Thoth distribution@thoth.pub 20260401T164030

urn:uuid:55f3ae27-f661-4934-8e9b-44268adb0685 03 01 01 thoth-work-id urn:uuid:7193e5a9-cd34-49e6-8294-987464f8fe9a 01 thoth-publication-id urn:uuid:55f3ae27-f661-4934-8e9b-44268adb0685 15 9783957962287 03 9783957962287 06 10.14619/2287 00 BC 10 01 220 mm 01 22 cm 01 8.66 in 02 155 mm 02 15.5 cm 02 6.1 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Gefühle Vermessen Zur Genealogie des Affective Computing 1 A01 21 0009000120867811 Lisa Schreiber Lisa Schreiber Lisa Schreiber hat Kulturwissenschaften an der Europa-Universität Viadrina in Frankfurt/Oder und Medienkultur an der Bauhaus-Universität Weimar studiert. 2021 hat sie an der Ruhr-Universität Bochum mit einer Arbeit zur Vermessung der Gefühle im Facial Action Coding System (FACS) und dem Affective Computing promoviert. Das Buch ist bei meson press erschienen. 01 ger 00 196 03 93 JBCT1 10 SOC052000 10 COM004000 93 JM 10 PSY013000 93 UYQM 20 Affective Computing; Facial Action Coding System; Machine Learning; Austismus-Spektrum-Störung; Intermedialität; Laborforschung; Dokumentarische Medien 01 06 02 00 Seit Anfang der 2010er Jahre beschäftigt sich das Affective Computing mit der Entwicklung von digitalen Technologien zur automatischen Erfassung menschlicher Gefühle. Das sogenannte emotion detection operiert auf Grundlage des Facial Action Coding System (FACS), einem Klassifikationssystem für Emotionen, das verspricht, Gefühle anhand der Bew 03 00 Seit Anfang der 2010er Jahre beschäftigt sich das Affective Computing mit der Entwicklung von digitalen Technologien zur automatischen Erfassung menschlicher Gefühle. Das sogenannte emotion detection operiert auf Grundlage des Facial Action Coding System (FACS), einem Klassifikationssystem für Emotionen, das verspricht, Gefühle anhand der Bewegung der Gesichtsmuskeln zu entschlüsseln. Das FACS transportiert jedoch ein Gefühlsparadigma, das ungelöste Probleme aus der Vorgeschichte der Emotionsforschung bündelt. Gefühle Vermessen untersucht das Nachwirken dieser Probleme in der computergestützten Depressionsforschung und Autismustherapie, welche die Verfahren des Affective Computing anwenden. Im Zentrum steht die Frage, warum das Codierungssystem trotz dieser Ambivalenzen eine mächtige Produktivität entfaltet. 30 00 Seit Anfang der 2010er Jahre beschäftigt sich das Affective Computing mit der Entwicklung von digitalen Technologien zur automatischen Erfassung menschlicher Gefühle. Das sogenannte emotion detection operiert auf Grundlage des Facial Action Coding System (FACS), einem Klassifikationssystem für Emotionen, das verspricht, Gefühle anhand der Bewegung der Gesichtsmuskeln zu entschlüsseln. Das FACS transportiert jedoch ein Gefühlsparadigma, das ungelöste Probleme aus der Vorgeschichte der Emotionsforschung bündelt. Gefühle Vermessen untersucht das Nachwirken dieser Probleme in der computergestützten Depressionsforschung und Autismustherapie, welche die Verfahren des Affective Computing anwenden. Im Zentrum steht die Frage, warum das Codierungssystem trotz dieser Ambivalenzen eine mächtige Produktivität entfaltet. 20 00 Open Access 01 00 03 02 This is the cover of the publication Gefühle Vermessen. 02 https://meson.press/wp-content/uploads/2025/04/Gefuehle-Vermessen-Cover-scaled.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/gefuhle-vermessen/ 16 40 04pz7b180 Bundesministerium für Bildung und Forschung 01 programname Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie 01 projectshortname IKKM Lüneburg 04 01 20250625 Lisa Schreiber 02 WORLD 06 15 9783957962294 03 9783957962294 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/gefuhle-vermessen/ 20 08 20250625 01 urn:uuid:5d0c455d-01cb-4b04-8e57-3c8251c10792 03 01 01 thoth-work-id urn:uuid:7193e5a9-cd34-49e6-8294-987464f8fe9a 01 thoth-publication-id urn:uuid:5d0c455d-01cb-4b04-8e57-3c8251c10792 15 9783957962294 03 9783957962294 06 10.14619/2287 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Gefühle Vermessen Zur Genealogie des Affective Computing 1 A01 21 0009000120867811 Lisa Schreiber Lisa Schreiber Lisa Schreiber hat Kulturwissenschaften an der Europa-Universität Viadrina in Frankfurt/Oder und Medienkultur an der Bauhaus-Universität Weimar studiert. 2021 hat sie an der Ruhr-Universität Bochum mit einer Arbeit zur Vermessung der Gefühle im Facial Action Coding System (FACS) und dem Affective Computing promoviert. Das Buch ist bei meson press erschienen. 01 ger 00 196 03 93 JBCT1 10 SOC052000 10 COM004000 93 JM 10 PSY013000 93 UYQM 20 Affective Computing; Facial Action Coding System; Machine Learning; Austismus-Spektrum-Störung; Intermedialität; Laborforschung; Dokumentarische Medien 01 06 02 00 Seit Anfang der 2010er Jahre beschäftigt sich das Affective Computing mit der Entwicklung von digitalen Technologien zur automatischen Erfassung menschlicher Gefühle. Das sogenannte emotion detection operiert auf Grundlage des Facial Action Coding System (FACS), einem Klassifikationssystem für Emotionen, das verspricht, Gefühle anhand der Bew 03 00 Seit Anfang der 2010er Jahre beschäftigt sich das Affective Computing mit der Entwicklung von digitalen Technologien zur automatischen Erfassung menschlicher Gefühle. Das sogenannte emotion detection operiert auf Grundlage des Facial Action Coding System (FACS), einem Klassifikationssystem für Emotionen, das verspricht, Gefühle anhand der Bewegung der Gesichtsmuskeln zu entschlüsseln. Das FACS transportiert jedoch ein Gefühlsparadigma, das ungelöste Probleme aus der Vorgeschichte der Emotionsforschung bündelt. Gefühle Vermessen untersucht das Nachwirken dieser Probleme in der computergestützten Depressionsforschung und Autismustherapie, welche die Verfahren des Affective Computing anwenden. Im Zentrum steht die Frage, warum das Codierungssystem trotz dieser Ambivalenzen eine mächtige Produktivität entfaltet. 30 00 Seit Anfang der 2010er Jahre beschäftigt sich das Affective Computing mit der Entwicklung von digitalen Technologien zur automatischen Erfassung menschlicher Gefühle. Das sogenannte emotion detection operiert auf Grundlage des Facial Action Coding System (FACS), einem Klassifikationssystem für Emotionen, das verspricht, Gefühle anhand der Bewegung der Gesichtsmuskeln zu entschlüsseln. Das FACS transportiert jedoch ein Gefühlsparadigma, das ungelöste Probleme aus der Vorgeschichte der Emotionsforschung bündelt. Gefühle Vermessen untersucht das Nachwirken dieser Probleme in der computergestützten Depressionsforschung und Autismustherapie, welche die Verfahren des Affective Computing anwenden. Im Zentrum steht die Frage, warum das Codierungssystem trotz dieser Ambivalenzen eine mächtige Produktivität entfaltet. 20 00 Open Access 01 00 03 02 This is the cover of the publication Gefühle Vermessen. 02 https://meson.press/wp-content/uploads/2025/04/Gefuehle-Vermessen-Cover-scaled.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/gefuhle-vermessen/ 16 40 04pz7b180 Bundesministerium für Bildung und Forschung 01 programname Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie 01 projectshortname IKKM Lüneburg 04 01 20250625 Lisa Schreiber 02 WORLD 06 15 9783957962287 03 9783957962287 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/gefuhle-vermessen/ 29 Publisher's website: download the title https://meson.press/wp-content/uploads/2025/09/978-3-95796-229-4_Gefuhle_Vermessen.pdf 20 08 20250625 01 urn:uuid:f29c94c0-1669-4371-a94c-bb875f6ccf75 03 01 01 thoth-work-id urn:uuid:2c826665-3208-42da-b84d-d262826cba3b 01 thoth-publication-id urn:uuid:f29c94c0-1669-4371-a94c-bb875f6ccf75 15 9783957962065 03 9783957962065 06 10.14619/2065 00 BC 10 01 234 mm 01 23.4 cm 01 9.21 in 02 156 mm 02 15.6 cm 02 6.14 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Guantánamo Frames 1 A01 Rebecca Boguska Rebecca Boguska Rebecca Boguska is a film and media studies scholar whose research focuses on military, infrastructural, and filmic forms of knowledge. 01 eng 00 276 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 10 HIS038000 04 JF20-2112 12 JP 93 JP 04 E151-889 12 HBJK 93 NHK 20 Guantanamo; politics; media; journalism; human rights; security state; violence 01 06 02 00 For the last twenty years, the Guantánamo Bay detention camp has not just been a military prison and security facility, but also a site of media production. Films, photographs, and documents have continued to emerge from the camp and become the focus of fierce legal and political battles, as well as intense moral anguish. This book looks at h 03 00 For the last twenty years, the Guantánamo Bay detention camp has not just been a military prison and security facility, but also a site of media production. Films, photographs, and documents have continued to emerge from the camp and become the focus of fierce legal and political battles, as well as intense moral anguish. This book looks at how the US Department of Defense has struggled, and often failed, to control the public perception of these media objects through complex, layered framing devices. It traces how small ruptures in the Department’s framings have provided openings for critical interventions from various fields – ranging from journalism and human rights law to the arts. Guantánamo Frames thus lays the groundwork for a critical reappraisal of the entanglement of media, violence, and the security state in a broader sense. 30 00 For the last twenty years, the Guantánamo Bay detention camp has not just been a military prison and security facility, but also a site of media production. Films, photographs, and documents have continued to emerge from the camp and become the focus of fierce legal and political battles, as well as intense moral anguish. This book looks at how the US Department of Defense has struggled, and often failed, to control the public perception of these media objects through complex, layered framing devices. It traces how small ruptures in the Department’s framings have provided openings for critical interventions from various fields – ranging from journalism and human rights law to the arts. Guantánamo Frames thus lays the groundwork for a critical reappraisal of the entanglement of media, violence, and the security state in a broader sense. 20 00 Open Access 01 00 03 02 This is the cover of the book Guantánamo Frames by Rebecca Boguska. 02 https://meson.press/wp-content/uploads/2022/09/978-3-95796-206-5_Cover.png 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/guantanamo-frames Lüneburg 04 01 20220930 Rebecca Boguska 02 WORLD 06 15 9783957962072 03 9783957962072 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/guantanamo-frames 20 08 20220930 01 urn:uuid:651f7491-1729-4a7f-aaaf-c97678447c36 03 01 01 thoth-work-id urn:uuid:2c826665-3208-42da-b84d-d262826cba3b 01 thoth-publication-id urn:uuid:651f7491-1729-4a7f-aaaf-c97678447c36 15 9783957962072 03 9783957962072 06 10.14619/2065 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Guantánamo Frames 1 A01 Rebecca Boguska Rebecca Boguska Rebecca Boguska is a film and media studies scholar whose research focuses on military, infrastructural, and filmic forms of knowledge. 01 eng 00 276 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 10 HIS038000 04 JF20-2112 12 JP 93 JP 04 E151-889 12 HBJK 93 NHK 20 Guantanamo; politics; media; journalism; human rights; security state; violence 01 06 02 00 For the last twenty years, the Guantánamo Bay detention camp has not just been a military prison and security facility, but also a site of media production. Films, photographs, and documents have continued to emerge from the camp and become the focus of fierce legal and political battles, as well as intense moral anguish. This book looks at h 03 00 For the last twenty years, the Guantánamo Bay detention camp has not just been a military prison and security facility, but also a site of media production. Films, photographs, and documents have continued to emerge from the camp and become the focus of fierce legal and political battles, as well as intense moral anguish. This book looks at how the US Department of Defense has struggled, and often failed, to control the public perception of these media objects through complex, layered framing devices. It traces how small ruptures in the Department’s framings have provided openings for critical interventions from various fields – ranging from journalism and human rights law to the arts. Guantánamo Frames thus lays the groundwork for a critical reappraisal of the entanglement of media, violence, and the security state in a broader sense. 30 00 For the last twenty years, the Guantánamo Bay detention camp has not just been a military prison and security facility, but also a site of media production. Films, photographs, and documents have continued to emerge from the camp and become the focus of fierce legal and political battles, as well as intense moral anguish. This book looks at how the US Department of Defense has struggled, and often failed, to control the public perception of these media objects through complex, layered framing devices. It traces how small ruptures in the Department’s framings have provided openings for critical interventions from various fields – ranging from journalism and human rights law to the arts. Guantánamo Frames thus lays the groundwork for a critical reappraisal of the entanglement of media, violence, and the security state in a broader sense. 20 00 Open Access 01 00 03 02 This is the cover of the book Guantánamo Frames by Rebecca Boguska. 02 https://meson.press/wp-content/uploads/2022/09/978-3-95796-206-5_Cover.png 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/guantanamo-frames Lüneburg 04 01 20220930 Rebecca Boguska 02 WORLD 06 15 9783957962065 03 9783957962065 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88716 29 OAPEN: download the title https://library.oapen.org/bitstream/20.500.12657/88716/1/978-3-95796-207-2_Boguska.pdf 20 08 20220930 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/guantanamo-frames/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2022/10/978-3-95796-207-2_Boguska.pdf 20 08 20220930 01 urn:uuid:babc031e-920a-48be-a1e9-9adde3fd7352 03 01 01 thoth-work-id urn:uuid:daa81608-7f43-487c-8edd-03283c412a6d 01 thoth-publication-id urn:uuid:babc031e-920a-48be-a1e9-9adde3fd7352 15 9783957961747 03 9783957961747 06 10.14619/1747 00 BC 10 01 220 mm 01 22 cm 01 8.66 in 02 155 mm 02 15.5 cm 02 6.1 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 High Definition Medienphilosophisches Image Processing 1 A01 Elisa Linseisen Elisa Linseisen Postdoctoral Assistant Researcher 40 058kzsd48 Paderborn University Elisa Linseisen is a Postdoctoral Assistant Researcher at the Institute of Media Studies at the University of Paderborn. Her fields of research include digital media, format theory, aesthetics of the moving image, media philosophy, image theory and application studies. 01 ger 00 409 03 93 JBCT 04 P87-96 93 QD 20 Philosophie; Film; Video; Medientechnik; Medienphilosophie; Hyperrealismus; Fotografie; Postproduktion; Medien; Digitalisierung; Fernsehen; Ästhetik 01 06 02 00 Dieses Buch zoomt in informationsreiche und pixeldichte Welten in HD. Digitalbildliche Hochauflösung ist hier ein Potenzial, das es ermöglicht, mit und an Bildern Wirklichkeit zu erforschen und zu befragen. Dokumentarfilme, Videokunstarbeiten, Galaxiefotografien, Blockbuster, Pressebilder und Netflix-Serien bestellen diese visuelle Kultur in 03 00 Dieses Buch zoomt in informationsreiche und pixeldichte Welten in HD. Digitalbildliche Hochauflösung ist hier ein Potenzial, das es ermöglicht, mit und an Bildern Wirklichkeit zu erforschen und zu befragen. Dokumentarfilme, Videokunstarbeiten, Galaxiefotografien, Blockbuster, Pressebilder und Netflix-Serien bestellen diese visuelle Kultur in HD und zeigen auf, dass Bilder und Wirklichkeit nicht in fixierten Rahmen sitzen, sondern im Prozess werden. HD heißt Image Processing. Lässt man sich darauf ein, entfaltet sich das Angebot, mit HD zu denken und sich vom Denken der Bildprozesse mitreißen zu lassen. 30 00 Dieses Buch zoomt in informationsreiche und pixeldichte Welten in HD. Digitalbildliche Hochauflösung ist hier ein Potenzial, das es ermöglicht, mit und an Bildern Wirklichkeit zu erforschen und zu befragen. Dokumentarfilme, Videokunstarbeiten, Galaxiefotografien, Blockbuster, Pressebilder und Netflix-Serien bestellen diese visuelle Kultur in HD und zeigen auf, dass Bilder und Wirklichkeit nicht in fixierten Rahmen sitzen, sondern im Prozess werden. HD heißt Image Processing. Lässt man sich darauf ein, entfaltet sich das Angebot, mit HD zu denken und sich vom Denken der Bildprozesse mitreißen zu lassen. 20 00 Open Access 01 00 03 02 This is the cover of the book High Definition. 02 https://meson.press/wp-content/uploads/2020/09/Linseisen_HD_Cover_small.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/high-definition Lüneburg 04 01 20201216 Elisa Linseisen 02 WORLD 06 15 9783957961761 03 9783957961761 06 15 9783957961754 03 9783957961754 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/high-definition 20 08 20201216 01 urn:uuid:5f76835a-91a5-47da-b7b9-838e1098275c 03 01 01 thoth-work-id urn:uuid:daa81608-7f43-487c-8edd-03283c412a6d 01 thoth-publication-id urn:uuid:5f76835a-91a5-47da-b7b9-838e1098275c 15 9783957961761 03 9783957961761 06 10.14619/1747 00 BB 10 01 220 mm 01 22 cm 01 8.66 in 02 155 mm 02 15.5 cm 02 6.1 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 High Definition Medienphilosophisches Image Processing 1 A01 Elisa Linseisen Elisa Linseisen Postdoctoral Assistant Researcher 40 058kzsd48 Paderborn University Elisa Linseisen is a Postdoctoral Assistant Researcher at the Institute of Media Studies at the University of Paderborn. Her fields of research include digital media, format theory, aesthetics of the moving image, media philosophy, image theory and application studies. 01 ger 00 409 03 93 JBCT 04 P87-96 93 QD 20 Philosophie; Film; Video; Medientechnik; Medienphilosophie; Hyperrealismus; Fotografie; Postproduktion; Medien; Digitalisierung; Fernsehen; Ästhetik 01 06 02 00 Dieses Buch zoomt in informationsreiche und pixeldichte Welten in HD. Digitalbildliche Hochauflösung ist hier ein Potenzial, das es ermöglicht, mit und an Bildern Wirklichkeit zu erforschen und zu befragen. Dokumentarfilme, Videokunstarbeiten, Galaxiefotografien, Blockbuster, Pressebilder und Netflix-Serien bestellen diese visuelle Kultur in 03 00 Dieses Buch zoomt in informationsreiche und pixeldichte Welten in HD. Digitalbildliche Hochauflösung ist hier ein Potenzial, das es ermöglicht, mit und an Bildern Wirklichkeit zu erforschen und zu befragen. Dokumentarfilme, Videokunstarbeiten, Galaxiefotografien, Blockbuster, Pressebilder und Netflix-Serien bestellen diese visuelle Kultur in HD und zeigen auf, dass Bilder und Wirklichkeit nicht in fixierten Rahmen sitzen, sondern im Prozess werden. HD heißt Image Processing. Lässt man sich darauf ein, entfaltet sich das Angebot, mit HD zu denken und sich vom Denken der Bildprozesse mitreißen zu lassen. 30 00 Dieses Buch zoomt in informationsreiche und pixeldichte Welten in HD. Digitalbildliche Hochauflösung ist hier ein Potenzial, das es ermöglicht, mit und an Bildern Wirklichkeit zu erforschen und zu befragen. Dokumentarfilme, Videokunstarbeiten, Galaxiefotografien, Blockbuster, Pressebilder und Netflix-Serien bestellen diese visuelle Kultur in HD und zeigen auf, dass Bilder und Wirklichkeit nicht in fixierten Rahmen sitzen, sondern im Prozess werden. HD heißt Image Processing. Lässt man sich darauf ein, entfaltet sich das Angebot, mit HD zu denken und sich vom Denken der Bildprozesse mitreißen zu lassen. 20 00 Open Access 01 00 03 02 This is the cover of the book High Definition. 02 https://meson.press/wp-content/uploads/2020/09/Linseisen_HD_Cover_small.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/high-definition Lüneburg 04 01 20201216 Elisa Linseisen 02 WORLD 06 15 9783957961747 03 9783957961747 06 15 9783957961754 03 9783957961754 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/high-definition 20 08 20201216 01 urn:uuid:a70dde53-c4b1-471f-887c-43afa004669f 03 01 01 thoth-work-id urn:uuid:daa81608-7f43-487c-8edd-03283c412a6d 01 thoth-publication-id urn:uuid:a70dde53-c4b1-471f-887c-43afa004669f 15 9783957961754 03 9783957961754 06 10.14619/1747 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 High Definition Medienphilosophisches Image Processing 1 A01 Elisa Linseisen Elisa Linseisen Postdoctoral Assistant Researcher 40 058kzsd48 Paderborn University Elisa Linseisen is a Postdoctoral Assistant Researcher at the Institute of Media Studies at the University of Paderborn. Her fields of research include digital media, format theory, aesthetics of the moving image, media philosophy, image theory and application studies. 01 ger 00 409 03 93 JBCT 04 P87-96 93 QD 20 Philosophie; Film; Video; Medientechnik; Medienphilosophie; Hyperrealismus; Fotografie; Postproduktion; Medien; Digitalisierung; Fernsehen; Ästhetik 01 06 02 00 Dieses Buch zoomt in informationsreiche und pixeldichte Welten in HD. Digitalbildliche Hochauflösung ist hier ein Potenzial, das es ermöglicht, mit und an Bildern Wirklichkeit zu erforschen und zu befragen. Dokumentarfilme, Videokunstarbeiten, Galaxiefotografien, Blockbuster, Pressebilder und Netflix-Serien bestellen diese visuelle Kultur in 03 00 Dieses Buch zoomt in informationsreiche und pixeldichte Welten in HD. Digitalbildliche Hochauflösung ist hier ein Potenzial, das es ermöglicht, mit und an Bildern Wirklichkeit zu erforschen und zu befragen. Dokumentarfilme, Videokunstarbeiten, Galaxiefotografien, Blockbuster, Pressebilder und Netflix-Serien bestellen diese visuelle Kultur in HD und zeigen auf, dass Bilder und Wirklichkeit nicht in fixierten Rahmen sitzen, sondern im Prozess werden. HD heißt Image Processing. Lässt man sich darauf ein, entfaltet sich das Angebot, mit HD zu denken und sich vom Denken der Bildprozesse mitreißen zu lassen. 30 00 Dieses Buch zoomt in informationsreiche und pixeldichte Welten in HD. Digitalbildliche Hochauflösung ist hier ein Potenzial, das es ermöglicht, mit und an Bildern Wirklichkeit zu erforschen und zu befragen. Dokumentarfilme, Videokunstarbeiten, Galaxiefotografien, Blockbuster, Pressebilder und Netflix-Serien bestellen diese visuelle Kultur in HD und zeigen auf, dass Bilder und Wirklichkeit nicht in fixierten Rahmen sitzen, sondern im Prozess werden. HD heißt Image Processing. Lässt man sich darauf ein, entfaltet sich das Angebot, mit HD zu denken und sich vom Denken der Bildprozesse mitreißen zu lassen. 20 00 Open Access 01 00 03 02 This is the cover of the book High Definition. 02 https://meson.press/wp-content/uploads/2020/09/Linseisen_HD_Cover_small.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/high-definition Lüneburg 04 01 20201216 Elisa Linseisen 02 WORLD 06 15 9783957961747 03 9783957961747 06 15 9783957961761 03 9783957961761 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/50001 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/50001/9783957961754.pdf 20 08 20201216 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/high-definition 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2020/09/9783957961754_Linseisen.pdf 20 08 20201216 01 urn:uuid:650f449b-6a54-46c4-9fe3-1d1ddf1f07b2 03 01 01 thoth-work-id urn:uuid:7c465a36-68bc-4a3c-acb8-a10153eef1a1 01 thoth-publication-id urn:uuid:650f449b-6a54-46c4-9fe3-1d1ddf1f07b2 15 9781785420092 03 9781785420092 06 10.14619/016 00 BC 10 Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license (CC BY-NC-ND 4.0). 02 https://creativecommons.org/licenses/by-nc-nd/4.0/ 01 01 In Catastrophic Times Resisting the Coming Barbarism 1 A01 Isabelle Stengers Isabelle Stengers Professor of Philosophy 40 01r9htc13 Université Libre de Bruxelles Isabelle Stengers is professor of philosophy at the Université Libre de Bruxelles. She is trained as a chemist and philosopher, and has authored and co-authored many books on the philosophy of science. In 1993 she received the grand price for philosophy from the Académie Francaise. Her last book published in English is Thinking with Whitehead: A Free and Wild Creation of Concepts (Cambridge, MA: Harvard University Press, 2014). 02 eng 00 156 03 01 06 02 00 There has been an epochal shift: the possibility of a global climate crisis is now upon us. Pollution, the poison of pesticides, the exhaustion of natural resources, falling water tables, growing social inequalities – these are all problems that can no longer be treated separately. The effects of global warming have a cumulative impact, and i 03 00 There has been an epochal shift: the possibility of a global climate crisis is now upon us. Pollution, the poison of pesticides, the exhaustion of natural resources, falling water tables, growing social inequalities – these are all problems that can no longer be treated separately. The effects of global warming have a cumulative impact, and it is not a matter of a crisis that will “pass” before everything goes back to “normal.”Our governments are totally incapable of dealing with the situation. Economic warfare obliges them to stick to the goal of irresponsible, even criminal, economic growth, whatever the cost. It is no surprise that people were so struck by the catastrophe in New Orleans. The response of the authorities – to abandon the poor whilst the rich were able to take shelter – is a symbol of the coming barbarism. 30 00 There has been an epochal shift: the possibility of a global climate crisis is now upon us. Pollution, the poison of pesticides, the exhaustion of natural resources, falling water tables, growing social inequalities – these are all problems that can no longer be treated separately. The effects of global warming have a cumulative impact, and it is not a matter of a crisis that will “pass” before everything goes back to “normal.”Our governments are totally incapable of dealing with the situation. Economic warfare obliges them to stick to the goal of irresponsible, even criminal, economic growth, whatever the cost. It is no surprise that people were so struck by the catastrophe in New Orleans. The response of the authorities – to abandon the poor whilst the rich were able to take shelter – is a symbol of the coming barbarism. 20 00 Open Access 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/in-catastrophic-times/ 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150101 Isabelle Stengers 02 WORLD 06 15 9781785420108 03 9781785420108 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/in-catastrophic-times/ 20 08 20150101 01 urn:uuid:4fd0e987-c918-440b-8ac8-b53e4f559e93 03 01 01 thoth-work-id urn:uuid:7c465a36-68bc-4a3c-acb8-a10153eef1a1 01 thoth-publication-id urn:uuid:4fd0e987-c918-440b-8ac8-b53e4f559e93 15 9781785420108 03 9781785420108 06 10.14619/016 00 EB E107 10 Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license (CC BY-NC-ND 4.0). 02 https://creativecommons.org/licenses/by-nc-nd/4.0/ 01 01 In Catastrophic Times Resisting the Coming Barbarism 1 A01 Isabelle Stengers Isabelle Stengers Professor of Philosophy 40 01r9htc13 Université Libre de Bruxelles Isabelle Stengers is professor of philosophy at the Université Libre de Bruxelles. She is trained as a chemist and philosopher, and has authored and co-authored many books on the philosophy of science. In 1993 she received the grand price for philosophy from the Académie Francaise. Her last book published in English is Thinking with Whitehead: A Free and Wild Creation of Concepts (Cambridge, MA: Harvard University Press, 2014). 02 eng 00 156 03 01 06 02 00 There has been an epochal shift: the possibility of a global climate crisis is now upon us. Pollution, the poison of pesticides, the exhaustion of natural resources, falling water tables, growing social inequalities – these are all problems that can no longer be treated separately. The effects of global warming have a cumulative impact, and i 03 00 There has been an epochal shift: the possibility of a global climate crisis is now upon us. Pollution, the poison of pesticides, the exhaustion of natural resources, falling water tables, growing social inequalities – these are all problems that can no longer be treated separately. The effects of global warming have a cumulative impact, and it is not a matter of a crisis that will “pass” before everything goes back to “normal.”Our governments are totally incapable of dealing with the situation. Economic warfare obliges them to stick to the goal of irresponsible, even criminal, economic growth, whatever the cost. It is no surprise that people were so struck by the catastrophe in New Orleans. The response of the authorities – to abandon the poor whilst the rich were able to take shelter – is a symbol of the coming barbarism. 30 00 There has been an epochal shift: the possibility of a global climate crisis is now upon us. Pollution, the poison of pesticides, the exhaustion of natural resources, falling water tables, growing social inequalities – these are all problems that can no longer be treated separately. The effects of global warming have a cumulative impact, and it is not a matter of a crisis that will “pass” before everything goes back to “normal.”Our governments are totally incapable of dealing with the situation. Economic warfare obliges them to stick to the goal of irresponsible, even criminal, economic growth, whatever the cost. It is no surprise that people were so struck by the catastrophe in New Orleans. The response of the authorities – to abandon the poor whilst the rich were able to take shelter – is a symbol of the coming barbarism. 20 00 Open Access 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/in-catastrophic-times/ 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150101 Isabelle Stengers 02 WORLD 06 15 9781785420092 03 9781785420092 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/32931 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/32931/588461.pdf?sequence=1&isAllowed=y 20 08 20150101 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/in-catastrophic-times/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2015/11/978-1-78542-010-8_In-Catastrophic-Times_Stengers.pdf 20 08 20150101 01 urn:uuid:a4d20bc0-3e49-49dd-bcad-68a85f3a970b 03 01 01 thoth-work-id urn:uuid:e373ed62-6c7b-4fde-8391-5015998ecc2c 01 thoth-publication-id urn:uuid:a4d20bc0-3e49-49dd-bcad-68a85f3a970b 15 9783957961051 03 9783957961051 06 10.14619/022 00 BC 10 01 220 mm 01 22 cm 01 8.66 in 02 155 mm 02 15.5 cm 02 6.1 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Interferences and Events On Epistemic Shifts in Physics through Computer Simulations 1 B01 21 0000000306727326 Anne Dippel Anne Dippel 40 05qpz1x62 Friedrich Schiller University Jena 40 01hcx6992 Humboldt-Universität zu Berlin Dr. Anne Dippel is Ethnographer and Historian at the University of Jena and a MECS Fellow. Amongst other research she does field studies on the production of cosmology between practice and theory in high energy physics. Recent publications are: A. Dippel, S. Fizek, “Ludification of Culture: The Significance of Play and Games in Everyday Practices of the Digital Age,” in Digitalisation: Theories and Concepts for the Empirical Cultural Research, ed. Gertraud Koch (London: Routledge, 2017); A. Dippel, S. Fizek, “Patterns and Traces: Pictures of Images and Collisions in the Physics Lab,” in Spuren: Erzeugung des Dagewesenen, Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik, Bd. 13 (Berlin: De Gruyter, 2017). 2 B01 21 0000000335004354 Martin Warnke Martin Warnke 40 02w2y2t16 Leuphana University of Lüneburg Prof. Dr. Martin Warnke is a MECS Director and works at Leuphana University Lüneburg. His areas of research are the media cultures of computer simulation and digital discourse media for image science. Recent publications are: M. Warnke, “On the Spot: The Double Immersion of Virtual Reality.” in Immersion in the Visual Arts and Media, ed. F. Liptay (Leiden: Brill/Rodopi, 2016), 205–214; M. Warnke, Theorien des Internet zur Einführung (Hamburg: Junius, 2011). 3 A01 Arianna Borrelli Arianna Borrelli 40 03v4gjf40 Technische Universität Berlin Dr. Arianna Borrelli is a physicist and a historian of science, works at TU Berlin and at MECS. She does research on the particle concept in early high energy physics. Recent publications are: A. Borelli, Aspects of the Astrolabe: ‘Architectonica Ratio’ in Tenth- and Eleventh-Century Europe (Stuttgart: Steiner Verlag, 2008); A. Borrelli, “Glasinstrumente und Naturforschung bei Giovan Battista Della Porta: Ein Beispiel von „transverse regime“ der Wissensproduktion in der frühen Neuzeit?,” in Zur Geschichte der Forschungstechnologien: Generalität, Interstitialität & Transfer, ed. Klaus Hentschel (Diepholz: GNT-Verlag, 2012), 92–109; A. Borrelli, “Giovan Battista Della Porta’s Neapolitan magic and his humanistic meteorology”, in Variantology 5: On Deep Time Relations of Arts, Sciences and Technologies, ed. Siegfried Zielinski and Eckhard Fürlus (Cologne: Walther König, 2011), 103–130; A. Borrelli, “Dirac’s bra-ket notation and the notion of a quantum state,” in Styles of Thinking in Science and Technology: Proceedings of the 3rd International Conference of the European Society for the History of Science, ed. Hermann Hunger, Felicitals Seebacher, and Gerhard Holzer (Vienna: VÖAW, 2010), 361–371. 4 A01 21 0000000184614015 Hans De Raedt Hans De Raedt 40 012p63287 University of Groningen Prof. Dr. Hans De Raedt is a computational physicist at the Zernike Institute for Advanced Materials, University of Groningen, the Netherlands. Most of his work involves the simulation of physical phenomena in the time domain. His current focus is on using digital computers as a metaphor for perfected laboratory experiments to establish a bridge between objective knowledge gathered through simulation or experiment and their description in terms of mathematical theories. Recent Publications: H. De Raedt, K. Michielsen, and K. Hess, “The Digital Computer as a Metaphor for the Perfect Laboratory Experiment: Loophole-free Bell Experiments,” Computer Physics Communications 209 (2016): 42–47, doi:10.1016/j. cpc.2016.08.010; H. De Raedt, M. I. Katsnelson, and K. Michielsen, “Quantum Theory As Plausible Reasoning Applied to Data Obtained by Robust Experiments,” Philosophical Transactions of the Royal Society of London / Series A 374 (2016), doi: 10.1098/rsta.2015.0233. 5 A01 Wolfgang Hagen Wolfgang Hagen 40 02w2y2t16 Leuphana University of Lüneburg Prof. Dr. Wolfgang Hagen is a media scholar and works at Leuphana University Lüneburg at the Institute for Culture and Aesthetics of Digital Media and as Permanent Fellow of MECS. His research is on the history of electromagnetism and on radio. His recent publications are: W. Hagen, “Ethos, Pathos, PowerPoint: Zur Epistemologie und (Silicon-Valley-)Rhetorik digitaler Präsentationen,” in Medienkultur und Bildung: ästhetische Erziehung im Zeitalter digitaler Netzwerke, ed. M. Hagener and V. Hediger (Frankfurt a. M.: Campus Verlag, 2015), 177–200; W. Hagen, “’Wer Bücher hört, kann auch Klänge sehen:’ Bemerkungen zur Synästhesie des Hörbuchs,” in Das Hörbuch: Audioliteralität und akustische Literatur, ed. N. Binczek and C. Epping-Jäger (Paderborn: Wilhelm Fink Verlag, 2014), 179–193; W. Hagen, “Entladene Massen: Zur Krise eines Begriffs,” in Soziale Medien – neue Massen: Medienwissenschaftliche Symposien der DFG, ed. C. Pias, I. Baxmann, and T. Beyes (Zürich: Diaphanes), 125–134. 6 A01 Lukas Mairhofer Lukas Mairhofer 40 03prydq77 University of Vienna Dr. Lukas Mairhofer works at Vienna University, is member of the Quantum Nanophysics & Molecular Quantum Optics Group. He does experimental research on quantum phenomena of macro molecules. Recent publications are: L. Mairhofer, S. Eibenberger, J. P. Cotter, M. Romirer, A. Shayeghi, M. Arndt, “Quantum-Assisted Metrology of Neutral Vitamins in the Gas Phase,” Angewandte Chemie International Edition 56, no. 36 (August 28, 2017): 10947–10951, doi: 10.1002/anie.201704916; J. P. Cotter, S. Eibenberger, L. Mairhofer, X. Cheng, P. Asenbaum, M. Arndt, K. Walter, S. Nimmrichter, K. Hornberger, “Coherence in the Presence of Absorption and Heating in a Molecule Interferometer,” Nature Communications 6, 7336 (2015), doi: 10.1038/ncomms8336;P. Geyer, U. Sezer, J. Rodewald, L. Mairhofer, N. Dörre, P. Haslinger, S. Eibenberger, C. Brand and M. Arndt. “Perspectives for Quantum Interference with Biomolecules and Biomolecular Clusters,” Physica Scripta 91 (2016), 063007–063019, doi: 10.1088/0031-8949/91/6/063007. 7 A01 21 0000000191531461 Mira Maiwöger Mira Maiwöger 40 04d836q62 TU Wien Mira Maiwöger is an experimental physicist at the Technial University Vienna, Atominstitut, Austria. She does research on Bose-Einstein condensates. 8 A01 21 0000000314444262 Kristel Michielsen Kristel Michielsen 40 02nv7yv05 Forschungszentrum Jülich Prof. Dr. Kristel Michielsen works at the Institute for Advanced Simulation, Jülich Supercomputing Centre, Forschungszentrum Jülich, Germany. She is a computational physicist and does computer simulations in physics. Recent Publications are: H. De Raedt, K. Michielsen, and K. Hess, “The Digital Computer as a Metaphor for the Perfect Laboratory Experiment: Loophole-free Bell Experiments,” Computer Physics Communications 209 (2016): 42–47, doi:10.1016/j.cpc.2016.08.010;H. De Raedt, M. I. Katsnelson, and K. Michielsen, “Quantum Theory As Plausible Reasoning Applied to Data Obtained by Robust Experiments,” Philosophical Transactions of the Royal Society of London / Series A 374 (2016), doi: 10.1098/rsta.2015.0233. 9 A01 Frank Pasemann Frank Pasemann 40 00ez2he07 Max Planck Institute for Mathematics in the Sciences 40 04nc32781 Fraunhofer Institute for Intelligent Analysis and Information Systems 40 04qmmjx98 Osnabrück University Prof. Dr. Frank Pasemann is a theoretical physicist and worked, among others, at the Max Planck Institute for Mathematics in the Sciences, Leipzig, the Fraunhofer Institute for Autonomous Intelligent Systems, St. Augustin, and at the Institute of Cognitive Science, University of Osnabrück. His research interests focus on Cognitive Systems as Complex Adaptive Systems, Dynamics of Recurrent Neural Networks, and Evolutionary Robotics. Some recent publications are: F. Pasemann, “Neurodynamics in the Sensorimotor Loop: Representing Behavior Relevant External Situations,” Frontiers in Neurorobotics 11, no. 5 (2017), doi: 10.3389/ fnbot.2017.00005; H. Toutounji and F. Pasemann, “Autonomous Learning Needs a Second Environmental Feedback Loop,” Computational Intelligence, ed. Kurosh Madani, António Dourado, Agostinho Rosa, Joaquim Filipe, Janusz Kacprzyk (Heidelberg: Springer, 2016), 455–472, doi: 10.1007/978- 3-319-23392-5; H. Toutounji and F. Pasemann, “Behavior Control in the Sensorimotor Loop with Short-term Synaptic Dynamics Induced by Selfregulating Neurons,” Frontiers in Neurorobotics 8, no. 19 (2014), doi: 10.3389/ fnbot.2014.00019 10 A01 Hans-Jörg Rheinberger Hans-Jörg Rheinberger Director 40 0492sjc74 Max Planck Institute for the History of Science Prof. Dr. Hans-Jörg Rheinberger was Director of the Max Plack Institute for the history of science in Berlin. He does research on the history of Molecular Biology and on Experimental Systems. Recent publications are: H.-J. Rheinberger, An Epistemology of the Concrete: Twentieth-Century Histories of Life (Durham: Duke University Press, 2010); H.-J. Rheinberger, On Historicizing Epistemology: An Essay (Stanford: Stanford University Press, 2010); H.-J. Rheinberger, Toward a History of Epistemic Things (Stanford: Stanford University Press,1997) 01 eng 00 182 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 12 PDA 93 PDA 04 QC170-197 10 SCI075000 10 COM072000 12 PHQ 93 PHQ 93 UYM 12 UYM 20 interferences; quantum physics; computer simulation; science and technology studies; computer; media theory; simulation; events; physics 01 06 02 00 Computer simulations are omnipresent media in today’s knowledge production. For scientific endeavors such as the detection of gravitational waves and the exploration of subatomic worlds, simulations are essential; however, the epistemic status of computer simulations is rather controversial as they are neither just theory nor just experiment. 03 00 Computer simulations are omnipresent media in today’s knowledge production. For scientific endeavors such as the detection of gravitational waves and the exploration of subatomic worlds, simulations are essential; however, the epistemic status of computer simulations is rather controversial as they are neither just theory nor just experiment. Therefore, computer simulations have challenged well-established insights and common scientific practices as well as our very understanding of knowledge. This volume contributes to the ongoing discussion on the epistemic position of computer simulations in a variety of physical disciplines, such as quantum optics, quantum mechanics, and computational physics. Originating from an interdisciplinary event, it shows that accounts of contemporary physics can constructively interfere with media theory, philosophy, and the history of science. 30 00 Computer simulations are omnipresent media in today’s knowledge production. For scientific endeavors such as the detection of gravitational waves and the exploration of subatomic worlds, simulations are essential; however, the epistemic status of computer simulations is rather controversial as they are neither just theory nor just experiment. Therefore, computer simulations have challenged well-established insights and common scientific practices as well as our very understanding of knowledge. This volume contributes to the ongoing discussion on the epistemic position of computer simulations in a variety of physical disciplines, such as quantum optics, quantum mechanics, and computational physics. Originating from an interdisciplinary event, it shows that accounts of contemporary physics can constructively interfere with media theory, philosophy, and the history of science. 20 00 Open Access 01 00 03 02 This is the cover of the book Interferences and Events. 02 https://meson.press/wp-content/uploads/2017/07/9783957961051_Interferences_Cover_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/interferences-and-events 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Kolleg Forschungsgruppe 01 projectname media cultures of computer simulation 01 projectshortname mecs 01 grantnumber FOR 1927 Lüneburg 04 01 20171009 Anne Dippel Martin Warnke 02 WORLD 06 15 9783957961068 03 9783957961068 06 15 9783957961075 03 9783957961075 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/interferences-and-events 20 08 20171009 01 urn:uuid:6e2df835-fc4a-4438-80f4-d00e3c88e142 03 01 01 thoth-work-id urn:uuid:e373ed62-6c7b-4fde-8391-5015998ecc2c 01 thoth-publication-id urn:uuid:6e2df835-fc4a-4438-80f4-d00e3c88e142 15 9783957961068 03 9783957961068 06 10.14619/022 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Interferences and Events On Epistemic Shifts in Physics through Computer Simulations 1 B01 21 0000000306727326 Anne Dippel Anne Dippel 40 05qpz1x62 Friedrich Schiller University Jena 40 01hcx6992 Humboldt-Universität zu Berlin Dr. Anne Dippel is Ethnographer and Historian at the University of Jena and a MECS Fellow. Amongst other research she does field studies on the production of cosmology between practice and theory in high energy physics. Recent publications are: A. Dippel, S. Fizek, “Ludification of Culture: The Significance of Play and Games in Everyday Practices of the Digital Age,” in Digitalisation: Theories and Concepts for the Empirical Cultural Research, ed. Gertraud Koch (London: Routledge, 2017); A. Dippel, S. Fizek, “Patterns and Traces: Pictures of Images and Collisions in the Physics Lab,” in Spuren: Erzeugung des Dagewesenen, Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik, Bd. 13 (Berlin: De Gruyter, 2017). 2 B01 21 0000000335004354 Martin Warnke Martin Warnke 40 02w2y2t16 Leuphana University of Lüneburg Prof. Dr. Martin Warnke is a MECS Director and works at Leuphana University Lüneburg. His areas of research are the media cultures of computer simulation and digital discourse media for image science. Recent publications are: M. Warnke, “On the Spot: The Double Immersion of Virtual Reality.” in Immersion in the Visual Arts and Media, ed. F. Liptay (Leiden: Brill/Rodopi, 2016), 205–214; M. Warnke, Theorien des Internet zur Einführung (Hamburg: Junius, 2011). 3 A01 Arianna Borrelli Arianna Borrelli 40 03v4gjf40 Technische Universität Berlin Dr. Arianna Borrelli is a physicist and a historian of science, works at TU Berlin and at MECS. She does research on the particle concept in early high energy physics. Recent publications are: A. Borelli, Aspects of the Astrolabe: ‘Architectonica Ratio’ in Tenth- and Eleventh-Century Europe (Stuttgart: Steiner Verlag, 2008); A. Borrelli, “Glasinstrumente und Naturforschung bei Giovan Battista Della Porta: Ein Beispiel von „transverse regime“ der Wissensproduktion in der frühen Neuzeit?,” in Zur Geschichte der Forschungstechnologien: Generalität, Interstitialität & Transfer, ed. Klaus Hentschel (Diepholz: GNT-Verlag, 2012), 92–109; A. Borrelli, “Giovan Battista Della Porta’s Neapolitan magic and his humanistic meteorology”, in Variantology 5: On Deep Time Relations of Arts, Sciences and Technologies, ed. Siegfried Zielinski and Eckhard Fürlus (Cologne: Walther König, 2011), 103–130; A. Borrelli, “Dirac’s bra-ket notation and the notion of a quantum state,” in Styles of Thinking in Science and Technology: Proceedings of the 3rd International Conference of the European Society for the History of Science, ed. Hermann Hunger, Felicitals Seebacher, and Gerhard Holzer (Vienna: VÖAW, 2010), 361–371. 4 A01 21 0000000184614015 Hans De Raedt Hans De Raedt 40 012p63287 University of Groningen Prof. Dr. Hans De Raedt is a computational physicist at the Zernike Institute for Advanced Materials, University of Groningen, the Netherlands. Most of his work involves the simulation of physical phenomena in the time domain. His current focus is on using digital computers as a metaphor for perfected laboratory experiments to establish a bridge between objective knowledge gathered through simulation or experiment and their description in terms of mathematical theories. Recent Publications: H. De Raedt, K. Michielsen, and K. Hess, “The Digital Computer as a Metaphor for the Perfect Laboratory Experiment: Loophole-free Bell Experiments,” Computer Physics Communications 209 (2016): 42–47, doi:10.1016/j. cpc.2016.08.010; H. De Raedt, M. I. Katsnelson, and K. Michielsen, “Quantum Theory As Plausible Reasoning Applied to Data Obtained by Robust Experiments,” Philosophical Transactions of the Royal Society of London / Series A 374 (2016), doi: 10.1098/rsta.2015.0233. 5 A01 Wolfgang Hagen Wolfgang Hagen 40 02w2y2t16 Leuphana University of Lüneburg Prof. Dr. Wolfgang Hagen is a media scholar and works at Leuphana University Lüneburg at the Institute for Culture and Aesthetics of Digital Media and as Permanent Fellow of MECS. His research is on the history of electromagnetism and on radio. His recent publications are: W. Hagen, “Ethos, Pathos, PowerPoint: Zur Epistemologie und (Silicon-Valley-)Rhetorik digitaler Präsentationen,” in Medienkultur und Bildung: ästhetische Erziehung im Zeitalter digitaler Netzwerke, ed. M. Hagener and V. Hediger (Frankfurt a. M.: Campus Verlag, 2015), 177–200; W. Hagen, “’Wer Bücher hört, kann auch Klänge sehen:’ Bemerkungen zur Synästhesie des Hörbuchs,” in Das Hörbuch: Audioliteralität und akustische Literatur, ed. N. Binczek and C. Epping-Jäger (Paderborn: Wilhelm Fink Verlag, 2014), 179–193; W. Hagen, “Entladene Massen: Zur Krise eines Begriffs,” in Soziale Medien – neue Massen: Medienwissenschaftliche Symposien der DFG, ed. C. Pias, I. Baxmann, and T. Beyes (Zürich: Diaphanes), 125–134. 6 A01 Lukas Mairhofer Lukas Mairhofer 40 03prydq77 University of Vienna Dr. Lukas Mairhofer works at Vienna University, is member of the Quantum Nanophysics & Molecular Quantum Optics Group. He does experimental research on quantum phenomena of macro molecules. Recent publications are: L. Mairhofer, S. Eibenberger, J. P. Cotter, M. Romirer, A. Shayeghi, M. Arndt, “Quantum-Assisted Metrology of Neutral Vitamins in the Gas Phase,” Angewandte Chemie International Edition 56, no. 36 (August 28, 2017): 10947–10951, doi: 10.1002/anie.201704916; J. P. Cotter, S. Eibenberger, L. Mairhofer, X. Cheng, P. Asenbaum, M. Arndt, K. Walter, S. Nimmrichter, K. Hornberger, “Coherence in the Presence of Absorption and Heating in a Molecule Interferometer,” Nature Communications 6, 7336 (2015), doi: 10.1038/ncomms8336;P. Geyer, U. Sezer, J. Rodewald, L. Mairhofer, N. Dörre, P. Haslinger, S. Eibenberger, C. Brand and M. Arndt. “Perspectives for Quantum Interference with Biomolecules and Biomolecular Clusters,” Physica Scripta 91 (2016), 063007–063019, doi: 10.1088/0031-8949/91/6/063007. 7 A01 21 0000000191531461 Mira Maiwöger Mira Maiwöger 40 04d836q62 TU Wien Mira Maiwöger is an experimental physicist at the Technial University Vienna, Atominstitut, Austria. She does research on Bose-Einstein condensates. 8 A01 21 0000000314444262 Kristel Michielsen Kristel Michielsen 40 02nv7yv05 Forschungszentrum Jülich Prof. Dr. Kristel Michielsen works at the Institute for Advanced Simulation, Jülich Supercomputing Centre, Forschungszentrum Jülich, Germany. She is a computational physicist and does computer simulations in physics. Recent Publications are: H. De Raedt, K. Michielsen, and K. Hess, “The Digital Computer as a Metaphor for the Perfect Laboratory Experiment: Loophole-free Bell Experiments,” Computer Physics Communications 209 (2016): 42–47, doi:10.1016/j.cpc.2016.08.010;H. De Raedt, M. I. Katsnelson, and K. Michielsen, “Quantum Theory As Plausible Reasoning Applied to Data Obtained by Robust Experiments,” Philosophical Transactions of the Royal Society of London / Series A 374 (2016), doi: 10.1098/rsta.2015.0233. 9 A01 Frank Pasemann Frank Pasemann 40 00ez2he07 Max Planck Institute for Mathematics in the Sciences 40 04nc32781 Fraunhofer Institute for Intelligent Analysis and Information Systems 40 04qmmjx98 Osnabrück University Prof. Dr. Frank Pasemann is a theoretical physicist and worked, among others, at the Max Planck Institute for Mathematics in the Sciences, Leipzig, the Fraunhofer Institute for Autonomous Intelligent Systems, St. Augustin, and at the Institute of Cognitive Science, University of Osnabrück. His research interests focus on Cognitive Systems as Complex Adaptive Systems, Dynamics of Recurrent Neural Networks, and Evolutionary Robotics. Some recent publications are: F. Pasemann, “Neurodynamics in the Sensorimotor Loop: Representing Behavior Relevant External Situations,” Frontiers in Neurorobotics 11, no. 5 (2017), doi: 10.3389/ fnbot.2017.00005; H. Toutounji and F. Pasemann, “Autonomous Learning Needs a Second Environmental Feedback Loop,” Computational Intelligence, ed. Kurosh Madani, António Dourado, Agostinho Rosa, Joaquim Filipe, Janusz Kacprzyk (Heidelberg: Springer, 2016), 455–472, doi: 10.1007/978- 3-319-23392-5; H. Toutounji and F. Pasemann, “Behavior Control in the Sensorimotor Loop with Short-term Synaptic Dynamics Induced by Selfregulating Neurons,” Frontiers in Neurorobotics 8, no. 19 (2014), doi: 10.3389/ fnbot.2014.00019 10 A01 Hans-Jörg Rheinberger Hans-Jörg Rheinberger Director 40 0492sjc74 Max Planck Institute for the History of Science Prof. Dr. Hans-Jörg Rheinberger was Director of the Max Plack Institute for the history of science in Berlin. He does research on the history of Molecular Biology and on Experimental Systems. Recent publications are: H.-J. Rheinberger, An Epistemology of the Concrete: Twentieth-Century Histories of Life (Durham: Duke University Press, 2010); H.-J. Rheinberger, On Historicizing Epistemology: An Essay (Stanford: Stanford University Press, 2010); H.-J. Rheinberger, Toward a History of Epistemic Things (Stanford: Stanford University Press,1997) 01 eng 00 182 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 12 PDA 93 PDA 04 QC170-197 10 SCI075000 10 COM072000 12 PHQ 93 PHQ 93 UYM 12 UYM 20 interferences; quantum physics; computer simulation; science and technology studies; computer; media theory; simulation; events; physics 01 06 02 00 Computer simulations are omnipresent media in today’s knowledge production. For scientific endeavors such as the detection of gravitational waves and the exploration of subatomic worlds, simulations are essential; however, the epistemic status of computer simulations is rather controversial as they are neither just theory nor just experiment. 03 00 Computer simulations are omnipresent media in today’s knowledge production. For scientific endeavors such as the detection of gravitational waves and the exploration of subatomic worlds, simulations are essential; however, the epistemic status of computer simulations is rather controversial as they are neither just theory nor just experiment. Therefore, computer simulations have challenged well-established insights and common scientific practices as well as our very understanding of knowledge. This volume contributes to the ongoing discussion on the epistemic position of computer simulations in a variety of physical disciplines, such as quantum optics, quantum mechanics, and computational physics. Originating from an interdisciplinary event, it shows that accounts of contemporary physics can constructively interfere with media theory, philosophy, and the history of science. 30 00 Computer simulations are omnipresent media in today’s knowledge production. For scientific endeavors such as the detection of gravitational waves and the exploration of subatomic worlds, simulations are essential; however, the epistemic status of computer simulations is rather controversial as they are neither just theory nor just experiment. Therefore, computer simulations have challenged well-established insights and common scientific practices as well as our very understanding of knowledge. This volume contributes to the ongoing discussion on the epistemic position of computer simulations in a variety of physical disciplines, such as quantum optics, quantum mechanics, and computational physics. Originating from an interdisciplinary event, it shows that accounts of contemporary physics can constructively interfere with media theory, philosophy, and the history of science. 20 00 Open Access 01 00 03 02 This is the cover of the book Interferences and Events. 02 https://meson.press/wp-content/uploads/2017/07/9783957961051_Interferences_Cover_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/interferences-and-events 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Kolleg Forschungsgruppe 01 projectname media cultures of computer simulation 01 projectshortname mecs 01 grantnumber FOR 1927 Lüneburg 04 01 20171009 Anne Dippel Martin Warnke 02 WORLD 06 15 9783957961051 03 9783957961051 06 15 9783957961075 03 9783957961075 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37559 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37559/978-3-95796-106-8_Interferences-and-Events_Web.pdf 20 08 20171009 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/interferences-and-events 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2017/09/978-3-95796-106-8_Interferences-and-Events_Web.pdf 20 08 20171009 01 urn:uuid:86393031-ffcb-461a-8f39-d1a95fd90f8f 03 01 01 thoth-work-id urn:uuid:e373ed62-6c7b-4fde-8391-5015998ecc2c 01 thoth-publication-id urn:uuid:86393031-ffcb-461a-8f39-d1a95fd90f8f 15 9783957961075 03 9783957961075 06 10.14619/022 00 EB E101 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Interferences and Events On Epistemic Shifts in Physics through Computer Simulations 1 B01 21 0000000306727326 Anne Dippel Anne Dippel 40 05qpz1x62 Friedrich Schiller University Jena 40 01hcx6992 Humboldt-Universität zu Berlin Dr. Anne Dippel is Ethnographer and Historian at the University of Jena and a MECS Fellow. Amongst other research she does field studies on the production of cosmology between practice and theory in high energy physics. Recent publications are: A. Dippel, S. Fizek, “Ludification of Culture: The Significance of Play and Games in Everyday Practices of the Digital Age,” in Digitalisation: Theories and Concepts for the Empirical Cultural Research, ed. Gertraud Koch (London: Routledge, 2017); A. Dippel, S. Fizek, “Patterns and Traces: Pictures of Images and Collisions in the Physics Lab,” in Spuren: Erzeugung des Dagewesenen, Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik, Bd. 13 (Berlin: De Gruyter, 2017). 2 B01 21 0000000335004354 Martin Warnke Martin Warnke 40 02w2y2t16 Leuphana University of Lüneburg Prof. Dr. Martin Warnke is a MECS Director and works at Leuphana University Lüneburg. His areas of research are the media cultures of computer simulation and digital discourse media for image science. Recent publications are: M. Warnke, “On the Spot: The Double Immersion of Virtual Reality.” in Immersion in the Visual Arts and Media, ed. F. Liptay (Leiden: Brill/Rodopi, 2016), 205–214; M. Warnke, Theorien des Internet zur Einführung (Hamburg: Junius, 2011). 3 A01 Arianna Borrelli Arianna Borrelli 40 03v4gjf40 Technische Universität Berlin Dr. Arianna Borrelli is a physicist and a historian of science, works at TU Berlin and at MECS. She does research on the particle concept in early high energy physics. Recent publications are: A. Borelli, Aspects of the Astrolabe: ‘Architectonica Ratio’ in Tenth- and Eleventh-Century Europe (Stuttgart: Steiner Verlag, 2008); A. Borrelli, “Glasinstrumente und Naturforschung bei Giovan Battista Della Porta: Ein Beispiel von „transverse regime“ der Wissensproduktion in der frühen Neuzeit?,” in Zur Geschichte der Forschungstechnologien: Generalität, Interstitialität & Transfer, ed. Klaus Hentschel (Diepholz: GNT-Verlag, 2012), 92–109; A. Borrelli, “Giovan Battista Della Porta’s Neapolitan magic and his humanistic meteorology”, in Variantology 5: On Deep Time Relations of Arts, Sciences and Technologies, ed. Siegfried Zielinski and Eckhard Fürlus (Cologne: Walther König, 2011), 103–130; A. Borrelli, “Dirac’s bra-ket notation and the notion of a quantum state,” in Styles of Thinking in Science and Technology: Proceedings of the 3rd International Conference of the European Society for the History of Science, ed. Hermann Hunger, Felicitals Seebacher, and Gerhard Holzer (Vienna: VÖAW, 2010), 361–371. 4 A01 21 0000000184614015 Hans De Raedt Hans De Raedt 40 012p63287 University of Groningen Prof. Dr. Hans De Raedt is a computational physicist at the Zernike Institute for Advanced Materials, University of Groningen, the Netherlands. Most of his work involves the simulation of physical phenomena in the time domain. His current focus is on using digital computers as a metaphor for perfected laboratory experiments to establish a bridge between objective knowledge gathered through simulation or experiment and their description in terms of mathematical theories. Recent Publications: H. De Raedt, K. Michielsen, and K. Hess, “The Digital Computer as a Metaphor for the Perfect Laboratory Experiment: Loophole-free Bell Experiments,” Computer Physics Communications 209 (2016): 42–47, doi:10.1016/j. cpc.2016.08.010; H. De Raedt, M. I. Katsnelson, and K. Michielsen, “Quantum Theory As Plausible Reasoning Applied to Data Obtained by Robust Experiments,” Philosophical Transactions of the Royal Society of London / Series A 374 (2016), doi: 10.1098/rsta.2015.0233. 5 A01 Wolfgang Hagen Wolfgang Hagen 40 02w2y2t16 Leuphana University of Lüneburg Prof. Dr. Wolfgang Hagen is a media scholar and works at Leuphana University Lüneburg at the Institute for Culture and Aesthetics of Digital Media and as Permanent Fellow of MECS. His research is on the history of electromagnetism and on radio. His recent publications are: W. Hagen, “Ethos, Pathos, PowerPoint: Zur Epistemologie und (Silicon-Valley-)Rhetorik digitaler Präsentationen,” in Medienkultur und Bildung: ästhetische Erziehung im Zeitalter digitaler Netzwerke, ed. M. Hagener and V. Hediger (Frankfurt a. M.: Campus Verlag, 2015), 177–200; W. Hagen, “’Wer Bücher hört, kann auch Klänge sehen:’ Bemerkungen zur Synästhesie des Hörbuchs,” in Das Hörbuch: Audioliteralität und akustische Literatur, ed. N. Binczek and C. Epping-Jäger (Paderborn: Wilhelm Fink Verlag, 2014), 179–193; W. Hagen, “Entladene Massen: Zur Krise eines Begriffs,” in Soziale Medien – neue Massen: Medienwissenschaftliche Symposien der DFG, ed. C. Pias, I. Baxmann, and T. Beyes (Zürich: Diaphanes), 125–134. 6 A01 Lukas Mairhofer Lukas Mairhofer 40 03prydq77 University of Vienna Dr. Lukas Mairhofer works at Vienna University, is member of the Quantum Nanophysics & Molecular Quantum Optics Group. He does experimental research on quantum phenomena of macro molecules. Recent publications are: L. Mairhofer, S. Eibenberger, J. P. Cotter, M. Romirer, A. Shayeghi, M. Arndt, “Quantum-Assisted Metrology of Neutral Vitamins in the Gas Phase,” Angewandte Chemie International Edition 56, no. 36 (August 28, 2017): 10947–10951, doi: 10.1002/anie.201704916; J. P. Cotter, S. Eibenberger, L. Mairhofer, X. Cheng, P. Asenbaum, M. Arndt, K. Walter, S. Nimmrichter, K. Hornberger, “Coherence in the Presence of Absorption and Heating in a Molecule Interferometer,” Nature Communications 6, 7336 (2015), doi: 10.1038/ncomms8336;P. Geyer, U. Sezer, J. Rodewald, L. Mairhofer, N. Dörre, P. Haslinger, S. Eibenberger, C. Brand and M. Arndt. “Perspectives for Quantum Interference with Biomolecules and Biomolecular Clusters,” Physica Scripta 91 (2016), 063007–063019, doi: 10.1088/0031-8949/91/6/063007. 7 A01 21 0000000191531461 Mira Maiwöger Mira Maiwöger 40 04d836q62 TU Wien Mira Maiwöger is an experimental physicist at the Technial University Vienna, Atominstitut, Austria. She does research on Bose-Einstein condensates. 8 A01 21 0000000314444262 Kristel Michielsen Kristel Michielsen 40 02nv7yv05 Forschungszentrum Jülich Prof. Dr. Kristel Michielsen works at the Institute for Advanced Simulation, Jülich Supercomputing Centre, Forschungszentrum Jülich, Germany. She is a computational physicist and does computer simulations in physics. Recent Publications are: H. De Raedt, K. Michielsen, and K. Hess, “The Digital Computer as a Metaphor for the Perfect Laboratory Experiment: Loophole-free Bell Experiments,” Computer Physics Communications 209 (2016): 42–47, doi:10.1016/j.cpc.2016.08.010;H. De Raedt, M. I. Katsnelson, and K. Michielsen, “Quantum Theory As Plausible Reasoning Applied to Data Obtained by Robust Experiments,” Philosophical Transactions of the Royal Society of London / Series A 374 (2016), doi: 10.1098/rsta.2015.0233. 9 A01 Frank Pasemann Frank Pasemann 40 00ez2he07 Max Planck Institute for Mathematics in the Sciences 40 04nc32781 Fraunhofer Institute for Intelligent Analysis and Information Systems 40 04qmmjx98 Osnabrück University Prof. Dr. Frank Pasemann is a theoretical physicist and worked, among others, at the Max Planck Institute for Mathematics in the Sciences, Leipzig, the Fraunhofer Institute for Autonomous Intelligent Systems, St. Augustin, and at the Institute of Cognitive Science, University of Osnabrück. His research interests focus on Cognitive Systems as Complex Adaptive Systems, Dynamics of Recurrent Neural Networks, and Evolutionary Robotics. Some recent publications are: F. Pasemann, “Neurodynamics in the Sensorimotor Loop: Representing Behavior Relevant External Situations,” Frontiers in Neurorobotics 11, no. 5 (2017), doi: 10.3389/ fnbot.2017.00005; H. Toutounji and F. Pasemann, “Autonomous Learning Needs a Second Environmental Feedback Loop,” Computational Intelligence, ed. Kurosh Madani, António Dourado, Agostinho Rosa, Joaquim Filipe, Janusz Kacprzyk (Heidelberg: Springer, 2016), 455–472, doi: 10.1007/978- 3-319-23392-5; H. Toutounji and F. Pasemann, “Behavior Control in the Sensorimotor Loop with Short-term Synaptic Dynamics Induced by Selfregulating Neurons,” Frontiers in Neurorobotics 8, no. 19 (2014), doi: 10.3389/ fnbot.2014.00019 10 A01 Hans-Jörg Rheinberger Hans-Jörg Rheinberger Director 40 0492sjc74 Max Planck Institute for the History of Science Prof. Dr. Hans-Jörg Rheinberger was Director of the Max Plack Institute for the history of science in Berlin. He does research on the history of Molecular Biology and on Experimental Systems. Recent publications are: H.-J. Rheinberger, An Epistemology of the Concrete: Twentieth-Century Histories of Life (Durham: Duke University Press, 2010); H.-J. Rheinberger, On Historicizing Epistemology: An Essay (Stanford: Stanford University Press, 2010); H.-J. Rheinberger, Toward a History of Epistemic Things (Stanford: Stanford University Press,1997) 01 eng 00 182 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 12 PDA 93 PDA 04 QC170-197 10 SCI075000 10 COM072000 12 PHQ 93 PHQ 93 UYM 12 UYM 20 interferences; quantum physics; computer simulation; science and technology studies; computer; media theory; simulation; events; physics 01 06 02 00 Computer simulations are omnipresent media in today’s knowledge production. For scientific endeavors such as the detection of gravitational waves and the exploration of subatomic worlds, simulations are essential; however, the epistemic status of computer simulations is rather controversial as they are neither just theory nor just experiment. 03 00 Computer simulations are omnipresent media in today’s knowledge production. For scientific endeavors such as the detection of gravitational waves and the exploration of subatomic worlds, simulations are essential; however, the epistemic status of computer simulations is rather controversial as they are neither just theory nor just experiment. Therefore, computer simulations have challenged well-established insights and common scientific practices as well as our very understanding of knowledge. This volume contributes to the ongoing discussion on the epistemic position of computer simulations in a variety of physical disciplines, such as quantum optics, quantum mechanics, and computational physics. Originating from an interdisciplinary event, it shows that accounts of contemporary physics can constructively interfere with media theory, philosophy, and the history of science. 30 00 Computer simulations are omnipresent media in today’s knowledge production. For scientific endeavors such as the detection of gravitational waves and the exploration of subatomic worlds, simulations are essential; however, the epistemic status of computer simulations is rather controversial as they are neither just theory nor just experiment. Therefore, computer simulations have challenged well-established insights and common scientific practices as well as our very understanding of knowledge. This volume contributes to the ongoing discussion on the epistemic position of computer simulations in a variety of physical disciplines, such as quantum optics, quantum mechanics, and computational physics. Originating from an interdisciplinary event, it shows that accounts of contemporary physics can constructively interfere with media theory, philosophy, and the history of science. 20 00 Open Access 01 00 03 02 This is the cover of the book Interferences and Events. 02 https://meson.press/wp-content/uploads/2017/07/9783957961051_Interferences_Cover_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/interferences-and-events 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Kolleg Forschungsgruppe 01 projectname media cultures of computer simulation 01 projectshortname mecs 01 grantnumber FOR 1927 Lüneburg 04 01 20171009 Anne Dippel Martin Warnke 02 WORLD 06 15 9783957961051 03 9783957961051 06 15 9783957961068 03 9783957961068 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/interferences-and-events 20 08 20171009 01 urn:uuid:3df07438-2ae2-44b1-92ef-92e064c0a060 03 01 01 thoth-work-id urn:uuid:4572e853-6304-4dac-9bc9-aedc1dda27c1 01 thoth-publication-id urn:uuid:3df07438-2ae2-44b1-92ef-92e064c0a060 15 9783957961105 03 9783957961105 06 10.14619/1105 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 5 01 02 Digital Cultures 01 01 Interventions in Digital Cultures Technology, the Political, Methods 1 B01 Howard Caygill Howard Caygill Professor of Modern European Philosophy 40 0517ce304 Kingston University, London Howard Caygill is Professor of Modern European Philosophy at Kingston University, London. His research interests are in the fields of the history of philosophy, aesthetics, and cultural history. He is the author of several books, including Walter Benjamin: The Colour of Experience (1998), Levinas and the Political (2002), On Resistance: A Philosophy of Defiance (2013), and the forthcoming Kafka: In Light of the Accident (2017). 2 B01 Martina Leeker Martina Leeker Professor of Methods in Digital Cultures 40 02w2y2t16 Leuphana University of Lüneburg Martina Leeker is Professor of Methods in Digital Cultures and Senior Researcher at the Digital Cultures Research Lab, Leuphana University Lüneburg, Germany. Her research interests include art and technology, critique in digital cultures, systems engineering and infrastructures, theater and media, and critical media theory. She undertakes practical artistic research in discourse-analytic aesthetics: “Fragile Queering and Critical Speculation.” 06 Own website https://martina-leeker.de/ 3 B01 Tobias Schulze Tobias Schulze MA Student 40 01hcx6992 Humboldt-Universität zu Berlin research assistant 40 02w2y2t16 Leuphana University of Lüneburg Tobias Schulze is a masters student in media studies at Humboldt University Berlin, a research assistant at the Digital Cultures Research Lab, Leuphana University Lüneburg, and a tutor at Hochschule für Bildende Künste Braunschweig. His focus in work and studies is on entanglements between art, temporality, and media. 