).&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Our research task is to present and analyse features of the local human-nature and human-reindeer relations in the historical timespan of the twentieth century and in the context of cultural nature in the historical Forest Sami area of Finnish Mid-Lapland. By cultural nature we refer to the different meanings and attributes groups and individ</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Our research task is to present and analyse features of the local human-nature and human-reindeer relations in the historical timespan of the twentieth century and in the context of cultural nature in the historical Forest Sami area of Finnish Mid-Lapland. By cultural nature we refer to the different meanings and attributes groups and individuals give and have given to their surrounding natural environment with its fauna, flora, and waterways. The question is viewed through environmental changes and the meanings connected to reindeer roundups (corrals) and roundup places as an example of human-nature interaction. The reindeer roundups have historically been important social meeting places for subarctic communities, and the roundup events have traditionally been the highlight of the reindeer year. Our empirical focus lies in two reindeer herding cooperatives (Finn. paliskunta), Sattasniemi and Oraniemi, geographically located in the middle of Finnish Lapland ‒ mainly in Sodankylä, and partly in Savukoski and Pelkosenniemi municipalities ‒ and the reindeer roundup processes in these cooperatives. Our key source data consists of archival material, such as the minutes and reports of the Reindeer Herders Association and Sattasniemi co-operative. We have also utilised regional, local and occupational newspapers and magazines from the 1920s to the 2010s. In order to reach the voices of the contemporary herder communities we conducted a Cultural Nature Survey from 22 February to 30 March 2021. In the course of the twentieth century, Mid-Lapland faced enormous environmental changes. Intensive forestry, energy production and the mining industry have physically altered the landscape and disturbed reindeer herding based on natural pasture rotation. Continuity of livelihood and way of life are worrying issues in the region. The feeling of not being heard or understood also affects communities’ nature and reindeer relationships. The more the surrounding natural and cultural environments have changed, the more the Mid-Lappish communities have tried to revitalise the ‘original’ nature-human-reindeer relationship and the nostalgic stories of dense forests, free waterways and untouched wilderness. The locals emphasise their ‘authentic’ Lappish lifestyle, at least in terms of reindeer herding. This endeavour can be regarded as cultural use of nature.&lt;break/&gt;The article was prepared in cooperation between the University of Lapland and the University of Eastern Finland. It is part of the HISTECO project (2019‒2023) funded by the Academy of Finland and led by Sari Stark.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Our research task is to present and analyse features of the local human-nature and human-reindeer relations in the historical timespan of the twentieth century and in the context of cultural nature in the historical Forest Sami area of Finnish Mid-Lapland. By cultural nature we refer to the different meanings and attributes groups and individuals give and have given to their surrounding natural environment with its fauna, flora, and waterways. The question is viewed through environmental changes and the meanings connected to reindeer roundups (corrals) and roundup places as an example of human-nature interaction. The reindeer roundups have historically been important social meeting places for subarctic communities, and the roundup events have traditionally been the highlight of the reindeer year. Our empirical focus lies in two reindeer herding cooperatives (Finn. paliskunta), Sattasniemi and Oraniemi, geographically located in the middle of Finnish Lapland ‒ mainly in Sodankylä, and partly in Savukoski and Pelkosenniemi municipalities ‒ and the reindeer roundup processes in these cooperatives. Our key source data consists of archival material, such as the minutes and reports of the Reindeer Herders Association and Sattasniemi co-operative. We have also utilised regional, local and occupational newspapers and magazines from the 1920s to the 2010s. In order to reach the voices of the contemporary herder communities we conducted a Cultural Nature Survey from 22 February to 30 March 2021. In the course of the twentieth century, Mid-Lapland faced enormous environmental changes. Intensive forestry, energy production and the mining industry have physically altered the landscape and disturbed reindeer herding based on natural pasture rotation. Continuity of livelihood and way of life are worrying issues in the region. The feeling of not being heard or understood also affects communities’ nature and reindeer relationships. The more the surrounding natural and cultural environments have changed, the more the Mid-Lappish communities have tried to revitalise the ‘original’ nature-human-reindeer relationship and the nostalgic stories of dense forests, free waterways and untouched wilderness. The locals emphasise their ‘authentic’ Lappish lifestyle, at least in terms of reindeer herding. This endeavour can be regarded as cultural use of nature.&lt;break/&gt;The article was prepared in cooperation between the University of Lapland and the University of Eastern Finland. It is part of the HISTECO project (2019‒2023) funded by the Academy of Finland and led by Sari Stark.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 7. Sámi Frames in the Planning and Management of Nature Protection Areas in Historical Perspective – Environmental Non-conflict in Inari</TitleText>
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          <PersonName>Jukka Nyyssönen</PersonName>
          <NamesBeforeKey>Jukka</NamesBeforeKey>
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            <ProfessionalPosition>Research Professor at The High North Department</ProfessionalPosition>
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            <Affiliation>Norwegian Institute for Cultural Heritage Research</Affiliation>
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          <BiographicalNote>&lt;p&gt;Jukka Nyyssönen works as a Research Professor at The High North Department at the Norwegian Institute for Cultural Heritage Research in Tromsø, Norway. He has expertise on Sami history, which he has studied from numerous perspectives, including but not limited to Environmental History, History of Minorities and Animal History.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;What kind of framings can be detected in Sámi opinions on conservation of nature in Inari? The region has witnessed recurrent conflicts over land usage, fought between forestry officials and Sami herders. Establishment of nature reserves has aroused severe disputes as well, but conservation enjoys continuing support among the Sámi herders. Th</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;What kind of framings can be detected in Sámi opinions on conservation of nature in Inari? The region has witnessed recurrent conflicts over land usage, fought between forestry officials and Sami herders. Establishment of nature reserves has aroused severe disputes as well, but conservation enjoys continuing support among the Sámi herders. This article charts the preconditions for this state of affairs through cases of  the establishment of the state park of Koilliskaira (1975–1982) and recent administrative measures in park administration by the Sami Parliament (2000s). An analysis is undertaken of whether the frames concerning conservation aligned in the administrative setting and the background reasons for the (non-)alignment. The actors studied are those Sámi included in the establishment processes and the park administration: the Sámi herders and the Sami Parliament. The conservation history is contextualised in the history of the Sámi movement and its relations to state actors, the Forest and Park Service (FPS). The case is one of success for both conservationists and Sámi. The Sámi mostly favoured conservation, because the protection of parks meant protection of reindeer herding from competing land-use forms. Later, conservation became a way to manifest the cultural autonomy, self-determination and cultural rights of the Sámi. An institutional source for this success was the marginalisation of the FPS from park establishment processes. The case was framed mostly economically, as a possibility to safeguard the pastures from forestry, and later as a case of indigenous rights. The economic framing resonated well both with conservationists and the general sentiments of the era; only later did indigenous rights clash with environmental values.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;What kind of framings can be detected in Sámi opinions on conservation of nature in Inari? The region has witnessed recurrent conflicts over land usage, fought between forestry officials and Sami herders. Establishment of nature reserves has aroused severe disputes as well, but conservation enjoys continuing support among the Sámi herders. This article charts the preconditions for this state of affairs through cases of  the establishment of the state park of Koilliskaira (1975–1982) and recent administrative measures in park administration by the Sami Parliament (2000s). An analysis is undertaken of whether the frames concerning conservation aligned in the administrative setting and the background reasons for the (non-)alignment. The actors studied are those Sámi included in the establishment processes and the park administration: the Sámi herders and the Sami Parliament. The conservation history is contextualised in the history of the Sámi movement and its relations to state actors, the Forest and Park Service (FPS). The case is one of success for both conservationists and Sámi. The Sámi mostly favoured conservation, because the protection of parks meant protection of reindeer herding from competing land-use forms. Later, conservation became a way to manifest the cultural autonomy, self-determination and cultural rights of the Sámi. An institutional source for this success was the marginalisation of the FPS from park establishment processes. The case was framed mostly economically, as a possibility to safeguard the pastures from forestry, and later as a case of indigenous rights. The economic framing resonated well both with conservationists and the general sentiments of the era; only later did indigenous rights clash with environmental values.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 8. Wolves and the Finnish Wilderness: Changing Forests and the Proper Place for Wolves in Twentieth-Century Finland</TitleText>
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          <PersonName>Heta Lähdesmäki</PersonName>
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            <ProfessionalPosition>Postdoctoral Researcher</ProfessionalPosition>
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            <Affiliation>University of Helsinki</Affiliation>
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          <BiographicalNote>&lt;p&gt;Heta Lähdesmäki is a historian specialising in human-animal studies, human-wildlife conflicts and conservation. She completed a Ph.D. in cultural history in 2020 at the University of Turku, studying human-wolf relations in twentieth century Finland. After that, she studied the relationship between humans and nature in Seili island in a multidisciplinary research project, Seili - Elämän saari, funded by the Kone Foundation and led by the Biodiversity unit at the University of Turku. She is part of the Academy of Finland funded HumBio-project, investigating the human relationship with disappeared, endangered, introduced and non-native, as well as invasive, marine animals and plants in Finland. Currently, Lähdesmäki is a postdoctoral researcher at the University of Helsinki and the Helsinki Institute of Sustainability Science. She is part of the Helsinki Urban Rat Project and studies the history of bird feeding and rat conflicts in Helsinki city.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;These days, if wolves roam close to human settlements, people often argue that there is something problematic and unnatural in it. This is the case especially in western Finland where wolf packs are being observed after a long period of absence. Not everyone living in western Finland has welcomed wolves as neighbours. Local people can argue t</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;These days, if wolves roam close to human settlements, people often argue that there is something problematic and unnatural in it. This is the case especially in western Finland where wolf packs are being observed after a long period of absence. Not everyone living in western Finland has welcomed wolves as neighbours. Local people can argue that wolves should not live in western Finland because there are no wilderness areas there. Wolves have been connected to the wilderness in many countries and regions in the world. In some areas, the notion that the wolf belongs to the wilderness is old: For instance, historian Aleksander Pluskowski has argued that there was a persistent conceptual link between wolves and the wilderness in Britain and Scandinavia during the Middle Ages. In this chapter, I look into this notion and trace its history in the Finnish context by studying newspaper reports, magazine articles and contemporary literature. I argue that the idea that wolves belong to the wilderness is a relatively new and controversial notion connected to various social and environmental changes. Interestingly, at the same time as the idea that the wolf is a wilderness species strengthened, the Finnish environment underwent changes that meant that the areas that could be called wilderness became fewer.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;These days, if wolves roam close to human settlements, people often argue that there is something problematic and unnatural in it. This is the case especially in western Finland where wolf packs are being observed after a long period of absence. Not everyone living in western Finland has welcomed wolves as neighbours. Local people can argue that wolves should not live in western Finland because there are no wilderness areas there. Wolves have been connected to the wilderness in many countries and regions in the world. In some areas, the notion that the wolf belongs to the wilderness is old: For instance, historian Aleksander Pluskowski has argued that there was a persistent conceptual link between wolves and the wilderness in Britain and Scandinavia during the Middle Ages. In this chapter, I look into this notion and trace its history in the Finnish context by studying newspaper reports, magazine articles and contemporary literature. I argue that the idea that wolves belong to the wilderness is a relatively new and controversial notion connected to various social and environmental changes. Interestingly, at the same time as the idea that the wolf is a wilderness species strengthened, the Finnish environment underwent changes that meant that the areas that could be called wilderness became fewer.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 9. All Quiet on the Eastern Front? The Finnish Army and Wildlife during World War Two</TitleText>
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          <PersonName>Mauri Soikkanen</PersonName>
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          <BiographicalNote>&lt;p&gt;Mauri Soikkanen, MA, is a retired journalist, editor and historian. Soikkanen studied natural history and biology at the University of Helsinki and worked as a geography assistant after graduation. He started as the first nature editor of the Finnish Broadcasting Corporation in 1956, later becoming the programme manager. Soikkanen was the editor-in-chief of Finland's longest-running hunting and fishing magazine. He has written or edited over thirty books on the history of hunting and fishing, including one book on World War Two.&lt;/p&gt;</BiographicalNote>
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          <PersonName>Simo Laakkonen</PersonName>
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            <ProfessionalPosition>Director of the Degree Program in Digital Culture, Landscape, and Cultural Heritage Studies</ProfessionalPosition>
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            <Affiliation>University of Turku</Affiliation>
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          <BiographicalNote>&lt;p&gt;Simo Laakkonen (Dr.Sc.Soc.) is director of the Degree Program in Digital Culture, Landscape, and Cultural Heritage Studies at the University of Turku, Finland. He has explored the environmental history of the Baltic Sea as well as of World War II and the Cold War. Recently, he co-edited two books: The Long Shadows: A Global Environmental History of the Second World War and The Resilient City in World War II: Urban Environmental Histories.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;World War II was arguably the most important event of the last century. The war was waged on almost all continents. It engulfed three-quarters of the world’s population and was the world’s most destructive war, claiming fifty to seventy million lives. In addition, the war injured hundreds of millions of people and innumerable other living cre</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;World War II was arguably the most important event of the last century. The war was waged on almost all continents. It engulfed three-quarters of the world’s population and was the world’s most destructive war, claiming fifty to seventy million lives. In addition, the war injured hundreds of millions of people and innumerable other living creatures. Environmental history is a new way to explore the largest war that has taken place on Earth so far. This article focuses on the mobilisation of natural resources in this war. What role did hunting and fishing have during the Second World War? Depictions do exist in the memoirs of soldiers and officers from different countries, but hardly any historical studies have been conducted on these themes to date. This chapter is probably the first attempt made internationally to review the extent of hunting and fishing activity in wartime, and its importance both for military personnel and wildlife populations. It examines hunting and fishing along the thousand-kilometre border between Finland and the Soviet Union during World War Two. It focuses on the largest wilderness area in Europe where Finnish soldiers faced an oasis of wildlife that had disappeared from their own homesteads. However, within a short time period, this newly found wartime oasis disappeared too.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;World War II was arguably the most important event of the last century. The war was waged on almost all continents. It engulfed three-quarters of the world’s population and was the world’s most destructive war, claiming fifty to seventy million lives. In addition, the war injured hundreds of millions of people and innumerable other living creatures. Environmental history is a new way to explore the largest war that has taken place on Earth so far. This article focuses on the mobilisation of natural resources in this war. What role did hunting and fishing have during the Second World War? Depictions do exist in the memoirs of soldiers and officers from different countries, but hardly any historical studies have been conducted on these themes to date. This chapter is probably the first attempt made internationally to review the extent of hunting and fishing activity in wartime, and its importance both for military personnel and wildlife populations. It examines hunting and fishing along the thousand-kilometre border between Finland and the Soviet Union during World War Two. It focuses on the largest wilderness area in Europe where Finnish soldiers faced an oasis of wildlife that had disappeared from their own homesteads. However, within a short time period, this newly found wartime oasis disappeared too.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 10. From Stale Air to Toxic: Concerns About Urban Air in Finland</TitleText>
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          <PersonName>Janne Mäkiranta</PersonName>
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          <BiographicalNote>&lt;p&gt;Janne Mäkiranta works as a post-doctoral researcher at the University of Turku in the department of European and World History. His research focuses on the entanglements of history of science and environmental history.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Air pollution can be seen as one of the oldest and most enduring environmental problems in human history. At the same time its modern form as a public health concern is relatively novel. The purpose of this chapter is to examine the concern about urban air quality in Finland from the late nineteenth century to the late 1960s, when the fear of</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Air pollution can be seen as one of the oldest and most enduring environmental problems in human history. At the same time its modern form as a public health concern is relatively novel. The purpose of this chapter is to examine the concern about urban air quality in Finland from the late nineteenth century to the late 1960s, when the fear of air pollution rose to new prominence. The chapter shows how nineteenth and early twentieth century concerns over urban air were based on the idea that clean air is beneficial for health. During the twentieth century, this vague hygienic idea was replaced by a more specific view that derived from medical research in industrial environments. From the late 1950s onwards, air pollution measurements and medical research provided a detailed analysis of air quality. As a result, the concern about urban air was directed towards specific pollutants and their potential effects on health. This toxicological approach has been criticised in environmental history for its reductionism. The chapter shows, however, how the same approach was embraced by the environmental critics of the late 1960s. These critics used the toxicological approach to make local air pollution part of the concern about global environmental contamination. The chapter concludes that, despite the new rhetoric of the 1960s, the concern over urban air was in many ways a continuation of the nineteenth century critique about the hazards of urban living and the general progress of civilisation. The longing for clean air was replaced by the ubiquitous threat of toxins in the environment.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;The time seems ripe for the greening of cities: green roofs and walls, planted pavements, shared or therapeutic gardens... Is the city discovering its vegetable nature?&lt;break/&gt;Exploring the place of nature in the French urban environment from the seventeenth to the twenty-first century, this volume, translated from the original French by Moya Jones, reveals, rather than a monolithic narrative, a continuous, but fluctuating, interlacing of paving stones and plants. The focus of this liberally illustrated book is not just gardens and parks, but also all the plants and plant matter that circulate in the space of the city – vegetable waste, market fruits and vegetables, cut flowers, etc. These various forms give a new inflection to the history of cities, taking us on a voyage back to their natural roots.&lt;break/&gt;We trace why the presence of certain aspects of nature in an urban environment has been accepted, sometimes encouraged; what actors have allowed it to take root and flourish; and what challenges have been faced along the way. In examining the vegetal nature of the city at the crossroads of social, economic, cultural and political history, green spaces and plants reveal themselves as instruments of urbanity or disorder; agents of stage setting, schooling and subsistence; objects of commerce, entertainment, scientific study, wellbeing or good living. From the gardens of the aristocracy of the Grand Siècle to the market of the Halles in Paris, from the parks of the Second Empire to botanical gardens, a whole new history is unveiled and throws the light of the past over our own time.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;The volume’s case studies highlight interdisciplinary efforts to protect heritage in conflict zones, drawing out guidance for those working in the Heritage Sector in these contexts, with specific relevance to those engaged in cultural heritage protection and those working in related interdisciplinary fields. Reviewing the historic relationshi</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;The right of access to, and enjoyment of, cultural heritage is enshrined in human rights norms and the devastating effects of armed conflict on cultural heritage are well documented, with the deliberate destruction of cultural heritage having been an integral part of warfare throughout history. Culture now, once again, finds itself on war’s frontline.&lt;break/&gt;Marking the 70th anniversary of the Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict, and in the current context of devastating conflicts in Ukraine, Gaza and Sudan, among others, Heritage at War – Plan and Prepare brings together military, academic,and heritage practitioners’ voices from across the Euro-Atlantic, North Africa and the Middle East and the Indo-Pacific to explore how lessons learned from past experiences of conflict can inform approaches to the safeguarding of cultural heritage today. Emerging from and building upon an international conference held at the V&amp;A Museum in February 2023, the book addresses how the military, the heritage sector and other stakeholders in Human Security can, and must, collaborate to give primacy to people and protect tangible and intangible cultural heritage under attack. &lt;break/&gt;The volume’s case studies highlight interdisciplinary efforts to protect heritage in conflict zones, drawing out guidance for those working in the Heritage Sector in these contexts, with specific relevance to those engaged in cultural heritage protection and those working in related interdisciplinary fields. Reviewing the historic relationship between heritage and armed conflict, and offering lessons for present-day practitioners, Heritage at War shows how, in different contexts, heritage can be a catalyst and target of conflict, an obstacle to stabilisation, and yet also a potential vector of peace-building and the return to normality.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;The right of access to, and enjoyment of, cultural heritage is enshrined in human rights norms and the devastating effects of armed conflict on cultural heritage are well documented, with the deliberate destruction of cultural heritage having been an integral part of warfare throughout history. Culture now, once again, finds itself on war’s frontline.&lt;break/&gt;Marking the 70th anniversary of the Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict, and in the current context of devastating conflicts in Ukraine, Gaza and Sudan, among others, Heritage at War – Plan and Prepare brings together military, academic,and heritage practitioners’ voices from across the Euro-Atlantic, North Africa and the Middle East and the Indo-Pacific to explore how lessons learned from past experiences of conflict can inform approaches to the safeguarding of cultural heritage today. Emerging from and building upon an international conference held at the V&amp;A Museum in February 2023, the book addresses how the military, the heritage sector and other stakeholders in Human Security can, and must, collaborate to give primacy to people and protect tangible and intangible cultural heritage under attack. &lt;break/&gt;The volume’s case studies highlight interdisciplinary efforts to protect heritage in conflict zones, drawing out guidance for those working in the Heritage Sector in these contexts, with specific relevance to those engaged in cultural heritage protection and those working in related interdisciplinary fields. Reviewing the historic relationship between heritage and armed conflict, and offering lessons for present-day practitioners, Heritage at War shows how, in different contexts, heritage can be a catalyst and target of conflict, an obstacle to stabilisation, and yet also a potential vector of peace-building and the return to normality.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text>Foreword
Tristram Hunt, Director – Victoria and Albert Museum

Introduction: Heritage at War – Plan and Prepare
Mark Dunkley, Anna Tulliach and Lisa Mol

Part I: Learning from the Past

1. Rome and the Second Temple: Early Imperial Roman Attitudes Toward Cultural Heritage During Armed Conflict
Kevin Malmquist

2. Lessons from the Past: Land Warfare and Cultural Heritage in World War II Italy: The Role of the MFAA
Carlotta Coccoli

3. Cultural Property Protection Issues Past and Present: Current UK Approach and Delivery
Roger Curtis and Mark Dunkley

4. Challenges and Practices for Protecting Cultural Property in Armed Conflict: A Case Study of Korea
Chang-hun Yang

5. From Scientific iIvestigation to Evidence: Investigating Armed Conflict Damage to Immovable Heritage
Lisa Mol

Part II: Preparing for the Present

6. The Hague Convention and Beyond: Cultural Property Protection in the Netherlands
Ankie Petersen

7. Peace-time Preparations for a Museum Near the Occupation Line: NGO-led Efforts
Manana Tevzadze

8. On the Art Frontline: The Experience of French Conservation Officers in Protecting Cultural Property on Operations
Tim Le Berre

9. The Role of NGOs in Rescuing and Promoting Recovery for Cultural Heritage and Cultural Bearers in Times of Crisis and War
Amira Sadik Aly

10. Culture in Crisis – Supporting the World’s Cultural Heritage and Communities that Suffer Cultural Loss through Conflict
Vernon Rapley</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;The volume’s case studies highlight interdisciplinary efforts to protect heritage in conflict zones, drawing out guidance for those working in the Heritage Sector in these contexts, with specific relevance to those engaged in cultural heritage protection and those working in related interdisciplinary fields. Reviewing the historic relationshi</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;The right of access to, and enjoyment of, cultural heritage is enshrined in human rights norms and the devastating effects of armed conflict on cultural heritage are well documented, with the deliberate destruction of cultural heritage having been an integral part of warfare throughout history. Culture now, once again, finds itself on war’s frontline.&lt;break/&gt;Marking the 70th anniversary of the Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict, and in the current context of devastating conflicts in Ukraine, Gaza and Sudan, among others, Heritage at War – Plan and Prepare brings together military, academic,and heritage practitioners’ voices from across the Euro-Atlantic, North Africa and the Middle East and the Indo-Pacific to explore how lessons learned from past experiences of conflict can inform approaches to the safeguarding of cultural heritage today. Emerging from and building upon an international conference held at the V&amp;A Museum in February 2023, the book addresses how the military, the heritage sector and other stakeholders in Human Security can, and must, collaborate to give primacy to people and protect tangible and intangible cultural heritage under attack. &lt;break/&gt;The volume’s case studies highlight interdisciplinary efforts to protect heritage in conflict zones, drawing out guidance for those working in the Heritage Sector in these contexts, with specific relevance to those engaged in cultural heritage protection and those working in related interdisciplinary fields. Reviewing the historic relationship between heritage and armed conflict, and offering lessons for present-day practitioners, Heritage at War shows how, in different contexts, heritage can be a catalyst and target of conflict, an obstacle to stabilisation, and yet also a potential vector of peace-building and the return to normality.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;The right of access to, and enjoyment of, cultural heritage is enshrined in human rights norms and the devastating effects of armed conflict on cultural heritage are well documented, with the deliberate destruction of cultural heritage having been an integral part of warfare throughout history. Culture now, once again, finds itself on war’s frontline.&lt;break/&gt;Marking the 70th anniversary of the Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict, and in the current context of devastating conflicts in Ukraine, Gaza and Sudan, among others, Heritage at War – Plan and Prepare brings together military, academic,and heritage practitioners’ voices from across the Euro-Atlantic, North Africa and the Middle East and the Indo-Pacific to explore how lessons learned from past experiences of conflict can inform approaches to the safeguarding of cultural heritage today. Emerging from and building upon an international conference held at the V&amp;A Museum in February 2023, the book addresses how the military, the heritage sector and other stakeholders in Human Security can, and must, collaborate to give primacy to people and protect tangible and intangible cultural heritage under attack. &lt;break/&gt;The volume’s case studies highlight interdisciplinary efforts to protect heritage in conflict zones, drawing out guidance for those working in the Heritage Sector in these contexts, with specific relevance to those engaged in cultural heritage protection and those working in related interdisciplinary fields. Reviewing the historic relationship between heritage and armed conflict, and offering lessons for present-day practitioners, Heritage at War shows how, in different contexts, heritage can be a catalyst and target of conflict, an obstacle to stabilisation, and yet also a potential vector of peace-building and the return to normality.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text>Foreword
Tristram Hunt, Director – Victoria and Albert Museum

Introduction: Heritage at War – Plan and Prepare
Mark Dunkley, Anna Tulliach and Lisa Mol

Part I: Learning from the Past

1. Rome and the Second Temple: Early Imperial Roman Attitudes Toward Cultural Heritage During Armed Conflict
Kevin Malmquist

2. Lessons from the Past: Land Warfare and Cultural Heritage in World War II Italy: The Role of the MFAA
Carlotta Coccoli

3. Cultural Property Protection Issues Past and Present: Current UK Approach and Delivery
Roger Curtis and Mark Dunkley

4. Challenges and Practices for Protecting Cultural Property in Armed Conflict: A Case Study of Korea
Chang-hun Yang

5. From Scientific iIvestigation to Evidence: Investigating Armed Conflict Damage to Immovable Heritage
Lisa Mol

Part II: Preparing for the Present

6. The Hague Convention and Beyond: Cultural Property Protection in the Netherlands
Ankie Petersen

7. Peace-time Preparations for a Museum Near the Occupation Line: NGO-led Efforts
Manana Tevzadze

8. On the Art Frontline: The Experience of French Conservation Officers in Protecting Cultural Property on Operations
Tim Le Berre

9. The Role of NGOs in Rescuing and Promoting Recovery for Cultural Heritage and Cultural Bearers in Times of Crisis and War
Amira Sadik Aly

10. Culture in Crisis – Supporting the World’s Cultural Heritage and Communities that Suffer Cultural Loss through Conflict
Vernon Rapley</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Multispecies Ethnography and Artful Methods explores the potential of multimodal art practices in doing qualitative research beyond the human. Through artful endeavours such as creative writing, photography, filmmaking, drawing and poetry, the volume aims to overcome the shortcomings of conventional, anthropocentric and logocentric methods in multispecies research. To move beyond the limitations of language and linguistic communication, the contributors build on the long tradition of visual and sensory anthropology while also engaging in and consciously reflecting on innovative, creative and artistic methods. Taking a multispecies and more-than-human perspective – ranging from snow and trees to animals and an AI oracle – the volume investigates ways to touch, speak, listen, feel, walk with and reach across different species.&lt;/p&gt;&lt;p&gt;This book and accompanying multimedia website advance the frontier of publishing artful expressions of academic research by highlighting how creative practices can be the very core of data collection, analysis and the communication of research. As such, the artful pieces are not ‘just’ illustrations of textual representations, but are practised as part of an iterative process of data collection and analysis. &lt;/p&gt;&lt;p&gt;The contributions by well-established scholars, early career researchers and postgraduates who carry out new, cutting-edge research offer an engaging range of analytical, methodological and empiric orientations, while conversing at the intersection of multispecies ethnography and artful methods.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Multispecies Ethnography and Artful Methods explores the potential of multimodal art practices in doing qualitative research beyond the human. Through artful endeavours such as creative writing, photography, filmmaking, drawing and poetry, the volume aims to overcome the shortcomings of conventional, anthropocentric and logocentric methods in multispecies research. To move beyond the limitations of language and linguistic communication, the contributors build on the long tradition of visual and sensory anthropology while also engaging in and consciously reflecting on innovative, creative and artistic methods. Taking a multispecies and more-than-human perspective – ranging from snow and trees to animals and an AI oracle – the volume investigates ways to touch, speak, listen, feel, walk with and reach across different species.&lt;/p&gt;&lt;p&gt;This book and accompanying multimedia website advance the frontier of publishing artful expressions of academic research by highlighting how creative practices can be the very core of data collection, analysis and the communication of research. As such, the artful pieces are not ‘just’ illustrations of textual representations, but are practised as part of an iterative process of data collection and analysis. &lt;/p&gt;&lt;p&gt;The contributions by well-established scholars, early career researchers and postgraduates who carry out new, cutting-edge research offer an engaging range of analytical, methodological and empiric orientations, while conversing at the intersection of multispecies ethnography and artful methods.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text>INTRODUCTION
Andrea Petitt, Anke Tonnaer, Véronique Servais, Catrien Notermans and Natasha Fijn