4 A01 Ulrike Bergermann Ulrike Bergermann Professor of Media Studies 40 03aft2f80 Braunschweig University of Art Ulrike Bergermann is Professor of Media Studies at the Art University Braunschweig, Germany. Her research interests include the histories of academic disciplines, and post-colonial and gender studies. 5 A01 Wendy Hui Kyong Chun Wendy Hui Kyong Chun Professor of Modern Culture and Media 40 05gq02987 Brown University Wendy Hui Kyong Chun is Professor of Modern Culture and Media at Brown University, Rhode Island. She has studied both systems design engineering and English literature. She is the author of Control and Freedom: Power and Paranoia in the Age of Fiber Optics (MIT Press, 2006), Programmed Visions: Software and Memory (MIT Press 2011), and Updating to Remain the Same: Habitual New Media (MIT Press 2016). 6 A01 Alexander R. Galloway Alexander R. Galloway Professor of Media, Culture, and Communication 40 0190ak572 New York University Alexander R. Galloway is author or co-author of seven books, most recently a monograph on the work of François Laruelle titled Laruelle: Against the Digital (Minnesota, 2014). He teaches media theory at New York University. 7 A01 21 0000000325910820 Kat Jungnickel Kat Jungnickel Senior Lecturer 40 01khx4a30 Goldsmiths University of London Kat Jungnickel is a Senior Lecturer in the Sociology Department at Goldsmiths, University of London. She is the author of DiY WiFi: Re-imagining Connectivity (Palgrave Macmillan 2014) and the soon to be published The First Wheelwomen: Cycling, Sewing and Suffrage (Goldsmiths Press/MIT Press). 8 A01 Steve Kurtz Steve Kurtz Professor Emeritus 40 01q1z8k08 State University of New York Steve Kurtz, Ph.D., Professor Emeritus, is a founding member of the interventionist art and theater group Critical Art Ensemble. Founded in 1987, this collective of artists of various specializations—including digital imaging and web design, wetware, film/video, photography, text art, book art, and performance—is dedicated to exploring the intersections between art, technology, political activism, and critical theory. 9 A01 Fred Turner Fred Turner Professor in Communication 40 00f54p054 Stanford University Fred Turner is the Harry and Norman Chandler Professor in Communication at Stanford University, California. He is the author of several books on media and American culture since World War II, including From Counterculture to Cyberculture (2006) and most recently, The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties (2013). 01 eng 00 148 03 93 ATN 12 JFD 04 P87-96 10 SOC052000 93 JBCT1 20 critique; infrastructures; politics; digital cultures; resilience; performativity; critical methods; interventions; ambivalences 01 06 02 00 How to intervene? Interventions are in vogue in digital cultures as forms of critique or political actions into public spheres. By engaging in social, political, and economic contexts, interventions attempt to interrupt and change situations—often with artistic means. This volume maps methods of interventions under the specific conditions of 03 00 How to intervene? Interventions are in vogue in digital cultures as forms of critique or political actions into public spheres. By engaging in social, political, and economic contexts, interventions attempt to interrupt and change situations—often with artistic means. This volume maps methods of interventions under the specific conditions of the digital. How are interventions shaped by these conditions? And how can they contribute to altering them? In essays and interviews, this book interrogates modes of intervening in and through art, infrastructures, techno-ecological environments, bio-technology, and political protests to highlight their potentials as well as their ambivalences. 30 00 How to intervene? Interventions are in vogue in digital cultures as forms of critique or political actions into public spheres. By engaging in social, political, and economic contexts, interventions attempt to interrupt and change situations—often with artistic means. This volume maps methods of interventions under the specific conditions of the digital. How are interventions shaped by these conditions? And how can they contribute to altering them? In essays and interviews, this book interrogates modes of intervening in and through art, infrastructures, techno-ecological environments, bio-technology, and political protests to highlight their potentials as well as their ambivalences. 20 00 Open Access 01 00 03 02 This is the cover of the book Interventions in Digital Cultures. 02 https://meson.press/wp-content/uploads/2017/11/9783957961155_Interventions_cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/interventions-in-digital-cultures Lüneburg 04 01 20171101 Howard Caygill Martina Leeker Tobais Schulze 02 WORLD 06 15 9783957961112 03 9783957961112 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/interventions-in-digital-cultures 20 08 20171101 01 urn:uuid:b8905777-07cd-406c-aab7-63f609ee4f1f 03 01 01 thoth-work-id urn:uuid:4572e853-6304-4dac-9bc9-aedc1dda27c1 01 thoth-publication-id urn:uuid:b8905777-07cd-406c-aab7-63f609ee4f1f 15 9783957961112 03 9783957961112 06 10.14619/1105 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 5 01 02 Digital Cultures 01 01 Interventions in Digital Cultures Technology, the Political, Methods 1 B01 Howard Caygill Howard Caygill Professor of Modern European Philosophy 40 0517ce304 Kingston University, London Howard Caygill is Professor of Modern European Philosophy at Kingston University, London. His research interests are in the fields of the history of philosophy, aesthetics, and cultural history. He is the author of several books, including Walter Benjamin: The Colour of Experience (1998), Levinas and the Political (2002), On Resistance: A Philosophy of Defiance (2013), and the forthcoming Kafka: In Light of the Accident (2017). 2 B01 Martina Leeker Martina Leeker Professor of Methods in Digital Cultures 40 02w2y2t16 Leuphana University of Lüneburg Martina Leeker is Professor of Methods in Digital Cultures and Senior Researcher at the Digital Cultures Research Lab, Leuphana University Lüneburg, Germany. Her research interests include art and technology, critique in digital cultures, systems engineering and infrastructures, theater and media, and critical media theory. She undertakes practical artistic research in discourse-analytic aesthetics: “Fragile Queering and Critical Speculation.” 06 Own website https://martina-leeker.de/ 3 B01 Tobias Schulze Tobias Schulze MA Student 40 01hcx6992 Humboldt-Universität zu Berlin research assistant 40 02w2y2t16 Leuphana University of Lüneburg Tobias Schulze is a masters student in media studies at Humboldt University Berlin, a research assistant at the Digital Cultures Research Lab, Leuphana University Lüneburg, and a tutor at Hochschule für Bildende Künste Braunschweig. His focus in work and studies is on entanglements between art, temporality, and media. 4 A01 Ulrike Bergermann Ulrike Bergermann Professor of Media Studies 40 03aft2f80 Braunschweig University of Art Ulrike Bergermann is Professor of Media Studies at the Art University Braunschweig, Germany. Her research interests include the histories of academic disciplines, and post-colonial and gender studies. 5 A01 Wendy Hui Kyong Chun Wendy Hui Kyong Chun Professor of Modern Culture and Media 40 05gq02987 Brown University Wendy Hui Kyong Chun is Professor of Modern Culture and Media at Brown University, Rhode Island. She has studied both systems design engineering and English literature. She is the author of Control and Freedom: Power and Paranoia in the Age of Fiber Optics (MIT Press, 2006), Programmed Visions: Software and Memory (MIT Press 2011), and Updating to Remain the Same: Habitual New Media (MIT Press 2016). 6 A01 Alexander R. Galloway Alexander R. Galloway Professor of Media, Culture, and Communication 40 0190ak572 New York University Alexander R. Galloway is author or co-author of seven books, most recently a monograph on the work of François Laruelle titled Laruelle: Against the Digital (Minnesota, 2014). He teaches media theory at New York University. 7 A01 21 0000000325910820 Kat Jungnickel Kat Jungnickel Senior Lecturer 40 01khx4a30 Goldsmiths University of London Kat Jungnickel is a Senior Lecturer in the Sociology Department at Goldsmiths, University of London. She is the author of DiY WiFi: Re-imagining Connectivity (Palgrave Macmillan 2014) and the soon to be published The First Wheelwomen: Cycling, Sewing and Suffrage (Goldsmiths Press/MIT Press). 8 A01 Steve Kurtz Steve Kurtz Professor Emeritus 40 01q1z8k08 State University of New York Steve Kurtz, Ph.D., Professor Emeritus, is a founding member of the interventionist art and theater group Critical Art Ensemble. Founded in 1987, this collective of artists of various specializations—including digital imaging and web design, wetware, film/video, photography, text art, book art, and performance—is dedicated to exploring the intersections between art, technology, political activism, and critical theory. 9 A01 Fred Turner Fred Turner Professor in Communication 40 00f54p054 Stanford University Fred Turner is the Harry and Norman Chandler Professor in Communication at Stanford University, California. He is the author of several books on media and American culture since World War II, including From Counterculture to Cyberculture (2006) and most recently, The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties (2013). 01 eng 00 148 03 93 ATN 12 JFD 04 P87-96 10 SOC052000 93 JBCT1 20 critique; infrastructures; politics; digital cultures; resilience; performativity; critical methods; interventions; ambivalences 01 06 02 00 How to intervene? Interventions are in vogue in digital cultures as forms of critique or political actions into public spheres. By engaging in social, political, and economic contexts, interventions attempt to interrupt and change situations—often with artistic means. This volume maps methods of interventions under the specific conditions of 03 00 How to intervene? Interventions are in vogue in digital cultures as forms of critique or political actions into public spheres. By engaging in social, political, and economic contexts, interventions attempt to interrupt and change situations—often with artistic means. This volume maps methods of interventions under the specific conditions of the digital. How are interventions shaped by these conditions? And how can they contribute to altering them? In essays and interviews, this book interrogates modes of intervening in and through art, infrastructures, techno-ecological environments, bio-technology, and political protests to highlight their potentials as well as their ambivalences. 30 00 How to intervene? Interventions are in vogue in digital cultures as forms of critique or political actions into public spheres. By engaging in social, political, and economic contexts, interventions attempt to interrupt and change situations—often with artistic means. This volume maps methods of interventions under the specific conditions of the digital. How are interventions shaped by these conditions? And how can they contribute to altering them? In essays and interviews, this book interrogates modes of intervening in and through art, infrastructures, techno-ecological environments, bio-technology, and political protests to highlight their potentials as well as their ambivalences. 20 00 Open Access 01 00 03 02 This is the cover of the book Interventions in Digital Cultures. 02 https://meson.press/wp-content/uploads/2017/11/9783957961155_Interventions_cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/interventions-in-digital-cultures Lüneburg 04 01 20171101 Howard Caygill Martina Leeker Tobais Schulze 02 WORLD 06 15 9783957961105 03 9783957961105 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37558 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37558/978-3-95796-111-2_Interventions-in-Digital-Cultures_Web.pdf 20 08 20171101 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/interventions-in-digital-cultures 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2017/11/978-3-95796-111-2_Interventions-in-Digital-Cultures_Web.pdf 20 08 20171101 01 urn:uuid:8ee22511-c2cf-4ea1-b520-a96d4325ef3c 03 01 01 thoth-work-id urn:uuid:70ebdb3f-4086-4971-8bc9-87213f4a25f0 01 thoth-publication-id urn:uuid:8ee22511-c2cf-4ea1-b520-a96d4325ef3c 15 9783957960054 03 9783957960054 06 10.14619/009 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Introduction to a Future Way of Thought On Marx and Heidegger 1 A01 Kostas Axelos Kostas Axelos Kostas Axelos was a Greek-French philosopher with an emphasis on the studies of Karl Marx and Martin Heidegger. His two doctoral theses were on Heraclitus and Marx. In addition he translated Heidegger, Georg Lukács, and Karl Korsch. He is best known for his works on the concept of the world, particularly the 1969 book Le jeu du monde; as one of the editors of the journal Arguments; and as editor of the book series of the same name published by Les Éditions des Minuit. Axelos is, however, much less well known in the English-speaking world, since Introduction to a Future Way of Thought: On Marx and Heidegger is only the second book to be translated to English. The first, his book on Marx, appeared in translation (1976), but none of his other full-length works has yet. (Cf. Elden, Stuart. “Introducing Kostas Axelos and ‘The World'” In Environment and Planning D: Society and Space, 639-642. Vol. 24. 2006.) 2 B01 21 0000000278852444 Stuart Elden Stuart Elden 3 B06 Kenneth Mills Kenneth Mills 01 eng 00 180 03 04 B1-5802 93 PDA 93 QDTJ 20 Heidegger; technology; world; globalization; mondialisation; science; play; technological condition; Marx; philosophy; planetary 01 06 02 00 “Technologists only change the world in various ways in generalized indifference; the point is to think the world and interpret the changes in its unfathomability, to perceive and experience the difference binding being to the nothing.” Anticipating the age of planetary technology Kostas Axelos, a Greek-French philosopher, approaches the tech 03 00 “Technologists only change the world in various ways in generalized indifference; the point is to think the world and interpret the changes in its unfathomability, to perceive and experience the difference binding being to the nothing.” Anticipating the age of planetary technology Kostas Axelos, a Greek-French philosopher, approaches the technological question in this book, first published in 1966, by connecting the thought of Karl Marx and Martin Heidegger. Marx famously declared that philosophers had only interpreted the world, but the point was to change it. Heidegger on his part stressed that our modern malaise was due to the forgetting of being, for which he thought technological questions were central. Following from his study of Marx as a thinker of technology, and foreseeing debates about globalization, Axelos recognizes that technology now determines the world. Providing an introduction to some of his major themes, including the play of the world, Axelos asks if planetary technology requires a new, a future way of thought which in itself is planetary. 30 00 “Technologists only change the world in various ways in generalized indifference; the point is to think the world and interpret the changes in its unfathomability, to perceive and experience the difference binding being to the nothing.” Anticipating the age of planetary technology Kostas Axelos, a Greek-French philosopher, approaches the technological question in this book, first published in 1966, by connecting the thought of Karl Marx and Martin Heidegger. Marx famously declared that philosophers had only interpreted the world, but the point was to change it. Heidegger on his part stressed that our modern malaise was due to the forgetting of being, for which he thought technological questions were central. Following from his study of Marx as a thinker of technology, and foreseeing debates about globalization, Axelos recognizes that technology now determines the world. Providing an introduction to some of his major themes, including the play of the world, Axelos asks if planetary technology requires a new, a future way of thought which in itself is planetary. 20 00 Open Access 01 00 03 02 This is the cover of the book Introduction to a Future Way of Thought. 02 http://meson.press/wp-content/uploads/2015/04/Axelos-FutureThought-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/introduction-to-a-future-way-of-thought 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150717 Kostas Axelos Stuart Elden 02 WORLD 06 15 9783957960061 03 9783957960061 06 15 9783957960078 03 9783957960078 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/introduction-to-a-future-way-of-thought 20 08 20150717 01 urn:uuid:647bf4c8-2b5c-476b-8326-8327314dcc53 03 01 01 thoth-work-id urn:uuid:70ebdb3f-4086-4971-8bc9-87213f4a25f0 01 thoth-publication-id urn:uuid:647bf4c8-2b5c-476b-8326-8327314dcc53 15 9783957960061 03 9783957960061 06 10.14619/009 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Introduction to a Future Way of Thought On Marx and Heidegger 1 A01 Kostas Axelos Kostas Axelos Kostas Axelos was a Greek-French philosopher with an emphasis on the studies of Karl Marx and Martin Heidegger. His two doctoral theses were on Heraclitus and Marx. In addition he translated Heidegger, Georg Lukács, and Karl Korsch. He is best known for his works on the concept of the world, particularly the 1969 book Le jeu du monde; as one of the editors of the journal Arguments; and as editor of the book series of the same name published by Les Éditions des Minuit. Axelos is, however, much less well known in the English-speaking world, since Introduction to a Future Way of Thought: On Marx and Heidegger is only the second book to be translated to English. The first, his book on Marx, appeared in translation (1976), but none of his other full-length works has yet. (Cf. Elden, Stuart. “Introducing Kostas Axelos and ‘The World'” In Environment and Planning D: Society and Space, 639-642. Vol. 24. 2006.) 2 B01 21 0000000278852444 Stuart Elden Stuart Elden 3 B06 Kenneth Mills Kenneth Mills 01 eng 00 180 03 04 B1-5802 93 PDA 93 QDTJ 20 Heidegger; technology; world; globalization; mondialisation; science; play; technological condition; Marx; philosophy; planetary 01 06 02 00 “Technologists only change the world in various ways in generalized indifference; the point is to think the world and interpret the changes in its unfathomability, to perceive and experience the difference binding being to the nothing.” Anticipating the age of planetary technology Kostas Axelos, a Greek-French philosopher, approaches the tech 03 00 “Technologists only change the world in various ways in generalized indifference; the point is to think the world and interpret the changes in its unfathomability, to perceive and experience the difference binding being to the nothing.” Anticipating the age of planetary technology Kostas Axelos, a Greek-French philosopher, approaches the technological question in this book, first published in 1966, by connecting the thought of Karl Marx and Martin Heidegger. Marx famously declared that philosophers had only interpreted the world, but the point was to change it. Heidegger on his part stressed that our modern malaise was due to the forgetting of being, for which he thought technological questions were central. Following from his study of Marx as a thinker of technology, and foreseeing debates about globalization, Axelos recognizes that technology now determines the world. Providing an introduction to some of his major themes, including the play of the world, Axelos asks if planetary technology requires a new, a future way of thought which in itself is planetary. 30 00 “Technologists only change the world in various ways in generalized indifference; the point is to think the world and interpret the changes in its unfathomability, to perceive and experience the difference binding being to the nothing.” Anticipating the age of planetary technology Kostas Axelos, a Greek-French philosopher, approaches the technological question in this book, first published in 1966, by connecting the thought of Karl Marx and Martin Heidegger. Marx famously declared that philosophers had only interpreted the world, but the point was to change it. Heidegger on his part stressed that our modern malaise was due to the forgetting of being, for which he thought technological questions were central. Following from his study of Marx as a thinker of technology, and foreseeing debates about globalization, Axelos recognizes that technology now determines the world. Providing an introduction to some of his major themes, including the play of the world, Axelos asks if planetary technology requires a new, a future way of thought which in itself is planetary. 20 00 Open Access 01 00 03 02 This is the cover of the book Introduction to a Future Way of Thought. 02 http://meson.press/wp-content/uploads/2015/04/Axelos-FutureThought-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/introduction-to-a-future-way-of-thought 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150717 Kostas Axelos Stuart Elden 02 WORLD 06 15 9783957960054 03 9783957960054 06 15 9783957960078 03 9783957960078 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37571 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37571/9783957960061-Axelos-Future_Thought.pdf 20 08 20150717 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/introduction-to-a-future-way-of-thought 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2015/04/9783957960061-Axelos-Future_Thought.pdf 20 08 20150717 01 urn:uuid:c44412ed-79ea-436e-a5e8-3132f5f4c0cb 03 01 01 thoth-work-id urn:uuid:70ebdb3f-4086-4971-8bc9-87213f4a25f0 01 thoth-publication-id urn:uuid:c44412ed-79ea-436e-a5e8-3132f5f4c0cb 15 9783957960078 03 9783957960078 06 10.14619/009 00 EB E101 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Introduction to a Future Way of Thought On Marx and Heidegger 1 A01 Kostas Axelos Kostas Axelos Kostas Axelos was a Greek-French philosopher with an emphasis on the studies of Karl Marx and Martin Heidegger. His two doctoral theses were on Heraclitus and Marx. In addition he translated Heidegger, Georg Lukács, and Karl Korsch. He is best known for his works on the concept of the world, particularly the 1969 book Le jeu du monde; as one of the editors of the journal Arguments; and as editor of the book series of the same name published by Les Éditions des Minuit. Axelos is, however, much less well known in the English-speaking world, since Introduction to a Future Way of Thought: On Marx and Heidegger is only the second book to be translated to English. The first, his book on Marx, appeared in translation (1976), but none of his other full-length works has yet. (Cf. Elden, Stuart. “Introducing Kostas Axelos and ‘The World'” In Environment and Planning D: Society and Space, 639-642. Vol. 24. 2006.) 2 B01 21 0000000278852444 Stuart Elden Stuart Elden 3 B06 Kenneth Mills Kenneth Mills 01 eng 00 180 03 04 B1-5802 93 PDA 93 QDTJ 20 Heidegger; technology; world; globalization; mondialisation; science; play; technological condition; Marx; philosophy; planetary 01 06 02 00 “Technologists only change the world in various ways in generalized indifference; the point is to think the world and interpret the changes in its unfathomability, to perceive and experience the difference binding being to the nothing.” Anticipating the age of planetary technology Kostas Axelos, a Greek-French philosopher, approaches the tech 03 00 “Technologists only change the world in various ways in generalized indifference; the point is to think the world and interpret the changes in its unfathomability, to perceive and experience the difference binding being to the nothing.” Anticipating the age of planetary technology Kostas Axelos, a Greek-French philosopher, approaches the technological question in this book, first published in 1966, by connecting the thought of Karl Marx and Martin Heidegger. Marx famously declared that philosophers had only interpreted the world, but the point was to change it. Heidegger on his part stressed that our modern malaise was due to the forgetting of being, for which he thought technological questions were central. Following from his study of Marx as a thinker of technology, and foreseeing debates about globalization, Axelos recognizes that technology now determines the world. Providing an introduction to some of his major themes, including the play of the world, Axelos asks if planetary technology requires a new, a future way of thought which in itself is planetary. 30 00 “Technologists only change the world in various ways in generalized indifference; the point is to think the world and interpret the changes in its unfathomability, to perceive and experience the difference binding being to the nothing.” Anticipating the age of planetary technology Kostas Axelos, a Greek-French philosopher, approaches the technological question in this book, first published in 1966, by connecting the thought of Karl Marx and Martin Heidegger. Marx famously declared that philosophers had only interpreted the world, but the point was to change it. Heidegger on his part stressed that our modern malaise was due to the forgetting of being, for which he thought technological questions were central. Following from his study of Marx as a thinker of technology, and foreseeing debates about globalization, Axelos recognizes that technology now determines the world. Providing an introduction to some of his major themes, including the play of the world, Axelos asks if planetary technology requires a new, a future way of thought which in itself is planetary. 20 00 Open Access 01 00 03 02 This is the cover of the book Introduction to a Future Way of Thought. 02 http://meson.press/wp-content/uploads/2015/04/Axelos-FutureThought-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/introduction-to-a-future-way-of-thought 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150717 Kostas Axelos Stuart Elden 02 WORLD 06 15 9783957960054 03 9783957960054 06 15 9783957960061 03 9783957960061 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/introduction-to-a-future-way-of-thought 20 08 20150717 01 urn:uuid:85174387-5b19-42ba-90d9-5bfdb7a30514 03 01 01 thoth-work-id urn:uuid:41bbc60f-d7e2-4dc5-bc38-19c2f39c594e 01 thoth-publication-id urn:uuid:85174387-5b19-42ba-90d9-5bfdb7a30514 15 9783957962362 03 9783957962362 00 BC 10 01 234 mm 01 23.4 cm 01 9.21 in 02 156 mm 02 15.6 cm 02 6.14 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID bb95d179-db6a-4325-81d0-8aa456fd8b58 02 00000001 01 Series URL https://meson.press/series-page/future-ecologies 03 8 01 02 Future Ecologies 01 01 Kritik des Neo-Extraktivismus in der Gegenwartskunst 1 B01 Hauke Ohls Hauke Ohls Postdoktorand am Lehrstuhl für Zeitgenössische Kunst und Digitale Bildkulturen 40 041nas322 University of Bonn Hauke Ohls ist Postdoktorand am Lehrstuhl für Zeitgenössische Kunst und Digitale Bildkulturen der Universität Bonn. Seine Forschungsschwerpunkte liegen in der modernen und zeitgenössischen Kunst, insbesondere der ökologischen und posthumanen Ästhetik, dem Diskurs um Objekt, Materialität und Bild sowie dem Verhältnis von Kunst und Ökonomie. 2 B01 Birgit Mersmann Birgit Mersmann Professur für Zeitgenössische Kunst und Digitale Bildkulturen am Kunsthistorischen Institut 40 041nas322 University of Bonn Birgit Mersmann ist Kunst-, Bild- und Literaturwissenschaftlerin. Seit 2023 hat sie die Professur für Zeitgenössische Kunst und Digitale Bildkulturen am Kunsthistorischen Institut der Universität Bonn inne. Ihre Forschungsschwerpunkte liegen in den Bereichen Bild- und Medientheorie, Schriftbildlichkeit, Geschichte und Theorie der Fotografie, westliche und ostasiatische Kunst der Moderne und Gegenwart, globale Kunstgeschichte, Kunst und Migration, Transkulturalität und Transmedialität. 3 A01 Viktor Brim Viktor Brim Als Künstler und Filmemacher setzt sich Viktor Brim in seinen Werken mit filmischen Räumen, urbanen Phänomenen und dem Thema Macht auseinander. Die physische Verkörperung von Machtstrukturen sowie deren räumliche und landschaftliche Ausdehnung sind zentrale Aspekte in Brims Arbeiten. 4 A01 21 0009000473998526 Linn Burchert Linn Burchert Forschungsgruppenleiterin 40 05sqrfr79 Central Institute for Art History Linn Burchert ist Forschungsgruppenleiterin am Zentralinstitut für Kunstgeschichte in München. Sie forscht zu den Verhältnisweisen von Kunst, Gesellschaft und Politik in der Gegenwart sowie zu Ideologien in ökologischen Diskursen im Kunstund Kulturfeld. 5 A01 21 0009000759200014 Lena Geuer Lena Geuer Postdoktorandin am Institut für Kunst- und Musikwissenschaft 40 042aqky30 TU Dresden Lena Geuer ist Postdoktorandin am Institut für Kunst- und Musikwissenschaft der TU Dresden. Ihre Forschungsinteressen liegen in der Gegenwartskunst Lateinamerikas, Kunst und Ökologie sowie in postkolonialen, postmigrantischen und (öko)queer-feministischen Theorien. 6 A01 Liliana Gómez Liliana Gómez Professorin für Kunst und Gesellschaft 40 04zc7p361 University of Kassel Liliana Gómez ist Professorin für Kunst und Gesellschaft an der Universität Kassel und am documenta Institut und Herausgeberin der Zeitschrift Latin American and Latinx Visual Culture. Zu ihren Forschungsschwerpunkten zählen Kultur-, Medien- und Kunsttheorie, Umweltästhetik, Theorie und Geschichte der Moderne, Theorie und Geschichte des Archivs und der materiellen Kultur, Kunst und Ökologien des Fluiden, Ausstellungen, Kunst und Menschenrechte. 7 A01 Ina Neddermeyer Ina Neddermeyer Direktorin des Museum Giersch 40 04cvxnb49 Goethe University Frankfurt Ina Neddermeyer studierte Kunstgeschichte, Politik und Philosophie in Berlin und Florenz. Seit 2024 ist sie Direktorin des Museum Giersch der Goethe-Universität. Sie kuratierte zahlreiche Ausstellungen, u.a. Game of Drones. Über unbemannte Flugobjekte, Beyond States. Über die Grenzen von Staatlichkeit und Kryptomania. Die Verheißungen der Blockchain. 8 A01 21 0009000090771498 Veronica Peselmann Veronica Peselmann Peselmann Assistenzprofessorin für Moderne und Zeitgenössische Kunst 40 012p63287 University of Groningen Veronica Peselmann ist Assistenzprofessorin für Moderne und Zeitgenössische Kunst an der University of Groningen. Ihre Forschungsinteressen umfassen: Materialität und künstlerische Produktion mit globalem Fokus, Künstler*innenbücher, Methoden und Geschichte der Kunstgeschichte mit besonderem Interesse an Multisensualität. 9 A01 Jorge Sanguino Jorge Sanguino Jorge Sanguino ist Kurator und Galerist mit einem Abschluss in Philosophie an der Universidad Javeriana in Bogota, Kolumbien, und einem Master in Bild- und Kunstgeschichte an der Humboldt-Universität zu Berlin, mit Spezialisierung auf Fotografie und zeitgenössische Kunst aus Lateinamerika. Zudem ist er Doktorand von a.r.t.e.s. an der Universität zu Köln. 10 A01 Lukas Schepers Lukas Schepers Promotionsstipendiat 40 01z1qnm06 Institute for Advanced Study in the Humanities Essen Lukas Schepers arbeitet als Promotionsstipendiat am Kulturwissenschaftlichen Institut in Essen zur Politischen Ikonologie bergbaulicher Werkszeitschriften von 1945 bis 1970. Nach dem Studium der Kunstgeschichte in Hamburg dreht sich sein Forschungsinteresse um den Zusammenhang von Industrie und Ästhetik. 11 A01 21 0009000068881412 Irene Schütze Irene Schütze apl. Professorin für Kunstbezogene Theorie 40 023b0x485 Johannes Gutenberg University Mainz Irene Schütze ist apl. Professorin für Kunstbezogene Theorie an der Kunsthochschule Mainz, Johannes Gutenberg-Universität. Ihre aktuellen Forschungen befassen sich mit Ökologien sowie Autor*innenschaft und Medialitäten in globalen Kontexten unter Berücksichtigung des New Materialism. 12 A01 Martin Siegler Martin Siegler Postdoktorand an der Professur für Medienphilosophie 40 033bb5z47 Bauhaus University, Weimar Martin Siegler ist Postdoktorand an der Professur für Medienphilosophie der Bauhaus-Universität Weimar. Er forscht zu Medien als Existenzbedingungen, Medien in Not- und Katastrophenfällen, Ökologien des Films, Löchern und negativen Räumen im Anthropozän. 13 A01 Franca Spengler Franca Spengler Studentische Mitarbeiterin 40 03prydq77 University of Vienna Franca Spengler studiert Kunstgeschichte im Master an der Universität Wien, wo sie als studentische Mitarbeiterin beschäftigt ist. Ihre Forschungsinteressen gelten dem Verhältnis von Kunst und Ökologie sowie der Geschichte und Theorie des Bewegtbildes. 14 A01 Florian Telsnig Florian Telsnig Projektmitarbeiter und Lehrbeauftragter am Institut für Theater-, Film- und Medienwissenschaften 40 03prydq77 University of Vienna Florian Telsnig ist Projektmitarbeiter und Lehrbeauftragter am Institut für Theater-, Film- und Medienwissenschaften der Universität Wien. Seine Arbeits- und Forschungsschwerpunkte liegen in der Ästhetik, politischen Theorie sowie Medienund Sprachphilosophie. 15 A01 Susanne Witzgall Susanne Witzgall Senior Lecturer für transdisziplinäre Studien 40 044rf5p19 Academy of Fine Arts Munich Susanne Witzgall unterrichtet als Senior Lecturer für transdisziplinäre Studien an der Akademie der Bildenden Künste München und gründete 2011 das cx centrum für interdisziplinäre studien. Sie forscht u.a. zu neomaterialistischen, dekolonialen und ökologischen Diskursen in der Gegenwartskunst. 01 ger 93 JBCT1 04 P87-96 10 SOC052000 93 PSAF 10 SCI020000 93 AFKP 20 Extraktivismus; Gegenwartskunst; Materialitäten; Infrastrukturen 01 06 02 00 Wie reflektieren Künstler*innen und Kollektive die globalen Herausforderungen der akzelerierenden Rohstoffausbeutung? Und welches Widerstandspotenzial entfalten diese künstlerischen Praktiken gegen die Paradigmen des (Neo-)Extraktivismus? Die Beiträge in Kritik des Neo-Extraktivismus in der Gegenwartskunst analysieren die künstlerische Ausein 03 00 Wie reflektieren Künstler*innen und Kollektive die globalen Herausforderungen der akzelerierenden Rohstoffausbeutung? Und welches Widerstandspotenzial entfalten diese künstlerischen Praktiken gegen die Paradigmen des (Neo-)Extraktivismus? Die Beiträge in Kritik des Neo-Extraktivismus in der Gegenwartskunst analysieren die künstlerische Auseinandersetzung mit unterschiedlichen extraktivistischen Phänomenen aus kunstwissenschaftlichen, kuratorischen und künstlerischen Perspektiven. Eröffnet wird ein globaler Blickwinkel, der kritisch die Materialitäten und Infrastrukturen des (Neo-)Extraktivismus beleuchtet und um dekoloniale Perspektiven ergänzt. 30 00 Wie reflektieren Künstler*innen und Kollektive die globalen Herausforderungen der akzelerierenden Rohstoffausbeutung? Und welches Widerstandspotenzial entfalten diese künstlerischen Praktiken gegen die Paradigmen des (Neo-)Extraktivismus? Die Beiträge in Kritik des Neo-Extraktivismus in der Gegenwartskunst analysieren die künstlerische Auseinandersetzung mit unterschiedlichen extraktivistischen Phänomenen aus kunstwissenschaftlichen, kuratorischen und künstlerischen Perspektiven. Eröffnet wird ein globaler Blickwinkel, der kritisch die Materialitäten und Infrastrukturen des (Neo-)Extraktivismus beleuchtet und um dekoloniale Perspektiven ergänzt. 20 00 Open Access 01 00 03 02 This is the cover of the book Kritik des Neo-Extraktivismus in der Gegenwartskunst. 02 https://meson.press/wp-content/uploads/2024/12/978-3-95796-237-9_Neo-Extraktivismus_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/kritik-des-neo-extraktivismus-in-der-gegenwartskunst/ 16 40 041nas322 32 10.13039/501100008131 University of Bonn 01 programname Open-Access-Publikationsfonds Lüneburg 04 01 20241230 Hauke Ohls Birgit Mersmann 02 WORLD 06 15 9783957962379 03 9783957962379 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/kritik-des-neo-extraktivismus-in-der-gegenwartskunst/ 20 08 20241230 01 urn:uuid:7c710b00-b6e1-4c77-887c-a445df315244 03 01 01 thoth-work-id urn:uuid:41bbc60f-d7e2-4dc5-bc38-19c2f39c594e 01 thoth-publication-id urn:uuid:7c710b00-b6e1-4c77-887c-a445df315244 15 9783957962379 03 9783957962379 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID bb95d179-db6a-4325-81d0-8aa456fd8b58 02 00000001 01 Series URL https://meson.press/series-page/future-ecologies 03 8 01 02 Future Ecologies 01 01 Kritik des Neo-Extraktivismus in der Gegenwartskunst 1 B01 Hauke Ohls Hauke Ohls Postdoktorand am Lehrstuhl für Zeitgenössische Kunst und Digitale Bildkulturen 40 041nas322 University of Bonn Hauke Ohls ist Postdoktorand am Lehrstuhl für Zeitgenössische Kunst und Digitale Bildkulturen der Universität Bonn. Seine Forschungsschwerpunkte liegen in der modernen und zeitgenössischen Kunst, insbesondere der ökologischen und posthumanen Ästhetik, dem Diskurs um Objekt, Materialität und Bild sowie dem Verhältnis von Kunst und Ökonomie. 2 B01 Birgit Mersmann Birgit Mersmann Professur für Zeitgenössische Kunst und Digitale Bildkulturen am Kunsthistorischen Institut 40 041nas322 University of Bonn Birgit Mersmann ist Kunst-, Bild- und Literaturwissenschaftlerin. Seit 2023 hat sie die Professur für Zeitgenössische Kunst und Digitale Bildkulturen am Kunsthistorischen Institut der Universität Bonn inne. Ihre Forschungsschwerpunkte liegen in den Bereichen Bild- und Medientheorie, Schriftbildlichkeit, Geschichte und Theorie der Fotografie, westliche und ostasiatische Kunst der Moderne und Gegenwart, globale Kunstgeschichte, Kunst und Migration, Transkulturalität und Transmedialität. 3 A01 Viktor Brim Viktor Brim Als Künstler und Filmemacher setzt sich Viktor Brim in seinen Werken mit filmischen Räumen, urbanen Phänomenen und dem Thema Macht auseinander. Die physische Verkörperung von Machtstrukturen sowie deren räumliche und landschaftliche Ausdehnung sind zentrale Aspekte in Brims Arbeiten. 4 A01 21 0009000473998526 Linn Burchert Linn Burchert Forschungsgruppenleiterin 40 05sqrfr79 Central Institute for Art History Linn Burchert ist Forschungsgruppenleiterin am Zentralinstitut für Kunstgeschichte in München. Sie forscht zu den Verhältnisweisen von Kunst, Gesellschaft und Politik in der Gegenwart sowie zu Ideologien in ökologischen Diskursen im Kunstund Kulturfeld. 5 A01 21 0009000759200014 Lena Geuer Lena Geuer Postdoktorandin am Institut für Kunst- und Musikwissenschaft 40 042aqky30 TU Dresden Lena Geuer ist Postdoktorandin am Institut für Kunst- und Musikwissenschaft der TU Dresden. Ihre Forschungsinteressen liegen in der Gegenwartskunst Lateinamerikas, Kunst und Ökologie sowie in postkolonialen, postmigrantischen und (öko)queer-feministischen Theorien. 6 A01 Liliana Gómez Liliana Gómez Professorin für Kunst und Gesellschaft 40 04zc7p361 University of Kassel Liliana Gómez ist Professorin für Kunst und Gesellschaft an der Universität Kassel und am documenta Institut und Herausgeberin der Zeitschrift Latin American and Latinx Visual Culture. Zu ihren Forschungsschwerpunkten zählen Kultur-, Medien- und Kunsttheorie, Umweltästhetik, Theorie und Geschichte der Moderne, Theorie und Geschichte des Archivs und der materiellen Kultur, Kunst und Ökologien des Fluiden, Ausstellungen, Kunst und Menschenrechte. 7 A01 Ina Neddermeyer Ina Neddermeyer Direktorin des Museum Giersch 40 04cvxnb49 Goethe University Frankfurt Ina Neddermeyer studierte Kunstgeschichte, Politik und Philosophie in Berlin und Florenz. Seit 2024 ist sie Direktorin des Museum Giersch der Goethe-Universität. Sie kuratierte zahlreiche Ausstellungen, u.a. Game of Drones. Über unbemannte Flugobjekte, Beyond States. Über die Grenzen von Staatlichkeit und Kryptomania. Die Verheißungen der Blockchain. 8 A01 21 0009000090771498 Veronica Peselmann Veronica Peselmann Peselmann Assistenzprofessorin für Moderne und Zeitgenössische Kunst 40 012p63287 University of Groningen Veronica Peselmann ist Assistenzprofessorin für Moderne und Zeitgenössische Kunst an der University of Groningen. Ihre Forschungsinteressen umfassen: Materialität und künstlerische Produktion mit globalem Fokus, Künstler*innenbücher, Methoden und Geschichte der Kunstgeschichte mit besonderem Interesse an Multisensualität. 9 A01 Jorge Sanguino Jorge Sanguino Jorge Sanguino ist Kurator und Galerist mit einem Abschluss in Philosophie an der Universidad Javeriana in Bogota, Kolumbien, und einem Master in Bild- und Kunstgeschichte an der Humboldt-Universität zu Berlin, mit Spezialisierung auf Fotografie und zeitgenössische Kunst aus Lateinamerika. Zudem ist er Doktorand von a.r.t.e.s. an der Universität zu Köln. 10 A01 Lukas Schepers Lukas Schepers Promotionsstipendiat 40 01z1qnm06 Institute for Advanced Study in the Humanities Essen Lukas Schepers arbeitet als Promotionsstipendiat am Kulturwissenschaftlichen Institut in Essen zur Politischen Ikonologie bergbaulicher Werkszeitschriften von 1945 bis 1970. Nach dem Studium der Kunstgeschichte in Hamburg dreht sich sein Forschungsinteresse um den Zusammenhang von Industrie und Ästhetik. 11 A01 21 0009000068881412 Irene Schütze Irene Schütze apl. Professorin für Kunstbezogene Theorie 40 023b0x485 Johannes Gutenberg University Mainz Irene Schütze ist apl. Professorin für Kunstbezogene Theorie an der Kunsthochschule Mainz, Johannes Gutenberg-Universität. Ihre aktuellen Forschungen befassen sich mit Ökologien sowie Autor*innenschaft und Medialitäten in globalen Kontexten unter Berücksichtigung des New Materialism. 12 A01 Martin Siegler Martin Siegler Postdoktorand an der Professur für Medienphilosophie 40 033bb5z47 Bauhaus University, Weimar Martin Siegler ist Postdoktorand an der Professur für Medienphilosophie der Bauhaus-Universität Weimar. Er forscht zu Medien als Existenzbedingungen, Medien in Not- und Katastrophenfällen, Ökologien des Films, Löchern und negativen Räumen im Anthropozän. 13 A01 Franca Spengler Franca Spengler Studentische Mitarbeiterin 40 03prydq77 University of Vienna Franca Spengler studiert Kunstgeschichte im Master an der Universität Wien, wo sie als studentische Mitarbeiterin beschäftigt ist. Ihre Forschungsinteressen gelten dem Verhältnis von Kunst und Ökologie sowie der Geschichte und Theorie des Bewegtbildes. 14 A01 Florian Telsnig Florian Telsnig Projektmitarbeiter und Lehrbeauftragter am Institut für Theater-, Film- und Medienwissenschaften 40 03prydq77 University of Vienna Florian Telsnig ist Projektmitarbeiter und Lehrbeauftragter am Institut für Theater-, Film- und Medienwissenschaften der Universität Wien. Seine Arbeits- und Forschungsschwerpunkte liegen in der Ästhetik, politischen Theorie sowie Medienund Sprachphilosophie. 15 A01 Susanne Witzgall Susanne Witzgall Senior Lecturer für transdisziplinäre Studien 40 044rf5p19 Academy of Fine Arts Munich Susanne Witzgall unterrichtet als Senior Lecturer für transdisziplinäre Studien an der Akademie der Bildenden Künste München und gründete 2011 das cx centrum für interdisziplinäre studien. Sie forscht u.a. zu neomaterialistischen, dekolonialen und ökologischen Diskursen in der Gegenwartskunst. 01 ger 93 JBCT1 04 P87-96 10 SOC052000 93 PSAF 10 SCI020000 93 AFKP 20 Extraktivismus; Gegenwartskunst; Materialitäten; Infrastrukturen 01 06 02 00 Wie reflektieren Künstler*innen und Kollektive die globalen Herausforderungen der akzelerierenden Rohstoffausbeutung? Und welches Widerstandspotenzial entfalten diese künstlerischen Praktiken gegen die Paradigmen des (Neo-)Extraktivismus? Die Beiträge in Kritik des Neo-Extraktivismus in der Gegenwartskunst analysieren die künstlerische Ausein 03 00 Wie reflektieren Künstler*innen und Kollektive die globalen Herausforderungen der akzelerierenden Rohstoffausbeutung? Und welches Widerstandspotenzial entfalten diese künstlerischen Praktiken gegen die Paradigmen des (Neo-)Extraktivismus? Die Beiträge in Kritik des Neo-Extraktivismus in der Gegenwartskunst analysieren die künstlerische Auseinandersetzung mit unterschiedlichen extraktivistischen Phänomenen aus kunstwissenschaftlichen, kuratorischen und künstlerischen Perspektiven. Eröffnet wird ein globaler Blickwinkel, der kritisch die Materialitäten und Infrastrukturen des (Neo-)Extraktivismus beleuchtet und um dekoloniale Perspektiven ergänzt. 30 00 Wie reflektieren Künstler*innen und Kollektive die globalen Herausforderungen der akzelerierenden Rohstoffausbeutung? Und welches Widerstandspotenzial entfalten diese künstlerischen Praktiken gegen die Paradigmen des (Neo-)Extraktivismus? Die Beiträge in Kritik des Neo-Extraktivismus in der Gegenwartskunst analysieren die künstlerische Auseinandersetzung mit unterschiedlichen extraktivistischen Phänomenen aus kunstwissenschaftlichen, kuratorischen und künstlerischen Perspektiven. Eröffnet wird ein globaler Blickwinkel, der kritisch die Materialitäten und Infrastrukturen des (Neo-)Extraktivismus beleuchtet und um dekoloniale Perspektiven ergänzt. 20 00 Open Access 01 00 03 02 This is the cover of the book Kritik des Neo-Extraktivismus in der Gegenwartskunst. 02 https://meson.press/wp-content/uploads/2024/12/978-3-95796-237-9_Neo-Extraktivismus_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/kritik-des-neo-extraktivismus-in-der-gegenwartskunst/ 16 40 041nas322 32 10.13039/501100008131 University of Bonn 01 programname Open-Access-Publikationsfonds Lüneburg 04 01 20241230 Hauke Ohls Birgit Mersmann 02 WORLD 06 15 9783957962362 03 9783957962362 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/98928 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/98928/978-3-95796-237-9_Neo-Extraktivismus.pdf?sequence=1&isAllowed=y 20 08 20241230 01 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/kritik-des-neo-extraktivismus-in-der-gegenwartskunst/ 29 Publisher's website: download the title https://meson.press/wp-content/uploads/2024/12/978-3-95796-237-9_Neo-Extraktivismus.pdf 20 08 20241230 01 urn:uuid:6c659360-a5cc-4d5a-b8b0-c3e5f37cc02a 03 01 01 thoth-work-id urn:uuid:9b3e628b-184e-4930-8e27-27c8e517290d 01 thoth-publication-id urn:uuid:6c659360-a5cc-4d5a-b8b0-c3e5f37cc02a 15 9783957960382 03 9783957960382 06 10.14619/0382 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 11 01 02 Digital Cultures 01 01 Kritik postdigital 1 B01 Laura Hille Laura Hille 40 02w2y2t16 Leuphana University of Lüneburg Laura Hille studierte Soziologie und Kulturanthropologie an der Universität Hamburg. Sie ist Mitarbeiterin in dem DrittmittelProjekt Zukunft machen. Vergangene und gegenwärtige Zukünfte des Silicon Valleys an der Leuphana Universität Lüneburg und Mitglied des Center for Digital Cultures. In ihrer Dissertation „Biohacking. Technologien einer kybernetischen Biopolitik“ untersucht sie gegenwärtige Reformulierungen des Lebens und die Regierung und Regulierung der Körper. Sie ist Teil des Editorial Collectives für spheres: Journal for Digital Cultures. 2 B01 Daniela Wentz Daniela Wentz 40 04tsk2644 Ruhr University Bochum Daniela Wentz ist Kultur- und Medienwissenschaftlerin. Sie forscht an der Ruhr-Universität Bochum vor allem zur Geschichte, Theorie und Ästhetik von Affekttechnologien, zu Medien und Autismus und (digitalen) Bildpraktiken und -ästhetiken. Letzte Veröffentlichungen u. a.: „Nudged to Normal. Images, Behaviour and the Autism Surveillance Complex.“ Digital Cultures and Society 7 (2): 265–86, 2019; „Krieg der Trolle. Digitale Reproduzierbarkeit und Memetic Warfare“ Navigationen. Zeitschrift für Medien- und Kulturwissenschaften 19 (2): 135–148, 2019. 01 ger 00 139 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 10 BUS085000 12 JP 93 JP 12 KJU 93 KJU 12 HP 93 QD 01 06 02 00 Die realpolitische Affirmation der Universalität des Digitalen geht mit einer regelrechten Abwehr der kritischen Reflexion seiner scheinbaren Axiome einher. Umso dringlicher ist es zu fragen: Was sind die Bedingungen und Möglichkeiten von Kritik am Digitalen und seiner Kulturen? Wie lässt sich die drängende Notwendigkeit politischer Haltung u 03 00 Die realpolitische Affirmation der Universalität des Digitalen geht mit einer regelrechten Abwehr der kritischen Reflexion seiner scheinbaren Axiome einher. Umso dringlicher ist es zu fragen: Was sind die Bedingungen und Möglichkeiten von Kritik am Digitalen und seiner Kulturen? Wie lässt sich die drängende Notwendigkeit politischer Haltung und kritischer Praxis mit einem wissenschaftlichen Einsatz verbinden, der die Eigengesetzlichkeiten des Digitalen ernst nimmt? Die Beiträge in Kritik postdigital begegnen diesen Herausforderungen aus sozial-, medienwissenschaftlicher und philosophischer Perspektive. 30 00 Die realpolitische Affirmation der Universalität des Digitalen geht mit einer regelrechten Abwehr der kritischen Reflexion seiner scheinbaren Axiome einher. Umso dringlicher ist es zu fragen: Was sind die Bedingungen und Möglichkeiten von Kritik am Digitalen und seiner Kulturen? Wie lässt sich die drängende Notwendigkeit politischer Haltung und kritischer Praxis mit einem wissenschaftlichen Einsatz verbinden, der die Eigengesetzlichkeiten des Digitalen ernst nimmt? Die Beiträge in Kritik postdigital begegnen diesen Herausforderungen aus sozial-, medienwissenschaftlicher und philosophischer Perspektive. 20 00 Open Access 01 00 03 02 This is the cover of the book Kritik postdigital. 02 https://meson.press/wp-content/uploads/2023/02/Cover_Kritik-postdigital.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/kritik-postdigital/ 16 40 02w2y2t16 32 10.13039/100018341 Leuphana University of Lüneburg Lüneburg 04 01 20230220 Laura Hille Daniela Wentz 02 WORLD 06 15 9783957960399 03 9783957960399 WORLD 11 Unknown 29 Unspecified hosting platform: download the title https://www.amazon.de/Kritik-postdigital-Digital-Cultures-Laura/dp/395796038X/ 20 08 20230220 02 14.90 EUR WORLD urn:uuid:b3a73a1b-6599-4931-8b43-a20632051baf 03 01 01 thoth-work-id urn:uuid:9b3e628b-184e-4930-8e27-27c8e517290d 01 thoth-publication-id urn:uuid:b3a73a1b-6599-4931-8b43-a20632051baf 15 9783957960399 03 9783957960399 06 10.14619/0382 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 11 01 02 Digital Cultures 01 01 Kritik postdigital 1 B01 Laura Hille Laura Hille 40 02w2y2t16 Leuphana University of Lüneburg Laura Hille studierte Soziologie und Kulturanthropologie an der Universität Hamburg. Sie ist Mitarbeiterin in dem DrittmittelProjekt Zukunft machen. Vergangene und gegenwärtige Zukünfte des Silicon Valleys an der Leuphana Universität Lüneburg und Mitglied des Center for Digital Cultures. In ihrer Dissertation „Biohacking. Technologien einer kybernetischen Biopolitik“ untersucht sie gegenwärtige Reformulierungen des Lebens und die Regierung und Regulierung der Körper. Sie ist Teil des Editorial Collectives für spheres: Journal for Digital Cultures. 2 B01 Daniela Wentz Daniela Wentz 40 04tsk2644 Ruhr University Bochum Daniela Wentz ist Kultur- und Medienwissenschaftlerin. Sie forscht an der Ruhr-Universität Bochum vor allem zur Geschichte, Theorie und Ästhetik von Affekttechnologien, zu Medien und Autismus und (digitalen) Bildpraktiken und -ästhetiken. Letzte Veröffentlichungen u. a.: „Nudged to Normal. Images, Behaviour and the Autism Surveillance Complex.“ Digital Cultures and Society 7 (2): 265–86, 2019; „Krieg der Trolle. Digitale Reproduzierbarkeit und Memetic Warfare“ Navigationen. Zeitschrift für Medien- und Kulturwissenschaften 19 (2): 135–148, 2019. 01 ger 00 139 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 10 BUS085000 12 JP 93 JP 12 KJU 93 KJU 12 HP 93 QD 01 06 02 00 Die realpolitische Affirmation der Universalität des Digitalen geht mit einer regelrechten Abwehr der kritischen Reflexion seiner scheinbaren Axiome einher. Umso dringlicher ist es zu fragen: Was sind die Bedingungen und Möglichkeiten von Kritik am Digitalen und seiner Kulturen? Wie lässt sich die drängende Notwendigkeit politischer Haltung u 03 00 Die realpolitische Affirmation der Universalität des Digitalen geht mit einer regelrechten Abwehr der kritischen Reflexion seiner scheinbaren Axiome einher. Umso dringlicher ist es zu fragen: Was sind die Bedingungen und Möglichkeiten von Kritik am Digitalen und seiner Kulturen? Wie lässt sich die drängende Notwendigkeit politischer Haltung und kritischer Praxis mit einem wissenschaftlichen Einsatz verbinden, der die Eigengesetzlichkeiten des Digitalen ernst nimmt? Die Beiträge in Kritik postdigital begegnen diesen Herausforderungen aus sozial-, medienwissenschaftlicher und philosophischer Perspektive. 30 00 Die realpolitische Affirmation der Universalität des Digitalen geht mit einer regelrechten Abwehr der kritischen Reflexion seiner scheinbaren Axiome einher. Umso dringlicher ist es zu fragen: Was sind die Bedingungen und Möglichkeiten von Kritik am Digitalen und seiner Kulturen? Wie lässt sich die drängende Notwendigkeit politischer Haltung und kritischer Praxis mit einem wissenschaftlichen Einsatz verbinden, der die Eigengesetzlichkeiten des Digitalen ernst nimmt? Die Beiträge in Kritik postdigital begegnen diesen Herausforderungen aus sozial-, medienwissenschaftlicher und philosophischer Perspektive. 20 00 Open Access 01 00 03 02 This is the cover of the book Kritik postdigital. 02 https://meson.press/wp-content/uploads/2023/02/Cover_Kritik-postdigital.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/kritik-postdigital/ 16 40 02w2y2t16 32 10.13039/100018341 Leuphana University of Lüneburg Lüneburg 04 01 20230220 Laura Hille Daniela Wentz 02 WORLD 06 15 9783957960382 03 9783957960382 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88703 29 OAPEN: download the title https://library.oapen.org/bitstream/20.500.12657/88703/1/978-3-95796-039-9_Kritik_postdigital.pdf 20 08 20230220 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/kritik-postdigital/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2024/08/978-3-95796-039-9_Kritik_postdigital.pdf 20 08 20230220 01 urn:uuid:91c49a0f-c65b-4688-bd0a-71d75af91888 03 01 01 thoth-work-id urn:uuid:3705c0ca-b53c-4cb3-95a1-385bdf05346e 01 thoth-publication-id urn:uuid:91c49a0f-c65b-4688-bd0a-71d75af91888 15 9783957960252 03 9783957960252 06 10.14619/006 00 BC 10 01 234 mm 01 23.4 cm 01 9.21 in 02 156 mm 02 15.6 cm 02 6.14 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Library Life Werkstätten kulturwissenschaftlichen Forschens 1 A01 Friedolin Krentel Friedolin Krentel 2 A01 Katja Barthel Katja Barthel 3 A01 Sebastian Brand Sebastian Brand 4 A01 Alexander Friedrich Alexander Friedrich 5 A01 Anna Rebecca Hoffmann Anna Rebecca Hoffmann 6 A01 Laura Meneghello Laura Meneghello 7 A01 Jennifer Ch. Müller Jennifer Müller 8 A01 Christian Wilke Christian Wilke 01 ger 00 302 03 93 JBCC 12 JFC 04 P87-96 10 SOC000000 04 AZ(20)-999 93 CBW 12 CBW 10 LAN005000 93 GT 12 GT 20 laboratory studies; Wissenschaftsforschung; Hochschulpolitik; Akteur-Network-Theorie; Interdisziplinarität; Bruno Latour 01 06 02 00 Wie und wo entsteht kulturwissenschaftliches Wissen? Im Kopf? In der Bibliothek? Am Schreibtisch? Inspiriert von den Laborstudien der Science & Technology Studies ging das Autor*innen-Kollektiv des vorliegenden Buchs diesen Fragen nach. Aufgesucht wurden die persönlichen Schreiborte von Kulturwissenschaftler*innen verschiedener Disziplinen. I 03 00 Wie und wo entsteht kulturwissenschaftliches Wissen? Im Kopf? In der Bibliothek? Am Schreibtisch? Inspiriert von den Laborstudien der Science & Technology Studies ging das Autor*innen-Kollektiv des vorliegenden Buchs diesen Fragen nach. Aufgesucht wurden die persönlichen Schreiborte von Kulturwissenschaftler*innen verschiedener Disziplinen. In ihren Beiträgen eröffnen die Autor*innen vielfältige Perspektiven auf bislang kaum erforschte Praktiken kulturwissenschaftlicher Wissensproduktion. Hierdurch wird ein komplexes Zusammenspiel technisch-materieller, praktischer, medialer, sozialer, institutioneller, ökonomischer, politischer und ideeller Dimensionen in den Werkstätten kulturwissenschaftlichen Forschens freigelegt. Die Ergebnisse der interdisziplinär angelegten und kollaborativ erarbeiteten Studien liefern überraschende Einsichten und eröffnen weiterführende Forschungsfragen: ein Plädoyer für eine reflexive, kollaborativ-interdisziplinäre Wissenschaftspraxis. 30 00 Wie und wo entsteht kulturwissenschaftliches Wissen? Im Kopf? In der Bibliothek? Am Schreibtisch? Inspiriert von den Laborstudien der Science & Technology Studies ging das Autor*innen-Kollektiv des vorliegenden Buchs diesen Fragen nach. Aufgesucht wurden die persönlichen Schreiborte von Kulturwissenschaftler*innen verschiedener Disziplinen. In ihren Beiträgen eröffnen die Autor*innen vielfältige Perspektiven auf bislang kaum erforschte Praktiken kulturwissenschaftlicher Wissensproduktion. Hierdurch wird ein komplexes Zusammenspiel technisch-materieller, praktischer, medialer, sozialer, institutioneller, ökonomischer, politischer und ideeller Dimensionen in den Werkstätten kulturwissenschaftlichen Forschens freigelegt. Die Ergebnisse der interdisziplinär angelegten und kollaborativ erarbeiteten Studien liefern überraschende Einsichten und eröffnen weiterführende Forschungsfragen: ein Plädoyer für eine reflexive, kollaborativ-interdisziplinäre Wissenschaftspraxis. 20 00 Open Access 01 00 03 02 This is the cover of the book Library Life. 02 http://meson.press/wp-content/uploads/2015/06/library-life-cover-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/library-life 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150717 Friedolin Krentel, Katja Barthel, Sebastian Brand, Alexander Friedrich, Anna Rebecca Hoffmann, Laura Meneghello, Jennifer Ch. Müller, Christian Wilke 02 WORLD 06 15 9783957960269 03 9783957960269 06 15 9783957960276 03 9783957960276 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/library-life 20 08 20150717 01 urn:uuid:3e240ad4-206c-416b-b4ad-ab6cf621f97b 03 01 01 thoth-work-id urn:uuid:3705c0ca-b53c-4cb3-95a1-385bdf05346e 01 thoth-publication-id urn:uuid:3e240ad4-206c-416b-b4ad-ab6cf621f97b 15 9783957960269 03 9783957960269 06 10.14619/006 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Library Life Werkstätten kulturwissenschaftlichen Forschens 1 A01 Friedolin Krentel Friedolin Krentel 2 A01 Katja Barthel Katja Barthel 3 A01 Sebastian Brand Sebastian Brand 4 A01 Alexander Friedrich Alexander Friedrich 5 A01 Anna Rebecca Hoffmann Anna Rebecca Hoffmann 6 A01 Laura Meneghello Laura Meneghello 7 A01 Jennifer Ch. Müller Jennifer Müller 8 A01 Christian Wilke Christian Wilke 01 ger 00 302 03 93 JBCC 12 JFC 04 P87-96 10 SOC000000 04 AZ(20)-999 93 CBW 12 CBW 10 LAN005000 93 GT 12 GT 20 laboratory studies; Wissenschaftsforschung; Hochschulpolitik; Akteur-Network-Theorie; Interdisziplinarität; Bruno Latour 01 06 02 00 Wie und wo entsteht kulturwissenschaftliches Wissen? Im Kopf? In der Bibliothek? Am Schreibtisch? Inspiriert von den Laborstudien der Science & Technology Studies ging das Autor*innen-Kollektiv des vorliegenden Buchs diesen Fragen nach. Aufgesucht wurden die persönlichen Schreiborte von Kulturwissenschaftler*innen verschiedener Disziplinen. I 03 00 Wie und wo entsteht kulturwissenschaftliches Wissen? Im Kopf? In der Bibliothek? Am Schreibtisch? Inspiriert von den Laborstudien der Science & Technology Studies ging das Autor*innen-Kollektiv des vorliegenden Buchs diesen Fragen nach. Aufgesucht wurden die persönlichen Schreiborte von Kulturwissenschaftler*innen verschiedener Disziplinen. In ihren Beiträgen eröffnen die Autor*innen vielfältige Perspektiven auf bislang kaum erforschte Praktiken kulturwissenschaftlicher Wissensproduktion. Hierdurch wird ein komplexes Zusammenspiel technisch-materieller, praktischer, medialer, sozialer, institutioneller, ökonomischer, politischer und ideeller Dimensionen in den Werkstätten kulturwissenschaftlichen Forschens freigelegt. Die Ergebnisse der interdisziplinär angelegten und kollaborativ erarbeiteten Studien liefern überraschende Einsichten und eröffnen weiterführende Forschungsfragen: ein Plädoyer für eine reflexive, kollaborativ-interdisziplinäre Wissenschaftspraxis. 30 00 Wie und wo entsteht kulturwissenschaftliches Wissen? Im Kopf? In der Bibliothek? Am Schreibtisch? Inspiriert von den Laborstudien der Science & Technology Studies ging das Autor*innen-Kollektiv des vorliegenden Buchs diesen Fragen nach. Aufgesucht wurden die persönlichen Schreiborte von Kulturwissenschaftler*innen verschiedener Disziplinen. In ihren Beiträgen eröffnen die Autor*innen vielfältige Perspektiven auf bislang kaum erforschte Praktiken kulturwissenschaftlicher Wissensproduktion. Hierdurch wird ein komplexes Zusammenspiel technisch-materieller, praktischer, medialer, sozialer, institutioneller, ökonomischer, politischer und ideeller Dimensionen in den Werkstätten kulturwissenschaftlichen Forschens freigelegt. Die Ergebnisse der interdisziplinär angelegten und kollaborativ erarbeiteten Studien liefern überraschende Einsichten und eröffnen weiterführende Forschungsfragen: ein Plädoyer für eine reflexive, kollaborativ-interdisziplinäre Wissenschaftspraxis. 20 00 Open Access 01 00 03 02 This is the cover of the book Library Life. 02 http://meson.press/wp-content/uploads/2015/06/library-life-cover-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/library-life 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150717 Friedolin Krentel, Katja Barthel, Sebastian Brand, Alexander Friedrich, Anna Rebecca Hoffmann, Laura Meneghello, Jennifer Ch. Müller, Christian Wilke 02 WORLD 06 15 9783957960252 03 9783957960252 06 15 9783957960276 03 9783957960276 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37574 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37574/9783957960269-Library-Life.pdf 20 08 20150717 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/library-life 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2015/06/9783957960269-Library-Life.pdf 20 08 20150717 01 urn:uuid:7e092ea8-756f-4d10-88c6-c4130870bab1 03 01 01 thoth-work-id urn:uuid:3705c0ca-b53c-4cb3-95a1-385bdf05346e 01 thoth-publication-id urn:uuid:7e092ea8-756f-4d10-88c6-c4130870bab1 15 9783957960276 03 9783957960276 06 10.14619/006 00 EB E101 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Library Life Werkstätten kulturwissenschaftlichen Forschens 1 A01 Friedolin Krentel Friedolin Krentel 2 A01 Katja Barthel Katja Barthel 3 A01 Sebastian Brand Sebastian Brand 4 A01 Alexander Friedrich Alexander Friedrich 5 A01 Anna Rebecca Hoffmann Anna Rebecca Hoffmann 6 A01 Laura Meneghello Laura Meneghello 7 A01 Jennifer Ch. Müller Jennifer Müller 8 A01 Christian Wilke Christian Wilke 01 ger 00 302 03 93 JBCC 12 JFC 04 P87-96 10 SOC000000 04 AZ(20)-999 93 CBW 12 CBW 10 LAN005000 93 GT 12 GT 20 laboratory studies; Wissenschaftsforschung; Hochschulpolitik; Akteur-Network-Theorie; Interdisziplinarität; Bruno Latour 01 06 02 00 Wie und wo entsteht kulturwissenschaftliches Wissen? Im Kopf? In der Bibliothek? Am Schreibtisch? Inspiriert von den Laborstudien der Science & Technology Studies ging das Autor*innen-Kollektiv des vorliegenden Buchs diesen Fragen nach. Aufgesucht wurden die persönlichen Schreiborte von Kulturwissenschaftler*innen verschiedener Disziplinen. I 03 00 Wie und wo entsteht kulturwissenschaftliches Wissen? Im Kopf? In der Bibliothek? Am Schreibtisch? Inspiriert von den Laborstudien der Science & Technology Studies ging das Autor*innen-Kollektiv des vorliegenden Buchs diesen Fragen nach. Aufgesucht wurden die persönlichen Schreiborte von Kulturwissenschaftler*innen verschiedener Disziplinen. In ihren Beiträgen eröffnen die Autor*innen vielfältige Perspektiven auf bislang kaum erforschte Praktiken kulturwissenschaftlicher Wissensproduktion. Hierdurch wird ein komplexes Zusammenspiel technisch-materieller, praktischer, medialer, sozialer, institutioneller, ökonomischer, politischer und ideeller Dimensionen in den Werkstätten kulturwissenschaftlichen Forschens freigelegt. Die Ergebnisse der interdisziplinär angelegten und kollaborativ erarbeiteten Studien liefern überraschende Einsichten und eröffnen weiterführende Forschungsfragen: ein Plädoyer für eine reflexive, kollaborativ-interdisziplinäre Wissenschaftspraxis. 30 00 Wie und wo entsteht kulturwissenschaftliches Wissen? Im Kopf? In der Bibliothek? Am Schreibtisch? Inspiriert von den Laborstudien der Science & Technology Studies ging das Autor*innen-Kollektiv des vorliegenden Buchs diesen Fragen nach. Aufgesucht wurden die persönlichen Schreiborte von Kulturwissenschaftler*innen verschiedener Disziplinen. In ihren Beiträgen eröffnen die Autor*innen vielfältige Perspektiven auf bislang kaum erforschte Praktiken kulturwissenschaftlicher Wissensproduktion. Hierdurch wird ein komplexes Zusammenspiel technisch-materieller, praktischer, medialer, sozialer, institutioneller, ökonomischer, politischer und ideeller Dimensionen in den Werkstätten kulturwissenschaftlichen Forschens freigelegt. Die Ergebnisse der interdisziplinär angelegten und kollaborativ erarbeiteten Studien liefern überraschende Einsichten und eröffnen weiterführende Forschungsfragen: ein Plädoyer für eine reflexive, kollaborativ-interdisziplinäre Wissenschaftspraxis. 20 00 Open Access 01 00 03 02 This is the cover of the book Library Life. 02 http://meson.press/wp-content/uploads/2015/06/library-life-cover-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/library-life 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150717 Friedolin Krentel, Katja Barthel, Sebastian Brand, Alexander Friedrich, Anna Rebecca Hoffmann, Laura Meneghello, Jennifer Ch. Müller, Christian Wilke 02 WORLD 06 15 9783957960252 03 9783957960252 06 15 9783957960269 03 9783957960269 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/library-life 20 08 20150717 01 urn:uuid:bd8a9ed6-19f3-459f-aec1-80fc15f40824 03 01 01 thoth-work-id urn:uuid:1cfdc698-1513-4bf6-b849-8257fd231b92 01 thoth-publication-id urn:uuid:bd8a9ed6-19f3-459f-aec1-80fc15f40824 15 9783957960702 03 9783957960702 06 10.14619/015 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Life and Technology An Inquiry Into and Beyond Simondon 1 A01 Jean-Hugues Barthélémy Jean-Hugues Barthélémy Associated Researcher 40 013bkhk48 Université Paris Nanterre Jean-Hugues Barthélémy is Director of the Centre international des études simondoniennes (Maison des Sciences de l’Homme Paris-Nord / Fondation “pour la science”), editor and director of the Cahiers Simondon, and associated researcher at the laboratory EA 4414 HAR (University Paris Ouest—Nanterre La Défense). He is the author of several monographs on Simondon, including his recent Simondon (Paris: Les Belles Lettres, 2014; translation forthcoming: Bloomsbury, 2016), and of many articles on contemporary French and German philosophy. 2 B06 Barnaby Norman Barnaby Norman 01 eng 00 73 03 04 B1-5802 93 QD 20 Ontogenesis; Heidegger; Cybernetics; Life; Biology; Individuation; Technology; Simondon 01 06 02 00 The philosophy of Gilbert Simondon has reinvigorated contemporary thinking about biological and technological beings. In this book, Jean-Hugues Barthélémy takes up Simondon’s thought and shows how life and technology are connected by a transversal theme: individuation. In the first essay, Barthélémy delivers a contemporary interpretation of S 03 00 The philosophy of Gilbert Simondon has reinvigorated contemporary thinking about biological and technological beings. In this book, Jean-Hugues Barthélémy takes up Simondon’s thought and shows how life and technology are connected by a transversal theme: individuation. In the first essay, Barthélémy delivers a contemporary interpretation of Simondon’s concept of ontogenesis against the backdrop of biology and cybernetics. In the second essay, he extends his reflections to propose a non-anthropological understanding of technology, and so sets up a confrontation with the work of Martin Heidegger. 30 00 The philosophy of Gilbert Simondon has reinvigorated contemporary thinking about biological and technological beings. In this book, Jean-Hugues Barthélémy takes up Simondon’s thought and shows how life and technology are connected by a transversal theme: individuation. In the first essay, Barthélémy delivers a contemporary interpretation of Simondon’s concept of ontogenesis against the backdrop of biology and cybernetics. In the second essay, he extends his reflections to propose a non-anthropological understanding of technology, and so sets up a confrontation with the work of Martin Heidegger. 20 00 Open Access 01 00 03 02 This is the cover of the book Life and Technology. 02 http://meson.press/wp-content/uploads/2015/11/Barthelemy-Cover-small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/life-and-technology 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150701 Jean-Hugues Barthélémy 02 WORLD 06 15 9783957960719 03 9783957960719 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/life-and-technology 20 08 20150701 01 urn:uuid:7c696397-ac89-429d-be90-de8206b44c39 03 01 01 thoth-work-id urn:uuid:1cfdc698-1513-4bf6-b849-8257fd231b92 01 thoth-publication-id urn:uuid:7c696397-ac89-429d-be90-de8206b44c39 15 9783957960719 03 9783957960719 06 10.14619/015 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Life and Technology An Inquiry Into and Beyond Simondon 1 A01 Jean-Hugues Barthélémy Jean-Hugues Barthélémy Associated Researcher 40 013bkhk48 Université Paris Nanterre Jean-Hugues Barthélémy is Director of the Centre international des études simondoniennes (Maison des Sciences de l’Homme Paris-Nord / Fondation “pour la science”), editor and director of the Cahiers Simondon, and associated researcher at the laboratory EA 4414 HAR (University Paris Ouest—Nanterre La Défense). He is the author of several monographs on Simondon, including his recent Simondon (Paris: Les Belles Lettres, 2014; translation forthcoming: Bloomsbury, 2016), and of many articles on contemporary French and German philosophy. 