1. WRITING A SONG FOR AIIA. SPECULATIVE FICTION IN AN ART-SCIENCE COLLABORATION
Text: Catrien Notermans and Anke Tonnaer
Visuals: Marcel van Brakel
[essay, poetry and AI visuals]

2. EARTH SWIMMERS / ON CAPTURE: A PRACTICE-BASED ETHNOGRAPHY OF MOLE CATCHING AND FILM MAKING IN NORTH YORKSHIRE. 
Hermione Spriggs in collaboration with mole catcher Nigel Stock
[essay and film]

3. THE SOUNDS OF SNOW: AN EXPLORATION OF HUMAN-SNOW RELATIONS IN ILULISSAT, KALAALLIT NUNAAT
Nanna Sandager Kisby
[essay, photos and sound]

4. THE ENDURING PRESENCE OF THE EUCALYPTUS TREE: A PHOTO ESSAY
Natasha Fijn
[photo essay]

5. ARTISTIC CO-DISCOVERY IN MULTISPECIES COLLABORATION 
Bartram+Deigaard
[essay and image composites]

6. ATTENDING TO FIREBUGS: ARTISTIC INVESTIGATIONS FOR RESPECTFUL CORRESPONDENCES
Charlotte Dorn
[photo essay]

7. FARMING COWS AND WORMS
Simone de Boer and Hanna Charlotta Wernersson 
[essay and multimedia montage]

8. TO TOUCH LIGHTLY IN PASSING 
Merlijn Huntjens, Nina Willems and Leonie Cornips 
[essay, photos, sketches and poetry]

9. FREAKS OF NATURE: USING DEEP REFLEXIVITY TO UNDERSTAND TRANSGENICS
Lisa Jean Moore 
[essay and photos]

10. ETHNOGRAPHY OF WORKING COWHORSES: RHYMING SENSORY METHODS
Andrea Petitt
[essay and poetry]

AFTERWORD
Karin Bolender</Text>
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        <Text>This publication has two Open Access ebook PDFs:
978-1-912186-95-2 (standard) https://books.whpress.co.uk/10.63308/63878687083054.book.pdf
978-1-912186-94-5 (MEAM multimedia) https://books.whpress.co.uk/10.63308/63883606284145.book.pdf</Text>
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          <BiographicalNote>&lt;p&gt;Catrien Notermans is an anthropologist and associate professor in the Department of Cultural Anthropology and Development Studies at Radboud University, Nijmegen (The Netherlands). Her research line is on social relatedness with and beyond the human and focuses on the intersection of kinship, gender and religion in India, West Africa and Europe. Her most recent projects are on interspecies communication in women’s economic and religious activities in Rajasthan (India); and on storying human-river relatedness in the Netherlands. Her projects are based on visual, sensory and arts-based ethnography which are the methodologies she also teaches at the Anthropology Department. In 2022, Notermans co-founded together with Andrea Petitt, Véronique Servais, and Anke Tonnaer the international MEAM network for Multispecies Ethnography and Artistic Methods. In 2023, Notermans worked together with Anke Tonnaer in an Arts-Science collaboration called TASC (The Art of Science) to design a post-anthropocentric future for the city of Nijmegen.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Natasha Fijn is Director of the Australian National University’s Mongolia Institute. She has been awarded a mid-career ARC Future Fellowship to conduct research on ‘A Multi-species Anthropological Approach to Influenza’ (2022–2026). Natasha wrote a seminal multispecies ethnography based in Mongolia, Living with Herds: Human-animal Coexistence in Mongolia (2011). She has co-edited five books and several journal volumes, including three special issues oriented toward visual anthropology and ethnographic filmmaking, and three engaging with multispecies and sensory anthropology in the journals Inner Asia (2020), The Australian Journal of Anthropology (2020) and Anthropology Today (2023). She recently (2023) published a co-edited book with Routledge, Nurturing Alternative Futures: Living with Diversity in a More-than-human World.&lt;/p&gt;</BiographicalNote>
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            <TitleText language="eng">1. WRITING A SONG FOR AIIA</TitleText>
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          <BiographicalNote>&lt;p&gt;Anke Tonnaer is an anthropologist and assistant professor in the Department of Anthropology and Development Studies at Radboud University, Nijmegen (The Netherlands). Her research interests developed from long-term ethnographic fieldwork in Indigenous Australia, studying the intersection of nature and culture in tourism, to rewilding initiatives and the challenges of multispecies cohabitation and conservation practices in north-west Europe, especially the Netherlands. Her desire to narrate the more-than-human world in alternative ways alongside the rational dominant ways of ecology has brought her to exploring art-based methodology and sensory ethnography. In 2022, Anke co-founded together with Andrea Petitt, Véronique Servais, and Catrien Notermans the international MEAM network for Multispecies Ethnography and Artistic Methods, and was co-organiser of the 2022 and 2023 MEAM conferences. In 2023, Anke also worked with Catrien Notermans in an Arts-Science collaboration called TASC (The Art of Science) to design a post-anthropocentric future for the city of Nijmegen.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;In order to rearrange our relation to a living planet, writer Amitav Ghosh (2022: 84) urges us to sing and narrate all beings into life, and in so doing to learn from other cosmological understandings of the world. Singing as a tactile mode of active and responsive engagement in the world is also proposed by anthropologist Tim Ingold (2002). His notion of a ‘poetics of dwelling’ refers to songs and poetic storytelling as ways of ‘art’-full living, with art not understood as a way of representing the world but as a craft of attentive living in and resonating with the vibrant presence of other-than human beings. In this contribution, the authors join these calls to ‘re-wild our language’ and ‘to sing the landscape back into being, as well as to sing one’s being back into it’ (Macfarlane, 2016). They do so by sharing their experimental song writing that they developed ‘to sing into life’ two significant nonhuman others. This song writing originated in an Arts-Science collaboration with the Dutch experience design collective called Polymorf. They combined ethnography with AI technology and speculative design. The first song was written for a speculative fictional being, called AIIA: an AI-animated planetary director and artistic composer of poetic dwelling in a more-than-human world. The second was written for the Waal, the river flowing through the city of Nijmegen. For this river song the authors did instant experimental fieldwork on human-river relatedness in the setting of an urban arthouse. Based on the input received from the audience, they composed a part-song that will eventually be performed at the riverside to heal and enchant the river, as well as inspire AIIA’s multispecies knowledge. In this contribution the authors reflect on this arts-science-society collaboration, and how it evoked their creative writing in multispecies ethnography. This chapter includes ten visuals from Polymorf that were co-created with AI in the process of song writing.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;In order to rearrange our relation to a living planet, writer Amitav Ghosh (2022: 84) urges us to sing and narrate all beings into life, and in so doing to learn from other cosmological understandings of the world. Singing as a tactile mode of active and responsive engagement in the world is also proposed by anthropologist Tim Ingold (2002). His notion of a ‘poetics of dwelling’ refers to songs and poetic storytelling as ways of ‘art’-full living, with art not understood as a way of representing the world but as a craft of attentive living in and resonating with the vibrant presence of other-than human beings. In this contribution, the authors join these calls to ‘re-wild our language’ and ‘to sing the landscape back into being, as well as to sing one’s being back into it’ (Macfarlane, 2016). They do so by sharing their experimental song writing that they developed ‘to sing into life’ two significant nonhuman others. This song writing originated in an Arts-Science collaboration with the Dutch experience design collective called Polymorf. They combined ethnography with AI technology and speculative design. The first song was written for a speculative fictional being, called AIIA: an AI-animated planetary director and artistic composer of poetic dwelling in a more-than-human world. The second was written for the Waal, the river flowing through the city of Nijmegen. For this river song the authors did instant experimental fieldwork on human-river relatedness in the setting of an urban arthouse. Based on the input received from the audience, they composed a part-song that will eventually be performed at the riverside to heal and enchant the river, as well as inspire AIIA’s multispecies knowledge. In this contribution the authors reflect on this arts-science-society collaboration, and how it evoked their creative writing in multispecies ethnography. This chapter includes ten visuals from Polymorf that were co-created with AI in the process of song writing.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">2. EARTH SWIMMERS / ON CAPTURE</TitleText>
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          <BiographicalNote>&lt;p&gt;Hermione Spriggs is an artist, writer and researcher. Her current Ph.D. research explores art and creativity through the lens of land-based practice in North Yorkshire, through long-term collaboration with traditional mole catchers and other unlikely stewards of the land. Public / participatory art projects draw from this ethnographic context and from broader interests in rural folk practices, radical anthropology, hunting lore and female trickster intelligence. Hermione gained an MFA in Visual Art at UC San Diego (2012) and a BSc in Anthropology from UCL (2008). Her edited book Five Heads: Art, Anthropology and Mongol-Futurism is published by Sternberg Press. Current projects include an edible public artwork for Kings Hedges Cambridge, learning to echolocate as Bat Choir, and ongoing collaborative work exploring practices of attention and alternative forms of community organisation.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;The film Earth Swimmers (2021) attends to the tricks and techniques that mole catchers use to access the underground world of the mole. Using tools as portals into the mole’s vibratory world, probes, feet, noses and rain-making instruments lead the viewer into alternative ways of sensing and knowing the earth. This film emerged within a larger body of work resulting from direct collaboration with a professional mole catcher – one outcome of long-term ethnographic fieldwork investigating rural pest control practices and attitudes to land in rural North Yorkshire, UK. This chapter describes the author’s hunting collaborators’ practical and intimate engagement with the worlds of ‘vermin’ species in North Yorkshire, where she spent a year apprenticing to rural pest controllers in 2020–21. The chapter shows how specific skills and techniques of the body underpin and make possible the empathic understanding that enables a trapper first to think like a prey animal, and then to reach into its world through ‘respectful deception’ (Anderson et al., 2017), taking its life with minimum disruption and making use of its body as food or repurposing it otherwise. The artful engagements of the author’s interlocutors with the worlds or umwelten (Uexküll, 2010) of other animal species provides a generative model for her own perspectival manoeuvres as she experiments with Nigel, the mole catcher and central collaborator in the film, and his relationship to moles, and how to responsibly negotiate with death herself in the making of the film Earth Swimmers (2021). The author argues for the value of ‘anthropological borrowing’, pointing to the creative potential and theoretical productivity of methods, forms and concepts from the field. Specifically, the mole catcher taught her creative multispecies methods, such as animal tracking and tactical probing, inviting the author to engage with anthropological theory in a practical way, decentring her own perspective, making room for the perception, agency and subjectivity of nonhuman others.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;The film Earth Swimmers (2021) attends to the tricks and techniques that mole catchers use to access the underground world of the mole. Using tools as portals into the mole’s vibratory world, probes, feet, noses and rain-making instruments lead the viewer into alternative ways of sensing and knowing the earth. This film emerged within a larger body of work resulting from direct collaboration with a professional mole catcher – one outcome of long-term ethnographic fieldwork investigating rural pest control practices and attitudes to land in rural North Yorkshire, UK. This chapter describes the author’s hunting collaborators’ practical and intimate engagement with the worlds of ‘vermin’ species in North Yorkshire, where she spent a year apprenticing to rural pest controllers in 2020–21. The chapter shows how specific skills and techniques of the body underpin and make possible the empathic understanding that enables a trapper first to think like a prey animal, and then to reach into its world through ‘respectful deception’ (Anderson et al., 2017), taking its life with minimum disruption and making use of its body as food or repurposing it otherwise. The artful engagements of the author’s interlocutors with the worlds or umwelten (Uexküll, 2010) of other animal species provides a generative model for her own perspectival manoeuvres as she experiments with Nigel, the mole catcher and central collaborator in the film, and his relationship to moles, and how to responsibly negotiate with death herself in the making of the film Earth Swimmers (2021). The author argues for the value of ‘anthropological borrowing’, pointing to the creative potential and theoretical productivity of methods, forms and concepts from the field. Specifically, the mole catcher taught her creative multispecies methods, such as animal tracking and tactical probing, inviting the author to engage with anthropological theory in a practical way, decentring her own perspective, making room for the perception, agency and subjectivity of nonhuman others.&lt;/p&gt;&lt;/p&gt;</Text>
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          <BiographicalNote>&lt;p&gt;Nanna obtained her MSc in Cultural Anthropology: Sustainable Citizenship at Utrecht University in the Netherlands. Her thesis focused on human-snow relations in Ilulissat, Kalaallit Nunaat, and shows how nonhuman matter (such as snow) has an inherent agency. She obtained her BSc in Anthropology at Aarhus University in Denmark. Nanna also has a background in art and movement studies, which has inspired her to draw on artistic methods and bodily inquiry in her ethnographic work. Throughout her fieldwork in Ilulissat, Nanna experimented with data collection through a combination of methods in order to capture aspects of human-snow relations that escape the written word. These methods included recording soundscapes, photography, and exploring snow through sensory ethnography. Nanna currently works for a small company in the Dutch energy sector. In her work, she conducts cultural analyses and co-coordinates a project in Egypt developing Vocational Education and Training (VET) programs on sustain- ability and green hydrogen.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Snow is ever present during the long winter months in Ilulissat, Kalaallit Nunaat (Greenland). It covers houses, doorways, roads, cars, sleeping dogs, and mountains. It shapes the landscape, re-configures town infrastructure, and hinders – as well as enables –human practices. In order to understand human life in Ilulissat, it is crucial to understand snow and its behavior. This chapter therefore focuses on snow as a vibrant materiality (Bennett, 2010) that acts from certain inherent capacities: snow is a shape shifter, it moves, it takes up space, it is a source of life, and it produces impressions that can be registered by, for example, human senses. These capacities of snow influence its relationship with other actors in more-than-human assemblages. In order to study these capacities of snow, the author made use of artistic methods and sensory ethnography in addition to traditional ethnographic methods during her fieldwork in Ilulissat. In particular, soundscapes and photography enabled her to explore the ways in which snow behaves, and to capture its various manifestations. Artistic methods also created the possibility to collaborate with snow as a nonhuman actor in the process of making art, in order to share the research findings with other humans. The author shows that artistic methods function as a bridge between the nonhuman and the human, and help in producing art as embodied knowledge. This chapter includes four sound recordings and six photographs. At specified moments in the chapter, the author invites the readers to listen to the snow recordings and to look at the images and thus to go with her on a multi-sensory journey to meet the snow in Ilulissat.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Snow is ever present during the long winter months in Ilulissat, Kalaallit Nunaat (Greenland). It covers houses, doorways, roads, cars, sleeping dogs, and mountains. It shapes the landscape, re-configures town infrastructure, and hinders – as well as enables –human practices. In order to understand human life in Ilulissat, it is crucial to understand snow and its behavior. This chapter therefore focuses on snow as a vibrant materiality (Bennett, 2010) that acts from certain inherent capacities: snow is a shape shifter, it moves, it takes up space, it is a source of life, and it produces impressions that can be registered by, for example, human senses. These capacities of snow influence its relationship with other actors in more-than-human assemblages. In order to study these capacities of snow, the author made use of artistic methods and sensory ethnography in addition to traditional ethnographic methods during her fieldwork in Ilulissat. In particular, soundscapes and photography enabled her to explore the ways in which snow behaves, and to capture its various manifestations. Artistic methods also created the possibility to collaborate with snow as a nonhuman actor in the process of making art, in order to share the research findings with other humans. The author shows that artistic methods function as a bridge between the nonhuman and the human, and help in producing art as embodied knowledge. This chapter includes four sound recordings and six photographs. At specified moments in the chapter, the author invites the readers to listen to the snow recordings and to look at the images and thus to go with her on a multi-sensory journey to meet the snow in Ilulissat.&lt;/p&gt;&lt;/p&gt;</Text>
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          <BiographicalNote>&lt;p&gt;Natasha Fijn is Director of the Australian National University’s Mongolia Institute. She has been awarded a mid-career ARC Future Fellowship to conduct research on ‘A Multi-species Anthropological Approach to Influenza’ (2022–2026). Natasha wrote a seminal multispecies ethnography based in Mongolia, Living with Herds: Human-animal Coexistence in Mongolia (2011). She has co-edited five books and several journal volumes, including three special issues oriented toward visual anthropology and ethnographic filmmaking, and three engaging with multispecies and sensory anthropology in the journals Inner Asia (2020), The Australian Journal of Anthropology (2020) and Anthropology Today (2023). She recently (2023) published a co-edited book with Routledge, Nurturing Alternative Futures: Living with Diversity in a More-than-human World.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;The strength of the photo essay in multispecies anthropological research is the close integration between still images and the accompanying text as a form of ethnographic narrative. How can the structure of the photo essay provide an experimental medium for conceptualising multispecies ethnography, while communicating engagement with more-than-human subjects? The photo essay included here employs an experimental creative approach featuring large, lone eucalypts as significant beings on the fringes of the reserves and suburbs of Canberra, the capital city of Australia. As sentinels, these canopy trees have witnessed different forms of human presence over as much as a five-century lifespan: from ancestral Ngunnuwal making marks on such trees, viewed by individual Aboriginal Australians as kin; to present-day workers in newly developed suburbs manicuring newly formed lawns and gardens beneath the shade of these trees. The author has produced other multispecies-oriented photo essays as an ongoing form of experimentation with the sensory and juxtaposition of still images with text to form an ethnographic narrative. The photo essay comprises a series of images in two parts with accompanying text forming explanatory captions, the combination of image and text then helping to build a multispecies story. The first part of the photo essay connects with individual Eucalypts in reserves, while the second part foregrounds individual trees within a new development, the suburb of Ginninderry. The author highlights how the photo essay can be effective in allowing for more-than-human subjectivity and agency. The focus on individual eucalypt trees within the photo essay is an extension of the author’s connection with individual trees and a part of her ongoing creative expression with a focus on sensorial and multispecies entanglements with significant others. Accompanying the photo essay is a description in the form of an ‘artnographic statement’ of Fijn’s methodology in combining multispecies ethnography with photography, followed by an explanatory section connecting the differing Abo- riginal Australian perspectives from those of wider settler-Australian attitudes towards individual Eucalypts in the context of Australia’s capital.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;The strength of the photo essay in multispecies anthropological research is the close integration between still images and the accompanying text as a form of ethnographic narrative. How can the structure of the photo essay provide an experimental medium for conceptualising multispecies ethnography, while communicating engagement with more-than-human subjects? The photo essay included here employs an experimental creative approach featuring large, lone eucalypts as significant beings on the fringes of the reserves and suburbs of Canberra, the capital city of Australia. As sentinels, these canopy trees have witnessed different forms of human presence over as much as a five-century lifespan: from ancestral Ngunnuwal making marks on such trees, viewed by individual Aboriginal Australians as kin; to present-day workers in newly developed suburbs manicuring newly formed lawns and gardens beneath the shade of these trees. The author has produced other multispecies-oriented photo essays as an ongoing form of experimentation with the sensory and juxtaposition of still images with text to form an ethnographic narrative. The photo essay comprises a series of images in two parts with accompanying text forming explanatory captions, the combination of image and text then helping to build a multispecies story. The first part of the photo essay connects with individual Eucalypts in reserves, while the second part foregrounds individual trees within a new development, the suburb of Ginninderry. The author highlights how the photo essay can be effective in allowing for more-than-human subjectivity and agency. The focus on individual eucalypt trees within the photo essay is an extension of the author’s connection with individual trees and a part of her ongoing creative expression with a focus on sensorial and multispecies entanglements with significant others. Accompanying the photo essay is a description in the form of an ‘artnographic statement’ of Fijn’s methodology in combining multispecies ethnography with photography, followed by an explanatory section connecting the differing Abo- riginal Australian perspectives from those of wider settler-Australian attitudes towards individual Eucalypts in the context of Australia’s capital.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">5. ARTISTIC CO-DISCOVERY IN MULTISPECIES COLLABORATION</TitleText>
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          <BiographicalNote>&lt;p&gt;Angela Bartram is an artist and artistic researcher who investigates thresholds of the human body, gallery or museum, definitions of the human and animal as companion species and strategies for documenting the ephemeral. The research, made individually and through collaboration, is made public through exhibitions, events and published texts. Bartram is Professor of Contemporary Art and Co-Lead for the Creative and Cultural Industries Academic Theme and Research Centre at the University of Derby. Amongst other board affiliations, she is Vice President of the Society for Artistic Research and Trustee of the Board of Directors of the Live Art Development Agency. Her Ph.D. in Fine Art is from Middlesex University.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Lee Deigaard explores the topographies where one consciousness encounters another, describing a landscape given shape and substance by its animal protagonists, their sensory and imaginative worlds and their autonomy. With language, photography/video, installation, event and drawing, her work approaches the animal from positions of equality, collaboration and mutual curiosity and looks at multi-species empathy, animal cognition and personality, memory and grief, and the nature of intimacy. As an independent artist, writer and researcher based in urban Louisiana and rural Georgia, she has exhibited and presented her work nationally and internationally. Her writing and artwork have been published in Oxford American, Humanimalia, and Antennae: The Journal of Nature in Visual Culture among others. She holds degrees from Yale University, the University of Texas at Austin, and the University of Michigan. She is one half of the trans-Atlantic collaborative duos, Bartram + Deigaard and DULSE (with the novelist Mandy Suzanne-Wong of Bermuda).&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Bartram + Deigaard are the collaborative duo of artists Lee Deigaard (US) and Angela Bartram (UK) engaged in a transoceanic, international collaboration and dialogue exploring dualities of mind and being, multi-species empathy and the ethics of animal collaboration. Bartram + Deigaard test the edges, the margins, the overlaps and the interstitial spaces of and within collaboration and interspecies potential ‘doubling(s)’ in their artistic research. Doubling here relates to mirroring and sharing between species, of mind and body, and the myriad divergences that bind through the recognition of this process. Brought together by a shared brain mentality with regard to animal studies, as that which is a recognised field of discourse, and of being and not being, recognising and refusing to affirm the non-human as apart from our common animality, they work sympathetically and empathetically although situated geographically far apart. Born of an openness to involve the non-human fully in creative thinking, making and staging, they create situations of co-learning where all collaborators can contribute and learn from each other, and they willingly embrace the unanticipated shifts to the process each species brings. Using diverse methods, processes and materials, and curious to a myriad of opening potentialities, they explore working as humans from an animal-centric perspective. They bring sensitivities to their research with the non-human animal as both artistic subject and collaborator, of behaving as animal to observe and engage with empathy and openness to the unexpected, and particularly to animal insight and revelation. Iterative long-term projects in photography, video, installation, drawing and printmaking foreground proximity and proprioceptive, nearly devotional studio and caretaking practices centring on respiration and companionate movement. This text explores being mindful and sensible with balancing sympathies and empathies within an often-unbalanced system of agency predicated in environments structured by and for humans (including spaces intended for animal habitation). It discusses the unscripted learning that occurs through interspecies collaboration, and what each animal (human and non-human) can teach the other when both are given full creative agency. Offering examples of their own individual and collaborative work within a critical framework to explain pertinent propositions and findings, it will demonstrate how openness is key for possibilities to flourish. It will discuss how equality and responsive creative co-learning environments can produce revelatory results creatively instigated and directed by the non-human. There are 37 images, of which 27 are combined into nine ‘composites’.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Bartram + Deigaard are the collaborative duo of artists Lee Deigaard (US) and Angela Bartram (UK) engaged in a transoceanic, international collaboration and dialogue exploring dualities of mind and being, multi-species empathy and the ethics of animal collaboration. Bartram + Deigaard test the edges, the margins, the overlaps and the interstitial spaces of and within collaboration and interspecies potential ‘doubling(s)’ in their artistic research. Doubling here relates to mirroring and sharing between species, of mind and body, and the myriad divergences that bind through the recognition of this process. Brought together by a shared brain mentality with regard to animal studies, as that which is a recognised field of discourse, and of being and not being, recognising and refusing to affirm the non-human as apart from our common animality, they work sympathetically and empathetically although situated geographically far apart. Born of an openness to involve the non-human fully in creative thinking, making and staging, they create situations of co-learning where all collaborators can contribute and learn from each other, and they willingly embrace the unanticipated shifts to the process each species brings. Using diverse methods, processes and materials, and curious to a myriad of opening potentialities, they explore working as humans from an animal-centric perspective. They bring sensitivities to their research with the non-human animal as both artistic subject and collaborator, of behaving as animal to observe and engage with empathy and openness to the unexpected, and particularly to animal insight and revelation. Iterative long-term projects in photography, video, installation, drawing and printmaking foreground proximity and proprioceptive, nearly devotional studio and caretaking practices centring on respiration and companionate movement. This text explores being mindful and sensible with balancing sympathies and empathies within an often-unbalanced system of agency predicated in environments structured by and for humans (including spaces intended for animal habitation). It discusses the unscripted learning that occurs through interspecies collaboration, and what each animal (human and non-human) can teach the other when both are given full creative agency. Offering examples of their own individual and collaborative work within a critical framework to explain pertinent propositions and findings, it will demonstrate how openness is key for possibilities to flourish. It will discuss how equality and responsive creative co-learning environments can produce revelatory results creatively instigated and directed by the non-human. There are 37 images, of which 27 are combined into nine ‘composites’.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">6. ATTENDING TO FIREBUGS</TitleText>
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          <BiographicalNote>&lt;p&gt;Charlotte Dorn is an artist and researcher living in Brussels and doing an artistic Ph.D. at LUCA School of Arts and KU Leuven. She took her Masters in Art at the Accademia di Belle Arti die Napoli and her Bachelor in the Arts at the Académie des Beaux-Arts Nantes Métropole and the Universidad de Sevilla, Campus Bellas Artes. Her work is on display in exhibitions such as the Centrale for Contemporary Art in Brussels or residencies like the International Latgale Graphic Art Symposium in Daugavpils, Latvia. Dorn’s artwork mainly consists of printmaking. Through drawing and life observation, she approaches insect worlds, with a current focus on firebugs. Key interests in her research are empathetic engagement through images and through the creative process, as well as the representation of insects as actants and processes.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;In this piece, Charlotte Dorn engages in a loving attention towards firebugs as a basis for an ethical aesthetic that she develops through multispecies ethnography enriched by still images, video, sound recordings, drawing and printmaking. This photo essay elaborates on how Dorn engages with concrete artistic methodologies, the photos are a selection of fieldwork registrations and their further artistic processing. The reader follows Dorn, through text and photos, from her fieldwork through to the analysis phase, where ideas on firebugs and multispecies worlds are further developed and rendered tangible through drawing, as well as wood- and linocut. Importantly, the slowness of the creative process gives space to let the fieldwork experience with firebugs sink in and come back to the sensory experience over and over again. Seeking to understand how firebugs inhabit the world, artistic practices here further knowledge production that connects rather than objectifies; taking a holistic approach toward experiences with animals gives space to cognitive, physical, sensorial and affective aspects of the encounter. The sponginess of artistic modes of perception leads to individual and multi-layered perspectives on animality. It also suggests that much of the non-human animal is not yet understood and remains mysterious.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;In this piece, Charlotte Dorn engages in a loving attention towards firebugs as a basis for an ethical aesthetic that she develops through multispecies ethnography enriched by still images, video, sound recordings, drawing and printmaking. This photo essay elaborates on how Dorn engages with concrete artistic methodologies, the photos are a selection of fieldwork registrations and their further artistic processing. The reader follows Dorn, through text and photos, from her fieldwork through to the analysis phase, where ideas on firebugs and multispecies worlds are further developed and rendered tangible through drawing, as well as wood- and linocut. Importantly, the slowness of the creative process gives space to let the fieldwork experience with firebugs sink in and come back to the sensory experience over and over again. Seeking to understand how firebugs inhabit the world, artistic practices here further knowledge production that connects rather than objectifies; taking a holistic approach toward experiences with animals gives space to cognitive, physical, sensorial and affective aspects of the encounter. The sponginess of artistic modes of perception leads to individual and multi-layered perspectives on animality. It also suggests that much of the non-human animal is not yet understood and remains mysterious.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">7. FARMING COWS AND WORMS</TitleText>
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          <PersonName>Simone de Boer</PersonName>
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          <BiographicalNote>&lt;p&gt;Simone de Boer is a Ph.D. candidate in Social Anthropology at the University of Gothenburg, School of Global Studies. In her research she focuses on the development and meaning of organic and permaculture farming in Kyrgyzstan. Using ethnographic and creative methods, she explores processes of learning and knowing, more-than-human relationships, and ‘good farmer’ identities. The creative methods she employs include photography, video, drawing, creative writing and workshops with interlocutors. Simone’s educational background is in Cultural Anthropology and Film &amp; Photographic Studies (Leiden University, the Netherlands). In her previous research in Kyrgyzstan, she studied (transformations of ) ‘traditional’ horse games and human-horse relationships in the context of increasing tourism, processes of sportification, and the development of mega sporting events. In 2018–2019, she was one of Leiden’s City Photographers, creating ethnographic photo essays for the city newspaper in collaboration with fellow anthropologists.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Hanna is a Ph.D. candidate at the School of Global Studies within the field of environmental social science. In her Ph.D. project, she studies conceptualisations and performances of ‘holistic’ management among regenerative cattle farmers in Sweden. Using ethnographic and creative methods, Hanna explores the ethical and practical relationships to nonhuman nature that are produced in and through daily farm doings. Creative writing, drawing and soundscape-making are examples of Hanna’s methodology. Hanna has a MSc in socio-ecological resilience from Stockholm Resilience Center. Her professional experience includes working as Course Coordinator at the Center for Environment and Development Studies at Uppsala University, Sweden, and as Agricultural Marketing Specialist for the US Foreign Agricultural Service, Canada. Hanna also farms twelve hectares of land, exploring what ‘good’ land management could mean on the clay soils of western Sweden.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This piece presents a multimedia montage that explores multispecies relationships in three different farming contexts: human-worm relationships in Kyrgyz compost heaps, and human-cow (or bull) relationships on two divergent Swedish cattle farms, one family farm (cow-calf farm) and one industrial farm (bull-breeding farm). The video montage is made up of different mixed media, consisting of video and still images, drawings, sounds, and quotations from informants. The visual piece is accompanied by three kinds of written comments. The montage companion gives more details about the authors’ motivations for artistic work, and about the circumstances of their encounter and how they creatively worked together. In their experience, artistic work has helped them to sustain their curiosity for their object, but also to give place to contradictions (love and violence, for example); creativity contributed to open their senses to a multisensorial ethnography. Taken together, these elements allow the authors to explore multispecies socialities and let the non-human ‘speak for themselves’. The montage guide accompanies the readers by giving them a more detailed subtext. That part is necessary for making sense of what has been sensed or intuited during the first viewing of the montage. With the montage guide, the reader can come back to each moment, pause, reflect on it, and connect it to the research question. With this addition, the whole process makes sense and we can see how artistic methods make a difference. Lastly, the artnographic statement explains the context of the research and presents the main question: what is a ‘good’ relationship in human-animal relationships where animals are kept with human food in mind? It explains how the material of the montage was created and why their joint engagements with artful methods matter to the authors in addressing the question.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This piece presents a multimedia montage that explores multispecies relationships in three different farming contexts: human-worm relationships in Kyrgyz compost heaps, and human-cow (or bull) relationships on two divergent Swedish cattle farms, one family farm (cow-calf farm) and one industrial farm (bull-breeding farm). The video montage is made up of different mixed media, consisting of video and still images, drawings, sounds, and quotations from informants. The visual piece is accompanied by three kinds of written comments. The montage companion gives more details about the authors’ motivations for artistic work, and about the circumstances of their encounter and how they creatively worked together. In their experience, artistic work has helped them to sustain their curiosity for their object, but also to give place to contradictions (love and violence, for example); creativity contributed to open their senses to a multisensorial ethnography. Taken together, these elements allow the authors to explore multispecies socialities and let the non-human ‘speak for themselves’. The montage guide accompanies the readers by giving them a more detailed subtext. That part is necessary for making sense of what has been sensed or intuited during the first viewing of the montage. With the montage guide, the reader can come back to each moment, pause, reflect on it, and connect it to the research question. With this addition, the whole process makes sense and we can see how artistic methods make a difference. Lastly, the artnographic statement explains the context of the research and presents the main question: what is a ‘good’ relationship in human-animal relationships where animals are kept with human food in mind? It explains how the material of the montage was created and why their joint engagements with artful methods matter to the authors in addressing the question.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Multispecies Ethnography and Artful Methods explores the potential of multimodal art practices in doing qualitative research beyond the human. Through artful endeavours such as creative writing, photography, filmmaking, drawing and poetry, the volume aims to overcome the shortcomings of conventional, anthropocentric and logocentric methods in multispecies research. To move beyond the limitations of language and linguistic communication, the contributors build on the long tradition of visual and sensory anthropology while also engaging in and consciously reflecting on innovative, creative and artistic methods. Taking a multispecies and more-than-human perspective – ranging from snow and trees to animals and an AI oracle – the volume investigates ways to touch, speak, listen, feel, walk with and reach across different species.&lt;/p&gt;&lt;p&gt;This book and accompanying multimedia website advance the frontier of publishing artful expressions of academic research by highlighting how creative practices can be the very core of data collection, analysis and the communication of research. As such, the artful pieces are not ‘just’ illustrations of textual representations, but are practised as part of an iterative process of data collection and analysis. &lt;/p&gt;&lt;p&gt;The contributions by well-established scholars, early career researchers and postgraduates who carry out new, cutting-edge research offer an engaging range of analytical, methodological and empiric orientations, while conversing at the intersection of multispecies ethnography and artful methods.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text>INTRODUCTION
Andrea Petitt, Anke Tonnaer, Véronique Servais, Catrien Notermans and Natasha Fijn