2 B06 Barnaby Norman Barnaby Norman 01 eng 00 73 03 04 B1-5802 93 QD 20 Ontogenesis; Heidegger; Cybernetics; Life; Biology; Individuation; Technology; Simondon 01 06 02 00 The philosophy of Gilbert Simondon has reinvigorated contemporary thinking about biological and technological beings. In this book, Jean-Hugues Barthélémy takes up Simondon’s thought and shows how life and technology are connected by a transversal theme: individuation. In the first essay, Barthélémy delivers a contemporary interpretation of S 03 00 The philosophy of Gilbert Simondon has reinvigorated contemporary thinking about biological and technological beings. In this book, Jean-Hugues Barthélémy takes up Simondon’s thought and shows how life and technology are connected by a transversal theme: individuation. In the first essay, Barthélémy delivers a contemporary interpretation of Simondon’s concept of ontogenesis against the backdrop of biology and cybernetics. In the second essay, he extends his reflections to propose a non-anthropological understanding of technology, and so sets up a confrontation with the work of Martin Heidegger. 30 00 The philosophy of Gilbert Simondon has reinvigorated contemporary thinking about biological and technological beings. In this book, Jean-Hugues Barthélémy takes up Simondon’s thought and shows how life and technology are connected by a transversal theme: individuation. In the first essay, Barthélémy delivers a contemporary interpretation of Simondon’s concept of ontogenesis against the backdrop of biology and cybernetics. In the second essay, he extends his reflections to propose a non-anthropological understanding of technology, and so sets up a confrontation with the work of Martin Heidegger. 20 00 Open Access 01 00 03 02 This is the cover of the book Life and Technology. 02 http://meson.press/wp-content/uploads/2015/11/Barthelemy-Cover-small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/life-and-technology 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150701 Jean-Hugues Barthélémy 02 WORLD 06 15 9783957960702 03 9783957960702 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37565 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37565/978-3-95796-071-9_Barthelemy-Life-and-Technology.pdf 20 08 20150701 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/life-and-technology 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2015/11/978-3-95796-071-9_Barthelemy-Life-and-Technology.pdf 20 08 20150701 01 urn:uuid:ae0c1348-883d-4427-bd20-11fea991a151 03 01 01 thoth-work-id urn:uuid:3553f7c2-9ca9-4c98-8e0e-27d036e95f8c 01 thoth-publication-id urn:uuid:ae0c1348-883d-4427-bd20-11fea991a151 15 9783957961488 03 9783957961488 06 10.14619/1488 00 EB E107 10 Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). 02 https://creativecommons.org/licenses/by-nc/4.0/ 10 01 Series ID d8c7752c-9550-4d6a-883a-a7a3ee820962 02 00000007 01 Series URL https://meson.press/series-page/in-search-of-media 03 4 01 02 In Search of Media 01 01 Machine 1 A01 Thomas Patrick Pringle Thomas Pringle PhD Candidate 40 05gq02987 Brown University Thomas Pringle is an SSHRC doctoral and presidential fellow at Brown University, where he is a PhD candidate in the Department of Modern Culture and Media. 2 A01 Gertrud Koch Gertrud Koch Senior Professor 40 046ak2485 Freie Universität Berlin Gertrud Koch is senior professor at the Freie Universität Berlin and visiting professor at Brown University. She is the author of numerous books. Her last publication in English was Breaking Bad, Breaking Out, Breaking Even and in German was Die Wiederkehr der Illusion. 3 A01 Bernard Stiegler Bernard Stiegler Eead of the Institut de Recherche et d’Innovation 40 05e357p42 Centre Pompidou Bernard Stiegler is head of the Institut de recherche et d’innovation du Centre Pompidou and president of the Ars Industrialis association. He is the author of more than thirty books, including the recent English translation of Automatic Society: The Future of Work. 01 eng 00 104 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 20 Animation; Automation; Cybernetics; Digitization; Economics; Ecosystems; Exploitation; Philosophy; Politics; Technology 01 06 02 00 In contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of images and sounds. Formats, institutionalized as standards, frame the “technical networks” de 03 00 In contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of images and sounds. Formats, institutionalized as standards, frame the “technical networks” defined by Gilbert Simondon, that unfold technical objects into economically and politically structured webs that cover the world. Media are always formatted and, as such, do not flow: they are displaced. 30 00 In contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of images and sounds. Formats, institutionalized as standards, frame the “technical networks” defined by Gilbert Simondon, that unfold technical objects into economically and politically structured webs that cover the world. Media are always formatted and, as such, do not flow: they are displaced. 20 00 Open Access 01 00 03 02 This is the cover of the book Machine. 02 https://meson.press/wp-content/uploads/2019/04/Machine_U1.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/machine Lüneburg 04 01 20190101 Thomas Patrick Pringle Gertrud Koch Bernard Stiegler 02 WORLD WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37548 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37548/9783957961488-Machine.pdf 20 08 20190101 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/machine 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2019/04/9783957961488-Machine.pdf 20 08 20190101 01 urn:uuid:e9ca79ba-044d-4862-a503-2640f72137af 03 01 01 thoth-work-id urn:uuid:20e321b0-ebf3-4b85-9712-d3d88836be61 01 thoth-publication-id urn:uuid:e9ca79ba-044d-4862-a503-2640f72137af 15 9783957961471 03 9783957961471 06 10.14619/1471 00 EB E107 10 Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). 02 https://creativecommons.org/licenses/by-nc/4.0/ 10 01 Series ID d8c7752c-9550-4d6a-883a-a7a3ee820962 02 00000007 01 Series URL https://meson.press/series-page/in-search-of-media 03 2 01 02 In Search of Media 01 01 Markets 1 A01 21 0000000336090573 Armin Beverungen Armin Beverungen 40 02azyry73 University of Siegen Armin Beverungen currently works at the Department of Media Studies, Universität Siegen. He is a founding editor of SPHERES: JOURNAL FOR DIGITAL CULTURES and the book series DIGITAL CULTURES. Previously, he was an EDITOR OF EPHEMERA: THEORY & POLITICS IN ORGANIZATION (from 2007 to 2016). He researches at the interstices of media, social and organization theory, in the area of digital cultures. He is currently working on his habilitation project tentatively entitled Algorithmic Management. Armin is also a convenor for the EGOS Standing Working Group “Digital Technology, Media and Organization” (2018–2021). 2 A01 Philip Mirowski Philip Mirowski Carl Koch Professor of Economics and the History and Philosophy of Science 40 00mkhxb43 University of Notre Dame Philip Mirowski is Carl Koch Professor of Economics and the History and Philosophy of Science at the University of Notre Dame. He is author of More Heat than Light: Economics as Social Physics, Physics as Nature’s Economics, Machine Dreams: Economics Becomes a Cyborg Science, Science-Mart: Privatizing American Science, Never Let a Serious Crisis Go to Waste: How Neoliberalism Survived the Financial Meltdown, and, with Edward Nik-Khah, The Knowledge We Have Lost in Information: The History of Information in Modern Economics. 3 A01 21 0000000158408744 Edward Nik-Khah Edward Nik-Khah Edward Nik-Khah is professor of economics at Roanoke College. He is the author, with Philip Mirowski, of The Knowledge We Have Lost in Information: The History of Information in Modern Economics. 4 A01 Jens Schröter Jens Schröter Professor für Medienkulturwissenschaft 40 041nas322 University of Bonn Jens Schröter (Prof. Dr. phil.) ist Professor für Medienkulturwissenschaft an der Universität Bonn: Forschungsschwerpunkte: Digitale Medien; Fotografie; Intermedialität; dreidimensionale Bilder; Medientheorie und Wertkritik; Audiomedien und auditive Kultur. Ausgewählte Publikationen: Handbuch Medienwissenschaft (als Hg.), 2014; 3D. History, Theory and Aesthetics of the Technical-transplane Image, 2014; Auditive Medienkulturen. Techniken des Hörens und Praktiken der Klanggestaltung (als Hg. zus. mit A. Volmar), Bielefeld: Transcript 2013. Verdrahtet. The Wire und der Kampf um die Medien, 2012. 01 eng 00 144 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 10 BUS045000 12 KCBM 93 KCBM 93 KCSA 20 Capitalism; Digital Media; Media Studies; Money 01 06 02 00 Markets abound in media—but a media theory of markets is still emerging. Anthropology offers media archaeologies of markets, and the sociology of markets and finance unravels how contemporary financial markets have witnessed a media technological arms race. Building on such work, this volume brings together key thinkers of economic studies wi 03 00 Markets abound in media—but a media theory of markets is still emerging. Anthropology offers media archaeologies of markets, and the sociology of markets and finance unravels how contemporary financial markets have witnessed a media technological arms race. Building on such work, this volume brings together key thinkers of economic studies with German media theory, describes the central role of the media specificity of markets in new detail and inflects them in three distinct ways. Nik-Khah and Mirowski show how the denigration of human cognition and the concomitant faith in computation prevalent in contemporary market-design practices rely on neoliberal conceptions of information in markets. Schröter confronts the asymmetries and abstractions that characterize money as a medium and explores the absence of money in media. Beverungen situates these inflections and gathers further elements for a politically and historically attuned media theory of markets concerned with contemporary phenomena such as high-frequency trading and cryptocurrencies. 30 00 Markets abound in media—but a media theory of markets is still emerging. Anthropology offers media archaeologies of markets, and the sociology of markets and finance unravels how contemporary financial markets have witnessed a media technological arms race. Building on such work, this volume brings together key thinkers of economic studies with German media theory, describes the central role of the media specificity of markets in new detail and inflects them in three distinct ways. Nik-Khah and Mirowski show how the denigration of human cognition and the concomitant faith in computation prevalent in contemporary market-design practices rely on neoliberal conceptions of information in markets. Schröter confronts the asymmetries and abstractions that characterize money as a medium and explores the absence of money in media. Beverungen situates these inflections and gathers further elements for a politically and historically attuned media theory of markets concerned with contemporary phenomena such as high-frequency trading and cryptocurrencies. 20 00 Open Access 01 00 03 02 This is the cover of the book Markets. 02 https://meson.press/wp-content/uploads/2019/01/markets_cover_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/markets/ Lüneburg 04 01 20190125 Armin Beverungen Jens Schröter Philip Mirowski Edward Nik-Khah 02 WORLD WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37549 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37549/9783957961471-Markets.pdf 20 08 20190125 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/markets/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2019/01/9783957961471-Markets.pdf 20 08 20190125 01 urn:uuid:68591afe-ee59-48b4-9d9d-441ed26ce7bb 03 01 01 thoth-work-id urn:uuid:b194856c-33a3-442d-a913-3ac00088b02e 01 thoth-publication-id urn:uuid:68591afe-ee59-48b4-9d9d-441ed26ce7bb 15 9783957962201 03 9783957962201 06 10.14619/2201 00 BC 10 01 234 mm 01 23.4 cm 01 9.21 in 02 156 mm 02 15.6 cm 02 6.14 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID bb95d179-db6a-4325-81d0-8aa456fd8b58 02 00000001 01 Series URL https://meson.press/series-page/future-ecologies 03 6 01 02 Future Ecologies 01 01 Material Trajectories Designing With Care? 1 B01 21 0009000309235682 Léa Perraudin Léa Perraudin Postdoctoral Researcher 40 01hcx6992 Humboldt-Universität zu Berlin Léa Perraudin is a postdoctoral researcher at the Cluster of Excellence “Matters of Activity. Image Space Material” at Humboldt- Universität zu Berlin. Her research is concerned with (media) infrastructures of the Anthropocene, experimental cultures in media, art and design, as well as practices of knowing, writing and making in the realm of environmental humanities and queer feminist technology studies. Léa is currently working on an extensive media theory of phase transitions, investigating the material ties of media infrastructures in contemporary technocapitalist environments through situated phenomena of transience, dispersal, abundance and solidification. Together with Martin Müller, Léa leads the experimental laboratory for knowledge exchange and speculative design “CollActive Materials,” funded by the Berlin University Alliance. 2 B01 Clemens Winkler Clemens Winkler Postdoctoral Design Researcher 40 01hcx6992 Humboldt-Universität zu Berlin Clemens Winkler is a postdoctoral design researcher at the Cluster of Excellence “Matters of Activity. Image Space Material” at Humboldt- Universität zu Berlin. His work relates environmental concerns with social, scientific and technological development. By questioning atmospheric control with its epistemic foundations and institutional affiliations, he, for example, puts clouds into boxes to show what cannot be contained and therefore explores the human obsession with controlling the environment. Opening up participatory and playful frameworks through material transitions becoming intellectual and intimate markers led to his current position as visiting professor for the MA studio “Spiel und Objekt” at the University of Theatre Arts Ernst Busch Berlin.. 3 B01 21 0000000256376889 Claudia Mareis Claudia Mareis Professor of Design and History of Knowledge at the Department of Cultural History and Theory 40 01hcx6992 Humboldt-Universität zu Berlin Claudia Mareis is a design researcher and cultural historian. After initial training in Graphic Design, she studied Design, Art and Cultural Studies in Zurich, Berlin, and Linz. Since 2021, she has been professor of Design and History of Knowledge at the Department of Cultural History and Theory at Humboldt-Universität zu Berlin, where she is also the co-director of the Cluster of Excellence “Matters of Activity. Image Space Material.” Besides, she is a lecturer at the Institute for Experimental Design and Media Cultures (IXDM) at the FHNW Academy of Art and Design in Basel, where from 2013 to 2021 she has built up an interdisciplinary research group converging design, media arts, anthropology, historical studies, and technology. Her research interests include history, theory and methodology of design in the 20th century, knowledge cultures in design, experimental design and media practices, cultural history of creativity, design and material politics. 4 B01 Matthias Held Matthias Held Appointed Professor 40 016zq4f37 University of Design Schwäbisch Gmünd Matthias Held studied product design in Germany and in the US. After working as a design consultant for the German Society for International Cooperation (GIZ), including in Africa, he was a co-founder of the quintessence design studio in Stuttgart. In 2006, he was appointed professor at the HfG Schwäbisch Gmünd, heading research projects in the field of sustainability, regenerative energy and medical technology. He currently serves as prorector for research and transfer. Held is member of the German Society for Design Theory and Research (DGTF), of the Design Research Society UK and jury member of the Bundespreis Ecodesign. 5 A01 Sename Koffi Agbodjinou Sename Koffi Agbodjinou Sename Koffi Agbodjinou is an author, tech activist, and awardwinning entrepreneur. With a background in industrial design, architecture, and anthropology, he now curates exhibitions and gives lectures and workshops worldwide. He is co-founder of Africaine d’architecture, a collaborative platform for experimentation and research on L’African architecture and urbanism, and of HubCity/ WoeLabs, a network of Togolese technology hubs. He works with concepts that incorporate indigenous elements into modern design, at the level of product, building, and urban planning. His work develops alternative visions around issues of holistic architecture, primitive computationalities, democracy in technology, and urban sustainability. 6 A01 Viola S. Ahrensfeld Viola S. Ahrensfeld PhD Candidate 40 033bb5z47 Bauhaus University, Weimar Viola S. Ahrensfeld, born and raised in Cologne, is a designer and design researcher currently pursuing her PhD at Bauhaus-Universität Weimar. Her research interests focus on how design practices help shape human existence and social worlds, and the related ethical issues of design as a practice of the everyday life. 7 A01 21 0000000289900325 Joanna Boehnert Joanna Boehnert Senior Lecturer 40 0038jbq24 Bath Spa University Joanna Boehnert is senior lecturer at the Design School at Bath Spa University. She is currently working on two UKRI research projects on net zero transitions and Gregory Bateson’s ecological aesthetics. She is author of Design/Ecology/ Politics: Towards the Ecocene (2018) and a fellow at the Centre for the Understanding of Sustainable Prosperity (CUSP). She is originally from Canada and tweets @ecocene. 8 A01 Jessica Bulling Jessica Bulling PhD Candidate 40 042aqky30 TU Dresden PhD Candidate 40 016zq4f37 University of Design Schwäbisch Gmünd Jessica Bulling studied Product Design (BA) and Strategic Design (MA) at HfG Schwäbisch Gmünd. Building upon her master’s thesis on “Vegetarianism and Veganism—Potentials for Design,” she is currently pursuing her PhD on “Materials as Carriers of Meaning—Perception and Impact in the Context of Leather Substitution” at TU Dresden and HfG Schwäbisch Gmünd. Her work focuses on material design, material semantics, and ecodesign. Additionally, Jessica Bulling serves as a lecturer at HfG Schwäbisch Gmünd. 9 A01 Michaela Büsse Michaela Büsse Postdoctoral Researcher 40 042aqky30 TU Dresden Michaela Büsse is a postdoctoral researcher at the chair of Digital Culture at Technische Universität Dresden and associated investigator at the Cluster of Excellence “Matters of Activity. Image Space Material” at Humboldt-Universität zu Berlin. In her research she focuses on sociomaterial transformations in the context of speculative urbanism, climate change mitigation, and energy transition. Drawing on elemental anthropology and feminist science and technology studies, she investigates how design practices and technologies govern environments and define who and what is being rendered inhuman. 10 A01 Emile De Visscher Emile De Visscher Chaire Professeur Junior 40 05a0dhs15 École Normale Supérieure - PSL Emile De Visscher is an engineer, designer and researcher exploring new materials and manufacturing methods. Through this practicebased research, he questions the political role of technology and its underlying concepts like productivity, functionalism or efficiency in regards to current social and environmental changes. Emile De Visscher was a research associate at the Cluster of Excellence “Matters of Activity”, Humboldt-Universität zu Berlin from 2019-23 and now holds the Chaire Professeur Junior “Design for ecological transitions” at ENS Paris Saclay. 11 A01 21 0000000181520910 Roman Kirschner Roman Kirschner 40 05r0ap620 Zurich University of the Arts Roman Kirschner is a designer, artist, researcher, and teacher working across disciplines. After studies of philosophy, art history and audiovisual art, he completed a PhD on “the paradigm of material activity in the plastic arts.” He was the project leader of the arts-based research project “Liquid Things” (FWF, AT) and the editor of Raw Flows: Fluid Mattering in Arts and Research (2017). Currently he is the Co-PI of the research project “Interfacing the Ocean” (SNF, CH). His current research revolves around metabolism and ecologies, fluid material systems, spatial strategies, research methods and the mutual influence of material, imagination and epistemology. 12 A01 21 0000000206143374 Manuel Kretzer Manuel Kretzer Professor for Material and Technology 40 0076zct58 Anhalt University of Applied Sciences Manuel Kretzer is professor for Material and Technology at the Dessau Department of Design, Anhalt University of Applied Sciences and director of the Materiability Research Group. The group’s work focuses on exploring novel material properties in unison with digital design and fabrication processes. A particular emphasis is on adaptive or smart technologies as well as biological materials as sustainable alternatives to synthetic, petroleum-based resources. 13 A01 Anupama Kundoo Anupama Kundoo Professor 40 012m9bp23 University of Applied Sciences Potsdam Anupama Kundoo is an architect whose practice, established in 1990, focuses on environmentally conscious architecture suited to the socio-economic context. She is currently professor at FH Potsdam, Germany, and has taught in a variety of cultural contexts and institutions across the world. Her researchoriented work has been showcased at the Venice Architecture Biennale twice, with installations in 2012 and 2016. Kundoo is the author of Roger Anger: Research on Beauty/Recherche sur la Beauté, Architecture 1958-2008 published in Berlin by Jovis Verlag in 2009 and has actively assisted chief architect Roger Anger with the development of the city plan of Auroville, an international city-inthe- making in South India founded in 1968 as a prototype for future cities. 14 A01 21 0009000477698811 Martin Müller Martin Müller 40 01hcx6992 Humboldt-Universität zu Berlin Martin Müller researches and teaches at the Cluster of Excellence “Matters of Activity. Image Space Material” at the Department of Cultural History and Theory at Humboldt-Universität zu Berlin. His research is located at the intersection of cultural history and theory, media studies, history of knowledge and science, and design theory. Together with Léa Perraudin, he leads the experimental laboratory for knowledge exchange and speculative design “CollActive Materials”—a joint project of the Clusters “Matters of Activity” and “Science of Intelligence,” funded by the Berlin University Alliance. He has recently published Leben machen. Die Zoëpolitik der synthetischen Biologie (Berlin: De Gruyter, 2023). 15 A01 Fara Peluso Fara Peluso Fara Peluso is a Berlin based artist-designer which through a speculative methodology pursues a deep research on algae poetic and agency. Peluso, investigating possible closer relationships between human beings and algae organisms, wants to raise critical questions about human and more-than-human coexistence. In 2022 she was nine months in residency at Ars- Electronica, regional S+T+ARTS center in Linz, with the collaborative project “Circular Records” about LP bioplastic manufacturing. In March 2023 she showed the project “Tecuitlatl” at Weltmuseum Vienna, an algae sound installation in collaboration with the sound composer Hüma Utku and in research collaboration with Prof. María Antonia González Valerio. 16 A01 21 0000000168633689 Wolfgang Schäffner Wolfgang Schäffner 40 01hcx6992 Humboldt-Universität zu Berlin Wolfgang Schäffner, a historian of science and media technologies, has been professor of the Cultural History of Knowledge at the Department of History and Theory of Culture at Humboldt-Universität zu Berlin since 2009 and is director of the Cluster of Excellence “Matters of Activity.” His main research fields are the development of a Geistand Material Science / Material Humanties, with special focus on analog code, active matter, intercultural and transdisciplinary knowledge production (collaborative projects with Universidad Nacional de Colombia and Universidad de Costa Rica), and design as interdisciplinary practice-oriented research. He has also been permanent guest full professor at the Universidad de Buenos Aires since 2005 and head of the Master’s degree program “Open Design” of the Humboldt-Universität zu Berlin and Universidad de Buenos Aires. 17 A01 Lea Schmidt Lea Schmidt Research Associate 40 04nd0xd48 Lucerne University of Applied Sciences and Arts Doctoral Candidate 40 042aqky30 TU Dresden Lea Schmidt is a research associate at Lucerne University of Applied Sciences and Arts and a doctoral candidate at TU Dresden’s chair of Industrial Design Engineering. Her research focuses on sustainability, design, and technology, with a particular interest in material circularity and its design implications. 18 A01 21 0000000182606214 Maxie Schneider Maxie Schneider PhD Candidate 40 01hcx6992 Humboldt-Universität zu Berlin Maxie Schneider is an architectural design researcher and lecturer. Her work combines physical and digital prototyping to develop textile building techniques and fibre-based material systems. She has collaborated on various design-build projects and advanced material experiments into structural implementation. As a research associate and PhD candidate at the Cluster of Excellence “Matters of Activity. Image Space Material,” Humboldt-Universität zu Berlin and TU Berlin, she investigates adaptive textile structures and the functionalization of softness in architecture. 19 A01 21 0009000046127128 Emilia Tikka Emilia Tikka PhD Candidate 40 020hwjq30 Aalto University Emilia Tikka is a designer and researcher working in the intersection of speculative design practices, feminist science and technology studies and novel bioscience research including genome-editing technologies and epigenetics. Her current research focuses on re-imaging humannature- technology relations through situated and collaborative practices of designing and storytelling. She is currently a PhD candidate at Aalto University, School of Arts, Design and Architecture in Helsinki, where she is a member of the research group Empirica. Emilia is also an associated member at the Cluster of Excellence “Matters of Activity. Image Space Material” at Humboldt- Universität zu Berlin. 20 A01 Ebba Fransén Waldhör Ebba Fransén Waldhör Ebba Fransén Waldhör is a designer and lecturer in the fields of spatial installation and textile research. As a design researcher she investigates adaptive materials in textiles and how they function in architectural contexts. In her independent practice, she develops experimental spatial concepts for artists and institutions. The materiality of textiles as soft barriers provides a material ground from which she explores questions of spatial boundaries and their permeability. 21 A01 21 0000000302457541 Charlett Wenig Charlett Wenig 40 00pwgnh47 Max Planck Institute of Colloids and Interfaces Charlett Wenig is an industrial designer (MSc) who did a dissertation on tree bark in the discipline of materials sciences. She is a researcher with a keen interest in biomaterials and sustainable design practices. With her background in both science and design, she specializes in exploring the potential of natural materials and their applications in various fields. In the “Matters of Activity” research group “Adaptive Fibrous Materials” at the MPI for Colloids and Interfaces she aims to bridge the gap between science and design, promoting a research approach that considers material origins, processing methods, and environmental impact to create innovative and sustainable solutions. 22 A01 Susanne Witzgall Susanne Witzgall Senior Lecturer for Transdisciplinary Studies 40 044rf5p19 Academy of Fine Arts Munich Susanne Witzgall holds a PhD in art history and is senior lecturer for transdisciplinary studies at the Academy of Fine Arts Munich, where she has directed the cx centrum for interdisciplinary studies since 2011. She is the author and editor of numerous books and essays on contemporary art, on the relationship between art and science, and on current interdisciplinary discourses. These include among others the anthologies Power of Material / Politics of Materiality (2014, with K. Stakemeier), Hybrid Ecologies (2019, with M. Kesting, M. Muhle, and J. Nachtigall) and Human after Man (2023, with M. Kesting). 01 eng 00 288 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 12 AK 93 AK 10 DES000000 93 PSAF 12 PSAF 10 SCI020000 20 caretaking; sustainability; ecology; architecture; design; design 01 06 02 00 Material Trajectories: Designing With Care? turns towards material-driven design processes with the aim of relocating technoscientific trajectories. Concerned with new forms of caretaking, it combines positions from the extended fields of design research and humanities scholarship including practice-based approaches. The contributions explore 03 00 Material Trajectories: Designing With Care? turns towards material-driven design processes with the aim of relocating technoscientific trajectories. Concerned with new forms of caretaking, it combines positions from the extended fields of design research and humanities scholarship including practice-based approaches. The contributions explore current ecological conditions through multiple acts of making-with and seek to complicate questions of sustainability, livability, and cooperation. In reassessing the status quo in design and architecture as material practices, they provide outlines for a nuanced reading of these worldmaking processes and ask what different ways of designing with care and complicity might entail. 30 00 Material Trajectories: Designing With Care? turns towards material-driven design processes with the aim of relocating technoscientific trajectories. Concerned with new forms of caretaking, it combines positions from the extended fields of design research and humanities scholarship including practice-based approaches. The contributions explore current ecological conditions through multiple acts of making-with and seek to complicate questions of sustainability, livability, and cooperation. In reassessing the status quo in design and architecture as material practices, they provide outlines for a nuanced reading of these worldmaking processes and ask what different ways of designing with care and complicity might entail. 20 00 Open Access 01 00 03 02 This is the cover of the book Material Trajectories. 02 https://meson.press/wp-content/uploads/2023/12/Material-Trajectories-Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/material-trajectories/ 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Germany's Excellence Strategy 01 projectname Matters of Activity. Image Space Material 01 projectshortname Matters of Activtiy 01 grantnumber 390648296 16 40 00yjd3n13 32 10.13039/501100001711 Swiss National Science Foundation Lüneburg 04 01 20231229 Léa Perraudin, Clemens Winkler, Claudia Mareis, Matthias Held 02 WORLD 06 15 9783957962218 03 9783957962218 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/material-trajectories/ 20 08 20231229 01 urn:uuid:0c45532a-9753-439c-a6b2-625f5baa8763 03 01 01 thoth-work-id urn:uuid:b194856c-33a3-442d-a913-3ac00088b02e 01 thoth-publication-id urn:uuid:0c45532a-9753-439c-a6b2-625f5baa8763 15 9783957962218 03 9783957962218 06 10.14619/2201 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID bb95d179-db6a-4325-81d0-8aa456fd8b58 02 00000001 01 Series URL https://meson.press/series-page/future-ecologies 03 6 01 02 Future Ecologies 01 01 Material Trajectories Designing With Care? 1 B01 21 0009000309235682 Léa Perraudin Léa Perraudin Postdoctoral Researcher 40 01hcx6992 Humboldt-Universität zu Berlin Léa Perraudin is a postdoctoral researcher at the Cluster of Excellence “Matters of Activity. Image Space Material” at Humboldt- Universität zu Berlin. Her research is concerned with (media) infrastructures of the Anthropocene, experimental cultures in media, art and design, as well as practices of knowing, writing and making in the realm of environmental humanities and queer feminist technology studies. Léa is currently working on an extensive media theory of phase transitions, investigating the material ties of media infrastructures in contemporary technocapitalist environments through situated phenomena of transience, dispersal, abundance and solidification. Together with Martin Müller, Léa leads the experimental laboratory for knowledge exchange and speculative design “CollActive Materials,” funded by the Berlin University Alliance. 2 B01 Clemens Winkler Clemens Winkler Postdoctoral Design Researcher 40 01hcx6992 Humboldt-Universität zu Berlin Clemens Winkler is a postdoctoral design researcher at the Cluster of Excellence “Matters of Activity. Image Space Material” at Humboldt- Universität zu Berlin. His work relates environmental concerns with social, scientific and technological development. By questioning atmospheric control with its epistemic foundations and institutional affiliations, he, for example, puts clouds into boxes to show what cannot be contained and therefore explores the human obsession with controlling the environment. Opening up participatory and playful frameworks through material transitions becoming intellectual and intimate markers led to his current position as visiting professor for the MA studio “Spiel und Objekt” at the University of Theatre Arts Ernst Busch Berlin.. 3 B01 21 0000000256376889 Claudia Mareis Claudia Mareis Professor of Design and History of Knowledge at the Department of Cultural History and Theory 40 01hcx6992 Humboldt-Universität zu Berlin Claudia Mareis is a design researcher and cultural historian. After initial training in Graphic Design, she studied Design, Art and Cultural Studies in Zurich, Berlin, and Linz. Since 2021, she has been professor of Design and History of Knowledge at the Department of Cultural History and Theory at Humboldt-Universität zu Berlin, where she is also the co-director of the Cluster of Excellence “Matters of Activity. Image Space Material.” Besides, she is a lecturer at the Institute for Experimental Design and Media Cultures (IXDM) at the FHNW Academy of Art and Design in Basel, where from 2013 to 2021 she has built up an interdisciplinary research group converging design, media arts, anthropology, historical studies, and technology. Her research interests include history, theory and methodology of design in the 20th century, knowledge cultures in design, experimental design and media practices, cultural history of creativity, design and material politics. 4 B01 Matthias Held Matthias Held Appointed Professor 40 016zq4f37 University of Design Schwäbisch Gmünd Matthias Held studied product design in Germany and in the US. After working as a design consultant for the German Society for International Cooperation (GIZ), including in Africa, he was a co-founder of the quintessence design studio in Stuttgart. In 2006, he was appointed professor at the HfG Schwäbisch Gmünd, heading research projects in the field of sustainability, regenerative energy and medical technology. He currently serves as prorector for research and transfer. Held is member of the German Society for Design Theory and Research (DGTF), of the Design Research Society UK and jury member of the Bundespreis Ecodesign. 5 A01 Sename Koffi Agbodjinou Sename Koffi Agbodjinou Sename Koffi Agbodjinou is an author, tech activist, and awardwinning entrepreneur. With a background in industrial design, architecture, and anthropology, he now curates exhibitions and gives lectures and workshops worldwide. He is co-founder of Africaine d’architecture, a collaborative platform for experimentation and research on L’African architecture and urbanism, and of HubCity/ WoeLabs, a network of Togolese technology hubs. He works with concepts that incorporate indigenous elements into modern design, at the level of product, building, and urban planning. His work develops alternative visions around issues of holistic architecture, primitive computationalities, democracy in technology, and urban sustainability. 6 A01 Viola S. Ahrensfeld Viola S. Ahrensfeld PhD Candidate 40 033bb5z47 Bauhaus University, Weimar Viola S. Ahrensfeld, born and raised in Cologne, is a designer and design researcher currently pursuing her PhD at Bauhaus-Universität Weimar. Her research interests focus on how design practices help shape human existence and social worlds, and the related ethical issues of design as a practice of the everyday life. 7 A01 21 0000000289900325 Joanna Boehnert Joanna Boehnert Senior Lecturer 40 0038jbq24 Bath Spa University Joanna Boehnert is senior lecturer at the Design School at Bath Spa University. She is currently working on two UKRI research projects on net zero transitions and Gregory Bateson’s ecological aesthetics. She is author of Design/Ecology/ Politics: Towards the Ecocene (2018) and a fellow at the Centre for the Understanding of Sustainable Prosperity (CUSP). She is originally from Canada and tweets @ecocene. 8 A01 Jessica Bulling Jessica Bulling PhD Candidate 40 042aqky30 TU Dresden PhD Candidate 40 016zq4f37 University of Design Schwäbisch Gmünd Jessica Bulling studied Product Design (BA) and Strategic Design (MA) at HfG Schwäbisch Gmünd. Building upon her master’s thesis on “Vegetarianism and Veganism—Potentials for Design,” she is currently pursuing her PhD on “Materials as Carriers of Meaning—Perception and Impact in the Context of Leather Substitution” at TU Dresden and HfG Schwäbisch Gmünd. Her work focuses on material design, material semantics, and ecodesign. Additionally, Jessica Bulling serves as a lecturer at HfG Schwäbisch Gmünd. 9 A01 Michaela Büsse Michaela Büsse Postdoctoral Researcher 40 042aqky30 TU Dresden Michaela Büsse is a postdoctoral researcher at the chair of Digital Culture at Technische Universität Dresden and associated investigator at the Cluster of Excellence “Matters of Activity. Image Space Material” at Humboldt-Universität zu Berlin. In her research she focuses on sociomaterial transformations in the context of speculative urbanism, climate change mitigation, and energy transition. Drawing on elemental anthropology and feminist science and technology studies, she investigates how design practices and technologies govern environments and define who and what is being rendered inhuman. 10 A01 Emile De Visscher Emile De Visscher Chaire Professeur Junior 40 05a0dhs15 École Normale Supérieure - PSL Emile De Visscher is an engineer, designer and researcher exploring new materials and manufacturing methods. Through this practicebased research, he questions the political role of technology and its underlying concepts like productivity, functionalism or efficiency in regards to current social and environmental changes. Emile De Visscher was a research associate at the Cluster of Excellence “Matters of Activity”, Humboldt-Universität zu Berlin from 2019-23 and now holds the Chaire Professeur Junior “Design for ecological transitions” at ENS Paris Saclay. 11 A01 21 0000000181520910 Roman Kirschner Roman Kirschner 40 05r0ap620 Zurich University of the Arts Roman Kirschner is a designer, artist, researcher, and teacher working across disciplines. After studies of philosophy, art history and audiovisual art, he completed a PhD on “the paradigm of material activity in the plastic arts.” He was the project leader of the arts-based research project “Liquid Things” (FWF, AT) and the editor of Raw Flows: Fluid Mattering in Arts and Research (2017). Currently he is the Co-PI of the research project “Interfacing the Ocean” (SNF, CH). His current research revolves around metabolism and ecologies, fluid material systems, spatial strategies, research methods and the mutual influence of material, imagination and epistemology. 12 A01 21 0000000206143374 Manuel Kretzer Manuel Kretzer Professor for Material and Technology 40 0076zct58 Anhalt University of Applied Sciences Manuel Kretzer is professor for Material and Technology at the Dessau Department of Design, Anhalt University of Applied Sciences and director of the Materiability Research Group. The group’s work focuses on exploring novel material properties in unison with digital design and fabrication processes. A particular emphasis is on adaptive or smart technologies as well as biological materials as sustainable alternatives to synthetic, petroleum-based resources. 13 A01 Anupama Kundoo Anupama Kundoo Professor 40 012m9bp23 University of Applied Sciences Potsdam Anupama Kundoo is an architect whose practice, established in 1990, focuses on environmentally conscious architecture suited to the socio-economic context. She is currently professor at FH Potsdam, Germany, and has taught in a variety of cultural contexts and institutions across the world. Her researchoriented work has been showcased at the Venice Architecture Biennale twice, with installations in 2012 and 2016. Kundoo is the author of Roger Anger: Research on Beauty/Recherche sur la Beauté, Architecture 1958-2008 published in Berlin by Jovis Verlag in 2009 and has actively assisted chief architect Roger Anger with the development of the city plan of Auroville, an international city-inthe- making in South India founded in 1968 as a prototype for future cities. 14 A01 21 0009000477698811 Martin Müller Martin Müller 40 01hcx6992 Humboldt-Universität zu Berlin Martin Müller researches and teaches at the Cluster of Excellence “Matters of Activity. Image Space Material” at the Department of Cultural History and Theory at Humboldt-Universität zu Berlin. His research is located at the intersection of cultural history and theory, media studies, history of knowledge and science, and design theory. Together with Léa Perraudin, he leads the experimental laboratory for knowledge exchange and speculative design “CollActive Materials”—a joint project of the Clusters “Matters of Activity” and “Science of Intelligence,” funded by the Berlin University Alliance. He has recently published Leben machen. Die Zoëpolitik der synthetischen Biologie (Berlin: De Gruyter, 2023). 15 A01 Fara Peluso Fara Peluso Fara Peluso is a Berlin based artist-designer which through a speculative methodology pursues a deep research on algae poetic and agency. Peluso, investigating possible closer relationships between human beings and algae organisms, wants to raise critical questions about human and more-than-human coexistence. In 2022 she was nine months in residency at Ars- Electronica, regional S+T+ARTS center in Linz, with the collaborative project “Circular Records” about LP bioplastic manufacturing. In March 2023 she showed the project “Tecuitlatl” at Weltmuseum Vienna, an algae sound installation in collaboration with the sound composer Hüma Utku and in research collaboration with Prof. María Antonia González Valerio. 16 A01 21 0000000168633689 Wolfgang Schäffner Wolfgang Schäffner 40 01hcx6992 Humboldt-Universität zu Berlin Wolfgang Schäffner, a historian of science and media technologies, has been professor of the Cultural History of Knowledge at the Department of History and Theory of Culture at Humboldt-Universität zu Berlin since 2009 and is director of the Cluster of Excellence “Matters of Activity.” His main research fields are the development of a Geistand Material Science / Material Humanties, with special focus on analog code, active matter, intercultural and transdisciplinary knowledge production (collaborative projects with Universidad Nacional de Colombia and Universidad de Costa Rica), and design as interdisciplinary practice-oriented research. He has also been permanent guest full professor at the Universidad de Buenos Aires since 2005 and head of the Master’s degree program “Open Design” of the Humboldt-Universität zu Berlin and Universidad de Buenos Aires. 17 A01 Lea Schmidt Lea Schmidt Research Associate 40 04nd0xd48 Lucerne University of Applied Sciences and Arts Doctoral Candidate 40 042aqky30 TU Dresden Lea Schmidt is a research associate at Lucerne University of Applied Sciences and Arts and a doctoral candidate at TU Dresden’s chair of Industrial Design Engineering. Her research focuses on sustainability, design, and technology, with a particular interest in material circularity and its design implications. 18 A01 21 0000000182606214 Maxie Schneider Maxie Schneider PhD Candidate 40 01hcx6992 Humboldt-Universität zu Berlin Maxie Schneider is an architectural design researcher and lecturer. Her work combines physical and digital prototyping to develop textile building techniques and fibre-based material systems. She has collaborated on various design-build projects and advanced material experiments into structural implementation. As a research associate and PhD candidate at the Cluster of Excellence “Matters of Activity. Image Space Material,” Humboldt-Universität zu Berlin and TU Berlin, she investigates adaptive textile structures and the functionalization of softness in architecture. 19 A01 21 0009000046127128 Emilia Tikka Emilia Tikka PhD Candidate 40 020hwjq30 Aalto University Emilia Tikka is a designer and researcher working in the intersection of speculative design practices, feminist science and technology studies and novel bioscience research including genome-editing technologies and epigenetics. Her current research focuses on re-imaging humannature- technology relations through situated and collaborative practices of designing and storytelling. She is currently a PhD candidate at Aalto University, School of Arts, Design and Architecture in Helsinki, where she is a member of the research group Empirica. Emilia is also an associated member at the Cluster of Excellence “Matters of Activity. Image Space Material” at Humboldt- Universität zu Berlin. 20 A01 Ebba Fransén Waldhör Ebba Fransén Waldhör Ebba Fransén Waldhör is a designer and lecturer in the fields of spatial installation and textile research. As a design researcher she investigates adaptive materials in textiles and how they function in architectural contexts. In her independent practice, she develops experimental spatial concepts for artists and institutions. The materiality of textiles as soft barriers provides a material ground from which she explores questions of spatial boundaries and their permeability. 21 A01 21 0000000302457541 Charlett Wenig Charlett Wenig 40 00pwgnh47 Max Planck Institute of Colloids and Interfaces Charlett Wenig is an industrial designer (MSc) who did a dissertation on tree bark in the discipline of materials sciences. She is a researcher with a keen interest in biomaterials and sustainable design practices. With her background in both science and design, she specializes in exploring the potential of natural materials and their applications in various fields. In the “Matters of Activity” research group “Adaptive Fibrous Materials” at the MPI for Colloids and Interfaces she aims to bridge the gap between science and design, promoting a research approach that considers material origins, processing methods, and environmental impact to create innovative and sustainable solutions. 22 A01 Susanne Witzgall Susanne Witzgall Senior Lecturer for Transdisciplinary Studies 40 044rf5p19 Academy of Fine Arts Munich Susanne Witzgall holds a PhD in art history and is senior lecturer for transdisciplinary studies at the Academy of Fine Arts Munich, where she has directed the cx centrum for interdisciplinary studies since 2011. She is the author and editor of numerous books and essays on contemporary art, on the relationship between art and science, and on current interdisciplinary discourses. These include among others the anthologies Power of Material / Politics of Materiality (2014, with K. Stakemeier), Hybrid Ecologies (2019, with M. Kesting, M. Muhle, and J. Nachtigall) and Human after Man (2023, with M. Kesting). 01 eng 00 288 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 12 AK 93 AK 10 DES000000 93 PSAF 12 PSAF 10 SCI020000 20 caretaking; sustainability; ecology; architecture; design; design 01 06 02 00 Material Trajectories: Designing With Care? turns towards material-driven design processes with the aim of relocating technoscientific trajectories. Concerned with new forms of caretaking, it combines positions from the extended fields of design research and humanities scholarship including practice-based approaches. The contributions explore 03 00 Material Trajectories: Designing With Care? turns towards material-driven design processes with the aim of relocating technoscientific trajectories. Concerned with new forms of caretaking, it combines positions from the extended fields of design research and humanities scholarship including practice-based approaches. The contributions explore current ecological conditions through multiple acts of making-with and seek to complicate questions of sustainability, livability, and cooperation. In reassessing the status quo in design and architecture as material practices, they provide outlines for a nuanced reading of these worldmaking processes and ask what different ways of designing with care and complicity might entail. 30 00 Material Trajectories: Designing With Care? turns towards material-driven design processes with the aim of relocating technoscientific trajectories. Concerned with new forms of caretaking, it combines positions from the extended fields of design research and humanities scholarship including practice-based approaches. The contributions explore current ecological conditions through multiple acts of making-with and seek to complicate questions of sustainability, livability, and cooperation. In reassessing the status quo in design and architecture as material practices, they provide outlines for a nuanced reading of these worldmaking processes and ask what different ways of designing with care and complicity might entail. 20 00 Open Access 01 00 03 02 This is the cover of the book Material Trajectories. 02 https://meson.press/wp-content/uploads/2023/12/Material-Trajectories-Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/material-trajectories/ 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Germany's Excellence Strategy 01 projectname Matters of Activity. Image Space Material 01 projectshortname Matters of Activtiy 01 grantnumber 390648296 16 40 00yjd3n13 32 10.13039/501100001711 Swiss National Science Foundation Lüneburg 04 01 20231229 Léa Perraudin, Clemens Winkler, Claudia Mareis, Matthias Held 02 WORLD 06 15 9783957962201 03 9783957962201 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88723 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/88723/978-3-95796-221-8_material_trajectories.pdf?sequence=1&isAllowed=y 20 08 20231229 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/material-trajectories/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2023/12/978-3-95796-221-8_material_trajectories.pdf 20 08 20231229 01 urn:uuid:85f4ae90-da2d-4e6c-bfb9-f8136006cf87 03 01 01 thoth-work-id urn:uuid:ce4bfb3b-6f5b-4d37-8d85-9ca20c35d279 01 thoth-publication-id urn:uuid:85f4ae90-da2d-4e6c-bfb9-f8136006cf87 15 9783957960283 03 9783957960283 06 10.14619/028-3 00 EB E107 10 Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). 02 https://creativecommons.org/licenses/by-nc/4.0/ 10 01 Series ID d8c7752c-9550-4d6a-883a-a7a3ee820962 02 00000007 01 Series URL https://meson.press/series-page/in-search-of-media 03 11 01 02 In Search of Media 01 01 Media and Management 1 A01 Rutvica Andrijasevic Rutvica Andrijasevic Associate Professor of International Migration and Business 40 0524sp257 University of Bristol Rutvica Andrijasevic is associate professor of international migration and business in the School of Management at the University of Bristol. She is author of Migration, Agency, and Citizenship in Sex Trafficking. 2 A01 Julie Yujie Chen Julie Yujie Chen Assistant Professor in the Institute of Communication, Culture, Information, and Technology (ICCIT) 40 03dbr7087 University of Toronto Julie Yujie Chen is assistant professor in the Institute of Communication, Culture, Information, and Technology (ICCIT) at the University of Toronto Mississauga and holds a graduate appointment in the Faculty of Information. She is lead author of Super-sticky WeChat and Chinese Society. 3 A01 Melissa Gregg Melissa Gregg Senior Principal Engineer in the Client Computing Group 40 01ek73717 Intel (United States) Melissa Gregg is senior principal engineer in the Client Computing Group at Intel. Her previous books include Counterproductive: Time Management in the Knowledge Economy, Work’s Intimacy, and The Affect Theory Reader. 4 A01 Marc Steinberg Marc Steinberg Associate Professor of Film Studies 40 0420zvk78 Concordia University Marc Steinberg is associate professor of film studies at Concordia University. He is the author of Anime’s Media Mix: Franchising Toys and Characters in Japan (Minnesota, 2012) and The Platform Economy: How Japan Transformed the Consumer Internet (Minnesota, 2019). 01 eng 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 10 BUS041000 04 HD28-9999 93 JHBL 12 JHBL 04 HD28-70 93 KJ 12 KJ 20 Management; Arbeit; Digitalisierung; Logistik; Medien 01 06 02 00 Management is enabled by media, just as media give life to management. Studying the management innovations learned through media uncovers the evolving relationship between workers and employers. With a view to history, Media and Management shows the interdependence of hardware, software, and human experience adjusting to algorithmically defin 03 00 Management is enabled by media, just as media give life to management. Studying the management innovations learned through media uncovers the evolving relationship between workers and employers. With a view to history, Media and Management shows the interdependence of hardware, software, and human experience adjusting to algorithmically defined rhythms. 30 00 Management is enabled by media, just as media give life to management. Studying the management innovations learned through media uncovers the evolving relationship between workers and employers. With a view to history, Media and Management shows the interdependence of hardware, software, and human experience adjusting to algorithmically defined rhythms. 20 00 Open Access 01 00 03 02 This is the cover of the book Media and Management. 02 https://meson.press/wp-content/uploads/2021/10/978-3-95796-028-3_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/media-and-management/ 16 40 0213rcc28 32 10.13039/501100004326 Simon Fraser University 01 programname Canada 150 Research Chairs Program Lüneburg 04 01 20211015 Rutvica Andrijasevic Julie Yujie Chen Melissa Gregg Marc Steinberg 02 WORLD WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88699 29 OAPEN: download the title https://library.oapen.org/bitstream/20.500.12657/88699/1/978-3-95796-028-3-Media-and-Management.pdf 20 08 20211015 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/media-and-management/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2021/10/978-3-95796-028-3_FC.jpg 20 08 20211015 01 urn:uuid:b39bad49-82f7-442a-bbeb-8dd8a2165c81 03 01 01 thoth-work-id urn:uuid:9d3b1a51-b2d0-44df-a037-f1e219d0e436 01 thoth-publication-id urn:uuid:b39bad49-82f7-442a-bbeb-8dd8a2165c81 15 9783957962126 03 9783957962126 06 10.14619/2126 00 BC 10 01 120 mm 01 12 cm 01 4.72 in 02 190 mm 02 19 cm 02 7.48 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Mediale Teilhabe Partizipation zwischen Anspruch und Inanspruchnahme 1 B01 21 0000000260419968 Beate Ochsner Beate Ochsner Professor of Media Sciences 40 0546hnb39 University of Konstanz Beate Ochsner is professor of Media Sciences at the University of Konstanz since 2008. Since October 2022 she is part of the Directorate of the Centre for Human | Data | Society. After earning her master’s degree in 1992 in Romance and German Studies, General Linguistics, studying at the University of Mannheim and the University of Nantes, she received her doctorate for a thesis on Roman Languages, Literature, and Media in 1996 (thesis: Charles Nodier. Digressionen), followed by the habilitation in 2002 (thesis: DeMONSTRAtion. Zur Repräsentation des Monsters in Literatur, Fotografie und Film). She has expert knowledge in the field of Digital Cultures, Media and Disability Studies, Assistive Technologies, and (Online) Gaming. Beate Ochsner was spokeswoman of the interdisciplinary Research Group “Media and Participation” (mediaandparticipation.com) supported by the German Research Foundation (2015-2022). Since 2021 she is a member of the Sensory Studies Research Directory (Montréal, Canada). She is founder of the Research Network “Social Serious Gaming” and member of the Expert Commission for the Evaluation of the Centre for Media Studies (Brandenburg). 2 A01 Erich Hörl Erich Hörl 3 A01 21 0000000337919240 Milan Stürmer Milan Stürmer 4 A01 Markus Spöhrer Markus Spöhrer 5 A01 21 0000000222560928 Robert Stock Robert Stock 6 A01 Isabell Otto Isabell Otto 7 A01 Urs Stäheli Urs Stäheli 8 A01 21 0000000316918898 Anne Ganzert Anne Ganzert 9 A01 21 0000000289550222 Mathias Denecke Mathias Denecke 10 A01 Matthias Drusell Matthias Drusell 11 A01 21 0000000163330400 Elke Bippus Elke Bippus 12 A01 21 000000032392783X Christoph Brunner Christoph Brunner 13 A01 Roberto Nigro Roberto Nigro 14 A01 Michel Schreiber Michel Schreiber 15 A01 nate wessalowski nate wessalowski 16 A01 21 0000000163963080 Ruth Lang Ruth Lang 01 ger 00 274 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 93 JH 12 JH 10 SOC002000 12 JNF 93 JNF 93 KJMV22 93 YXP 01 06 02 00 Gesellschaftliche, politische und wissenschaftliche Forderungen nach mehr Beteiligung, Zugang und Mitwirkung sind ebenso allgegenwärtig wie spannungsgeladen und durchzogen von Ambivalenzen. Mediale Teilhabe fragt nach den medialen Ermöglichungs- und Austauschprozessen, als deren Effekt Teilhabe/Nicht-Teilhabe entsteht. Entlang der Modalitäten 03 00 Gesellschaftliche, politische und wissenschaftliche Forderungen nach mehr Beteiligung, Zugang und Mitwirkung sind ebenso allgegenwärtig wie spannungsgeladen und durchzogen von Ambivalenzen. Mediale Teilhabe fragt nach den medialen Ermöglichungs- und Austauschprozessen, als deren Effekt Teilhabe/Nicht-Teilhabe entsteht. Entlang der Modalitäten Verschalten, Temporalisieren und Teilhabende Kritik entwickeln die Beiträge einen differenzierten Blick auf Teilhabe im Spannungsfeld von Anspruch und Inanspruchnahme. 30 00 Gesellschaftliche, politische und wissenschaftliche Forderungen nach mehr Beteiligung, Zugang und Mitwirkung sind ebenso allgegenwärtig wie spannungsgeladen und durchzogen von Ambivalenzen. Mediale Teilhabe fragt nach den medialen Ermöglichungs- und Austauschprozessen, als deren Effekt Teilhabe/Nicht-Teilhabe entsteht. Entlang der Modalitäten Verschalten, Temporalisieren und Teilhabende Kritik entwickeln die Beiträge einen differenzierten Blick auf Teilhabe im Spannungsfeld von Anspruch und Inanspruchnahme. 20 00 Open Access 01 00 03 02 This is the cover of the book Mediale Teilhabe. 02 https://meson.press/wp-content/uploads/2023/08/cover_ochsner_mediale_teilhabe.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/mediale-teilhabe 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 projectname Mediale Teilhabe: Partizipation zwischen Anspruch und Inanspruchnahme 01 grantnumber 272138722 Lüneburg 04 01 20230825 Beate Ochsner 02 WORLD 06 15 9783957962133 03 9783957962133 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/mediale-teilhabe 20 08 20230825 01 urn:uuid:e3db83f3-3e0d-46ce-9a57-a6895f7b14ba 03 01 01 thoth-work-id urn:uuid:9d3b1a51-b2d0-44df-a037-f1e219d0e436 01 thoth-publication-id urn:uuid:e3db83f3-3e0d-46ce-9a57-a6895f7b14ba 15 9783957962133 03 9783957962133 06 10.14619/2126 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Mediale Teilhabe Partizipation zwischen Anspruch und Inanspruchnahme 1 B01 21 0000000260419968 Beate Ochsner Beate Ochsner Professor of Media Sciences 40 0546hnb39 University of Konstanz Beate Ochsner is professor of Media Sciences at the University of Konstanz since 2008. Since October 2022 she is part of the Directorate of the Centre for Human | Data | Society. After earning her master’s degree in 1992 in Romance and German Studies, General Linguistics, studying at the University of Mannheim and the University of Nantes, she received her doctorate for a thesis on Roman Languages, Literature, and Media in 1996 (thesis: Charles Nodier. Digressionen), followed by the habilitation in 2002 (thesis: DeMONSTRAtion. Zur Repräsentation des Monsters in Literatur, Fotografie und Film). She has expert knowledge in the field of Digital Cultures, Media and Disability Studies, Assistive Technologies, and (Online) Gaming. Beate Ochsner was spokeswoman of the interdisciplinary Research Group “Media and Participation” (mediaandparticipation.com) supported by the German Research Foundation (2015-2022). Since 2021 she is a member of the Sensory Studies Research Directory (Montréal, Canada). She is founder of the Research Network “Social Serious Gaming” and member of the Expert Commission for the Evaluation of the Centre for Media Studies (Brandenburg). 2 A01 Erich Hörl Erich Hörl 3 A01 21 0000000337919240 Milan Stürmer Milan Stürmer 4 A01 Markus Spöhrer Markus Spöhrer 5 A01 21 0000000222560928 Robert Stock Robert Stock 6 A01 Isabell Otto Isabell Otto 7 A01 Urs Stäheli Urs Stäheli 8 A01 21 0000000316918898 Anne Ganzert Anne Ganzert 9 A01 21 0000000289550222 Mathias Denecke Mathias Denecke 10 A01 Matthias Drusell Matthias Drusell 11 A01 21 0000000163330400 Elke Bippus Elke Bippus 12 A01 21 000000032392783X Christoph Brunner Christoph Brunner 13 A01 Roberto Nigro Roberto Nigro 14 A01 Michel Schreiber Michel Schreiber 15 A01 nate wessalowski nate wessalowski 16 A01 21 0000000163963080 Ruth Lang Ruth Lang 01 ger 00 274 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 93 JH 12 JH 10 SOC002000 12 JNF 93 JNF 93 KJMV22 93 YXP 01 06 02 00 Gesellschaftliche, politische und wissenschaftliche Forderungen nach mehr Beteiligung, Zugang und Mitwirkung sind ebenso allgegenwärtig wie spannungsgeladen und durchzogen von Ambivalenzen. Mediale Teilhabe fragt nach den medialen Ermöglichungs- und Austauschprozessen, als deren Effekt Teilhabe/Nicht-Teilhabe entsteht. Entlang der Modalitäten 03 00 Gesellschaftliche, politische und wissenschaftliche Forderungen nach mehr Beteiligung, Zugang und Mitwirkung sind ebenso allgegenwärtig wie spannungsgeladen und durchzogen von Ambivalenzen. Mediale Teilhabe fragt nach den medialen Ermöglichungs- und Austauschprozessen, als deren Effekt Teilhabe/Nicht-Teilhabe entsteht. Entlang der Modalitäten Verschalten, Temporalisieren und Teilhabende Kritik entwickeln die Beiträge einen differenzierten Blick auf Teilhabe im Spannungsfeld von Anspruch und Inanspruchnahme. 30 00 Gesellschaftliche, politische und wissenschaftliche Forderungen nach mehr Beteiligung, Zugang und Mitwirkung sind ebenso allgegenwärtig wie spannungsgeladen und durchzogen von Ambivalenzen. Mediale Teilhabe fragt nach den medialen Ermöglichungs- und Austauschprozessen, als deren Effekt Teilhabe/Nicht-Teilhabe entsteht. Entlang der Modalitäten Verschalten, Temporalisieren und Teilhabende Kritik entwickeln die Beiträge einen differenzierten Blick auf Teilhabe im Spannungsfeld von Anspruch und Inanspruchnahme. 20 00 Open Access 01 00 03 02 This is the cover of the book Mediale Teilhabe. 02 https://meson.press/wp-content/uploads/2023/08/cover_ochsner_mediale_teilhabe.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/mediale-teilhabe 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 projectname Mediale Teilhabe: Partizipation zwischen Anspruch und Inanspruchnahme 01 grantnumber 272138722 Lüneburg 04 01 20230825 Beate Ochsner 02 WORLD 06 15 9783957962126 03 9783957962126 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88719 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/88719/978-3-95796-213-3_Mediale-Teilhabe.pdf?sequence=1&isAllowed=y 20 08 20230825 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/mediale-teilhabe 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2023/08/978-3-95796-213-3_Mediale-Teilhabe.pdf 20 08 20230825 01 urn:uuid:527aaf33-2ac9-4c86-9d4d-1e6386649bf1 03 01 01 thoth-work-id urn:uuid:adb9c4b8-831c-45a3-b547-a1ae8702bdcc 01 thoth-publication-id urn:uuid:527aaf33-2ac9-4c86-9d4d-1e6386649bf1 15 9783957961150 03 9783957961150 06 10.14619/1150 00 BC 10 01 190 mm 01 19 cm 01 7.48 in 02 120 mm 02 12 cm 02 4.72 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Medien verstehen Marshall McLuhans Understanding Media 1 B01 Till A. Heilmann Till Heilmann 40 041nas322 University of Bonn Till A. Heilmann (Dr. phil.) forscht und lehrt an der Abteilung für Medienwissenschaft der Universität Bonn. Forschungsschwerpunkte: digitale Bildbearbeitung; Algorithmen und Computerprogrammierung; nordamerikanische und deutschsprachige Medienwissenschaft. Ausgewählte Publikationen: “Innis and Kittler: The Case of the Greek Alphabet”, N. Friesen (Hg.): Media Transatlantic, 2016, S. 91–110; “Zur Vorgängigkeit der Operationskette in der Medienwissenschaft und bei Leroi-Gourhan”, Internationales Jahrbuch für Medienphilosophie 2 (2016): 7–29; “Datenarbeit im ‘Capture’-Kapitalismus. Zur Ausweitung der Verwertungszone im Zeitalter informatischer Überwachung”, Zeitschrift für Medienwissenschaft 2 (2015): 35–48. 06 Own website http://www.tillheilmann.info/german.php 2 B01 Jens Schröter Jens Schröter 40 041nas322 University of Bonn Jens Schröter (Prof. Dr. phil.) ist Professor für Medienkulturwissenschaft an der Universität Bonn: Forschungsschwerpunkte: Digitale Medien; Fotografie; Intermedialität; dreidimensionale Bilder; Medientheorie und Wertkritik; Audiomedien und auditive Kultur. Ausgewählte Publikationen: Handbuch Medienwissenschaft (als Hg.), 2014; 3D. History, Theory and Aesthetics of the Technical-transplane Image, 2014; Auditive Medienkulturen. Techniken des Hörens und Praktiken der Klanggestaltung (als Hg. zus. mit A. Volmar), Bielefeld: Transcript 2013. Verdrahtet. The Wire und der Kampf um die Medien, 2012. 3 A01 21 0000000218237511 Jana Mangold Jana Mangold 4 A01 21 0000000252258711 Florian Sprenger Florian Sprenger 06 Own website http://www.floriansprenger.com/ 5 A01 Gabriele Schabacher Gabriele Schabacher 6 A01 Petra Löffler Petra Löffler 7 A01 Martina Leeker Martina Leeker 06 Own website https://martina-leeker.de/ 8 A01 21 0000000329439394 Marie-Luise Angerer Marie-Luise Angerer 9 A01 21 0000000192227613 Rainer Leschke Rainer Leschke 10 A01 Lorenz Engell Lorenz Engell 01 ger 00 202 03 93 JBCT1 12 JFDT 04 P87-96 10 SOC052000 10 BUS0700060 93 JBCT2 12 KNT 93 KNT 20 Medien; Fernsehen; Kommunikation; Interface; McLuhan; Computer 01 06 02 00 Medien in ihrer historischen und technischen Vielfalt zu verstehen, das war das Versprechen, das Marshall McLuhan vor über fünfzig Jahren mit Understanding Media gegeben hatte. Unsere digital veränderte Gegenwart erfordert, das Buch heute erneut zu lesen und vor dem Hintergrund aktueller technischer Entwicklungen zu hinterfragen. Gegenstand d 03 00 Medien in ihrer historischen und technischen Vielfalt zu verstehen, das war das Versprechen, das Marshall McLuhan vor über fünfzig Jahren mit Understanding Media gegeben hatte. Unsere digital veränderte Gegenwart erfordert, das Buch heute erneut zu lesen und vor dem Hintergrund aktueller technischer Entwicklungen zu hinterfragen. Gegenstand des Sammelbandes sind u. a. McLuhans Idee von Medien als „Umwelten“, seine eigenwillige Sprache und Argumentation sowie seine Annahme der technischen Verfasstheit von Wahrnehmung. 30 00 Medien in ihrer historischen und technischen Vielfalt zu verstehen, das war das Versprechen, das Marshall McLuhan vor über fünfzig Jahren mit Understanding Media gegeben hatte. Unsere digital veränderte Gegenwart erfordert, das Buch heute erneut zu lesen und vor dem Hintergrund aktueller technischer Entwicklungen zu hinterfragen. Gegenstand des Sammelbandes sind u. a. McLuhans Idee von Medien als „Umwelten“, seine eigenwillige Sprache und Argumentation sowie seine Annahme der technischen Verfasstheit von Wahrnehmung. 20 00 Open Access 01 00 03 02 This is the cover of the book Medien verstehen. 02 https://meson.press/wp-content/uploads/2017/09/978-3-95796-115-0_Medien-verstehen_Cover_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/medien-verstehen Lüneburg 04 01 20171009 Till A. Heilmann Jens Schröter 02 WORLD 06 15 9783957961167 03 9783957961167 06 15 9783957961174 03 9783957961174 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/medien-verstehen 20 08 20171009 01 urn:uuid:4ca235b6-ad30-4a41-9039-e9837a621d22 03 01 01 thoth-work-id urn:uuid:adb9c4b8-831c-45a3-b547-a1ae8702bdcc 01 thoth-publication-id urn:uuid:4ca235b6-ad30-4a41-9039-e9837a621d22 15 9783957961167 03 9783957961167 06 10.14619/1150 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Medien verstehen Marshall McLuhans Understanding Media 1 B01 Till A. Heilmann Till Heilmann 40 041nas322 University of Bonn Till A. Heilmann (Dr. phil.) forscht und lehrt an der Abteilung für Medienwissenschaft der Universität Bonn. Forschungsschwerpunkte: digitale Bildbearbeitung; Algorithmen und Computerprogrammierung; nordamerikanische und deutschsprachige Medienwissenschaft. Ausgewählte Publikationen: “Innis and Kittler: The Case of the Greek Alphabet”, N. Friesen (Hg.): Media Transatlantic, 2016, S. 91–110; “Zur Vorgängigkeit der Operationskette in der Medienwissenschaft und bei Leroi-Gourhan”, Internationales Jahrbuch für Medienphilosophie 2 (2016): 7–29; “Datenarbeit im ‘Capture’-Kapitalismus. Zur Ausweitung der Verwertungszone im Zeitalter informatischer Überwachung”, Zeitschrift für Medienwissenschaft 2 (2015): 35–48. 