1. WRITING A SONG FOR AIIA. SPECULATIVE FICTION IN AN ART-SCIENCE COLLABORATION
Text: Catrien Notermans and Anke Tonnaer
Visuals: Marcel van Brakel
[essay, poetry and AI visuals]

2. EARTH SWIMMERS / ON CAPTURE: A PRACTICE-BASED ETHNOGRAPHY OF MOLE CATCHING AND FILM MAKING IN NORTH YORKSHIRE. 
Hermione Spriggs in collaboration with mole catcher Nigel Stock
[essay and film]

3. THE SOUNDS OF SNOW: AN EXPLORATION OF HUMAN-SNOW RELATIONS IN ILULISSAT, KALAALLIT NUNAAT
Nanna Sandager Kisby
[essay, photos and sound]

4. THE ENDURING PRESENCE OF THE EUCALYPTUS TREE: A PHOTO ESSAY
Natasha Fijn
[photo essay]

5. ARTISTIC CO-DISCOVERY IN MULTISPECIES COLLABORATION 
Bartram+Deigaard
[essay and image composites]

6. ATTENDING TO FIREBUGS: ARTISTIC INVESTIGATIONS FOR RESPECTFUL CORRESPONDENCES
Charlotte Dorn
[photo essay]

7. FARMING COWS AND WORMS
Simone de Boer and Hanna Charlotta Wernersson 
[essay and multimedia montage]

8. TO TOUCH LIGHTLY IN PASSING 
Merlijn Huntjens, Nina Willems and Leonie Cornips 
[essay, photos, sketches and poetry]

9. FREAKS OF NATURE: USING DEEP REFLEXIVITY TO UNDERSTAND TRANSGENICS
Lisa Jean Moore 
[essay and photos]

10. ETHNOGRAPHY OF WORKING COWHORSES: RHYMING SENSORY METHODS
Andrea Petitt
[essay and poetry]

AFTERWORD
Karin Bolender</Text>
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        <Text>This publication has two Open Access ebook PDFs:
978-1-912186-95-2 (standard) https://books.whpress.co.uk/10.63308/63878687083054.book.pdf
978-1-912186-94-5 (MEAM multimedia) https://books.whpress.co.uk/10.63308/63883606284145.book.pdf</Text>
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            <TitleText language="eng">1. WRITING A SONG FOR AIIA</TitleText>
            <Subtitle language="eng">SPECULATIVE FICTION IN AN ART-SCIENCE COLLABORATION</Subtitle>
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          <PersonName>Catrien Notermans</PersonName>
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          <BiographicalNote>&lt;p&gt;Catrien Notermans is an anthropologist and associate professor in the Department of Cultural Anthropology and Development Studies at Radboud University, Nijmegen (The Netherlands). Her research line is on social relatedness with and beyond the human and focuses on the intersection of kinship, gender and religion in India, West Africa and Europe. Her most recent projects are on interspecies communication in women’s economic and religious activities in Rajasthan (India); and on storying human-river relatedness in the Netherlands. Her projects are based on visual, sensory and arts-based ethnography which are the methodologies she also teaches at the Anthropology Department. In 2022, Notermans co-founded together with Andrea Petitt, Véronique Servais, and Anke Tonnaer the international MEAM network for Multispecies Ethnography and Artistic Methods. In 2023, Notermans worked together with Anke Tonnaer in an Arts-Science collaboration called TASC (The Art of Science)to design a post-anthropocentric future for the city of Nijmegen.&lt;/p&gt;</BiographicalNote>
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          <PersonName>Anke Tonnaer</PersonName>
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          <BiographicalNote>&lt;p&gt;Anke Tonnaer is an anthropologist and assistant professor in the Department of Anthropology and Development Studies at Radboud University, Nijmegen (The Netherlands). Her research interests developed from long-term ethnographic fieldwork in Indigenous Australia, studying the intersection of nature and culture in tourism, to rewilding initiatives and the challenges of multispecies cohabitation and conservation practices in north-west Europe, especially the Netherlands. Her desire to narrate the more-than-human world in alternative ways alongside the rational dominant ways of ecology has brought her to exploring art-based methodology and sensory ethnography. In 2022, Anke co-founded together with Andrea Petitt, Véronique Servais, and Catrien Notermans the international MEAM network for Multispecies Ethnography and Artistic Methods, and was co-organiser of the 2022 and 2023 MEAM conferences. In 2023, Anke also worked with Catrien Notermans in an Arts-Science collaboration called TASC (The Art of Science) to design a post-anthropocentric future for the city of Nijmegen.&lt;/p&gt;</BiographicalNote>
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          <PersonName>Marcel van Brakel</PersonName>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;In order to rearrange our relation to a living planet, writer Amitav Ghosh (2022: 84) urges us to sing and narrate all beings into life, and in so doing to learn from other cosmological understandings of the world. Singing as a tactile mode of active and responsive engagement in the world is also proposed by anthropologist Tim Ingold (2002). His notion of a ‘poetics of dwelling’ refers to songs and poetic storytelling as ways of ‘art’-full living, with art not understood as a way of representing the world but as a craft of attentive living in and resonating with the vibrant presence of other-than human beings. In this contribution, the authors join these calls to ‘re-wild our language’ and ‘to sing the landscape back into being, as well as to sing one’s being back into it’ (Macfarlane, 2016). They do so by sharing their experimental song writing that they developed ‘to sing into life’ two significant nonhuman others. This song writing originated in an Arts-Science collaboration with the Dutch experience design collective called Polymorf. They combined ethnography with AI technology and speculative design. The first song was written for a speculative fictional being, called AIIA: an AI-animated planetary director and artistic composer of poetic dwelling in a more-than-human world. The second was written for the Waal, the river flowing through the city of Nijmegen. For this river song the authors did instant experimental fieldwork on human-river relatedness in the setting of an urban arthouse. Based on the input received from the audience, they composed a part-song that will eventually be performed at the riverside to heal and enchant the river, as well as inspire AIIA’s multispecies knowledge. In this contribution the authors reflect on this arts-science-society collaboration, and how it evoked their creative writing in multispecies ethnography. This chapter includes ten visuals from Polymorf that were co-created with AI in the process of song writing.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;In order to rearrange our relation to a living planet, writer Amitav Ghosh (2022: 84) urges us to sing and narrate all beings into life, and in so doing to learn from other cosmological understandings of the world. Singing as a tactile mode of active and responsive engagement in the world is also proposed by anthropologist Tim Ingold (2002). His notion of a ‘poetics of dwelling’ refers to songs and poetic storytelling as ways of ‘art’-full living, with art not understood as a way of representing the world but as a craft of attentive living in and resonating with the vibrant presence of other-than human beings. In this contribution, the authors join these calls to ‘re-wild our language’ and ‘to sing the landscape back into being, as well as to sing one’s being back into it’ (Macfarlane, 2016). They do so by sharing their experimental song writing that they developed ‘to sing into life’ two significant nonhuman others. This song writing originated in an Arts-Science collaboration with the Dutch experience design collective called Polymorf. They combined ethnography with AI technology and speculative design. The first song was written for a speculative fictional being, called AIIA: an AI-animated planetary director and artistic composer of poetic dwelling in a more-than-human world. The second was written for the Waal, the river flowing through the city of Nijmegen. For this river song the authors did instant experimental fieldwork on human-river relatedness in the setting of an urban arthouse. Based on the input received from the audience, they composed a part-song that will eventually be performed at the riverside to heal and enchant the river, as well as inspire AIIA’s multispecies knowledge. In this contribution the authors reflect on this arts-science-society collaboration, and how it evoked their creative writing in multispecies ethnography. This chapter includes ten visuals from Polymorf that were co-created with AI in the process of song writing.&lt;/p&gt;&lt;/p&gt;</Text>
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            <PersonName>Marcel van Brakel</PersonName>
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            <TitleText language="eng">2. EARTH SWIMMERS / ON CAPTURE</TitleText>
            <Subtitle language="eng">A PRACTICE- BASED ETHNOGRAPHY OF MOLE CATCHING AND FILM MAKING IN NORTH YORKSHIRE</Subtitle>
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          <PersonName>Hermione Spriggs</PersonName>
          <NamesBeforeKey>Hermione</NamesBeforeKey>
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          <BiographicalNote>&lt;p&gt;Hermione Spriggs is an artist, writer and researcher. Her current Ph.D. research explores art and creativity through the lens of land-based practice in North Yorkshire, through long-term collaboration with traditional mole catchers and other unlikely stewards of the land. Public / participatory art projects draw from this ethnographic context and from broader interests in rural folk practices, radical anthropology, hunting lore and female trickster intelligence. Hermione gained an MFA in Visual Art at UC San Diego (2012) and a BSc in Anthropology from UCL (2008). Her edited book Five Heads: Art, Anthropology and Mongol-Futurism is published by Sternberg Press. Current projects include an edible public artwork for Kings Hedges Cambridge, learning to echolocate as Bat Choir, and ongoing collaborative work exploring practices of attention and alternative forms of community organisation.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;The film Earth Swimmers (2021) attends to the tricks and techniques that mole catchers use to access the underground world of the mole. Using tools as portals into the mole’s vibratory world, probes, feet, noses and rain-making instruments lead the viewer into alternative ways of sensing and knowing the earth. This film emerged within a larger body of work resulting from direct collaboration with a professional mole catcher – one outcome of long-term ethnographic fieldwork investigating rural pest control practices and attitudes to land in rural North Yorkshire, UK. This chapter describes the author’s hunting collaborators’ practical and intimate engagement with the worlds of ‘vermin’ species in North Yorkshire, where she spent a year apprenticing to rural pest controllers in 2020–21. The chapter shows how specific skills and techniques of the body underpin and make possible the empathic understanding that enables a trapper first to think like a prey animal, and then to reach into its world through ‘respectful deception’ (Anderson et al., 2017), taking its life with minimum disruption and making use of its body as food or repurposing it otherwise. The artful engagements of the author’s interlocutors with the worlds or umwelten (Uexküll, 2010) of other animal species provides a generative model for her own perspectival manoeuvres as she experiments with Nigel, the mole catcher and central collaborator in the film, and his relationship to moles, and how to responsibly negotiate with death herself in the making of the film Earth Swimmers (2021). The author argues for the value of ‘anthropological borrowing’, pointing to the creative potential and theoretical productivity of methods, forms and concepts from the field. Specifically, the mole catcher taught her creative multispecies methods, such as animal tracking and tactical probing, inviting the author to engage with anthropological theory in a practical way, decentring her own perspective, making room for the perception, agency and subjectivity of nonhuman others.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;The film Earth Swimmers (2021) attends to the tricks and techniques that mole catchers use to access the underground world of the mole. Using tools as portals into the mole’s vibratory world, probes, feet, noses and rain-making instruments lead the viewer into alternative ways of sensing and knowing the earth. This film emerged within a larger body of work resulting from direct collaboration with a professional mole catcher – one outcome of long-term ethnographic fieldwork investigating rural pest control practices and attitudes to land in rural North Yorkshire, UK. This chapter describes the author’s hunting collaborators’ practical and intimate engagement with the worlds of ‘vermin’ species in North Yorkshire, where she spent a year apprenticing to rural pest controllers in 2020–21. The chapter shows how specific skills and techniques of the body underpin and make possible the empathic understanding that enables a trapper first to think like a prey animal, and then to reach into its world through ‘respectful deception’ (Anderson et al., 2017), taking its life with minimum disruption and making use of its body as food or repurposing it otherwise. The artful engagements of the author’s interlocutors with the worlds or umwelten (Uexküll, 2010) of other animal species provides a generative model for her own perspectival manoeuvres as she experiments with Nigel, the mole catcher and central collaborator in the film, and his relationship to moles, and how to responsibly negotiate with death herself in the making of the film Earth Swimmers (2021). The author argues for the value of ‘anthropological borrowing’, pointing to the creative potential and theoretical productivity of methods, forms and concepts from the field. Specifically, the mole catcher taught her creative multispecies methods, such as animal tracking and tactical probing, inviting the author to engage with anthropological theory in a practical way, decentring her own perspective, making room for the perception, agency and subjectivity of nonhuman others.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">3. THE SOUNDS OF SNOW</TitleText>
            <Subtitle language="eng">AN EXPLORATION OF HUMAN-SNOW RELATIONS IN ILULISSAT, KALAALLIT NUNAAT</Subtitle>
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          <PersonName>Nanna Kisby</PersonName>
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          <BiographicalNote>&lt;p&gt;Nanna obtained her MSc in Cultural Anthropology: Sustainable Citizenship at Utrecht University in the Netherlands. Her thesis focused on human-snow relations in Ilulissat, Kalaallit Nunaat, and shows how nonhuman matter (such as snow) has an inherent agency. She obtained her BSc in Anthropology at Aarhus University in Denmark. Nanna also has a background in art and movement studies, which has inspired her to draw on artistic methods and bodily inquiry in her ethnographic work. Throughout her fieldwork in Ilulissat, Nanna experimented with data collection through a combination of methods in order to capture aspects of human-snow relations that escape the written word. These methods included recording soundscapes, photography, and exploring snow through sensory ethnography. Nanna currently works for a small company in the Dutch energy sector. In her work, she conducts cultural analyses and co-coordinates a project in Egypt developing Vocational Education and Training (VET) programs on sustain- ability and green hydrogen.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Snow is ever present during the long winter months in Ilulissat, Kalaallit Nunaat (Greenland). It covers houses, doorways, roads, cars, sleeping dogs, and mountains. It shapes the landscape, re-configures town infrastructure, and hinders – as well as enables –human practices. In order to understand human life in Ilulissat, it is crucial to understand snow and its behavior. This chapter therefore focuses on snow as a vibrant materiality (Bennett, 2010) that acts from certain inherent capacities: snow is a shape shifter, it moves, it takes up space, it is a source of life, and it produces impressions that can be registered by, for example, human senses. These capacities of snow influence its relationship with other actors in more-than-human assemblages. In order to study these capacities of snow, the author made use of artistic methods and sensory ethnography in addition to traditional ethnographic methods during her fieldwork in Ilulissat. In particular, soundscapes and photography enabled her to explore the ways in which snow behaves, and to capture its various manifestations. Artistic methods also created the possibility to collaborate with snow as a nonhuman actor in the process of making art, in order to share the research findings with other humans. The author shows that artistic methods function as a bridge between the nonhuman and the human, and help in producing art as embodied knowledge. This chapter includes four sound recordings and six photographs. At specified moments in the chapter, the author invites the readers to listen to the snow recordings and to look at the images and thus to go with her on a multi-sensory journey to meet the snow in Ilulissat.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Snow is ever present during the long winter months in Ilulissat, Kalaallit Nunaat (Greenland). It covers houses, doorways, roads, cars, sleeping dogs, and mountains. It shapes the landscape, re-configures town infrastructure, and hinders – as well as enables –human practices. In order to understand human life in Ilulissat, it is crucial to understand snow and its behavior. This chapter therefore focuses on snow as a vibrant materiality (Bennett, 2010) that acts from certain inherent capacities: snow is a shape shifter, it moves, it takes up space, it is a source of life, and it produces impressions that can be registered by, for example, human senses. These capacities of snow influence its relationship with other actors in more-than-human assemblages. In order to study these capacities of snow, the author made use of artistic methods and sensory ethnography in addition to traditional ethnographic methods during her fieldwork in Ilulissat. In particular, soundscapes and photography enabled her to explore the ways in which snow behaves, and to capture its various manifestations. Artistic methods also created the possibility to collaborate with snow as a nonhuman actor in the process of making art, in order to share the research findings with other humans. The author shows that artistic methods function as a bridge between the nonhuman and the human, and help in producing art as embodied knowledge. This chapter includes four sound recordings and six photographs. At specified moments in the chapter, the author invites the readers to listen to the snow recordings and to look at the images and thus to go with her on a multi-sensory journey to meet the snow in Ilulissat.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text>[essay, photos and sound]</Text>
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            <TitleText language="eng">4. THE ENDURING PRESENCE OF THE EUCALYPTUS TREE</TitleText>
            <Subtitle language="eng">A PHOTO ESSAY</Subtitle>
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          <PersonName>Natasha Fijn</PersonName>
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            <ProfessionalPosition>Director of the Mongolia Institute</ProfessionalPosition>
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            <Affiliation>Australian National University</Affiliation>
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          <BiographicalNote>&lt;p&gt;Natasha Fijn is Director of the Australian National University’s Mongolia Institute. She has been awarded a mid-career ARC Future Fellowship to conduct research on ‘A Multi-species Anthropological Approach to Influenza’ (2022–2026). Natasha wrote a seminal multispecies ethnography based in Mongolia, Living with Herds: Human-animal Coexistence in Mongolia (2011). She has co-edited five books and several journal volumes, including three special issues oriented toward visual anthropology and ethnographic filmmaking, and three engaging with multispecies and sensory anthropology in the journals Inner Asia (2020), The Australian Journal of Anthropology (2020) and Anthropology Today (2023). She recently (2023) published a co-edited book with Routledge, Nurturing Alternative Futures: Living with Diversity in a More-than-human World.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;The strength of the photo essay in multispecies anthropological research is the close integration between still images and the accompanying text as a form of ethnographic narrative. How can the structure of the photo essay provide an experimental medium for conceptualising multispecies ethnography, while communicating engagement with more-than-human subjects? The photo essay included here employs an experimental creative approach featuring large, lone eucalypts as significant beings on the fringes of the reserves and suburbs of Canberra, the capital city of Australia. As sentinels, these canopy trees have witnessed different forms of human presence over as much as a five-century lifespan: from ancestral Ngunnuwal making marks on such trees, viewed by individual Aboriginal Australians as kin; to present-day workers in newly developed suburbs manicuring newly formed lawns and gardens beneath the shade of these trees. The author has produced other multispecies-oriented photo essays as an ongoing form of experimentation with the sensory and juxtaposition of still images with text to form an ethnographic narrative. The photo essay comprises a series of images in two parts with accompanying text forming explanatory captions, the combination of image and text then helping to build a multispecies story. The first part of the photo essay connects with individual Eucalypts in reserves, while the second part foregrounds individual trees within a new development, the suburb of Ginninderry. The author highlights how the photo essay can be effective in allowing for more-than-human subjectivity and agency. The focus on individual eucalypt trees within the photo essay is an extension of the author’s connection with individual trees and a part of her ongoing creative expression with a focus on sensorial and multispecies entanglements with significant others. Accompanying the photo essay is a description in the form of an ‘artnographic statement’ of Fijn’s methodology in combining multispecies ethnography with photography, followed by an explanatory section connecting the differing Abo- riginal Australian perspectives from those of wider settler-Australian attitudes towards individual Eucalypts in the context of Australia’s capital.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;The strength of the photo essay in multispecies anthropological research is the close integration between still images and the accompanying text as a form of ethnographic narrative. How can the structure of the photo essay provide an experimental medium for conceptualising multispecies ethnography, while communicating engagement with more-than-human subjects? The photo essay included here employs an experimental creative approach featuring large, lone eucalypts as significant beings on the fringes of the reserves and suburbs of Canberra, the capital city of Australia. As sentinels, these canopy trees have witnessed different forms of human presence over as much as a five-century lifespan: from ancestral Ngunnuwal making marks on such trees, viewed by individual Aboriginal Australians as kin; to present-day workers in newly developed suburbs manicuring newly formed lawns and gardens beneath the shade of these trees. The author has produced other multispecies-oriented photo essays as an ongoing form of experimentation with the sensory and juxtaposition of still images with text to form an ethnographic narrative. The photo essay comprises a series of images in two parts with accompanying text forming explanatory captions, the combination of image and text then helping to build a multispecies story. The first part of the photo essay connects with individual Eucalypts in reserves, while the second part foregrounds individual trees within a new development, the suburb of Ginninderry. The author highlights how the photo essay can be effective in allowing for more-than-human subjectivity and agency. The focus on individual eucalypt trees within the photo essay is an extension of the author’s connection with individual trees and a part of her ongoing creative expression with a focus on sensorial and multispecies entanglements with significant others. Accompanying the photo essay is a description in the form of an ‘artnographic statement’ of Fijn’s methodology in combining multispecies ethnography with photography, followed by an explanatory section connecting the differing Abo- riginal Australian perspectives from those of wider settler-Australian attitudes towards individual Eucalypts in the context of Australia’s capital.&lt;/p&gt;&lt;/p&gt;</Text>
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            <PersonName>Natasha Fijn</PersonName>
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            <TitleText language="eng">5. ARTISTIC CO-DISCOVERY IN MULTISPECIES COLLABORATION</TitleText>
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          <PersonName>Angela Bartram</PersonName>
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            <Affiliation>University of Derby</Affiliation>
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            <ProfessionalPosition>Trustee of the Board of Directors</ProfessionalPosition>
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          <BiographicalNote>&lt;p&gt;Angela Bartram is an artist and artistic researcher who investigates thresholds of the human body, gallery or museum, definitions of the human and animal as companion species and strategies for documenting the ephemeral. The research, made individually and through collaboration, is made public through exhibitions, events and published texts. Bartram is Professor of Contemporary Art and Co-Lead for the Creative and Cultural Industries Academic Theme and Research Centre at the University of Derby. Amongst other board affiliations, she is Vice President of the Society for Artistic Research and Trustee of the Board of Directors of the Live Art Development Agency. Her Ph.D. in Fine Art is from Middlesex University.&lt;/p&gt;</BiographicalNote>
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          <PersonName>Lee Deigaard</PersonName>
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          <BiographicalNote>&lt;p&gt;Lee Deigaard explores the topographies where one consciousness encounters another, describing a landscape given shape and substance by its animal protagonists, their sensory and imaginative worlds and their autonomy. With language, photography/video, installation, event and drawing, her work approaches the animal from positions of equality, collaboration and mutual curiosity and looks at multi-species empathy, animal cognition and personality, memory and grief, and the nature of intimacy. As an independent artist, writer and researcher based in urban Louisiana and rural Georgia, she has exhibited and presented her work nationally and internationally. Her writing and artwork have been published in Oxford American, Humanimalia, and Antennae: The Journal of Nature in Visual Culture among others. She holds degrees from Yale University, the University of Texas at Austin, and the University of Michigan. She is one half of the trans-Atlantic collaborative duos, Bartram + Deigaard and DULSE (with the novelist Mandy Suzanne-Wong of Bermuda).&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Bartram + Deigaard are the collaborative duo of artists Lee Deigaard (US) and Angela Bartram (UK) engaged in a transoceanic, international collaboration and dialogue exploring dualities of mind and being, multi-species empathy and the ethics of animal collaboration. Bartram + Deigaard test the edges, the margins, the overlaps and the interstitial spaces of and within collaboration and interspecies potential ‘doubling(s)’ in their artistic research. Doubling here relates to mirroring and sharing between species, of mind and body, and the myriad divergences that bind through the recognition of this process. Brought together by a shared brain mentality with regard to animal studies, as that which is a recognised field of discourse, and of being and not being, recognising and refusing to affirm the non-human as apart from our common animality, they work sympathetically and empathetically although situated geographically far apart. Born of an openness to involve the non-human fully in creative thinking, making and staging, they create situations of co-learning where all collaborators can contribute and learn from each other, and they willingly embrace the unanticipated shifts to the process each species brings. Using diverse methods, processes and materials, and curious to a myriad of opening potentialities, they explore working as humans from an animal-centric perspective. They bring sensitivities to their research with the non-human animal as both artistic subject and collaborator, of behaving as animal to observe and engage with empathy and openness to the unexpected, and particularly to animal insight and revelation. Iterative long-term projects in photography, video, installation, drawing and printmaking foreground proximity and proprioceptive, nearly devotional studio and caretaking practices centring on respiration and companionate movement. This text explores being mindful and sensible with balancing sympathies and empathies within an often-unbalanced system of agency predicated in environments structured by and for humans (including spaces intended for animal habitation). It discusses the unscripted learning that occurs through interspecies collaboration, and what each animal (human and non-human) can teach the other when both are given full creative agency. Offering examples of their own individual and collaborative work within a critical framework to explain pertinent propositions and findings, it will demonstrate how openness is key for possibilities to flourish. It will discuss how equality and responsive creative co-learning environments can produce revelatory results creatively instigated and directed by the non-human. There are 37 images, of which 27 are combined into nine ‘composites’.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Bartram + Deigaard are the collaborative duo of artists Lee Deigaard (US) and Angela Bartram (UK) engaged in a transoceanic, international collaboration and dialogue exploring dualities of mind and being, multi-species empathy and the ethics of animal collaboration. Bartram + Deigaard test the edges, the margins, the overlaps and the interstitial spaces of and within collaboration and interspecies potential ‘doubling(s)’ in their artistic research. Doubling here relates to mirroring and sharing between species, of mind and body, and the myriad divergences that bind through the recognition of this process. Brought together by a shared brain mentality with regard to animal studies, as that which is a recognised field of discourse, and of being and not being, recognising and refusing to affirm the non-human as apart from our common animality, they work sympathetically and empathetically although situated geographically far apart. Born of an openness to involve the non-human fully in creative thinking, making and staging, they create situations of co-learning where all collaborators can contribute and learn from each other, and they willingly embrace the unanticipated shifts to the process each species brings. Using diverse methods, processes and materials, and curious to a myriad of opening potentialities, they explore working as humans from an animal-centric perspective. They bring sensitivities to their research with the non-human animal as both artistic subject and collaborator, of behaving as animal to observe and engage with empathy and openness to the unexpected, and particularly to animal insight and revelation. Iterative long-term projects in photography, video, installation, drawing and printmaking foreground proximity and proprioceptive, nearly devotional studio and caretaking practices centring on respiration and companionate movement. This text explores being mindful and sensible with balancing sympathies and empathies within an often-unbalanced system of agency predicated in environments structured by and for humans (including spaces intended for animal habitation). It discusses the unscripted learning that occurs through interspecies collaboration, and what each animal (human and non-human) can teach the other when both are given full creative agency. Offering examples of their own individual and collaborative work within a critical framework to explain pertinent propositions and findings, it will demonstrate how openness is key for possibilities to flourish. It will discuss how equality and responsive creative co-learning environments can produce revelatory results creatively instigated and directed by the non-human. There are 37 images, of which 27 are combined into nine ‘composites’.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">6. ATTENDING TO FIREBUGS</TitleText>
            <Subtitle language="eng">ARTISTIC INVESTIGATIONS FOR RESPECTFUL CORRESPONDENCES</Subtitle>
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          <PersonName>Charlotte Dorn</PersonName>
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          <BiographicalNote>&lt;p&gt;Charlotte Dorn is an artist and researcher living in Brussels and doing an artistic Ph.D. at LUCA School of Arts and KU Leuven. She took her Masters in Art at the Accademia di Belle Arti die Napoli and her Bachelor in the Arts at the Académie des Beaux-Arts Nantes Métropole and the Universidad de Sevilla, Campus Bellas Artes. Her work is on display in exhibitions such as the Centrale for Contemporary Art in Brussels or residencies like the International Latgale Graphic Art Symposium in Daugavpils, Latvia. Dorn’s artwork mainly consists of printmaking. Through drawing and life observation, she approaches insect worlds, with a current focus on firebugs. Key interests in her research are empathetic engagement through images and through the creative process, as well as the representation of insects as actants and processes.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;In this piece, Charlotte Dorn engages in a loving attention towards firebugs as a basis for an ethical aesthetic that she develops through multispecies ethnography enriched by still images, video, sound recordings, drawing and printmaking. This photo essay elaborates on how Dorn engages with concrete artistic methodologies, the photos are a selection of fieldwork registrations and their further artistic processing. The reader follows Dorn, through text and photos, from her fieldwork through to the analysis phase, where ideas on firebugs and multispecies worlds are further developed and rendered tangible through drawing, as well as wood- and linocut. Importantly, the slowness of the creative process gives space to let the fieldwork experience with firebugs sink in and come back to the sensory experience over and over again. Seeking to understand how firebugs inhabit the world, artistic practices here further knowledge production that connects rather than objectifies; taking a holistic approach toward experiences with animals gives space to cognitive, physical, sensorial and affective aspects of the encounter. The sponginess of artistic modes of perception leads to individual and multi-layered perspectives on animality. It also suggests that much of the non-human animal is not yet understood and remains mysterious.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;In this piece, Charlotte Dorn engages in a loving attention towards firebugs as a basis for an ethical aesthetic that she develops through multispecies ethnography enriched by still images, video, sound recordings, drawing and printmaking. This photo essay elaborates on how Dorn engages with concrete artistic methodologies, the photos are a selection of fieldwork registrations and their further artistic processing. The reader follows Dorn, through text and photos, from her fieldwork through to the analysis phase, where ideas on firebugs and multispecies worlds are further developed and rendered tangible through drawing, as well as wood- and linocut. Importantly, the slowness of the creative process gives space to let the fieldwork experience with firebugs sink in and come back to the sensory experience over and over again. Seeking to understand how firebugs inhabit the world, artistic practices here further knowledge production that connects rather than objectifies; taking a holistic approach toward experiences with animals gives space to cognitive, physical, sensorial and affective aspects of the encounter. The sponginess of artistic modes of perception leads to individual and multi-layered perspectives on animality. It also suggests that much of the non-human animal is not yet understood and remains mysterious.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">7. FARMING COWS AND WORMS</TitleText>
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          <PersonName>Simone de Boer</PersonName>
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          <BiographicalNote>&lt;p&gt;Simone de Boer is a Ph.D. candidate in Social Anthropology at the University of Gothenburg, School of Global Studies. In her research she focuses on the development and meaning of organic and permaculture farming in Kyrgyzstan. Using ethnographic and creative methods, she explores processes of learning and knowing, more-than-human relationships, and ‘good farmer’ identities. The creative methods she employs include photography, video, drawing, creative writing and workshops with interlocutors. Simone’s educational background is in Cultural Anthropology and Film &amp; Photographic Studies (Leiden University, the Netherlands). In her previous research in Kyrgyzstan, she studied (transformations of ) ‘traditional’ horse games and human-horse relationships in the context of increasing tourism, processes of sportification, and the development of mega sporting events. In 2018–2019, she was one of Leiden’s City Photographers, creating ethnographic photo essays for the city newspaper in collaboration with fellow anthropologists.&lt;/p&gt;</BiographicalNote>
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          <PersonName>Hanna Charlotta Wernersson</PersonName>
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          <BiographicalNote>&lt;p&gt;Hanna is a Ph.D. candidate at the School of Global Studies within the field of environmental social science. In her Ph.D. project, she studies conceptualisations and performances of ‘holistic’ management among regenerative cattle farmers in Sweden. Using ethnographic and creative methods, Hanna explores the ethical and practical relationships to nonhuman nature that are produced in and through daily farm doings. Creative writing, drawing and soundscape-making are examples of Hanna’s methodology. Hanna has a MSc in socio-ecological resilience from Stockholm Resilience Center. Her professional experience includes working as Course Coordinator at the Center for Environment and Development Studies at Uppsala University, Sweden, and as Agricultural Marketing Specialist for the US Foreign Agricultural Service, Canada. Hanna also farms twelve hectares of land, exploring what ‘good’ land management could mean on the clay soils of western Sweden.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This piece presents a multimedia montage that explores multispecies relationships in three different farming contexts: human-worm relationships in Kyrgyz compost heaps, and human-cow (or bull) relationships on two divergent Swedish cattle farms, one family farm (cow-calf farm) and one industrial farm (bull-breeding farm). The video montage is made up of different mixed media, consisting of video and still images, drawings, sounds, and quotations from informants. The visual piece is accompanied by three kinds of written comments. The montage companion gives more details about the authors’ motivations for artistic work, and about the circumstances of their encounter and how they creatively worked together. In their experience, artistic work has helped them to sustain their curiosity for their object, but also to give place to contradictions (love and violence, for example); creativity contributed to open their senses to a multisensorial ethnography. Taken together, these elements allow the authors to explore multispecies socialities and let the non-human ‘speak for themselves’. The montage guide accompanies the readers by giving them a more detailed subtext. That part is necessary for making sense of what has been sensed or intuited during the first viewing of the montage. With the montage guide, the reader can come back to each moment, pause, reflect on it, and connect it to the research question. With this addition, the whole process makes sense and we can see how artistic methods make a difference. Lastly, the artnographic statement explains the context of the research and presents the main question: what is a ‘good’ relationship in human-animal relationships where animals are kept with human food in mind? It explains how the material of the montage was created and why their joint engagements with artful methods matter to the authors in addressing the question.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This piece presents a multimedia montage that explores multispecies relationships in three different farming contexts: human-worm relationships in Kyrgyz compost heaps, and human-cow (or bull) relationships on two divergent Swedish cattle farms, one family farm (cow-calf farm) and one industrial farm (bull-breeding farm). The video montage is made up of different mixed media, consisting of video and still images, drawings, sounds, and quotations from informants. The visual piece is accompanied by three kinds of written comments. The montage companion gives more details about the authors’ motivations for artistic work, and about the circumstances of their encounter and how they creatively worked together. In their experience, artistic work has helped them to sustain their curiosity for their object, but also to give place to contradictions (love and violence, for example); creativity contributed to open their senses to a multisensorial ethnography. Taken together, these elements allow the authors to explore multispecies socialities and let the non-human ‘speak for themselves’. The montage guide accompanies the readers by giving them a more detailed subtext. That part is necessary for making sense of what has been sensed or intuited during the first viewing of the montage. With the montage guide, the reader can come back to each moment, pause, reflect on it, and connect it to the research question. With this addition, the whole process makes sense and we can see how artistic methods make a difference. Lastly, the artnographic statement explains the context of the research and presents the main question: what is a ‘good’ relationship in human-animal relationships where animals are kept with human food in mind? It explains how the material of the montage was created and why their joint engagements with artful methods matter to the authors in addressing the question.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">8. TO TOUCH LIGHTLY IN PASSING</TitleText>
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          <PersonName>Merlijn Huntjens</PersonName>
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          <BiographicalNote>&lt;p&gt;Merlijn Huntjens is a writer. Between 2013 and 2018, Merlijn was active as a poetry slammer, performing widely in the Netherlands, Belgium and occasionally in Germany. In 2016, 2017 and 2018 he was in the finals of the NK poetry slam. Between 2017 and 2019, he was city poet of Heerlen. Merlijn is involved with Wintertuin and is a creator at PANDA. Poems of his regularly appear in literary magazines such as De Revisor, Tirade and Het Liegend Konijn and in 2022 his chapbook ‘De zee zwaait terug’ was released by Wintertuin.&lt;/p&gt;</BiographicalNote>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Down the centuries, the people of the Nordic countries have confronted challenges from climatic variability and change and sought ways to survive and adapt. In a time of accelerating global warming, these climate histories take on new contemporary significance. Drawing on tools from the natural and historical sciences, the innovative scholarship in this volume addresses questions such as: How did Nordic societies cope with past climatic hazards? What was the historical significance of the ‘Little Ice Age’ or the ‘Medieval Climate Anomaly’ for Nordic countries? And how do we study, narrate and learn from these past experiences?&lt;break/&gt; &lt;break/&gt;This volume is the first to collect climate histories from across all the Nordic countries. It combines research from climatologists, historians, archaeologists and museologists to explore how climate and culture interacted in the past and what we might learn from these interactions today.&lt;break/&gt; &lt;break/&gt;The chapters range from in-depth case studies to reflexive meta-histories; cover periods from the Bronze Age to the present; and draw on sources from tree rings to material culture to poetry. They also discuss how these histories can be communicated today, including how museums and literature can bring them into conversation with a current audience looking for lived experiences of climate adaptation.&lt;break/&gt; &lt;break/&gt;The volume was conceived during an international conference at the University of Oslo in May 2024. This interdisciplinary forum connected leading scholars in the field with practitioners and stakeholders. The essays presented here engage a rapidly growing field of intense public and political concern in the Nordics and beyond.&lt;break/&gt; &lt;break/&gt;The book speaks to various academic communities (climatology, history, literature) and stakeholders (museum practitioners, climate communicators and advocates). It includes the growing research and student community invested in this topic across several disciplines, practitioners and communicators in the field and the wider public interested in the vibrant debates about climate adaptation and experience.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Down the centuries, the people of the Nordic countries have confronted challenges from climatic variability and change and sought ways to survive and adapt. In a time of accelerating global warming, these climate histories take on new contemporary significance. Drawing on tools from the natural and historical sciences, the innovative scholarship in this volume addresses questions such as: How did Nordic societies cope with past climatic hazards? What was the historical significance of the ‘Little Ice Age’ or the ‘Medieval Climate Anomaly’ for Nordic countries? And how do we study, narrate and learn from these past experiences?&lt;break/&gt; &lt;break/&gt;This volume is the first to collect climate histories from across all the Nordic countries. It combines research from climatologists, historians, archaeologists and museologists to explore how climate and culture interacted in the past and what we might learn from these interactions today.&lt;break/&gt; &lt;break/&gt;The chapters range from in-depth case studies to reflexive meta-histories; cover periods from the Bronze Age to the present; and draw on sources from tree rings to material culture to poetry. They also discuss how these histories can be communicated today, including how museums and literature can bring them into conversation with a current audience looking for lived experiences of climate adaptation.&lt;break/&gt; &lt;break/&gt;The volume was conceived during an international conference at the University of Oslo in May 2024. This interdisciplinary forum connected leading scholars in the field with practitioners and stakeholders. The essays presented here engage a rapidly growing field of intense public and political concern in the Nordics and beyond.&lt;break/&gt; &lt;break/&gt;The book speaks to various academic communities (climatology, history, literature) and stakeholders (museum practitioners, climate communicators and advocates). It includes the growing research and student community invested in this topic across several disciplines, practitioners and communicators in the field and the wider public interested in the vibrant debates about climate adaptation and experience.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text>Introduction: Integrating, Connecting and Narrating Nordic Climate Histories 
Dominik Collet, Ingar Mørkestøl Gundersen, Heli Huhtamaa, Fredrik Charpentier Ljungqvist, Astrid E.J. Ogilvie and Sam White