06 Own website http://www.tillheilmann.info/german.php 2 B01 Jens Schröter Jens Schröter 40 041nas322 University of Bonn Jens Schröter (Prof. Dr. phil.) ist Professor für Medienkulturwissenschaft an der Universität Bonn: Forschungsschwerpunkte: Digitale Medien; Fotografie; Intermedialität; dreidimensionale Bilder; Medientheorie und Wertkritik; Audiomedien und auditive Kultur. Ausgewählte Publikationen: Handbuch Medienwissenschaft (als Hg.), 2014; 3D. History, Theory and Aesthetics of the Technical-transplane Image, 2014; Auditive Medienkulturen. Techniken des Hörens und Praktiken der Klanggestaltung (als Hg. zus. mit A. Volmar), Bielefeld: Transcript 2013. Verdrahtet. The Wire und der Kampf um die Medien, 2012. 3 A01 21 0000000218237511 Jana Mangold Jana Mangold 4 A01 21 0000000252258711 Florian Sprenger Florian Sprenger 06 Own website http://www.floriansprenger.com/ 5 A01 Gabriele Schabacher Gabriele Schabacher 6 A01 Petra Löffler Petra Löffler 7 A01 Martina Leeker Martina Leeker 06 Own website https://martina-leeker.de/ 8 A01 21 0000000329439394 Marie-Luise Angerer Marie-Luise Angerer 9 A01 21 0000000192227613 Rainer Leschke Rainer Leschke 10 A01 Lorenz Engell Lorenz Engell 01 ger 00 202 03 93 JBCT1 12 JFDT 04 P87-96 10 SOC052000 10 BUS0700060 93 JBCT2 12 KNT 93 KNT 20 Medien; Fernsehen; Kommunikation; Interface; McLuhan; Computer 01 06 02 00 Medien in ihrer historischen und technischen Vielfalt zu verstehen, das war das Versprechen, das Marshall McLuhan vor über fünfzig Jahren mit Understanding Media gegeben hatte. Unsere digital veränderte Gegenwart erfordert, das Buch heute erneut zu lesen und vor dem Hintergrund aktueller technischer Entwicklungen zu hinterfragen. Gegenstand d 03 00 Medien in ihrer historischen und technischen Vielfalt zu verstehen, das war das Versprechen, das Marshall McLuhan vor über fünfzig Jahren mit Understanding Media gegeben hatte. Unsere digital veränderte Gegenwart erfordert, das Buch heute erneut zu lesen und vor dem Hintergrund aktueller technischer Entwicklungen zu hinterfragen. Gegenstand des Sammelbandes sind u. a. McLuhans Idee von Medien als „Umwelten“, seine eigenwillige Sprache und Argumentation sowie seine Annahme der technischen Verfasstheit von Wahrnehmung. 30 00 Medien in ihrer historischen und technischen Vielfalt zu verstehen, das war das Versprechen, das Marshall McLuhan vor über fünfzig Jahren mit Understanding Media gegeben hatte. Unsere digital veränderte Gegenwart erfordert, das Buch heute erneut zu lesen und vor dem Hintergrund aktueller technischer Entwicklungen zu hinterfragen. Gegenstand des Sammelbandes sind u. a. McLuhans Idee von Medien als „Umwelten“, seine eigenwillige Sprache und Argumentation sowie seine Annahme der technischen Verfasstheit von Wahrnehmung. 20 00 Open Access 01 00 03 02 This is the cover of the book Medien verstehen. 02 https://meson.press/wp-content/uploads/2017/09/978-3-95796-115-0_Medien-verstehen_Cover_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/medien-verstehen Lüneburg 04 01 20171009 Till A. Heilmann Jens Schröter 02 WORLD 06 15 9783957961150 03 9783957961150 06 15 9783957961174 03 9783957961174 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37557 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37557/978-3-95796-116-7_Medien-verstehen.pdf 20 08 20171009 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/medien-verstehen 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2017/09/978-3-95796-116-7_Medien-verstehen.pdf 20 08 20171009 01 urn:uuid:d2ebb7a9-a38b-4858-a540-56ac4ef3dc9e 03 01 01 thoth-work-id urn:uuid:adb9c4b8-831c-45a3-b547-a1ae8702bdcc 01 thoth-publication-id urn:uuid:d2ebb7a9-a38b-4858-a540-56ac4ef3dc9e 15 9783957961174 03 9783957961174 06 10.14619/1150 00 EB E101 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Medien verstehen Marshall McLuhans Understanding Media 1 B01 Till A. Heilmann Till Heilmann 40 041nas322 University of Bonn Till A. Heilmann (Dr. phil.) forscht und lehrt an der Abteilung für Medienwissenschaft der Universität Bonn. Forschungsschwerpunkte: digitale Bildbearbeitung; Algorithmen und Computerprogrammierung; nordamerikanische und deutschsprachige Medienwissenschaft. Ausgewählte Publikationen: “Innis and Kittler: The Case of the Greek Alphabet”, N. Friesen (Hg.): Media Transatlantic, 2016, S. 91–110; “Zur Vorgängigkeit der Operationskette in der Medienwissenschaft und bei Leroi-Gourhan”, Internationales Jahrbuch für Medienphilosophie 2 (2016): 7–29; “Datenarbeit im ‘Capture’-Kapitalismus. Zur Ausweitung der Verwertungszone im Zeitalter informatischer Überwachung”, Zeitschrift für Medienwissenschaft 2 (2015): 35–48. 06 Own website http://www.tillheilmann.info/german.php 2 B01 Jens Schröter Jens Schröter 40 041nas322 University of Bonn Jens Schröter (Prof. Dr. phil.) ist Professor für Medienkulturwissenschaft an der Universität Bonn: Forschungsschwerpunkte: Digitale Medien; Fotografie; Intermedialität; dreidimensionale Bilder; Medientheorie und Wertkritik; Audiomedien und auditive Kultur. Ausgewählte Publikationen: Handbuch Medienwissenschaft (als Hg.), 2014; 3D. History, Theory and Aesthetics of the Technical-transplane Image, 2014; Auditive Medienkulturen. Techniken des Hörens und Praktiken der Klanggestaltung (als Hg. zus. mit A. Volmar), Bielefeld: Transcript 2013. Verdrahtet. The Wire und der Kampf um die Medien, 2012. 3 A01 21 0000000218237511 Jana Mangold Jana Mangold 4 A01 21 0000000252258711 Florian Sprenger Florian Sprenger 06 Own website http://www.floriansprenger.com/ 5 A01 Gabriele Schabacher Gabriele Schabacher 6 A01 Petra Löffler Petra Löffler 7 A01 Martina Leeker Martina Leeker 06 Own website https://martina-leeker.de/ 8 A01 21 0000000329439394 Marie-Luise Angerer Marie-Luise Angerer 9 A01 21 0000000192227613 Rainer Leschke Rainer Leschke 10 A01 Lorenz Engell Lorenz Engell 01 ger 00 202 03 93 JBCT1 12 JFDT 04 P87-96 10 SOC052000 10 BUS0700060 93 JBCT2 12 KNT 93 KNT 20 Medien; Fernsehen; Kommunikation; Interface; McLuhan; Computer 01 06 02 00 Medien in ihrer historischen und technischen Vielfalt zu verstehen, das war das Versprechen, das Marshall McLuhan vor über fünfzig Jahren mit Understanding Media gegeben hatte. Unsere digital veränderte Gegenwart erfordert, das Buch heute erneut zu lesen und vor dem Hintergrund aktueller technischer Entwicklungen zu hinterfragen. Gegenstand d 03 00 Medien in ihrer historischen und technischen Vielfalt zu verstehen, das war das Versprechen, das Marshall McLuhan vor über fünfzig Jahren mit Understanding Media gegeben hatte. Unsere digital veränderte Gegenwart erfordert, das Buch heute erneut zu lesen und vor dem Hintergrund aktueller technischer Entwicklungen zu hinterfragen. Gegenstand des Sammelbandes sind u. a. McLuhans Idee von Medien als „Umwelten“, seine eigenwillige Sprache und Argumentation sowie seine Annahme der technischen Verfasstheit von Wahrnehmung. 30 00 Medien in ihrer historischen und technischen Vielfalt zu verstehen, das war das Versprechen, das Marshall McLuhan vor über fünfzig Jahren mit Understanding Media gegeben hatte. Unsere digital veränderte Gegenwart erfordert, das Buch heute erneut zu lesen und vor dem Hintergrund aktueller technischer Entwicklungen zu hinterfragen. Gegenstand des Sammelbandes sind u. a. McLuhans Idee von Medien als „Umwelten“, seine eigenwillige Sprache und Argumentation sowie seine Annahme der technischen Verfasstheit von Wahrnehmung. 20 00 Open Access 01 00 03 02 This is the cover of the book Medien verstehen. 02 https://meson.press/wp-content/uploads/2017/09/978-3-95796-115-0_Medien-verstehen_Cover_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/medien-verstehen Lüneburg 04 01 20171009 Till A. Heilmann Jens Schröter 02 WORLD 06 15 9783957961150 03 9783957961150 06 15 9783957961167 03 9783957961167 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/medien-verstehen 20 08 20171009 01 urn:uuid:a714ef2a-094d-40e7-868f-afd27694d2c2 03 01 01 thoth-work-id urn:uuid:2760f92c-ce83-46fa-8a4f-aebb161c564d 01 thoth-publication-id urn:uuid:a714ef2a-094d-40e7-868f-afd27694d2c2 15 9783957960047 03 9783957960047 06 10.14619/0047 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 4433718b-565b-4e98-b1ef-43519635928f 02 00000009 01 Series URL https://meson.press/series-page/configurations-of-film 03 2 01 02 Configurations of Film 01 01 Medium, Format, Configuration The Displacements of Film 1 A01 Benoît Turquety Benoît Turquety Associate Professor 40 019whta54 University of Lausanne Benoît Turquety is Associate Professor at the University of Lausanne, director of the SNF research project on Bolex and amateur cinema and of the EPIMETE/digital media epistemology research axis. He is a founding member of the Material Archival Studies Network and part of the Dispositives research group, of the Network for Experimental Media Archaeology, as well as the Technology and the Humanities project. He is the author of Inventing Cinema : Machines, Gestures and Media History (Amsterdam University Press, 2019). Focusing on early substandard film production, African video, or experimental poetry, his recent research aims to re-establish digital media as embedded material cultures, articulating machines, techniques, images, and sounds, modes of circulation and transmission, and networks of concepts. 01 eng 00 54 03 12 APFX 93 ATFX 10 PER004010 04 PN1993-1994 12 APFA 93 ATFA 10 PER004030 04 TR845-899.5 93 JBCT1 12 JFD 10 SOC052000 20 Media; Networks; Digital Cinema; Format; Gilbert Simondon; Technology 01 06 02 00 In contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of images and sounds. Formats, institutionalized as standards, frame the “technical networks” de 03 00 In contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of images and sounds. Formats, institutionalized as standards, frame the “technical networks” defined by Gilbert Simondon, that unfold technical objects into economically and politically structured webs that cover the world. Media are always formatted and, as such, do not flow: they are displaced. 30 00 In contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of images and sounds. Formats, institutionalized as standards, frame the “technical networks” defined by Gilbert Simondon, that unfold technical objects into economically and politically structured webs that cover the world. Media are always formatted and, as such, do not flow: they are displaced. 20 00 Open Access 01 00 03 02 This is the cover of the book Medium, Format, Configuration. 02 https://meson.press/wp-content/uploads/2019/11/CoF2-Turquety-Cover_web.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/medium-format-configuration/ 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Graduiertenkolleg 01 projectname GRK 2279: Konfigurationen des Films 01 projectshortname Konfigurationen des Films 01 grantnumber 310565625 Lüneburg 04 01 20191210 Benoît Turquety 02 WORLD WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37576 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37576/978-3-95796-004-7-Turquety.pdf 20 08 20191210 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/medium-format-configuration/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2019/12/978-3-95796-004-7-Turquety.pdf 20 08 20191210 01 urn:uuid:a1f595b1-5fed-466d-930b-f3e2db60184f 03 01 01 thoth-work-id urn:uuid:fe62ff9c-1613-4e23-b522-2697d207bc20 01 thoth-publication-id urn:uuid:a1f595b1-5fed-466d-930b-f3e2db60184f 15 9783957960832 03 9783957960832 06 10.14619/0832 00 EB E107 10 Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). 02 https://creativecommons.org/licenses/by-nc/4.0/ 10 01 Series ID d8c7752c-9550-4d6a-883a-a7a3ee820962 02 00000007 01 Series URL https://meson.press/series-page/in-search-of-media 03 15 01 02 In Search of Media 01 01 Neural Networks 1 A01 21 0000000298260614 Ranjodh Singh Dhaliwal Ranjodh Singh Dhaliwal Assistant Professor 40 00mkhxb43 University of Notre Dame Ranjodh Singh Dhaliwal is Ruth and Paul Idzik Collegiate Chair in Digital Scholarship and assistant professor of English and film, television, and theater at the University of Notre Dame. His research—which spans media theory, science and technology studies, and literary criticism—has appeared in Critical Inquiry, Configurations, and Design Issues. 2 A01 21 0000000224648536 Théo Lepage-Richer Théo Lepage-Richer Postdoctoral Fellow 40 03dbr7087 University of Toronto Théo Lepage-Richer is a UTM postdoctoral fellow in the Institute of Communication, Culture, Information, and Technology at the University of Toronto. His last piece on government organization and artificial intelligence was published in Big Data & Society. 3 A01 21 0000000197524684 Lucy Suchman Lucy Suchman Professor Emerita 40 04f2nsd36 Lancaster University Lucy Suchman is professor emerita in the anthropology of science and technology at Lancaster University, UK. Her most recent article on military imaginaries of AI-enabled warfighting was published in the journal Social Studies of Science. 01 eng 00 122 03 93 JBCT1 04 P87-96 10 SOC052000 01 06 02 00 Neural Networks proposes to reconstruct situated practices, social histories, mediating techniques, and ontological assumptions that inform the computational project of the same name. If so-called machine learning comprises a statistical approach to pattern extraction, then neural networks can be defined as a biologically inspired model that 03 00 Neural Networks proposes to reconstruct situated practices, social histories, mediating techniques, and ontological assumptions that inform the computational project of the same name. If so-called machine learning comprises a statistical approach to pattern extraction, then neural networks can be defined as a biologically inspired model that relies on probabilistically weighted neuron-like units to identify such patterns. Far from signaling the ultimate convergence of human and machine intelligence, however, neural networks highlight the technologization of neurophysiology that characterizes virtually all strands of neuroscientific and AI research of the past century. Taking this traffic as its starting point, this volume explores how cognition came to be constructed as essentially computational in nature, to the point of underwriting a technologized view of human biology, psychology, and sociability, and how countermovements provide resources for thinking otherwise. 30 00 Neural Networks proposes to reconstruct situated practices, social histories, mediating techniques, and ontological assumptions that inform the computational project of the same name. If so-called machine learning comprises a statistical approach to pattern extraction, then neural networks can be defined as a biologically inspired model that relies on probabilistically weighted neuron-like units to identify such patterns. Far from signaling the ultimate convergence of human and machine intelligence, however, neural networks highlight the technologization of neurophysiology that characterizes virtually all strands of neuroscientific and AI research of the past century. Taking this traffic as its starting point, this volume explores how cognition came to be constructed as essentially computational in nature, to the point of underwriting a technologized view of human biology, psychology, and sociability, and how countermovements provide resources for thinking otherwise. 20 00 Open Access 01 00 03 02 This is the cover of the book Neural Networks. 02 https://meson.press/wp-content/uploads/2024/05/978-3-95796-083-2-Neural-Networks-300dpi.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/neural-networks 16 40 0213rcc28 32 10.13039/501100004326 Simon Fraser University 01 programname Canada 150 Research Chairs Program Lüneburg 04 01 20240409 Ranjodh Singh Dhaliwal, Théo Lepage-Richer, and Lucy Suchman 02 WORLD WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/95827 29 OAPEN: download the title https://library.oapen.org/viewer/web/viewer.html?file=/bitstream/handle/20.500.12657/95827/978-3-95796-083-2-Neural-Networks.pdf?sequence=1&isAllowed=y 20 08 20240409 01 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/neural-networks 29 Publisher's website: download the title https://meson.press/wp-content/uploads/2024/07/978-3-95796-083-2-Neural-Networks.pdf 20 08 20240409 01 urn:uuid:1a4247c1-4929-4e15-b3e9-3c242181e61b 03 01 01 thoth-work-id urn:uuid:33e93b1b-167d-4ca8-ae6c-1e57c9d7bb4b 01 thoth-publication-id urn:uuid:1a4247c1-4929-4e15-b3e9-3c242181e61b 15 9783957962041 03 9783957962041 06 10.14619/2041 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Nonconscious On the Affective Synching of Mind and Machine 1 A01 21 0000000329439394 Marie-Luise Angerer Marie-Luise Angerer 01 eng 00 87 03 93 JBCT1 04 P87-96 93 JM 93 TB 93 UKL 20 affect; technical environments; smart objects; sensors; body; human agency; nonhuman agency; psychoanalysis 01 06 02 00 Growing numbers of nonhuman companions are creating affective synching between human and nonhuman agency. Unlike the unconscious of psychoanalysis, this book argues, the resulting nonconscious is no longer coupled to a subject grounded in language, instead acting as an affective link between technical, mental, and physical processes. 03 00 Growing numbers of nonhuman companions (smart objects, technical environments, sensor technologies used to augment the human body) are creating affective synching between human and nonhuman agency. Unlike the unconscious of psychoanalysis, this book argues, the resulting nonconscious is no longer coupled to a subject grounded in language, instead acting as an affective link between technical, mental, and physical processes. But how is this nonconscious to be understood? Is it something additional, a new zone intervening between the unconscious and consciousness? Or does it fundamentally call into question the distinction between the two? 30 00 Growing numbers of nonhuman companions (smart objects, technical environments, sensor technologies used to augment the human body) are creating affective synching between human and nonhuman agency. Unlike the unconscious of psychoanalysis, this book argues, the resulting nonconscious is no longer coupled to a subject grounded in language, instead acting as an affective link between technical, mental, and physical processes. But how is this nonconscious to be understood? Is it something additional, a new zone intervening between the unconscious and consciousness? Or does it fundamentally call into question the distinction between the two? 20 00 Open Access 01 00 03 02 This is the cover of the book Nonconscious. 02 https://meson.press/wp-content/uploads/2022/09/9783957962041_FC.png 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/nonconscious/ Lüneburg 04 01 20220928 Marie-Luise Angerer 02 WORLD 06 15 9783957962058 03 9783957962058 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/nonconscious/ 20 08 20220928 01 urn:uuid:1e675bdc-f1a2-4131-9024-7cf4f654bea4 03 01 01 thoth-work-id urn:uuid:33e93b1b-167d-4ca8-ae6c-1e57c9d7bb4b 01 thoth-publication-id urn:uuid:1e675bdc-f1a2-4131-9024-7cf4f654bea4 15 9783957962058 03 9783957962058 06 10.14619/2041 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Nonconscious On the Affective Synching of Mind and Machine 1 A01 21 0000000329439394 Marie-Luise Angerer Marie-Luise Angerer 01 eng 00 87 03 93 JBCT1 04 P87-96 93 JM 93 TB 93 UKL 20 affect; technical environments; smart objects; sensors; body; human agency; nonhuman agency; psychoanalysis 01 06 02 00 Growing numbers of nonhuman companions are creating affective synching between human and nonhuman agency. Unlike the unconscious of psychoanalysis, this book argues, the resulting nonconscious is no longer coupled to a subject grounded in language, instead acting as an affective link between technical, mental, and physical processes. 03 00 Growing numbers of nonhuman companions (smart objects, technical environments, sensor technologies used to augment the human body) are creating affective synching between human and nonhuman agency. Unlike the unconscious of psychoanalysis, this book argues, the resulting nonconscious is no longer coupled to a subject grounded in language, instead acting as an affective link between technical, mental, and physical processes. But how is this nonconscious to be understood? Is it something additional, a new zone intervening between the unconscious and consciousness? Or does it fundamentally call into question the distinction between the two? 30 00 Growing numbers of nonhuman companions (smart objects, technical environments, sensor technologies used to augment the human body) are creating affective synching between human and nonhuman agency. Unlike the unconscious of psychoanalysis, this book argues, the resulting nonconscious is no longer coupled to a subject grounded in language, instead acting as an affective link between technical, mental, and physical processes. But how is this nonconscious to be understood? Is it something additional, a new zone intervening between the unconscious and consciousness? Or does it fundamentally call into question the distinction between the two? 20 00 Open Access 01 00 03 02 This is the cover of the book Nonconscious. 02 https://meson.press/wp-content/uploads/2022/09/9783957962041_FC.png 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/nonconscious/ Lüneburg 04 01 20220928 Marie-Luise Angerer 02 WORLD 06 15 9783957962041 03 9783957962041 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88715 29 OAPEN: download the title https://library.oapen.org/bitstream/20.500.12657/88715/1/978-3-95796-205-8_Angerer.pdf 20 08 20220928 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/nonconscious/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2022/09/978-3-95796-205-8_Angerer.pdf 20 08 20220928 01 urn:uuid:89a94f7f-9b2f-4f80-b200-d30a58ab8a3e 03 01 01 thoth-work-id urn:uuid:d14f250a-75d7-4b5f-af55-602e3c9a593d 01 thoth-publication-id urn:uuid:89a94f7f-9b2f-4f80-b200-d30a58ab8a3e 15 9783957961259 03 9783957961259 06 10.14619/1259 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 7 01 02 Digital Cultures 01 01 Non-Knowledge and Digital Cultures 1 B01 Andreas Bernard Andreas Bernard Professor of Cultural Studies 40 02w2y2t16 Leuphana University of Lüneburg Andreas Bernard is professor of cultural studies and speaker at the Centre for Digital Cultures, Leuphana University Lüneburg. Publications include Lifted. A Cultural History of the Elevator. New York 2014; Komplizen des Erkennungsdienstes. Das Selbst in der digitalen Kultur. Frankfurt am Main 2017. 2 B01 Matthias Koch Matthias Koch Research Associate 40 02w2y2t16 Leuphana University of Lüneburg Matthias Koch is a research associate at the Institute for Advanced Study on Media Cultures of Computer Simulation (MECS) in Lüneburg, Germany. His research interests include the history and theory of media historiography, the history of science, phenomenology, and the works of Friedrich A. Kittler and Hans Blumenberg. 3 B01 Martina Leeker Martina Leeker Professor of Methods and Digital Cultures 40 02w2y2t16 Leuphana University of Lüneburg Martina Leeker is professor of methods in digital cultures and senior researcher at the Centre for Digital Cultures (CDC), Leuphana University Lüneburg. Her research interests include art and technology, critique in digital cultures, systems engineering and infrastructures, theater and media, and practical research. 06 Own website https://martina-leeker.de/ 4 A01 Timon Beyes Timon Beyes Professor of Sociology of Organization and Culture 40 02w2y2t16 Leuphana University of Lüneburg Timon Beyes is professor of sociology of organization and culture at Leuphana University Lüneburg, Germany, and at Copenhagen Business School’s Department of Management, Politics and Philosophy, Denmark. 5 A01 21 0000000182966041 Paula Bialski Paula Bialski Junior Professor for Digital Sociality 40 02w2y2t16 Leuphana University of Lüneburg Paula Bialski is a Junior Professor for Digital Sociality at Leuphana University. She is an ethnographer of new media in everyday life, looking at contexts of usage as well as production, and she frames her research within cultural, social, and media theory in general, and science and technology studies in particular. The goal of her current research project, titled “Programmer Worlds,” is to investigate the way in which everyday practices of corporate software developers affect our digital infrastructures. 6 A01 21 0000000270521974 Alexandre Monnin Alexandre Monnin Researcher ESC Clermont Business School Alexandre Monnin is a philosopher, research Director of Origens Media Lab, researcher at ESC Clermont and president of Adrastia association. He pioneered the philosophy of the Web and works on the Anthropocene and the end of digitality. Previously researcher at Inria and the architect of Lafayette Anticipations’ digital platform, he has been an expert for the French open data agency since 2013. 7 A01 Jeannie Moser Jeannie Moser Postdoctoral Fellow 40 03v4gjf40 Technische Universität Berlin Jeannie Moser is a postdoctoral fellow at the TU Berlin. She publishes on literature and science, the poetics and history of knowledge, and cultural studies. Her works include: Psychotropen: Eine LSD-Biographie. Paderborn 2013; Höcker, Arne, Jeannie Moser, and Philippe Weber, eds. Wissen. Erzählen. Narrative der Humanwissenschaften. Bielefeld 2006; Herrmann, Hans-Christian von, and Jeannie Moser, eds. Lesen. Ein Handapparat. Frankfurt am Main 2015. 8 A01 Claus Pias Claus Pias Professor of History and Epistemology of Media 40 02w2y2t16 Leuphana University of Lüneburg Claus Pias is professor of history and epistemology of media, director of the Institute for Advanced Study on Media Cultures of Computer Simulation (MECS), Centre for Digital Cultures, and the Digital Cultures Research Lab at Leuphana University Lüneburg. His main areas of interest are media theory, the history of science of “media thinking”, and the history and epistemology of simulation and cybernetics. 9 A01 Christoph Wulf Christoph Wulf Professor Emeritus 40 046ak2485 Freie Universität Berlin Christoph Wulf is professor emeritus of anthropology and philosophy of education and co-founder of the Interdisciplinary Center for Historical Anthropology at Freie Universität Berlin. His research interests and various publications focus on historical and educational anthropology, mimesis, intercultural education, performativity, and ritual. 01 eng 00 160 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 93 ATN 20 Algorithms; Data; Digital Culture; Information; Knowledge; Non-Knowledge 01 06 02 00 Making available massive amounts of data that are generated, distributed, and modeled, digital media provide us with the possibility of abundant information and knowledge. This possibility has been attracting various scenarios in which technology either eliminates non-knowledge or plants it deep within contemporary cultures through the univer 03 00 Making available massive amounts of data that are generated, distributed, and modeled, digital media provide us with the possibility of abundant information and knowledge. This possibility has been attracting various scenarios in which technology either eliminates non-knowledge or plants it deep within contemporary cultures through the universal power and opacity of algorithms. This volume comprises contributions from media studies, literary studies, sociology, ethnography, anthropology, and philosophy to discuss non-knowledge as an important concept for understanding contemporary digital cultures. 30 00 Making available massive amounts of data that are generated, distributed, and modeled, digital media provide us with the possibility of abundant information and knowledge. This possibility has been attracting various scenarios in which technology either eliminates non-knowledge or plants it deep within contemporary cultures through the universal power and opacity of algorithms. This volume comprises contributions from media studies, literary studies, sociology, ethnography, anthropology, and philosophy to discuss non-knowledge as an important concept for understanding contemporary digital cultures. 20 00 Open Access 01 00 03 02 This is the cover of the book Non-Knowledge and Digital Cultures. 02 https://meson.press/wp-content/uploads/2018/04/9783957961259_cover_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/non-knowledge-and-digital-cultures Lüneburg 04 01 20180418 Andreas Bernard Matthias Koch Martina Leeker 02 WORLD 06 15 9783957961266 03 9783957961266 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/non-knowledge-and-digital-cultures 20 08 20180418 01 urn:uuid:000bf55c-900d-48bc-82ff-f51c6648e2a7 03 01 01 thoth-work-id urn:uuid:d14f250a-75d7-4b5f-af55-602e3c9a593d 01 thoth-publication-id urn:uuid:000bf55c-900d-48bc-82ff-f51c6648e2a7 15 9783957961266 03 9783957961266 06 10.14619/1259 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 7 01 02 Digital Cultures 01 01 Non-Knowledge and Digital Cultures 1 B01 Andreas Bernard Andreas Bernard Professor of Cultural Studies 40 02w2y2t16 Leuphana University of Lüneburg Andreas Bernard is professor of cultural studies and speaker at the Centre for Digital Cultures, Leuphana University Lüneburg. Publications include Lifted. A Cultural History of the Elevator. New York 2014; Komplizen des Erkennungsdienstes. Das Selbst in der digitalen Kultur. Frankfurt am Main 2017. 2 B01 Matthias Koch Matthias Koch Research Associate 40 02w2y2t16 Leuphana University of Lüneburg Matthias Koch is a research associate at the Institute for Advanced Study on Media Cultures of Computer Simulation (MECS) in Lüneburg, Germany. His research interests include the history and theory of media historiography, the history of science, phenomenology, and the works of Friedrich A. Kittler and Hans Blumenberg. 3 B01 Martina Leeker Martina Leeker Professor of Methods and Digital Cultures 40 02w2y2t16 Leuphana University of Lüneburg Martina Leeker is professor of methods in digital cultures and senior researcher at the Centre for Digital Cultures (CDC), Leuphana University Lüneburg. Her research interests include art and technology, critique in digital cultures, systems engineering and infrastructures, theater and media, and practical research. 06 Own website https://martina-leeker.de/ 4 A01 Timon Beyes Timon Beyes Professor of Sociology of Organization and Culture 40 02w2y2t16 Leuphana University of Lüneburg Timon Beyes is professor of sociology of organization and culture at Leuphana University Lüneburg, Germany, and at Copenhagen Business School’s Department of Management, Politics and Philosophy, Denmark. 5 A01 21 0000000182966041 Paula Bialski Paula Bialski Junior Professor for Digital Sociality 40 02w2y2t16 Leuphana University of Lüneburg Paula Bialski is a Junior Professor for Digital Sociality at Leuphana University. She is an ethnographer of new media in everyday life, looking at contexts of usage as well as production, and she frames her research within cultural, social, and media theory in general, and science and technology studies in particular. The goal of her current research project, titled “Programmer Worlds,” is to investigate the way in which everyday practices of corporate software developers affect our digital infrastructures. 6 A01 21 0000000270521974 Alexandre Monnin Alexandre Monnin Researcher ESC Clermont Business School Alexandre Monnin is a philosopher, research Director of Origens Media Lab, researcher at ESC Clermont and president of Adrastia association. He pioneered the philosophy of the Web and works on the Anthropocene and the end of digitality. Previously researcher at Inria and the architect of Lafayette Anticipations’ digital platform, he has been an expert for the French open data agency since 2013. 7 A01 Jeannie Moser Jeannie Moser Postdoctoral Fellow 40 03v4gjf40 Technische Universität Berlin Jeannie Moser is a postdoctoral fellow at the TU Berlin. She publishes on literature and science, the poetics and history of knowledge, and cultural studies. Her works include: Psychotropen: Eine LSD-Biographie. Paderborn 2013; Höcker, Arne, Jeannie Moser, and Philippe Weber, eds. Wissen. Erzählen. Narrative der Humanwissenschaften. Bielefeld 2006; Herrmann, Hans-Christian von, and Jeannie Moser, eds. Lesen. Ein Handapparat. Frankfurt am Main 2015. 8 A01 Claus Pias Claus Pias Professor of History and Epistemology of Media 40 02w2y2t16 Leuphana University of Lüneburg Claus Pias is professor of history and epistemology of media, director of the Institute for Advanced Study on Media Cultures of Computer Simulation (MECS), Centre for Digital Cultures, and the Digital Cultures Research Lab at Leuphana University Lüneburg. His main areas of interest are media theory, the history of science of “media thinking”, and the history and epistemology of simulation and cybernetics. 9 A01 Christoph Wulf Christoph Wulf Professor Emeritus 40 046ak2485 Freie Universität Berlin Christoph Wulf is professor emeritus of anthropology and philosophy of education and co-founder of the Interdisciplinary Center for Historical Anthropology at Freie Universität Berlin. His research interests and various publications focus on historical and educational anthropology, mimesis, intercultural education, performativity, and ritual. 01 eng 00 160 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 93 ATN 20 Algorithms; Data; Digital Culture; Information; Knowledge; Non-Knowledge 01 06 02 00 Making available massive amounts of data that are generated, distributed, and modeled, digital media provide us with the possibility of abundant information and knowledge. This possibility has been attracting various scenarios in which technology either eliminates non-knowledge or plants it deep within contemporary cultures through the univer 03 00 Making available massive amounts of data that are generated, distributed, and modeled, digital media provide us with the possibility of abundant information and knowledge. This possibility has been attracting various scenarios in which technology either eliminates non-knowledge or plants it deep within contemporary cultures through the universal power and opacity of algorithms. This volume comprises contributions from media studies, literary studies, sociology, ethnography, anthropology, and philosophy to discuss non-knowledge as an important concept for understanding contemporary digital cultures. 30 00 Making available massive amounts of data that are generated, distributed, and modeled, digital media provide us with the possibility of abundant information and knowledge. This possibility has been attracting various scenarios in which technology either eliminates non-knowledge or plants it deep within contemporary cultures through the universal power and opacity of algorithms. This volume comprises contributions from media studies, literary studies, sociology, ethnography, anthropology, and philosophy to discuss non-knowledge as an important concept for understanding contemporary digital cultures. 20 00 Open Access 01 00 03 02 This is the cover of the book Non-Knowledge and Digital Cultures. 02 https://meson.press/wp-content/uploads/2018/04/9783957961259_cover_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/non-knowledge-and-digital-cultures Lüneburg 04 01 20180418 Andreas Bernard Matthias Koch Martina Leeker 02 WORLD 06 15 9783957961259 03 9783957961259 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37555 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37555/9783957961266-Non-Knowledge.pdf 20 08 20180418 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/non-knowledge-and-digital-cultures 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2018/04/9783957961266-Non-Knowledge.pdf 20 08 20180418 01 urn:uuid:6404e6c2-9158-4ce7-8290-bdc6ec4f74b5 03 01 01 thoth-work-id urn:uuid:7a9354c9-449a-4a2d-954b-b44969aa12e0 01 thoth-publication-id urn:uuid:6404e6c2-9158-4ce7-8290-bdc6ec4f74b5 15 9783957961204 03 9783957961204 06 10.14619/1204 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 6 01 02 Digital Cultures 01 01 Ökologien der Erde Zur Wissensgeschichte und Aktualität der Gaia-Hypothese 1 A01 Alexander Friedrich Alexander Friedrich Alexander Friedrich ist Wissenschaftlicher Mitarbeiter am Institut für Philosophie der Technischen Universität Darmstadt. Seine Forschungsinteressen umfassen Begriffsgeschichte und Metaphorologie, Technik- und Kulturphilosophie. 2 A01 Petra Löffler Petra Löffler Petra Löffler is Professor of„Theory and History of Contemporary Media“ at Carl von Ossietzky University of Oldenburg. Her particular research interests include media archeology, media ecologies, archival practices, and material culture. 3 A01 Niklas Schrape Niklas Schrape Dr. Niklas Schrape is a Postdoctoral Researcher at the Centre for Digital Cultures at Leuphana University Lüneburg, Germany. He holds a double position at the Gamification Lab and the Institute for Advanced Study in Media Cultures of Computer Simulation (MECS). He studied Communications, Psychology and Sociology at the Freie Universität Berlin and Social and Economic Communications at the University of the Arts (UdK) in Berlin. He spent an abroad semester at the International Film School of Wales in Newport, UK. In 2011, Niklas finished his PhD thesis in Media Studies at Filmuniversität Babelsberg as a scholarship holder of the Friedrich Ebert Foundation. In 2012, he published his thesis about rhetoric in games at Campus Verlag. His current research interest encompass the relation between Foucaults concepts of governmentality and self-techonlogies and gamification as well as the role of games in popularizing scientific modeling and simulation techniques. 4 A01 21 0000000252258711 Florian Sprenger Florian Sprenger Florian Sprenger is professor of virtual humanities at Ruhr-Universität Bochum. He is author of Politics of Micro-Decisions: Edward Snowden, Net Neutrality and the Architecture of the Internet (Meson Press, 2015). His research covers topics such as the history of artificial environments, media of immediacy, and the internet of things. 06 Own website http://www.floriansprenger.com/ 01 ger 00 154 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 10 COM017000 12 GPFC 93 GPFC 93 GTB 12 PSAF 10 SCI020000 93 PSAF 12 RNPG 93 RNPG 12 UYM 93 UYM 20 Computersimulation; Gaia-Hypothese; Latour; Lovelock; Margulis; Medienökologie; Metapher; Ökologie 01 06 02 00 Ökologien der Erde bestimmen die Gegenwart. Dabei gewinnt die in den 1970er Jahren von James Lovelock gemeinsam mit Lynn Margulis entwickelte Gaia-Theorie heute neue Erklärungskraft. Wenn Gaia bei Bruno Latour sogar zum allgemeinen Modell der Welterklärung im 21. Jahrhundert wird, gilt es, nach der Plausibilität zu fragen, die die Rede von Ga 03 00 Ökologien der Erde bestimmen die Gegenwart. Dabei gewinnt die in den 1970er Jahren von James Lovelock gemeinsam mit Lynn Margulis entwickelte Gaia-Theorie heute neue Erklärungskraft. Wenn Gaia bei Bruno Latour sogar zum allgemeinen Modell der Welterklärung im 21. Jahrhundert wird, gilt es, nach der Plausibilität zu fragen, die die Rede von Gaia aktuell entwickelt. Die vier Beiträge des Bandes geben hierauf eine Antwort, indem sie die metaphorologischen und begriffshistorischen Linien der Gaia-Theorie nachzeichnen und ihren Bezug auf zeitgenössische Computersimulationen in den Blick nehmen. So wird der gegenwärtige Ort des Wiederauflebens Gaias deutlich – und damit die Verschränkung von kybernetischen und organizistischen Ökologien mit der Annahme einer Programmierbarkeit von Umgebungen. 30 00 Ökologien der Erde bestimmen die Gegenwart. Dabei gewinnt die in den 1970er Jahren von James Lovelock gemeinsam mit Lynn Margulis entwickelte Gaia-Theorie heute neue Erklärungskraft. Wenn Gaia bei Bruno Latour sogar zum allgemeinen Modell der Welterklärung im 21. Jahrhundert wird, gilt es, nach der Plausibilität zu fragen, die die Rede von Gaia aktuell entwickelt. Die vier Beiträge des Bandes geben hierauf eine Antwort, indem sie die metaphorologischen und begriffshistorischen Linien der Gaia-Theorie nachzeichnen und ihren Bezug auf zeitgenössische Computersimulationen in den Blick nehmen. So wird der gegenwärtige Ort des Wiederauflebens Gaias deutlich – und damit die Verschränkung von kybernetischen und organizistischen Ökologien mit der Annahme einer Programmierbarkeit von Umgebungen. 20 00 Open Access 01 00 03 02 This is the cover of the book Ökologien der Erde. 02 https://meson.press/wp-content/uploads/2018/03/9783957961204-Cover_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/okologien-der-erde Lüneburg 04 01 20180409 Alexander Friedrich Petra Löffler Niklas Schrape Florian Sprenger 02 WORLD 06 15 9783957961211 03 9783957961211 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/okologien-der-erde 20 08 20180409 01 urn:uuid:2794ecc8-adc2-4ce7-8475-82e407897604 03 01 01 thoth-work-id urn:uuid:7a9354c9-449a-4a2d-954b-b44969aa12e0 01 thoth-publication-id urn:uuid:2794ecc8-adc2-4ce7-8475-82e407897604 15 9783957961211 03 9783957961211 06 10.14619/1204 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 6 01 02 Digital Cultures 01 01 Ökologien der Erde Zur Wissensgeschichte und Aktualität der Gaia-Hypothese 1 A01 Alexander Friedrich Alexander Friedrich Alexander Friedrich ist Wissenschaftlicher Mitarbeiter am Institut für Philosophie der Technischen Universität Darmstadt. Seine Forschungsinteressen umfassen Begriffsgeschichte und Metaphorologie, Technik- und Kulturphilosophie. 2 A01 Petra Löffler Petra Löffler Petra Löffler is Professor of„Theory and History of Contemporary Media“ at Carl von Ossietzky University of Oldenburg. Her particular research interests include media archeology, media ecologies, archival practices, and material culture. 3 A01 Niklas Schrape Niklas Schrape Dr. Niklas Schrape is a Postdoctoral Researcher at the Centre for Digital Cultures at Leuphana University Lüneburg, Germany. He holds a double position at the Gamification Lab and the Institute for Advanced Study in Media Cultures of Computer Simulation (MECS). He studied Communications, Psychology and Sociology at the Freie Universität Berlin and Social and Economic Communications at the University of the Arts (UdK) in Berlin. He spent an abroad semester at the International Film School of Wales in Newport, UK. In 2011, Niklas finished his PhD thesis in Media Studies at Filmuniversität Babelsberg as a scholarship holder of the Friedrich Ebert Foundation. In 2012, he published his thesis about rhetoric in games at Campus Verlag. His current research interest encompass the relation between Foucaults concepts of governmentality and self-techonlogies and gamification as well as the role of games in popularizing scientific modeling and simulation techniques. 4 A01 21 0000000252258711 Florian Sprenger Florian Sprenger Florian Sprenger is professor of virtual humanities at Ruhr-Universität Bochum. He is author of Politics of Micro-Decisions: Edward Snowden, Net Neutrality and the Architecture of the Internet (Meson Press, 2015). His research covers topics such as the history of artificial environments, media of immediacy, and the internet of things. 06 Own website http://www.floriansprenger.com/ 01 ger 00 154 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 10 COM017000 12 GPFC 93 GPFC 93 GTB 12 PSAF 10 SCI020000 93 PSAF 12 RNPG 93 RNPG 12 UYM 93 UYM 20 Computersimulation; Gaia-Hypothese; Latour; Lovelock; Margulis; Medienökologie; Metapher; Ökologie 01 06 02 00 Ökologien der Erde bestimmen die Gegenwart. Dabei gewinnt die in den 1970er Jahren von James Lovelock gemeinsam mit Lynn Margulis entwickelte Gaia-Theorie heute neue Erklärungskraft. Wenn Gaia bei Bruno Latour sogar zum allgemeinen Modell der Welterklärung im 21. Jahrhundert wird, gilt es, nach der Plausibilität zu fragen, die die Rede von Ga 03 00 Ökologien der Erde bestimmen die Gegenwart. Dabei gewinnt die in den 1970er Jahren von James Lovelock gemeinsam mit Lynn Margulis entwickelte Gaia-Theorie heute neue Erklärungskraft. Wenn Gaia bei Bruno Latour sogar zum allgemeinen Modell der Welterklärung im 21. Jahrhundert wird, gilt es, nach der Plausibilität zu fragen, die die Rede von Gaia aktuell entwickelt. Die vier Beiträge des Bandes geben hierauf eine Antwort, indem sie die metaphorologischen und begriffshistorischen Linien der Gaia-Theorie nachzeichnen und ihren Bezug auf zeitgenössische Computersimulationen in den Blick nehmen. So wird der gegenwärtige Ort des Wiederauflebens Gaias deutlich – und damit die Verschränkung von kybernetischen und organizistischen Ökologien mit der Annahme einer Programmierbarkeit von Umgebungen. 30 00 Ökologien der Erde bestimmen die Gegenwart. Dabei gewinnt die in den 1970er Jahren von James Lovelock gemeinsam mit Lynn Margulis entwickelte Gaia-Theorie heute neue Erklärungskraft. Wenn Gaia bei Bruno Latour sogar zum allgemeinen Modell der Welterklärung im 21. Jahrhundert wird, gilt es, nach der Plausibilität zu fragen, die die Rede von Gaia aktuell entwickelt. Die vier Beiträge des Bandes geben hierauf eine Antwort, indem sie die metaphorologischen und begriffshistorischen Linien der Gaia-Theorie nachzeichnen und ihren Bezug auf zeitgenössische Computersimulationen in den Blick nehmen. So wird der gegenwärtige Ort des Wiederauflebens Gaias deutlich – und damit die Verschränkung von kybernetischen und organizistischen Ökologien mit der Annahme einer Programmierbarkeit von Umgebungen. 20 00 Open Access 01 00 03 02 This is the cover of the book Ökologien der Erde. 02 https://meson.press/wp-content/uploads/2018/03/9783957961204-Cover_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/okologien-der-erde Lüneburg 04 01 20180409 Alexander Friedrich Petra Löffler Niklas Schrape Florian Sprenger 02 WORLD 06 15 9783957961204 03 9783957961204 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37556 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37556/9783957961211-Oekologien_der_Erde.pdf 20 08 20180409 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/okologien-der-erde 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2018/03/9783957961211-Oekologien_der_Erde.pdf 20 08 20180409 01 urn:uuid:15a2baff-1b58-4b75-b31c-9f332f704042 03 01 01 thoth-work-id urn:uuid:d77159e0-b2c4-49e5-97db-f85a52198b9e 01 thoth-publication-id urn:uuid:15a2baff-1b58-4b75-b31c-9f332f704042 15 9783957961518 03 9783957961518 06 10.14619/1518 00 EB E107 10 Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). 02 https://creativecommons.org/licenses/by-nc/4.0/ 10 01 Series ID d8c7752c-9550-4d6a-883a-a7a3ee820962 02 00000007 01 Series URL https://meson.press/series-page/in-search-of-media 03 7 01 02 In Search of Media 01 01 Organize 1 A01 Timon Beyes Timon Beyes Professor in Sociology of Organisation and Culture 40 02w2y2t16 Leuphana University of Lüneburg Timon Beyes is professor in Sociology of Organisation and Culture at Leuphana University Lüneburg and Copenhagen Business School, and a director of Leuphana University’s Centre for Digital Cultures (CDC). Recent related publications include the coedited Oxford Handbook of Media, Technology, and Organization Studies and “The Media Arcane,” Grey Room 75 (with Claus Pias). 2 A01 21 0000000199979455 Lisa Conrad Lisa Conrad Lecturer 40 02w2y2t16 Leuphana University of Lüneburg Research Associate 40 02w2y2t16 Leuphana University of Lüneburg Lisa Conrad is a lecturer at the Institute for Sociology and Cultural Organization (ISCO) and a research associate at the Centre for Digital Cultures (CDC) at Leuphana University Lüneburg. 3 A01 Reinhold Martin Reinhold Martin Professor of Architecture 40 00hj8s172 Columbia University Reinhold Martin is professor of architecture at Columbia University. He cofounded the journal Grey Room and is author of The Organizational Complex: Architecture, Media, and Corporate Space (2003), Utopia’s Ghost: Architecture and Postmodernism, Again (Minnesota, 2010) and The Urban Apparatus: Mediapolitics and the City (Minnesota, 2016). 4 A19 21 0000000235546543 Geert Lovink Geert Lovink Founder 40 01pj4qf10 Institute of Network Cultures Geert Lovink is a Dutch media theorist, internet critic, and author of Uncanny Networks (2002), Dark Fiber (2002), My First Recession (2003), Zero Comments (2007), Networks without a Cause (2012), Social Media Abyss (2016), and Sad by Design (2019). In 2004, he founded the Institute of Network Cultures at the Amsterdam University of Applied Sciences. His center organizes conferences, publications, and research networks such as Video Vortex (online video), Unlike Us (alternatives in social media), Critical Point of View (Wikipedia), Society of the Query (the culture of search), and MoneyLab (internet- based revenue models in the arts). Recent projects deal with digital publishing and the future of art criticism. 5 A19 21 0000000307102109 Ned Rossiter Ned Rossiter Professor of Communication 40 03t52dk35 Western Sydney University Director of Research at the Institute for Culture and Society 40 03t52dk35 Western Sydney University Ned Rossiter is professor of communication at the Institute for Culture and Society with a joint appointment in the School of Humanities and Communication Arts, Western Sydney University, and author of Organized Networks: Media Theory, Creative Labour, New Institutions (2006), Software, Infrastructure, Labor: A Media Theory of Logistical Nightmares (2016) and (with Geert Lovink) Organization after Social Media (2018). 06 Own website https://nedrossiter.org/ 01 eng 00 115 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 12 JHB 93 JHB 10 SOC026000 12 JP 93 JP 20 Power; Domination; Organization; Emancipation; Control; Disruption; Digital Media; Politics; Surveillance 01 06 02 00 Digital media technologies re-pose the question of organization—and thus of power and domination, control and surveillance, disruption and emancipation. This book interrogates organization as effect and condition of media. How can we understand the recursive relationship between media and organization? How can we think, explore, critique—and 03 00 Digital media technologies re-pose the question of organization—and thus of power and domination, control and surveillance, disruption and emancipation. This book interrogates organization as effect and condition of media. How can we understand the recursive relationship between media and organization? How can we think, explore, critique—and perhaps alter—the organizational bodies and scripts that shape contemporary life? 30 00 Digital media technologies re-pose the question of organization—and thus of power and domination, control and surveillance, disruption and emancipation. This book interrogates organization as effect and condition of media. How can we understand the recursive relationship between media and organization? How can we think, explore, critique—and perhaps alter—the organizational bodies and scripts that shape contemporary life? 20 00 Open Access 01 00 03 02 This is the cover of the book Organize. 02 https://meson.press/wp-content/uploads/2019/11/Organize_Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/organize Lüneburg 04 01 20191126 Timon Beyes Lisa Conrad Reinhold Martin Geert Lovink Ned Rossiter 02 WORLD WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37546 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37546/978-3-95796-151-8-Organize.pdf 20 08 20191126 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/organize 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2019/11/978-3-95796-151-8-Organize.pdf 20 08 20191126 01 urn:uuid:2613595b-4b7e-482b-9b7e-b118499f4995 03 01 01 thoth-work-id urn:uuid:8710628b-6e37-45b3-ad8d-8918b35030de 01 thoth-publication-id urn:uuid:2613595b-4b7e-482b-9b7e-b118499f4995 15 9783957960085 03 9783957960085 06 10.14619/0085 00 BC 10 01 234 mm 01 23.4 cm 01 9.21 in 02 156 mm 02 15.6 cm 02 6.14 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 4433718b-565b-4e98-b1ef-43519635928f 02 00000009 01 Series URL https://meson.press/series-page/configurations-of-film 03 3 01 02 Configurations of Film 01 01 Pandemic Media Preliminary Notes Toward an Inventory 1 B01 Philipp Dominik Keidl Philipp Dominik Keidl Postdoctoral Fellow 40 04cvxnb49 Goethe University Frankfurt Philipp Dominik Keidl is a postdoctoral fellow in the Graduate Research Training Program “Konfigurationen des Films” at Goethe University Frankfurt. His research concentrates on fandom, media and material culture, and moving image preservation and exhibition. 2 B01 Laliv Melamed Laliv Melamed Postdoctoral Fellow 40 04cvxnb49 Goethe University Frankfurt Laliv Melamed is a postdoctoral fellow in the Graduate Research Training Program “Konfigurationen des Films” at Goethe University Frankfurt. Her research is dedicated to marginal forms and the intersection of state politics and media. Her current project focuses on operative images. 3 B01 21 0000000234552423 Vinzenz Hediger Vinzenz Hediger Professor of Cinema Studies 40 04cvxnb49 Goethe University Frankfurt Vinzenz Hediger is professor of cinema studies at Goethe University Frankfurt where he directs the Graduate Research Training Program “Konfigurationen des Films”. His research interests include the history of film theory, marginal film forms and global film industries. 4 B01 Antonio Somaini Antonio Somaini Professor of Film, Media and Visual Culture Theory 40 03z6jp965 Sorbonne Nouvelle University Antonio Somaini is professor of Film, Media and Visual Culture Theory at the Université Sorbonne Nouvelle in Paris, where he is also Chair of the Department of Film and Media Studies. His research interests include the history of film and media theories, as well as issues in contemporary visual culture, such as the implications of the high and low definition of images, and of the new technologies of machine vision. 5 A01 Ada Ackerman Ada Ackerman Permanent Researcher 40 00ca65425 Théorie et Histoire des Arts et des Littératures de la Modernité Ada Ackerman is a permanent researcher at THALIM/ CNRS (French National Research Center). An art historian and a specialist of Sergei Eisenstein’s work, she focuses on interartistic and intermedial circulations (cinema and other arts) as well as on cultural exchanges between USSR, Europe and the United States. 6 A01 Neta Alexander Neta Alexander Assistant Professor 40 05d23ve83 Colgate University Neta Alexander is assistant professor of Film and Media at Colgate University, New York and an Assistant Editor of JCMS: Journal of Cinema and Media Studies. Her research interests include digital culture, film theory, science and technology studies (STS), and disability studies. She is the co-author of Failure (Polity Books, 2020, with Arjun Appadurai), which studies how Silicon Valley and Wall Street have been monetizing failure and forgetfulness. 7 A01 Meredith A. Bak Meredith A. Bak Assistant Professor of Childhood Studies 40 05vt9qd57 Rutgers University Meredith A. Bak is assistant professor of Childhood Studies at Rutgers University-Camden. She is the author of Playful Visions: Optical Toys and the Emergence of Children’s Media Culture (MIT Press, 2020). Her research concentrates on children’s media, visual, and material cultures from the nineteenth century to the present. 8 A01 Marie-Aude Baronian Marie-Aude Baronian Associate Professor in Visual Culture 40 04dkp9463 University of Amsterdam Marie-Aude Baronian is associate professor in Visual Culture at the Media Studies department of the University of Amsterdam. Her research fields and interests are rather interdisciplinary and include media, memory and testimony, ethics and aesthetics, film-philosophy, French thought, fashion theory, material objects, and Armenian diasporic audiovisual practices. 9 A01 Ulrike Bergermann Ulrike Bergermann Professor of Media Studies 40 03aft2f80 Braunschweig University of Art Ulrike Bergermann is professor of media studies at the University of the Arts Braunschweig. Her research interests include Postcolonial Theory, Gender Studies, and questions of (academic) knowledge production. See ulrikebergermann.de. 10 A01 Amrita Biswas Amrita Biswas PhD Candidate 40 04cvxnb49 Goethe University Frankfurt Amrita Biswas is a PhD candidate in the Graduate Research Training Program “Konfigurationen des Films” at Goethe University, Frankfurt. Her research interests include post-partition trauma in the films of Ritwik Ghatak as well as media infrastructures of alternative and popular Bengali cinema. 11 A01 21 0000000202207529 Teresa Castro Teresa Castro Associate Professor in Film Studies 40 03z6jp965 Sorbonne Nouvelle University Teresa Castro is associate professor in Film Studies at the Université Sorbonne Nouvelle – Paris 3. She has extensively worked on aerial imagery and was associate curator of the exhibition “Vues d’en haut”, held at the Centre Pompidou Metz (2013). Her current research interests include the links between film and animism, vegetal life forms in visual culture and eco-criticism. 12 A01 Didi Cheeka Didi Cheeka Didi Cheeka is the artistic director of Decasia—Berlin-Lagos Archival Film Festival. He is co-founder and curator of Lagos Film Society—an alternative cinema centre dedicated to founding Nigeria’s first arthouse cinema. Didi is currently engaged in digitizing and researching Nigeria’s rediscovered colonial and post-war (1967–70) audiovisual archives. 13 A01 Michelle Cho Michelle Cho Assistant Professor of Korean Film and Media 40 03dbr7087 University of Toronto Michelle Cho is an assistant professor of Korean film and media at the University of Toronto. Her research interests include Korean cinema, television, video, and pop music, genre cinemas, social media platforms, and Korean-wave pop culture fandoms. 14 A01 Shane Denson Shane Denson Associate Professor of Film and Media Studies 40 00f54p054 Stanford University Shane Denson is associate professor of Film and Media Studies and, by Courtesy, of German Studies at Stanford University. His research interests span a variety of media and historical periods, including phenomenological and media-philosophical approaches to film, digital media, and serialized popular forms. See shanedenson.com for more information. 15 A01 Guilherme da Silva Machado Guilherme da Silva Machado PhD Candidate 40 03z6jp965 Sorbonne Nouvelle University Guilherme da Silva Machado is a PhD candidate at Université Sorbonne Nouvelle Paris 3 and Goethe University Frankfurt, where he is also a member of the Graduate Research Training Program “Konfigurationen des Films”. He is particularly interested in the relationship between techniques of observation and labor practices, from an aesthetic, epistemological and anthropological perspective. 16 A01 Marijke de Valck Marijke de Valck Professor of Film and Media Studies 40 04pp8hn57 Utrecht University Marijke de Valck is associate professor of film and media studies at Utrecht University where she co-directs the master program in film and television culture. Her research deals with transnational media cultures, media industries, and art cinema. In her work on film festivals she combines critical theory, textual analysis and empirical approaches. 17 A01 Kerim Dogruel Kerim Dogruel PhD Candidate 40 04cvxnb49 Goethe University Frankfurt Kerim Dogruel is a PhD candidate in the Graduate Research Training Program “Konfigurationen des Films” at Goethe University Frankfurt. His research interests include media theory, animation and game studies. 18 A01 21 0000000297960619 Stefanie Duguay Stefanie Duguay Assistant Professor 40 03nvtfm43 Concordia University Stefanie Duguay is an assistant professor in the Department of Communication Studies at Concordia University (Tiohtià:ke/Montreal, Canada). Her research focuses on the influence of digital media technologies in everyday life, with attention to the intersection of sexual identity, gender, and social media. 19 A01 Kester Dyer Kester Dyer Assistant Professor in Film Studies 40 02qtvee93 Carleton University Kester Dyer is assistant professor in Film Studies at Carleton University, which is located on unceded Algonquin territory. A settler scholar, his research focusses on Québec, Indigenous, and Canadian film and media. His areas of interest also include genre theory and postcolonial approaches to film. 20 A01 Christoph Engemann Christoph Engemann Postdoctoral Researcher 40 033bb5z47 Bauhaus University, Weimar Christoph Engemann is postdoc for digital transformation and society at the Bauhaus University Weimar. His research interests include graphs & transactions, media of statehood and barns. 21 A01 Karin Fleck Karin Fleck PhD Candidate 40 04cvxnb49 Goethe University Frankfurt Karin Fleck is a PhD candidate at the Graduate Research Training Program “Konfigurationen des Films” with a project titled “Future Oddities: Nostalgia, Music and Film”. Her research interests include nostalgia trends in cinema, popular music, reception theory and the history of analogue media. 22 A01 Bishnupriya Ghosh Bishnupriya Ghosh Professor of Global Studies and English 40 02t274463 University of California, Santa Barbara Bishnupriya Ghosh is professor of Global Studies and English at the University of California, Santa Barbara. Her research interests include studies of environmental media, science-and-technology, global media, and postcolonial/decolonial theory. 23 A01 Sophia Gräfe Sophia Gräfe Research Associate 40 01rdrb571 Philipps University of Marburg Sophia Gräfe is research associate in the project “Transdisciplinary Networks of Media Knowledge” at the Philipps-University of Marburg as well as guest researcher at the Museum of Natural History in Berlin. Her research interests include the history of the behavioral sciences, the media of science and scientific film. 24 A01 21 0000000346645536 Malte Hagener Malte Hagener Professor of Film and Media Studies 40 01rdrb571 Philipps University of Marburg Malte Hagener is a professor of film and media studies at Philipps University Marburg and a Principal Investigator at the Graduate Research Training Program “Konfigurationen des Films”. His research interests include film history and historiography, film theory and media archaeology. 25 A01 Florian Hoof Florian Hoof Research Associate 40 02w2y2t16 Leuphana University of Lüneburg Florian Hoof is a research associate at the Institute of Advanced Study on Media Cultures of Computer Simulation, Leuphana University Lüneburg. Fields of research: film and media history, digital environments, media and organizational theory. Recent publication: Angels of Efficiency: A Media History of Consulting (Oxford University Press, 2020). 26 A01 Marek Jancovic Marek Jancovic Assistant Professor of Media Studies 40 008xxew50 VU Amsterdam Marek Jancovic is assistant professor of Media Studies at the Vrije Universiteit Amsterdam. His current research is centered around the materialities of the moving image, film preservation practices and format studies. 27 A01 Alice Leroy Alice Leroy Lecturer in Film Studies 40 03x42jk29 Université Gustave Eiffel Alice Leroy is a lecturer in film studies at the University of Gustave Eiffel (Paris). Her work focuses on the relationship between science and aesthetics through the visual imaginaries of the body. She is a member of the editorial board of the journal Cahiers du cinéma, and also an associate programmer at the international documentary film festival Cinéma du Réel at the Centre Pompidou, and the Stockholm French Film Festival. 28 A01 21 0000000251959217 Juan Llamas-Rodriguez Juan Llamas-Rodriguez Professor of Critical Media Studies 40 049emcs32 The University of Texas at Dallas Juan Llamas-Rodriguez is assistant professor of critical media studies in the School of Arts, Technology, and Emerging Communication at the University of Texas at Dallas. His research spans digital media, border studies, infrastructure studies, and Latin American film and television. 29 A01 John Mowitt John Mowitt Professor of Cultural and Media Studies 40 024mrxd33 University of Leeds John Mowitt is professor of Cultural and Media Studies and the Leadership Chair in the Critical Humanities at the University of Leeds. He is also a senior editor of Cultural Critique. His research interests include the history and geography of critical theory, sound studies and comparative literature. 30 A01 Joshua Neves Joshua Neves Canada Research Chair 40 0420zvk78 Concordia University Joshua Neves is Canada Research Chair and director of the Global Emergent Media (GEM) Lab at Concordia University (Montréal). His research centers on digital media, cultural and political theory, and problems of development and legitimacy. He is the author of Underglobalization: Beijing’s Media Urbanism and the Chimera of Legitimacy (Duke 2020), and co-editor of Asian Video Cultures: In the Penumbra of the Global (Duke 2017). 31 A01 Alexandra Schneider Alexandra Schneider Professor of Film Studies 40 023b0x485 Johannes Gutenberg University Mainz Alexandra Schneider is professor of Film Studies at Johannes Gutenberg-University Mainz. She is affiliated with the Graduate Research Training Program “Konfigurationen des Films” and the director of the Gutenberg Graduates School of the Humanities and Social Science (GSHS). Her research interests include media archaeology, amateur media and format studies. 32 A01 21 0000000211276040 Benjamín Schultz-Figueroa Benjamín Schultz-Figueroa Assistant Professor in Film Studies 40 02jqc0m91 Seattle University Benjamín Schultz-Figueroa is an assistant professor in Film Studies at Seattle University. His research focuses on the history of scientific filmmaking, nontheatrical film, and animal studies. His book The Celluloid Specimen: Moving Image Research into Animal Life is due to be published by UC Press in 2022. 33 A01 21 0000000331132359 Diego Semerene Diego Semerene Senior Lecturer in Film and Digital Media Production 40 04v2twj65 Oxford Brookes University Diego Semerene is Senior Lecturer in Film and Digital Media Production at Oxford Brookes University and a film critic for Slant Magazine. Their research interests include psychoanalysis, queer theory and fashion theory. 34 A01 21 0000000203714653 Felix M. Simon Felix M. Simon Leverhulme Doctoral Scholar Oxford Internet Institute Felix M. Simon is a Leverhulme Doctoral Scholar at the Oxford Internet Institute (OII) and a research assistant at the Reuters Institute for the Study of Journalism (RISJ) at the University of Oxford. His research broadly focuses on AI in the news, political communication in the digital age, and the changing nature of the media in the 21st century. 35 A01 Marc Steinberg Marc Steinberg Associate Professor of Cinema 40 03nvtfm43 Concordia University Marc Steinberg is associate professor of Cinema and director of The Platform Lab at Concordia University. His research examines the impacts of digital platforms on management practices, media industries, and cultural life, focusing on East Asia in particular. His most recent book is The Platform Economy: How Japan Transformed the Commercial Internet (University of Minnesota Press, 2019). 36 A01 Wanda Strauven Wanda Strauven Privatdozentin of Media Studies 40 04cvxnb49 Goethe University Frankfurt Wanda Strauven is Privatdozentin of Media Studies at Goethe University Frankfurt and member of the Graduate Research Training Program “Konfigurationen des Films”. Her research focuses on early cinema, media archaeology, touch-based media and screenic practices of post-cinema (from interactive media installations to creative media hacking by today’s children). 37 A01 Jaap Verheul Jaap Verheul Visiting Research Fellow 40 0220mzb33 King's College London Jaap Verheul is a visiting research fellow in the Department of Film Studies at King’s College London, where his research focuses on the regulation of transnational flows of film and television production in European media industries. He recently published an edited collection on The Cultural Life of James Bond: Specters of 007 with Amsterdam University Press (2020). 38 A01 21 0000000307984797 Abby S. Waysdorf Abby S. Waysdorf Postdoctoral Researcher 40 04pp8hn57 Utrecht University Abby S. Waysdorf is a postdoctoral researcher at Utrecht University, where she is part of the CADEAH (Curation and Appropriation of European Audiovisual Heritage) project. Her research interests are audiovisual archives, fan cultures, and the relationship between viewers/users and the media industry. 39 A01 21 0000000158968995 Rebecca Williams Rebecca Williams Senior Lecturer in Communication, Culture and Media Studies 40 02mzn7s88 University of South Wales Rebecca Williams is senior lecturer in Communication, Culture and Media Studies at the University of South Wales. Her research interests include fandom and participatory cultures, mediated place and space, media tourism, and themed and immersive spaces 40 A01 Leonie Zilch Leonie Zilch Postdoctoral Assistant Researcher 40 023b0x485 Johannes Gutenberg University Mainz Leonie Zilch is a postdoctoral assistant researcher at the Institute of Film, Theater, Media and Cultural Studies at the Johannes Gutenberg-University Mainz. Her fields of research include Porn Studies, Feminist Film Theory, Gender Studies, Documentary Practices and Popular Culture. 41 A01 Yvonne Zimmermann Yvonne Zimmermann Professor of Media Studies 40 01rdrb571 Philipps University of Marburg Yvonne Zimmermann is professor of media studies at Philipps-University Marburg. She is the editor and co-author of a volume on useful cinema in Switzerland (Schaufenster Schweiz: Dokumentarische Gebrauchsfilme 1896–1964, 2011) and the co-author of the forthcoming book Advertising and the Transformation of Screen Cultures (AUP, 2021, with Bo Florin and Patrick Vonderau). Her current research focuses on the popular transfer of knowledge by magic lantern and on Asta Nielsen and the introduction of the star system before WWI. 01 eng 00 380 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 12 APF 93 ATF 10 PER004000 93 ATMN 10 PER004140 93 ATN 20 Coronavirus; Media; Scale; Technologies; Materialities; Time; Digitalization; Activism; Space; Sociability; Instruction; COVID-19; Pandemic; Temporality; Education 01 06 02 00 With its unprecedented scale and consequences the COVID-19 pandemic has generated a variety of new configurations of media. Responding to demands for information, synchronization, regulation, and containment, these “pandemic media” reorder social interactions, spaces, and temporalities, thus contributing to a reconfiguration of media technolo 03 00 With its unprecedented scale and consequences the COVID-19 pandemic has generated a variety of new configurations of media. Responding to demands for information, synchronization, regulation, and containment, these “pandemic media” reorder social interactions, spaces, and temporalities, thus contributing to a reconfiguration of media technologies and the cultures and polities with which they are entangled. Highlighting media’s adaptability, malleability, and scalability under the conditions of a pandemic, the contributions to this volume track and analyze how media emerge, operate, and change in response to the global crisis and provide elements toward an understanding of the post-pandemic world to come. 30 00 With its unprecedented scale and consequences the COVID-19 pandemic has generated a variety of new configurations of media. Responding to demands for information, synchronization, regulation, and containment, these “pandemic media” reorder social interactions, spaces, and temporalities, thus contributing to a reconfiguration of media technologies and the cultures and polities with which they are entangled. Highlighting media’s adaptability, malleability, and scalability under the conditions of a pandemic, the contributions to this volume track and analyze how media emerge, operate, and change in response to the global crisis and provide elements toward an understanding of the post-pandemic world to come. 20 00 Open Access 01 00 03 02 This is the cover of the book Pandemic Media. 02 https://meson.press/wp-content/uploads/2020/10/Pandemic_Media_Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/pandemic-media/ 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Graduiertenkolleg 01 projectname GRK 2279: Konfigurationen des Films 01 projectshortname Konfigurationen des Films 01 grantnumber 310565625 Lüneburg 04 01 20201223 Philipp Dominik Keidl Laliv Melamed Vinzenz Hediger Antonio Somaini 02 WORLD 06 15 9783957960092 03 9783957960092 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/pandemic-media/ 20 08 20201223 01 urn:uuid:553f776b-d75b-46f1-99eb-8ac30b9d4a35 03 01 01 thoth-work-id urn:uuid:8710628b-6e37-45b3-ad8d-8918b35030de 01 thoth-publication-id urn:uuid:553f776b-d75b-46f1-99eb-8ac30b9d4a35 15 9783957960092 03 9783957960092 06 10.14619/0085 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 4433718b-565b-4e98-b1ef-43519635928f 02 00000009 01 Series URL https://meson.press/series-page/configurations-of-film 03 3 01 02 Configurations of Film 01 01 Pandemic Media Preliminary Notes Toward an Inventory 1 B01 Philipp Dominik Keidl Philipp Dominik Keidl Postdoctoral Fellow 40 04cvxnb49 Goethe University Frankfurt Philipp Dominik Keidl is a postdoctoral fellow in the Graduate Research Training Program “Konfigurationen des Films” at Goethe University Frankfurt. His research concentrates on fandom, media and material culture, and moving image preservation and exhibition. 2 B01 Laliv Melamed Laliv Melamed Postdoctoral Fellow 40 04cvxnb49 Goethe University Frankfurt Laliv Melamed is a postdoctoral fellow in the Graduate Research Training Program “Konfigurationen des Films” at Goethe University Frankfurt. Her research is dedicated to marginal forms and the intersection of state politics and media. Her current project focuses on operative images. 3 B01 21 0000000234552423 Vinzenz Hediger Vinzenz Hediger Professor of Cinema Studies 40 04cvxnb49 Goethe University Frankfurt Vinzenz Hediger is professor of cinema studies at Goethe University Frankfurt where he directs the Graduate Research Training Program “Konfigurationen des Films”. His research interests include the history of film theory, marginal film forms and global film industries. 4 B01 Antonio Somaini Antonio Somaini Professor of Film, Media and Visual Culture Theory 40 03z6jp965 Sorbonne Nouvelle University Antonio Somaini is professor of Film, Media and Visual Culture Theory at the Université Sorbonne Nouvelle in Paris, where he is also Chair of the Department of Film and Media Studies. His research interests include the history of film and media theories, as well as issues in contemporary visual culture, such as the implications of the high and low definition of images, and of the new technologies of machine vision. 5 A01 Ada Ackerman Ada Ackerman Permanent Researcher 40 00ca65425 Théorie et Histoire des Arts et des Littératures de la Modernité Ada Ackerman is a permanent researcher at THALIM/ CNRS (French National Research Center). An art historian and a specialist of Sergei Eisenstein’s work, she focuses on interartistic and intermedial circulations (cinema and other arts) as well as on cultural exchanges between USSR, Europe and the United States. 6 A01 Neta Alexander Neta Alexander Assistant Professor 40 05d23ve83 Colgate University Neta Alexander is assistant professor of Film and Media at Colgate University, New York and an Assistant Editor of JCMS: Journal of Cinema and Media Studies. Her research interests include digital culture, film theory, science and technology studies (STS), and disability studies. She is the co-author of Failure (Polity Books, 2020, with Arjun Appadurai), which studies how Silicon Valley and Wall Street have been monetizing failure and forgetfulness. 7 A01 Meredith A. Bak Meredith A. Bak Assistant Professor of Childhood Studies 40 05vt9qd57 Rutgers University Meredith A. Bak is assistant professor of Childhood Studies at Rutgers University-Camden. She is the author of Playful Visions: Optical Toys and the Emergence of Children’s Media Culture (MIT Press, 2020). Her research concentrates on children’s media, visual, and material cultures from the nineteenth century to the present. 8 A01 Marie-Aude Baronian Marie-Aude Baronian Associate Professor in Visual Culture 40 04dkp9463 University of Amsterdam Marie-Aude Baronian is associate professor in Visual Culture at the Media Studies department of the University of Amsterdam. Her research fields and interests are rather interdisciplinary and include media, memory and testimony, ethics and aesthetics, film-philosophy, French thought, fashion theory, material objects, and Armenian diasporic audiovisual practices. 9 A01 Ulrike Bergermann Ulrike Bergermann Professor of Media Studies 40 03aft2f80 Braunschweig University of Art Ulrike Bergermann is professor of media studies at the University of the Arts Braunschweig. Her research interests include Postcolonial Theory, Gender Studies, and questions of (academic) knowledge production. See ulrikebergermann.de. 10 A01 Amrita Biswas Amrita Biswas PhD Candidate 40 04cvxnb49 Goethe University Frankfurt Amrita Biswas is a PhD candidate in the Graduate Research Training Program “Konfigurationen des Films” at Goethe University, Frankfurt. Her research interests include post-partition trauma in the films of Ritwik Ghatak as well as media infrastructures of alternative and popular Bengali cinema. 11 A01 21 0000000202207529 Teresa Castro Teresa Castro Associate Professor in Film Studies 40 03z6jp965 Sorbonne Nouvelle University Teresa Castro is associate professor in Film Studies at the Université Sorbonne Nouvelle – Paris 3. She has extensively worked on aerial imagery and was associate curator of the exhibition “Vues d’en haut”, held at the Centre Pompidou Metz (2013). Her current research interests include the links between film and animism, vegetal life forms in visual culture and eco-criticism. 12 A01 Didi Cheeka Didi Cheeka Didi Cheeka is the artistic director of Decasia—Berlin-Lagos Archival Film Festival. He is co-founder and curator of Lagos Film Society—an alternative cinema centre dedicated to founding Nigeria’s first arthouse cinema. Didi is currently engaged in digitizing and researching Nigeria’s rediscovered colonial and post-war (1967–70) audiovisual archives. 13 A01 Michelle Cho Michelle Cho Assistant Professor of Korean Film and Media 40 03dbr7087 University of Toronto Michelle Cho is an assistant professor of Korean film and media at the University of Toronto. Her research interests include Korean cinema, television, video, and pop music, genre cinemas, social media platforms, and Korean-wave pop culture fandoms. 14 A01 Shane Denson Shane Denson Associate Professor of Film and Media Studies 40 00f54p054 Stanford University Shane Denson is associate professor of Film and Media Studies and, by Courtesy, of German Studies at Stanford University. His research interests span a variety of media and historical periods, including phenomenological and media-philosophical approaches to film, digital media, and serialized popular forms. See shanedenson.com for more information. 15 A01 Guilherme da Silva Machado Guilherme da Silva Machado PhD Candidate 40 03z6jp965 Sorbonne Nouvelle University Guilherme da Silva Machado is a PhD candidate at Université Sorbonne Nouvelle Paris 3 and Goethe University Frankfurt, where he is also a member of the Graduate Research Training Program “Konfigurationen des Films”. He is particularly interested in the relationship between techniques of observation and labor practices, from an aesthetic, epistemological and anthropological perspective. 16 A01 Marijke de Valck Marijke de Valck Professor of Film and Media Studies 40 04pp8hn57 Utrecht University Marijke de Valck is associate professor of film and media studies at Utrecht University where she co-directs the master program in film and television culture. Her research deals with transnational media cultures, media industries, and art cinema. In her work on film festivals she combines critical theory, textual analysis and empirical approaches. 17 A01 Kerim Dogruel Kerim Dogruel PhD Candidate 40 04cvxnb49 Goethe University Frankfurt Kerim Dogruel is a PhD candidate in the Graduate Research Training Program “Konfigurationen des Films” at Goethe University Frankfurt. His research interests include media theory, animation and game studies. 18 A01 21 0000000297960619 Stefanie Duguay Stefanie Duguay Assistant Professor 40 03nvtfm43 Concordia University Stefanie Duguay is an assistant professor in the Department of Communication Studies at Concordia University (Tiohtià:ke/Montreal, Canada). Her research focuses on the influence of digital media technologies in everyday life, with attention to the intersection of sexual identity, gender, and social media. 19 A01 Kester Dyer Kester Dyer Assistant Professor in Film Studies 40 02qtvee93 Carleton University Kester Dyer is assistant professor in Film Studies at Carleton University, which is located on unceded Algonquin territory. A settler scholar, his research focusses on Québec, Indigenous, and Canadian film and media. His areas of interest also include genre theory and postcolonial approaches to film. 20 A01 Christoph Engemann Christoph Engemann Postdoctoral Researcher 40 033bb5z47 Bauhaus University, Weimar Christoph Engemann is postdoc for digital transformation and society at the Bauhaus University Weimar. His research interests include graphs & transactions, media of statehood and barns. 21 A01 Karin Fleck Karin Fleck PhD Candidate 40 04cvxnb49 Goethe University Frankfurt Karin Fleck is a PhD candidate at the Graduate Research Training Program “Konfigurationen des Films” with a project titled “Future Oddities: Nostalgia, Music and Film”. Her research interests include nostalgia trends in cinema, popular music, reception theory and the history of analogue media. 22 A01 Bishnupriya Ghosh Bishnupriya Ghosh Professor of Global Studies and English 40 02t274463 University of California, Santa Barbara Bishnupriya Ghosh is professor of Global Studies and English at the University of California, Santa Barbara. Her research interests include studies of environmental media, science-and-technology, global media, and postcolonial/decolonial theory. 23 A01 Sophia Gräfe Sophia Gräfe Research Associate 40 01rdrb571 Philipps University of Marburg Sophia Gräfe is research associate in the project “Transdisciplinary Networks of Media Knowledge” at the Philipps-University of Marburg as well as guest researcher at the Museum of Natural History in Berlin. Her research interests include the history of the behavioral sciences, the media of science and scientific film. 24 A01 21 0000000346645536 Malte Hagener Malte Hagener Professor of Film and Media Studies 40 01rdrb571 Philipps University of Marburg Malte Hagener is a professor of film and media studies at Philipps University Marburg and a Principal Investigator at the Graduate Research Training Program “Konfigurationen des Films”. His research interests include film history and historiography, film theory and media archaeology. 25 A01 Florian Hoof Florian Hoof Research Associate 40 02w2y2t16 Leuphana University of Lüneburg Florian Hoof is a research associate at the Institute of Advanced Study on Media Cultures of Computer Simulation, Leuphana University Lüneburg. Fields of research: film and media history, digital environments, media and organizational theory. Recent publication: Angels of Efficiency: A Media History of Consulting (Oxford University Press, 2020). 26 A01 Marek Jancovic Marek Jancovic Assistant Professor of Media Studies 40 008xxew50 VU Amsterdam Marek Jancovic is assistant professor of Media Studies at the Vrije Universiteit Amsterdam. His current research is centered around the materialities of the moving image, film preservation practices and format studies. 27 A01 Alice Leroy Alice Leroy Lecturer in Film Studies 40 03x42jk29 Université Gustave Eiffel Alice Leroy is a lecturer in film studies at the University of Gustave Eiffel (Paris). Her work focuses on the relationship between science and aesthetics through the visual imaginaries of the body. She is a member of the editorial board of the journal Cahiers du cinéma, and also an associate programmer at the international documentary film festival Cinéma du Réel at the Centre Pompidou, and the Stockholm French Film Festival. 28 A01 21 0000000251959217 Juan Llamas-Rodriguez Juan Llamas-Rodriguez Professor of Critical Media Studies 40 049emcs32 The University of Texas at Dallas Juan Llamas-Rodriguez is assistant professor of critical media studies in the School of Arts, Technology, and Emerging Communication at the University of Texas at Dallas. His research spans digital media, border studies, infrastructure studies, and Latin American film and television. 29 A01 John Mowitt John Mowitt Professor of Cultural and Media Studies 40 024mrxd33 University of Leeds John Mowitt is professor of Cultural and Media Studies and the Leadership Chair in the Critical Humanities at the University of Leeds. He is also a senior editor of Cultural Critique. His research interests include the history and geography of critical theory, sound studies and comparative literature. 30 A01 Joshua Neves Joshua Neves Canada Research Chair 40 0420zvk78 Concordia University Joshua Neves is Canada Research Chair and director of the Global Emergent Media (GEM) Lab at Concordia University (Montréal). His research centers on digital media, cultural and political theory, and problems of development and legitimacy. He is the author of Underglobalization: Beijing’s Media Urbanism and the Chimera of Legitimacy (Duke 2020), and co-editor of Asian Video Cultures: In the Penumbra of the Global (Duke 2017). 31 A01 Alexandra Schneider Alexandra Schneider Professor of Film Studies 40 023b0x485 Johannes Gutenberg University Mainz Alexandra Schneider is professor of Film Studies at Johannes Gutenberg-University Mainz. She is affiliated with the Graduate Research Training Program “Konfigurationen des Films” and the director of the Gutenberg Graduates School of the Humanities and Social Science (GSHS). Her research interests include media archaeology, amateur media and format studies. 32 A01 21 0000000211276040 Benjamín Schultz-Figueroa Benjamín Schultz-Figueroa Assistant Professor in Film Studies 40 02jqc0m91 Seattle University Benjamín Schultz-Figueroa is an assistant professor in Film Studies at Seattle University. His research focuses on the history of scientific filmmaking, nontheatrical film, and animal studies. His book The Celluloid Specimen: Moving Image Research into Animal Life is due to be published by UC Press in 2022. 33 A01 21 0000000331132359 Diego Semerene Diego Semerene Senior Lecturer in Film and Digital Media Production 40 04v2twj65 Oxford Brookes University Diego Semerene is Senior Lecturer in Film and Digital Media Production at Oxford Brookes University and a film critic for Slant Magazine. Their research interests include psychoanalysis, queer theory and fashion theory. 34 A01 21 0000000203714653 Felix M. Simon Felix M. Simon Leverhulme Doctoral Scholar Oxford Internet Institute Felix M. Simon is a Leverhulme Doctoral Scholar at the Oxford Internet Institute (OII) and a research assistant at the Reuters Institute for the Study of Journalism (RISJ) at the University of Oxford. His research broadly focuses on AI in the news, political communication in the digital age, and the changing nature of the media in the 21st century. 35 A01 Marc Steinberg Marc Steinberg Associate Professor of Cinema 40 03nvtfm43 Concordia University Marc Steinberg is associate professor of Cinema and director of The Platform Lab at Concordia University. His research examines the impacts of digital platforms on management practices, media industries, and cultural life, focusing on East Asia in particular. His most recent book is The Platform Economy: How Japan Transformed the Commercial Internet (University of Minnesota Press, 2019). 36 A01 Wanda Strauven Wanda Strauven Privatdozentin of Media Studies 40 04cvxnb49 Goethe University Frankfurt Wanda Strauven is Privatdozentin of Media Studies at Goethe University Frankfurt and member of the Graduate Research Training Program “Konfigurationen des Films”. Her research focuses on early cinema, media archaeology, touch-based media and screenic practices of post-cinema (from interactive media installations to creative media hacking by today’s children). 37 A01 Jaap Verheul Jaap Verheul Visiting Research Fellow 40 0220mzb33 King's College London Jaap Verheul is a visiting research fellow in the Department of Film Studies at King’s College London, where his research focuses on the regulation of transnational flows of film and television production in European media industries. He recently published an edited collection on The Cultural Life of James Bond: Specters of 007 with Amsterdam University Press (2020). 38 A01 21 0000000307984797 Abby S. Waysdorf Abby S. Waysdorf Postdoctoral Researcher 40 04pp8hn57 Utrecht University Abby S. Waysdorf is a postdoctoral researcher at Utrecht University, where she is part of the CADEAH (Curation and Appropriation of European Audiovisual Heritage) project. Her research interests are audiovisual archives, fan cultures, and the relationship between viewers/users and the media industry. 39 A01 21 0000000158968995 Rebecca Williams Rebecca Williams Senior Lecturer in Communication, Culture and Media Studies 40 02mzn7s88 University of South Wales Rebecca Williams is senior lecturer in Communication, Culture and Media Studies at the University of South Wales. Her research interests include fandom and participatory cultures, mediated place and space, media tourism, and themed and immersive spaces 40 A01 Leonie Zilch Leonie Zilch Postdoctoral Assistant Researcher 40 023b0x485 Johannes Gutenberg University Mainz Leonie Zilch is a postdoctoral assistant researcher at the Institute of Film, Theater, Media and Cultural Studies at the Johannes Gutenberg-University Mainz. Her fields of research include Porn Studies, Feminist Film Theory, Gender Studies, Documentary Practices and Popular Culture. 41 A01 Yvonne Zimmermann Yvonne Zimmermann Professor of Media Studies 40 01rdrb571 Philipps University of Marburg Yvonne Zimmermann is professor of media studies at Philipps-University Marburg. She is the editor and co-author of a volume on useful cinema in Switzerland (Schaufenster Schweiz: Dokumentarische Gebrauchsfilme 1896–1964, 2011) and the co-author of the forthcoming book Advertising and the Transformation of Screen Cultures (AUP, 2021, with Bo Florin and Patrick Vonderau). Her current research focuses on the popular transfer of knowledge by magic lantern and on Asta Nielsen and the introduction of the star system before WWI. 01 eng 00 380 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 12 APF 93 ATF 10 PER004000 93 ATMN 10 PER004140 93 ATN 20 Coronavirus; Media; Scale; Technologies; Materialities; Time; Digitalization; Activism; Space; Sociability; Instruction; COVID-19; Pandemic; Temporality; Education 01 06 02 00 With its unprecedented scale and consequences the COVID-19 pandemic has generated a variety of new configurations of media. Responding to demands for information, synchronization, regulation, and containment, these “pandemic media” reorder social interactions, spaces, and temporalities, thus contributing to a reconfiguration of media technolo 03 00 With its unprecedented scale and consequences the COVID-19 pandemic has generated a variety of new configurations of media. Responding to demands for information, synchronization, regulation, and containment, these “pandemic media” reorder social interactions, spaces, and temporalities, thus contributing to a reconfiguration of media technologies and the cultures and polities with which they are entangled. Highlighting media’s adaptability, malleability, and scalability under the conditions of a pandemic, the contributions to this volume track and analyze how media emerge, operate, and change in response to the global crisis and provide elements toward an understanding of the post-pandemic world to come. 30 00 With its unprecedented scale and consequences the COVID-19 pandemic has generated a variety of new configurations of media. Responding to demands for information, synchronization, regulation, and containment, these “pandemic media” reorder social interactions, spaces, and temporalities, thus contributing to a reconfiguration of media technologies and the cultures and polities with which they are entangled. Highlighting media’s adaptability, malleability, and scalability under the conditions of a pandemic, the contributions to this volume track and analyze how media emerge, operate, and change in response to the global crisis and provide elements toward an understanding of the post-pandemic world to come. 20 00 Open Access 01 00 03 02 This is the cover of the book Pandemic Media. 02 https://meson.press/wp-content/uploads/2020/10/Pandemic_Media_Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/pandemic-media/ 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Graduiertenkolleg 01 projectname GRK 2279: Konfigurationen des Films 01 projectshortname Konfigurationen des Films 01 grantnumber 310565625 Lüneburg 04 01 20201223 Philipp Dominik Keidl Laliv Melamed Vinzenz Hediger Antonio Somaini 02 WORLD 06 15 9783957960085 03 9783957960085 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/49997 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/49997/9783957960092.pdf 20 08 20201223 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/pandemic-media/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2022/07/9783957960092_Pandemic_Media.pdf 20 08 20201223 01 urn:uuid:d9981d21-9dc2-4979-824c-5ead28620f43 03 01 01 thoth-work-id urn:uuid:bbb6aad2-8809-47e9-8f14-b6f28990ef70 01 thoth-publication-id urn:uuid:d9981d21-9dc2-4979-824c-5ead28620f43 15 9783957961457 03 9783957961457 06 10.14619/1457 00 EB E107 10 Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). 02 https://creativecommons.org/licenses/by-nc/4.0/ 10 01 Series ID d8c7752c-9550-4d6a-883a-a7a3ee820962 02 00000007 01 Series URL https://meson.press/series-page/in-search-of-media 03 1 01 02 In Search of Media 01 01 Pattern Discrimination 1 A01 21 0000000276193801 Clemens Apprich Clemens Apprich Visiting Professor 40 02w2y2t16 Leuphana University of Lüneburg Clemens Apprich is visiting professor at the Institute of Culture and Aesthetics of Digital Media (ICAM), Leuphana University of Lüneburg. He is the author of Technotopia: A Media Genealogy of Net Cultures. 2 A01 Florian Cramer Florian Cramer Reader in 21st Century Visual Culture Willem de Kooning Academy in Rotterdam Florian Cramer is reader in 21st Century Visual Culture at Willem de Kooning Academy in Rotterdam, Netherlands. 06 Own website http://floriancramer.nl/ 3 A01 Wendy Hui Kyong Chun Wendy Hui Kyong Chun Canada 150 Research Chair in New Media 40 0213rcc28 Simon Fraser University Wendy Hui Kyong Chun is Simon Fraser University’s Canada 150 Research Chair in New Media in SFU School of Communication. She is the author of several books, including most recently Updating to Remain the Same: Habitual New Media. 4 A01 Hito Steyerl Hito Steyerl Professor of Experimental Film and Video 40 03eznrw16 Berlin University of the Arts Hito Steyerl is professor of experimental film and video at the Berlin University of the Arts. She is the author of several books, including most recently Duty Free Art: Art in the Age of Planetary Civil War. 01 eng 00 124 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 10 COM051300 93 UMB 12 UMB 10 COM004000 12 UYQ 93 UYQ 93 UYQ 20 Media Studies; Artificial Intelligence; Critical Algorithms Studies 01 06 02 00 Algorithmic identity politics reinstate old forms of social segregation—in a digital world, identity politics is pattern discrimination. It is by recognizing patterns in input data that Artificial Intelligence algorithms create bias and practice racial exclusions thereby inscribing power relations into media. How can we filter information out 03 00 Algorithmic identity politics reinstate old forms of social segregation—in a digital world, identity politics is pattern discrimination. It is by recognizing patterns in input data that Artificial Intelligence algorithms create bias and practice racial exclusions thereby inscribing power relations into media. How can we filter information out of data without reinserting racist, sexist, and classist beliefs? 30 00 Algorithmic identity politics reinstate old forms of social segregation—in a digital world, identity politics is pattern discrimination. It is by recognizing patterns in input data that Artificial Intelligence algorithms create bias and practice racial exclusions thereby inscribing power relations into media. How can we filter information out of data without reinserting racist, sexist, and classist beliefs? 20 00 Open Access 01 00 03 02 This is the cover of the book Pattern Discrimination. 02 https://meson.press/wp-content/uploads/2018/11/Pattern_Discrimination_Cover-small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/pattern-discrimination Lüneburg 04 01 20181109 Clemens Apprich Florian Cramer Wendy Hui Kyong Chun Hito Steyerl 02 WORLD WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37551 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37551/9783957961457-Pattern-Discrimination.pdf 20 08 20181109 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/pattern-discrimination 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2018/11/9783957961457-Pattern-Discrimination.pdf 20 08 20181109 01 urn:uuid:ba7b1646-2699-4265-b55f-471156cd75bb 03 01 01 thoth-work-id urn:uuid:1f7dde18-d15f-49ae-ade6-bd1b72251f18 01 thoth-publication-id urn:uuid:ba7b1646-2699-4265-b55f-471156cd75bb 15 9783957960733 03 9783957960733 06 10.14619/0733 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 4433718b-565b-4e98-b1ef-43519635928f 02 00000009 01 Series URL https://meson.press/series-page/configurations-of-film 03 13 01 02 Configurations of Film 01 01 Platforms and the Moving Image 1 B01 21 0000000295411691 Jana Zündel Jana Zündel Postdoctoral Fellow 40 04cvxnb49 Goethe University Frankfurt Jana Zündel is a postdoctoral fellow in the Graduate Research Training Program “Configurations of Film” at Goethe University Frankfurt. Her research focuses on moving images in meme studies, digital media culture(s), television studies and seriality. She holds an MA and a PhD in Media Studies from the University of Bonn. Her dissertation examined television and serial paratexts, i.e. title sequences, recaps and outros, as indicators of media cultural change. It was published in 2022 under the title “Fernsehserien im medienkulturellen Wandel”. Jana Zündel is a member of the editorial board for the journal Montage AV and spokesperson for the work group “Television” (German Society for Media Studies, GfM). 2 B01 Philipp Dominik Keidl Philipp Dominik Keidl Assistant Professor of Screen Media in Transition 40 04pp8hn57 Utrecht University Philipp Dominik Keidl is Assistant Professor of Screen Media in Transition at Utrecht University. His research focuses on media fandom, film heritage, and queer cinema. He is the coordinator of MI3: Media Industries, Infrastructures, and Institutions (Utrecht University) and a member of the Platform Lab (Concordia University). 3 A01 21 0009000619032418 Sudipto Basu Sudipto Basu PhD student in Film and Moving Image Studies 40 0420zvk78 Concordia University Sudipto Basu is a shadow-library enthusiast and PhD student in Film and Moving Image Studies at Concordia University. He studies the intersections of media-technological experiments and Cold War developmentalism in India. He is a research associate on the Swiss National Science Foundation-funded project Governing Through Design / Against Catastrophe. 4 A01 Anna Bell Anna Bell Anna Bell studied Political Science, as well as Film Culture and was part of the Research Training Group “Configurations of Film.” Her dissertation deals with the heteronormativity of remembrance in film culture using the case of Rainer Werner Fassbinder. Since 2014 she has been working for various film festivals. 5 A01 Amrita Biswas Amrita Biswas PhD candidate 40 04cvxnb49 Goethe University Frankfurt Amrita Biswas is a PhD candidate in the “Configurations of Film” research collective at Goethe University. She has published in meson press and Routledge. Her articles have appeared in Studies in South Asian Film and Media and Iluminace. Her doctoral research was supported by Erasmus Plus, VFF and DAAD. 6 A01 21 0000000276406838 Colin Crawford Colin Crawford PhD student 40 0420zvk78 Concordia University Colin Crawford is a PhD student at Concordia University whose research examines the political economies of platform television and consumer technology. His work focuses on the relationship between datafication and financialization in media industries, infrastructures, and cultures. He is the author of Netflix’s Speculative Fictions: Financializing Platform Television (2021). 7 A01 21 0000000234552423 Vinzenz Hediger Vinzenz Hediger Professor of Cinema 40 04cvxnb49 Goethe University Frankfurt Vinzenz Hediger is Professor of Cinema at Goethe Universität Frankfurt, where he directs the DFG Research Training Program “Konfigurationen des Films” and the BMBF area studies project “Cultural Entrepreneurship and Digital Transformation in Africa and Asia” (www.ceditraa.net). His publications include Films that Work Harder: The Global Circulation of Industrial Film (Amsterdam UP 2023). 8 A01 21 0009000355265292 Becky Holt Becky Holt Doctoral Candidate in Film and Moving Image Studies 40 0420zvk78 Concordia University Becky Holt, a doctoral candidate in Film and Moving Image Studies at Concordia University, is a researcher who focuses on the intersections between Internet technology, digital culture, and adult content. Her work has been published in Synoptique, Flow, and Discourse. Holt also works as a lab coordinator for the Global Emergent Media Lab. 9 A01 Sneha Kumar Sneha Kumar PhD student in Film and Moving Image Studies 40 0420zvk78 Concordia University Sneha Kumar is a PhD student in Film and Moving Image Studies at Concordia University. Their research interests include constructions of desire, the role of desire in the formation and proliferation of streaming platforms, and negotiations of desire by the state and fandom via police and policy. 10 A01 21 0009000568248138 Isadora Campregher Paiva Isadora Campregher Paiva Lecturer 40 04dkp9463 University of Amsterdam Isadora Campregher Paiva is a lecturer in “Film, Television and Cross-Media Culture” at the University of Amsterdam. She has an MA in Audiovisual and Cinema Studies from the Goethe University Frankfurt and an MA in Sociology from the Federal University of Rio Grande do Sul (UFRGS). 11 A01 21 0000000172427255 Jake Pitre Jake Pitre PhD candidate in Film & Moving Image Studies 40 0420zvk78 Concordia University Jake Pitre is a PhD candidate in Film & Moving Image Studies at Concordia University in Montreal. His research focuses on digital media, platforms, and theories about the future, and how corporate discourses of media technologies seek to control what the future can be. His work has been published in Television & New Media, The Velvet Light Trap, The Sociological Review, and elsewhere 12 A01 Clara Podlesnigg Clara Podlesnigg Postdoctoral Fellow in Digital Film Cultures 40 04cvxnb49 Goethe University Frankfurt Clara Podlesnigg is a postdoctoral fellow in Digital Film Cultures at Goethe University Frankfurt. Her dissertation, written as part of the Research Training Group “Configurations of Film”, focuses on holograms and promises of technology in the context of digital platforms. She is interested in popular culture, gender and technology. 13 A01 Alexandra Schneider Alexandra Schneider Professor of Film and Media Studies 40 023b0x485 Johannes Gutenberg University Mainz Alexandra Schneider is Professor of Film and Media Studies at Johannes Gutenberg-University Mainz. Her research focuses on amateur media, decentred film histories, and format studies. She co-edited Format Matters. Standards, Practices, and Politics in Media Cultures (mp 2020). 14 A23 Marc Steinberg Marc Steinberg Professor of Cinema 40 0420zvk78 Concordia University Marc Steinberg is Professor of Cinema and director of The Platform Lab at Concordia University. He is the author of The Platform Economy: How Japan Transformed the Commercial Internet (University of Minnesota Press, 2019) among other books. 15 A19 Ishita Tiwary Ishita Tiwary Ishita Tiwary is Assistant Professor and Canada Research Chair at the Mel Hoppenheim School of Cinema. She is the author of Video Culture in India: The Analog Era, Oxford University Press, 2024. She also directs research lab Raah which aims to examine the intersection of migratory process and media practice. 16 A01 Sam Thompson Sam Thompson PhD Student 40 0420zvk78 Concordia University Sam Thompson is a PhD student at Concordia University, where he researches the relationship between new media formations and social reproduction. Over the last decade, he has campaigned around housing, migrant justice, childcare, and work. Sam’s writing on militant media and contemporary culture appears in various scholarly and popular publications. 17 A01 Zeynep Tuna Zeynep Tuna Zeynep Tuna is a media researcher and filmmaker based in Berlin. She completed her PhD on contemporary Turkish TV and audience interaction at Johannes Gutenberg University Mainz. She studied at Berlin University of the Arts and was a fellow at the Berlin Centre for Advanced Studies and the Graduiertenkolleg “Configurations of Film” at Goethe University Frankfurt. 18 A01 Haidee Wasson Haidee Wasson Distinguished University Research Professor 40 0420zvk78 Concordia University Haidee Wasson of a Distinguished University Research Professor at Concordia University, Montreal, Canada. She is author of award-winning books such as Museum Movies and Everyday Movies, as well as co-editor of multiple volumes, among them Useful Cinema, Inventing Film Studies and the forthcoming 100 Years of 16mm Film. 19 A01 Yvonne Zimmermann Yvonne Zimmermann Professor of Media Studies 40 01rdrb571 Philipps University of Marburg Yvonne Zimmermann is a Professor of Media Studies at Philipps University Marburg (Germany). Her research focuses on useful cinema, media historiography, and digital tools and methods in film studies. Her latest publications include the co-edited volume Films that Work Harder: The Global Circulation of Industrial Film (Amsterdam UP 2023). 01 eng 00 356 03 93 JBCT1 04 P87-96 10 SOC052000 10 BUS070060 93 KNT 93 ATF 10 PER004000 20 platforms; moving images; gaming; social media; streaming; digital labor; media infrastructures; user practices 01 06 02 00 Platforms and the Moving Image offers a multifaceted look at how digital platforms shape and are shaped by economic, cultural, and political forces. The collection examines the effects of gaming, social media, streaming and videosharing platforms on the production, circulation, and consumption of moving images. Through diverse methodologies—a 03 00 Platforms and the Moving Image offers a multifaceted look at how digital platforms shape and are shaped by economic, cultural, and political forces. The collection examines the effects of gaming, social media, streaming and videosharing platforms on the production, circulation, and consumption of moving images. Through diverse methodologies—archival research, social media ethnography, and textual analysis—the essays investigate the global movements of film and video formats, the platformization of cultural industries, and the evolving nature of media consumption. The volume emphasizes the importance of considering digital labor, media infrastructures, and user practices in understanding platforms’ role in contemporary society. 30 00 Platforms and the Moving Image offers a multifaceted look at how digital platforms shape and are shaped by economic, cultural, and political forces. The collection examines the effects of gaming, social media, streaming and videosharing platforms on the production, circulation, and consumption of moving images. Through diverse methodologies—archival research, social media ethnography, and textual analysis—the essays investigate the global movements of film and video formats, the platformization of cultural industries, and the evolving nature of media consumption. The volume emphasizes the importance of considering digital labor, media infrastructures, and user practices in understanding platforms’ role in contemporary society. 20 00 Open Access 01 00 03 02 This is the cover of Platforms and the Moving Image. 02 https://meson.press/wp-content/uploads/2024/09/Platforms_and_the_Moving_Imge_Cover_s-1.png 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/platforms-and-the-moving-image/ 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Graduiertenkolleg 01 projectname GRK 2279: Konfigurationen des Films 01 projectshortname Konfigurationen des Films 01 grantnumber 310565625 Lüneburg 04 01 20250611 Philipp Dominik Keidl and Jana Zündel 02 WORLD 06 15 9783957960740 03 9783957960740 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/platforms-and-the-moving-image/ 20 08 20250611 01 urn:uuid:2e6763ce-9c4f-4368-906c-229ae8213ac4 03 01 01 thoth-work-id urn:uuid:1f7dde18-d15f-49ae-ade6-bd1b72251f18 01 thoth-publication-id urn:uuid:2e6763ce-9c4f-4368-906c-229ae8213ac4 15 9783957960740 03 9783957960740 06 10.14619/0733 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 4433718b-565b-4e98-b1ef-43519635928f 02 00000009 01 Series URL https://meson.press/series-page/configurations-of-film 03 13 01 02 Configurations of Film 01 01 Platforms and the Moving Image 1 B01 21 0000000295411691 Jana Zündel Jana Zündel Postdoctoral Fellow 40 04cvxnb49 Goethe University Frankfurt Jana Zündel is a postdoctoral fellow in the Graduate Research Training Program “Configurations of Film” at Goethe University Frankfurt. Her research focuses on moving images in meme studies, digital media culture(s), television studies and seriality. She holds an MA and a PhD in Media Studies from the University of Bonn. Her dissertation examined television and serial paratexts, i.e. title sequences, recaps and outros, as indicators of media cultural change. It was published in 2022 under the title “Fernsehserien im medienkulturellen Wandel”. Jana Zündel is a member of the editorial board for the journal Montage AV and spokesperson for the work group “Television” (German Society for Media Studies, GfM). 2 B01 Philipp Dominik Keidl Philipp Dominik Keidl Assistant Professor of Screen Media in Transition 40 04pp8hn57 Utrecht University Philipp Dominik Keidl is Assistant Professor of Screen Media in Transition at Utrecht University. His research focuses on media fandom, film heritage, and queer cinema. He is the coordinator of MI3: Media Industries, Infrastructures, and Institutions (Utrecht University) and a member of the Platform Lab (Concordia University). 3 A01 21 0009000619032418 Sudipto Basu Sudipto Basu PhD student in Film and Moving Image Studies 40 0420zvk78 Concordia University Sudipto Basu is a shadow-library enthusiast and PhD student in Film and Moving Image Studies at Concordia University. He studies the intersections of media-technological experiments and Cold War developmentalism in India. He is a research associate on the Swiss National Science Foundation-funded project Governing Through Design / Against Catastrophe. 4 A01 Anna Bell Anna Bell Anna Bell studied Political Science, as well as Film Culture and was part of the Research Training Group “Configurations of Film.” Her dissertation deals with the heteronormativity of remembrance in film culture using the case of Rainer Werner Fassbinder. Since 2014 she has been working for various film festivals. 5 A01 Amrita Biswas Amrita Biswas PhD candidate 40 04cvxnb49 Goethe University Frankfurt Amrita Biswas is a PhD candidate in the “Configurations of Film” research collective at Goethe University. She has published in meson press and Routledge. Her articles have appeared in Studies in South Asian Film and Media and Iluminace. Her doctoral research was supported by Erasmus Plus, VFF and DAAD. 6 A01 21 0000000276406838 Colin Crawford Colin Crawford PhD student 40 0420zvk78 Concordia University Colin Crawford is a PhD student at Concordia University whose research examines the political economies of platform television and consumer technology. His work focuses on the relationship between datafication and financialization in media industries, infrastructures, and cultures. He is the author of Netflix’s Speculative Fictions: Financializing Platform Television (2021). 7 A01 21 0000000234552423 Vinzenz Hediger Vinzenz Hediger Professor of Cinema 40 04cvxnb49 Goethe University Frankfurt Vinzenz Hediger is Professor of Cinema at Goethe Universität Frankfurt, where he directs the DFG Research Training Program “Konfigurationen des Films” and the BMBF area studies project “Cultural Entrepreneurship and Digital Transformation in Africa and Asia” (www.ceditraa.net). His publications include Films that Work Harder: The Global Circulation of Industrial Film (Amsterdam UP 2023). 8 A01 21 0009000355265292 Becky Holt Becky Holt Doctoral Candidate in Film and Moving Image Studies 40 0420zvk78 Concordia University Becky Holt, a doctoral candidate in Film and Moving Image Studies at Concordia University, is a researcher who focuses on the intersections between Internet technology, digital culture, and adult content. Her work has been published in Synoptique, Flow, and Discourse. Holt also works as a lab coordinator for the Global Emergent Media Lab. 9 A01 Sneha Kumar Sneha Kumar PhD student in Film and Moving Image Studies 40 0420zvk78 Concordia University Sneha Kumar is a PhD student in Film and Moving Image Studies at Concordia University. Their research interests include constructions of desire, the role of desire in the formation and proliferation of streaming platforms, and negotiations of desire by the state and fandom via police and policy. 10 A01 21 0009000568248138 Isadora Campregher Paiva Isadora Campregher Paiva Lecturer 40 04dkp9463 University of Amsterdam Isadora Campregher Paiva is a lecturer in “Film, Television and Cross-Media Culture” at the University of Amsterdam. She has an MA in Audiovisual and Cinema Studies from the Goethe University Frankfurt and an MA in Sociology from the Federal University of Rio Grande do Sul (UFRGS). 11 A01 21 0000000172427255 Jake Pitre Jake Pitre PhD candidate in Film & Moving Image Studies 40 0420zvk78 Concordia University Jake Pitre is a PhD candidate in Film & Moving Image Studies at Concordia University in Montreal. His research focuses on digital media, platforms, and theories about the future, and how corporate discourses of media technologies seek to control what the future can be. His work has been published in Television & New Media, The Velvet Light Trap, The Sociological Review, and elsewhere 12 A01 Clara Podlesnigg Clara Podlesnigg Postdoctoral Fellow in Digital Film Cultures 40 04cvxnb49 Goethe University Frankfurt Clara Podlesnigg is a postdoctoral fellow in Digital Film Cultures at Goethe University Frankfurt. Her dissertation, written as part of the Research Training Group “Configurations of Film”, focuses on holograms and promises of technology in the context of digital platforms. She is interested in popular culture, gender and technology. 13 A01 Alexandra Schneider Alexandra Schneider Professor of Film and Media Studies 40 023b0x485 Johannes Gutenberg University Mainz Alexandra Schneider is Professor of Film and Media Studies at Johannes Gutenberg-University Mainz. Her research focuses on amateur media, decentred film histories, and format studies. She co-edited Format Matters. Standards, Practices, and Politics in Media Cultures (mp 2020). 14 A23 Marc Steinberg Marc Steinberg Professor of Cinema 40 0420zvk78 Concordia University Marc Steinberg is Professor of Cinema and director of The Platform Lab at Concordia University. He is the author of The Platform Economy: How Japan Transformed the Commercial Internet (University of Minnesota Press, 2019) among other books. 15 A19 Ishita Tiwary Ishita Tiwary Ishita Tiwary is Assistant Professor and Canada Research Chair at the Mel Hoppenheim School of Cinema. She is the author of Video Culture in India: The Analog Era, Oxford University Press, 2024. She also directs research lab Raah which aims to examine the intersection of migratory process and media practice. 16 A01 Sam Thompson Sam Thompson PhD Student 40 0420zvk78 Concordia University Sam Thompson is a PhD student at Concordia University, where he researches the relationship between new media formations and social reproduction. Over the last decade, he has campaigned around housing, migrant justice, childcare, and work. Sam’s writing on militant media and contemporary culture appears in various scholarly and popular publications. 17 A01 Zeynep Tuna Zeynep Tuna Zeynep Tuna is a media researcher and filmmaker based in Berlin. She completed her PhD on contemporary Turkish TV and audience interaction at Johannes Gutenberg University Mainz. She studied at Berlin University of the Arts and was a fellow at the Berlin Centre for Advanced Studies and the Graduiertenkolleg “Configurations of Film” at Goethe University Frankfurt. 18 A01 Haidee Wasson Haidee Wasson Distinguished University Research Professor 40 0420zvk78 Concordia University Haidee Wasson of a Distinguished University Research Professor at Concordia University, Montreal, Canada. She is author of award-winning books such as Museum Movies and Everyday Movies, as well as co-editor of multiple volumes, among them Useful Cinema, Inventing Film Studies and the forthcoming 100 Years of 16mm Film. 19 A01 Yvonne Zimmermann Yvonne Zimmermann Professor of Media Studies 40 01rdrb571 Philipps University of Marburg Yvonne Zimmermann is a Professor of Media Studies at Philipps University Marburg (Germany). Her research focuses on useful cinema, media historiography, and digital tools and methods in film studies. Her latest publications include the co-edited volume Films that Work Harder: The Global Circulation of Industrial Film (Amsterdam UP 2023). 01 eng 00 356 03 93 JBCT1 04 P87-96 10 SOC052000 10 BUS070060 93 KNT 93 ATF 10 PER004000 20 platforms; moving images; gaming; social media; streaming; digital labor; media infrastructures; user practices 01 06 02 00 Platforms and the Moving Image offers a multifaceted look at how digital platforms shape and are shaped by economic, cultural, and political forces. The collection examines the effects of gaming, social media, streaming and videosharing platforms on the production, circulation, and consumption of moving images. Through diverse methodologies—a 03 00 Platforms and the Moving Image offers a multifaceted look at how digital platforms shape and are shaped by economic, cultural, and political forces. The collection examines the effects of gaming, social media, streaming and videosharing platforms on the production, circulation, and consumption of moving images. Through diverse methodologies—archival research, social media ethnography, and textual analysis—the essays investigate the global movements of film and video formats, the platformization of cultural industries, and the evolving nature of media consumption. The volume emphasizes the importance of considering digital labor, media infrastructures, and user practices in understanding platforms’ role in contemporary society. 30 00 Platforms and the Moving Image offers a multifaceted look at how digital platforms shape and are shaped by economic, cultural, and political forces. The collection examines the effects of gaming, social media, streaming and videosharing platforms on the production, circulation, and consumption of moving images. Through diverse methodologies—archival research, social media ethnography, and textual analysis—the essays investigate the global movements of film and video formats, the platformization of cultural industries, and the evolving nature of media consumption. The volume emphasizes the importance of considering digital labor, media infrastructures, and user practices in understanding platforms’ role in contemporary society. 20 00 Open Access 01 00 03 02 This is the cover of Platforms and the Moving Image. 02 https://meson.press/wp-content/uploads/2024/09/Platforms_and_the_Moving_Imge_Cover_s-1.png 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/platforms-and-the-moving-image/ 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Graduiertenkolleg 01 projectname GRK 2279: Konfigurationen des Films 01 projectshortname Konfigurationen des Films 01 grantnumber 310565625 Lüneburg 04 01 20250611 Philipp Dominik Keidl and Jana Zündel 02 WORLD 06 15 9783957960733 03 9783957960733 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/platforms-and-the-moving-image/ 20 08 20250611 01 urn:uuid:8d4301b8-141e-4906-81bd-8ed65b3d82ad 03 01 01 thoth-work-id urn:uuid:502660b2-9bc2-42de-8052-84496cfeb413 01 thoth-publication-id urn:uuid:8d4301b8-141e-4906-81bd-8ed65b3d82ad 15 9783957960351 03 9783957960351 06 10.14619/004 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 1 01 02 Digital Cultures 01 01 Politik der Mikroentscheidungen Edward Snowden, Netzneutralität und die Architekturen des Internets 1 A01 21 0000000252258711 Florian Sprenger Florian Sprenger Florian Sprenger is professor of virtual humanities at Ruhr-Universität Bochum. He is author of Politics of Micro-Decisions: Edward Snowden, Net Neutrality and the Architecture of the Internet (Meson Press, 2015). His research covers topics such as the history of artificial environments, media of immediacy, and the internet of things. 06 Own website http://www.floriansprenger.com/ 2 A23 21 0000000302535554 Christopher Kelty Christopher Kelty 06 Own website https://kelty.org/kelty.html 01 ger 00 130 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 10 COM060000 04 T58.5-58.64 12 UBW 93 UBW 10 COM043040 93 UTN 12 UTN 12 UTP 93 UTP 20 Infrastruktur; Internetarchitektur; Materialität; Politik; Medienwissenschaft; Edward Snowden; Paul Baran; Überwachung; Macht; Netzneutralität; Netzwerke; Mikroentscheidungen 01 06 02 00 Ob beim Aufrufen einer Webseite, beim Versenden einer E-Mail oder beim Hochfrequenzhandel an der Börse: Auf ihrem Weg durch die Weiten digitaler Netze durchqueren Bits zahlreiche Knoten, an denen eine Reihe von Mikroentscheidungen getroffen werden. Diese Entscheidungen betreffen den besten Pfad zum Ziel, die Verarbeitungsgeschwindigkeit oder 03 00 Ob beim Aufrufen einer Webseite, beim Versenden einer E-Mail oder beim Hochfrequenzhandel an der Börse: Auf ihrem Weg durch die Weiten digitaler Netze durchqueren Bits zahlreiche Knoten, an denen eine Reihe von Mikroentscheidungen getroffen werden. Diese Entscheidungen betreffen den besten Pfad zum Ziel, die Verarbeitungsgeschwindigkeit oder die Priorität zwischen den ankommenden Paketen.In ihrer vielschichtigen Gestalt bilden solche Mikroentscheidungen eine bislang nur marginal beachtete Dimension von Kontrolle und Überwachung im 21. Jahrhundert. Sie sind sowohl die kleinste Einheit als auch die technische Voraussetzung einer gegenwärtigen Politik digitaler Netzwerke – und des Widerstands gegen sie. Die aktuellen Debatten um Netzneutralität und Edward Snowdens Enthüllung der NSA-Überwachung bilden dabei lediglich die Spitze des Eisbergs. Auf dem Spiel steht nicht weniger als die Zukunft des Internets, wie wir es kennen. 30 00 Ob beim Aufrufen einer Webseite, beim Versenden einer E-Mail oder beim Hochfrequenzhandel an der Börse: Auf ihrem Weg durch die Weiten digitaler Netze durchqueren Bits zahlreiche Knoten, an denen eine Reihe von Mikroentscheidungen getroffen werden. Diese Entscheidungen betreffen den besten Pfad zum Ziel, die Verarbeitungsgeschwindigkeit oder die Priorität zwischen den ankommenden Paketen.In ihrer vielschichtigen Gestalt bilden solche Mikroentscheidungen eine bislang nur marginal beachtete Dimension von Kontrolle und Überwachung im 21. Jahrhundert. Sie sind sowohl die kleinste Einheit als auch die technische Voraussetzung einer gegenwärtigen Politik digitaler Netzwerke – und des Widerstands gegen sie. Die aktuellen Debatten um Netzneutralität und Edward Snowdens Enthüllung der NSA-Überwachung bilden dabei lediglich die Spitze des Eisbergs. Auf dem Spiel steht nicht weniger als die Zukunft des Internets, wie wir es kennen. 20 00 Open Access 01 00 03 02 This is the cover of the book Politik der Mikroentscheidungen. 02 http://meson.press/wp-content/uploads/2015/04/Sprenger-Politik-der-Mikroentscheidungen_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/politik-der-mikroentscheidungen 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovationsinkubator 16 40 00949d647 Niedersächsisches Ministerium für Wissenschaft und Kultur 01 programname Niedersächsisches Vorab 16 40 03bsmfz84 32 10.13039/501100001663 Volkswagen Foundation 01 programname Niedersächsisches Vorab Lüneburg 04 01 20150618 Florian Sprenger 02 WORLD 06 15 9783957960368 03 9783957960368 06 15 9783957960375 03 9783957960375 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/politik-der-mikroentscheidungen 20 08 20150618 01 urn:uuid:1d3858c0-89c0-4a3e-a63b-5d9d6f0066b4 03 01 01 thoth-work-id urn:uuid:502660b2-9bc2-42de-8052-84496cfeb413 01 thoth-publication-id urn:uuid:1d3858c0-89c0-4a3e-a63b-5d9d6f0066b4 15 9783957960368 03 9783957960368 06 10.14619/004 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 1 01 02 Digital Cultures 01 01 Politik der Mikroentscheidungen Edward Snowden, Netzneutralität und die Architekturen des Internets 1 A01 21 0000000252258711 Florian Sprenger Florian Sprenger Florian Sprenger is professor of virtual humanities at Ruhr-Universität Bochum. He is author of Politics of Micro-Decisions: Edward Snowden, Net Neutrality and the Architecture of the Internet (Meson Press, 2015). His research covers topics such as the history of artificial environments, media of immediacy, and the internet of things. 06 Own website http://www.floriansprenger.com/ 2 A23 21 0000000302535554 Christopher Kelty Christopher Kelty 06 Own website https://kelty.org/kelty.html 01 ger 00 130 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 10 COM060000 04 T58.5-58.64 12 UBW 93 UBW 10 COM043040 93 UTN 12 UTN 12 UTP 93 UTP 20 Infrastruktur; Internetarchitektur; Materialität; Politik; Medienwissenschaft; Edward Snowden; Paul Baran; Überwachung; Macht; Netzneutralität; Netzwerke; Mikroentscheidungen 01 06 02 00 Ob beim Aufrufen einer Webseite, beim Versenden einer E-Mail oder beim Hochfrequenzhandel an der Börse: Auf ihrem Weg durch die Weiten digitaler Netze durchqueren Bits zahlreiche Knoten, an denen eine Reihe von Mikroentscheidungen getroffen werden. Diese Entscheidungen betreffen den besten Pfad zum Ziel, die Verarbeitungsgeschwindigkeit oder 03 00 Ob beim Aufrufen einer Webseite, beim Versenden einer E-Mail oder beim Hochfrequenzhandel an der Börse: Auf ihrem Weg durch die Weiten digitaler Netze durchqueren Bits zahlreiche Knoten, an denen eine Reihe von Mikroentscheidungen getroffen werden. Diese Entscheidungen betreffen den besten Pfad zum Ziel, die Verarbeitungsgeschwindigkeit oder die Priorität zwischen den ankommenden Paketen.In ihrer vielschichtigen Gestalt bilden solche Mikroentscheidungen eine bislang nur marginal beachtete Dimension von Kontrolle und Überwachung im 21. Jahrhundert. Sie sind sowohl die kleinste Einheit als auch die technische Voraussetzung einer gegenwärtigen Politik digitaler Netzwerke – und des Widerstands gegen sie. Die aktuellen Debatten um Netzneutralität und Edward Snowdens Enthüllung der NSA-Überwachung bilden dabei lediglich die Spitze des Eisbergs. Auf dem Spiel steht nicht weniger als die Zukunft des Internets, wie wir es kennen. 30 00 Ob beim Aufrufen einer Webseite, beim Versenden einer E-Mail oder beim Hochfrequenzhandel an der Börse: Auf ihrem Weg durch die Weiten digitaler Netze durchqueren Bits zahlreiche Knoten, an denen eine Reihe von Mikroentscheidungen getroffen werden. Diese Entscheidungen betreffen den besten Pfad zum Ziel, die Verarbeitungsgeschwindigkeit oder die Priorität zwischen den ankommenden Paketen.In ihrer vielschichtigen Gestalt bilden solche Mikroentscheidungen eine bislang nur marginal beachtete Dimension von Kontrolle und Überwachung im 21. Jahrhundert. Sie sind sowohl die kleinste Einheit als auch die technische Voraussetzung einer gegenwärtigen Politik digitaler Netzwerke – und des Widerstands gegen sie. Die aktuellen Debatten um Netzneutralität und Edward Snowdens Enthüllung der NSA-Überwachung bilden dabei lediglich die Spitze des Eisbergs. Auf dem Spiel steht nicht weniger als die Zukunft des Internets, wie wir es kennen. 20 00 Open Access 01 00 03 02 This is the cover of the book Politik der Mikroentscheidungen. 02 http://meson.press/wp-content/uploads/2015/04/Sprenger-Politik-der-Mikroentscheidungen_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/politik-der-mikroentscheidungen 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovationsinkubator 16 40 00949d647 Niedersächsisches Ministerium für Wissenschaft und Kultur 01 programname Niedersächsisches Vorab 16 40 03bsmfz84 32 10.13039/501100001663 Volkswagen Foundation 01 programname Niedersächsisches Vorab Lüneburg 04 01 20150618 Florian Sprenger 02 WORLD 06 15 9783957960351 03 9783957960351 06 15 9783957960375 03 9783957960375 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37577 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37577/9783957960368-Sprenger-Politik_der_Mikroentscheidungen.pdf 20 08 20150618 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/politik-der-mikroentscheidungen 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2015/04/9783957960368-Sprenger-Politik_der_Mikroentscheidungen.pdf 20 08 20150618 01 urn:uuid:75991b8c-8fb2-4b7c-abc4-f0e34f022a06 03 01 01 thoth-work-id urn:uuid:502660b2-9bc2-42de-8052-84496cfeb413 01 thoth-publication-id urn:uuid:75991b8c-8fb2-4b7c-abc4-f0e34f022a06 15 9783957960375 03 9783957960375 06 10.14619/004 00 EB E101 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 1 01 02 Digital Cultures 01 01 Politik der Mikroentscheidungen Edward Snowden, Netzneutralität und die Architekturen des Internets 1 A01 21 0000000252258711 Florian Sprenger Florian Sprenger Florian Sprenger is professor of virtual humanities at Ruhr-Universität Bochum. He is author of Politics of Micro-Decisions: Edward Snowden, Net Neutrality and the Architecture of the Internet (Meson Press, 2015). His research covers topics such as the history of artificial environments, media of immediacy, and the internet of things. 06 Own website http://www.floriansprenger.com/ 2 A23 21 0000000302535554 Christopher Kelty Christopher Kelty 06 Own website https://kelty.org/kelty.html 01 ger 00 130 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 10 COM060000 04 T58.5-58.64 12 UBW 93 UBW 10 COM043040 93 UTN 12 UTN 12 UTP 93 UTP 20 Infrastruktur; Internetarchitektur; Materialität; Politik; Medienwissenschaft; Edward Snowden; Paul Baran; Überwachung; Macht; Netzneutralität; Netzwerke; Mikroentscheidungen 01 06 02 00 Ob beim Aufrufen einer Webseite, beim Versenden einer E-Mail oder beim Hochfrequenzhandel an der Börse: Auf ihrem Weg durch die Weiten digitaler Netze durchqueren Bits zahlreiche Knoten, an denen eine Reihe von Mikroentscheidungen getroffen werden. Diese Entscheidungen betreffen den besten Pfad zum Ziel, die Verarbeitungsgeschwindigkeit oder 03 00 Ob beim Aufrufen einer Webseite, beim Versenden einer E-Mail oder beim Hochfrequenzhandel an der Börse: Auf ihrem Weg durch die Weiten digitaler Netze durchqueren Bits zahlreiche Knoten, an denen eine Reihe von Mikroentscheidungen getroffen werden. Diese Entscheidungen betreffen den besten Pfad zum Ziel, die Verarbeitungsgeschwindigkeit oder die Priorität zwischen den ankommenden Paketen.In ihrer vielschichtigen Gestalt bilden solche Mikroentscheidungen eine bislang nur marginal beachtete Dimension von Kontrolle und Überwachung im 21. Jahrhundert. Sie sind sowohl die kleinste Einheit als auch die technische Voraussetzung einer gegenwärtigen Politik digitaler Netzwerke – und des Widerstands gegen sie. Die aktuellen Debatten um Netzneutralität und Edward Snowdens Enthüllung der NSA-Überwachung bilden dabei lediglich die Spitze des Eisbergs. Auf dem Spiel steht nicht weniger als die Zukunft des Internets, wie wir es kennen. 30 00 Ob beim Aufrufen einer Webseite, beim Versenden einer E-Mail oder beim Hochfrequenzhandel an der Börse: Auf ihrem Weg durch die Weiten digitaler Netze durchqueren Bits zahlreiche Knoten, an denen eine Reihe von Mikroentscheidungen getroffen werden. Diese Entscheidungen betreffen den besten Pfad zum Ziel, die Verarbeitungsgeschwindigkeit oder die Priorität zwischen den ankommenden Paketen.In ihrer vielschichtigen Gestalt bilden solche Mikroentscheidungen eine bislang nur marginal beachtete Dimension von Kontrolle und Überwachung im 21. Jahrhundert. Sie sind sowohl die kleinste Einheit als auch die technische Voraussetzung einer gegenwärtigen Politik digitaler Netzwerke – und des Widerstands gegen sie. Die aktuellen Debatten um Netzneutralität und Edward Snowdens Enthüllung der NSA-Überwachung bilden dabei lediglich die Spitze des Eisbergs. Auf dem Spiel steht nicht weniger als die Zukunft des Internets, wie wir es kennen. 20 00 Open Access 01 00 03 02 This is the cover of the book Politik der Mikroentscheidungen. 02 http://meson.press/wp-content/uploads/2015/04/Sprenger-Politik-der-Mikroentscheidungen_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/politik-der-mikroentscheidungen 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovationsinkubator 16 40 00949d647 Niedersächsisches Ministerium für Wissenschaft und Kultur 01 programname Niedersächsisches Vorab 16 40 03bsmfz84 32 10.13039/501100001663 Volkswagen Foundation 01 programname Niedersächsisches Vorab Lüneburg 04 01 20150618 Florian Sprenger 02 WORLD 06 15 9783957960351 03 9783957960351 06 15 9783957960368 03 9783957960368 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/politik-der-mikroentscheidungen 20 08 20150618 01 urn:uuid:22ef53f3-8e3a-467c-8028-03a0a6ff64d3 03 01 01 thoth-work-id urn:uuid:1760edb5-e2a6-458f-b1a9-5f80349d11db 01 thoth-publication-id urn:uuid:22ef53f3-8e3a-467c-8028-03a0a6ff64d3 15 9783957960436 03 9783957960436 06 10.14619/0436 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 4433718b-565b-4e98-b1ef-43519635928f 02 00000009 01 Series URL https://meson.press/series-page/configurations-of-film 03 7 01 02 Configurations of Film 01 01 Post-Cinematic Bodies 1 A01 Shane Denson Shane Denson Associate Professor of Film and Media Studies in the Department of Art & Art History 40 00f54p054 Stanford University Shane Denson is Associate Professor of Film and Media Studies in the Department of Art & Art History and, by Courtesy, of German Studies in the Division of Literatures, Cultures, and Languages and of Communication in Stanford’s Department of Communication. 01 eng 00 248 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 12 AFKV 93 AFKV 10 ART057000 12 APF 93 ATF 10 COM004000 93 ATN 12 TJFM1 93 KCVM 12 UDBS 93 TJFM1 12 UYQ 93 UDBS 12 UYV 93 UKL 93 UYQ 93 UYV 20 predictive technology; aesthetics; Artificial Intelligence; new media artworks; Virtual Reality; embodiment; wearables; post-cinematic; algorithms; media technologies; capitalism; robotics; bodies 01 06 02 00 How is human embodiment transformed in an age of algorithms? How do post-cinematic media technologies such as AI, VR, and robotics target and re-shape our bodies? Post-Cinematic Bodies grapples with these questions by attending both to mundane devices—such as smartphones, networked exercise machines, and smart watches and other wearables equi 03 00 How is human embodiment transformed in an age of algorithms? How do post-cinematic media technologies such as AI, VR, and robotics target and re-shape our bodies? Post-Cinematic Bodies grapples with these questions by attending both to mundane devices—such as smartphones, networked exercise machines, and smart watches and other wearables equipped with heartrate sensors—as well as to new media artworks that rework such equipment to reveal to us the ways that our fleshly existences are increasingly up for grabs. Through an equally philosophical and interpretive analysis, the book aims to develop a new aesthetics of embodied experience that is attuned to a new age of predictive technology and metabolic capitalism. 30 00 How is human embodiment transformed in an age of algorithms? How do post-cinematic media technologies such as AI, VR, and robotics target and re-shape our bodies? Post-Cinematic Bodies grapples with these questions by attending both to mundane devices—such as smartphones, networked exercise machines, and smart watches and other wearables equipped with heartrate sensors—as well as to new media artworks that rework such equipment to reveal to us the ways that our fleshly existences are increasingly up for grabs. Through an equally philosophical and interpretive analysis, the book aims to develop a new aesthetics of embodied experience that is attuned to a new age of predictive technology and metabolic capitalism. 20 00 Open Access 01 00 03 02 This is the cover of Post-Cinematic Bodies. 02 https://meson.press/wp-content/uploads/2023/02/Denson_Post-Cinematic_Bodies_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/post-cinematic-bodies/ 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Graduiertenkolleg 01 projectname GRK 2279: Konfigurationen des Films 01 projectshortname Konfigurationen des Films 01 grantnumber 310565625 Lüneburg 04 01 20230629 Shane Denson 02 WORLD 06 15 9783957960443 03 9783957960443 WORLD 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/post-cinematic-bodies/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2023/07/978-3-95796-044-3_Denson.pdf 20 08 20230629 01 urn:uuid:4f32df3f-43e0-4ab6-90e9-52385a8332b3 03 01 01 thoth-work-id urn:uuid:1760edb5-e2a6-458f-b1a9-5f80349d11db 01 thoth-publication-id urn:uuid:4f32df3f-43e0-4ab6-90e9-52385a8332b3 15 9783957960443 03 9783957960443 06 10.14619/0436 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 4433718b-565b-4e98-b1ef-43519635928f 02 00000009 01 Series URL https://meson.press/series-page/configurations-of-film 03 7 01 02 Configurations of Film 01 01 Post-Cinematic Bodies 1 A01 Shane Denson Shane Denson Associate Professor of Film and Media Studies in the Department of Art & Art History 40 00f54p054 Stanford University Shane Denson is Associate Professor of Film and Media Studies in the Department of Art & Art History and, by Courtesy, of German Studies in the Division of Literatures, Cultures, and Languages and of Communication in Stanford’s Department of Communication. 01 eng 00 248 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 12 AFKV 93 AFKV 10 ART057000 12 APF 93 ATF 10 COM004000 93 ATN 12 TJFM1 93 KCVM 12 UDBS 93 TJFM1 12 UYQ 93 UDBS 12 UYV 93 UKL 93 UYQ 93 UYV 20 predictive technology; aesthetics; Artificial Intelligence; new media artworks; Virtual Reality; embodiment; wearables; post-cinematic; algorithms; media technologies; capitalism; robotics; bodies 01 06 02 00 How is human embodiment transformed in an age of algorithms? How do post-cinematic media technologies such as AI, VR, and robotics target and re-shape our bodies? Post-Cinematic Bodies grapples with these questions by attending both to mundane devices—such as smartphones, networked exercise machines, and smart watches and other wearables equi 03 00 How is human embodiment transformed in an age of algorithms? How do post-cinematic media technologies such as AI, VR, and robotics target and re-shape our bodies? Post-Cinematic Bodies grapples with these questions by attending both to mundane devices—such as smartphones, networked exercise machines, and smart watches and other wearables equipped with heartrate sensors—as well as to new media artworks that rework such equipment to reveal to us the ways that our fleshly existences are increasingly up for grabs. Through an equally philosophical and interpretive analysis, the book aims to develop a new aesthetics of embodied experience that is attuned to a new age of predictive technology and metabolic capitalism. 