Chapter 1. The Development of Meteorological Institutions and Early Instrumental Climate Data in the Nordic Countries
Elin Lundstad, Stefan Norrgård and A.E.J. Ogilvie

ANCIENT AND MEDIEVAL CLIMATE

Chapter 2. Cold or Culture? Effects of Mid-Holocene Temperatures on Forager and Early Farmer Demographics in Southern Norway 
Svein Vatsvåg Nielsen

Chapter 3. A Series of Unfortunate Events: Two Central Norwegian Settlements Facing the Climatic Downturn after ad536–540 
Ingrid Ystgaard and Raymond Sauvage

Chapter 4. Volcanic Vulnerability in Medieval Iceland 
Carina Damm

Chapter 5. The Moving Manors and Adaptation in Sixteenth Century Denmark 
Sarah Kerr

Chapter 6. Architectural Climate Change Adaptions in Little Ice Age Norway c. 1300–1550 
Kristian Reinfjord

LITTLE ICE AGE CLIMATE 

Chapter 7. The Impact of Wildfire and Climate on the Resilience and Vulnerability of Peasant Communities in Seventeenth-Century Finland 
Jakob Starlander

Chapter 8. Northern Iceland Temperature Variations and Sea-Ice Incidence c. ad 1600–1850 
A.E.J. Ogilvie and M.W. Miles 

Chapter 9. Integrating Agricultural Vulnerability and Climate Extremes. Eighteenth-century Norway through the Works of Jacob Nicolaj Wilse (1735–1801) 
Ingar Mørkestøl Gundersen

Chapter 10. An Ice Breakup as in the Good Old Days’. Ice Jams in the Aura River, Turku, Southwest Finland, 1739–2024
Stefan Norrgård

NARRATING CLIMATE HISTORIES

Chapter 11. Climate Narratives in Norwegian Public Histories 
Eivind Heldaas Seland

Chapter 12. Glacier Poetry in Norwegian Literary Historiography 
Kristine Kleveland

Chapter 13. Through a Mirror, Darkly: Bringing Deep Environmental History into the Museum 
Felix Riede