30 00 How is human embodiment transformed in an age of algorithms? How do post-cinematic media technologies such as AI, VR, and robotics target and re-shape our bodies? Post-Cinematic Bodies grapples with these questions by attending both to mundane devices—such as smartphones, networked exercise machines, and smart watches and other wearables equipped with heartrate sensors—as well as to new media artworks that rework such equipment to reveal to us the ways that our fleshly existences are increasingly up for grabs. Through an equally philosophical and interpretive analysis, the book aims to develop a new aesthetics of embodied experience that is attuned to a new age of predictive technology and metabolic capitalism. 20 00 Open Access 01 00 03 02 This is the cover of Post-Cinematic Bodies. 02 https://meson.press/wp-content/uploads/2023/02/Denson_Post-Cinematic_Bodies_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/post-cinematic-bodies/ 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Graduiertenkolleg 01 projectname GRK 2279: Konfigurationen des Films 01 projectshortname Konfigurationen des Films 01 grantnumber 310565625 Lüneburg 04 01 20230629 Shane Denson 02 WORLD 06 15 9783957960436 03 9783957960436 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/90778 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/90778/978-3-95796-044-3_Denson.pdf 20 08 20230629 01 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/post-cinematic-bodies 29 Publisher's website: download the title https://meson.press/wp-content/uploads/2023/07/978-3-95796-044-3_Denson.pdf 20 08 20230629 01 urn:uuid:dbbb6ae2-85af-44c8-820b-ff3151a7e414 03 01 01 thoth-work-id urn:uuid:1321e6df-fcb0-44ab-a874-071781ae9681 01 thoth-publication-id urn:uuid:dbbb6ae2-85af-44c8-820b-ff3151a7e414 15 9783957960306 03 9783957960306 06 10.14619/002 00 BC 10 01 234 mm 01 23.4 cm 01 9.21 in 02 156 mm 02 15.6 cm 02 6.14 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 30 Years After Les Immatériaux Art, Science and Theory 1 B01 21 0000000163229062 Andreas Broeckmann Andreas Broeckmann 40 02w2y2t16 Leuphana University of Lüneburg He is art historian and curator, works at the Centre for Digital Cultures at Leuphana Universität of Lüneburg and heads the Leuphana Arts Program. He curated exhibitions and festivals in major European venues, incl. Stedelijk Museum Amsterdam, Vanabbe Museum, and transmediale Berlin. He holds a PhD in Art History from University of East Anglia, Norwich/UK. Broeckmann publishes and lectures about the history of modern art, media theory, machine aesthetics, and digital culture. He is the editor of Place Studies in Art, Media, Science and Technology (with G. Nadarajan, Weimar 2009). 2 B01 21 0000000232429819 Yuk Hui Yuk Hui Postdoctoral Researcher 40 02w2y2t16 Leuphana University of Lüneburg He studied Computer Engineering and Philosophy at the University of Hong Kong and at Goldsmiths College in London. He was a postdoctoral researcher at the Institut de Recherche et d’Innovation of Centre Pompidou and is currently postdoctoral researcher at the Centre for Digital Cultures of Leuphana University of Lüneburg. Hui publishes internationally on philosophy of technics and media, in periodicals such as Metaphilosophy, Cahiers Simondon, Zeitschrift für Medienwissenschaft, etc. He is author of On the Existence of Digital Objects (University of Minnesota Press, forthcoming). 06 Own website http://digitalmilieu.net 3 A01 Jean-Louis Boissier Jean-Louis Boissier Emeritus Professor of Art and Aesthetics 40 04wez5e68 Paris 8 University Jean-Louis Boissier is an artist and Emeritus Professor of Art and Aesthetics at Paris 8 University. His research focuses on the aesthetics and the epistemology of the digital related to contemporary art. He is the author of many installations involving interactivity and exhibition curator. His main papers have been published in the book La Relation comme forme (Geneva: Mamco, 2009, 2nd edition). 4 A01 Daniel Birnbaum Daniel Birnbaum Director Moderna Museet Stockholm Daniel Birnbaum is director of Moderna Museet, Stockholm, since 2010. From 2000–2010, he was director of the Städelschule Fine Arts Academy in Frankfurt and director of its Kunsthalle Portikus. He is co-founder (with Isabelle Graw) of the Institut für Kunstkritik. He is a contributing editor for Artforum in New York and has curated a number of large exhibitions, including a section of the 2003 Venice Biennale. He was Artistic Director of the 53rd Venice Biennale in 2009. 5 A01 Thierry Dufrêne Thierry Dufrêne Professor of Contemporary Art History 40 013bkhk48 Université Paris Nanterre Thierry Dufrêne is an art historian and Professor of Contemporary Art History at the University of Paris Ouest Nanterre La Défense, where he directs the Research Centre “Art History Representations” (MDT). He is the Scientific Secretary of the International Committee of Art History (CIHA), a member of the International Association of Art Critics (AICA) and of the editorial board of the journal Diogène. A recognized specialist in the work of Alberto Giacometti, he is an historian of twentieth- through twenty-first-century sculpture. The subjects of his texts include Alain Kirili, Piotr Kowalski, Berto Lardera, Ivan Messac and Joel Shapiro. 6 A01 Francesca Gallo Francesca Gallo Lecturer 40 02be6w209 Sapienza University of Rome Francesca Gallo graduated and post-graduated in Contemporary Art History, she teaches at Sapienza University. She studied the Grand Tour, the international context of Italian art and art critique of late XIXth century, as well as the techniques and the methods of art in the XXth century. She devoted her Ph.D. to the exhibition Les Immatériaux, and is currently focusing on artistic research from the Sixties to the present day, in the context of the critical debate and of the art system, and on new media art and performance art. 7 A01 21 0000000223967914 Charlie Gere Charlie Gere Professor of Media Theory and History 40 04f2nsd36 Lancaster University Charlie Gere is Professor of Media Theory and History at the Lancaster Institute for Contemporary Arts, Lancaster University. He is the author of numerous books on art and digital culture, among them Digital Culture (2002), Art, Time and Technology (2006), and co-editor of White Heat Cold Technology (2009), as well as of many papers on questions of technology, media and art. In 2007 he co-curated Feedback, a major exhibition of new media art at Laboral in Northern Spain, and was co-curator of FutureEverybody, the 2012 FutureEverything exhibition, in Manchester. 8 A01 Antony Hudek Antony Hudek Director Objectif Exhibitions Antony Hudek is the director of Objectif Exhibitions, Antwerp, and cofounding director of Occasional Papers, a non-profit art and design publisher. In the past he was curator and deputy director of Raven Row in London, research curator at Tate Liverpool and senior lecturer at Liverpool John Moores University, where he founded and convened the Exhibition Research Centre. He is the co-translator with Mary Lydon of Jean-François Lyotard’s Discours, figure (University of Minnesota Press, 2010) and the editor of The Object, an anthology of texts published by Whitechapel Gallery in London (2014). 9 A01 Jean-François Lyotard Jean-François Lyotard Professor of Philosophy 40 04wez5e68 Paris 8 University Jean-François Lyotard (1924–1998) was one of the most important philosophers of the 20th century. From 1970–1987 he was professor of philosophy at Paris 8 University. He is author of more than 23 books, among them Discours, figure (1971), Economie libidinale (1974), The Postmodern Condition (1979), The Differend (1983), Heidegger and the Jews (1988), Inhuman (1988), Lessons on the Analytic of the Sublime (1991). His posthumous publications include La Confession d’Augustin (1998), Misère de la philosophie (2000), Pourquoi philosopher? (2012). He was the curator (with Thierry Chaput) of the exhibition Les Immatériaux at the Centre Pompidou in Paris in 1985. 10 A01 Robin Mackay Robin Mackay Associate Lecturer 40 01khx4a30 Goldsmiths University of London Robin Mackay is a philosopher, translator, associate lecturer at Goldsmiths University of London, and director of UK arts organization Urbanomic. In addition to directing Urbanomic’s publishing operation and curatorial activities, Mackay is editor of Collapse: Journal of Philosophical Research and Development. He has also translated numerous works of French philosophy. Mackay writes and speaks regularly on art and philosophy and has worked with several contemporary artists such as John Gerrard, Pamela Rosenkranz and Florian Hecker developing cross-disciplinary projects. 11 A01 21 0000000281888421 Anne Elisabeth Sejten Anne Elisabeth Sejten Professor of Aesthetical Culture 40 014axpa37 Roskilde University Professor of Aesthetical Culture 40 014axpa37 Roskilde University Anne Elisabeth Sejten is Professor of Aesthetical Culture at Roskilde University, Denmark. Author of a.o. the book Diderot ou le défi esthétique (Vrin, 2000), editor of Danish anthologies and contributor to Scandinavian and international anthologies and periodicals on literature, art and aesthetics, especially about French Enlightenment, contemporary French philosophy and, more recently, the essayistic work of Paul Valéry. 12 A01 Bernard Stiegler Bernard Stiegler Director of the Institute for Research and Innovation 40 05e357p42 Centre Pompidou Bernard Stiegler is director of the Institute for Research and Innovation at the Centre Georges Pompidou in Paris. Before this he was program director at the International College of Philosophy, Deputy Director General of the Institut National de l’Audiovisuel, then Director General at the Institut de Recherche et Coordination Acoustique/Musique (IRCAM). He has published many books, among them three volumes of La technique et le temps, two volumes of De la misère symbolique; his recent publications includes Pharmacologie du Front National (Flammarion, 2013) and La Societé automatique (Fayard, 2015). 13 A01 Sven-Olov Wallenstein Sven-Olov Wallenstein Professor of Philosophy 40 00d973h41 Södertörn University Sven-Olov Wallenstein is Professor of Philosophy at Södertörn University, Stockholm, and editor-in-chief of Site. He is translator of philosophical works from German and French into Swedish, as well as author of numerous books on philosophy, contemporary art, and architecture. Recent publications include Edmund Husserl (ed. 2011), Translating Hegel: The Phenomenology of Spirit and Modern Philosophy (ed. with Brian Manning Delaney, 2012), Foucault, Biopolitics, and Governmentality (ed. with Jakob Nilsson, 2013), and Heidegger, språket och poesin (ed. with Ola Nilsson, 2013). Forthcoming is a book on Architecture and Theory. 01 eng 00 276 03 04 NX1-820 10 PHI000000 12 UD 93 UD 10 COM043000 12 HP 93 QD 12 UT 93 UT 20 art; Jean-François Lyotard; reorientation; digital technologies; philosophy; anamnesis; postmodernity; materiality; science 01 06 02 00 In 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condi 03 00 In 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condition. This book features a previously unpublished report by Jean-François Lyotard on the conception of Les Immatériaux and its relation to postmodernity. Reviewing the historical significance of the exhibition, his text is accompanied by twelve contemporary meditations. The philosophers, art historians, and artists analyse this important moment in the history of media and theory, and reflect on the new material conditions brought about by digital technologies in the last 30 years. 30 00 In 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condition. This book features a previously unpublished report by Jean-François Lyotard on the conception of Les Immatériaux and its relation to postmodernity. Reviewing the historical significance of the exhibition, his text is accompanied by twelve contemporary meditations. The philosophers, art historians, and artists analyse this important moment in the history of media and theory, and reflect on the new material conditions brought about by digital technologies in the last 30 years. 20 00 Open Access 01 00 03 02 This is the cover of the book 30 Years After Les Immatériaux. 02 http://meson.press/wp-content/uploads/2015/03/Cover-Broeckmann-Hui-30-Years_klein-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/30-years-after-les-immateriaux 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150618 Andreas Broeckmann Yuk Hui 02 WORLD 06 15 9783957960313 03 9783957960313 06 15 9783957960320 03 9783957960320 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/30-years-after-les-immateriaux 20 08 20150618 01 urn:uuid:ab15c2d8-f5eb-4e0d-81ae-e53e3c11dcc6 03 01 01 thoth-work-id urn:uuid:1321e6df-fcb0-44ab-a874-071781ae9681 01 thoth-publication-id urn:uuid:ab15c2d8-f5eb-4e0d-81ae-e53e3c11dcc6 15 9783957960313 03 9783957960313 06 10.14619/002 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 30 Years After Les Immatériaux Art, Science and Theory 1 B01 21 0000000163229062 Andreas Broeckmann Andreas Broeckmann 40 02w2y2t16 Leuphana University of Lüneburg He is art historian and curator, works at the Centre for Digital Cultures at Leuphana Universität of Lüneburg and heads the Leuphana Arts Program. He curated exhibitions and festivals in major European venues, incl. Stedelijk Museum Amsterdam, Vanabbe Museum, and transmediale Berlin. He holds a PhD in Art History from University of East Anglia, Norwich/UK. Broeckmann publishes and lectures about the history of modern art, media theory, machine aesthetics, and digital culture. He is the editor of Place Studies in Art, Media, Science and Technology (with G. Nadarajan, Weimar 2009). 2 B01 21 0000000232429819 Yuk Hui Yuk Hui Postdoctoral Researcher 40 02w2y2t16 Leuphana University of Lüneburg He studied Computer Engineering and Philosophy at the University of Hong Kong and at Goldsmiths College in London. He was a postdoctoral researcher at the Institut de Recherche et d’Innovation of Centre Pompidou and is currently postdoctoral researcher at the Centre for Digital Cultures of Leuphana University of Lüneburg. Hui publishes internationally on philosophy of technics and media, in periodicals such as Metaphilosophy, Cahiers Simondon, Zeitschrift für Medienwissenschaft, etc. He is author of On the Existence of Digital Objects (University of Minnesota Press, forthcoming). 06 Own website http://digitalmilieu.net 3 A01 Jean-Louis Boissier Jean-Louis Boissier Emeritus Professor of Art and Aesthetics 40 04wez5e68 Paris 8 University Jean-Louis Boissier is an artist and Emeritus Professor of Art and Aesthetics at Paris 8 University. His research focuses on the aesthetics and the epistemology of the digital related to contemporary art. He is the author of many installations involving interactivity and exhibition curator. His main papers have been published in the book La Relation comme forme (Geneva: Mamco, 2009, 2nd edition). 4 A01 Daniel Birnbaum Daniel Birnbaum Director Moderna Museet Stockholm Daniel Birnbaum is director of Moderna Museet, Stockholm, since 2010. From 2000–2010, he was director of the Städelschule Fine Arts Academy in Frankfurt and director of its Kunsthalle Portikus. He is co-founder (with Isabelle Graw) of the Institut für Kunstkritik. He is a contributing editor for Artforum in New York and has curated a number of large exhibitions, including a section of the 2003 Venice Biennale. He was Artistic Director of the 53rd Venice Biennale in 2009. 5 A01 Thierry Dufrêne Thierry Dufrêne Professor of Contemporary Art History 40 013bkhk48 Université Paris Nanterre Thierry Dufrêne is an art historian and Professor of Contemporary Art History at the University of Paris Ouest Nanterre La Défense, where he directs the Research Centre “Art History Representations” (MDT). He is the Scientific Secretary of the International Committee of Art History (CIHA), a member of the International Association of Art Critics (AICA) and of the editorial board of the journal Diogène. A recognized specialist in the work of Alberto Giacometti, he is an historian of twentieth- through twenty-first-century sculpture. The subjects of his texts include Alain Kirili, Piotr Kowalski, Berto Lardera, Ivan Messac and Joel Shapiro. 6 A01 Francesca Gallo Francesca Gallo Lecturer 40 02be6w209 Sapienza University of Rome Francesca Gallo graduated and post-graduated in Contemporary Art History, she teaches at Sapienza University. She studied the Grand Tour, the international context of Italian art and art critique of late XIXth century, as well as the techniques and the methods of art in the XXth century. She devoted her Ph.D. to the exhibition Les Immatériaux, and is currently focusing on artistic research from the Sixties to the present day, in the context of the critical debate and of the art system, and on new media art and performance art. 7 A01 21 0000000223967914 Charlie Gere Charlie Gere Professor of Media Theory and History 40 04f2nsd36 Lancaster University Charlie Gere is Professor of Media Theory and History at the Lancaster Institute for Contemporary Arts, Lancaster University. He is the author of numerous books on art and digital culture, among them Digital Culture (2002), Art, Time and Technology (2006), and co-editor of White Heat Cold Technology (2009), as well as of many papers on questions of technology, media and art. In 2007 he co-curated Feedback, a major exhibition of new media art at Laboral in Northern Spain, and was co-curator of FutureEverybody, the 2012 FutureEverything exhibition, in Manchester. 8 A01 Antony Hudek Antony Hudek Director Objectif Exhibitions Antony Hudek is the director of Objectif Exhibitions, Antwerp, and cofounding director of Occasional Papers, a non-profit art and design publisher. In the past he was curator and deputy director of Raven Row in London, research curator at Tate Liverpool and senior lecturer at Liverpool John Moores University, where he founded and convened the Exhibition Research Centre. He is the co-translator with Mary Lydon of Jean-François Lyotard’s Discours, figure (University of Minnesota Press, 2010) and the editor of The Object, an anthology of texts published by Whitechapel Gallery in London (2014). 9 A01 Jean-François Lyotard Jean-François Lyotard Professor of Philosophy 40 04wez5e68 Paris 8 University Jean-François Lyotard (1924–1998) was one of the most important philosophers of the 20th century. From 1970–1987 he was professor of philosophy at Paris 8 University. He is author of more than 23 books, among them Discours, figure (1971), Economie libidinale (1974), The Postmodern Condition (1979), The Differend (1983), Heidegger and the Jews (1988), Inhuman (1988), Lessons on the Analytic of the Sublime (1991). His posthumous publications include La Confession d’Augustin (1998), Misère de la philosophie (2000), Pourquoi philosopher? (2012). He was the curator (with Thierry Chaput) of the exhibition Les Immatériaux at the Centre Pompidou in Paris in 1985. 10 A01 Robin Mackay Robin Mackay Associate Lecturer 40 01khx4a30 Goldsmiths University of London Robin Mackay is a philosopher, translator, associate lecturer at Goldsmiths University of London, and director of UK arts organization Urbanomic. In addition to directing Urbanomic’s publishing operation and curatorial activities, Mackay is editor of Collapse: Journal of Philosophical Research and Development. He has also translated numerous works of French philosophy. Mackay writes and speaks regularly on art and philosophy and has worked with several contemporary artists such as John Gerrard, Pamela Rosenkranz and Florian Hecker developing cross-disciplinary projects. 11 A01 21 0000000281888421 Anne Elisabeth Sejten Anne Elisabeth Sejten Professor of Aesthetical Culture 40 014axpa37 Roskilde University Professor of Aesthetical Culture 40 014axpa37 Roskilde University Anne Elisabeth Sejten is Professor of Aesthetical Culture at Roskilde University, Denmark. Author of a.o. the book Diderot ou le défi esthétique (Vrin, 2000), editor of Danish anthologies and contributor to Scandinavian and international anthologies and periodicals on literature, art and aesthetics, especially about French Enlightenment, contemporary French philosophy and, more recently, the essayistic work of Paul Valéry. 12 A01 Bernard Stiegler Bernard Stiegler Director of the Institute for Research and Innovation 40 05e357p42 Centre Pompidou Bernard Stiegler is director of the Institute for Research and Innovation at the Centre Georges Pompidou in Paris. Before this he was program director at the International College of Philosophy, Deputy Director General of the Institut National de l’Audiovisuel, then Director General at the Institut de Recherche et Coordination Acoustique/Musique (IRCAM). He has published many books, among them three volumes of La technique et le temps, two volumes of De la misère symbolique; his recent publications includes Pharmacologie du Front National (Flammarion, 2013) and La Societé automatique (Fayard, 2015). 13 A01 Sven-Olov Wallenstein Sven-Olov Wallenstein Professor of Philosophy 40 00d973h41 Södertörn University Sven-Olov Wallenstein is Professor of Philosophy at Södertörn University, Stockholm, and editor-in-chief of Site. He is translator of philosophical works from German and French into Swedish, as well as author of numerous books on philosophy, contemporary art, and architecture. Recent publications include Edmund Husserl (ed. 2011), Translating Hegel: The Phenomenology of Spirit and Modern Philosophy (ed. with Brian Manning Delaney, 2012), Foucault, Biopolitics, and Governmentality (ed. with Jakob Nilsson, 2013), and Heidegger, språket och poesin (ed. with Ola Nilsson, 2013). Forthcoming is a book on Architecture and Theory. 01 eng 00 276 03 04 NX1-820 10 PHI000000 12 UD 93 UD 10 COM043000 12 HP 93 QD 12 UT 93 UT 20 art; Jean-François Lyotard; reorientation; digital technologies; philosophy; anamnesis; postmodernity; materiality; science 01 06 02 00 In 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condi 03 00 In 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condition. This book features a previously unpublished report by Jean-François Lyotard on the conception of Les Immatériaux and its relation to postmodernity. Reviewing the historical significance of the exhibition, his text is accompanied by twelve contemporary meditations. The philosophers, art historians, and artists analyse this important moment in the history of media and theory, and reflect on the new material conditions brought about by digital technologies in the last 30 years. 30 00 In 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condition. This book features a previously unpublished report by Jean-François Lyotard on the conception of Les Immatériaux and its relation to postmodernity. Reviewing the historical significance of the exhibition, his text is accompanied by twelve contemporary meditations. The philosophers, art historians, and artists analyse this important moment in the history of media and theory, and reflect on the new material conditions brought about by digital technologies in the last 30 years. 20 00 Open Access 01 00 03 02 This is the cover of the book 30 Years After Les Immatériaux. 02 http://meson.press/wp-content/uploads/2015/03/Cover-Broeckmann-Hui-30-Years_klein-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/30-years-after-les-immateriaux 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150618 Andreas Broeckmann Yuk Hui 02 WORLD 06 15 9783957960306 03 9783957960306 06 15 9783957960320 03 9783957960320 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37580 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37580/9783957960313-30-Years-Les-Immateriaux.pdf 20 08 20150618 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/30-years-after-les-immateriaux 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2015/03/9783957960313-30-Years-Les-Immateriaux.pdf 20 08 20150618 01 urn:uuid:ecfb7454-4f2b-4e7e-9e9e-d8685931a3d2 03 01 01 thoth-work-id urn:uuid:1321e6df-fcb0-44ab-a874-071781ae9681 01 thoth-publication-id urn:uuid:ecfb7454-4f2b-4e7e-9e9e-d8685931a3d2 15 9783957960320 03 9783957960320 06 10.14619/002 00 EB E101 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 30 Years After Les Immatériaux Art, Science and Theory 1 B01 21 0000000163229062 Andreas Broeckmann Andreas Broeckmann 40 02w2y2t16 Leuphana University of Lüneburg He is art historian and curator, works at the Centre for Digital Cultures at Leuphana Universität of Lüneburg and heads the Leuphana Arts Program. He curated exhibitions and festivals in major European venues, incl. Stedelijk Museum Amsterdam, Vanabbe Museum, and transmediale Berlin. He holds a PhD in Art History from University of East Anglia, Norwich/UK. Broeckmann publishes and lectures about the history of modern art, media theory, machine aesthetics, and digital culture. He is the editor of Place Studies in Art, Media, Science and Technology (with G. Nadarajan, Weimar 2009). 2 B01 21 0000000232429819 Yuk Hui Yuk Hui Postdoctoral Researcher 40 02w2y2t16 Leuphana University of Lüneburg He studied Computer Engineering and Philosophy at the University of Hong Kong and at Goldsmiths College in London. He was a postdoctoral researcher at the Institut de Recherche et d’Innovation of Centre Pompidou and is currently postdoctoral researcher at the Centre for Digital Cultures of Leuphana University of Lüneburg. Hui publishes internationally on philosophy of technics and media, in periodicals such as Metaphilosophy, Cahiers Simondon, Zeitschrift für Medienwissenschaft, etc. He is author of On the Existence of Digital Objects (University of Minnesota Press, forthcoming). 06 Own website http://digitalmilieu.net 3 A01 Jean-Louis Boissier Jean-Louis Boissier Emeritus Professor of Art and Aesthetics 40 04wez5e68 Paris 8 University Jean-Louis Boissier is an artist and Emeritus Professor of Art and Aesthetics at Paris 8 University. His research focuses on the aesthetics and the epistemology of the digital related to contemporary art. He is the author of many installations involving interactivity and exhibition curator. His main papers have been published in the book La Relation comme forme (Geneva: Mamco, 2009, 2nd edition). 4 A01 Daniel Birnbaum Daniel Birnbaum Director Moderna Museet Stockholm Daniel Birnbaum is director of Moderna Museet, Stockholm, since 2010. From 2000–2010, he was director of the Städelschule Fine Arts Academy in Frankfurt and director of its Kunsthalle Portikus. He is co-founder (with Isabelle Graw) of the Institut für Kunstkritik. He is a contributing editor for Artforum in New York and has curated a number of large exhibitions, including a section of the 2003 Venice Biennale. He was Artistic Director of the 53rd Venice Biennale in 2009. 5 A01 Thierry Dufrêne Thierry Dufrêne Professor of Contemporary Art History 40 013bkhk48 Université Paris Nanterre Thierry Dufrêne is an art historian and Professor of Contemporary Art History at the University of Paris Ouest Nanterre La Défense, where he directs the Research Centre “Art History Representations” (MDT). He is the Scientific Secretary of the International Committee of Art History (CIHA), a member of the International Association of Art Critics (AICA) and of the editorial board of the journal Diogène. A recognized specialist in the work of Alberto Giacometti, he is an historian of twentieth- through twenty-first-century sculpture. The subjects of his texts include Alain Kirili, Piotr Kowalski, Berto Lardera, Ivan Messac and Joel Shapiro. 6 A01 Francesca Gallo Francesca Gallo Lecturer 40 02be6w209 Sapienza University of Rome Francesca Gallo graduated and post-graduated in Contemporary Art History, she teaches at Sapienza University. She studied the Grand Tour, the international context of Italian art and art critique of late XIXth century, as well as the techniques and the methods of art in the XXth century. She devoted her Ph.D. to the exhibition Les Immatériaux, and is currently focusing on artistic research from the Sixties to the present day, in the context of the critical debate and of the art system, and on new media art and performance art. 7 A01 21 0000000223967914 Charlie Gere Charlie Gere Professor of Media Theory and History 40 04f2nsd36 Lancaster University Charlie Gere is Professor of Media Theory and History at the Lancaster Institute for Contemporary Arts, Lancaster University. He is the author of numerous books on art and digital culture, among them Digital Culture (2002), Art, Time and Technology (2006), and co-editor of White Heat Cold Technology (2009), as well as of many papers on questions of technology, media and art. In 2007 he co-curated Feedback, a major exhibition of new media art at Laboral in Northern Spain, and was co-curator of FutureEverybody, the 2012 FutureEverything exhibition, in Manchester. 8 A01 Antony Hudek Antony Hudek Director Objectif Exhibitions Antony Hudek is the director of Objectif Exhibitions, Antwerp, and cofounding director of Occasional Papers, a non-profit art and design publisher. In the past he was curator and deputy director of Raven Row in London, research curator at Tate Liverpool and senior lecturer at Liverpool John Moores University, where he founded and convened the Exhibition Research Centre. He is the co-translator with Mary Lydon of Jean-François Lyotard’s Discours, figure (University of Minnesota Press, 2010) and the editor of The Object, an anthology of texts published by Whitechapel Gallery in London (2014). 9 A01 Jean-François Lyotard Jean-François Lyotard Professor of Philosophy 40 04wez5e68 Paris 8 University Jean-François Lyotard (1924–1998) was one of the most important philosophers of the 20th century. From 1970–1987 he was professor of philosophy at Paris 8 University. He is author of more than 23 books, among them Discours, figure (1971), Economie libidinale (1974), The Postmodern Condition (1979), The Differend (1983), Heidegger and the Jews (1988), Inhuman (1988), Lessons on the Analytic of the Sublime (1991). His posthumous publications include La Confession d’Augustin (1998), Misère de la philosophie (2000), Pourquoi philosopher? (2012). He was the curator (with Thierry Chaput) of the exhibition Les Immatériaux at the Centre Pompidou in Paris in 1985. 10 A01 Robin Mackay Robin Mackay Associate Lecturer 40 01khx4a30 Goldsmiths University of London Robin Mackay is a philosopher, translator, associate lecturer at Goldsmiths University of London, and director of UK arts organization Urbanomic. In addition to directing Urbanomic’s publishing operation and curatorial activities, Mackay is editor of Collapse: Journal of Philosophical Research and Development. He has also translated numerous works of French philosophy. Mackay writes and speaks regularly on art and philosophy and has worked with several contemporary artists such as John Gerrard, Pamela Rosenkranz and Florian Hecker developing cross-disciplinary projects. 11 A01 21 0000000281888421 Anne Elisabeth Sejten Anne Elisabeth Sejten Professor of Aesthetical Culture 40 014axpa37 Roskilde University Professor of Aesthetical Culture 40 014axpa37 Roskilde University Anne Elisabeth Sejten is Professor of Aesthetical Culture at Roskilde University, Denmark. Author of a.o. the book Diderot ou le défi esthétique (Vrin, 2000), editor of Danish anthologies and contributor to Scandinavian and international anthologies and periodicals on literature, art and aesthetics, especially about French Enlightenment, contemporary French philosophy and, more recently, the essayistic work of Paul Valéry. 12 A01 Bernard Stiegler Bernard Stiegler Director of the Institute for Research and Innovation 40 05e357p42 Centre Pompidou Bernard Stiegler is director of the Institute for Research and Innovation at the Centre Georges Pompidou in Paris. Before this he was program director at the International College of Philosophy, Deputy Director General of the Institut National de l’Audiovisuel, then Director General at the Institut de Recherche et Coordination Acoustique/Musique (IRCAM). He has published many books, among them three volumes of La technique et le temps, two volumes of De la misère symbolique; his recent publications includes Pharmacologie du Front National (Flammarion, 2013) and La Societé automatique (Fayard, 2015). 13 A01 Sven-Olov Wallenstein Sven-Olov Wallenstein Professor of Philosophy 40 00d973h41 Södertörn University Sven-Olov Wallenstein is Professor of Philosophy at Södertörn University, Stockholm, and editor-in-chief of Site. He is translator of philosophical works from German and French into Swedish, as well as author of numerous books on philosophy, contemporary art, and architecture. Recent publications include Edmund Husserl (ed. 2011), Translating Hegel: The Phenomenology of Spirit and Modern Philosophy (ed. with Brian Manning Delaney, 2012), Foucault, Biopolitics, and Governmentality (ed. with Jakob Nilsson, 2013), and Heidegger, språket och poesin (ed. with Ola Nilsson, 2013). Forthcoming is a book on Architecture and Theory. 01 eng 00 276 03 04 NX1-820 10 PHI000000 12 UD 93 UD 10 COM043000 12 HP 93 QD 12 UT 93 UT 20 art; Jean-François Lyotard; reorientation; digital technologies; philosophy; anamnesis; postmodernity; materiality; science 01 06 02 00 In 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condi 03 00 In 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condition. This book features a previously unpublished report by Jean-François Lyotard on the conception of Les Immatériaux and its relation to postmodernity. Reviewing the historical significance of the exhibition, his text is accompanied by twelve contemporary meditations. The philosophers, art historians, and artists analyse this important moment in the history of media and theory, and reflect on the new material conditions brought about by digital technologies in the last 30 years. 30 00 In 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condition. This book features a previously unpublished report by Jean-François Lyotard on the conception of Les Immatériaux and its relation to postmodernity. Reviewing the historical significance of the exhibition, his text is accompanied by twelve contemporary meditations. The philosophers, art historians, and artists analyse this important moment in the history of media and theory, and reflect on the new material conditions brought about by digital technologies in the last 30 years. 20 00 Open Access 01 00 03 02 This is the cover of the book 30 Years After Les Immatériaux. 02 http://meson.press/wp-content/uploads/2015/03/Cover-Broeckmann-Hui-30-Years_klein-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/30-years-after-les-immateriaux 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150618 Andreas Broeckmann Yuk Hui 02 WORLD 06 15 9783957960306 03 9783957960306 06 15 9783957960313 03 9783957960313 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/30-years-after-les-immateriaux 20 08 20150618 01 urn:uuid:6ba030aa-9952-4b6c-a6da-bb8d99767cad 03 01 01 thoth-work-id urn:uuid:f696445f-8a9f-4ab2-95d2-3f222b83b37b 01 thoth-publication-id urn:uuid:6ba030aa-9952-4b6c-a6da-bb8d99767cad 15 9783957960535 03 9783957960535 06 10.14619/0535 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 4433718b-565b-4e98-b1ef-43519635928f 02 00000009 01 Series URL https://meson.press/series-page/configurations-of-film 03 8 01 02 Configurations of Film 01 01 Accidental Archivism Shaping Cinema’s Futures with Remnants of the Past 1 B01 Stefanie Schulte Strathaus Stefanie Schulte Strathaus Stefanie Schulte Strathaus is the artistic director of Arsenal – Institute for Film and Video Art in Berlin. From 2001 to 2019 she was a member of the selection committee of the Berlinale Forum. From 2006 to 2020 she was the founding director of the Berlinale section Forum Expanded. She curated film exhibitions, such as “LIVE FILM! JACK SMITH! Five Flaming Days in A Rented World” (2009, with Susanne Sachsse and Marc Siegel), „A Paradise Built in Hell“ (2014, with Bettina Steinbrügge), and “From Behind the Screen” (2018), as well as research and exhibition projects such as “Living Archive – Archive Work as a Contemporary Artistic and Curatorial Practice“ (2010–2013) and “Archive außer sich” (2017–2022). In 2021 she launched the biennial festival “Archival Assembly“. Her work is dealing with the intersections of film restoration, exhibition and distribution, focussing on collaborative and decolonial thinking and practice. Schulte Strathaus is serving on the boards of the Harun Farocki Institut and the Master program Film Culture at the University in Jos/Nigeria. 2 B01 21 0000000234552423 Vinzenz Hediger Vinzenz Hediger Professor of Cinema Studies 40 04cvxnb49 Goethe University Frankfurt Vinzenz Hediger is Professor of Cinema Studies at Goethe Universität Frankfurt, where he directs the DFG Research Training Program „Configurations of film“ (www.konfigurationen-des-films.de) and the area studies project CEDITRAA – Cultural Entrepreneurship and Digital Transformation in Africa and Asia (www.ceditraa. net). He is a co-director of GU’s research center ConTrust – Trust and Conflict under Conditions of Uncertainty. His research covers film theory, film and media history, documentary forms, and organizational media and supply studies. 3 A01 Añulika Agina Añulika Agina Associate Professor of Media Studies 40 02tythz78 Pan-Atlantic University Añulika Agina is an Associate Professor of Media Studies at the Pan-Atlantic University Lagos researching Nigerian film and cinema-going cultures. Funded by the European Research Council in 2019, she joined the Screen Worlds project at SOAS University of London as a Postdoctoral Research Fellow to investigate Nigerian screen cultures, which led to the production of a documentary on film exhibition titled Behind my Nollywood Screen (2022). 4 A01 Hadi Alipanah Hadi Alipanah Hadi Alipanah is an Iranian film critic and journalist. He is the founder and director of FiDAN—Iranian short film magazine. 5 A01 Gaby Babić Gaby Babić Gaby Babić is a film scholar, curator and programmer. Between 2010 and 2016 she worked as artistic director for goEast – Festival of Central and Eastern European Film. She joined Kinothek Asta Nielsen in 2018 and has been its sole artistic director since 2020. Together with Heide Schlüpmann and Karola Gramann she founded the film festival Remake. Frankfurt Women's Film Days. 6 A01 Lynhan Balatbat-Helbock Lynhan Balatbat-Helbock Lynhan Balatbat-Helbock is a curator and researcher at SAVVY Contemporary where she is part of the participatory archive project Colonial Neighbours. She received her MA in Postcolonial Cultures and Global Policy at Goldsmiths University of London. In her work within the permanent collection of SAVVY Contemporary she looks for colonial traces that are manifested in our present. Lately co-curated the yearlong research and exhibition program HERE HISTORY BEGAN. TRACING THE RE/VERBERATIONS OF HALIM EL-DABH (2020–2021). 7 A01 21 0000000178072010 Erika Balsom Erika Balsom Reader 40 0220mzb33 King's College London Erika Balsom is a scholar and critic based in London, working on cinema, art, and their intersection. She is Reader in Film Studies at King’s College London and holds a PhD in Modern Culture and Media from Brown University. She curated various exhibitions such as the recent “No Master Territories: Feminist Worldmaking and the Moving Image” (2022) together with Hila Peleg. 8 A01 Marie Sophie Beckmann Marie Sophie Beckmann Postdoctoral Research and Teaching Associate 40 033n9gh91 University of Oldenburg Marie Sophie Beckmann is a Postdoctoral Research and Teaching Associate at the Institute for Art and Visual Culture at Carl von Ossietzky University Oldenburg. She completed her doctorate in 2021 as part of the DFG Research Training Program “Configurations of Film” at Goethe University Frankfurt. 9 A01 Mareike Bernien Mareike Bernien Mareike Bernien lives in Berlin and works as a filmmaker and lecturer in the field of film research and critical archival practices. A research-based approach determines her work, in which questions of memory politics and media archaeology are negotiated. Her most recent works include: Sun Under Ground (2022) and Depth of Field (2017), both co-directed with Alex Gerbaulet. Since 2018 she has been part of the production platform pong film and works there, amongst others, with Merle Kröger on the archival project The Fifth Wall. 10 A01 Amrita Biswas Amrita Biswas PhD Candidate 40 04cvxnb49 Goethe University Frankfurt Amrita Biswas is a PhD candidate in the DFG Research Training Program “Configurations of film” at Goethe University Frankfurt. Her work has been published in Studies in South Asian Film and Media and Pandemic Media: Notes Toward an Inventory. She was awarded the Erasmus Plus fellowship for conducting research in the department of Cultural Anthropology at Georg-August University, Göttingen. 11 A01 Sema Çakmak Sema Çakmak PhD Candidate 40 04cvxnb49 Goethe University Frankfurt Sema Çakmak is a PhD candidate in the Graduiertenkolleg “Configurations of Film” at the Goethe University, Frankfurt. She studied theater and media studies, and French studies at the Friedrich-Alexander University of Erlangen-Nürnberg and cinema studies at the University Aix-Marseille. She graduated in theInternational Program in Audiovisual and Cinema Studies (IMACS) and completed her M.A. at the Goethe University, Frankfurt, the University Sorbonne Nouvelle Paris 3, and the University of Liège. Her main research interests are queer cinema, festival studies and political film cultures. 12 A01 21 0009000324704790 Sonia Campanini Sonia Campanini 40 04cvxnb49 Goethe University Frankfurt Sonia Campanini is a film scholar and researcher in film archiving, curating, and global film cultures at Goethe University Frankfurt. As Assistant Professor of Film Culture from 2015 to 2022 she directed the master’s program “Film Culture: Archiving, Programming, Presentation” at the same university. Her present project is titled Remaking Nollywood: Circulation Networks, Memory Constructions and Women Filmmaking. 13 A01 21 0000000323795777 Erica Carter Erica Carter Professor of German 40 0220mzb33 King's College London Erica Carter is professor of German at King’s College, London. She is also the co-founder of the German Screen Studies Network. Her publications on include How German is She? Postwar West German Reconstruction and the Consuming Woman (1997), Dietrich’s Ghosts: The Sublime and the Beautiful in Third Reich Film (2004), Béla Balázs: Early Film Theory (2010), and the recently published second edition of the German Cinema Book (Bergfelder, Carter & Göktürk, 2020). 14 A01 21 0000000275224813 Özge Çelikaslan Özge Çelikaslan Özge Çelikaslan is a media scholar, videographer and archivist. Her works focus on the politics of image, archival networks and digital commons. She completed her doctoral studies at the Braunschweig University of Art, Institute of Media Studies. She is co-founder of the social movements archive bak.ma. 15 A01 Filipa César Filipa César Filipa César is an artist and filmmaker interested in the fictional aspects of the documentary and the politics and poetics inherent to moving image. Since 2011, César has been looking into the imaginaries of Guinea-Bissau’s Liberation Movement and its cognitive potencies, developing that research into the ongoing collective project Luta ca caba inda (the struggle is not over yet). Her work is widely shown in solo and group exhibitions, biennials, and festivals, such as the Berlinale Forum. She lives and works in Berlin. 16 A01 Didi Cheeka Didi Cheeka Didi Cheeka is a Nigerian filmmaker and film critic. He is the editor of the Lagos Film Review and co-founder and curator of the Lagos Film Society—an alternative cinema centre dedicated to establishing Nigeria’s first arthouse cinema. He also serves as the artistic director of the Decasia Festival, which he founded in collaboration with the Arsenal Institute for Film and Video Art in Berlin. 17 A01 Vaginal Davis Vaginal Davis Vaginal Davis is a performing artist, painter, independent curator, composer, filmmaker and writer. She has been living in Berlin since 2006. 18 A01 Madhusree Dutta Madhusree Dutta Madhusree Dutta is a filmmaker, curator, and author who works from Mumbai and Berlin/Cologne. She prefers to call herself a cultural producer. She was the executive director of Majlis Culture Centre in Mumbai (1990–2016) and artistic director of Academy of the Arts of the World (ADKDW) in Cologne, Germany (2018–2021). She has initiated several public art and archive projects within, and also outside, Majlis and ADKDW. 19 A01 Tamer El Said Tamer El Said Tamer El Said is a filmmaker and producer based in Berlin and Cairo, with an extensive filmography of 17 films that have received numerous regional and international awards. In 2007, he founded Zero Production to produce independent films in Egypt. In 2011, he co-founded Cimatheque—Alternative Film Centre in Cairo, a multi-purpose space that offers facilities, training, and programming for the independent filmmaking community. His debut feature-length film, Akher ayam el madina (eng. In the Last Days of the City), premiered at the Forum 2016, where it received the Caligari Film Prize. 20 A01 21 0000000318867166 Almudena Escobar López Almudena Escobar López Assistant Professor on Film History, Film Preservation, and Collection Management 40 05g13zd79 Toronto Metropolitan University Almudena Escobar López is an independent curator, archivist, and researcher from Galicia, Spain, and an Assistant Professor on Film History, Film Preservation, and Collection Management at the School of Image Arts of the Toronto Metropolitan University. Her interdisciplinary research centers around documentary and artists’ moving image practices. 21 A01 Mariia Glazunova Mariia Glazunova Mariia Glazunova is a Ukrainian film archivist, scholar and communications director at the Oleksandr Dovzhenko Film Center in Kiyv, Ukraine. 22 A01 Ulrich Gregor Ulrich Gregor Ulrich Gregor is a film historian. Together with his wife Erika he founded Friends of the German Cinematheque in 1963, which would later become Arsenal – Institute for Film and Video Art. He taught at FU Berlin and the German Film and Television Academy Berlin and headed the International Forum for New Cinema at the Berlinale for many years. 23 A01 Olena Goncharuk Olena Goncharuk Olena Goncharuk is the director of the Oleksandr Dovzhenko Film Center in Kyiv, Ukraine. 24 A01 Karola Gramann Karola Gramann Karola Gramann is a German film scholar und critic. She curated film programs for various film festivals and headed the International Short Film Festival Oberhausen between 1985 and 1990. From 2006 until 2019 she was the artistic director for Kinothek Asta Nielsen Together with Heide Schlüpmann and Gaby Babić she founded the film festival Remake. Frankfurt Women's Film Days. 25 A01 Veena Hariharan Veena Hariharan Alexander von Humboldt Fellow 40 04cvxnb49 Goethe University Frankfurt Veena Hariharan is currently Alexander von Humboldt Fellow at the Department of Theater, Film and Media Studies at the Goethe Universität, Frankfurt. After completing her PhD in Cinema Studies from the University of Southern California, Los Angeles, USA, she taught at Jawaharlal Nehru University, New Delhi, India where she is Associate Professor at the School of Arts and Aesthetics. Her articles and chapters on non-fiction film, the environment and non-human animals have appeared in anthologies and journals. Her book, Embers of Reason: Contemporary Indian Documentary and the Secular Imagination is forthcoming from Cambridge University Press. 26 A01 Mohammad Shawky Hassan Mohammad Shawky Hassan Mohammad Shawky Hassan, a director, writer, cinematographer, and editor, explores the construction of personal identities and collective imaginaries, and their correlation with linguistic systems of popular culture. He also articulates critical approaches towards dominant narratives and histories that destabilize the semiotics of the spoken word and its place of speech, offering new narratives. 27 A01 Shai Heredia Shai Heredia Shai Heredia is a filmmaker, curator, and founding director of Experimenta, the influential moving image art biennial of India. She has curated film programs worldwide, including Berlinale’s Forum Expanded, Tate Modern, and was the programmer of the 65th Robert Flaherty Seminar. Her films co-directed with Shumona Goel I Am Micro and An Old Dog’s Diary have exhibited, among others, at Guggenheim Museum, Toronto International film festival and International Film Festival Rotterdam. 28 A01 Tobias Hering Tobias Hering Tobias Hering is a freelance curator living in Berlin and Mecklenburg, Germany. His work focuses on thematic film programs that deal with questions of image politics and the role of archives. Since 2011, Tobias Hering has been involved in the programming of the Kassel Dokfest. At the International Short Film Festival Oberhausen, he is head of the archive-based section re-selected. 29 A01 Grazia Ingravalle Grazia Ingravalle Lecturer 40 026zzn846 Queen Mary, University of London Grazia Ingravalle is lecturer in British and Minority Cinemas at Queen Mary University of London. Her research has concentrated on film museums, archives and cinémathèques, ranging from the BFI National Archive to the George Eastman Museum of Photography and Film in Rochester, NY. Her latest publication is Archival Film Curatorship. Early and Silent Cinema from Analog to Digital (Amsterdam University Press, 2023). 30 A01 Ritika Kaushik Ritika Kaushik Postdoctoral Researcher 40 04cvxnb49 Goethe University Frankfurt Ritika Kaushik is a postdoctoral researcher at the Graduiertenkolleg “Configurations of Film” at the Goethe University, Frankfurt. Her academic and videographic research focuses on the history, infrastructures, archives, and afterlives of state sponsored documentaries in India. She holds a PhD from the University of Chicago and an M.Phil from Jawaharlal Nehru University in Cinema Studies. 31 A01 Philipp Dominik Keidl Philipp Dominik Keidl Assistant Professor of Screen Media in Transition 40 04pp8hn57 Utrecht University Philipp Dominik Keidl is Assistant Professor of Screen Media in Transition at Utrecht University. He holds a PhD in Film and Moving Image Studies from Concordia University in Montreal and an MA in Preservation and Presentation of the Moving Image from the University of Amsterdam. 33 A01 Julita Pratiwi Julita Pratiwi 34 A01 Lisabona Rahman Lisabona Rahman 38 A01 Ivanna Khitsinska Ivanna Khitsinska Ivanna Khitsinska is a Ukrainian producer and festival manager. She is a member of Board of Ukrainian Film Academy and a founder of Quartos Group, as well as a producer at Babylon ‘13. She studied at National Academy of Fine Arts and Architecture (2010) and at Karpenko-Karyi Kyiv National University of Theater, Cinema, and Television (2022). 39 A01 Hieyoon Kim Hieyoon Kim Assistant Professor 40 01y2jtd41 University of Wisconsin-Madison Hieyoon Kim is Assistant Professor at the University of Wisconsin- Madison. She is the author of Celluloid Democracy: Cinema and Politics in Cold War South Korea (UC Press, 2023). Her most recent articles have appeared in Historical Journal of Film, Radio and Television, Journal of Cinema and Media Studies, Feminist Media Histories, and Journal of Asian Studies. 40 A01 Laura Kloeckner Laura Kloeckner Laura Kloeckner is a curator and researcher at SAVVY Contemporary where she is part of the participatory archive project RUSHES: Conversations Beyond the Spatial and the Temporal. 41 A01 Merle Kröger Merle Kröger Merle Kröger was a member of the group dogfilm from 1992 to 1999 and has been a member of pong film since 2001. As a writer, she works with Philip Scheffner on feature films such as Europe (2022). She has published five novels, most recently Die Experten (2021). These combine historical research and political analysis with elements of crime fiction. The digital archive The Fifth Wall, co-created with Mareike Bernien, was nominated for the Grimme Online Award in 2022. 42 A01 Asja Makarevic Asja Makarevic Post-doctoral Fellow 40 04cvxnb49 Goethe University Frankfurt Asja Makarevic holds a PhD in film studies from Goethe University Frankfurt, where she is now a post-doctoral fellow in the VWfunded project Aging and Gender in European cinema (https:// age-c.eu). Her work addresses the ongoing “post-war” condition of the former Yugoslav countries and concomitant emergence of “non-representational” images of war in post-Yugoslav film. 43 A01 Nils Meyn Nils Meyn Doctoral Candidate 40 04cvxnb49 Goethe University Frankfurt Nils Meyn is a film scholar with a master’s degree in Film Culture: Archiving, Programming, Presentation from Goethe University Frankfurt. They are managing the porn film collection at the Schwules Museum in Berlin. Since 2023 they have been a doctoral candidate in the DFG Research Training Program “Configurations of film” at Goethe University with a PhD project on queer archives and videotape cultures. 44 A01 Petna Ndaliko Katondolo Petna Ndaliko Katondolo Petna Ndaliko Katondolo is a filmmaker, activist, and educator. His multigenre artistic works are known for their decolonial Afrofuturistic artistic style, which engages historical content to address contemporary sociopolitical and cultural issues. In 2000 he co-founded Yole!Africa and in 2005 he founded the Salaam Kivu International Film Festival. Ndaliko Katondolo teaches and consults regularly for international organizations, addressing social and political inequity among marginalized groups through culture and education. 45 A01 21 0009000600154511 Rebecca Ohene-Asah Rebecca Ohene-Asah Rebecca Ohene-Asah studied for a master’s degree in Documentary Film Studies and Production at Hofstra University in Hempstead-New York, under a Fulbright fellowship. She holds a PhD degree in Museum and Heritage Studies from the University of Ghana-Legon. She is the co-founder and director of Benpaali Young Filmmakers Festival, which has mentored young people in filmmaking since 2015. She teaches courses in African film theory and documentary filmmaking at the National Film and Television Institute (NAFTI). 46 A01 21 0000000243037677 Volker Pantenburg Volker Pantenburg Professor for Film Studies 40 02crff812 University of Zurich Volker Pantenburg is professor for Film Studies at the University of Zürich. He has published on essayistic film and video practices, experimental cinema, and contemporary moving image installations. Book publications in English include Farocki/Godard. Film as Theory (2015), Cinematographic Objects. Things and Operations (2015, Editor) and Screen Dynamics. Mapping the Borders of Cinema (Co-Editor). In 2015, he co-founded the Harun Farocki Institut, a platform for researching Farocki’s visual and discursive practice and supporting new projects that engage with the past, present and the future of image cultures. 47 A01 Nikolaus Perneczky Nikolaus Perneczky Nikolaus Perneczky is a film scholar, critic and curator. His film critiques have been published in various outlets such as Perlentaucher. de. He is member of the collaborative research centre 626 on Aesthetic Experience and the Dissolution of Artistic Limits at FU Berlin where his research focuses on television series as an aesthetic form. 48 A01 Francesco Pitassio Francesco Pitassio Professor of Film Studies 40 05ht0mh31 University of Udine Francesco Pitassio is professor of Film Studies at the University of Udine. He has been Fulbright Distinguished Lecturer at the University of Notre Dame (2015) and Chaire Roger Odin at the Université Sorbonne Nouvelle (2021). Among his books are Ombre silenziose (2002), Attore/Divo (2003), Il cinema neorealista (with Paolo Noto, 2010), and Neorealist Film Culture, 1945–1954 (2019). 49 A01 Constanze Ruhm Constanze Ruhm Constanze Ruhm was born in Vienna in 1965. She studied at the University of Applied Arts Vienna, as well as the Institute for New Media at the Städelschule in Frankfurt am Main. Ruhm works as an artist, author and curator in the fields of film, video and installation. Since 1996, she teaches film and digital media at Austrian and international universities, including the Art Institute of Boston/Lesley University, as well as the Academy of Fine Arts Vienna since 2006. Ruhm lives in Vienna and Berlin. 50 A01 Heide Schlüpmann Heide Schlüpmann Heide Schlüpmann is a film scholar and curator. From 1991 until 2008 she was professor for film studies at Goethe University Frankfurt. She is a co-editor of the feminist film journal Frauen und Film and co-founder of the feminist Kinothek Asta Nielsen. Together with Karola Gramann and Gaby Babić she founded the film festival Remake. Frankfurt Women’s Film Days in 2018. 51 A01 Alexandra Schneider Alexandra Schneider Professor of Film and Media Studies 40 023b0x485 Johannes Gutenberg University Mainz Alexandra Schneider is Professor of Film and Media Studies at the Johannes Gutenberg-University Mainz. She is a co-founder of NECS—European Network for Cinema and Media Studies. She is a member of the DFG Research Training Group “Configurations of film” and works on questions of film historiographies, amateur media, and digital media cultures. In 2020, she co-edited Format Matters. Standards, Practices and Politics in Media Cultures (meson press) with Marek Jancovic and Axel Volmar. 52 A01 Girish Shambu Girish Shambu 40 01056ge55 Canisius College Girish Shambu is a scholar and film critic. He teaches at Canisius College in Buffalo, New York and is editor of Film Quarterly’s online column Quorum. 53 A01 21 0000000163269558 Marc Siegel Marc Siegel Professor of Film Studies 40 023b0x485 Johannes Gutenberg University Mainz Marc Siegel is Professor of Film Studies at the Johannes Gutenberg University in Mainz. His research focuses on experimental film and gender/queer studies. He also works as a freelance curator and has co-curated, among other events, the festival, publication and exhibition project Edit Film Culture! (2018), as well as Camp/Anti-Camp. A Queer Guide to Everyday Life (2012). He is a member of the Academy of the Arts of the World in Cologne and co-founder of the artist collective CHEAP. 54 A01 Can Sungu Can Sungu Can Sungu is a freelance artist, curator and researcher. He is co-founder and artistic director of bi‘bak and Sinema Transtopia in Berlin. He studied film, interdisciplinary arts and visual communication design in Istanbul and Berlin. He gave lectures on film and video production, curated various programs and events on film and migration, and took part in numerous exhibitions. He is co-editor of Bitte zurückspulen – German-Turkish Film and Video Culture in Berlin (Archive Books, 2020). As juror and consultant he has worked for the Berlinale Forum, International Short Film Festival Oberhausen, Duisburger Filmwoche and the DAAD Artistsin- Berlin Program, among others. Since 2023 he is curator for filmic practices at HKW in Berlin. 55 A01 Clarissa Thieme Clarissa Thieme Clarissa Thieme is a filmmaker and artist combining documentary and fictional methods to explore the fissures between the languages of individual memory and their translation into processes of historical objectification. In collaboration with the Library Hamdija Kreševljaković Video Arhiv and the UnWar Space Lab, she has developed [ˌɑːkɪˈpeləɡəʊ]—a trans-national archival platform for public space first to be launched in the Post-Yugoslav context. 56 A01 Mila Turajlić Mila Turajlić Mila Turajlić, born in Belgrade, Yugoslavia, is a filmmaker and visual artist whose documentary works draw on a combination of oral histories, film archives and found footage to fabricate a new reflexive language that confronts memory and ruins with the disappearing narratives of history. Her films include Cinema Komunisto, IDFA-winner The Other Side of Everything and the documentary diptych Non-aligned & Ciné-Guerrillas: Scenes from the Labudović Reels. Her video installations were commissioned by MoMA, curated for the 2022 Berlin Biennale and international exhibitions. She is a member of AMPAS (Oscars) Documentary Branch, and a Chevalier des Arts et des Lettres. 57 A01 Ravi Vasudevan Ravi Vasudevan Ravi Vasudevan is a film and media historian. With Ravi Sundaram, Vasudevan directs Sarai, the media research programme of the Centre for the Study of Developing Societies. He co-founded Bioscope: South Asian Screen Studies, and is a coordinator of the media module of the International Centre for Advanced Studies: Metamorphoses of the Political (ICAS:MP). 58 A01 Simone Venturini Simone Venturini Full Professor 40 05ht0mh31 University of Udine Simone Venturini is a full professor at the University of Udine, one of the founders of its La Camera Ottica lab, and the coordinator of the Udine Film Forum. His research areas include cinema history, film preservation, media archaeology, and production studies. 59 A01 Ala Younis Ala Younis Ala Younis is an artist working on curatorial, film and publishing projects. She curated Kuwait’s pavilion at La Biennale di Venezia (2013), co-curated the Singapore Biennale in 2022, and co-founded the publishing initiative Kayfa ta in 2012. She is co-director of Berlinale’s Forum Expanded, Artistic Director of Akademie der Kunst der Welt (Cologne), and Research Scholar at al Mawrid Arab Center for the Study of Art, at NYU Abu Dhabi. 01 eng 00 492 03 93 ATFA 04 P87-96 10 PER004030 93 GLP 10 LAN025020 93 JBCT 10 SOC052000 93 JPW 20 activism; pandemic; cinema; digitality; archivism; media ecology; repositories 01 06 02 00 In the digital media ecology, archives are changing. Artists, curators, critics and scholars assume the role of accidental archivists. They shape cinema’s futures by salvaging precarious repositories and making them matter in new ways. In the process, the cinema’s public, a democratic body seemingly scattered about platforms and niches in a p 03 00 In the digital media ecology, archives are changing. Artists, curators, critics and scholars assume the role of accidental archivists. They shape cinema’s futures by salvaging precarious repositories and making them matter in new ways. In the process, the cinema’s public, a democratic body seemingly scattered about platforms and niches in a post-pandemic world, re-emerges as a political force.Accidental Archivism brings together programmatic statements and proposals to explore an artistic space between archiving and activism, a space where remnants of the past become the building blocks of new ways of making, showing, teaching and thinking cinema. 30 00 In the digital media ecology, archives are changing. Artists, curators, critics and scholars assume the role of accidental archivists. They shape cinema’s futures by salvaging precarious repositories and making them matter in new ways. In the process, the cinema’s public, a democratic body seemingly scattered about platforms and niches in a post-pandemic world, re-emerges as a political force.Accidental Archivism brings together programmatic statements and proposals to explore an artistic space between archiving and activism, a space where remnants of the past become the building blocks of new ways of making, showing, teaching and thinking cinema. 20 00 Open Access 01 00 03 02 This is the cover of the book Accidental Archivism. 02 https://meson.press/wp-content/uploads/2023/05/mp_Accidental_Archivism_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/accidental-archivism/ 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Graduiertenkolleg 01 projectname GRK 2279: Konfigurationen des Films 01 projectshortname Konfigurationen des Films 01 grantnumber 310565625 Lüneburg 04 01 20231222 Stefanie Schulte Strathaus and Vinzenz Hediger 02 WORLD 06 15 9783957960542 03 9783957960542 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/accidental-archivism/ 20 08 20231222 01 urn:uuid:8b5e8797-1996-497c-84ad-65d999211e57 03 01 01 thoth-work-id urn:uuid:f696445f-8a9f-4ab2-95d2-3f222b83b37b 01 thoth-publication-id urn:uuid:8b5e8797-1996-497c-84ad-65d999211e57 15 9783957960542 03 9783957960542 06 10.14619/0535 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 4433718b-565b-4e98-b1ef-43519635928f 02 00000009 01 Series URL https://meson.press/series-page/configurations-of-film 03 8 01 02 Configurations of Film 01 01 Accidental Archivism Shaping Cinema’s Futures with Remnants of the Past 1 B01 Stefanie Schulte Strathaus Stefanie Schulte Strathaus Stefanie Schulte Strathaus is the artistic director of Arsenal – Institute for Film and Video Art in Berlin. From 2001 to 2019 she was a member of the selection committee of the Berlinale Forum. From 2006 to 2020 she was the founding director of the Berlinale section Forum Expanded. She curated film exhibitions, such as “LIVE FILM! JACK SMITH! Five Flaming Days in A Rented World” (2009, with Susanne Sachsse and Marc Siegel), „A Paradise Built in Hell“ (2014, with Bettina Steinbrügge), and “From Behind the Screen” (2018), as well as research and exhibition projects such as “Living Archive – Archive Work as a Contemporary Artistic and Curatorial Practice“ (2010–2013) and “Archive außer sich” (2017–2022). In 2021 she launched the biennial festival “Archival Assembly“. Her work is dealing with the intersections of film restoration, exhibition and distribution, focussing on collaborative and decolonial thinking and practice. Schulte Strathaus is serving on the boards of the Harun Farocki Institut and the Master program Film Culture at the University in Jos/Nigeria. 2 B01 21 0000000234552423 Vinzenz Hediger Vinzenz Hediger Professor of Cinema Studies 40 04cvxnb49 Goethe University Frankfurt Vinzenz Hediger is Professor of Cinema Studies at Goethe Universität Frankfurt, where he directs the DFG Research Training Program „Configurations of film“ (www.konfigurationen-des-films.de) and the area studies project CEDITRAA – Cultural Entrepreneurship and Digital Transformation in Africa and Asia (www.ceditraa. net). He is a co-director of GU’s research center ConTrust – Trust and Conflict under Conditions of Uncertainty. His research covers film theory, film and media history, documentary forms, and organizational media and supply studies. 3 A01 Añulika Agina Añulika Agina Associate Professor of Media Studies 40 02tythz78 Pan-Atlantic University Añulika Agina is an Associate Professor of Media Studies at the Pan-Atlantic University Lagos researching Nigerian film and cinema-going cultures. Funded by the European Research Council in 2019, she joined the Screen Worlds project at SOAS University of London as a Postdoctoral Research Fellow to investigate Nigerian screen cultures, which led to the production of a documentary on film exhibition titled Behind my Nollywood Screen (2022). 4 A01 Hadi Alipanah Hadi Alipanah Hadi Alipanah is an Iranian film critic and journalist. He is the founder and director of FiDAN—Iranian short film magazine. 5 A01 Gaby Babić Gaby Babić Gaby Babić is a film scholar, curator and programmer. Between 2010 and 2016 she worked as artistic director for goEast – Festival of Central and Eastern European Film. She joined Kinothek Asta Nielsen in 2018 and has been its sole artistic director since 2020. Together with Heide Schlüpmann and Karola Gramann she founded the film festival Remake. Frankfurt Women's Film Days. 6 A01 Lynhan Balatbat-Helbock Lynhan Balatbat-Helbock Lynhan Balatbat-Helbock is a curator and researcher at SAVVY Contemporary where she is part of the participatory archive project Colonial Neighbours. She received her MA in Postcolonial Cultures and Global Policy at Goldsmiths University of London. In her work within the permanent collection of SAVVY Contemporary she looks for colonial traces that are manifested in our present. Lately co-curated the yearlong research and exhibition program HERE HISTORY BEGAN. TRACING THE RE/VERBERATIONS OF HALIM EL-DABH (2020–2021). 7 A01 21 0000000178072010 Erika Balsom Erika Balsom Reader 40 0220mzb33 King's College London Erika Balsom is a scholar and critic based in London, working on cinema, art, and their intersection. She is Reader in Film Studies at King’s College London and holds a PhD in Modern Culture and Media from Brown University. She curated various exhibitions such as the recent “No Master Territories: Feminist Worldmaking and the Moving Image” (2022) together with Hila Peleg. 8 A01 Marie Sophie Beckmann Marie Sophie Beckmann Postdoctoral Research and Teaching Associate 40 033n9gh91 University of Oldenburg Marie Sophie Beckmann is a Postdoctoral Research and Teaching Associate at the Institute for Art and Visual Culture at Carl von Ossietzky University Oldenburg. She completed her doctorate in 2021 as part of the DFG Research Training Program “Configurations of Film” at Goethe University Frankfurt. 