Chapter 14. Back to the Future: Weaving Climate History into Nordic National Museum Narratives 
Natália Melo, Bergsveinn Þórsson, Felix Riede and Stefan Norrgård</Text>
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          <BiographicalNote>&lt;p&gt;Fredrik Charpentier Ljungqvist is Professor of History, in particular Historical Geography, at Stockholm University, Sweden. He also holds the title of Associate Professor of Physical Geography at the same university. Ljungqvist was in 2022 by the Royal Swedish Academy of Letters, History and Antiquities awarded the Rettig Prize for “interdisciplinary works concerning climate and diseases in a long-term perspective”. He was a Pro Futura Scientia Fellow at the Swedish Collegium for Advanced Study from 2019 to 2024 and has been a visiting researcher at the University of Cambridge, Lanzhou University, University of Bern, and the Freiburg Institute for Advanced Studies (FRIAS).&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Astrid Ogilvie is a Research Professor at the Institute of Arctic and Alpine Research at the University of Colorado and a Senior Associate Scientist at the Stefansson Arctic Institute in Akureyri, Iceland. Her research focuses on the broader issues of climatic change and contemporary Arctic issues, as well as the environmental humanities. Her interdisciplinary, international projects have included leadership of the NordForsk Nordic Centre of Excellence project: Arctic Climate Predictions: Pathways to Resilient, Sustainable Societies (ARCPATH); and The Natural World in Literary and Historical Sources from Iceland ca. AD 800 to 1800 (ICECHANGE). She is currently a Fellow of the project The Nordic Little Ice Age (1300–1900) Lessons from Past Climate Change (NORLIA) at the Centre for Advanced Study at the Norwegian Academy of Science and Letters. She is the author of some 100 scientific papers and has three edited books to her credit.&lt;/p&gt;</BiographicalNote>
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            <TitleText language="eng">Chapter 1. The Development of Meteorological Institutions and Early Instrumental Climate Data in the Nordic Countries</TitleText>
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          <BiographicalNote>&lt;p&gt;Elin Lundstad is a climate researcher at the Norwegian Meteorological Institute. She began studying glaciers in western Norway and climate patterns in 1996. She completed her master’s degree in historical climatology in 2004 at the University of Bergen, focusing on an eighteenth-century Norwegian farm diary. Over the years, she has explored various professional paths but found her strongest passion in historical climatology. Currently, she is pursuing a Ph.D. on early instrumental data at the Institute of Geography at the University of Bern, Switzerland.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Stefan Norrgård is a senior researcher and climate historian at the Department of History at Åbo Akademi University in Turku, Finland. Subsequent to reconstruct- ing climate in West Africa during the 1700s, his research interests have centred on riverine ice breakups in Finland. He has reconstructed spring ice breakups for both the Aura River (Turku) and the Kokemäki River (Pori) between the 1700s and 2000s. He has several publications on ice breakups but his research field also covers historical climate adaptation processes and meteorological observations in Finland and Sweden in the 1700s. His ongoing research project, founded by the Kone Foundation, investigates climate, culture and society in Finland in the 1700s.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Astrid E.J. Ogilvie is a Research Professor at the Institute of Arctic and Alpine Research at the University of Colorado and a Senior Associate Scientist at the Stefansson Arctic Institute in Akureyri, Iceland. Her research focuses on the broader issues of climatic change and contemporary Arctic issues, as well as the environmental humanities. Her interdisciplinary, international projects have included leadership of the NordForsk Nordic Centre of Excellence project: Arctic Climate Predictions: Pathways to Resilient, Sustainable Societies (ARCPATH); and The Natural World in Literary and Historical Sources from Iceland ca. AD 800 to 1800 (ICECHANGE). She is currently a Fellow of the project The Nordic Little Ice Age (1300–1900) Lessons from Past Climate Change (NORLIA) at the Centre for Advanced Study at the Norwegian Academy of Science and Letters. She is the author of some 100 scientific papers and has three edited books to her credit.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;The Nordic countries share much, in terms of political and economic histories, and geographically all countries border or lie within the Arctic Circle. This study focuses on their shared history with regard to meteorological observations and provides insights into this development from the 1700s until the establishment of national meteorological institutes in the latter half of the 1800s. An overview of the founding of these institutes is included. To our knowledge, this is the first study to discuss and present the history of meteorological observations across all Nordic countries together. Beginning in the 1700s, the study explores how prevailing theories on climate and weather influenced the recording and analy- sis of meteorological observations. Temperature records for each country are presented using a novel approach to illustrate temperature increases up to the present day. A cross-correlation analysis of temperature data indicates a strong correlation between all Nordic capitals, except Reykjavik, highlighting Iceland’s distinct climatic conditions even within the Nordic context. Finally, using the Mann-Kendall trend analysis, we found that Copenhagen exhibits the highest temperature trend among the Nordic capitals.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;The Nordic countries share much, in terms of political and economic histories, and geographically all countries border or lie within the Arctic Circle. This study focuses on their shared history with regard to meteorological observations and provides insights into this development from the 1700s until the establishment of national meteorological institutes in the latter half of the 1800s. An overview of the founding of these institutes is included. To our knowledge, this is the first study to discuss and present the history of meteorological observations across all Nordic countries together. Beginning in the 1700s, the study explores how prevailing theories on climate and weather influenced the recording and analy- sis of meteorological observations. Temperature records for each country are presented using a novel approach to illustrate temperature increases up to the present day. A cross-correlation analysis of temperature data indicates a strong correlation between all Nordic capitals, except Reykjavik, highlighting Iceland’s distinct climatic conditions even within the Nordic context. Finally, using the Mann-Kendall trend analysis, we found that Copenhagen exhibits the highest temperature trend among the Nordic capitals.&lt;/p&gt;&lt;/p&gt;</Text>
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            <PersonName>Elin Lundstad, Stefan Norrgård and A.E.J. Ogilvie</PersonName>
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            <TitleText language="eng">Chapter 2. Cold or Culture? Effects of Mid-Holocene Temperatures on Forager and Early Farmer Demographics in Southern Norway</TitleText>
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          <PersonName>Svein Vatsvåg Nielsen</PersonName>
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          <BiographicalNote>&lt;p&gt;Svein Vatsvåg Nielsen is an archaeologist at the Stavanger Maritime Museum in Norway. He has a Ph.D. in archaeology from the University of Oslo where his thesis focused on demographic transitions in northern Europe during the Late Mesolithic and Neolithic periods. Nielsen specialises in economic and demographic theories, and the use of quantitative and statistical methods in archaeological research. He is a frequent practitioner of research-driven field archaeology. During recent years he has focused on excavation and the sampling of wetland areas in southern Norway. He is also trained in underwater archaeology.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Climate has changed considerably throughout the Holocene and humans have continuously adapted to environmental change. However, research is not clear on how, to what extent and in relation to which environmental factors popula- tions have adapted. The mid-Holocene period c. 6200–2200 bce in Scandinavia involved the transition from purely forager-based (Mesolithic) economies to the establishment of farming-based (Neolithic) economies. In southern Norway there is evidence of a limited introduction of farming and husbandry in the Oslo fjord region in the early fourth millennium bce, and of foragers experimenting with farming during the Neolithic period. This paper hypothesises that short- term cold events (or Little Ice Age-like events) had negative impact on human demography in southern Norway also during the mid-Holocene. The current record of Little Ice Age-events is compared to a long-term population trajectory based on archaeological data, showing little or no negative impact on human demography during the mid-Holocene.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Climate has changed considerably throughout the Holocene and humans have continuously adapted to environmental change. However, research is not clear on how, to what extent and in relation to which environmental factors popula- tions have adapted. The mid-Holocene period c. 6200–2200 bce in Scandinavia involved the transition from purely forager-based (Mesolithic) economies to the establishment of farming-based (Neolithic) economies. In southern Norway there is evidence of a limited introduction of farming and husbandry in the Oslo fjord region in the early fourth millennium bce, and of foragers experimenting with farming during the Neolithic period. This paper hypothesises that short- term cold events (or Little Ice Age-like events) had negative impact on human demography in southern Norway also during the mid-Holocene. The current record of Little Ice Age-events is compared to a long-term population trajectory based on archaeological data, showing little or no negative impact on human demography during the mid-Holocene.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 3. A Series of Unfortunate Events</TitleText>
            <Subtitle language="eng">Two Central Norwegian Settlements Facing the Climatic Downturn after ad536–540</Subtitle>
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          <BiographicalNote>&lt;p&gt;Ingrid Ystgaard is Associate Professor in Archaeology in the Department of Historical and Classical Studies at the Norwegian University of Technology and Science in Trondheim, Norway. Her research centres around pre-Viking Age settlement and conflict archaeology in Scandinavia, in addition to environmental archaeology. She managed the archaeological excavations prior to the extension of the Norwegian main Air base at Ørland in 2015–2016, which uncovered extensive settlement traces with faunal, vegetational and geographical data from ca. 500 bc to ad 1050. Her Ph.D. from 2014 explores relations between weapon graves, hill forts, boat houses and military behaviour in a long-time perspective from ad 100–900 in central Norway.&lt;/p&gt;</BiographicalNote>
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          <PersonName>Raymond Sauvage</PersonName>
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          <BiographicalNote>&lt;p&gt;Raymond Sauvage is an archaeologist in the Department of Archaeology and Cul- tural History at the NTNU University Museum, which is part of the Norwegian University of Science and Technology in Trondheim. His research includes early Medieval and Viking Age studies, with a particular focus on mortuary practices and settlement studies. He has led several large archaeological excavation projects in central Norway and managed the excavations in Vinjefjord during 2019–2020, which uncovered extensive evidence of settlements and pre-Christian cemeteries from ca. ad 350–1350.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This chapter explores the impact of the mid-sixth century climatic downturn, triggered by volcanic eruptions in ad 536 and 540, on two settlements in central Norway: Vik in Ørland and Vinjeøra in Vinjefjord. The study examines how these communities, with differing geographical and cultural contexts, responded to the cooling event. Vik, situated on the outer coast, experienced a decline due to its vulnerable position and the retraction of its harbour. In contrast, Vinjeøra, located in a fjord, showed resilience and adaptability, quickly re-establishing itself after a brief period of abandonment. The analysis highlights the concepts of resilience, vulnerability and adaptation, demonstrating how local geographi- cal conditions and pre-existing social structures influenced the communities’ ability to cope with climatic stress. The findings underscore the importance of multi-scalar approaches in understanding the varied human responses to global climatic events.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This chapter explores the impact of the mid-sixth century climatic downturn, triggered by volcanic eruptions in ad 536 and 540, on two settlements in central Norway: Vik in Ørland and Vinjeøra in Vinjefjord. The study examines how these communities, with differing geographical and cultural contexts, responded to the cooling event. Vik, situated on the outer coast, experienced a decline due to its vulnerable position and the retraction of its harbour. In contrast, Vinjeøra, located in a fjord, showed resilience and adaptability, quickly re-establishing itself after a brief period of abandonment. The analysis highlights the concepts of resilience, vulnerability and adaptation, demonstrating how local geographi- cal conditions and pre-existing social structures influenced the communities’ ability to cope with climatic stress. The findings underscore the importance of multi-scalar approaches in understanding the varied human responses to global climatic events.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 4. Volcanic Vulnerability in Medieval Iceland</TitleText>
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          <BiographicalNote>&lt;p&gt;Carina Damm is an Assistant Professor and Postdoctoral Researcher at the Centre for Nordic and Old English Studies at the University of Silesia in Katowice. She obtained her MA in History and Scandinavian Studies from the University of Göt- tingen and her Doctorate from Leipzig University. Her research interests focus on the environmental history of northern Europe, Scandinavian-Slavic interrelations in the Viking Age, and early medieval economies.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This article explores the impact of volcanic activity on medieval Icelandic society, focusing on both external shocks and community adaptations. Utilising the vulnerability framework established by Robert Chambers, it examines Iceland’s susceptibility to eruptions in pre-modern times, with particular attention to the Eldgjá (c. 939) and Hekla (1104) events. These eruptions had a profound impact on Icelandic society, disrupted settlements, shaped landscapes and influened cultural and religious narratives. While sagas rarely mention volcanic events, annals, legal texts such as Grágás, and vow contracts reveal practical coping strategies that included church relocations and community rituals. Archaeologi- cal evidence highlights resilience through the reconstruction of settlements on tephra-covered land, and written accounts such as the Norwegian King’s Mirror portray eruptions as a form of divine judgment by blending spiritual interpreta- tions with pragmatic responses. This interdisciplinary framework underscores medieval Iceland’s adaptability to environmental hazards and offers valuable insights into socio-environmental resilience in volatile landscapes that remain relevant for modern disaster management.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This article explores the impact of volcanic activity on medieval Icelandic society, focusing on both external shocks and community adaptations. Utilising the vulnerability framework established by Robert Chambers, it examines Iceland’s susceptibility to eruptions in pre-modern times, with particular attention to the Eldgjá (c. 939) and Hekla (1104) events. These eruptions had a profound impact on Icelandic society, disrupted settlements, shaped landscapes and influened cultural and religious narratives. While sagas rarely mention volcanic events, annals, legal texts such as Grágás, and vow contracts reveal practical coping strategies that included church relocations and community rituals. Archaeologi- cal evidence highlights resilience through the reconstruction of settlements on tephra-covered land, and written accounts such as the Norwegian King’s Mirror portray eruptions as a form of divine judgment by blending spiritual interpreta- tions with pragmatic responses. This interdisciplinary framework underscores medieval Iceland’s adaptability to environmental hazards and offers valuable insights into socio-environmental resilience in volatile landscapes that remain relevant for modern disaster management.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 5. The Moving Manors and Adaptation in Sixteenth-Century Denmark</TitleText>
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          <BiographicalNote>&lt;p&gt;Sarah Kerr is a lecturer in archaeology and a member of the Radical Humanities Laboratory, University College Cork, Ireland. She obtained her Ph.D. from Queen’s University Belfast, UK, and held Postdoctoral Fellowships at Katholieke Universiteit Leuven, Belgium, and Trinity College Dublin, Ireland, before she started teaching archaeology and heritage at The University of Sheffield, UK. She held a Marie Skłodowska-Curie Actions Fellowship at Aarhus University, Denmark, before joining UCC in September 2023. She is a medieval archaeologist and heritage specialist, interested primarily in the built environment and how buildings were the products of social norms and expectations and how, in return, they were agents that shaped everyday life. Her second monograph, Late Medieval Lodging Ranges: The Architecture of Identity, Power and Space, was published by The Boydell Press in 2023.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Early modern Denmark experienced unusual climatic variation, resulting in a catastrophic storm surge in 1593 at Nørre Vosborg manor in the peninsula of Jutland. Nørre Vosborg is a site comprising four late medieval and early modern manor houses, referred to as Vosborgs 1–4. Using the architecture and archae- ological remains from surveys and excavations, the four manor houses will be discussed in relation to adaptation and resilience. It is established that Vosborg 1 and 2 were impacted by the 1593 storm surge. Vosborg 1 was replaced by Vosborg 3 approximately 900 metres inland after it sustained devastating flooding and damage, at the turn of the seventeenth century. Vosborg 2 was also damaged by the same environmental event, yet some building material was rescued and reused to create Vosborg 4. It will be suggested that this demonstrates evidence of historic adaptation and resilience to an environmental event.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Early modern Denmark experienced unusual climatic variation, resulting in a catastrophic storm surge in 1593 at Nørre Vosborg manor in the peninsula of Jutland. Nørre Vosborg is a site comprising four late medieval and early modern manor houses, referred to as Vosborgs 1–4. Using the architecture and archae- ological remains from surveys and excavations, the four manor houses will be discussed in relation to adaptation and resilience. It is established that Vosborg 1 and 2 were impacted by the 1593 storm surge. Vosborg 1 was replaced by Vosborg 3 approximately 900 metres inland after it sustained devastating flooding and damage, at the turn of the seventeenth century. Vosborg 2 was also damaged by the same environmental event, yet some building material was rescued and reused to create Vosborg 4. It will be suggested that this demonstrates evidence of historic adaptation and resilience to an environmental event.&lt;/p&gt;&lt;/p&gt;</Text>
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            <PersonName>Sarah Kerr</PersonName>
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            <TitleText language="eng">Chapter 6. Architectural Climate Change Adaptations in Little Ice Age Norway c. 1300–1550</TitleText>
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          <PersonName>Kristian Reinfjord</PersonName>
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            <ProfessionalPosition>Head of Cultural History and Senior Curator</ProfessionalPosition>
            <Affiliation>Anno Domkirkeodden Museum</Affiliation>
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          <BiographicalNote>&lt;p&gt;Kristian Reinfjord Ph.D. is Head of Cultural History and Senior Curator at Anno Domkirkeodden Museum. He is an archaeologist specialising in medieval buildings and material remains of the period. His interests include vernacular architecture, heritage studies and conservation of Norwegian built heritage.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Dwellings interact with climates to suit different temperatures, rainfalls and rainfall conditions. Different technologies were adapted to buildings to manage colder climates and more snow and therefore water during the Little Ice Age. Adaptations are identified in the archaeological material, particularly in high- status buildings from fifteenth-century Norway. Medieval architecture alterations were entangled with climate changes. New technologies accommodated lower temperatures and water increase. Building campaigns dated to the period could also have been involved in several societal developments (e.g., technology, ritual, social patterns or consumption) that are also revealed in built environments. The examples presented correspond chronologically with the Little Ice Age, are secondarily added to a dwelling structure, are directly associated with chang- ing climates and serve as a solution to climate-related problems. Four features are particularly significant instances of climate change adaptation and are here discussed: drains, brick rebuilding, tile stoves and stone cellars.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Dwellings interact with climates to suit different temperatures, rainfalls and rainfall conditions. Different technologies were adapted to buildings to manage colder climates and more snow and therefore water during the Little Ice Age. Adaptations are identified in the archaeological material, particularly in high- status buildings from fifteenth-century Norway. Medieval architecture alterations were entangled with climate changes. New technologies accommodated lower temperatures and water increase. Building campaigns dated to the period could also have been involved in several societal developments (e.g., technology, ritual, social patterns or consumption) that are also revealed in built environments. The examples presented correspond chronologically with the Little Ice Age, are secondarily added to a dwelling structure, are directly associated with chang- ing climates and serve as a solution to climate-related problems. Four features are particularly significant instances of climate change adaptation and are here discussed: drains, brick rebuilding, tile stoves and stone cellars.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 7. The Impact of Wildfire and Climate on the Resilience and Vulnerability of Peasant Communities in Seventeenth-Century Finland</TitleText>
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          <PersonName>Jakob Starlander</PersonName>
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            <Affiliation>Swedish University of Agricultural Sciences</Affiliation>
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          <BiographicalNote>&lt;p&gt;Jakob Starlander has a Ph.D. in Agrarian History from the Swedish University of Agricultural Sciences (SLU), Uppsala, Sweden. He has been a postdoctoral researcher at the Department of Economic, Social and Environmental History, Institute of History, Bern University, Switzerland. He is now a postdoctoral researcher at the Division of Agrarian History, SLU, Uppsala, Sweden.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This chapter explores the impact of wildfire and climate on the resilience and vulnerability of peasant communities in Finland. It examines the socio-economic consequences of forest and settlement fires by analysing several different source categories, including local district court protocols, tax records and seventeenth- century legislation. The occurrence of fire disasters is compared with reconstruc- tions of climatic conditions during the century and the chapter estimates the relative impact of climate anomalies on the frequency of fire disasters, as well as establishing different factors of resilience and vulnerability of the Finnish rural population.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This chapter explores the impact of wildfire and climate on the resilience and vulnerability of peasant communities in Finland. It examines the socio-economic consequences of forest and settlement fires by analysing several different source categories, including local district court protocols, tax records and seventeenth- century legislation. The occurrence of fire disasters is compared with reconstruc- tions of climatic conditions during the century and the chapter estimates the relative impact of climate anomalies on the frequency of fire disasters, as well as establishing different factors of resilience and vulnerability of the Finnish rural population.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 8. Northern Iceland Temperature Variations and Sea-Ice Incidence c. ad 1600–1850</TitleText>
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          <BiographicalNote>&lt;p&gt;Astrid E.J. Ogilvie is a Research Professor at the Institute of Arctic and Alpine Research at the University of Colorado and a Senior Associate Scientist at the Stefansson Arctic Institute in Akureyri, Iceland. Her research focuses on the broader issues of climatic change and contemporary Arctic issues, as well as the environmental humanities. Her interdisciplinary, international projects have included leadership of the NordForsk Nordic Centre of Excellence project: Arctic Climate Predictions: Pathways to Resilient, Sustainable Societies (ARCPATH); and The Natural World in Literary and Historical Sources from Iceland ca. AD 800 to 1800 (ICECHANGE). She is currently a Fellow of the project The Nordic Little Ice Age (1300–1900) Lessons from Past Climate Change (NORLIA) at the Centre for Advanced Study at the Norwegian Academy of Science and Letters. She is the author of some 100 scientific papers and has three edited books to her credit.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Martin W. Miles is a Senior Research Scientist at NORCE Norwegian Research Centre in Bergen, Norway, and the Institute of Arctic and Alpine Research, University of Colorado, Boulder, USA. He has nearly two decades of experience in university teaching and curriculum development in geography, climate and environmental science, and quantitative methods. His research specialities include climate-system variability and regime shifts, historical climate, paleoclimate, and sea ice. His regional areas of interest are the European-Atlantic Arctic and Subarctic, including Greenland and Svalbard. Methodological approaches include empirical analysis of multivariate data records and time-series analysis, using independent but complementary data sources such as historical observations, long instrumental time series and high-resolution paleo proxy records from biological (e.g., marine sclerochronology) and geological archives (e.g., marine sediments).&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This paper considers variations in the occurrence of sea ice off the coasts of Iceland, and compares these with air temperatures on land, particularly for the north of Iceland, for the period c. ad 1600-1850. Data are drawn from Iceland’s rich treasury of historical records on climate and weather. For the most part, cold air temperatures on land and the incidence of sea ice correlate well, but this is not always the case. Periods with low temperatures and high sea-ice incidence include the early 1600s, the 1690s, the 1750s, the 1780s and the mid-1800s. A distinct mild period with little sea ice occurred during c. 1640 to c. 1680. Subse- quent to our main study period, the most severe years of the nineteenth century were likely to have been 1858-1892. High sea-ice incidence is also evident in, e.g., the 1880s and 1910s, in contrast to the climate amelioration recorded in Europe. The most notable feature of Iceland’s climate is its variability, thus mak- ing it problematic to ascribe a single distinct period reflecting a ‘Little Ice Age’.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This paper considers variations in the occurrence of sea ice off the coasts of Iceland, and compares these with air temperatures on land, particularly for the north of Iceland, for the period c. ad 1600-1850. Data are drawn from Iceland’s rich treasury of historical records on climate and weather. For the most part, cold air temperatures on land and the incidence of sea ice correlate well, but this is not always the case. Periods with low temperatures and high sea-ice incidence include the early 1600s, the 1690s, the 1750s, the 1780s and the mid-1800s. A distinct mild period with little sea ice occurred during c. 1640 to c. 1680. Subse- quent to our main study period, the most severe years of the nineteenth century were likely to have been 1858-1892. High sea-ice incidence is also evident in, e.g., the 1880s and 1910s, in contrast to the climate amelioration recorded in Europe. The most notable feature of Iceland’s climate is its variability, thus mak- ing it problematic to ascribe a single distinct period reflecting a ‘Little Ice Age’.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 9. Integrating Agricultural Vulnerability and Climate Extremes. Eighteenth-Century Norway through the Works of Jacob Nicolaj Wilse (1735– 1801)</TitleText>
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          <PersonName>Ingar Mørkestøl Gundersen</PersonName>
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          <BiographicalNote>&lt;p&gt;Ingar Mørkestøl Gundersen is a Postdoctoral Research Fellow in the Department of Archaeology, Conservation, and History at the University of Oslo. He has published on a range of topics on climate history and the Scandinavian Iron Age. Gundersen received his Ph.D. in 2022 with the thesis ‘Iron Age Vulnerability’, which investigated the archaeological evidence for a sixth-century climate crisis in eastern Norway. His doctoral research was part of the VIKINGS project (Volcanic Eruptions and their Impacts on Climate, Environment, and Viking Society in 500–1250 ce). Together with Dr Manon Bajard, he received the Inter Circle U. prize 2022 for outstanding examples of cross-disciplinary research. He is currently part of two research projects on the Nordic Little Ice Age (ClimateCultures, University of Oslo and The Nordic Little Ice Age (1300–1900) Lessons from Past Climate Change (NORLIA) at the Centre for Advanced Study at the Norwegian Academy of Science and Letters.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;In this study, I have made use of agricultural and meteorological data from late eighteenth-century pastor Wilse in Spydeberg, southeastern Norway, to analyse the impact of climate extremes on a premodern farming society. His farm records from the 1770s are used to improve an existing GDD model and then tested, by using his measured weather data, on the warm and cold sum- mers of 1783 and 1784 respectively. The improved GDD model demonstrates that the 1784 climate anomaly had the potential to severely affect the crops. Contemporary accounts from other parts of southeastern Norway support the model result by reporting widespread harvest failures. Even though Norway is particularly susceptible to climate variations, the importance of climate extremes for these events has been little discussed among Norwegian historians. However, an integrated approach can be used to move beyond mere correlation between climate and human proxies towards some level of causation and contribute with new insights on the role of climatic stress for sociopolitical changes in the past.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;In this study, I have made use of agricultural and meteorological data from late eighteenth-century pastor Wilse in Spydeberg, southeastern Norway, to analyse the impact of climate extremes on a premodern farming society. His farm records from the 1770s are used to improve an existing GDD model and then tested, by using his measured weather data, on the warm and cold sum- mers of 1783 and 1784 respectively. The improved GDD model demonstrates that the 1784 climate anomaly had the potential to severely affect the crops. Contemporary accounts from other parts of southeastern Norway support the model result by reporting widespread harvest failures. Even though Norway is particularly susceptible to climate variations, the importance of climate extremes for these events has been little discussed among Norwegian historians. However, an integrated approach can be used to move beyond mere correlation between climate and human proxies towards some level of causation and contribute with new insights on the role of climatic stress for sociopolitical changes in the past.&lt;/p&gt;&lt;/p&gt;</Text>
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            <PersonName>Ingar Mørkestøl Gundersen</PersonName>
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            <TitleText language="eng">Chapter 10. ‘An Ice Breakup as in the Good Old Days’. Ice Jams in the Aura River, Turku, Southwest Finland, 1739–2024</TitleText>
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          <PersonName>Stefan Norrgård</PersonName>
          <NamesBeforeKey>Stefan</NamesBeforeKey>
          <KeyNames>Norrgård</KeyNames>
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            <ProfessionalPosition>Senior Researcher and Climate Historian</ProfessionalPosition>
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            <Affiliation>Åbo Akademi University</Affiliation>
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          <BiographicalNote>&lt;p&gt;Stefan Norrgård is a senior researcher and climate historian at the Department of History at Åbo Akademi University in Turku, Finland. Subsequent to reconstruct- ing climate in West Africa during the 1700s, his research interests have centred on riverine ice breakups in Finland. He has reconstructed spring ice breakups for both the Aura River (Turku) and the Kokemäki River (Pori) between the 1700s and 2000s. He has several publications on ice breakups but his research field also covers historical climate adaptation processes and meteorological observations in Finland and Sweden in the 1700s. His ongoing research project, founded by the Kone Foundation, investigates climate, culture and society in Finland in the 1700s.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This study investigates the historical occurrence and impact of ice jams in the Aura River, Turku, Finland, from 1739 to 2025. Ice jams, which are common in regions with prolonged river ice cover, can cause significant water level rises and subsequent flooding. The study analyses historical documents, including newspaper articles and weather journals, to reconstruct past ice jam events and their effects. Key findings highlight the role of natural and anthropogenic ob- stacles, such as bridges and skating rinks, in initiating ice jams. The study further examines the methods employed to mitigate these events. An ice jam index is developed to categorise the severity of events over time. The results indicate a clear change towards fewer severe ice jam events in the twentieth century. This research contributes to understanding hydrological extremes and their historical context in Finnish rivers.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This study investigates the historical occurrence and impact of ice jams in the Aura River, Turku, Finland, from 1739 to 2025. Ice jams, which are common in regions with prolonged river ice cover, can cause significant water level rises and subsequent flooding. The study analyses historical documents, including newspaper articles and weather journals, to reconstruct past ice jam events and their effects. Key findings highlight the role of natural and anthropogenic ob- stacles, such as bridges and skating rinks, in initiating ice jams. The study further examines the methods employed to mitigate these events. An ice jam index is developed to categorise the severity of events over time. The results indicate a clear change towards fewer severe ice jam events in the twentieth century. This research contributes to understanding hydrological extremes and their historical context in Finnish rivers.&lt;/p&gt;&lt;/p&gt;</Text>
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            <PersonName>Stefan Norrgård</PersonName>
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            <TitleText language="eng">Chapter 11. Climate Narratives in Norwegian Public Histories</TitleText>
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          <PersonName>Eivind Heldaas Seland</PersonName>
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          <KeyNames>Seland</KeyNames>
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            <ProfessionalPosition>Professor of Ancient History and Premodern Global History</ProfessionalPosition>
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            <Affiliation>University of Bergen</Affiliation>
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          <BiographicalNote>&lt;p&gt;Eivind Heldaas Seland is a Professor of Ancient History and Premodern Global History at the University of Bergen, Norway. His research interests focus on how scholars utilise historical climate data and climate change to explain societal trans- formations.&lt;/p&gt;</BiographicalNote>
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            <WebsiteLink>https://www.uib.no/en/persons/Eivind.Heldaas.Seland</WebsiteLink>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;From the mid-nineteenth to the early twenty-first century, a number of multi- volume histories of Norway were published by major trade presses. These were written mostly by groups of professors at Norwegian Universities taking charge of one volume/historical period each, and were aimed at the general public. Sales were high, and the impact on public perception of history can likely only be compared with that of the most successful school textbooks. This chapter examines the role of climate and climate change as an agent of historical change in these works, concentrating on prehistory as well as the periods corresponding to what are today known as the Late Antique / Early Medieval Little Ice Age, the Medieval Warm Period and the Little Ice Age. While these terms rarely appear in the examined works, the potential role of climate and climate change in bringing about historical change is discussed to varying degree. These accounts are viewed through the lens of the narrative theory, enabling us to classify nar- ratives of identity, decline and growth propelled by climate and climate change, as well as to pursue the limited, but growing awareness of environmental history in mainstream Norwegian historiography.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;From the mid-nineteenth to the early twenty-first century, a number of multi- volume histories of Norway were published by major trade presses. These were written mostly by groups of professors at Norwegian Universities taking charge of one volume/historical period each, and were aimed at the general public. Sales were high, and the impact on public perception of history can likely only be compared with that of the most successful school textbooks. This chapter examines the role of climate and climate change as an agent of historical change in these works, concentrating on prehistory as well as the periods corresponding to what are today known as the Late Antique / Early Medieval Little Ice Age, the Medieval Warm Period and the Little Ice Age. While these terms rarely appear in the examined works, the potential role of climate and climate change in bringing about historical change is discussed to varying degree. These accounts are viewed through the lens of the narrative theory, enabling us to classify nar- ratives of identity, decline and growth propelled by climate and climate change, as well as to pursue the limited, but growing awareness of environmental history in mainstream Norwegian historiography.&lt;/p&gt;&lt;/p&gt;</Text>
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            <PersonName>Eivind Heldaas Seland</PersonName>
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            <TitleText language="eng">Chapter 12. Glacier Poetry in Norwegian Literary Historiography</TitleText>
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          <SequenceNumber>1</SequenceNumber>
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          <PersonName>Kristine Kleveland</PersonName>
          <NamesBeforeKey>Kristine</NamesBeforeKey>
          <KeyNames>Kleveland</KeyNames>
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            <ProfessionalPosition>Ph.D. student</ProfessionalPosition>
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            <Affiliation>University of Oslo</Affiliation>
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          <BiographicalNote>&lt;p&gt;Kristine Kleveland is a Ph.D. student in Nordic literature at the University of Oslo. Her research focuses on glaciers as motifs in Norwegian poetry. Kleveland is a for- mer lecturer in Literature at the Western Norway University of Applied Sciences.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Perceptions of glaciers through poetry are significant to Nordic climate history. This paper examines Norwegian literary critical discussions of glacier poetry. Eighteen glacier poems are mentioned in fifteen works of literary history. However, the glacier motifs themselves are seldom given much attention by the critics and glacier poetry has not explicitly been identified as a distinct poetic tradition. The glacier motifs in the eighteen poems and discussions of them show a couple of tendencies in uses and understandings of glaciers. These are explored through close readings of four poems, written by Andreas Munch, Arnulf Øverland, Gunvor Hofmo and Kristofer Uppdal. These poems suggest trends in how glacier poetry is indirectly canonised, often emphasising patriotism and national romanticism, identity-building and fortifying backgrounds, and themes of solitude and isolation, thereby reinforcing ideas about the ‘people of the north’ and the unique role glaciers play in their cultural narrative.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Perceptions of glaciers through poetry are significant to Nordic climate history. This paper examines Norwegian literary critical discussions of glacier poetry. Eighteen glacier poems are mentioned in fifteen works of literary history. However, the glacier motifs themselves are seldom given much attention by the critics and glacier poetry has not explicitly been identified as a distinct poetic tradition. The glacier motifs in the eighteen poems and discussions of them show a couple of tendencies in uses and understandings of glaciers. These are explored through close readings of four poems, written by Andreas Munch, Arnulf Øverland, Gunvor Hofmo and Kristofer Uppdal. These poems suggest trends in how glacier poetry is indirectly canonised, often emphasising patriotism and national romanticism, identity-building and fortifying backgrounds, and themes of solitude and isolation, thereby reinforcing ideas about the ‘people of the north’ and the unique role glaciers play in their cultural narrative.&lt;/p&gt;&lt;/p&gt;</Text>
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            <PersonName>Kristine Kleveland</PersonName>
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            <TitleText language="eng">Chapter 13. Through a Mirror, Darkly</TitleText>
            <Subtitle language="eng">Bringing Deep Environmental History into the Museum</Subtitle>
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          <PersonName>Felix Riede</PersonName>
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            <ProfessionalPosition>Professor in Departments of Archaeology, Heritage Studies and Biology</ProfessionalPosition>
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            <Affiliation>Aarhus University</Affiliation>
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          <BiographicalNote>&lt;p&gt;Felix Riede is German-born and British educated with a Ph.D. in archaeology from Cambridge University. Inspired by evolutionary and ecological theory and methods, he seeks to understand human-environment relations past, present and future. His work focuses on major tipping point episodes such as the end of the Pleistocene, extreme environmental events such as volcanic eruptions, earthquakes and tsunamis, novel ecosystems, and on the archaeology of the Anthropocene. After leaving Cambridge for UCL and then Aarhus University, Felix is now Professor, affiliated both with the Departments of Archaeology and Heritage Studies, and of Biology. At Aarhus, he founded the Centre for Environmental Humanities; he was also Visiting Professor at the Oslo Centre for Environmental Humanities and Visiting Scholar at the Oeschger Centre for Climate Change Research. Felix brings a distinct perspective on deep time and material relations to environmental history.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Around 13,000 years ago – at the tail end of a prolonged cold spell and to- wards the end of the Ice Age – the Laacher See volcano located in present-day western Germany erupted cataclysmically. Abrasive and poisonous ash from this eruption was transported in a vast swath across Europe with a primary fallout cloud stretching towards the north-east. Environments, climate, and contemporaneous human populations were affected in a variety of ways; the Nordic area specifically was affected – indirectly – by serving as a refugium for small bands of prehistoric disaster refugees. Despite the enormity of this event, and the threat that this merely dormant volcano still poses today, it remains poorly known to the public, not least in the Nordic region. I here explore how the narrative qualities of such an archaeological scenario can be transformed into a museum exhibition whose aim it is to (i) put societal vulnerability into a deep historical perspective and to (ii) highlight how contemporary societies, too, are vulnerable to processes of climatic change and extreme environmental events plentifully documented in the past.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Around 13,000 years ago – at the tail end of a prolonged cold spell and to- wards the end of the Ice Age – the Laacher See volcano located in present-day western Germany erupted cataclysmically. Abrasive and poisonous ash from this eruption was transported in a vast swath across Europe with a primary fallout cloud stretching towards the north-east. Environments, climate, and contemporaneous human populations were affected in a variety of ways; the Nordic area specifically was affected – indirectly – by serving as a refugium for small bands of prehistoric disaster refugees. Despite the enormity of this event, and the threat that this merely dormant volcano still poses today, it remains poorly known to the public, not least in the Nordic region. I here explore how the narrative qualities of such an archaeological scenario can be transformed into a museum exhibition whose aim it is to (i) put societal vulnerability into a deep historical perspective and to (ii) highlight how contemporary societies, too, are vulnerable to processes of climatic change and extreme environmental events plentifully documented in the past.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text language="eng">Open Access</Text>
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            <PersonName>Felix Riede</PersonName>
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            <TitleText language="eng">Chapter 14. Back to the Future</TitleText>
            <Subtitle language="eng">Weaving Climate History into Nordic National Museum Narratives</Subtitle>
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          <PersonName>Natália Melo</PersonName>
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            <ProfessionalPosition>Researcher and collaborator at the Institute of Contemporary History (IHC|IN2PAST)</ProfessionalPosition>
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            <Affiliation>University of Évora</Affiliation>
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          <BiographicalNote>&lt;p&gt;Natália Nascimento e Melo is a researcher at the University of Évora and a collaborator at the Institute of Contemporary History (IHC|IN2PAST). She holds a Ph.D. in History and Philosophy of Science with a specialisation in Museology. Her research explores the intersections of climate, museum narratives and public engagement, with a focus on how the Anthropocene, climate change, and human-climate relations are represented in museums. She is interested in the role of arts in fostering dialogues about science and societal issues, and how material culture shapes public perceptions of environmental change and human-environment relations. She also works on projects related to public history, placemaking and transdisciplinary approaches to citizen participation.&lt;/p&gt;</BiographicalNote>
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          <PersonName>Bergsveinn Þórsson</PersonName>
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          <KeyNames>Þórsson</KeyNames>
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            <ProfessionalPosition>Associate Professor</ProfessionalPosition>
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            <Affiliation>Bifröst University</Affiliation>
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            <ProfessionalPosition>Fellow at the Centre for Advanced Study</ProfessionalPosition>
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            <Affiliation>Norwegian Academy of Science and Letters</Affiliation>
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            <ProfessionalPosition>Editor-in-Chief of Nordic Museology</ProfessionalPosition>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Museums, perceived as trusted institutions, have significant potential for foster- ing public understanding of climate change. This study examines the integra- tion of climate narratives in the permanent exhibitions of five Nordic national museums. The analyses focused on human-climate relations and the museums’ role as societal reflection and change agents. Despite the growing academic emphasis on the importance of climate narratives in museum exhibitions, the analysis reveals that such narratives were scarce in the studied museums. When present, the narratives were fragmented, isolated themes rather than cohesive and integrated elements of historical storytelling. Additionally, this study ex- plores barriers that prevent the integration of climate narratives in permanent exhibitions and proposes practical curatorial strategies for reframing existing historical narratives. The strategies aim to inspire collective action and critical engagement that position national museums as dynamic platforms for address- ing climate challenges. Finally, the article highlights the necessity for curatorial practices to evolve and integrate inclusive and forward-looking narratives that empower audiences to confront the climate crisis.&lt;/p&gt;&lt;/p&gt;</Text>
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        <BiographicalNote>&lt;p&gt;Ingar Mørkestøl Gundersen is a Postdoctoral Research Fellow in the Department of Archaeology, Conservation, and History at the University of Oslo. He has published on a range of topics on climate history and the Scandinavian Iron Age. Gundersen received his Ph.D. in 2022 with the thesis ‘Iron Age Vulnerability’, which investigated the archaeological evidence for a sixth-century climate crisis in eastern Norway. His doctoral research was part of the VIKINGS project (Volcanic Eruptions and their Impacts on Climate, Environment, and Viking Society in 500–1250 ce). Together with Dr Manon Bajard, he received the Inter Circle U. prize 2022 for outstanding examples of cross-disciplinary research. He is currently part of two research projects on the Nordic Little Ice Age (ClimateCultures, University of Oslo and The Nordic Little Ice Age (1300–1900) Lessons from Past Climate Change (NORLIA) at the Centre for Advanced Study at the Norwegian Academy of Science and Letters.&lt;/p&gt;</BiographicalNote>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Down the centuries, the people of the Nordic countries have confronted challenges from climatic variability and change and sought ways to survive and adapt. In a time of accelerating global warming, these climate histories take on new contemporary significance. Drawing on tools from the natural and historical sciences, the innovative scholars</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Down the centuries, the people of the Nordic countries have confronted challenges from climatic variability and change and sought ways to survive and adapt. In a time of accelerating global warming, these climate histories take on new contemporary significance. Drawing on tools from the natural and historical sciences, the innovative scholarship in this volume addresses questions such as: How did Nordic societies cope with past climatic hazards? What was the historical significance of the ‘Little Ice Age’ or the ‘Medieval Climate Anomaly’ for Nordic countries? And how do we study, narrate and learn from these past experiences?&lt;break/&gt; &lt;break/&gt;This volume is the first to collect climate histories from across all the Nordic countries. It combines research from climatologists, historians, archaeologists and museologists to explore how climate and culture interacted in the past and what we might learn from these interactions today.&lt;break/&gt; &lt;break/&gt;The chapters range from in-depth case studies to reflexive meta-histories; cover periods from the Bronze Age to the present; and draw on sources from tree rings to material culture to poetry. They also discuss how these histories can be communicated today, including how museums and literature can bring them into conversation with a current audience looking for lived experiences of climate adaptation.&lt;break/&gt; &lt;break/&gt;The volume was conceived during an international conference at the University of Oslo in May 2024. This interdisciplinary forum connected leading scholars in the field with practitioners and stakeholders. The essays presented here engage a rapidly growing field of intense public and political concern in the Nordics and beyond.&lt;break/&gt; &lt;break/&gt;The book speaks to various academic communities (climatology, history, literature) and stakeholders (museum practitioners, climate communicators and advocates). It includes the growing research and student community invested in this topic across several disciplines, practitioners and communicators in the field and the wider public interested in the vibrant debates about climate adaptation and experience.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Down the centuries, the people of the Nordic countries have confronted challenges from climatic variability and change and sought ways to survive and adapt. In a time of accelerating global warming, these climate histories take on new contemporary significance. Drawing on tools from the natural and historical sciences, the innovative scholarship in this volume addresses questions such as: How did Nordic societies cope with past climatic hazards? What was the historical significance of the ‘Little Ice Age’ or the ‘Medieval Climate Anomaly’ for Nordic countries? And how do we study, narrate and learn from these past experiences?&lt;break/&gt; &lt;break/&gt;This volume is the first to collect climate histories from across all the Nordic countries. It combines research from climatologists, historians, archaeologists and museologists to explore how climate and culture interacted in the past and what we might learn from these interactions today.&lt;break/&gt; &lt;break/&gt;The chapters range from in-depth case studies to reflexive meta-histories; cover periods from the Bronze Age to the present; and draw on sources from tree rings to material culture to poetry. They also discuss how these histories can be communicated today, including how museums and literature can bring them into conversation with a current audience looking for lived experiences of climate adaptation.&lt;break/&gt; &lt;break/&gt;The volume was conceived during an international conference at the University of Oslo in May 2024. This interdisciplinary forum connected leading scholars in the field with practitioners and stakeholders. The essays presented here engage a rapidly growing field of intense public and political concern in the Nordics and beyond.&lt;break/&gt; &lt;break/&gt;The book speaks to various academic communities (climatology, history, literature) and stakeholders (museum practitioners, climate communicators and advocates). It includes the growing research and student community invested in this topic across several disciplines, practitioners and communicators in the field and the wider public interested in the vibrant debates about climate adaptation and experience.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text>Introduction: Integrating, Connecting and Narrating Nordic Climate Histories 
Dominik Collet, Ingar Mørkestøl Gundersen, Heli Huhtamaa, Fredrik Charpentier Ljungqvist, Astrid E.J. Ogilvie and Sam White