9 A01 Mareike Bernien Mareike Bernien Mareike Bernien lives in Berlin and works as a filmmaker and lecturer in the field of film research and critical archival practices. A research-based approach determines her work, in which questions of memory politics and media archaeology are negotiated. Her most recent works include: Sun Under Ground (2022) and Depth of Field (2017), both co-directed with Alex Gerbaulet. Since 2018 she has been part of the production platform pong film and works there, amongst others, with Merle Kröger on the archival project The Fifth Wall. 10 A01 Amrita Biswas Amrita Biswas PhD Candidate 40 04cvxnb49 Goethe University Frankfurt Amrita Biswas is a PhD candidate in the DFG Research Training Program “Configurations of film” at Goethe University Frankfurt. Her work has been published in Studies in South Asian Film and Media and Pandemic Media: Notes Toward an Inventory. She was awarded the Erasmus Plus fellowship for conducting research in the department of Cultural Anthropology at Georg-August University, Göttingen. 11 A01 Sema Çakmak Sema Çakmak PhD Candidate 40 04cvxnb49 Goethe University Frankfurt Sema Çakmak is a PhD candidate in the Graduiertenkolleg “Configurations of Film” at the Goethe University, Frankfurt. She studied theater and media studies, and French studies at the Friedrich-Alexander University of Erlangen-Nürnberg and cinema studies at the University Aix-Marseille. She graduated in theInternational Program in Audiovisual and Cinema Studies (IMACS) and completed her M.A. at the Goethe University, Frankfurt, the University Sorbonne Nouvelle Paris 3, and the University of Liège. Her main research interests are queer cinema, festival studies and political film cultures. 12 A01 21 0009000324704790 Sonia Campanini Sonia Campanini 40 04cvxnb49 Goethe University Frankfurt Sonia Campanini is a film scholar and researcher in film archiving, curating, and global film cultures at Goethe University Frankfurt. As Assistant Professor of Film Culture from 2015 to 2022 she directed the master’s program “Film Culture: Archiving, Programming, Presentation” at the same university. Her present project is titled Remaking Nollywood: Circulation Networks, Memory Constructions and Women Filmmaking. 13 A01 21 0000000323795777 Erica Carter Erica Carter Professor of German 40 0220mzb33 King's College London Erica Carter is professor of German at King’s College, London. She is also the co-founder of the German Screen Studies Network. Her publications on include How German is She? Postwar West German Reconstruction and the Consuming Woman (1997), Dietrich’s Ghosts: The Sublime and the Beautiful in Third Reich Film (2004), Béla Balázs: Early Film Theory (2010), and the recently published second edition of the German Cinema Book (Bergfelder, Carter & Göktürk, 2020). 14 A01 21 0000000275224813 Özge Çelikaslan Özge Çelikaslan Özge Çelikaslan is a media scholar, videographer and archivist. Her works focus on the politics of image, archival networks and digital commons. She completed her doctoral studies at the Braunschweig University of Art, Institute of Media Studies. She is co-founder of the social movements archive bak.ma. 15 A01 Filipa César Filipa César Filipa César is an artist and filmmaker interested in the fictional aspects of the documentary and the politics and poetics inherent to moving image. Since 2011, César has been looking into the imaginaries of Guinea-Bissau’s Liberation Movement and its cognitive potencies, developing that research into the ongoing collective project Luta ca caba inda (the struggle is not over yet). Her work is widely shown in solo and group exhibitions, biennials, and festivals, such as the Berlinale Forum. She lives and works in Berlin. 16 A01 Didi Cheeka Didi Cheeka Didi Cheeka is a Nigerian filmmaker and film critic. He is the editor of the Lagos Film Review and co-founder and curator of the Lagos Film Society—an alternative cinema centre dedicated to establishing Nigeria’s first arthouse cinema. He also serves as the artistic director of the Decasia Festival, which he founded in collaboration with the Arsenal Institute for Film and Video Art in Berlin. 17 A01 Vaginal Davis Vaginal Davis Vaginal Davis is a performing artist, painter, independent curator, composer, filmmaker and writer. She has been living in Berlin since 2006. 18 A01 Madhusree Dutta Madhusree Dutta Madhusree Dutta is a filmmaker, curator, and author who works from Mumbai and Berlin/Cologne. She prefers to call herself a cultural producer. She was the executive director of Majlis Culture Centre in Mumbai (1990–2016) and artistic director of Academy of the Arts of the World (ADKDW) in Cologne, Germany (2018–2021). She has initiated several public art and archive projects within, and also outside, Majlis and ADKDW. 19 A01 Tamer El Said Tamer El Said Tamer El Said is a filmmaker and producer based in Berlin and Cairo, with an extensive filmography of 17 films that have received numerous regional and international awards. In 2007, he founded Zero Production to produce independent films in Egypt. In 2011, he co-founded Cimatheque—Alternative Film Centre in Cairo, a multi-purpose space that offers facilities, training, and programming for the independent filmmaking community. His debut feature-length film, Akher ayam el madina (eng. In the Last Days of the City), premiered at the Forum 2016, where it received the Caligari Film Prize. 20 A01 21 0000000318867166 Almudena Escobar López Almudena Escobar López Assistant Professor on Film History, Film Preservation, and Collection Management 40 05g13zd79 Toronto Metropolitan University Almudena Escobar López is an independent curator, archivist, and researcher from Galicia, Spain, and an Assistant Professor on Film History, Film Preservation, and Collection Management at the School of Image Arts of the Toronto Metropolitan University. Her interdisciplinary research centers around documentary and artists’ moving image practices. 21 A01 Mariia Glazunova Mariia Glazunova Mariia Glazunova is a Ukrainian film archivist, scholar and communications director at the Oleksandr Dovzhenko Film Center in Kiyv, Ukraine. 22 A01 Ulrich Gregor Ulrich Gregor Ulrich Gregor is a film historian. Together with his wife Erika he founded Friends of the German Cinematheque in 1963, which would later become Arsenal – Institute for Film and Video Art. He taught at FU Berlin and the German Film and Television Academy Berlin and headed the International Forum for New Cinema at the Berlinale for many years. 23 A01 Olena Goncharuk Olena Goncharuk Olena Goncharuk is the director of the Oleksandr Dovzhenko Film Center in Kyiv, Ukraine. 24 A01 Karola Gramann Karola Gramann Karola Gramann is a German film scholar und critic. She curated film programs for various film festivals and headed the International Short Film Festival Oberhausen between 1985 and 1990. From 2006 until 2019 she was the artistic director for Kinothek Asta Nielsen Together with Heide Schlüpmann and Gaby Babić she founded the film festival Remake. Frankfurt Women's Film Days. 25 A01 Veena Hariharan Veena Hariharan Alexander von Humboldt Fellow 40 04cvxnb49 Goethe University Frankfurt Veena Hariharan is currently Alexander von Humboldt Fellow at the Department of Theater, Film and Media Studies at the Goethe Universität, Frankfurt. After completing her PhD in Cinema Studies from the University of Southern California, Los Angeles, USA, she taught at Jawaharlal Nehru University, New Delhi, India where she is Associate Professor at the School of Arts and Aesthetics. Her articles and chapters on non-fiction film, the environment and non-human animals have appeared in anthologies and journals. Her book, Embers of Reason: Contemporary Indian Documentary and the Secular Imagination is forthcoming from Cambridge University Press. 26 A01 Mohammad Shawky Hassan Mohammad Shawky Hassan Mohammad Shawky Hassan, a director, writer, cinematographer, and editor, explores the construction of personal identities and collective imaginaries, and their correlation with linguistic systems of popular culture. He also articulates critical approaches towards dominant narratives and histories that destabilize the semiotics of the spoken word and its place of speech, offering new narratives. 27 A01 Shai Heredia Shai Heredia Shai Heredia is a filmmaker, curator, and founding director of Experimenta, the influential moving image art biennial of India. She has curated film programs worldwide, including Berlinale’s Forum Expanded, Tate Modern, and was the programmer of the 65th Robert Flaherty Seminar. Her films co-directed with Shumona Goel I Am Micro and An Old Dog’s Diary have exhibited, among others, at Guggenheim Museum, Toronto International film festival and International Film Festival Rotterdam. 28 A01 Tobias Hering Tobias Hering Tobias Hering is a freelance curator living in Berlin and Mecklenburg, Germany. His work focuses on thematic film programs that deal with questions of image politics and the role of archives. Since 2011, Tobias Hering has been involved in the programming of the Kassel Dokfest. At the International Short Film Festival Oberhausen, he is head of the archive-based section re-selected. 29 A01 Grazia Ingravalle Grazia Ingravalle Lecturer 40 026zzn846 Queen Mary, University of London Grazia Ingravalle is lecturer in British and Minority Cinemas at Queen Mary University of London. Her research has concentrated on film museums, archives and cinémathèques, ranging from the BFI National Archive to the George Eastman Museum of Photography and Film in Rochester, NY. Her latest publication is Archival Film Curatorship. Early and Silent Cinema from Analog to Digital (Amsterdam University Press, 2023). 30 A01 Ritika Kaushik Ritika Kaushik Postdoctoral Researcher 40 04cvxnb49 Goethe University Frankfurt Ritika Kaushik is a postdoctoral researcher at the Graduiertenkolleg “Configurations of Film” at the Goethe University, Frankfurt. Her academic and videographic research focuses on the history, infrastructures, archives, and afterlives of state sponsored documentaries in India. She holds a PhD from the University of Chicago and an M.Phil from Jawaharlal Nehru University in Cinema Studies. 31 A01 Philipp Dominik Keidl Philipp Dominik Keidl Assistant Professor of Screen Media in Transition 40 04pp8hn57 Utrecht University Philipp Dominik Keidl is Assistant Professor of Screen Media in Transition at Utrecht University. He holds a PhD in Film and Moving Image Studies from Concordia University in Montreal and an MA in Preservation and Presentation of the Moving Image from the University of Amsterdam. 33 A01 Julita Pratiwi Julita Pratiwi 34 A01 Lisabona Rahman Lisabona Rahman 38 A01 Ivanna Khitsinska Ivanna Khitsinska Ivanna Khitsinska is a Ukrainian producer and festival manager. She is a member of Board of Ukrainian Film Academy and a founder of Quartos Group, as well as a producer at Babylon ‘13. She studied at National Academy of Fine Arts and Architecture (2010) and at Karpenko-Karyi Kyiv National University of Theater, Cinema, and Television (2022). 39 A01 Hieyoon Kim Hieyoon Kim Assistant Professor 40 01y2jtd41 University of Wisconsin-Madison Hieyoon Kim is Assistant Professor at the University of Wisconsin- Madison. She is the author of Celluloid Democracy: Cinema and Politics in Cold War South Korea (UC Press, 2023). Her most recent articles have appeared in Historical Journal of Film, Radio and Television, Journal of Cinema and Media Studies, Feminist Media Histories, and Journal of Asian Studies. 40 A01 Laura Kloeckner Laura Kloeckner Laura Kloeckner is a curator and researcher at SAVVY Contemporary where she is part of the participatory archive project RUSHES: Conversations Beyond the Spatial and the Temporal. 41 A01 Merle Kröger Merle Kröger Merle Kröger was a member of the group dogfilm from 1992 to 1999 and has been a member of pong film since 2001. As a writer, she works with Philip Scheffner on feature films such as Europe (2022). She has published five novels, most recently Die Experten (2021). These combine historical research and political analysis with elements of crime fiction. The digital archive The Fifth Wall, co-created with Mareike Bernien, was nominated for the Grimme Online Award in 2022. 42 A01 Asja Makarevic Asja Makarevic Post-doctoral Fellow 40 04cvxnb49 Goethe University Frankfurt Asja Makarevic holds a PhD in film studies from Goethe University Frankfurt, where she is now a post-doctoral fellow in the VWfunded project Aging and Gender in European cinema (https:// age-c.eu). Her work addresses the ongoing “post-war” condition of the former Yugoslav countries and concomitant emergence of “non-representational” images of war in post-Yugoslav film. 43 A01 Nils Meyn Nils Meyn Doctoral Candidate 40 04cvxnb49 Goethe University Frankfurt Nils Meyn is a film scholar with a master’s degree in Film Culture: Archiving, Programming, Presentation from Goethe University Frankfurt. They are managing the porn film collection at the Schwules Museum in Berlin. Since 2023 they have been a doctoral candidate in the DFG Research Training Program “Configurations of film” at Goethe University with a PhD project on queer archives and videotape cultures. 44 A01 Petna Ndaliko Katondolo Petna Ndaliko Katondolo Petna Ndaliko Katondolo is a filmmaker, activist, and educator. His multigenre artistic works are known for their decolonial Afrofuturistic artistic style, which engages historical content to address contemporary sociopolitical and cultural issues. In 2000 he co-founded Yole!Africa and in 2005 he founded the Salaam Kivu International Film Festival. Ndaliko Katondolo teaches and consults regularly for international organizations, addressing social and political inequity among marginalized groups through culture and education. 45 A01 21 0009000600154511 Rebecca Ohene-Asah Rebecca Ohene-Asah Rebecca Ohene-Asah studied for a master’s degree in Documentary Film Studies and Production at Hofstra University in Hempstead-New York, under a Fulbright fellowship. She holds a PhD degree in Museum and Heritage Studies from the University of Ghana-Legon. She is the co-founder and director of Benpaali Young Filmmakers Festival, which has mentored young people in filmmaking since 2015. She teaches courses in African film theory and documentary filmmaking at the National Film and Television Institute (NAFTI). 46 A01 21 0000000243037677 Volker Pantenburg Volker Pantenburg Professor for Film Studies 40 02crff812 University of Zurich Volker Pantenburg is professor for Film Studies at the University of Zürich. He has published on essayistic film and video practices, experimental cinema, and contemporary moving image installations. Book publications in English include Farocki/Godard. Film as Theory (2015), Cinematographic Objects. Things and Operations (2015, Editor) and Screen Dynamics. Mapping the Borders of Cinema (Co-Editor). In 2015, he co-founded the Harun Farocki Institut, a platform for researching Farocki’s visual and discursive practice and supporting new projects that engage with the past, present and the future of image cultures. 47 A01 Nikolaus Perneczky Nikolaus Perneczky Nikolaus Perneczky is a film scholar, critic and curator. His film critiques have been published in various outlets such as Perlentaucher. de. He is member of the collaborative research centre 626 on Aesthetic Experience and the Dissolution of Artistic Limits at FU Berlin where his research focuses on television series as an aesthetic form. 48 A01 Francesco Pitassio Francesco Pitassio Professor of Film Studies 40 05ht0mh31 University of Udine Francesco Pitassio is professor of Film Studies at the University of Udine. He has been Fulbright Distinguished Lecturer at the University of Notre Dame (2015) and Chaire Roger Odin at the Université Sorbonne Nouvelle (2021). Among his books are Ombre silenziose (2002), Attore/Divo (2003), Il cinema neorealista (with Paolo Noto, 2010), and Neorealist Film Culture, 1945–1954 (2019). 49 A01 Constanze Ruhm Constanze Ruhm Constanze Ruhm was born in Vienna in 1965. She studied at the University of Applied Arts Vienna, as well as the Institute for New Media at the Städelschule in Frankfurt am Main. Ruhm works as an artist, author and curator in the fields of film, video and installation. Since 1996, she teaches film and digital media at Austrian and international universities, including the Art Institute of Boston/Lesley University, as well as the Academy of Fine Arts Vienna since 2006. Ruhm lives in Vienna and Berlin. 50 A01 Heide Schlüpmann Heide Schlüpmann Heide Schlüpmann is a film scholar and curator. From 1991 until 2008 she was professor for film studies at Goethe University Frankfurt. She is a co-editor of the feminist film journal Frauen und Film and co-founder of the feminist Kinothek Asta Nielsen. Together with Karola Gramann and Gaby Babić she founded the film festival Remake. Frankfurt Women’s Film Days in 2018. 51 A01 Alexandra Schneider Alexandra Schneider Professor of Film and Media Studies 40 023b0x485 Johannes Gutenberg University Mainz Alexandra Schneider is Professor of Film and Media Studies at the Johannes Gutenberg-University Mainz. She is a co-founder of NECS—European Network for Cinema and Media Studies. She is a member of the DFG Research Training Group “Configurations of film” and works on questions of film historiographies, amateur media, and digital media cultures. In 2020, she co-edited Format Matters. Standards, Practices and Politics in Media Cultures (meson press) with Marek Jancovic and Axel Volmar. 52 A01 Girish Shambu Girish Shambu 40 01056ge55 Canisius College Girish Shambu is a scholar and film critic. He teaches at Canisius College in Buffalo, New York and is editor of Film Quarterly’s online column Quorum. 53 A01 21 0000000163269558 Marc Siegel Marc Siegel Professor of Film Studies 40 023b0x485 Johannes Gutenberg University Mainz Marc Siegel is Professor of Film Studies at the Johannes Gutenberg University in Mainz. His research focuses on experimental film and gender/queer studies. He also works as a freelance curator and has co-curated, among other events, the festival, publication and exhibition project Edit Film Culture! (2018), as well as Camp/Anti-Camp. A Queer Guide to Everyday Life (2012). He is a member of the Academy of the Arts of the World in Cologne and co-founder of the artist collective CHEAP. 54 A01 Can Sungu Can Sungu Can Sungu is a freelance artist, curator and researcher. He is co-founder and artistic director of bi‘bak and Sinema Transtopia in Berlin. He studied film, interdisciplinary arts and visual communication design in Istanbul and Berlin. He gave lectures on film and video production, curated various programs and events on film and migration, and took part in numerous exhibitions. He is co-editor of Bitte zurückspulen – German-Turkish Film and Video Culture in Berlin (Archive Books, 2020). As juror and consultant he has worked for the Berlinale Forum, International Short Film Festival Oberhausen, Duisburger Filmwoche and the DAAD Artistsin- Berlin Program, among others. Since 2023 he is curator for filmic practices at HKW in Berlin. 55 A01 Clarissa Thieme Clarissa Thieme Clarissa Thieme is a filmmaker and artist combining documentary and fictional methods to explore the fissures between the languages of individual memory and their translation into processes of historical objectification. In collaboration with the Library Hamdija Kreševljaković Video Arhiv and the UnWar Space Lab, she has developed [ˌɑːkɪˈpeləɡəʊ]—a trans-national archival platform for public space first to be launched in the Post-Yugoslav context. 56 A01 Mila Turajlić Mila Turajlić Mila Turajlić, born in Belgrade, Yugoslavia, is a filmmaker and visual artist whose documentary works draw on a combination of oral histories, film archives and found footage to fabricate a new reflexive language that confronts memory and ruins with the disappearing narratives of history. Her films include Cinema Komunisto, IDFA-winner The Other Side of Everything and the documentary diptych Non-aligned & Ciné-Guerrillas: Scenes from the Labudović Reels. Her video installations were commissioned by MoMA, curated for the 2022 Berlin Biennale and international exhibitions. She is a member of AMPAS (Oscars) Documentary Branch, and a Chevalier des Arts et des Lettres. 57 A01 Ravi Vasudevan Ravi Vasudevan Ravi Vasudevan is a film and media historian. With Ravi Sundaram, Vasudevan directs Sarai, the media research programme of the Centre for the Study of Developing Societies. He co-founded Bioscope: South Asian Screen Studies, and is a coordinator of the media module of the International Centre for Advanced Studies: Metamorphoses of the Political (ICAS:MP). 58 A01 Simone Venturini Simone Venturini Full Professor 40 05ht0mh31 University of Udine Simone Venturini is a full professor at the University of Udine, one of the founders of its La Camera Ottica lab, and the coordinator of the Udine Film Forum. His research areas include cinema history, film preservation, media archaeology, and production studies. 59 A01 Ala Younis Ala Younis Ala Younis is an artist working on curatorial, film and publishing projects. She curated Kuwait’s pavilion at La Biennale di Venezia (2013), co-curated the Singapore Biennale in 2022, and co-founded the publishing initiative Kayfa ta in 2012. She is co-director of Berlinale’s Forum Expanded, Artistic Director of Akademie der Kunst der Welt (Cologne), and Research Scholar at al Mawrid Arab Center for the Study of Art, at NYU Abu Dhabi. 01 eng 00 492 03 93 ATFA 04 P87-96 10 PER004030 93 GLP 10 LAN025020 93 JBCT 10 SOC052000 93 JPW 20 activism; pandemic; cinema; digitality; archivism; media ecology; repositories 01 06 02 00 In the digital media ecology, archives are changing. Artists, curators, critics and scholars assume the role of accidental archivists. They shape cinema’s futures by salvaging precarious repositories and making them matter in new ways. In the process, the cinema’s public, a democratic body seemingly scattered about platforms and niches in a p 03 00 In the digital media ecology, archives are changing. Artists, curators, critics and scholars assume the role of accidental archivists. They shape cinema’s futures by salvaging precarious repositories and making them matter in new ways. In the process, the cinema’s public, a democratic body seemingly scattered about platforms and niches in a post-pandemic world, re-emerges as a political force.Accidental Archivism brings together programmatic statements and proposals to explore an artistic space between archiving and activism, a space where remnants of the past become the building blocks of new ways of making, showing, teaching and thinking cinema. 30 00 In the digital media ecology, archives are changing. Artists, curators, critics and scholars assume the role of accidental archivists. They shape cinema’s futures by salvaging precarious repositories and making them matter in new ways. In the process, the cinema’s public, a democratic body seemingly scattered about platforms and niches in a post-pandemic world, re-emerges as a political force.Accidental Archivism brings together programmatic statements and proposals to explore an artistic space between archiving and activism, a space where remnants of the past become the building blocks of new ways of making, showing, teaching and thinking cinema. 20 00 Open Access 01 00 03 02 This is the cover of the book Accidental Archivism. 02 https://meson.press/wp-content/uploads/2023/05/mp_Accidental_Archivism_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/accidental-archivism/ 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Graduiertenkolleg 01 projectname GRK 2279: Konfigurationen des Films 01 projectshortname Konfigurationen des Films 01 grantnumber 310565625 Lüneburg 04 01 20231222 Stefanie Schulte Strathaus and Vinzenz Hediger 02 WORLD 06 15 9783957960535 03 9783957960535 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88705 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/88705/978-3-95796-054-2_Accidental_Archivism.pdf?sequence=1&isAllowed=y 20 08 20231222 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/accidental-archivism/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2023/05/978-3-95796-054-2_Accidental_Archivism.pdf 20 08 20231222 01 urn:uuid:cdfe79ad-6fcb-4d3e-8804-161ef1dbda21 03 01 01 thoth-work-id urn:uuid:8b907071-1f79-49b1-98b2-0fed337e063a 01 thoth-publication-id urn:uuid:cdfe79ad-6fcb-4d3e-8804-161ef1dbda21 15 9783957961525 03 9783957961525 06 10.14619/152-5 00 EB E107 10 Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). 02 https://creativecommons.org/licenses/by-nc/4.0/ 10 01 Series ID d8c7752c-9550-4d6a-883a-a7a3ee820962 02 00000007 01 Series URL https://meson.press/series-page/in-search-of-media 03 8 01 02 In Search of Media 01 01 Action at a Distance 1 A01 John Durham Peters John Durham Peters María Rosa Menocal Professor of English 40 03v76x132 Yale University Professor of Film and Media Studies 40 03v76x132 Yale University John Durham Peters is the María Rosa Menocal Professor of English and professor of film and media studies at Yale University. He is the author of Speaking into the Air: A History of the Idea of Communication, Courting the Abyss: Free Speech and the Liberal Tradition, and most recently Promiscuous Knowledge: Information, Image, and Other Truth Games in History (with the late Kenneth Cmiel). 2 A01 21 0000000252258711 Florian Sprenger Florian Sprenger Professor of Virtual Humanities 40 04tsk2644 Ruhr University Bochum Florian Sprenger is professor of virtual humanities at Ruhr-Universität Bochum and author of Politics of Micro-Decisions: Edward Snowden, Net Neutrality, and the Architectures of the Internet. 06 Own website http://www.floriansprenger.com/ 3 A01 Christina Vagt Christina Vagt Assistant Professor of European Media Studies 40 00pjdza24 University of California Christina Vagt is assistant professor of European media studies in the Department of Germanic and Slavic Studies, University of California, Santa Barbara. She is author of Geschickte Sprünge: Physik und Medium bei Martin Heidegger. 01 eng 00 94 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 10 COM043000 04 T58.5-58.64 93 UT 12 UT 12 UYM 93 UYM 20 Materiality; Transmission; Mediality 01 06 02 00 The mediality of transmission and the materiality of communication result today more than ever in “acting at a distance” – an action whose agency lies in a medium. This book provides an overview into this crucial phenomenon, thereby introducing urgent questions of human interaction, the binding and breaking of time and space, and the entangle 03 00 The mediality of transmission and the materiality of communication result today more than ever in “acting at a distance” – an action whose agency lies in a medium. This book provides an overview into this crucial phenomenon, thereby introducing urgent questions of human interaction, the binding and breaking of time and space, and the entanglement of the material and the immaterial. Three vivid inquiries deal with histories and theories of mediality and materiality. 30 00 The mediality of transmission and the materiality of communication result today more than ever in “acting at a distance” – an action whose agency lies in a medium. This book provides an overview into this crucial phenomenon, thereby introducing urgent questions of human interaction, the binding and breaking of time and space, and the entanglement of the material and the immaterial. Three vivid inquiries deal with histories and theories of mediality and materiality. 20 00 Open Access 01 00 03 02 This is the cover of the book Action at a Distance. 02 https://meson.press/wp-content/uploads/2020/08/Action-at-a-Distance.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/action-at-a-distance 16 40 0213rcc28 32 10.13039/501100004326 Simon Fraser University 01 programname Canada 150 Research Chairs Program Lüneburg 04 01 20200814 John Durham Peters Florian Sprenger Christina Vagt 02 WORLD WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/49998 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/49998/9783957961525.pdf 20 08 20200814 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/action-at-a-distance/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2020/08/978-3-95796-152-5-Action-at-a-Distance.pdf 20 08 20200814 01 urn:uuid:e6f8356c-2813-4678-a01e-f31ccd06b8ea 03 01 01 thoth-work-id urn:uuid:9f3d4c12-64dd-4156-8c8c-ca8faf135ca4 01 thoth-publication-id urn:uuid:e6f8356c-2813-4678-a01e-f31ccd06b8ea 15 9783957961808 03 9783957961808 06 10.14619/1808 00 BC 10 01 234 mm 01 23.4 cm 01 9.21 in 02 156 mm 02 15.6 cm 02 6.14 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID bb95d179-db6a-4325-81d0-8aa456fd8b58 02 00000001 01 Series URL https://meson.press/series-page/future-ecologies 03 2 01 02 Future Ecologies 01 01 Aesthetic Experience of Metabolic Processes 1 A01 Desiree Förster Desiree Förster Postdoctoral Instructor 40 024mw5h28 University of Chicago Desiree Foerster explores the impact of liminal experiences on human subjectivity. Her work often takes the form of collaborative research creation projects, where interactive art works intersect with her writings on process philosophy, speculative research, and aesthetic practice. She is a postdoctoral instructor at the Cinema and Media Department at the University of Chicago, after graduating from the Institute for Arts and Media at the University of Potsdam. 01 eng 00 184 03 93 JBCT 12 JFD 04 P87-96 10 SOC052000 12 AFKP 93 ATN 10 PHI001000 12 HPN 93 QDTN 20 Design; Aesthetics; Metabolism; Atmospheres; Senses; Art; Experience 01 06 02 00 Simultaneously speculative and inspired by everyday experiences, this volume develops an aesthetics of metabolism that offers a new perspective on the human-environment relation, one that is processual, relational, and not dependent on conscious thought. In art installations, design prototypes, and research-creation projects that utilize air, 03 00 Simultaneously speculative and inspired by everyday experiences, this volume develops an aesthetics of metabolism that offers a new perspective on the human-environment relation, one that is processual, relational, and not dependent on conscious thought. In art installations, design prototypes, and research-creation projects that utilize air, light, or temperature to impact subjective experience the author finds aesthetic milieus that shift our awareness to the role of different sense modalities in aesthetic experience. Metabolic and atmospheric processes allow for an aesthetics besides and beyond the usually dominant visual sense.Aesthetic Experience of Metabolic Processes is part of the series Future Ecologies dedicated to rethink the multiple ecologies that flourish and struggle on Earth and beyond. 30 00 Simultaneously speculative and inspired by everyday experiences, this volume develops an aesthetics of metabolism that offers a new perspective on the human-environment relation, one that is processual, relational, and not dependent on conscious thought. In art installations, design prototypes, and research-creation projects that utilize air, light, or temperature to impact subjective experience the author finds aesthetic milieus that shift our awareness to the role of different sense modalities in aesthetic experience. Metabolic and atmospheric processes allow for an aesthetics besides and beyond the usually dominant visual sense.Aesthetic Experience of Metabolic Processes is part of the series Future Ecologies dedicated to rethink the multiple ecologies that flourish and struggle on Earth and beyond. 20 00 Open Access 01 00 03 02 This is the cover of the book Aesthetic Experience of Metabolic Processes. 02 https://meson.press/wp-content/uploads/2021/03/978-3-95796-181-5_Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/aesthetic-experience-of-metabolic-processes/ Lüneburg 04 01 20210315 Desiree Förster 02 WORLD 06 15 9783957961815 03 9783957961815 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/aesthetic-experience-of-metabolic-processes/ 20 08 20210315 01 urn:uuid:bfea747d-7928-4ac1-a68a-524c6c7dd6ec 03 01 01 thoth-work-id urn:uuid:9f3d4c12-64dd-4156-8c8c-ca8faf135ca4 01 thoth-publication-id urn:uuid:bfea747d-7928-4ac1-a68a-524c6c7dd6ec 15 9783957961815 03 9783957961815 06 10.14619/1808 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID bb95d179-db6a-4325-81d0-8aa456fd8b58 02 00000001 01 Series URL https://meson.press/series-page/future-ecologies 03 2 01 02 Future Ecologies 01 01 Aesthetic Experience of Metabolic Processes 1 A01 Desiree Förster Desiree Förster Postdoctoral Instructor 40 024mw5h28 University of Chicago Desiree Foerster explores the impact of liminal experiences on human subjectivity. Her work often takes the form of collaborative research creation projects, where interactive art works intersect with her writings on process philosophy, speculative research, and aesthetic practice. She is a postdoctoral instructor at the Cinema and Media Department at the University of Chicago, after graduating from the Institute for Arts and Media at the University of Potsdam. 01 eng 00 184 03 93 JBCT 12 JFD 04 P87-96 10 SOC052000 12 AFKP 93 ATN 10 PHI001000 12 HPN 93 QDTN 20 Design; Aesthetics; Metabolism; Atmospheres; Senses; Art; Experience 01 06 02 00 Simultaneously speculative and inspired by everyday experiences, this volume develops an aesthetics of metabolism that offers a new perspective on the human-environment relation, one that is processual, relational, and not dependent on conscious thought. In art installations, design prototypes, and research-creation projects that utilize air, 03 00 Simultaneously speculative and inspired by everyday experiences, this volume develops an aesthetics of metabolism that offers a new perspective on the human-environment relation, one that is processual, relational, and not dependent on conscious thought. In art installations, design prototypes, and research-creation projects that utilize air, light, or temperature to impact subjective experience the author finds aesthetic milieus that shift our awareness to the role of different sense modalities in aesthetic experience. Metabolic and atmospheric processes allow for an aesthetics besides and beyond the usually dominant visual sense.Aesthetic Experience of Metabolic Processes is part of the series Future Ecologies dedicated to rethink the multiple ecologies that flourish and struggle on Earth and beyond. 30 00 Simultaneously speculative and inspired by everyday experiences, this volume develops an aesthetics of metabolism that offers a new perspective on the human-environment relation, one that is processual, relational, and not dependent on conscious thought. In art installations, design prototypes, and research-creation projects that utilize air, light, or temperature to impact subjective experience the author finds aesthetic milieus that shift our awareness to the role of different sense modalities in aesthetic experience. Metabolic and atmospheric processes allow for an aesthetics besides and beyond the usually dominant visual sense.Aesthetic Experience of Metabolic Processes is part of the series Future Ecologies dedicated to rethink the multiple ecologies that flourish and struggle on Earth and beyond. 20 00 Open Access 01 00 03 02 This is the cover of the book Aesthetic Experience of Metabolic Processes. 02 https://meson.press/wp-content/uploads/2021/03/978-3-95796-181-5_Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/aesthetic-experience-of-metabolic-processes/ Lüneburg 04 01 20210315 Desiree Förster 02 WORLD 06 15 9783957961808 03 9783957961808 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/50003 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/50003/9783957961815.pdf 20 08 20210315 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/aesthetic-experience-of-metabolic-processes/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2021/03/978-3-95796-181-5_Aesthetic_-Experience_of_Metabolic_Processes.pdf 20 08 20210315 01 urn:uuid:887da8f1-3e86-4d7f-aa01-2f9ac2e52716 03 01 01 thoth-work-id urn:uuid:64150609-a549-4415-b8c1-814902f463ac 01 thoth-publication-id urn:uuid:887da8f1-3e86-4d7f-aa01-2f9ac2e52716 15 9783957961655 03 9783957961655 06 10.14619/1655 00 BC 10 01 220 mm 01 22 cm 01 8.66 in 02 155 mm 02 15.5 cm 02 6.1 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Affective Transformations Politics – Algorithms – Media 1 B01 Bernd Bösel Bernd Bösel Postdoctoral Researcher 40 03bnmw459 University of Potsdam Bernd Bösel is a postdoc researcher at the University of Potsdam, with a focus on philosophy, media studies and culture theory, and has been teaching in the joint curriculum “European Media Studies,” a collaboration with the University of Applied Sciences Potsdam, since 2015. Between 2016 and 2018 he coordinated the DFG-funded research network “Affect- and Psychotechnology Studies.” For publications see: https://www.uni-potsdam.de/de/medienwissenschaft/professur-fuer-medientheorie-medienwissenschaft/mitarbeiter/dr-bernd-boesel. 2 B01 Serjoscha Wiemer Serjoscha Wiemer Senior Lecturer for Digital Media/Mobile Media 40 058kzsd48 Paderborn University Serjoscha Wiemer is a Senior Lecturer for Digital Media/Mobile Media at the Institute for Media Studies at the Paderborn University. Together with Bernd Bösel he is spokesperson for AG Affective Media Technologies. In 2011 he received his doctorate with a thesis on the media theory and aesthetics of computer games at the Ruhr University Bochum. His research interests include the historicity of perception, moving image studies, affect theory, game studies, and algorithmic media. See: www.serjoscha.net. 3 A01 21 0000000329439394 Marie-Luise Angerer Marie-Luise Angerer Chair for Media Theory 40 03bnmw459 University of Potsdam Marie-Luise Angerer holds the Chair for Media Theory at the University of Potsdam and teaches in the curriculum “European Media Studies,” a collaboration with the University of Applied Sciences Potsdam. She has been Managing Director of The Brandenburg Centre for Media Studies (ZeM) since 2015. Her main areas of research are media technological re-structurings of the social, zones of human and non-human agencies, and the notion of non-consciousness. For publications see: https://www. uni-potsdam.de/de/medienwissenschaft/professur-fuer-medientheoriemedienwissenschaft/mitarbeiter/prof-dr-marie-luise-angerer.html. 4 A01 21 0000000167764089 Pierre Cassou-Noguès Pierre Cassou-Noguès Professor of Philosophy 40 04wez5e68 Paris 8 University Pierre Cassou-Noguès is a writer and a philosopher. The key question in his work concerns the role of fiction in the constitution of forms of life and rationality. His latest book, Technofictions (Cerf, 2019), is a collection of short stories that investigates the imaginary underlying several contemporary technological apparatuses. Cassou-Noguès is Professor in the philosophy department of University Paris 8-Vincennes-Saint-Denis, and co-editor of the journal SubStance. 5 A01 Jean Clam Jean Clam Research Fellow 40 00675rp98 Centre National de la Recherche Scientifique Jean Clam is a philosopher, sociologist, psychologist and Research Fellow at the Centre National de la Recherche Scientifique (CNRS). He teaches at the École des Hautes Études en Sciences Sociales (EHESS-CADIS) in Paris. He has authored numerous books and articles in French, German, and English. See: www.jean-clam.org. 6 A01 21 0000000345433478 Mathias Fuchs Mathias Fuchs 40 02w2y2t16 Leuphana University of Lüneburg Mathias Fuchs is Principal Investigator for a German Research Council (DFG) funded project on gamification (2018–2021) and a Member of the Institute for the Culture and Aesthetics of Media (ICAM) at Leuphana University of Lüneburg. In 2010 he received his doctoral grade in philosophy with a thesis on the meaning of sounds (“Sinn und Sound”). He has since been Senior Lecturer and Programme Leader for the MA Creative Technology and MSc Creative Games at Salford University in the UK, Deputy Professor at the University of Potsdam, Senior Fellow at the Institute of Advanced Studies on Media Cultures of Computer Simulation (MECS), and Visiting Professor at Leuphana University of Lüneburg. 06 Own website https://creativegames.org.uk/ 7 A01 Gabriele Gramelsberger Gabriele Gramelsberger Professor for Philosophy of Science and Technology 40 04xfq0f34 RWTH Aachen University Gabriele Gramelsberger is a Professor for Philosophy of Science and Technology at the RWTH Aachen. Her research is focused on the digital transformation of science and technology. Her most recent publication is Cultures of Prediction in Atmospheric and Climate Science (edited with Matthias Heymann and Martin Mahony, Routledge, 2017). 8 A01 Irina Kaldrack Irina Kaldrack Guest Professor 40 03aft2f80 Braunschweig University of Art Irina Kaldrack is Guest Professor for “Knowledge Cultures in the Digital Age” at Braunschweig University of Art. She holds a diploma in Mathematics and a Ph.D. in Cultural Studies. Since 2009 she has been teaching and researching in the field of Media Studies, and since 2015 in transformation design. Her work focuses on the theory and history of digital cultures, knowledge cultures and their technological conditions, algorithmic cultures, and research methods at the interrelations between artistic practices, Design and Media Studies. Recent publications include Throwing Gestures (with Florian Bettel and Konrad Strutz, vfmk, 2020), “Künstliche Intelligenzen” (with Christoph Ernst, Andreas Sudmann, and Jens Schröter, Schwerpunkt der Zeitschrift für Medienwissenschaft 21, transcript, 2019), and There is no Software, There are Just Services (with Martina Leeker, meson press, 2015). 9 A01 Dawid Kasprowicz Dawid Kasprowicz Postdoctoral Researcher 40 04xfq0f34 RWTH Aachen University Dawid Kasprowicz is a postdoc at the chair for Philosophy of Science and Technology at the RWTH University Aachen. Research interests are the philosophy of embodiment, philosophy of computational sciences, phenomenology, and human–robot interactions. Recent publication, with Lisa Schüttler and Gabriele Gramelsberger: “Computational Science Studies: A Tool-Based Methodology for Studying Code.” In Critical Issues in Science, Technology and Society Studies (Conference Proceedings STS Conference Graz), edited by G. Getzinger and M. Jahrbacher, 385–401. Graz: Verlag Technische Universität Graz. 10 A01 21 0000000177788965 Oliver Leistert Oliver Leistert Postdoctoral Researcher 40 02w2y2t16 Leuphana University of Lüneburg Oliver Leistert is a postdoc researcher with a focus on media theory/ philosophy and epistemologies/methods of digital cultures. He is Principal Investigator for the DFG-funded project “Blockchains: Media of Sovereignty” at Leuphana University of Lüneburg. His fields of interest comprise continental philosophy, histories of control, governmentality, surveillance, political economy, and political technologies. See: https:// nomedia.noblogs.org/. 11 A01 Michaela Ott Michaela Ott Professor of Aesthetic Theories 40 045gdxt02 Academy of Fine Arts Hamburg Michaela Ott is a Professor of Aesthetic Theories at the Academy of Fine Arts in Hamburg. Her research focuses on post-structuralist philosophy, aesthetics and politics, aesthetics of film, theories of space, affection and dividuation, theories of the (post)colonial and the composite-cultural, and knowledge of the arts. She is the co-editor of Timing of Affect (with MarieLuise Angerer and Bernd Bösel, diaphanes, 2014) and author of Dividuations: Theories of Participation (Palgrave Macmillan, 2018), Affizierung: Zu einer ästhetisch-epistemischen Figur (edition text + kritik, 2010), and most recently Welches Außen des Denkens? Französische Theorie in (post)kolonialer Kritik (Turia & Kant, 2018) 12 A01 Markus Rautzenberg Markus Rautzenberg Professor for Philosophy 40 03gf02c22 Folkwang University of the Arts Markus Rautzenberg is Professor for Philosophy at the Folkwang University of the Arts (Essen, Germany). His main fields of research include media theory, picture theory, philosophy of the 20th century, aesthetics of digital media, and ludic epistemologies. His most recent publication is Framing Uncertainty: Computer Game Epistemologies (Palgrave Macmillan, 2020). 13 A01 Andrew Ross Andrew Ross Associate Professor of Political Science 40 01jr3y717 Ohio University Andrew A. G. Ross is Associate Professor of Political Science at Ohio University. His main research areas are theories of emotion and affect, and the cultural politics of digital media. Recent publications include articles in Political Psychology and International Organization, chapters in several edited volumes, and Mixed Emotions: Beyond Fear and Hatred in International Conflict (University of Chicago Press, 2014). 14 A01 21 0000000345056422 Paul Stenner Paul Stenner Chair in Social Psychology 40 05mzfcs16 The Open University Paul Stenner has held a Chair in Social Psychology at the Open University in the UK since 2011. He has contributed to the development of a critical and reflexive approach to social psychology that takes process and relationality as keynotes of what is known as a transdisciplinary psychosocial approach. He is author of Liminality and Experience: A Transdisciplinary Approach to the Psychosocial (Palgrave, 2017) and Psychology Without Foundations (with Steve Brown, Sage, 2009). He has co-edited Emotions: A Social Science Reader (with Monica Greco, Routledge, 2008) and authored numerous articles on affectivity and liminality. 01 eng 00 243 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 04 BF511-593 12 JMQ 93 JMQ 10 PSY013000 12 JPA 93 JPA 10 POL010000 12 JPHV 93 JPHV 12 PDR 93 PDR 12 HP 93 QD 20 Algorithmen; Psychologie; Medien; Politik; Ästhetik; Demokratie; Social Media; Affekt; Emotion; Populismus 01 06 02 00 The Affective Turn has lost its former innocence and euphoria. Affect Studies and its adjacent disciplines have now to prove that they can cope with the return of the affective real that technology, economy, and politics entail.Two seemingly contradictory developments serve as starting points for this volume. First, technological innov 03 00 The Affective Turn has lost its former innocence and euphoria. Affect Studies and its adjacent disciplines have now to prove that they can cope with the return of the affective real that technology, economy, and politics entail.Two seemingly contradictory developments serve as starting points for this volume. First, technological innovations such as affective computing, mood tracking, sentiment analysis, and social robotics all share a focus on the recognition and modulation of human affectivity. Affect gets measured, calculated, controlled. Secondly, recent developments in politics, social media usage, and right-wing journalism have contributed to a conspicuous rise of hate speech, cybermobbing, public shaming, “felt truths,” and resentful populisms. In a very specific way, politics as well as power have become affective.Affect gets mobilized, fomented, unleashed. When the ways we deal with our affectivity get unsettled in such a dramatic fashion, we have to rethink our ethical, aesthetical, political as well as legal regimes of affect organization. 30 00 The Affective Turn has lost its former innocence and euphoria. Affect Studies and its adjacent disciplines have now to prove that they can cope with the return of the affective real that technology, economy, and politics entail.Two seemingly contradictory developments serve as starting points for this volume. First, technological innovations such as affective computing, mood tracking, sentiment analysis, and social robotics all share a focus on the recognition and modulation of human affectivity. Affect gets measured, calculated, controlled. Secondly, recent developments in politics, social media usage, and right-wing journalism have contributed to a conspicuous rise of hate speech, cybermobbing, public shaming, “felt truths,” and resentful populisms. In a very specific way, politics as well as power have become affective.Affect gets mobilized, fomented, unleashed. When the ways we deal with our affectivity get unsettled in such a dramatic fashion, we have to rethink our ethical, aesthetical, political as well as legal regimes of affect organization. 20 00 Open Access 01 00 03 02 This is the cover of the book Affective Transformations. 02 https://meson.press/wp-content/uploads/2020/10/Affective_Transformations-Cover_medium.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/affective-transformations 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 projectname Affect- und Psychotechnology Studies 01 projectshortname SCHR 1505/1-1 Lüneburg 04 01 20201109 Bernd Bösel, Serjoscha Wiemer 02 WORLD 06 15 9783957961662 03 9783957961662 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/affective-transformations 20 08 20201109 01 urn:uuid:14284066-ea85-46a5-8170-7ad7b92c70ce 03 01 01 thoth-work-id urn:uuid:64150609-a549-4415-b8c1-814902f463ac 01 thoth-publication-id urn:uuid:14284066-ea85-46a5-8170-7ad7b92c70ce 15 9783957961662 03 9783957961662 06 10.14619/1655 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Affective Transformations Politics – Algorithms – Media 1 B01 Bernd Bösel Bernd Bösel Postdoctoral Researcher 40 03bnmw459 University of Potsdam Bernd Bösel is a postdoc researcher at the University of Potsdam, with a focus on philosophy, media studies and culture theory, and has been teaching in the joint curriculum “European Media Studies,” a collaboration with the University of Applied Sciences Potsdam, since 2015. Between 2016 and 2018 he coordinated the DFG-funded research network “Affect- and Psychotechnology Studies.” For publications see: https://www.uni-potsdam.de/de/medienwissenschaft/professur-fuer-medientheorie-medienwissenschaft/mitarbeiter/dr-bernd-boesel. 2 B01 Serjoscha Wiemer Serjoscha Wiemer Senior Lecturer for Digital Media/Mobile Media 40 058kzsd48 Paderborn University Serjoscha Wiemer is a Senior Lecturer for Digital Media/Mobile Media at the Institute for Media Studies at the Paderborn University. Together with Bernd Bösel he is spokesperson for AG Affective Media Technologies. In 2011 he received his doctorate with a thesis on the media theory and aesthetics of computer games at the Ruhr University Bochum. His research interests include the historicity of perception, moving image studies, affect theory, game studies, and algorithmic media. See: www.serjoscha.net. 3 A01 21 0000000329439394 Marie-Luise Angerer Marie-Luise Angerer Chair for Media Theory 40 03bnmw459 University of Potsdam Marie-Luise Angerer holds the Chair for Media Theory at the University of Potsdam and teaches in the curriculum “European Media Studies,” a collaboration with the University of Applied Sciences Potsdam. She has been Managing Director of The Brandenburg Centre for Media Studies (ZeM) since 2015. Her main areas of research are media technological re-structurings of the social, zones of human and non-human agencies, and the notion of non-consciousness. For publications see: https://www. uni-potsdam.de/de/medienwissenschaft/professur-fuer-medientheoriemedienwissenschaft/mitarbeiter/prof-dr-marie-luise-angerer.html. 4 A01 21 0000000167764089 Pierre Cassou-Noguès Pierre Cassou-Noguès Professor of Philosophy 40 04wez5e68 Paris 8 University Pierre Cassou-Noguès is a writer and a philosopher. The key question in his work concerns the role of fiction in the constitution of forms of life and rationality. His latest book, Technofictions (Cerf, 2019), is a collection of short stories that investigates the imaginary underlying several contemporary technological apparatuses. Cassou-Noguès is Professor in the philosophy department of University Paris 8-Vincennes-Saint-Denis, and co-editor of the journal SubStance. 5 A01 Jean Clam Jean Clam Research Fellow 40 00675rp98 Centre National de la Recherche Scientifique Jean Clam is a philosopher, sociologist, psychologist and Research Fellow at the Centre National de la Recherche Scientifique (CNRS). He teaches at the École des Hautes Études en Sciences Sociales (EHESS-CADIS) in Paris. He has authored numerous books and articles in French, German, and English. See: www.jean-clam.org. 6 A01 21 0000000345433478 Mathias Fuchs Mathias Fuchs 40 02w2y2t16 Leuphana University of Lüneburg Mathias Fuchs is Principal Investigator for a German Research Council (DFG) funded project on gamification (2018–2021) and a Member of the Institute for the Culture and Aesthetics of Media (ICAM) at Leuphana University of Lüneburg. In 2010 he received his doctoral grade in philosophy with a thesis on the meaning of sounds (“Sinn und Sound”). He has since been Senior Lecturer and Programme Leader for the MA Creative Technology and MSc Creative Games at Salford University in the UK, Deputy Professor at the University of Potsdam, Senior Fellow at the Institute of Advanced Studies on Media Cultures of Computer Simulation (MECS), and Visiting Professor at Leuphana University of Lüneburg. 06 Own website https://creativegames.org.uk/ 7 A01 Gabriele Gramelsberger Gabriele Gramelsberger Professor for Philosophy of Science and Technology 40 04xfq0f34 RWTH Aachen University Gabriele Gramelsberger is a Professor for Philosophy of Science and Technology at the RWTH Aachen. Her research is focused on the digital transformation of science and technology. Her most recent publication is Cultures of Prediction in Atmospheric and Climate Science (edited with Matthias Heymann and Martin Mahony, Routledge, 2017). 8 A01 Irina Kaldrack Irina Kaldrack Guest Professor 40 03aft2f80 Braunschweig University of Art Irina Kaldrack is Guest Professor for “Knowledge Cultures in the Digital Age” at Braunschweig University of Art. She holds a diploma in Mathematics and a Ph.D. in Cultural Studies. Since 2009 she has been teaching and researching in the field of Media Studies, and since 2015 in transformation design. Her work focuses on the theory and history of digital cultures, knowledge cultures and their technological conditions, algorithmic cultures, and research methods at the interrelations between artistic practices, Design and Media Studies. Recent publications include Throwing Gestures (with Florian Bettel and Konrad Strutz, vfmk, 2020), “Künstliche Intelligenzen” (with Christoph Ernst, Andreas Sudmann, and Jens Schröter, Schwerpunkt der Zeitschrift für Medienwissenschaft 21, transcript, 2019), and There is no Software, There are Just Services (with Martina Leeker, meson press, 2015). 9 A01 Dawid Kasprowicz Dawid Kasprowicz Postdoctoral Researcher 40 04xfq0f34 RWTH Aachen University Dawid Kasprowicz is a postdoc at the chair for Philosophy of Science and Technology at the RWTH University Aachen. Research interests are the philosophy of embodiment, philosophy of computational sciences, phenomenology, and human–robot interactions. Recent publication, with Lisa Schüttler and Gabriele Gramelsberger: “Computational Science Studies: A Tool-Based Methodology for Studying Code.” In Critical Issues in Science, Technology and Society Studies (Conference Proceedings STS Conference Graz), edited by G. Getzinger and M. Jahrbacher, 385–401. Graz: Verlag Technische Universität Graz. 10 A01 21 0000000177788965 Oliver Leistert Oliver Leistert Postdoctoral Researcher 40 02w2y2t16 Leuphana University of Lüneburg Oliver Leistert is a postdoc researcher with a focus on media theory/ philosophy and epistemologies/methods of digital cultures. He is Principal Investigator for the DFG-funded project “Blockchains: Media of Sovereignty” at Leuphana University of Lüneburg. His fields of interest comprise continental philosophy, histories of control, governmentality, surveillance, political economy, and political technologies. See: https:// nomedia.noblogs.org/. 11 A01 Michaela Ott Michaela Ott Professor of Aesthetic Theories 40 045gdxt02 Academy of Fine Arts Hamburg Michaela Ott is a Professor of Aesthetic Theories at the Academy of Fine Arts in Hamburg. Her research focuses on post-structuralist philosophy, aesthetics and politics, aesthetics of film, theories of space, affection and dividuation, theories of the (post)colonial and the composite-cultural, and knowledge of the arts. She is the co-editor of Timing of Affect (with MarieLuise Angerer and Bernd Bösel, diaphanes, 2014) and author of Dividuations: Theories of Participation (Palgrave Macmillan, 2018), Affizierung: Zu einer ästhetisch-epistemischen Figur (edition text + kritik, 2010), and most recently Welches Außen des Denkens? Französische Theorie in (post)kolonialer Kritik (Turia & Kant, 2018) 12 A01 Markus Rautzenberg Markus Rautzenberg Professor for Philosophy 40 03gf02c22 Folkwang University of the Arts Markus Rautzenberg is Professor for Philosophy at the Folkwang University of the Arts (Essen, Germany). His main fields of research include media theory, picture theory, philosophy of the 20th century, aesthetics of digital media, and ludic epistemologies. His most recent publication is Framing Uncertainty: Computer Game Epistemologies (Palgrave Macmillan, 2020). 13 A01 Andrew Ross Andrew Ross Associate Professor of Political Science 40 01jr3y717 Ohio University Andrew A. G. Ross is Associate Professor of Political Science at Ohio University. His main research areas are theories of emotion and affect, and the cultural politics of digital media. Recent publications include articles in Political Psychology and International Organization, chapters in several edited volumes, and Mixed Emotions: Beyond Fear and Hatred in International Conflict (University of Chicago Press, 2014). 14 A01 21 0000000345056422 Paul Stenner Paul Stenner Chair in Social Psychology 40 05mzfcs16 The Open University Paul Stenner has held a Chair in Social Psychology at the Open University in the UK since 2011. He has contributed to the development of a critical and reflexive approach to social psychology that takes process and relationality as keynotes of what is known as a transdisciplinary psychosocial approach. He is author of Liminality and Experience: A Transdisciplinary Approach to the Psychosocial (Palgrave, 2017) and Psychology Without Foundations (with Steve Brown, Sage, 2009). He has co-edited Emotions: A Social Science Reader (with Monica Greco, Routledge, 2008) and authored numerous articles on affectivity and liminality. 01 eng 00 243 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 04 BF511-593 12 JMQ 93 JMQ 10 PSY013000 12 JPA 93 JPA 10 POL010000 12 JPHV 93 JPHV 12 PDR 93 PDR 12 HP 93 QD 20 Algorithmen; Psychologie; Medien; Politik; Ästhetik; Demokratie; Social Media; Affekt; Emotion; Populismus 01 06 02 00 The Affective Turn has lost its former innocence and euphoria. Affect Studies and its adjacent disciplines have now to prove that they can cope with the return of the affective real that technology, economy, and politics entail.Two seemingly contradictory developments serve as starting points for this volume. First, technological innov 03 00 The Affective Turn has lost its former innocence and euphoria. Affect Studies and its adjacent disciplines have now to prove that they can cope with the return of the affective real that technology, economy, and politics entail.Two seemingly contradictory developments serve as starting points for this volume. First, technological innovations such as affective computing, mood tracking, sentiment analysis, and social robotics all share a focus on the recognition and modulation of human affectivity. Affect gets measured, calculated, controlled. Secondly, recent developments in politics, social media usage, and right-wing journalism have contributed to a conspicuous rise of hate speech, cybermobbing, public shaming, “felt truths,” and resentful populisms. In a very specific way, politics as well as power have become affective.Affect gets mobilized, fomented, unleashed. When the ways we deal with our affectivity get unsettled in such a dramatic fashion, we have to rethink our ethical, aesthetical, political as well as legal regimes of affect organization. 30 00 The Affective Turn has lost its former innocence and euphoria. Affect Studies and its adjacent disciplines have now to prove that they can cope with the return of the affective real that technology, economy, and politics entail.Two seemingly contradictory developments serve as starting points for this volume. First, technological innovations such as affective computing, mood tracking, sentiment analysis, and social robotics all share a focus on the recognition and modulation of human affectivity. Affect gets measured, calculated, controlled. Secondly, recent developments in politics, social media usage, and right-wing journalism have contributed to a conspicuous rise of hate speech, cybermobbing, public shaming, “felt truths,” and resentful populisms. In a very specific way, politics as well as power have become affective.Affect gets mobilized, fomented, unleashed. When the ways we deal with our affectivity get unsettled in such a dramatic fashion, we have to rethink our ethical, aesthetical, political as well as legal regimes of affect organization. 20 00 Open Access 01 00 03 02 This is the cover of the book Affective Transformations. 02 https://meson.press/wp-content/uploads/2020/10/Affective_Transformations-Cover_medium.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/affective-transformations 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 projectname Affect- und Psychotechnology Studies 01 projectshortname SCHR 1505/1-1 Lüneburg 04 01 20201109 Bernd Bösel, Serjoscha Wiemer 02 WORLD 06 15 9783957961655 03 9783957961655 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/50000 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/50000/9783957961662.pdf 20 08 20201109 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/affective-transformations/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2020/10/9783957961662_Affective_Transformations.pdf 20 08 20201109 01 urn:uuid:060b51e4-d808-4293-b701-dd23ab2993ca 03 01 01 thoth-work-id urn:uuid:292d32ae-6768-44e7-ae18-7e6bc48b263f 01 thoth-publication-id urn:uuid:060b51e4-d808-4293-b701-dd23ab2993ca 15 9783957960900 03 9783957960900 06 10.14619/019 00 BC 10 01 190 mm 01 19 cm 01 7.48 in 02 120 mm 02 12 cm 02 4.72 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Affektökologie Intensive Milieus und zufällige Begegnungen 1 A01 21 0000000329439394 Marie-Luise Angerer Marie-Luise Angerer Professor of Media Studies 40 03bnmw459 University of Potsdam Marie-Luise Angerer is a professor of Media Studies at the University of Potsdam. The focus of her research is on media technology, affect and neuroscientific reformulations of desire and sexuality. Her most recent publications include Desire After Affect (2014, German original 2007), Choreographie – Medien – Gender (with Yvonne Hardt and Anna-Carolin Weber, 2013), Timing of Affect: Epistemologies, Aesthetics, Politics (with Bernd Bösel and Michaela Ott, 2014), numerous articles in books and journals on the topic of posthumanism and affective politics. 01 ger 00 72 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 20 Intervall; Antagonismus; Umwelt; Empfinden; Dislokation; Intensität; Milieu; Intra-aktion; Politische Affizierung 01 06 02 00 Das Denken des Humanen wird in besonderer Weise von den medientechnologischen Verschiebungen des 20. Jahrhunderts berührt. Affekt wird hier zu einem neuen Schwellenbegriff, der den Körper medientechnisch und politisch auf neue Weise anschlussfähig macht. In einer relationalen Neu-Organisation verdichtet sich das organische und technische Lebe 03 00 Das Denken des Humanen wird in besonderer Weise von den medientechnologischen Verschiebungen des 20. Jahrhunderts berührt. Affekt wird hier zu einem neuen Schwellenbegriff, der den Körper medientechnisch und politisch auf neue Weise anschlussfähig macht. In einer relationalen Neu-Organisation verdichtet sich das organische und technische Leben auf neue, intensive Weise zu einer Ökologie des Affektiven. 30 00 Das Denken des Humanen wird in besonderer Weise von den medientechnologischen Verschiebungen des 20. Jahrhunderts berührt. Affekt wird hier zu einem neuen Schwellenbegriff, der den Körper medientechnisch und politisch auf neue Weise anschlussfähig macht. In einer relationalen Neu-Organisation verdichtet sich das organische und technische Leben auf neue, intensive Weise zu einer Ökologie des Affektiven. 20 00 Open Access 01 00 03 02 This is the cover of the book Affektökologie. 02 http://meson.press/wp-content/uploads/2017/04/cover_angerer_de_web-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/affektokologie Lüneburg 04 01 20170502 Marie-Luise Angerer 02 WORLD 06 15 9783957960917 03 9783957960917 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/affektokologie 20 08 20170502 01 urn:uuid:322cebcc-c611-4930-9e6e-0f0e59820a32 03 01 01 thoth-work-id urn:uuid:292d32ae-6768-44e7-ae18-7e6bc48b263f 01 thoth-publication-id urn:uuid:322cebcc-c611-4930-9e6e-0f0e59820a32 15 9783957960917 03 9783957960917 06 10.14619/019 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Affektökologie Intensive Milieus und zufällige Begegnungen 1 A01 21 0000000329439394 Marie-Luise Angerer Marie-Luise Angerer Professor of Media Studies 40 03bnmw459 University of Potsdam Marie-Luise Angerer is a professor of Media Studies at the University of Potsdam. The focus of her research is on media technology, affect and neuroscientific reformulations of desire and sexuality. Her most recent publications include Desire After Affect (2014, German original 2007), Choreographie – Medien – Gender (with Yvonne Hardt and Anna-Carolin Weber, 2013), Timing of Affect: Epistemologies, Aesthetics, Politics (with Bernd Bösel and Michaela Ott, 2014), numerous articles in books and journals on the topic of posthumanism and affective politics. 01 ger 00 72 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 20 Intervall; Antagonismus; Umwelt; Empfinden; Dislokation; Intensität; Milieu; Intra-aktion; Politische Affizierung 01 06 02 00 Das Denken des Humanen wird in besonderer Weise von den medientechnologischen Verschiebungen des 20. Jahrhunderts berührt. Affekt wird hier zu einem neuen Schwellenbegriff, der den Körper medientechnisch und politisch auf neue Weise anschlussfähig macht. In einer relationalen Neu-Organisation verdichtet sich das organische und technische Lebe 03 00 Das Denken des Humanen wird in besonderer Weise von den medientechnologischen Verschiebungen des 20. Jahrhunderts berührt. Affekt wird hier zu einem neuen Schwellenbegriff, der den Körper medientechnisch und politisch auf neue Weise anschlussfähig macht. In einer relationalen Neu-Organisation verdichtet sich das organische und technische Leben auf neue, intensive Weise zu einer Ökologie des Affektiven. 30 00 Das Denken des Humanen wird in besonderer Weise von den medientechnologischen Verschiebungen des 20. Jahrhunderts berührt. Affekt wird hier zu einem neuen Schwellenbegriff, der den Körper medientechnisch und politisch auf neue Weise anschlussfähig macht. In einer relationalen Neu-Organisation verdichtet sich das organische und technische Leben auf neue, intensive Weise zu einer Ökologie des Affektiven. 20 00 Open Access 01 00 03 02 This is the cover of the book Affektökologie. 02 http://meson.press/wp-content/uploads/2017/04/cover_angerer_de_web-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/affektokologie Lüneburg 04 01 20170502 Marie-Luise Angerer 02 WORLD 06 15 9783957960900 03 9783957960900 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37562 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37562/978-3-95796-091-7_Angerer_de.pdf 20 08 20170502 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/affektokologie 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2017/04/978-3-95796-091-7_Angerer_de.pdf 20 08 20170502 01 urn:uuid:7f00866a-34ba-47ea-957e-6c8498ccce26 03 01 01 thoth-work-id urn:uuid:a33e74ee-865c-4d16-94af-fbddf977f721 01 thoth-publication-id urn:uuid:7f00866a-34ba-47ea-957e-6c8498ccce26 15 9783957962102 03 9783957962102 06 10.14619/2102 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Algorithmic Authenticity An Overview 1 A01 21 0000000164740313 Anthony Glyn Burton Anthony Glyn Burton PhD Candidate in the School of Communication 40 0213rcc28 Simon Fraser University Anthony Glyn Burton is a Mellon-SFU Data Fluencies Fellow at the Digital Democracies Institute and a PhD Candidate in the School of Communication at Simon Fraser University. 2 A01 Wendy Hui Kyong Chun Wendy Hui Kyong Chun Professor of Communication 40 0213rcc28 Simon Fraser University Wendy Hui Kyong Chun is Simon Fraser University's Canada 150 Research Chair in New Media and Professor of Communication and Director of the SFU Digital Democracies Institute. Her last book is Discriminating Data: Correlation, Neighborhoods, and the New Politics of Recognition (MIT Press). 3 A01 21 0000000301985158 Liliana Bounegru Liliana Bounegru Lecturer in Digital Methods at the Department of Digital Humanities 40 0220mzb33 King's College London Liliana Bounegru is Lecturer in Digital Methods at the Department of Digital Humanities, King's College London, co-founder of the Public Data Lab and affiliated with the Digital Methods Initiative in Amsterdam and the médialab, Sciences Po in Paris. More about her work can be found at lilianabounegru.org. 06 Own website https://lilianabounegru.org/ 4 A01 21 0000000300633134 Melody Devries Melody Devries PhD candidate in the Communication & Culture Department 40 05g13zd79 Toronto Metropolitan University Melody Devries is a PhD candidate in the Communication & Culture Department at Toronto Metropolitan University. She uses ethnographic methods to analyze processes of political conviction online. 5 A01 Amy Harris Amy Harris PhD candidate in the School of Communication 40 0213rcc28 Simon Fraser University Amy Harris is a PhD candidate in the School of Communication at Simon Fraser University and a researcher at the Digital Democracies Institute. Her research focuses on how museums and exhibitions about climate change help people to understand what the future will look like. 6 A01 hannah holtzclaw hannah holtzclaw Ph.D. student in the School of Communications 40 0213rcc28 Simon Fraser University hannah holtzclaw is a Ph.D. student in the School of Communications, as well as a Data Fluencies Fellow to the Digital Democracies Institute, at Simon Fraser University. 