Chapter 1. The Development of Meteorological Institutions and Early Instrumental Climate Data in the Nordic Countries
Elin Lundstad, Stefan Norrgård and A.E.J. Ogilvie

ANCIENT AND MEDIEVAL CLIMATE

Chapter 2. Cold or Culture? Effects of Mid-Holocene Temperatures on Forager and Early Farmer Demographics in Southern Norway 
Svein Vatsvåg Nielsen

Chapter 3. A Series of Unfortunate Events: Two Central Norwegian Settlements Facing the Climatic Downturn after ad536–540 
Ingrid Ystgaard and Raymond Sauvage

Chapter 4. Volcanic Vulnerability in Medieval Iceland 
Carina Damm

Chapter 5. The Moving Manors and Adaptation in Sixteenth Century Denmark 
Sarah Kerr

Chapter 6. Architectural Climate Change Adaptions in Little Ice Age Norway c. 1300–1550 
Kristian Reinfjord

LITTLE ICE AGE CLIMATE 

Chapter 7. The Impact of Wildfire and Climate on the Resilience and Vulnerability of Peasant Communities in Seventeenth-Century Finland 
Jakob Starlander

Chapter 8. Northern Iceland Temperature Variations and Sea-Ice Incidence c. ad 1600–1850 
A.E.J. Ogilvie and M.W. Miles 

Chapter 9. Integrating Agricultural Vulnerability and Climate Extremes. Eighteenth-century Norway through the Works of Jacob Nicolaj Wilse (1735–1801) 
Ingar Mørkestøl Gundersen

Chapter 10. An Ice Breakup as in the Good Old Days’. Ice Jams in the Aura River, Turku, Southwest Finland, 1739–2024
Stefan Norrgård

NARRATING CLIMATE HISTORIES

Chapter 11. Climate Narratives in Norwegian Public Histories 
Eivind Heldaas Seland

Chapter 12. Glacier Poetry in Norwegian Literary Historiography 
Kristine Kleveland

Chapter 13. Through a Mirror, Darkly: Bringing Deep Environmental History into the Museum 
Felix Riede

Chapter 14. Back to the Future: Weaving Climate History into Nordic National Museum Narratives 
Natália Melo, Bergsveinn Þórsson, Felix Riede and Stefan Norrgård</Text>
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          <BiographicalNote>&lt;p&gt;Dominik Collet is Professor of Climate and Environmental History at the University of Oslo, Norway. He is the PI of ClimateCultures – Socionatural entanglement in Little Ice Age Norway (1500–1800) as well as the thematic research group Nordic Climate History. He also leads the project The Nordic Little Ice Age (1300–1900) Lessons from Past Climate Change (NORLIA) at the Centre for Advanced Study at the Norwegian Academy of Science and Letters. His research focuses on the historical entanglements of climate and culture both in their material and mental configurations.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Ingar Mørkestøl Gundersen is a Postdoctoral Research Fellow in the Department of Archaeology, Conservation, and History at the University of Oslo. He has published on a range of topics on climate history and the Scandinavian Iron Age. Gundersen received his Ph.D. in 2022 with the thesis ‘Iron Age Vulnerability’, which investigated the archaeological evidence for a sixth-century climate crisis in eastern Norway. His doctoral research was part of the VIKINGS project (Volcanic Eruptions and their Impacts on Climate, Environment, and Viking Society in 500–1250 ce). Together with Dr Manon Bajard, he received the Inter Circle U. prize 2022 for outstanding examples of cross-disciplinary research. He is currently part of two research projects on the Nordic Little Ice Age (ClimateCultures, University of Oslo and The Nordic Little Ice Age (1300–1900) Lessons from Past Climate Change (NORLIA) at the Centre for Advanced Study at the Norwegian Academy of Science and Letters.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Heli Huhtamaa is a climate and environmental historian. Her research interests include human consequences of the Little Ice Age and pre-industrial Nordic history. She focuses on interdisciplinary approaches concerning both historical and climate sciences. She is an Assistant Professor at the University of Bern, Switzerland, where she leads a research project on volcanic impacts on climate, environment and society.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Fredrik Charpentier Ljungqvist is Professor of History, in particular Historical Geography, at Stockholm University, Sweden. He also holds the title of Associate Professor of Physical Geography at the same university. Ljungqvist was in 2022 by the Royal Swedish Academy of Letters, History and Antiquities awarded the Rettig Prize for “interdisciplinary works concerning climate and diseases in a long-term perspective”. He was a Pro Futura Scientia Fellow at the Swedish Collegium for Advanced Study from 2019 to 2024 and has been a visiting researcher at the University of Cambridge, Lanzhou University, University of Bern, and the Freiburg Institute for Advanced Studies (FRIAS).&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Astrid Ogilvie is a Research Professor at the Institute of Arctic and Alpine Research at the University of Colorado and a Senior Associate Scientist at the Stefansson Arctic Institute in Akureyri, Iceland. Her research focuses on the broader issues of climatic change and contemporary Arctic issues, as well as the environmental humanities. Her interdisciplinary, international projects have included leadership of the NordForsk Nordic Centre of Excellence project: Arctic Climate Predictions: Pathways to Resilient, Sustainable Societies (ARCPATH); and The Natural World in Literary and Historical Sources from Iceland ca. AD 800 to 1800 (ICECHANGE). She is currently a Fellow of the project The Nordic Little Ice Age (1300–1900) Lessons from Past Climate Change (NORLIA) at the Centre for Advanced Study at the Norwegian Academy of Science and Letters. She is the author of some 100 scientific papers and has three edited books to her credit.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Elin Lundstad is a climate researcher at the Norwegian Meteorological Institute. She began studying glaciers in western Norway and climate patterns in 1996. She completed her master’s degree in historical climatology in 2004 at the University of Bergen, focusing on an eighteenth-century Norwegian farm diary. Over the years, she has explored various professional paths but found her strongest passion in historical climatology. Currently, she is pursuing a Ph.D. on early instrumental data at the Institute of Geography at the University of Bern, Switzerland.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Stefan Norrgård is a senior researcher and climate historian at the Department of History at Åbo Akademi University in Turku, Finland. Subsequent to reconstruct- ing climate in West Africa during the 1700s, his research interests have centred on riverine ice breakups in Finland. He has reconstructed spring ice breakups for both the Aura River (Turku) and the Kokemäki River (Pori) between the 1700s and 2000s. He has several publications on ice breakups but his research field also covers historical climate adaptation processes and meteorological observations in Finland and Sweden in the 1700s. His ongoing research project, founded by the Kone Foundation, investigates climate, culture and society in Finland in the 1700s.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Astrid E.J. Ogilvie is a Research Professor at the Institute of Arctic and Alpine Research at the University of Colorado and a Senior Associate Scientist at the Stefansson Arctic Institute in Akureyri, Iceland. Her research focuses on the broader issues of climatic change and contemporary Arctic issues, as well as the environmental humanities. Her interdisciplinary, international projects have included leadership of the NordForsk Nordic Centre of Excellence project: Arctic Climate Predictions: Pathways to Resilient, Sustainable Societies (ARCPATH); and The Natural World in Literary and Historical Sources from Iceland ca. AD 800 to 1800 (ICECHANGE). She is currently a Fellow of the project The Nordic Little Ice Age (1300–1900) Lessons from Past Climate Change (NORLIA) at the Centre for Advanced Study at the Norwegian Academy of Science and Letters. She is the author of some 100 scientific papers and has three edited books to her credit.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;The Nordic countries share much, in terms of political and economic histories, and geographically all countries border or lie within the Arctic Circle. This study focuses on their shared history with regard to meteorological observations and provides insights into this development from the 1700s until the establishment of national meteorological institutes in the latter half of the 1800s. An overview of the founding of these institutes is included. To our knowledge, this is the first study to discuss and present the history of meteorological observations across all Nordic countries together. Beginning in the 1700s, the study explores how prevailing theories on climate and weather influenced the recording and analy- sis of meteorological observations. Temperature records for each country are presented using a novel approach to illustrate temperature increases up to the present day. A cross-correlation analysis of temperature data indicates a strong correlation between all Nordic capitals, except Reykjavik, highlighting Iceland’s distinct climatic conditions even within the Nordic context. Finally, using the Mann-Kendall trend analysis, we found that Copenhagen exhibits the highest temperature trend among the Nordic capitals.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;The Nordic countries share much, in terms of political and economic histories, and geographically all countries border or lie within the Arctic Circle. This study focuses on their shared history with regard to meteorological observations and provides insights into this development from the 1700s until the establishment of national meteorological institutes in the latter half of the 1800s. An overview of the founding of these institutes is included. To our knowledge, this is the first study to discuss and present the history of meteorological observations across all Nordic countries together. Beginning in the 1700s, the study explores how prevailing theories on climate and weather influenced the recording and analy- sis of meteorological observations. Temperature records for each country are presented using a novel approach to illustrate temperature increases up to the present day. A cross-correlation analysis of temperature data indicates a strong correlation between all Nordic capitals, except Reykjavik, highlighting Iceland’s distinct climatic conditions even within the Nordic context. Finally, using the Mann-Kendall trend analysis, we found that Copenhagen exhibits the highest temperature trend among the Nordic capitals.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 2. Cold or Culture? Effects of Mid-Holocene Temperatures on Forager and Early Farmer Demographics in Southern Norway</TitleText>
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          <BiographicalNote>&lt;p&gt;Svein Vatsvåg Nielsen is an archaeologist at the Stavanger Maritime Museum in Norway. He has a Ph.D. in archaeology from the University of Oslo where his thesis focused on demographic transitions in northern Europe during the Late Mesolithic and Neolithic periods. Nielsen specialises in economic and demographic theories, and the use of quantitative and statistical methods in archaeological research. He is a frequent practitioner of research-driven field archaeology. During recent years he has focused on excavation and the sampling of wetland areas in southern Norway. He is also trained in underwater archaeology.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Climate has changed considerably throughout the Holocene and humans have continuously adapted to environmental change. However, research is not clear on how, to what extent and in relation to which environmental factors popula- tions have adapted. The mid-Holocene period c. 6200–2200 bce in Scandinavia involved the transition from purely forager-based (Mesolithic) economies to the establishment of farming-based (Neolithic) economies. In southern Norway there is evidence of a limited introduction of farming and husbandry in the Oslo fjord region in the early fourth millennium bce, and of foragers experimenting with farming during the Neolithic period. This paper hypothesises that short- term cold events (or Little Ice Age-like events) had negative impact on human demography in southern Norway also during the mid-Holocene. The current record of Little Ice Age-events is compared to a long-term population trajectory based on archaeological data, showing little or no negative impact on human demography during the mid-Holocene.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Climate has changed considerably throughout the Holocene and humans have continuously adapted to environmental change. However, research is not clear on how, to what extent and in relation to which environmental factors popula- tions have adapted. The mid-Holocene period c. 6200–2200 bce in Scandinavia involved the transition from purely forager-based (Mesolithic) economies to the establishment of farming-based (Neolithic) economies. In southern Norway there is evidence of a limited introduction of farming and husbandry in the Oslo fjord region in the early fourth millennium bce, and of foragers experimenting with farming during the Neolithic period. This paper hypothesises that short- term cold events (or Little Ice Age-like events) had negative impact on human demography in southern Norway also during the mid-Holocene. The current record of Little Ice Age-events is compared to a long-term population trajectory based on archaeological data, showing little or no negative impact on human demography during the mid-Holocene.&lt;/p&gt;&lt;/p&gt;</Text>
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            <PersonName>Svein Vatsvåg Nielsen</PersonName>
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            <TitleText language="eng">Chapter 3. A Series of Unfortunate Events</TitleText>
            <Subtitle language="eng">Two Central Norwegian Settlements Facing the Climatic Downturn after ad536–540</Subtitle>
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          <PersonName>Ingrid Ystgaard</PersonName>
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          <BiographicalNote>&lt;p&gt;Ingrid Ystgaard is Associate Professor in Archaeology in the Department of Historical and Classical Studies at the Norwegian University of Technology and Science in Trondheim, Norway. Her research centres around pre-Viking Age settlement and conflict archaeology in Scandinavia, in addition to environmental archaeology. She managed the archaeological excavations prior to the extension of the Norwegian main Air base at Ørland in 2015–2016, which uncovered extensive settlement traces with faunal, vegetational and geographical data from ca. 500 bc to ad 1050. Her Ph.D. from 2014 explores relations between weapon graves, hill forts, boat houses and military behaviour in a long-time perspective from ad 100–900 in central Norway.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Raymond Sauvage is an archaeologist in the Department of Archaeology and Cul- tural History at the NTNU University Museum, which is part of the Norwegian University of Science and Technology in Trondheim. His research includes early Medieval and Viking Age studies, with a particular focus on mortuary practices and settlement studies. He has led several large archaeological excavation projects in central Norway and managed the excavations in Vinjefjord during 2019–2020, which uncovered extensive evidence of settlements and pre-Christian cemeteries from ca. ad 350–1350.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This chapter explores the impact of the mid-sixth century climatic downturn, triggered by volcanic eruptions in ad 536 and 540, on two settlements in central Norway: Vik in Ørland and Vinjeøra in Vinjefjord. The study examines how these communities, with differing geographical and cultural contexts, responded to the cooling event. Vik, situated on the outer coast, experienced a decline due to its vulnerable position and the retraction of its harbour. In contrast, Vinjeøra, located in a fjord, showed resilience and adaptability, quickly re-establishing itself after a brief period of abandonment. The analysis highlights the concepts of resilience, vulnerability and adaptation, demonstrating how local geographi- cal conditions and pre-existing social structures influenced the communities’ ability to cope with climatic stress. The findings underscore the importance of multi-scalar approaches in understanding the varied human responses to global climatic events.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This chapter explores the impact of the mid-sixth century climatic downturn, triggered by volcanic eruptions in ad 536 and 540, on two settlements in central Norway: Vik in Ørland and Vinjeøra in Vinjefjord. The study examines how these communities, with differing geographical and cultural contexts, responded to the cooling event. Vik, situated on the outer coast, experienced a decline due to its vulnerable position and the retraction of its harbour. In contrast, Vinjeøra, located in a fjord, showed resilience and adaptability, quickly re-establishing itself after a brief period of abandonment. The analysis highlights the concepts of resilience, vulnerability and adaptation, demonstrating how local geographi- cal conditions and pre-existing social structures influenced the communities’ ability to cope with climatic stress. The findings underscore the importance of multi-scalar approaches in understanding the varied human responses to global climatic events.&lt;/p&gt;&lt;/p&gt;</Text>
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            <PersonName>Ingrid Ystgaard and Raymond Sauvage</PersonName>
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            <TitleText language="eng">Chapter 4. Volcanic Vulnerability in Medieval Iceland</TitleText>
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          <PersonName>Carina Damm</PersonName>
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            <Affiliation>University of Silesia</Affiliation>
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          <BiographicalNote>&lt;p&gt;Carina Damm is an Assistant Professor and Postdoctoral Researcher at the Centre for Nordic and Old English Studies at the University of Silesia in Katowice. She obtained her MA in History and Scandinavian Studies from the University of Göt- tingen and her Doctorate from Leipzig University. Her research interests focus on the environmental history of northern Europe, Scandinavian-Slavic interrelations in the Viking Age, and early medieval economies.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This article explores the impact of volcanic activity on medieval Icelandic society, focusing on both external shocks and community adaptations. Utilising the vulnerability framework established by Robert Chambers, it examines Iceland’s susceptibility to eruptions in pre-modern times, with particular attention to the Eldgjá (c. 939) and Hekla (1104) events. These eruptions had a profound impact on Icelandic society, disrupted settlements, shaped landscapes and influened cultural and religious narratives. While sagas rarely mention volcanic events, annals, legal texts such as Grágás, and vow contracts reveal practical coping strategies that included church relocations and community rituals. Archaeologi- cal evidence highlights resilience through the reconstruction of settlements on tephra-covered land, and written accounts such as the Norwegian King’s Mirror portray eruptions as a form of divine judgment by blending spiritual interpreta- tions with pragmatic responses. This interdisciplinary framework underscores medieval Iceland’s adaptability to environmental hazards and offers valuable insights into socio-environmental resilience in volatile landscapes that remain relevant for modern disaster management.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This article explores the impact of volcanic activity on medieval Icelandic society, focusing on both external shocks and community adaptations. Utilising the vulnerability framework established by Robert Chambers, it examines Iceland’s susceptibility to eruptions in pre-modern times, with particular attention to the Eldgjá (c. 939) and Hekla (1104) events. These eruptions had a profound impact on Icelandic society, disrupted settlements, shaped landscapes and influened cultural and religious narratives. While sagas rarely mention volcanic events, annals, legal texts such as Grágás, and vow contracts reveal practical coping strategies that included church relocations and community rituals. Archaeologi- cal evidence highlights resilience through the reconstruction of settlements on tephra-covered land, and written accounts such as the Norwegian King’s Mirror portray eruptions as a form of divine judgment by blending spiritual interpreta- tions with pragmatic responses. This interdisciplinary framework underscores medieval Iceland’s adaptability to environmental hazards and offers valuable insights into socio-environmental resilience in volatile landscapes that remain relevant for modern disaster management.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 5. The Moving Manors and Adaptation in Sixteenth-Century Denmark</TitleText>
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          <PersonName>Sarah Kerr</PersonName>
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            <ProfessionalPosition>Lecturer in Archaeology and member of the Radical Humanities Laboratory</ProfessionalPosition>
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            <Affiliation>University College Cork</Affiliation>
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          <BiographicalNote>&lt;p&gt;Sarah Kerr is a lecturer in archaeology and a member of the Radical Humanities Laboratory, University College Cork, Ireland. She obtained her Ph.D. from Queen’s University Belfast, UK, and held Postdoctoral Fellowships at Katholieke Universiteit Leuven, Belgium, and Trinity College Dublin, Ireland, before she started teaching archaeology and heritage at The University of Sheffield, UK. She held a Marie Skłodowska-Curie Actions Fellowship at Aarhus University, Denmark, before joining UCC in September 2023. She is a medieval archaeologist and heritage specialist, interested primarily in the built environment and how buildings were the products of social norms and expectations and how, in return, they were agents that shaped everyday life. Her second monograph, Late Medieval Lodging Ranges: The Architecture of Identity, Power and Space, was published by The Boydell Press in 2023.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Early modern Denmark experienced unusual climatic variation, resulting in a catastrophic storm surge in 1593 at Nørre Vosborg manor in the peninsula of Jutland. Nørre Vosborg is a site comprising four late medieval and early modern manor houses, referred to as Vosborgs 1–4. Using the architecture and archae- ological remains from surveys and excavations, the four manor houses will be discussed in relation to adaptation and resilience. It is established that Vosborg 1 and 2 were impacted by the 1593 storm surge. Vosborg 1 was replaced by Vosborg 3 approximately 900 metres inland after it sustained devastating flooding and damage, at the turn of the seventeenth century. Vosborg 2 was also damaged by the same environmental event, yet some building material was rescued and reused to create Vosborg 4. It will be suggested that this demonstrates evidence of historic adaptation and resilience to an environmental event.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Early modern Denmark experienced unusual climatic variation, resulting in a catastrophic storm surge in 1593 at Nørre Vosborg manor in the peninsula of Jutland. Nørre Vosborg is a site comprising four late medieval and early modern manor houses, referred to as Vosborgs 1–4. Using the architecture and archae- ological remains from surveys and excavations, the four manor houses will be discussed in relation to adaptation and resilience. It is established that Vosborg 1 and 2 were impacted by the 1593 storm surge. Vosborg 1 was replaced by Vosborg 3 approximately 900 metres inland after it sustained devastating flooding and damage, at the turn of the seventeenth century. Vosborg 2 was also damaged by the same environmental event, yet some building material was rescued and reused to create Vosborg 4. It will be suggested that this demonstrates evidence of historic adaptation and resilience to an environmental event.&lt;/p&gt;&lt;/p&gt;</Text>
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            <PersonName>Sarah Kerr</PersonName>
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            <TitleText language="eng">Chapter 6. Architectural Climate Change Adaptations in Little Ice Age Norway c. 1300–1550</TitleText>
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          <PersonName>Kristian Reinfjord</PersonName>
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            <Affiliation>Anno Domkirkeodden Museum</Affiliation>
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          <BiographicalNote>&lt;p&gt;Kristian Reinfjord Ph.D. is Head of Cultural History and Senior Curator at Anno Domkirkeodden Museum. He is an archaeologist specialising in medieval buildings and material remains of the period. His interests include vernacular architecture, heritage studies and conservation of Norwegian built heritage.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Dwellings interact with climates to suit different temperatures, rainfalls and rainfall conditions. Different technologies were adapted to buildings to manage colder climates and more snow and therefore water during the Little Ice Age. Adaptations are identified in the archaeological material, particularly in high- status buildings from fifteenth-century Norway. Medieval architecture alterations were entangled with climate changes. New technologies accommodated lower temperatures and water increase. Building campaigns dated to the period could also have been involved in several societal developments (e.g., technology, ritual, social patterns or consumption) that are also revealed in built environments. The examples presented correspond chronologically with the Little Ice Age, are secondarily added to a dwelling structure, are directly associated with chang- ing climates and serve as a solution to climate-related problems. Four features are particularly significant instances of climate change adaptation and are here discussed: drains, brick rebuilding, tile stoves and stone cellars.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Dwellings interact with climates to suit different temperatures, rainfalls and rainfall conditions. Different technologies were adapted to buildings to manage colder climates and more snow and therefore water during the Little Ice Age. Adaptations are identified in the archaeological material, particularly in high- status buildings from fifteenth-century Norway. Medieval architecture alterations were entangled with climate changes. New technologies accommodated lower temperatures and water increase. Building campaigns dated to the period could also have been involved in several societal developments (e.g., technology, ritual, social patterns or consumption) that are also revealed in built environments. The examples presented correspond chronologically with the Little Ice Age, are secondarily added to a dwelling structure, are directly associated with chang- ing climates and serve as a solution to climate-related problems. Four features are particularly significant instances of climate change adaptation and are here discussed: drains, brick rebuilding, tile stoves and stone cellars.&lt;/p&gt;&lt;/p&gt;</Text>
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            <PersonName>Kristian Reinfjord</PersonName>
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            <TitleText language="eng">Chapter 7. The Impact of Wildfire and Climate on the Resilience and Vulnerability of Peasant Communities in Seventeenth-Century Finland</TitleText>
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          <PersonName>Jakob Starlander</PersonName>
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          <BiographicalNote>&lt;p&gt;Jakob Starlander has a Ph.D. in Agrarian History from the Swedish University of Agricultural Sciences (SLU), Uppsala, Sweden. He has been a postdoctoral researcher at the Department of Economic, Social and Environmental History, Institute of History, Bern University, Switzerland. He is now a postdoctoral researcher at the Division of Agrarian History, SLU, Uppsala, Sweden.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This chapter explores the impact of wildfire and climate on the resilience and vulnerability of peasant communities in Finland. It examines the socio-economic consequences of forest and settlement fires by analysing several different source categories, including local district court protocols, tax records and seventeenth- century legislation. The occurrence of fire disasters is compared with reconstruc- tions of climatic conditions during the century and the chapter estimates the relative impact of climate anomalies on the frequency of fire disasters, as well as establishing different factors of resilience and vulnerability of the Finnish rural population.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This chapter explores the impact of wildfire and climate on the resilience and vulnerability of peasant communities in Finland. It examines the socio-economic consequences of forest and settlement fires by analysing several different source categories, including local district court protocols, tax records and seventeenth- century legislation. The occurrence of fire disasters is compared with reconstruc- tions of climatic conditions during the century and the chapter estimates the relative impact of climate anomalies on the frequency of fire disasters, as well as establishing different factors of resilience and vulnerability of the Finnish rural population.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 8. Northern Iceland Temperature Variations and Sea-Ice Incidence c. ad 1600–1850</TitleText>
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          <PersonName>Astrid Ogilvie</PersonName>
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          <BiographicalNote>&lt;p&gt;Astrid E.J. Ogilvie is a Research Professor at the Institute of Arctic and Alpine Research at the University of Colorado and a Senior Associate Scientist at the Stefansson Arctic Institute in Akureyri, Iceland. Her research focuses on the broader issues of climatic change and contemporary Arctic issues, as well as the environmental humanities. Her interdisciplinary, international projects have included leadership of the NordForsk Nordic Centre of Excellence project: Arctic Climate Predictions: Pathways to Resilient, Sustainable Societies (ARCPATH); and The Natural World in Literary and Historical Sources from Iceland ca. AD 800 to 1800 (ICECHANGE). She is currently a Fellow of the project The Nordic Little Ice Age (1300–1900) Lessons from Past Climate Change (NORLIA) at the Centre for Advanced Study at the Norwegian Academy of Science and Letters. She is the author of some 100 scientific papers and has three edited books to her credit.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Martin W. Miles is a Senior Research Scientist at NORCE Norwegian Research Centre in Bergen, Norway, and the Institute of Arctic and Alpine Research, University of Colorado, Boulder, USA. He has nearly two decades of experience in university teaching and curriculum development in geography, climate and environmental science, and quantitative methods. His research specialities include climate-system variability and regime shifts, historical climate, paleoclimate, and sea ice. His regional areas of interest are the European-Atlantic Arctic and Subarctic, including Greenland and Svalbard. Methodological approaches include empirical analysis of multivariate data records and time-series analysis, using independent but complementary data sources such as historical observations, long instrumental time series and high-resolution paleo proxy records from biological (e.g., marine sclerochronology) and geological archives (e.g., marine sediments).&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This paper considers variations in the occurrence of sea ice off the coasts of Iceland, and compares these with air temperatures on land, particularly for the north of Iceland, for the period c. ad 1600-1850. Data are drawn from Iceland’s rich treasury of historical records on climate and weather. For the most part, cold air temperatures on land and the incidence of sea ice correlate well, but this is not always the case. Periods with low temperatures and high sea-ice incidence include the early 1600s, the 1690s, the 1750s, the 1780s and the mid-1800s. A distinct mild period with little sea ice occurred during c. 1640 to c. 1680. Subse- quent to our main study period, the most severe years of the nineteenth century were likely to have been 1858-1892. High sea-ice incidence is also evident in, e.g., the 1880s and 1910s, in contrast to the climate amelioration recorded in Europe. The most notable feature of Iceland’s climate is its variability, thus mak- ing it problematic to ascribe a single distinct period reflecting a ‘Little Ice Age’.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This paper considers variations in the occurrence of sea ice off the coasts of Iceland, and compares these with air temperatures on land, particularly for the north of Iceland, for the period c. ad 1600-1850. Data are drawn from Iceland’s rich treasury of historical records on climate and weather. For the most part, cold air temperatures on land and the incidence of sea ice correlate well, but this is not always the case. Periods with low temperatures and high sea-ice incidence include the early 1600s, the 1690s, the 1750s, the 1780s and the mid-1800s. A distinct mild period with little sea ice occurred during c. 1640 to c. 1680. Subse- quent to our main study period, the most severe years of the nineteenth century were likely to have been 1858-1892. High sea-ice incidence is also evident in, e.g., the 1880s and 1910s, in contrast to the climate amelioration recorded in Europe. The most notable feature of Iceland’s climate is its variability, thus mak- ing it problematic to ascribe a single distinct period reflecting a ‘Little Ice Age’.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 9. Integrating Agricultural Vulnerability and Climate Extremes. Eighteenth-Century Norway through the Works of Jacob Nicolaj Wilse (1735– 1801)</TitleText>
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          <PersonName>Ingar Mørkestøl Gundersen</PersonName>
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          <BiographicalNote>&lt;p&gt;Ingar Mørkestøl Gundersen is a Postdoctoral Research Fellow in the Department of Archaeology, Conservation, and History at the University of Oslo. He has published on a range of topics on climate history and the Scandinavian Iron Age. Gundersen received his Ph.D. in 2022 with the thesis ‘Iron Age Vulnerability’, which investigated the archaeological evidence for a sixth-century climate crisis in eastern Norway. His doctoral research was part of the VIKINGS project (Volcanic Eruptions and their Impacts on Climate, Environment, and Viking Society in 500–1250 ce). Together with Dr Manon Bajard, he received the Inter Circle U. prize 2022 for outstanding examples of cross-disciplinary research. He is currently part of two research projects on the Nordic Little Ice Age (ClimateCultures, University of Oslo and The Nordic Little Ice Age (1300–1900) Lessons from Past Climate Change (NORLIA) at the Centre for Advanced Study at the Norwegian Academy of Science and Letters.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;In this study, I have made use of agricultural and meteorological data from late eighteenth-century pastor Wilse in Spydeberg, southeastern Norway, to analyse the impact of climate extremes on a premodern farming society. His farm records from the 1770s are used to improve an existing GDD model and then tested, by using his measured weather data, on the warm and cold sum- mers of 1783 and 1784 respectively. The improved GDD model demonstrates that the 1784 climate anomaly had the potential to severely affect the crops. Contemporary accounts from other parts of southeastern Norway support the model result by reporting widespread harvest failures. Even though Norway is particularly susceptible to climate variations, the importance of climate extremes for these events has been little discussed among Norwegian historians. However, an integrated approach can be used to move beyond mere correlation between climate and human proxies towards some level of causation and contribute with new insights on the role of climatic stress for sociopolitical changes in the past.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;In this study, I have made use of agricultural and meteorological data from late eighteenth-century pastor Wilse in Spydeberg, southeastern Norway, to analyse the impact of climate extremes on a premodern farming society. His farm records from the 1770s are used to improve an existing GDD model and then tested, by using his measured weather data, on the warm and cold sum- mers of 1783 and 1784 respectively. The improved GDD model demonstrates that the 1784 climate anomaly had the potential to severely affect the crops. Contemporary accounts from other parts of southeastern Norway support the model result by reporting widespread harvest failures. Even though Norway is particularly susceptible to climate variations, the importance of climate extremes for these events has been little discussed among Norwegian historians. However, an integrated approach can be used to move beyond mere correlation between climate and human proxies towards some level of causation and contribute with new insights on the role of climatic stress for sociopolitical changes in the past.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 10. ‘An Ice Breakup as in the Good Old Days’. Ice Jams in the Aura River, Turku, Southwest Finland, 1739–2024</TitleText>
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          <PersonName>Stefan Norrgård</PersonName>
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          <BiographicalNote>&lt;p&gt;Stefan Norrgård is a senior researcher and climate historian at the Department of History at Åbo Akademi University in Turku, Finland. Subsequent to reconstruct- ing climate in West Africa during the 1700s, his research interests have centred on riverine ice breakups in Finland. He has reconstructed spring ice breakups for both the Aura River (Turku) and the Kokemäki River (Pori) between the 1700s and 2000s. He has several publications on ice breakups but his research field also covers historical climate adaptation processes and meteorological observations in Finland and Sweden in the 1700s. His ongoing research project, founded by the Kone Foundation, investigates climate, culture and society in Finland in the 1700s.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This study investigates the historical occurrence and impact of ice jams in the Aura River, Turku, Finland, from 1739 to 2025. Ice jams, which are common in regions with prolonged river ice cover, can cause significant water level rises and subsequent flooding. The study analyses historical documents, including newspaper articles and weather journals, to reconstruct past ice jam events and their effects. Key findings highlight the role of natural and anthropogenic ob- stacles, such as bridges and skating rinks, in initiating ice jams. The study further examines the methods employed to mitigate these events. An ice jam index is developed to categorise the severity of events over time. The results indicate a clear change towards fewer severe ice jam events in the twentieth century. This research contributes to understanding hydrological extremes and their historical context in Finnish rivers.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;This study investigates the historical occurrence and impact of ice jams in the Aura River, Turku, Finland, from 1739 to 2025. Ice jams, which are common in regions with prolonged river ice cover, can cause significant water level rises and subsequent flooding. The study analyses historical documents, including newspaper articles and weather journals, to reconstruct past ice jam events and their effects. Key findings highlight the role of natural and anthropogenic ob- stacles, such as bridges and skating rinks, in initiating ice jams. The study further examines the methods employed to mitigate these events. An ice jam index is developed to categorise the severity of events over time. The results indicate a clear change towards fewer severe ice jam events in the twentieth century. This research contributes to understanding hydrological extremes and their historical context in Finnish rivers.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 11. Climate Narratives in Norwegian Public Histories</TitleText>
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          <PersonName>Eivind Heldaas Seland</PersonName>
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            <ProfessionalPosition>Professor of Ancient History and Premodern Global History</ProfessionalPosition>
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          <BiographicalNote>&lt;p&gt;Eivind Heldaas Seland is a Professor of Ancient History and Premodern Global History at the University of Bergen, Norway. His research interests focus on how scholars utilise historical climate data and climate change to explain societal trans- formations.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;From the mid-nineteenth to the early twenty-first century, a number of multi- volume histories of Norway were published by major trade presses. These were written mostly by groups of professors at Norwegian Universities taking charge of one volume/historical period each, and were aimed at the general public. Sales were high, and the impact on public perception of history can likely only be compared with that of the most successful school textbooks. This chapter examines the role of climate and climate change as an agent of historical change in these works, concentrating on prehistory as well as the periods corresponding to what are today known as the Late Antique / Early Medieval Little Ice Age, the Medieval Warm Period and the Little Ice Age. While these terms rarely appear in the examined works, the potential role of climate and climate change in bringing about historical change is discussed to varying degree. These accounts are viewed through the lens of the narrative theory, enabling us to classify nar- ratives of identity, decline and growth propelled by climate and climate change, as well as to pursue the limited, but growing awareness of environmental history in mainstream Norwegian historiography.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;From the mid-nineteenth to the early twenty-first century, a number of multi- volume histories of Norway were published by major trade presses. These were written mostly by groups of professors at Norwegian Universities taking charge of one volume/historical period each, and were aimed at the general public. Sales were high, and the impact on public perception of history can likely only be compared with that of the most successful school textbooks. This chapter examines the role of climate and climate change as an agent of historical change in these works, concentrating on prehistory as well as the periods corresponding to what are today known as the Late Antique / Early Medieval Little Ice Age, the Medieval Warm Period and the Little Ice Age. While these terms rarely appear in the examined works, the potential role of climate and climate change in bringing about historical change is discussed to varying degree. These accounts are viewed through the lens of the narrative theory, enabling us to classify nar- ratives of identity, decline and growth propelled by climate and climate change, as well as to pursue the limited, but growing awareness of environmental history in mainstream Norwegian historiography.&lt;/p&gt;&lt;/p&gt;</Text>
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            <TitleText language="eng">Chapter 12. Glacier Poetry in Norwegian Literary Historiography</TitleText>
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          <PersonName>Kristine Kleveland</PersonName>
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          <BiographicalNote>&lt;p&gt;Kristine Kleveland is a Ph.D. student in Nordic literature at the University of Oslo. Her research focuses on glaciers as motifs in Norwegian poetry. Kleveland is a for- mer lecturer in Literature at the Western Norway University of Applied Sciences.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Perceptions of glaciers through poetry are significant to Nordic climate history. This paper examines Norwegian literary critical discussions of glacier poetry. Eighteen glacier poems are mentioned in fifteen works of literary history. However, the glacier motifs themselves are seldom given much attention by the critics and glacier poetry has not explicitly been identified as a distinct poetic tradition. The glacier motifs in the eighteen poems and discussions of them show a couple of tendencies in uses and understandings of glaciers. These are explored through close readings of four poems, written by Andreas Munch, Arnulf Øverland, Gunvor Hofmo and Kristofer Uppdal. These poems suggest trends in how glacier poetry is indirectly canonised, often emphasising patriotism and national romanticism, identity-building and fortifying backgrounds, and themes of solitude and isolation, thereby reinforcing ideas about the ‘people of the north’ and the unique role glaciers play in their cultural narrative.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Perceptions of glaciers through poetry are significant to Nordic climate history. This paper examines Norwegian literary critical discussions of glacier poetry. Eighteen glacier poems are mentioned in fifteen works of literary history. However, the glacier motifs themselves are seldom given much attention by the critics and glacier poetry has not explicitly been identified as a distinct poetic tradition. The glacier motifs in the eighteen poems and discussions of them show a couple of tendencies in uses and understandings of glaciers. These are explored through close readings of four poems, written by Andreas Munch, Arnulf Øverland, Gunvor Hofmo and Kristofer Uppdal. These poems suggest trends in how glacier poetry is indirectly canonised, often emphasising patriotism and national romanticism, identity-building and fortifying backgrounds, and themes of solitude and isolation, thereby reinforcing ideas about the ‘people of the north’ and the unique role glaciers play in their cultural narrative.&lt;/p&gt;&lt;/p&gt;</Text>
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          <BiographicalNote>&lt;p&gt;Felix Riede is German-born and British educated with a Ph.D. in archaeology from Cambridge University. Inspired by evolutionary and ecological theory and methods, he seeks to understand human-environment relations past, present and future. His work focuses on major tipping point episodes such as the end of the Pleistocene, extreme environmental events such as volcanic eruptions, earthquakes and tsunamis, novel ecosystems, and on the archaeology of the Anthropocene. After leaving Cambridge for UCL and then Aarhus University, Felix is now Professor, affiliated both with the Departments of Archaeology and Heritage Studies, and of Biology. At Aarhus, he founded the Centre for Environmental Humanities; he was also Visiting Professor at the Oslo Centre for Environmental Humanities and Visiting Scholar at the Oeschger Centre for Climate Change Research. Felix brings a distinct perspective on deep time and material relations to environmental history.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Around 13,000 years ago – at the tail end of a prolonged cold spell and to- wards the end of the Ice Age – the Laacher See volcano located in present-day western Germany erupted cataclysmically. Abrasive and poisonous ash from this eruption was transported in a vast swath across Europe with a primary fallout cloud stretching towards the north-east. Environments, climate, and contemporaneous human populations were affected in a variety of ways; the Nordic area specifically was affected – indirectly – by serving as a refugium for small bands of prehistoric disaster refugees. Despite the enormity of this event, and the threat that this merely dormant volcano still poses today, it remains poorly known to the public, not least in the Nordic region. I here explore how the narrative qualities of such an archaeological scenario can be transformed into a museum exhibition whose aim it is to (i) put societal vulnerability into a deep historical perspective and to (ii) highlight how contemporary societies, too, are vulnerable to processes of climatic change and extreme environmental events plentifully documented in the past.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Around 13,000 years ago – at the tail end of a prolonged cold spell and to- wards the end of the Ice Age – the Laacher See volcano located in present-day western Germany erupted cataclysmically. Abrasive and poisonous ash from this eruption was transported in a vast swath across Europe with a primary fallout cloud stretching towards the north-east. Environments, climate, and contemporaneous human populations were affected in a variety of ways; the Nordic area specifically was affected – indirectly – by serving as a refugium for small bands of prehistoric disaster refugees. Despite the enormity of this event, and the threat that this merely dormant volcano still poses today, it remains poorly known to the public, not least in the Nordic region. I here explore how the narrative qualities of such an archaeological scenario can be transformed into a museum exhibition whose aim it is to (i) put societal vulnerability into a deep historical perspective and to (ii) highlight how contemporary societies, too, are vulnerable to processes of climatic change and extreme environmental events plentifully documented in the past.&lt;/p&gt;&lt;/p&gt;</Text>
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          <BiographicalNote>&lt;p&gt;Natália Nascimento e Melo is a researcher at the University of Évora and a collaborator at the Institute of Contemporary History (IHC|IN2PAST). She holds a Ph.D. in History and Philosophy of Science with a specialisation in Museology. Her research explores the intersections of climate, museum narratives and public engagement, with a focus on how the Anthropocene, climate change, and human-climate relations are represented in museums. She is interested in the role of arts in fostering dialogues about science and societal issues, and how material culture shapes public perceptions of environmental change and human-environment relations. She also works on projects related to public history, placemaking and transdisciplinary approaches to citizen participation.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Felix Riede is German-born and British educated with a Ph.D. in archaeology from Cambridge University. Inspired by evolutionary and ecological theory and methods, he seeks to understand human-environment relations past, present and future. His work focuses on major tipping point episodes such as the end of the Pleistocene, extreme environmental events such as volcanic eruptions, earthquakes and tsunamis, novel ecosystems, and on the archaeology of the Anthropocene. After leaving Cambridge for UCL and then Aarhus University, Felix is now Professor, affiliated both with the Departments of Archaeology and Heritage Studies, and of Biology. At Aarhus, he founded the Centre for Environmental Humanities; he was also Visiting Professor at the Oslo Centre for Environmental Humanities and Visiting Scholar at the Oeschger Centre for Climate Change Research. Felix brings a distinct perspective on deep time and material relations to environmental history.&lt;/p&gt;</BiographicalNote>
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          <BiographicalNote>&lt;p&gt;Stefan Norrgård is a senior researcher and climate historian at the Department of History at Åbo Akademi University in Turku, Finland. Subsequent to reconstruct- ing climate in West Africa during the 1700s, his research interests have centred on riverine ice breakups in Finland. He has reconstructed spring ice breakups for both the Aura River (Turku) and the Kokemäki River (Pori) between the 1700s and 2000s. He has several publications on ice breakups but his research field also covers historical climate adaptation processes and meteorological observations in Finland and Sweden in the 1700s. His ongoing research project, founded by the Kone Foundation, investigates climate, culture and society in Finland in the 1700s.&lt;/p&gt;</BiographicalNote>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Museums, perceived as trusted institutions, have significant potential for foster- ing public understanding of climate change. This study examines the integra- tion of climate narratives in the permanent exhibitions of five Nordic national museums. The analyses focused on human-climate relations and the museums’ role as societal reflection and change agents. Despite the growing academic emphasis on the importance of climate narratives in museum exhibitions, the analysis reveals that such narratives were scarce in the studied museums. When present, the narratives were fragmented, isolated themes rather than cohesive and integrated elements of historical storytelling. Additionally, this study ex- plores barriers that prevent the integration of climate narratives in permanent exhibitions and proposes practical curatorial strategies for reframing existing historical narratives. The strategies aim to inspire collective action and critical engagement that position national museums as dynamic platforms for address- ing climate challenges. Finally, the article highlights the necessity for curatorial practices to evolve and integrate inclusive and forward-looking narratives that empower audiences to confront the climate crisis.&lt;/p&gt;&lt;/p&gt;</Text>
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          <Text textformat="03">&lt;p&gt;&lt;p&gt;Museums, perceived as trusted institutions, have significant potential for foster- ing public understanding of climate change. This study examines the integra- tion of climate narratives in the permanent exhibitions of five Nordic national museums. The analyses focused on human-climate relations and the museums’ role as societal reflection and change agents. Despite the growing academic emphasis on the importance of climate narratives in museum exhibitions, the analysis reveals that such narratives were scarce in the studied museums. When present, the narratives were fragmented, isolated themes rather than cohesive and integrated elements of historical storytelling. Additionally, this study ex- plores barriers that prevent the integration of climate narratives in permanent exhibitions and proposes practical curatorial strategies for reframing existing historical narratives. The strategies aim to inspire collective action and critical engagement that position national museums as dynamic platforms for address- ing climate challenges. Finally, the article highlights the necessity for curatorial practices to evolve and integrate inclusive and forward-looking narratives that empower audiences to confront the climate crisis.&lt;/p&gt;&lt;/p&gt;</Text>
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Prologue

Wiseman, Alaska

Malibu, California

Memphis, Tennessee

St Thomas, Nevada

Dodge City, Kansas

Niagara

Walt Disney World, Florida

Portland, Oregon

Afterword

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Prologue

Wiseman, Alaska

Malibu, California

Memphis, Tennessee

St Thomas, Nevada

Dodge City, Kansas

Niagara

Walt Disney World, Florida

Portland, Oregon

Afterword

Index</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;This anthology explores possibilities to acknowledge human motion, and traces thereof, as heritage. Today, with the increasing interest in local and sustainable connections, and in bodily and spiritual enhancement, we see a growing use of walking tracks both in landscapes within reach from urban centres and in more remotely located or ‘wild’ </Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Trails and paths are pathways to the past – and serve as a physical and cultural infrastructure of human memory. While they lead the way forward for anyone out walking, they also point backwards, towards history. &lt;break/&gt;Walking has been a common denominator for human life everywhere, at all times. While other forms of mobility have grown in importance and changed our societies in dramatic ways, most of us still depend on walking in our daily life. The massive number of human steps throughout history has created a rich and widespread network of trails that cross the globe and connect places. It has also resulted in a vast immaterial heritage through literature, art and music about walking. Paths and trails accommodate both the material and the immaterial, and challenge not only conventional heritage management but also the very essence of the nature/culture divide. &lt;break/&gt;In our current age, the Anthropocene, traces of people’s movements can be regarded as a distinct kind of cultural heritage, a ‘movement heritage’ that is dependent on continuous use or memory work to remain. It also points to historical and current forms of land use that is sustainable in the most basic meaning of the word, i.e. that these activities can be and de facto has been practiced over long periods of time without causing large-scale environmental degradation. Few other forms of human mobility can make similar claims.&lt;break/&gt;So, while traces and remains from different kinds of movement may be small in physical scale, they are monumental in terms of their importance for the understanding of how a landscape has been used historically. Traces of mobility form lines that, with Tim Ingold, tie together the life worlds of the past with those of the present.&lt;break/&gt;Walking tracks, paths, and trails are usually ephemeral and often also neglected traces of humans moving by foot through landscapes in the past and the present. These subtle landscape features seem to be difficult to handle within established heritage management regimes, partly because of their fugitive and timid nature. However, their uses and impacts have often been decisive and important for individuals and communities across spatial and temporal scales.&lt;break/&gt;In this anthology, we will explore possibilities to acknowledge human motion, and traces thereof, as heritage. Today, with the increasing interest in local and sustainable connections, and in bodily and spiritual enhancement, we see a growing use of walking tracks both in landscapes within reach from urban centres and in more remotely located or ‘wild’ areas. The corona pandemic has further propelled these trends. Of course, landscapes that are commonly understood as wilderness or ‘nature’ are in most cases clearly influenced by human actions and movements. While walking trails tend to be regarded as pathways to experience nature and as tools to promote public health, they could also be seen and used as routes to culture and history, indeed as pathways to the past. Based on a Swedish research project with the aim to explore the multiple dimensions of walking, paths and movement we will in this volume engage and discuss the potential effects of such an expansion of the heritage register.&lt;break/&gt;Landscapes of mobility have been shaped by hiking, hunting, outdoor life, tourism, sports, and physical training for centuries. They are historical remains of those activities, while simultaneously being the infrastructure for present-day usages. The demand for places suitable for movement, training and events continue to grow, and hiking trails are a key component in the rise of nature-based tourism, sport events such as trail running and mountain biking, and the increasing interest in outdoor life and hiking. So far, the historical and heritage aspects of these developments have been underarticulated. However, the Norwegian heritage board together with the Norwegian Tourist Association (Den Norske Turistforening, DNT) have initiated a project around historical hiking trails that have been attracting attention over the last couple of years. Similar attempts are now being made in Sweden, England, and elsewhere. There is need for a more explicit discussion about trails as heritage. With this anthology we will contribute with precisely that through gathering leading scholars in Europe and beyond around this subject and engaging them in dialogue.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Trails and paths are pathways to the past – and serve as a physical and cultural infrastructure of human memory. While they lead the way forward for anyone out walking, they also point backwards, towards history. &lt;break/&gt;Walking has been a common denominator for human life everywhere, at all times. While other forms of mobility have grown in importance and changed our societies in dramatic ways, most of us still depend on walking in our daily life. The massive number of human steps throughout history has created a rich and widespread network of trails that cross the globe and connect places. It has also resulted in a vast immaterial heritage through literature, art and music about walking. Paths and trails accommodate both the material and the immaterial, and challenge not only conventional heritage management but also the very essence of the nature/culture divide. &lt;break/&gt;In our current age, the Anthropocene, traces of people’s movements can be regarded as a distinct kind of cultural heritage, a ‘movement heritage’ that is dependent on continuous use or memory work to remain. It also points to historical and current forms of land use that is sustainable in the most basic meaning of the word, i.e. that these activities can be and de facto has been practiced over long periods of time without causing large-scale environmental degradation. Few other forms of human mobility can make similar claims.&lt;break/&gt;So, while traces and remains from different kinds of movement may be small in physical scale, they are monumental in terms of their importance for the understanding of how a landscape has been used historically. Traces of mobility form lines that, with Tim Ingold, tie together the life worlds of the past with those of the present.&lt;break/&gt;Walking tracks, paths, and trails are usually ephemeral and often also neglected traces of humans moving by foot through landscapes in the past and the present. These subtle landscape features seem to be difficult to handle within established heritage management regimes, partly because of their fugitive and timid nature. However, their uses and impacts have often been decisive and important for individuals and communities across spatial and temporal scales.&lt;break/&gt;In this anthology, we will explore possibilities to acknowledge human motion, and traces thereof, as heritage. Today, with the increasing interest in local and sustainable connections, and in bodily and spiritual enhancement, we see a growing use of walking tracks both in landscapes within reach from urban centres and in more remotely located or ‘wild’ areas. The corona pandemic has further propelled these trends. Of course, landscapes that are commonly understood as wilderness or ‘nature’ are in most cases clearly influenced by human actions and movements. While walking trails tend to be regarded as pathways to experience nature and as tools to promote public health, they could also be seen and used as routes to culture and history, indeed as pathways to the past. Based on a Swedish research project with the aim to explore the multiple dimensions of walking, paths and movement we will in this volume engage and discuss the potential effects of such an expansion of the heritage register.&lt;break/&gt;Landscapes of mobility have been shaped by hiking, hunting, outdoor life, tourism, sports, and physical training for centuries. They are historical remains of those activities, while simultaneously being the infrastructure for present-day usages. The demand for places suitable for movement, training and events continue to grow, and hiking trails are a key component in the rise of nature-based tourism, sport events such as trail running and mountain biking, and the increasing interest in outdoor life and hiking. So far, the historical and heritage aspects of these developments have been underarticulated. However, the Norwegian heritage board together with the Norwegian Tourist Association (Den Norske Turistforening, DNT) have initiated a project around historical hiking trails that have been attracting attention over the last couple of years. Similar attempts are now being made in Sweden, England, and elsewhere. There is need for a more explicit discussion about trails as heritage. With this anthology we will contribute with precisely that through gathering leading scholars in Europe and beyond around this subject and engaging them in dialogue.&lt;/p&gt;&lt;/p&gt;</Text>
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          <BiographicalNote>&lt;p&gt;Clare Hickman is Reader in Environmental and Medical History at Newcastle University. She currently leads the Wellcome Trust-funded ‘MedEnv: Intersections in Medical and Environmental Humanities’ network and the AHRC-funded ‘Unlocking Landscapes’ network ‘History, Culture and Sensory Diversity in Landscape Use and Decision Making’. Clare is also Co-Investigator on the AHRC-funded project ‘In All Our Footsteps: Tracking, Mapping &amp; Experiencing Rights of Way in Post-War Britain’ and the NERC-funded ‘Connected Treescapes’ project. Her latest book is The Doctor’s Garden: Medicine, Science, and Horticulture in Britain (Yale University Press, 2021).&lt;/p&gt;</BiographicalNote>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;This anthology explores possibilities to acknowledge human motion, and traces thereof, as heritage. Today, with the increasing interest in local and sustainable connections, and in bodily and spiritual enhancement, we see a growing use of walking tracks both in landscapes within reach from urban centres and in more remotely located or ‘wild’ </Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Trails and paths are pathways to the past – and serve as a physical and cultural infrastructure of human memory. While they lead the way forward for anyone out walking, they also point backwards, towards history. &lt;break/&gt;Walking has been a common denominator for human life everywhere, at all times. While other forms of mobility have grown in importance and changed our societies in dramatic ways, most of us still depend on walking in our daily life. The massive number of human steps throughout history has created a rich and widespread network of trails that cross the globe and connect places. It has also resulted in a vast immaterial heritage through literature, art and music about walking. Paths and trails accommodate both the material and the immaterial, and challenge not only conventional heritage management but also the very essence of the nature/culture divide. &lt;break/&gt;In our current age, the Anthropocene, traces of people’s movements can be regarded as a distinct kind of cultural heritage, a ‘movement heritage’ that is dependent on continuous use or memory work to remain. It also points to historical and current forms of land use that is sustainable in the most basic meaning of the word, i.e. that these activities can be and de facto has been practiced over long periods of time without causing large-scale environmental degradation. Few other forms of human mobility can make similar claims.&lt;break/&gt;So, while traces and remains from different kinds of movement may be small in physical scale, they are monumental in terms of their importance for the understanding of how a landscape has been used historically. Traces of mobility form lines that, with Tim Ingold, tie together the life worlds of the past with those of the present.&lt;break/&gt;Walking tracks, paths, and trails are usually ephemeral and often also neglected traces of humans moving by foot through landscapes in the past and the present. These subtle landscape features seem to be difficult to handle within established heritage management regimes, partly because of their fugitive and timid nature. However, their uses and impacts have often been decisive and important for individuals and communities across spatial and temporal scales.&lt;break/&gt;In this anthology, we will explore possibilities to acknowledge human motion, and traces thereof, as heritage. Today, with the increasing interest in local and sustainable connections, and in bodily and spiritual enhancement, we see a growing use of walking tracks both in landscapes within reach from urban centres and in more remotely located or ‘wild’ areas. The corona pandemic has further propelled these trends. Of course, landscapes that are commonly understood as wilderness or ‘nature’ are in most cases clearly influenced by human actions and movements. While walking trails tend to be regarded as pathways to experience nature and as tools to promote public health, they could also be seen and used as routes to culture and history, indeed as pathways to the past. Based on a Swedish research project with the aim to explore the multiple dimensions of walking, paths and movement we will in this volume engage and discuss the potential effects of such an expansion of the heritage register.&lt;break/&gt;Landscapes of mobility have been shaped by hiking, hunting, outdoor life, tourism, sports, and physical training for centuries. They are historical remains of those activities, while simultaneously being the infrastructure for present-day usages. The demand for places suitable for movement, training and events continue to grow, and hiking trails are a key component in the rise of nature-based tourism, sport events such as trail running and mountain biking, and the increasing interest in outdoor life and hiking. So far, the historical and heritage aspects of these developments have been underarticulated. However, the Norwegian heritage board together with the Norwegian Tourist Association (Den Norske Turistforening, DNT) have initiated a project around historical hiking trails that have been attracting attention over the last couple of years. Similar attempts are now being made in Sweden, England, and elsewhere. There is need for a more explicit discussion about trails as heritage. With this anthology we will contribute with precisely that through gathering leading scholars in Europe and beyond around this subject and engaging them in dialogue.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Trails and paths are pathways to the past – and serve as a physical and cultural infrastructure of human memory. While they lead the way forward for anyone out walking, they also point backwards, towards history. &lt;break/&gt;Walking has been a common denominator for human life everywhere, at all times. While other forms of mobility have grown in importance and changed our societies in dramatic ways, most of us still depend on walking in our daily life. The massive number of human steps throughout history has created a rich and widespread network of trails that cross the globe and connect places. It has also resulted in a vast immaterial heritage through literature, art and music about walking. Paths and trails accommodate both the material and the immaterial, and challenge not only conventional heritage management but also the very essence of the nature/culture divide. &lt;break/&gt;In our current age, the Anthropocene, traces of people’s movements can be regarded as a distinct kind of cultural heritage, a ‘movement heritage’ that is dependent on continuous use or memory work to remain. It also points to historical and current forms of land use that is sustainable in the most basic meaning of the word, i.e. that these activities can be and de facto has been practiced over long periods of time without causing large-scale environmental degradation. Few other forms of human mobility can make similar claims.&lt;break/&gt;So, while traces and remains from different kinds of movement may be small in physical scale, they are monumental in terms of their importance for the understanding of how a landscape has been used historically. Traces of mobility form lines that, with Tim Ingold, tie together the life worlds of the past with those of the present.&lt;break/&gt;Walking tracks, paths, and trails are usually ephemeral and often also neglected traces of humans moving by foot through landscapes in the past and the present. These subtle landscape features seem to be difficult to handle within established heritage management regimes, partly because of their fugitive and timid nature. However, their uses and impacts have often been decisive and important for individuals and communities across spatial and temporal scales.&lt;break/&gt;In this anthology, we will explore possibilities to acknowledge human motion, and traces thereof, as heritage. Today, with the increasing interest in local and sustainable connections, and in bodily and spiritual enhancement, we see a growing use of walking tracks both in landscapes within reach from urban centres and in more remotely located or ‘wild’ areas. The corona pandemic has further propelled these trends. Of course, landscapes that are commonly understood as wilderness or ‘nature’ are in most cases clearly influenced by human actions and movements. While walking trails tend to be regarded as pathways to experience nature and as tools to promote public health, they could also be seen and used as routes to culture and history, indeed as pathways to the past. Based on a Swedish research project with the aim to explore the multiple dimensions of walking, paths and movement we will in this volume engage and discuss the potential effects of such an expansion of the heritage register.&lt;break/&gt;Landscapes of mobility have been shaped by hiking, hunting, outdoor life, tourism, sports, and physical training for centuries. They are historical remains of those activities, while simultaneously being the infrastructure for present-day usages. The demand for places suitable for movement, training and events continue to grow, and hiking trails are a key component in the rise of nature-based tourism, sport events such as trail running and mountain biking, and the increasing interest in outdoor life and hiking. So far, the historical and heritage aspects of these developments have been underarticulated. However, the Norwegian heritage board together with the Norwegian Tourist Association (Den Norske Turistforening, DNT) have initiated a project around historical hiking trails that have been attracting attention over the last couple of years. Similar attempts are now being made in Sweden, England, and elsewhere. There is need for a more explicit discussion about trails as heritage. With this anthology we will contribute with precisely that through gathering leading scholars in Europe and beyond around this subject and engaging them in dialogue.&lt;/p&gt;&lt;/p&gt;</Text>
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        <SubjectHeadingText>pastoralism; Central Asia; resilience</SubjectHeadingText>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Focusing on pastoral and rural communities, this volume highlights ongoing transitions in rural Central Asia. It presents insights into contemporary human geography and anthropology of the Inner Asian region; highlights the ongoing importance of scholarship on rural places; and offers a critical lens on broader processes of change affecting t</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Focusing on pastoral and rural communities, this volume highlights ongoing transitions in rural Central Asia. Informed by in-depth case studies from Mongolia, Buryatia and Kyrgyzstan, the essays focus on themes in contemporary pastoralism, including the adaptation and resilience of rural pastoralist livelihoods during and after the Covid-19 pandemic; healing, food and wellbeing, including an examination of rural experiences of wellbeing and the re-invention and revival of traditional foods; and economic relations, including changing spatialisation of labour spurred by mineral extraction, the role of digital media and urban-rural dynamics. The volume presents insights into contemporary human geography and anthropology of the Inner Asian region; highlights the ongoing importance of scholarship on rural places; and offers a critical lens on broader processes of change affecting the region. A collaboration between scholars spanning Japan, Mongolia, Kyrgyzstan, the UK and the USA, the volume showcases work by diverse authors with longstanding engagement in Inner Asia.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Focusing on pastoral and rural communities, this volume highlights ongoing transitions in rural Central Asia. Informed by in-depth case studies from Mongolia, Buryatia and Kyrgyzstan, the essays focus on themes in contemporary pastoralism, including the adaptation and resilience of rural pastoralist livelihoods during and after the Covid-19 pandemic; healing, food and wellbeing, including an examination of rural experiences of wellbeing and the re-invention and revival of traditional foods; and economic relations, including changing spatialisation of labour spurred by mineral extraction, the role of digital media and urban-rural dynamics. The volume presents insights into contemporary human geography and anthropology of the Inner Asian region; highlights the ongoing importance of scholarship on rural places; and offers a critical lens on broader processes of change affecting the region. A collaboration between scholars spanning Japan, Mongolia, Kyrgyzstan, the UK and the USA, the volume showcases work by diverse authors with longstanding engagement in Inner Asia.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text>Introduction: Post-Covid Transitions in Inner Asia
Ariell Ahearn and Gantulga Munkherdene

Part I: Contemporary Pastoralism

Chapter 1.
On the Trucks and Trailers: Long-Distance Movement and Digital Transformations among Mobile Pastoralists in Post-Pandemic Mongolia
Gantulga Munkherdene

Chapter 2.
Pastoral Society Resilience to Covid-19 Social Disaster in Mongolia’s Bulgan and Sukhbaatar Provinces
Takahiro Ozaki

Chapter 3.
Change and Adaptation as a Way of Life: The Case of Qazaq Pastoralists in Western Mongolia
Peter Finke

Chapter 4.
Women Herders’ Changing Role in Mongolian Pastoralism
Troy Sternberg, Bayartogtokh Tserennadmid and Tugsbuyan Bayarbat

Part II: Wellbeing and Traditional Foods and Medicine

Chapter 5.
Sealing the Energy: A Report on Food Practices for Nourishment in Western Mongolia
Moe Terao

Chapter 6.
How Production of Airag (Fermented Mare’s Milk) is Changing in Mongolian Nomadic Pastoralism
Yuki Morinaga and Batbuyan Batjav 

Chapter 7.
The Social Significance of Kazakh Chai Feasting in Mongolia
Chieko Hirota

Chapter 8.
Wild Botanicals of Inner Asia in the Times of a Global Health Crisis
Sayana Namsaraeva

Part III Rural–Urban Dynamics: Networks, Perceptions and Economic Relations

Chapter 9.
Reconstruction of Pastoral Management and Local Milk Supply in Suburban Areas in Mongolia
Takahiro Tomita

Chapter 10.
Hybridity and Vitality of Culture: Mongolian Traditional Performing Arts During and After the Covid-19 Pandemic
Akira Kamimura

Chapter 11.
Between Khot (City) and Khuduu (Countryside): Negotiating Rural and Urban Identities in Post-Covid Mongolia
Daniel J. Murphy, Munkhochir Surenjav, Byambabaatar Ichinkhorloo and Bayartogtokh Tserennadmid

Chapter 12.
Fragile Networks: The Illusion of the Stable Job in Post-pandemic Mongolia
Iris Pakulla

Chapter 13.
The Role of Covid-19 in Kyrgyz Women’s Lives
Zalina Enikeeva

Chapter 14.
Conspiracy Theories and Public Discontent in Central Asia: The Role of Sinophobia in Mobilising Societal Frustrations
Kemel Toktomushev</Text>
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        <Text>This publication's ePub passes WCAG 2.2 AAA in ACE by Daisy.

Tis book project was made possible by research funding from the UKRI’s Economic and Social Research Council (Grant Ref: ES/W011999/1) and the Japanese Society for the Promotion of Science ( JSPS), under the grant titled ‘JSPS Joint Covid Call – Comparative Research on Pastoral Societies in Post-Covid-19 Inner Asian Countries’. We are also grateful for support from the
UKRI’s Open Access Fund, which has enabled the book to be published under a Creative Commons license.

We acknowledge generous support from the National University of Mongolia to host our project researchers, summer schools and conferences, and to facilitate the translation of this manuscript into the Mongolian language. Special thanks to The White Horse Press for their support for this book project, to Margaret Okole for her role as an external editor and reviewer for all of the chapters and to Troy Sternberg for acting as a chapter mentor and reviewer for many of the authors.

We are grateful to all the participants in the research featured in the book chapters, who contributed their time, efforts, hospitality and insights to us and enabled this book to come to fruition.</Text>
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          <BiographicalNote>&lt;p&gt;Bayartogtokh Tserennadmid is a doctoral student in anthropology in the Department of Anthropology and Archaeology at the National University of Mongolia. From 2010 to 2020, she taught Mongolian History and Ethnology at the Film Arts College and the Khuree Institute of Information Technology. From 2022, she has worked as a part-time researcher at the International Institute for the Study of Nomadic Civilisations. Since 2023, together with Daniel Murphy (University of Cincinnati, USA) and Ichinkhorloo Byambabaatar (National University of Mongolia), she has been studying changes in herders’ livelihoods.&lt;/p&gt;</BiographicalNote>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Focusing on pastoral and rural communities, this volume highlights ongoing transitions in rural Central Asia. It presents insights into contemporary human geography and anthropology of the Inner Asian region; highlights the ongoing importance of scholarship on rural places; and offers a critical lens on broader processes of change affecting t</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Focusing on pastoral and rural communities, this volume highlights ongoing transitions in rural Central Asia. Informed by in-depth case studies from Mongolia, Buryatia and Kyrgyzstan, the essays focus on themes in contemporary pastoralism, including the adaptation and resilience of rural pastoralist livelihoods during and after the Covid-19 pandemic; healing, food and wellbeing, including an examination of rural experiences of wellbeing and the re-invention and revival of traditional foods; and economic relations, including changing spatialisation of labour spurred by mineral extraction, the role of digital media and urban-rural dynamics. The volume presents insights into contemporary human geography and anthropology of the Inner Asian region; highlights the ongoing importance of scholarship on rural places; and offers a critical lens on broader processes of change affecting the region. A collaboration between scholars spanning Japan, Mongolia, Kyrgyzstan, the UK and the USA, the volume showcases work by diverse authors with longstanding engagement in Inner Asia.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Focusing on pastoral and rural communities, this volume highlights ongoing transitions in rural Central Asia. Informed by in-depth case studies from Mongolia, Buryatia and Kyrgyzstan, the essays focus on themes in contemporary pastoralism, including the adaptation and resilience of rural pastoralist livelihoods during and after the Covid-19 pandemic; healing, food and wellbeing, including an examination of rural experiences of wellbeing and the re-invention and revival of traditional foods; and economic relations, including changing spatialisation of labour spurred by mineral extraction, the role of digital media and urban-rural dynamics. The volume presents insights into contemporary human geography and anthropology of the Inner Asian region; highlights the ongoing importance of scholarship on rural places; and offers a critical lens on broader processes of change affecting the region. A collaboration between scholars spanning Japan, Mongolia, Kyrgyzstan, the UK and the USA, the volume showcases work by diverse authors with longstanding engagement in Inner Asia.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text>Introduction: Post-Covid Transitions in Inner Asia
Ariell Ahearn and Gantulga Munkherdene

Part I: Contemporary Pastoralism

Chapter 1.
On the Trucks and Trailers: Long-Distance Movement and Digital Transformations among Mobile Pastoralists in Post-Pandemic Mongolia
Gantulga Munkherdene

Chapter 2.
Pastoral Society Resilience to Covid-19 Social Disaster in Mongolia’s Bulgan and Sukhbaatar Provinces
Takahiro Ozaki

Chapter 3.
Change and Adaptation as a Way of Life: The Case of Qazaq Pastoralists in Western Mongolia
Peter Finke

Chapter 4.
Women Herders’ Changing Role in Mongolian Pastoralism
Troy Sternberg, Bayartogtokh Tserennadmid and Tugsbuyan Bayarbat

Part II: Wellbeing and Traditional Foods and Medicine

Chapter 5.
Sealing the Energy: A Report on Food Practices for Nourishment in Western Mongolia
Moe Terao

Chapter 6.
How Production of Airag (Fermented Mare’s Milk) is Changing in Mongolian Nomadic Pastoralism
Yuki Morinaga and Batbuyan Batjav 

Chapter 7.
The Social Significance of Kazakh Chai Feasting in Mongolia
Chieko Hirota

Chapter 8.
Wild Botanicals of Inner Asia in the Times of a Global Health Crisis
Sayana Namsaraeva

Part III Rural–Urban Dynamics: Networks, Perceptions and Economic Relations

Chapter 9.
Reconstruction of Pastoral Management and Local Milk Supply in Suburban Areas in Mongolia
Takahiro Tomita

Chapter 10.
Hybridity and Vitality of Culture: Mongolian Traditional Performing Arts During and After the Covid-19 Pandemic
Akira Kamimura

Chapter 11.
Between Khot (City) and Khuduu (Countryside): Negotiating Rural and Urban Identities in Post-Covid Mongolia
Daniel J. Murphy, Munkhochir Surenjav, Byambabaatar Ichinkhorloo and Bayartogtokh Tserennadmid

Chapter 12.
Fragile Networks: The Illusion of the Stable Job in Post-pandemic Mongolia
Iris Pakulla

Chapter 13.
The Role of Covid-19 in Kyrgyz Women’s Lives
Zalina Enikeeva

Chapter 14.
Conspiracy Theories and Public Discontent in Central Asia: The Role of Sinophobia in Mobilising Societal Frustrations
Kemel Toktomushev</Text>
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        <Text>This publication's ePub passes WCAG 2.2 AAA in ACE by Daisy.

Tis book project was made possible by research funding from the UKRI’s Economic and Social Research Council (Grant Ref: ES/W011999/1) and the Japanese Society for the Promotion of Science ( JSPS), under the grant titled ‘JSPS Joint Covid Call – Comparative Research on Pastoral Societies in Post-Covid-19 Inner Asian Countries’. We are also grateful for support from the
UKRI’s Open Access Fund, which has enabled the book to be published under a Creative Commons license.

We acknowledge generous support from the National University of Mongolia to host our project researchers, summer schools and conferences, and to facilitate the translation of this manuscript into the Mongolian language. Special thanks to The White Horse Press for their support for this book project, to Margaret Okole for her role as an external editor and reviewer for all of the chapters and to Troy Sternberg for acting as a chapter mentor and reviewer for many of the authors.

We are grateful to all the participants in the research featured in the book chapters, who contributed their time, efforts, hospitality and insights to us and enabled this book to come to fruition.</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Focusing on pastoral and rural communities, this volume highlights ongoing transitions in rural Central Asia. It presents insights into contemporary human geography and anthropology of the Inner Asian region; highlights the ongoing importance of scholarship on rural places; and offers a critical lens on broader processes of change affecting t</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Focusing on pastoral and rural communities, this volume highlights ongoing transitions in rural Central Asia. Informed by in-depth case studies from Mongolia, Buryatia and Kyrgyzstan, the essays focus on themes in contemporary pastoralism, including the adaptation and resilience of rural pastoralist livelihoods during and after the Covid-19 pandemic; healing, food and wellbeing, including an examination of rural experiences of wellbeing and the re-invention and revival of traditional foods; and economic relations, including changing spatialisation of labour spurred by mineral extraction, the role of digital media and urban-rural dynamics. The volume presents insights into contemporary human geography and anthropology of the Inner Asian region; highlights the ongoing importance of scholarship on rural places; and offers a critical lens on broader processes of change affecting the region. A collaboration between scholars spanning Japan, Mongolia, Kyrgyzstan, the UK and the USA, the volume showcases work by diverse authors with longstanding engagement in Inner Asia.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Focusing on pastoral and rural communities, this volume highlights ongoing transitions in rural Central Asia. Informed by in-depth case studies from Mongolia, Buryatia and Kyrgyzstan, the essays focus on themes in contemporary pastoralism, including the adaptation and resilience of rural pastoralist livelihoods during and after the Covid-19 pandemic; healing, food and wellbeing, including an examination of rural experiences of wellbeing and the re-invention and revival of traditional foods; and economic relations, including changing spatialisation of labour spurred by mineral extraction, the role of digital media and urban-rural dynamics. The volume presents insights into contemporary human geography and anthropology of the Inner Asian region; highlights the ongoing importance of scholarship on rural places; and offers a critical lens on broader processes of change affecting the region. A collaboration between scholars spanning Japan, Mongolia, Kyrgyzstan, the UK and the USA, the volume showcases work by diverse authors with longstanding engagement in Inner Asia.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text>Introduction: Post-Covid Transitions in Inner Asia
Ariell Ahearn and Gantulga Munkherdene

Part I: Contemporary Pastoralism

Chapter 1.
On the Trucks and Trailers: Long-Distance Movement and Digital Transformations among Mobile Pastoralists in Post-Pandemic Mongolia
Gantulga Munkherdene

Chapter 2.
Pastoral Society Resilience to Covid-19 Social Disaster in Mongolia’s Bulgan and Sukhbaatar Provinces
Takahiro Ozaki

Chapter 3.
Change and Adaptation as a Way of Life: The Case of Qazaq Pastoralists in Western Mongolia
Peter Finke

Chapter 4.
Women Herders’ Changing Role in Mongolian Pastoralism
Troy Sternberg, Bayartogtokh Tserennadmid and Tugsbuyan Bayarbat

Part II: Wellbeing and Traditional Foods and Medicine

Chapter 5.
Sealing the Energy: A Report on Food Practices for Nourishment in Western Mongolia
Moe Terao

Chapter 6.
How Production of Airag (Fermented Mare’s Milk) is Changing in Mongolian Nomadic Pastoralism
Yuki Morinaga and Batbuyan Batjav 

Chapter 7.
The Social Significance of Kazakh Chai Feasting in Mongolia
Chieko Hirota

Chapter 8.
Wild Botanicals of Inner Asia in the Times of a Global Health Crisis
Sayana Namsaraeva

Part III Rural–Urban Dynamics: Networks, Perceptions and Economic Relations

Chapter 9.
Reconstruction of Pastoral Management and Local Milk Supply in Suburban Areas in Mongolia
Takahiro Tomita

Chapter 10.
Hybridity and Vitality of Culture: Mongolian Traditional Performing Arts During and After the Covid-19 Pandemic
Akira Kamimura

Chapter 11.
Between Khot (City) and Khuduu (Countryside): Negotiating Rural and Urban Identities in Post-Covid Mongolia
Daniel J. Murphy, Munkhochir Surenjav, Byambabaatar Ichinkhorloo and Bayartogtokh Tserennadmid

Chapter 12.
Fragile Networks: The Illusion of the Stable Job in Post-pandemic Mongolia
Iris Pakulla

Chapter 13.
The Role of Covid-19 in Kyrgyz Women’s Lives
Zalina Enikeeva

Chapter 14.
Conspiracy Theories and Public Discontent in Central Asia: The Role of Sinophobia in Mobilising Societal Frustrations
Kemel Toktomushev</Text>
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        <Text>This publication's ePub passes WCAG 2.2 AAA in ACE by Daisy.

Tis book project was made possible by research funding from the UKRI’s Economic and Social Research Council (Grant Ref: ES/W011999/1) and the Japanese Society for the Promotion of Science ( JSPS), under the grant titled ‘JSPS Joint Covid Call – Comparative Research on Pastoral Societies in Post-Covid-19 Inner Asian Countries’. We are also grateful for support from the
UKRI’s Open Access Fund, which has enabled the book to be published under a Creative Commons license.

We acknowledge generous support from the National University of Mongolia to host our project researchers, summer schools and conferences, and to facilitate the translation of this manuscript into the Mongolian language. Special thanks to The White Horse Press for their support for this book project, to Margaret Okole for her role as an external editor and reviewer for all of the chapters and to Troy Sternberg for acting as a chapter mentor and reviewer for many of the authors.

We are grateful to all the participants in the research featured in the book chapters, who contributed their time, efforts, hospitality and insights to us and enabled this book to come to fruition.</Text>
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        <Text>Contributor Biographies
List of Abbreviations
Editors’ Introduction
Part I. The emergence of a European public sphere on environmental issues
Chapter 1. The First International Congress for the Protection of Landscapes: A European Convergence? 
CHARLES-FRANÇOIS MATHIS
Chapter 2. The Historical Roots of the European Culture of Catastrophes
FRANÇOIS WALTER
Chapter 3. Europe and Chernobyl: Contested Localisations of the Accident’s Environmental, Political, Social and Cultural Impact 
KARENA KALMBACH
Chapter 4. The Western European Public Sphere and the Environment in Eastern Europe during the Cold War: Between Model, Utilisation and Denunciation
MICHEL DUPUY
Part II. The shaping and use of the European public sphere on environmental issues: About the influence of transnational activists and movements
Chapter 5. The Impact of East German Nature Conservationists on the European Environmental Consciousness in the 20th Century
ASTRID MIGNON KIRCHHOF
Chapter 6. Wetlands of Protest. Seeking Transnational Trajectories in Hungary’s Environmental Movement
DANIELA NEUBACHER
Chapter 7. Towards a ‘Europe of Struggles’? Three Visions of Europe in the Early Anti-Nuclear Energy Movement 1975–79
ANDREW TOMPKINS
Chapter 8. Entering the European Political Arena, Adapting to Europe: Greenpeace International 1987–93
LIESBETH VAN DE GRIFT, HANS RODENBURG, GUUS WIEMAN
Part III. From a public to a political sphere: The role of green parties and parliamentary activity in setting an environmental agenda
Chapter 9. The Development of Green Parties in Europe: Obstacles and Opportunities 1970–2015
EMILIE VAN HAUTE
Chapter 10. Will Europe Ever Become ‘Green’? The Green Parties’ Pro-European and Federalist Turning Point since the 1990s
GIORGIO GRIMALDI
Chapter 11. A Touch of Green Amid the Grey. Europe During the Formative Phase of the German Greens from the 1970s to the 1980s: Between Rejection and Reformulation
SILKE MENDE
Chapter 12. Energy and the Environment in Parliamentary Debates in the Federal Republic of Germany, United Kingdom and France from the 1970s to the 1990s
EVA OBERLOSKAMP
Part IV. Europeanising environmental policies from below?
Chapter 13. Responding to the European Public? Public Debates, Societal Actors and the Emergence of a European Environmental Policy
JAN-HENRIK MEYER
Chapter 14. The Major Stages in the Construction of European Environmental Law
SOPHIE BAZIADOLY
Chapter 15. Multi-Level Learning: How the European Union Draws Lessons from Water Management at the River Basin Level
MARJOLEIN VAN EERD , DUNCAN LIEFFERINK
Chapter 16. Environmental Protection and the Evolution of the French and German Energy Systems from 1973 to the 2000s
CHRISTOPHER FABRE
Chapter 17. Trajectories of European Environmental Governance over Time
ANTHONY ZITO
Index</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Since the 1970s, environmental issues have become a major concern for European citizens and thus for European politicians. In the same time frame the political sphere in Europe, and in particular within the European Union, has also been undergoing major transformations. Dealing with environmental issues over more than fifty years in a historical perspective enables us to gain a better understanding of these transformations, notably the emergence of a European public sphere and how this is changing decision-making processes. Drawing on recent research results from various disciplines, including history, sociology, law and political sciences, this volume addresses the methodological challenge of a European perspective on a transnational subject – one that is commonly distorted by a national prism. It shows how perceptions of the environment are increasingly converging and how these convergences of views across political or linguistic borders in the long run exert an undeniable influence not only on political debates but also on political decisions across Europe.&lt;break/&gt;Revealing European characteristics of perceptions, debates and policies, this volume contributes to a history of Europeanisation beyond the usual political turning points and limits.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Since the 1970s, environmental issues have become a major concern for European citizens and thus for European politicians. In the same time frame the political sphere in Europe, and in particular within the European Union, has also been undergoing major transformations. Dealing with environmental issues over more than fifty years in a historical perspective enables us to gain a better understanding of these transformations, notably the emergence of a European public sphere and how this is changing decision-making processes. Drawing on recent research results from various disciplines, including history, sociology, law and political sciences, this volume addresses the methodological challenge of a European perspective on a transnational subject – one that is commonly distorted by a national prism. It shows how perceptions of the environment are increasingly converging and how these convergences of views across political or linguistic borders in the long run exert an undeniable influence not only on political debates but also on political decisions across Europe.&lt;break/&gt;Revealing European characteristics of perceptions, debates and policies, this volume contributes to a history of Europeanisation beyond the usual political turning points and limits.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text>Contributor Biographies
List of Abbreviations
Editors’ Introduction
Part I. The emergence of a European public sphere on environmental issues
Chapter 1. The First International Congress for the Protection of Landscapes: A European Convergence? 
CHARLES-FRANÇOIS MATHIS
Chapter 2. The Historical Roots of the European Culture of Catastrophes
FRANÇOIS WALTER
Chapter 3. Europe and Chernobyl: Contested Localisations of the Accident’s Environmental, Political, Social and Cultural Impact 
KARENA KALMBACH
Chapter 4. The Western European Public Sphere and the Environment in Eastern Europe during the Cold War: Between Model, Utilisation and Denunciation
MICHEL DUPUY
Part II. The shaping and use of the European public sphere on environmental issues: About the influence of transnational activists and movements
Chapter 5. The Impact of East German Nature Conservationists on the European Environmental Consciousness in the 20th Century
ASTRID MIGNON KIRCHHOF
Chapter 6. Wetlands of Protest. Seeking Transnational Trajectories in Hungary’s Environmental Movement
DANIELA NEUBACHER
Chapter 7. Towards a ‘Europe of Struggles’? Three Visions of Europe in the Early Anti-Nuclear Energy Movement 1975–79
ANDREW TOMPKINS
Chapter 8. Entering the European Political Arena, Adapting to Europe: Greenpeace International 1987–93
LIESBETH VAN DE GRIFT, HANS RODENBURG, GUUS WIEMAN
Part III. From a public to a political sphere: The role of green parties and parliamentary activity in setting an environmental agenda
Chapter 9. The Development of Green Parties in Europe: Obstacles and Opportunities 1970–2015
EMILIE VAN HAUTE
Chapter 10. Will Europe Ever Become ‘Green’? The Green Parties’ Pro-European and Federalist Turning Point since the 1990s
GIORGIO GRIMALDI
Chapter 11. A Touch of Green Amid the Grey. Europe During the Formative Phase of the German Greens from the 1970s to the 1980s: Between Rejection and Reformulation
SILKE MENDE
Chapter 12. Energy and the Environment in Parliamentary Debates in the Federal Republic of Germany, United Kingdom and France from the 1970s to the 1990s
EVA OBERLOSKAMP
Part IV. Europeanising environmental policies from below?
Chapter 13. Responding to the European Public? Public Debates, Societal Actors and the Emergence of a European Environmental Policy
JAN-HENRIK MEYER
Chapter 14. The Major Stages in the Construction of European Environmental Law
SOPHIE BAZIADOLY
Chapter 15. Multi-Level Learning: How the European Union Draws Lessons from Water Management at the River Basin Level
MARJOLEIN VAN EERD , DUNCAN LIEFFERINK
Chapter 16. Environmental Protection and the Evolution of the French and German Energy Systems from 1973 to the 2000s
CHRISTOPHER FABRE
Chapter 17. Trajectories of European Environmental Governance over Time
ANTHONY ZITO
Index</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Over the last five centuries, North-East England’s River Tyne went largely with the flow as it rode with us on a rollercoaster from technologically limited early modern oligarchy, to large-scale Victorian ‘improvement’, to twentieth-century deoxygenation and twenty-first-century efforts to expand biodiversity. Studying five centuries of Tyne conservatorship reveals that 1855 to 1972 was a blip on the graph of environmental concern, preceded and followed by more sustainable engagement and a fairer negotiation with the river’s forces and expressions as a whole and natural system, albeit driven by different motivations. Even during this blip, however, several organisations tried to protect the river’s environmental health from harm.&lt;break/&gt;This Tyne study offers a template for a future body of work on British rivers that dislodges the Thames as the river of choice in British environmental history. And it undermines traditional approaches to rivers as passive backdrops of human activities. Departing from narratives that equated change with improvement, or with loss and destruction, it moves away from morally loaded notions of better or worse, and even dead, rivers. The book fully situates the Tyne’s fluvial transformations within political, economic, cultural, social and intellectual contexts. With such a long view, we can objectify ourselves through our descendants’ eyes, reconnecting us not only to our past, but also to our future.&lt;break/&gt;Let us sit with the Tyne itself, some of its salmon, a seventeenth-century Tyne River Court Juror, some nineteenth-century Tyne Improvement Commissioners, a 1920s biologist, a twentieth-century Tyne angler, shipbuilder and council planner and some twenty-first-century Tyne Rivers Trust volunteers. Where would they agree and disagree? How would they explain their conceptualisation of what the river is for and how it should be used and regulated? This book takes you to the heart of such virtual debates to revive, reconnect and reinvigorate the severed bonds and flows linking riparian places, issues and people across five centuries.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Over the last five centuries, North-East England’s River Tyne went largely with the flow as it rode with us on a rollercoaster from technologically limited early modern oligarchy, to large-scale Victorian ‘improvement’, to twentieth-century deoxygenation and twenty-first-century efforts to expand biodiversity. Studying five centuries of Tyne conservatorship reveals that 1855 to 1972 was a blip on the graph of environmental concern, preceded and followed by more sustainable engagement and a fairer negotiation with the river’s forces and expressions as a whole and natural system, albeit driven by different motivations. Even during this blip, however, several organisations tried to protect the river’s environmental health from harm.&lt;break/&gt;This Tyne study offers a template for a future body of work on British rivers that dislodges the Thames as the river of choice in British environmental history. And it undermines traditional approaches to rivers as passive backdrops of human activities. Departing from narratives that equated change with improvement, or with loss and destruction, it moves away from morally loaded notions of better or worse, and even dead, rivers. The book fully situates the Tyne’s fluvial transformations within political, economic, cultural, social and intellectual contexts. With such a long view, we can objectify ourselves through our descendants’ eyes, reconnecting us not only to our past, but also to our future.&lt;break/&gt;Let us sit with the Tyne itself, some of its salmon, a seventeenth-century Tyne River Court Juror, some nineteenth-century Tyne Improvement Commissioners, a 1920s biologist, a twentieth-century Tyne angler, shipbuilder and council planner and some twenty-first-century Tyne Rivers Trust volunteers. Where would they agree and disagree? How would they explain their conceptualisation of what the river is for and how it should be used and regulated? This book takes you to the heart of such virtual debates to revive, reconnect and reinvigorate the severed bonds and flows linking riparian places, issues and people across five centuries.&lt;/p&gt;&lt;/p&gt;</Text>
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        <Text textformat="03">&lt;p&gt;&lt;p&gt;Over the last five centuries, North-East England’s River Tyne went largely with the flow as it rode with us on a rollercoaster from technologically limited early modern oligarchy, to large-scale Victorian ‘improvement’, to twentieth-century deoxygenation and twenty-first-century efforts to expand biodiversity. Studying five centuries of Tyne conservatorship reveals that 1855 to 1972 was a blip on the graph of environmental concern, preceded and followed by more sustainable engagement and a fairer negotiation with the river’s forces and expressions as a whole and natural system, albeit driven by different motivations. Even during this blip, however, several organisations tried to protect the river’s environmental health from harm.&lt;break/&gt;This Tyne study offers a template for a future body of work on British rivers that dislodges the Thames as the river of choice in British environmental history. And it undermines traditional approaches to rivers as passive backdrops of human activities. Departing from narratives that equated change with improvement, or with loss and destruction, it moves away from morally loaded notions of better or worse, and even dead, rivers. The book fully situates the Tyne’s fluvial transformations within political, economic, cultural, social and intellectual contexts. With such a long view, we can objectify ourselves through our descendants’ eyes, reconnecting us not only to our past, but also to our future.&lt;break/&gt;Let us sit with the Tyne itself, some of its salmon, a seventeenth-century Tyne River Court Juror, some nineteenth-century Tyne Improvement Commissioners, a 1920s biologist, a twentieth-century Tyne angler, shipbuilder and council planner and some twenty-first-century Tyne Rivers Trust volunteers. Where would they agree and disagree? How would they explain their conceptualisation of what the river is for and how it should be used and regulated? This book takes you to the heart of such virtual debates to revive, reconnect and reinvigorate the severed bonds and flows linking riparian places, issues and people across five centuries.&lt;/p&gt;&lt;/p&gt;</Text>
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