7 A01 Ioana B. Jucan Ioana B. Jucan Assistant Professor of Social and Cultural Inquiry 40 011xz5b94 Emerson College Ioana B. Jucan is a scholar and artis. Juncan is Assistant Professor of Social and Cultural Inquiry at Emerson College and the author of Malicious Deceivers: Thinking Machines and Performative Objects (Stanford University Press, 2023). 8 A01 21 0000000176167323 Alexandra Juhasz Alexandra Juhasz Distinguished Professor of Film 40 019k4jq75 Brooklyn College Alexandra Juhasz is distinguished professor of film at Brooklyn College, CUNY. 9 A01 21 0000000224696255 D.W. Kamish D.W. Kamish PhD student in the School of Communication 40 0213rcc28 Simon Fraser University D. W. Kamish is a PhD student in the School of Communication at Simon Fraser University and researcher at the Digital Democracies Institute. 10 A01 Ganaele Langlois Ganaele Langlois Associate Professor in the Department of Communication and Media Studies 40 05fq50484 York University Ganaele Langlois is Associate Professor in the Department of Communication and Media Studies at York University, Canada. Her research areas are: digital cultures, digital methods, and critical media theory. 11 A01 Jasmine Proctor Jasmine Proctor Jasmine Proctor (she/they) is an independent researcher whose work focuses on the intersection of identity, labour, and fandom. Her previous work has focused on how the relationship between fan labour, government policy, and corporate strategy has allowed for Korean popular music to be leveraged as a soft power tool. 12 A01 21 0000000275982913 Christine Tomlinson Christine Tomlinson Lecturer and Researcher in the School of Social Sciences 40 04gyf1771 University of California, Irvine Christine Tomlinson is a lecturer and researcher in the School of Social Sciences at the University of California, Irvine investigating online cultures and interaction, video game players' experiences, and video game content. Christine previously worked as a game studies specialist with the Digital Democracies Institute at Simon Fraser University. 13 A01 21 0000000175970819 Roopa Vasudevan Roopa Vasudevan Roopa Vasudevan is a new media artist, computer programmer and researcher whose work examines social and technological defaults; interrogates rules, conventions and protocols that we often ignore or take for granted; and centers humanity and community in explorations of technology’s impacts on society. Her current academic research investigates the complex and involved relationships between new media artists and the tech industry. 14 A01 21 000000015276297X Esther Weltevrede Esther Weltevrede Assistant Professor of New Media and Digital Culture 40 04dkp9463 University of Amsterdam Esther Weltevrede is Assistant Professor of New Media and Digital Culture at the University of Amsterdam, and a member of the Digital Methods Initiative and the App Studies Initiative. Her research is supported by the Dutch Research Council (NWO), project number VI.Veni.191C.048. 01 eng 00 138 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 93 JBCT3 12 JFFK 10 SOC010000 10 BUS070060 93 JBSF 12 JP 93 JBSF11 12 KNT 93 JP 93 KNT 20 information disorder; algorithms; authentication; race; digital capitalism; fact-checking; digital society; politics; misinformation; gender; performance; relationality; truth 01 06 02 00 What makes information feel true or compelling in our contemporary digital societies? This book brings together different disciplinary understandings of “authenticity” in order to find alternative ways to approach mis- and disinformation that go beyond contemporary fact-checking and its search for the “authentic” truth. Patterned under the al 03 00 What makes information feel true or compelling in our contemporary digital societies? This book brings together different disciplinary understandings of “authenticity” in order to find alternative ways to approach mis- and disinformation that go beyond contemporary fact-checking and its search for the “authentic” truth. Patterned under the algorithmic flows of digital capitalism, authenticity itself is subject to variation, iteration, and outside influence. Linking cross-disciplinary research on the history and practices of algorithmic authenticity points to new research questions to understand the impact of algorithmic authenticity on social life and its role in contemporary information disorder. 30 00 What makes information feel true or compelling in our contemporary digital societies? This book brings together different disciplinary understandings of “authenticity” in order to find alternative ways to approach mis- and disinformation that go beyond contemporary fact-checking and its search for the “authentic” truth. Patterned under the algorithmic flows of digital capitalism, authenticity itself is subject to variation, iteration, and outside influence. Linking cross-disciplinary research on the history and practices of algorithmic authenticity points to new research questions to understand the impact of algorithmic authenticity on social life and its role in contemporary information disorder. 20 00 Open Access 01 00 03 02 This is the cover of Algorithmic Authenticity. 02 https://meson.press/wp-content/uploads/2023/06/Algorithmic_Authenticity_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/algorithmic-authenticity/ Lüneburg 04 01 20230710 Anthony Glyn Burton Wendy Hui Kyong Chun Liliana Bounegru Melody Devries Amy Harris hannah holtzclaw Ioana Jucan Alex Juhasz D. W. Kamish Ganaele Langlois Jasmine Proctor Christine Tomlinson Roopa Vasudevan Esther Weltevrede 02 WORLD 06 15 9783957962119 03 9783957962119 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/algorithmic-authenticity/ 20 08 20230710 01 urn:uuid:e562540a-04fb-4afc-b630-d4fd680ca2f5 03 01 01 thoth-work-id urn:uuid:a33e74ee-865c-4d16-94af-fbddf977f721 01 thoth-publication-id urn:uuid:e562540a-04fb-4afc-b630-d4fd680ca2f5 15 9783957962119 03 9783957962119 06 10.14619/2102 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Algorithmic Authenticity An Overview 1 A01 21 0000000164740313 Anthony Glyn Burton Anthony Glyn Burton PhD Candidate in the School of Communication 40 0213rcc28 Simon Fraser University Anthony Glyn Burton is a Mellon-SFU Data Fluencies Fellow at the Digital Democracies Institute and a PhD Candidate in the School of Communication at Simon Fraser University. 2 A01 Wendy Hui Kyong Chun Wendy Hui Kyong Chun Professor of Communication 40 0213rcc28 Simon Fraser University Wendy Hui Kyong Chun is Simon Fraser University's Canada 150 Research Chair in New Media and Professor of Communication and Director of the SFU Digital Democracies Institute. Her last book is Discriminating Data: Correlation, Neighborhoods, and the New Politics of Recognition (MIT Press). 3 A01 21 0000000301985158 Liliana Bounegru Liliana Bounegru Lecturer in Digital Methods at the Department of Digital Humanities 40 0220mzb33 King's College London Liliana Bounegru is Lecturer in Digital Methods at the Department of Digital Humanities, King's College London, co-founder of the Public Data Lab and affiliated with the Digital Methods Initiative in Amsterdam and the médialab, Sciences Po in Paris. More about her work can be found at lilianabounegru.org. 06 Own website https://lilianabounegru.org/ 4 A01 21 0000000300633134 Melody Devries Melody Devries PhD candidate in the Communication & Culture Department 40 05g13zd79 Toronto Metropolitan University Melody Devries is a PhD candidate in the Communication & Culture Department at Toronto Metropolitan University. She uses ethnographic methods to analyze processes of political conviction online. 5 A01 Amy Harris Amy Harris PhD candidate in the School of Communication 40 0213rcc28 Simon Fraser University Amy Harris is a PhD candidate in the School of Communication at Simon Fraser University and a researcher at the Digital Democracies Institute. Her research focuses on how museums and exhibitions about climate change help people to understand what the future will look like. 6 A01 hannah holtzclaw hannah holtzclaw Ph.D. student in the School of Communications 40 0213rcc28 Simon Fraser University hannah holtzclaw is a Ph.D. student in the School of Communications, as well as a Data Fluencies Fellow to the Digital Democracies Institute, at Simon Fraser University. 7 A01 Ioana B. Jucan Ioana B. Jucan Assistant Professor of Social and Cultural Inquiry 40 011xz5b94 Emerson College Ioana B. Jucan is a scholar and artis. Juncan is Assistant Professor of Social and Cultural Inquiry at Emerson College and the author of Malicious Deceivers: Thinking Machines and Performative Objects (Stanford University Press, 2023). 8 A01 21 0000000176167323 Alexandra Juhasz Alexandra Juhasz Distinguished Professor of Film 40 019k4jq75 Brooklyn College Alexandra Juhasz is distinguished professor of film at Brooklyn College, CUNY. 9 A01 21 0000000224696255 D.W. Kamish D.W. Kamish PhD student in the School of Communication 40 0213rcc28 Simon Fraser University D. W. Kamish is a PhD student in the School of Communication at Simon Fraser University and researcher at the Digital Democracies Institute. 10 A01 Ganaele Langlois Ganaele Langlois Associate Professor in the Department of Communication and Media Studies 40 05fq50484 York University Ganaele Langlois is Associate Professor in the Department of Communication and Media Studies at York University, Canada. Her research areas are: digital cultures, digital methods, and critical media theory. 11 A01 Jasmine Proctor Jasmine Proctor Jasmine Proctor (she/they) is an independent researcher whose work focuses on the intersection of identity, labour, and fandom. Her previous work has focused on how the relationship between fan labour, government policy, and corporate strategy has allowed for Korean popular music to be leveraged as a soft power tool. 12 A01 21 0000000275982913 Christine Tomlinson Christine Tomlinson Lecturer and Researcher in the School of Social Sciences 40 04gyf1771 University of California, Irvine Christine Tomlinson is a lecturer and researcher in the School of Social Sciences at the University of California, Irvine investigating online cultures and interaction, video game players' experiences, and video game content. Christine previously worked as a game studies specialist with the Digital Democracies Institute at Simon Fraser University. 13 A01 21 0000000175970819 Roopa Vasudevan Roopa Vasudevan Roopa Vasudevan is a new media artist, computer programmer and researcher whose work examines social and technological defaults; interrogates rules, conventions and protocols that we often ignore or take for granted; and centers humanity and community in explorations of technology’s impacts on society. Her current academic research investigates the complex and involved relationships between new media artists and the tech industry. 14 A01 21 000000015276297X Esther Weltevrede Esther Weltevrede Assistant Professor of New Media and Digital Culture 40 04dkp9463 University of Amsterdam Esther Weltevrede is Assistant Professor of New Media and Digital Culture at the University of Amsterdam, and a member of the Digital Methods Initiative and the App Studies Initiative. Her research is supported by the Dutch Research Council (NWO), project number VI.Veni.191C.048. 01 eng 00 138 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 93 JBCT3 12 JFFK 10 SOC010000 10 BUS070060 93 JBSF 12 JP 93 JBSF11 12 KNT 93 JP 93 KNT 20 information disorder; algorithms; authentication; race; digital capitalism; fact-checking; digital society; politics; misinformation; gender; performance; relationality; truth 01 06 02 00 What makes information feel true or compelling in our contemporary digital societies? This book brings together different disciplinary understandings of “authenticity” in order to find alternative ways to approach mis- and disinformation that go beyond contemporary fact-checking and its search for the “authentic” truth. Patterned under the al 03 00 What makes information feel true or compelling in our contemporary digital societies? This book brings together different disciplinary understandings of “authenticity” in order to find alternative ways to approach mis- and disinformation that go beyond contemporary fact-checking and its search for the “authentic” truth. Patterned under the algorithmic flows of digital capitalism, authenticity itself is subject to variation, iteration, and outside influence. Linking cross-disciplinary research on the history and practices of algorithmic authenticity points to new research questions to understand the impact of algorithmic authenticity on social life and its role in contemporary information disorder. 30 00 What makes information feel true or compelling in our contemporary digital societies? This book brings together different disciplinary understandings of “authenticity” in order to find alternative ways to approach mis- and disinformation that go beyond contemporary fact-checking and its search for the “authentic” truth. Patterned under the algorithmic flows of digital capitalism, authenticity itself is subject to variation, iteration, and outside influence. Linking cross-disciplinary research on the history and practices of algorithmic authenticity points to new research questions to understand the impact of algorithmic authenticity on social life and its role in contemporary information disorder. 20 00 Open Access 01 00 03 02 This is the cover of Algorithmic Authenticity. 02 https://meson.press/wp-content/uploads/2023/06/Algorithmic_Authenticity_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/algorithmic-authenticity/ Lüneburg 04 01 20230710 Anthony Glyn Burton Wendy Hui Kyong Chun Liliana Bounegru Melody Devries Amy Harris hannah holtzclaw Ioana Jucan Alex Juhasz D. W. Kamish Ganaele Langlois Jasmine Proctor Christine Tomlinson Roopa Vasudevan Esther Weltevrede 02 WORLD 06 15 9783957962102 03 9783957962102 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88718 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/88718/978-3-95796-211-9_Algorithmic_Authenticity.pdf?sequence=1&isAllowed=y 20 08 20230710 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/algorithmic-authenticity/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2023/06/978-3-95796-211-9_Algorithmic_Authenticity.pdf 20 08 20230710 01 urn:uuid:efb049c1-65b8-4e6a-9a30-005549b93b8c 03 01 01 thoth-work-id urn:uuid:966892e1-59f8-4658-93ae-3d212a44b21d 01 thoth-publication-id urn:uuid:efb049c1-65b8-4e6a-9a30-005549b93b8c 15 9783957960658 03 9783957960658 06 10.14619/014 00 BC 10 01 234 mm 01 23.4 cm 01 9.21 in 02 156 mm 02 15.6 cm 02 6.14 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Alleys of Your Mind Augmented Intelligence and Its Traumas 1 B01 Matteo Pasquinelli Matteo Pasquinelli Visiting Assistant Professor 40 007m3p006 Pratt Institute Matteo Pasquinelli (PhD, London) is visiting Assistant Professor at the Department of Humanities and Media Studies of Pratt Institute, New York. He wrote the book Animal Spirits: A Bestiary of the Commons (Rotterdam: NAi, 2008) and edited the anthology Gli algoritmi del capitale (Verona: Ombrecorte, 2014) among others. He lectures frequently at the intersection of political philosophy, media theory and cognitive sciences in universities and art institutions. Together with Wietske Maas he wrote the Manifesto of Urban Cannibalism (2013). In 2014 at NGBK Berlin he co-curated the exhibition The Ultimate Capital is the Sun and the symposium The Metabolism of the Social Brain. 06 Own website http://matteopasquinelli.com/ 2 A01 Benjamin H. Bratton Benjamin H. Bratton Associate Professor of Visual Arts 40 0168r3w48 University of California, San Diego Benjamin H. Bratton is Associate Professor of Visual Arts at the University of California, San Diego. His work is situated at the intersections of contemporary social and political theory, computational media and infrastructure, architectural and urban design, and the politics of synthetic ecologies and biologies. His forthcoming book The Stack: On Software and Sovereignty will be published by MIT Press January 2016. 3 A01 21 0000000180093160 Orit Halpern Orit Halpern Orit Halpern (PhD) is a historian of science whose work bridges histories of computing and the human sciences with design and art practice. Her most recent book Beautiful Data: A History of Vision and Reason since 1945 (Duke Press 2014) is a genealogy of interactivity and our contemporary obsessions with “big” data and data visualization. She is currently working on the history and political economy of ubiquitous computing, logistical systems, and responsive environments. She has also published and created works for a variety of venues including The Journal of Visual Culture, Public Culture, Configurations, C-theory, and ZKM in Karlsruhe, Germany. You can learn more at: www. orithalpern.net. 06 Own website http://www.orithalpern.net/ 4 A01 Adrian Lahoud Adrian Lahoud 40 01khx4a30 Goldsmiths University of London Adrian Lahoud is Director of the M.Arch Urban Design and Reader at Bartlett School of Architecture UCL and lecturer at the Centre for Research Architecture, Goldsmiths. His research is situated between philosophy, architecture and digital design, and focuses on post-traumatic urbanism and forensic architecture among other topics. Recently his work has been published in Forensis: The Architecture of Public Truth, The Journal of Architecture, Architecture and the Paradox of Dissidence, New Geographies, and Performing Trauma. 5 A01 Jon Lindblom Jon Lindblom 40 01khx4a30 Goldsmiths University of London Jon Lindblom is currently writing a thesis on the cultural implications of the scientific image of man, with a particular focus on the relationship between technology and cognition in the Visual Cultures Department at Goldsmiths, University of London. https://technihil.wordpress.com/. 6 A01 21 0000000229714707 Catherine Malabou Catherine Malabou Professor in Philosophy 40 05bbqza97 Kingston University Catherine Malabou is professor in the philosophy department at the centre for research in modern European philosophy (CRMEP) at Kingston University London. Her research has evolved around the term “plasticity” with regards to Hegel, medical science, stem cells, and neuroplasticity, among others. Her last book Self and Emotional Life: Philosophy, Psychoanalysis, and Neuroscience (Columbia University 2013) was published with Adrian Johnson. Her next book Avant Demain, Epigenèse et rationalité (Paris, 2014) wil be published with Polity Press in 2016. 7 A01 Reza Negarestani Reza Negarestani Reza Negarestani is a philosopher. His current philosophical project is focused on rationalist universalism beginning with the evolution of the modern system of knowledge and advancing toward contemporary philosophies of rationalism. 8 A01 Luciana Parisi Luciana Parisi 40 01khx4a30 Goldsmiths University of London Luciana Parisi is Reader in Cultural Theory, Chair of the PhD programme at the Centre for Cultural Studies, and co-director of the Digital Culture Unit, Goldsmiths University of London. Her research develops philosophical conceptions of matter and thought in the context of technocapitalist investments in artificial intelligence, biotechnology, nanotechnology. Currently she is working on the history of automation and the philosophical consequences of logical thinking in machines. Her last book was Contagious Architecture. Computation, Aesthetics and Space (MIT Press 2013). 9 A01 Matteo Pasquinelli Matteo Pasquinelli 06 Own website http://matteopasquinelli.com/ 10 A01 Ana Teixeira Pinto Ana Teixeira Pinto Lecturer 40 03eznrw16 Berlin University of the Arts Ana Teixeira Pinto is a writer from Lisbon based in Berlin currently lecturing at UdK (Universität der Künste). Her work has been published in publications such as e-flux Journal, Art-Agenda, Mousse, Frieze, Domus, Inaesthetics, The Manifesta Journal, or Text zur Kunst. 11 A01 21 0000000336381215 Michael Wheeler Michael Wheeler Professor of Philosophy 40 045wgfr59 University of Stirling Michael Wheeler is Professor of Philosophy at the University of Stirling. His primary research interests are in philosophy of science (especially cognitive science, psychology, biology and artificial intelligence) and philosophy of mind. His book, Reconstructing the Cognitive World: The Next Step, was published by MIT Press in 2005. 12 A01 21 0000000279569085 Charles T. Wolfe Charles Wolfe Researcher 40 00cv9y106 Ghent University Charles T. Wolfe is a researcher at Ghent University, Belgium, working primarily in history and philosophy of the early modern life sciences, with a particular interest in materialism and vitalism. His edited volumes include Monsters and Philosophy (2005), The Body as Object and Instrument of Knowledge (2010, with O. Gal), Vitalism and the scientific image in post-Enlightenment life-science (2013, with S. Normandin) and Brain Theory (2014); he has papers in journals including Multitudes, Progress in Biophysics and Molecular Biology and others 13 A01 21 0000000160175193 Ben Woodard Ben Woodard PhD Student 40 02grkyz14 Western University Ben Woodard is a PhD student in Theory and Criticism at Western University. His work focuses on the naturalism of FWJ von Schelling and the status of nature in contemporary philosophy. He is most recently the author of On an Ungrounded Earth: Towards a New Geophilosophy (Punctum, 2013). 06 Own website https://naughtthought.wordpress.com/ 01 eng 00 212 03 04 P87-96 10 SOC052000 93 UYQ 12 UYQ 04 C300-390 10 COM017000 93 GPFC 12 GPFC 10 COM004000 93 JBCT1 12 JFD 12 PSAN 93 PSAN 12 HP 93 QD 20 Artificial Intelligence; Extended Mind; Speculative Realism 01 06 02 00 What does thinking mean in the age of Artificial Intelligence? How is big-scale computation transforming the way our brains function? This collection discusses these pressing questions by looking beyond instrumental rationality. Exploring recent developments as well as examples from the history of cybernetics, the book uncovers the positive r 03 00 What does thinking mean in the age of Artificial Intelligence? How is big-scale computation transforming the way our brains function? This collection discusses these pressing questions by looking beyond instrumental rationality. Exploring recent developments as well as examples from the history of cybernetics, the book uncovers the positive role played by errors and traumas in the construction of our contemporary technological minds. With texts by Benjamin Bratton, Orit Halpern, Adrian Lahoud, Jon Lindblom, Catherine Malabou, Reza Negarestani, Luciana Parisi, Matteo Pasquinelli, Ana Teixeira Pinto, Michael Wheeler, Charles Wolfe, and Ben Woodard. 30 00 What does thinking mean in the age of Artificial Intelligence? How is big-scale computation transforming the way our brains function? This collection discusses these pressing questions by looking beyond instrumental rationality. Exploring recent developments as well as examples from the history of cybernetics, the book uncovers the positive role played by errors and traumas in the construction of our contemporary technological minds. With texts by Benjamin Bratton, Orit Halpern, Adrian Lahoud, Jon Lindblom, Catherine Malabou, Reza Negarestani, Luciana Parisi, Matteo Pasquinelli, Ana Teixeira Pinto, Michael Wheeler, Charles Wolfe, and Ben Woodard. 20 00 Open Access 01 00 03 02 This is the cover of the book Alleys of Your Mind. 02 http://meson.press/wp-content/uploads/2015/10/Pasquinelli-Cover-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/alleys-of-your-mind 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150714 Matteo Pasquinelli 02 WORLD 06 15 9783957960665 03 9783957960665 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/alleys-of-your-mind 20 08 20150714 01 urn:uuid:7927c10d-b08b-4e0e-85ed-7c27648b3b9f 03 01 01 thoth-work-id urn:uuid:966892e1-59f8-4658-93ae-3d212a44b21d 01 thoth-publication-id urn:uuid:7927c10d-b08b-4e0e-85ed-7c27648b3b9f 15 9783957960665 03 9783957960665 06 10.14619/014 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Alleys of Your Mind Augmented Intelligence and Its Traumas 1 B01 Matteo Pasquinelli Matteo Pasquinelli Visiting Assistant Professor 40 007m3p006 Pratt Institute Matteo Pasquinelli (PhD, London) is visiting Assistant Professor at the Department of Humanities and Media Studies of Pratt Institute, New York. He wrote the book Animal Spirits: A Bestiary of the Commons (Rotterdam: NAi, 2008) and edited the anthology Gli algoritmi del capitale (Verona: Ombrecorte, 2014) among others. He lectures frequently at the intersection of political philosophy, media theory and cognitive sciences in universities and art institutions. Together with Wietske Maas he wrote the Manifesto of Urban Cannibalism (2013). In 2014 at NGBK Berlin he co-curated the exhibition The Ultimate Capital is the Sun and the symposium The Metabolism of the Social Brain. 06 Own website http://matteopasquinelli.com/ 2 A01 Benjamin H. Bratton Benjamin H. Bratton Associate Professor of Visual Arts 40 0168r3w48 University of California, San Diego Benjamin H. Bratton is Associate Professor of Visual Arts at the University of California, San Diego. His work is situated at the intersections of contemporary social and political theory, computational media and infrastructure, architectural and urban design, and the politics of synthetic ecologies and biologies. His forthcoming book The Stack: On Software and Sovereignty will be published by MIT Press January 2016. 3 A01 21 0000000180093160 Orit Halpern Orit Halpern Orit Halpern (PhD) is a historian of science whose work bridges histories of computing and the human sciences with design and art practice. Her most recent book Beautiful Data: A History of Vision and Reason since 1945 (Duke Press 2014) is a genealogy of interactivity and our contemporary obsessions with “big” data and data visualization. She is currently working on the history and political economy of ubiquitous computing, logistical systems, and responsive environments. She has also published and created works for a variety of venues including The Journal of Visual Culture, Public Culture, Configurations, C-theory, and ZKM in Karlsruhe, Germany. You can learn more at: www. orithalpern.net. 06 Own website http://www.orithalpern.net/ 4 A01 Adrian Lahoud Adrian Lahoud 40 01khx4a30 Goldsmiths University of London Adrian Lahoud is Director of the M.Arch Urban Design and Reader at Bartlett School of Architecture UCL and lecturer at the Centre for Research Architecture, Goldsmiths. His research is situated between philosophy, architecture and digital design, and focuses on post-traumatic urbanism and forensic architecture among other topics. Recently his work has been published in Forensis: The Architecture of Public Truth, The Journal of Architecture, Architecture and the Paradox of Dissidence, New Geographies, and Performing Trauma. 5 A01 Jon Lindblom Jon Lindblom 40 01khx4a30 Goldsmiths University of London Jon Lindblom is currently writing a thesis on the cultural implications of the scientific image of man, with a particular focus on the relationship between technology and cognition in the Visual Cultures Department at Goldsmiths, University of London. https://technihil.wordpress.com/. 6 A01 21 0000000229714707 Catherine Malabou Catherine Malabou Professor in Philosophy 40 05bbqza97 Kingston University Catherine Malabou is professor in the philosophy department at the centre for research in modern European philosophy (CRMEP) at Kingston University London. Her research has evolved around the term “plasticity” with regards to Hegel, medical science, stem cells, and neuroplasticity, among others. Her last book Self and Emotional Life: Philosophy, Psychoanalysis, and Neuroscience (Columbia University 2013) was published with Adrian Johnson. Her next book Avant Demain, Epigenèse et rationalité (Paris, 2014) wil be published with Polity Press in 2016. 7 A01 Reza Negarestani Reza Negarestani Reza Negarestani is a philosopher. His current philosophical project is focused on rationalist universalism beginning with the evolution of the modern system of knowledge and advancing toward contemporary philosophies of rationalism. 8 A01 Luciana Parisi Luciana Parisi 40 01khx4a30 Goldsmiths University of London Luciana Parisi is Reader in Cultural Theory, Chair of the PhD programme at the Centre for Cultural Studies, and co-director of the Digital Culture Unit, Goldsmiths University of London. Her research develops philosophical conceptions of matter and thought in the context of technocapitalist investments in artificial intelligence, biotechnology, nanotechnology. Currently she is working on the history of automation and the philosophical consequences of logical thinking in machines. Her last book was Contagious Architecture. Computation, Aesthetics and Space (MIT Press 2013). 9 A01 Matteo Pasquinelli Matteo Pasquinelli 06 Own website http://matteopasquinelli.com/ 10 A01 Ana Teixeira Pinto Ana Teixeira Pinto Lecturer 40 03eznrw16 Berlin University of the Arts Ana Teixeira Pinto is a writer from Lisbon based in Berlin currently lecturing at UdK (Universität der Künste). Her work has been published in publications such as e-flux Journal, Art-Agenda, Mousse, Frieze, Domus, Inaesthetics, The Manifesta Journal, or Text zur Kunst. 11 A01 21 0000000336381215 Michael Wheeler Michael Wheeler Professor of Philosophy 40 045wgfr59 University of Stirling Michael Wheeler is Professor of Philosophy at the University of Stirling. His primary research interests are in philosophy of science (especially cognitive science, psychology, biology and artificial intelligence) and philosophy of mind. His book, Reconstructing the Cognitive World: The Next Step, was published by MIT Press in 2005. 12 A01 21 0000000279569085 Charles T. Wolfe Charles Wolfe Researcher 40 00cv9y106 Ghent University Charles T. Wolfe is a researcher at Ghent University, Belgium, working primarily in history and philosophy of the early modern life sciences, with a particular interest in materialism and vitalism. His edited volumes include Monsters and Philosophy (2005), The Body as Object and Instrument of Knowledge (2010, with O. Gal), Vitalism and the scientific image in post-Enlightenment life-science (2013, with S. Normandin) and Brain Theory (2014); he has papers in journals including Multitudes, Progress in Biophysics and Molecular Biology and others 13 A01 21 0000000160175193 Ben Woodard Ben Woodard PhD Student 40 02grkyz14 Western University Ben Woodard is a PhD student in Theory and Criticism at Western University. His work focuses on the naturalism of FWJ von Schelling and the status of nature in contemporary philosophy. He is most recently the author of On an Ungrounded Earth: Towards a New Geophilosophy (Punctum, 2013). 06 Own website https://naughtthought.wordpress.com/ 01 eng 00 212 03 04 P87-96 10 SOC052000 93 UYQ 12 UYQ 04 C300-390 10 COM017000 93 GPFC 12 GPFC 10 COM004000 93 JBCT1 12 JFD 12 PSAN 93 PSAN 12 HP 93 QD 20 Artificial Intelligence; Extended Mind; Speculative Realism 01 06 02 00 What does thinking mean in the age of Artificial Intelligence? How is big-scale computation transforming the way our brains function? This collection discusses these pressing questions by looking beyond instrumental rationality. Exploring recent developments as well as examples from the history of cybernetics, the book uncovers the positive r 03 00 What does thinking mean in the age of Artificial Intelligence? How is big-scale computation transforming the way our brains function? This collection discusses these pressing questions by looking beyond instrumental rationality. Exploring recent developments as well as examples from the history of cybernetics, the book uncovers the positive role played by errors and traumas in the construction of our contemporary technological minds. With texts by Benjamin Bratton, Orit Halpern, Adrian Lahoud, Jon Lindblom, Catherine Malabou, Reza Negarestani, Luciana Parisi, Matteo Pasquinelli, Ana Teixeira Pinto, Michael Wheeler, Charles Wolfe, and Ben Woodard. 30 00 What does thinking mean in the age of Artificial Intelligence? How is big-scale computation transforming the way our brains function? This collection discusses these pressing questions by looking beyond instrumental rationality. Exploring recent developments as well as examples from the history of cybernetics, the book uncovers the positive role played by errors and traumas in the construction of our contemporary technological minds. With texts by Benjamin Bratton, Orit Halpern, Adrian Lahoud, Jon Lindblom, Catherine Malabou, Reza Negarestani, Luciana Parisi, Matteo Pasquinelli, Ana Teixeira Pinto, Michael Wheeler, Charles Wolfe, and Ben Woodard. 20 00 Open Access 01 00 03 02 This is the cover of the book Alleys of Your Mind. 02 http://meson.press/wp-content/uploads/2015/10/Pasquinelli-Cover-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/alleys-of-your-mind 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150714 Matteo Pasquinelli 02 WORLD 06 15 9783957960658 03 9783957960658 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37566 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37566/978-3-95796-066-5-Alleys_of_Your_Mind.pdf 20 08 20150714 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/alleys-of-your-mind 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2015/11/978-3-95796-066-5-Alleys_of_Your_Mind.pdf 20 08 20150714 01 urn:uuid:b327dd1d-f923-47c4-9831-8aaca1b6a9ab 03 01 01 thoth-work-id urn:uuid:0646db25-6828-4c46-93f6-8ea8524554b9 01 thoth-publication-id urn:uuid:b327dd1d-f923-47c4-9831-8aaca1b6a9ab 15 9783957961501 03 9783957961501 06 10.14619/1501 00 EB E107 10 Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). 02 https://creativecommons.org/licenses/by-nc/4.0/ 10 01 Series ID d8c7752c-9550-4d6a-883a-a7a3ee820962 02 00000007 01 Series URL https://meson.press/series-page/in-search-of-media 03 6 01 02 In Search of Media 01 01 Archives 1 A01 21 0000000226605249 Andrew Lison Andrew Lison Assistant Professor of Media Study 40 01y64my43 University at Buffalo, State University of New York Andrew Lison is assistant professor of media study at the University at Buffalo, the State University of New York. His writing has appeared in New Formations, Science Fiction Studies, and a number of edited volumes, including The Global Sixties in Sound and Vision: Media, Counterculture, Revolt (Palgrave Macmillan, 2014), of which he is coeditor with Timothy Scott Brown. 2 A01 Marcell Mars Marcell Mars Research Associate 40 01tgmhj36 Coventry University Marcell Mars is research associate at the Centre for Postdigital Cultures at Coventry University (UK). Mars is one of the founders of Multimedia Institute/MAMA in Zagreb. His research, “Ruling Class Studies,” started at the Jan van Eyck Academy, examines state-of-the-art digital innovation, adaptation, and intelligence created by corporations such as Google, Amazon, Facebook, and eBay. He is a doctoral student at Digital Cultures Research Lab at Leuphana University, writing a thesis on “Foreshadowed Libraries.” Together with Tomislav Medak he founded Public Library/Memory of the World, for which he develops and maintains software infrastructure. 3 A01 21 0000000338440434 Tomislav Medak Tomislav Medak Doctoral student 40 01tgmhj36 Coventry University Tomislav Medak is a doctoral student at the Centre for Postdigital Cultures at Coventry University. He is a member of the theory and publishing team of Multimedia Institute/MAMA in Zagreb, as well as an amateur librarian for Public Library/Memory of the World and an artist in the performing arts collective BADco. His research focuses on technologies, capitalist development, and postcapitalist transition, particularly on economies of intellectual property and the unevenness of technoscience. He is the author of The Hard Matter of Abstraction—A Guidebook to Domination by Abstraction and Shit Tech for A Shitty World. Together with Marcell Mars he coedited Public Library and Guerrilla Open Access. 06 Own website https://tom.medak.click/en/ 4 A01 Rick Prelinger Rick Prelinger Professor of Film and Digital Media 40 03s65by71 University of California, Santa Cruz Rick Prelinger, professor of film and digital media at UC Santa Cruz, is an archivist, writer, and filmmaker. With Internet Archive, he built an open-access online repository of historical films beginning in 2000, which now contains 7,000 freely reusable films. His films include the archival feature Panorama Ephemera (2004), which played in venues around the world, and No More Road Trips?, which received a Creative Capital grant in 2012. His twenty-five participatory urban history projects have played to many thousands of viewers in San Francisco, Detroit, Oakland, Los Angeles, New York, and elsewhere. He is a board member of Internet Archive and frequently writes and speaks on the future of archives and issues relating to archival access and futures. With Megan Prelinger, he cofounded and codirects an experimental research library located in downtown San Francisco. 01 eng 00 97 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 04 CD921-4280 93 GLP 12 GLP 10 LAN025020 12 KNTC 93 KNTC 12 KNTP 93 KNTP 20 Digitization; Film Preservation; Digital Publishing; Archives; Archiving; Digital Memory; Digital Media 01 06 02 00 Archives have become a nexus in the wake of the digital turn. This book sets out to show how expanded archival practices can challenge contemporary conceptions and inform the redistribution of power and resources. Calling for the necessity to reimagine the potentials of archives in practice, the three contributions ask: Can archives fulfill t 03 00 Archives have become a nexus in the wake of the digital turn. This book sets out to show how expanded archival practices can challenge contemporary conceptions and inform the redistribution of power and resources. Calling for the necessity to reimagine the potentials of archives in practice, the three contributions ask: Can archives fulfill their paradoxical potential as utopian sites in which the analog and the digital, the past and future, and remembrance and forgetting commingle? 30 00 Archives have become a nexus in the wake of the digital turn. This book sets out to show how expanded archival practices can challenge contemporary conceptions and inform the redistribution of power and resources. Calling for the necessity to reimagine the potentials of archives in practice, the three contributions ask: Can archives fulfill their paradoxical potential as utopian sites in which the analog and the digital, the past and future, and remembrance and forgetting commingle? 20 00 Open Access 01 00 03 02 This is the cover of the book Archives. 02 https://meson.press/wp-content/uploads/2019/07/archives_cover_web-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/archives Lüneburg 04 01 20190808 Andrew Lison Marcell Mars Tomislav Medak Rick Prelinger 02 WORLD WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37547 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37547/978-3-95796-150-1-Archives.pdf 20 08 20190808 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/archives 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2019/08/978-3-95796-150-1-Archives.pdf 20 08 20190808 01 urn:uuid:6bf5a2f2-eec1-4690-96de-f40e5251178e 03 01 01 thoth-work-id urn:uuid:ced8071c-142a-43c6-b698-d0ad8eb82846 01 thoth-publication-id urn:uuid:6bf5a2f2-eec1-4690-96de-f40e5251178e 15 9783957961600 03 9783957961600 06 10.14619/1600 00 BC 10 01 220 mm 01 22 cm 01 8.66 in 02 155 mm 02 15.5 cm 02 6.1 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Beyond the Flow Scholarly Publications During and After the Digital 1 A01 21 0000000330433010 Niels-Oliver Walkowski Niels-Oliver Walkowski Research Scientist for Digital Literacy and Research 40 036x5ad56 University of Luxembourg Niels-Oliver Walkowski is a research scientist for digital literacy and research at the University of Luxembourg. Before, he worked for several years at the Berlin-Brandenburg Academy of Sciences and Humanities in research projects related to digital humanities, such as the European-level project Digital Research Infrastructure for the Arts and Humanities (DARIAH) or the repository for biographical data from the 19th century (Personendatenrepositorium). His main areas of interest is the impact of computational technologies on humanities research, cinemetrics and computational media analysis, as well as digital scholarly publishing, a topic about which he wrote his PhD at the Catholic University of Leuven. 01 eng 00 383 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 93 GTB 93 KCVM 93 KNTP 20 Digital Media; Digital Publishing; Open Access; Post-Digital 01 06 02 00 In the wake of the so-called digital revolution numerous attempts have been made to rethink and redesign what scholarly publications can or should be. Beyond the Flow examines the technologies as well as narratives driving this unfolding transformation. By unpacking the confusion, heterogeneity and uncertainty that is surrounding scholarly pu 03 00 In the wake of the so-called digital revolution numerous attempts have been made to rethink and redesign what scholarly publications can or should be. Beyond the Flow examines the technologies as well as narratives driving this unfolding transformation. By unpacking the confusion, heterogeneity and uncertainty that is surrounding scholarly publishing today the book asks for how a sustainable post-digital publishing ecology can be imagined. 30 00 In the wake of the so-called digital revolution numerous attempts have been made to rethink and redesign what scholarly publications can or should be. Beyond the Flow examines the technologies as well as narratives driving this unfolding transformation. By unpacking the confusion, heterogeneity and uncertainty that is surrounding scholarly publishing today the book asks for how a sustainable post-digital publishing ecology can be imagined. 20 00 Open Access 01 00 03 02 This is the cover of the book Beyond the Flow. 02 https://meson.press/wp-content/uploads/2019/07/beyond_the_flow_web-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/beyond-the-flow Lüneburg 04 01 20190903 Niels-OIiver Walkowski 02 WORLD 06 15 9783957961617 03 9783957961617 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/beyond-the-flow 20 08 20190903 01 urn:uuid:ad54c451-67b8-4125-bb53-5f805c6ce1e7 03 01 01 thoth-work-id urn:uuid:ced8071c-142a-43c6-b698-d0ad8eb82846 01 thoth-publication-id urn:uuid:ad54c451-67b8-4125-bb53-5f805c6ce1e7 15 9783957961617 03 9783957961617 06 10.14619/1600 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Beyond the Flow Scholarly Publications During and After the Digital 1 A01 21 0000000330433010 Niels-Oliver Walkowski Niels-Oliver Walkowski Research Scientist for Digital Literacy and Research 40 036x5ad56 University of Luxembourg Niels-Oliver Walkowski is a research scientist for digital literacy and research at the University of Luxembourg. Before, he worked for several years at the Berlin-Brandenburg Academy of Sciences and Humanities in research projects related to digital humanities, such as the European-level project Digital Research Infrastructure for the Arts and Humanities (DARIAH) or the repository for biographical data from the 19th century (Personendatenrepositorium). His main areas of interest is the impact of computational technologies on humanities research, cinemetrics and computational media analysis, as well as digital scholarly publishing, a topic about which he wrote his PhD at the Catholic University of Leuven. 01 eng 00 383 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 93 GTB 93 KCVM 93 KNTP 20 Digital Media; Digital Publishing; Open Access; Post-Digital 01 06 02 00 In the wake of the so-called digital revolution numerous attempts have been made to rethink and redesign what scholarly publications can or should be. Beyond the Flow examines the technologies as well as narratives driving this unfolding transformation. By unpacking the confusion, heterogeneity and uncertainty that is surrounding scholarly pu 03 00 In the wake of the so-called digital revolution numerous attempts have been made to rethink and redesign what scholarly publications can or should be. Beyond the Flow examines the technologies as well as narratives driving this unfolding transformation. By unpacking the confusion, heterogeneity and uncertainty that is surrounding scholarly publishing today the book asks for how a sustainable post-digital publishing ecology can be imagined. 30 00 In the wake of the so-called digital revolution numerous attempts have been made to rethink and redesign what scholarly publications can or should be. Beyond the Flow examines the technologies as well as narratives driving this unfolding transformation. By unpacking the confusion, heterogeneity and uncertainty that is surrounding scholarly publishing today the book asks for how a sustainable post-digital publishing ecology can be imagined. 20 00 Open Access 01 00 03 02 This is the cover of the book Beyond the Flow. 02 https://meson.press/wp-content/uploads/2019/07/beyond_the_flow_web-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/beyond-the-flow Lüneburg 04 01 20190903 Niels-OIiver Walkowski 02 WORLD 06 15 9783957961600 03 9783957961600 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37544 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37544/978-3-95796-161-7-Beyond-the-Flow.pdf 20 08 20190903 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/beyond-the-flow 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2019/07/978-3-95796-161-7-Beyond-the-Flow.pdf 20 08 20190903 01 urn:uuid:ea659075-93af-44f7-bace-51800eb2f262 03 01 01 thoth-work-id urn:uuid:bb92508e-9bb5-4335-a4b2-51e134659967 01 thoth-publication-id urn:uuid:ea659075-93af-44f7-bace-51800eb2f262 15 9783957960597 03 9783957960597 06 10.14619/0597 00 EB E107 10 Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). 02 https://creativecommons.org/licenses/by-nc/4.0/ 10 01 Series ID d8c7752c-9550-4d6a-883a-a7a3ee820962 02 00000007 01 Series URL https://meson.press/series-page/in-search-of-media 03 14 01 02 In Search of Media 01 01 Boundary Images 1 A01 21 0000000348125972 Giselle Beiguelman Giselle Beiguelman Associate Professor 40 036rp1748 Universidade de São Paulo Giselle Beiguelman is an artist and associate professor in the faculty of architecture, urbanism, and design at the University of São Paulo. She is the author of Políticas da Imagem: Vigilância e Resistência na Dadosfera Politics (Politics of the image: surveillance and resistance in the datasphere), among others. Her artistic works are part of museum collections in Brazil and abroad, including ZKM (Germany), Jewish Museum Berlin, and Pinacoteca de São Paulo. 2 A01 21 0000000300633134 Melody Devries Melody Devries PhD candidate 40 05g13zd79 Toronto Metropolitan University Melody Devries is a PhD candidate and digital ethnographer at Toronto Metropolitan University studying how users construct political worlds online. She is coeditor of Rise of the Far-Right: Technologies of Recruitment and Mobilization, has recently published in the Canadian Journal of Communication, and is currently editing a special issue with Big Data & Society. 3 A01 21 0000000207904737 Winnie Soon Winnie Soon Senior Lecturer 40 04cnfrn26 University of the Arts London Associate Professor 40 01aj84f44 Aarhus University Winnie Soon is an artist and course leader/senior lecturer at Creative Computing Institute, University of the Arts London, as well as associate professor at Aarhus University. Their latest coauthored books are Aesthetic Programming: A Handbook of Software Studies and Fix My Code, intersecting critical art and technology practices. 4 A01 21 0000000329030353 Magdalena Tyżlik-Carver Magdalena Tyżlik-Carver Associate Professor 40 01aj84f44 Aarhus University Magdalena Tyżlik-Carver is associate professor of digital communication and culture in the Department of Digital Design and Information Studies at Aarhus University and curator of digital art and design. Her recent curatorial projects include the exhibitions Fermenting Data: Aarhus 8000-8220 (2021) and Screenshots: Desire and Automated Image (2019). She is coeditor of Executing Practices. 01 eng 00 146 03 93 JBCT1 04 P87-96 10 SOC052000 20 digital images 01 06 02 00 How are images made, and how should we understand the capacities of digital images? This book investigates images as well as the technologies that host them. Its three chapters discuss the boundaries that images cross and blur between humans, machines, and nature and the ways in which images are political, material, and visual. Exploring thes 03 00 How are images made, and how should we understand the capacities of digital images? This book investigates images as well as the technologies that host them. Its three chapters discuss the boundaries that images cross and blur between humans, machines, and nature and the ways in which images are political, material, and visual. Exploring these boundaries of images, this book places itself at the limits of the visual and beyond what can be seen, understanding these as starting points for the production of new and radically different ways of knowing about the world and its becomings. 30 00 How are images made, and how should we understand the capacities of digital images? This book investigates images as well as the technologies that host them. Its three chapters discuss the boundaries that images cross and blur between humans, machines, and nature and the ways in which images are political, material, and visual. Exploring these boundaries of images, this book places itself at the limits of the visual and beyond what can be seen, understanding these as starting points for the production of new and radically different ways of knowing about the world and its becomings. 20 00 Open Access 01 00 03 02 This is the cover of Boundary Images. 02 https://meson.press/wp-content/uploads/2024/01/Boundary_Images_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/boundary-images/ 16 40 0213rcc28 32 10.13039/501100004326 Simon Fraser University 01 programname Canada 150 Research Chairs Program Lüneburg 04 01 20231007 Giselle Beiguelman, Melody Devries, Winnie Soon, and Magdalena Tyżlik-Carver 02 WORLD WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/90775 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/90775/978-3-95796-059-7-Boundary-Images.pdf 20 08 20231007 01 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/boundary-images/ 29 Publisher's website: download the title https://meson.press/wp-content/uploads/2024/01/978-3-95796-059-7-Boundary-Images.pdf 20 08 20231007 01 urn:uuid:fa7c747c-5454-474b-b1e1-d1aeb42797fc 03 01 01 thoth-work-id urn:uuid:e77608d1-021d-4dd4-a38c-4ac98cf2d1cf 01 thoth-publication-id urn:uuid:fa7c747c-5454-474b-b1e1-d1aeb42797fc 15 9783957960887 03 9783957960887 06 10.14619/0887 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 4433718b-565b-4e98-b1ef-43519635928f 02 00000009 01 Series URL https://meson.press/series-page/configurations-of-film 03 12 01 02 Configurations of Film 01 01 Children Reinventing Cinema Snapshots from the Early 21st Century 1 A01 Alexandra Schneider Alexandra Schneider Professor of Film and Media Studies 40 023b0x485 Johannes Gutenberg University Mainz Alexandra Schneider is Professor of Film and Media Studies at the Johannes Gutenberg-University Mainz and Principal Investigator at the DFG-funded Research Training Group “Configurations of Film.” 2 A01 Wanda Strauven Wanda Strauven Adjunct Professor in Film and Media Studies 40 00hj8s172 Columbia University Wanda Strauven is Adjunct Professor in Film and Media Studies at Columbia University. She is also affiliated with the Institute of Theater, Film and Media Studies at Goethe University Frankfurt. Her research focuses on early and avant-garde cinema, media archaeology, tactile media, and children’s interaction with media. 01 eng 93 ATF 04 P87-96 10 PER004000 93 JBCT1 10 SOC052000 93 JN 20 children; cinema; film; camera; mobile phone; media archaeology; media culture; formats; play 01 06 02 00 Children today discover a new digital drawing tool, the camera-crayon, at a very young age. They appropriate devices such as compact cameras and mobile phones and make their own media artifacts in their play. Expanding on a media-archaeological approach to film history, this book maps children’s playful and imaginative knowledge of contempora 03 00 Children today discover a new digital drawing tool, the camera-crayon, at a very young age. They appropriate devices such as compact cameras and mobile phones and make their own media artifacts in their play. Expanding on a media-archaeological approach to film history, this book maps children’s playful and imaginative knowledge of contemporary media culture and explores their filmmaking practices that push the boundaries of forms and formats. 30 00 Children today discover a new digital drawing tool, the camera-crayon, at a very young age. They appropriate devices such as compact cameras and mobile phones and make their own media artifacts in their play. Expanding on a media-archaeological approach to film history, this book maps children’s playful and imaginative knowledge of contemporary media culture and explores their filmmaking practices that push the boundaries of forms and formats. 20 00 Open Access 01 00 03 02 This is the cover of the publication Children Reinventing Cinema. 02 https://meson.press/wp-content/uploads/2025/06/Children_Reinventing_Cinema_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/children-reinventing-cinema/ 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Graduiertenkolleg 01 projectname GRK 2279: Konfigurationen des Films 01 projectshortname Konfigurationen des Films 01 grantnumber 310565625 Lüneburg 04 01 20250616 Alexandra Schneider and Wanda Strauven 02 WORLD 06 15 9783957960894 03 9783957960894 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/children-reinventing-cinema/ 20 08 20250616 01 urn:uuid:ba2da9c8-5ec1-4f04-a83d-017f5a0c7c2c 03 01 01 thoth-work-id urn:uuid:e77608d1-021d-4dd4-a38c-4ac98cf2d1cf 01 thoth-publication-id urn:uuid:ba2da9c8-5ec1-4f04-a83d-017f5a0c7c2c 15 9783957960894 03 9783957960894 06 10.14619/0887 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 4433718b-565b-4e98-b1ef-43519635928f 02 00000009 01 Series URL https://meson.press/series-page/configurations-of-film 03 12 01 02 Configurations of Film 01 01 Children Reinventing Cinema Snapshots from the Early 21st Century 1 A01 Alexandra Schneider Alexandra Schneider Professor of Film and Media Studies 40 023b0x485 Johannes Gutenberg University Mainz Alexandra Schneider is Professor of Film and Media Studies at the Johannes Gutenberg-University Mainz and Principal Investigator at the DFG-funded Research Training Group “Configurations of Film.” 2 A01 Wanda Strauven Wanda Strauven Adjunct Professor in Film and Media Studies 40 00hj8s172 Columbia University Wanda Strauven is Adjunct Professor in Film and Media Studies at Columbia University. She is also affiliated with the Institute of Theater, Film and Media Studies at Goethe University Frankfurt. Her research focuses on early and avant-garde cinema, media archaeology, tactile media, and children’s interaction with media. 01 eng 93 ATF 04 P87-96 10 PER004000 93 JBCT1 10 SOC052000 93 JN 20 children; cinema; film; camera; mobile phone; media archaeology; media culture; formats; play 01 06 02 00 Children today discover a new digital drawing tool, the camera-crayon, at a very young age. They appropriate devices such as compact cameras and mobile phones and make their own media artifacts in their play. Expanding on a media-archaeological approach to film history, this book maps children’s playful and imaginative knowledge of contempora 03 00 Children today discover a new digital drawing tool, the camera-crayon, at a very young age. They appropriate devices such as compact cameras and mobile phones and make their own media artifacts in their play. Expanding on a media-archaeological approach to film history, this book maps children’s playful and imaginative knowledge of contemporary media culture and explores their filmmaking practices that push the boundaries of forms and formats. 30 00 Children today discover a new digital drawing tool, the camera-crayon, at a very young age. They appropriate devices such as compact cameras and mobile phones and make their own media artifacts in their play. Expanding on a media-archaeological approach to film history, this book maps children’s playful and imaginative knowledge of contemporary media culture and explores their filmmaking practices that push the boundaries of forms and formats. 20 00 Open Access 01 00 03 02 This is the cover of the publication Children Reinventing Cinema. 02 https://meson.press/wp-content/uploads/2025/06/Children_Reinventing_Cinema_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/children-reinventing-cinema/ 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Graduiertenkolleg 01 projectname GRK 2279: Konfigurationen des Films 01 projectshortname Konfigurationen des Films 01 grantnumber 310565625 Lüneburg 04 01 20250616 Alexandra Schneider and Wanda Strauven 02 WORLD 06 15 9783957960887 03 9783957960887 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/children-reinventing-cinema/ 29 Publisher's website: download the title https://meson.press/wp-content/uploads/2025/05/978-3-95796-089-4_Children-Reinventing-Cinema.pdf 20 08 20250616 01 urn:uuid:caf013c1-a75a-44f9-8a09-a2a4dc2c1066 03 01 01 thoth-work-id urn:uuid:5bbbfd29-5db6-4059-a392-1323bd13cab4 01 thoth-publication-id urn:uuid:caf013c1-a75a-44f9-8a09-a2a4dc2c1066 15 9783957960450 03 9783957960450 06 10.14619/010 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 3dfe915a-a1d8-40a3-9561-1ad437c67ce4 02 00000003 01 Series URL https://meson.press/series-page/media-democracy-political-process-series 03 2 01 02 Media, Democracy & Political Process 01 01 Citizen Lobby From Capacity to Influence 1 A01 Leif Thomas Olsen Lief Thomas Olsen Leif Thomas Olsen is an international management consultant turned inequality-researcher, studying cultures’ impact on multilateral cooperation and human inter-action, as well as the relationship between the local and the global; the blend of which has been coined ‘glocalism.’ Downstream from here one finds the means and ways by which our societies organize democratic representation and electoral influence. This is a field that, although currently dominated by web-tech solutions, is still locked into a 300 year old doctrine suggesting that politics is too complicated for ordinary people to engage in. As long as ordinary citizens are seen by institutional power as nothing but policy consumers, sub-optimization and abuse of common resources will remain a problem. Leif Thomas Olsen’s research pinpoints underlying causes and discusses alternative futures, and includes the Cultural Formula, Glocal Democracy and the Citizen Lobby. 01 eng 00 169 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 04 JF799-1177 12 JPH 93 JPH 10 POL016000 20 Politics; Political System; Jürgen Habermas; Participation 01 06 02 00 The Internet holds endless opportunities for exchange and dialogue and the promise of developing a better democratic model. Day-to-day politics are largely driven by economic lobbies in the interest of what Habermas calls their „generalised particularism,“ the threat to take jobs and tax revenues elsewhere. Citizens’ influence over politician 03 00 The Internet holds endless opportunities for exchange and dialogue and the promise of developing a better democratic model. Day-to-day politics are largely driven by economic lobbies in the interest of what Habermas calls their „generalised particularism,“ the threat to take jobs and tax revenues elsewhere. Citizens’ influence over politicians is twofold: they are asked for their input in elections, referenda, online consultations and surveys, and citizens can initiate issues where they see political action needed. Yet these “participative forces,” including NGOs, street rallies and charities, regularly fail to reach the ears of elected politicians as effectively as those of well-funded corporate lobbies. Also, this type of voluntary engagement often falls short of presenting the kind of reasoned challenges to the incumbents—by the electorate—that Habermas’ communicative action aimed at. A more powerful model would therefore organise the efforts of the electorate in a way that both generates those reasoned arguments, which, as Habermas quite correctly pointed out differ from mere opinions, and delivers them to the elected politicians in a manner they can neither refuse nor ignore. This is what the Citizen Lobby intends to do. 30 00 The Internet holds endless opportunities for exchange and dialogue and the promise of developing a better democratic model. Day-to-day politics are largely driven by economic lobbies in the interest of what Habermas calls their „generalised particularism,“ the threat to take jobs and tax revenues elsewhere. Citizens’ influence over politicians is twofold: they are asked for their input in elections, referenda, online consultations and surveys, and citizens can initiate issues where they see political action needed. Yet these “participative forces,” including NGOs, street rallies and charities, regularly fail to reach the ears of elected politicians as effectively as those of well-funded corporate lobbies. Also, this type of voluntary engagement often falls short of presenting the kind of reasoned challenges to the incumbents—by the electorate—that Habermas’ communicative action aimed at. A more powerful model would therefore organise the efforts of the electorate in a way that both generates those reasoned arguments, which, as Habermas quite correctly pointed out differ from mere opinions, and delivers them to the elected politicians in a manner they can neither refuse nor ignore. This is what the Citizen Lobby intends to do. 20 00 Open Access 01 00 03 02 This is the cover of the book Citizen Lobby. 02 http://meson.press/wp-content/uploads/2015/07/Olsen-Cover_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/citizen-lobby 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20151001 Leif Thomas Olsen 02 WORLD 06 15 9783957960467 03 9783957960467 06 15 9783957960474 03 9783957960474 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/citizen-lobby 20 08 20151001 01 urn:uuid:6d47586d-76f9-487a-ad9b-cb09e70fa9e9 03 01 01 thoth-work-id urn:uuid:5bbbfd29-5db6-4059-a392-1323bd13cab4 01 thoth-publication-id urn:uuid:6d47586d-76f9-487a-ad9b-cb09e70fa9e9 15 9783957960467 03 9783957960467 06 10.14619/010 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 3dfe915a-a1d8-40a3-9561-1ad437c67ce4 02 00000003 01 Series URL https://meson.press/series-page/media-democracy-political-process-series 03 2 01 02 Media, Democracy & Political Process 01 01 Citizen Lobby From Capacity to Influence 1 A01 Leif Thomas Olsen Lief Thomas Olsen Leif Thomas Olsen is an international management consultant turned inequality-researcher, studying cultures’ impact on multilateral cooperation and human inter-action, as well as the relationship between the local and the global; the blend of which has been coined ‘glocalism.’ Downstream from here one finds the means and ways by which our societies organize democratic representation and electoral influence. This is a field that, although currently dominated by web-tech solutions, is still locked into a 300 year old doctrine suggesting that politics is too complicated for ordinary people to engage in. As long as ordinary citizens are seen by institutional power as nothing but policy consumers, sub-optimization and abuse of common resources will remain a problem. Leif Thomas Olsen’s research pinpoints underlying causes and discusses alternative futures, and includes the Cultural Formula, Glocal Democracy and the Citizen Lobby. 01 eng 00 169 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 04 JF799-1177 12 JPH 93 JPH 10 POL016000 20 Politics; Political System; Jürgen Habermas; Participation 01 06 02 00 The Internet holds endless opportunities for exchange and dialogue and the promise of developing a better democratic model. Day-to-day politics are largely driven by economic lobbies in the interest of what Habermas calls their „generalised particularism,“ the threat to take jobs and tax revenues elsewhere. Citizens’ influence over politician 03 00 The Internet holds endless opportunities for exchange and dialogue and the promise of developing a better democratic model. Day-to-day politics are largely driven by economic lobbies in the interest of what Habermas calls their „generalised particularism,“ the threat to take jobs and tax revenues elsewhere. Citizens’ influence over politicians is twofold: they are asked for their input in elections, referenda, online consultations and surveys, and citizens can initiate issues where they see political action needed. Yet these “participative forces,” including NGOs, street rallies and charities, regularly fail to reach the ears of elected politicians as effectively as those of well-funded corporate lobbies. Also, this type of voluntary engagement often falls short of presenting the kind of reasoned challenges to the incumbents—by the electorate—that Habermas’ communicative action aimed at. A more powerful model would therefore organise the efforts of the electorate in a way that both generates those reasoned arguments, which, as Habermas quite correctly pointed out differ from mere opinions, and delivers them to the elected politicians in a manner they can neither refuse nor ignore. This is what the Citizen Lobby intends to do. 30 00 The Internet holds endless opportunities for exchange and dialogue and the promise of developing a better democratic model. Day-to-day politics are largely driven by economic lobbies in the interest of what Habermas calls their „generalised particularism,“ the threat to take jobs and tax revenues elsewhere. Citizens’ influence over politicians is twofold: they are asked for their input in elections, referenda, online consultations and surveys, and citizens can initiate issues where they see political action needed. Yet these “participative forces,” including NGOs, street rallies and charities, regularly fail to reach the ears of elected politicians as effectively as those of well-funded corporate lobbies. Also, this type of voluntary engagement often falls short of presenting the kind of reasoned challenges to the incumbents—by the electorate—that Habermas’ communicative action aimed at. A more powerful model would therefore organise the efforts of the electorate in a way that both generates those reasoned arguments, which, as Habermas quite correctly pointed out differ from mere opinions, and delivers them to the elected politicians in a manner they can neither refuse nor ignore. This is what the Citizen Lobby intends to do. 20 00 Open Access 01 00 03 02 This is the cover of the book Citizen Lobby. 02 http://meson.press/wp-content/uploads/2015/07/Olsen-Cover_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/citizen-lobby 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20151001 Leif Thomas Olsen 02 WORLD 06 15 9783957960450 03 9783957960450 06 15 9783957960474 03 9783957960474 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37570 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37570/9783957960467-Citizen-Lobby.pdf 20 08 20151001 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/citizen-lobby 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2015/07/9783957960467-Citizen-Lobby.pdf 20 08 20151001 01 urn:uuid:e8d8a4f7-db5f-4236-8eb6-5b7e438e3853 03 01 01 thoth-work-id urn:uuid:5bbbfd29-5db6-4059-a392-1323bd13cab4 01 thoth-publication-id urn:uuid:e8d8a4f7-db5f-4236-8eb6-5b7e438e3853 15 9783957960474 03 9783957960474 06 10.14619/010 00 EB E101 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 3dfe915a-a1d8-40a3-9561-1ad437c67ce4 02 00000003 01 Series URL https://meson.press/series-page/media-democracy-political-process-series 03 2 01 02 Media, Democracy & Political Process 01 01 Citizen Lobby From Capacity to Influence 1 A01 Leif Thomas Olsen Lief Thomas Olsen Leif Thomas Olsen is an international management consultant turned inequality-researcher, studying cultures’ impact on multilateral cooperation and human inter-action, as well as the relationship between the local and the global; the blend of which has been coined ‘glocalism.’ Downstream from here one finds the means and ways by which our societies organize democratic representation and electoral influence. This is a field that, although currently dominated by web-tech solutions, is still locked into a 300 year old doctrine suggesting that politics is too complicated for ordinary people to engage in. As long as ordinary citizens are seen by institutional power as nothing but policy consumers, sub-optimization and abuse of common resources will remain a problem. Leif Thomas Olsen’s research pinpoints underlying causes and discusses alternative futures, and includes the Cultural Formula, Glocal Democracy and the Citizen Lobby. 01 eng 00 169 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 04 JF799-1177 12 JPH 93 JPH 10 POL016000 20 Politics; Political System; Jürgen Habermas; Participation 01 06 02 00 The Internet holds endless opportunities for exchange and dialogue and the promise of developing a better democratic model. Day-to-day politics are largely driven by economic lobbies in the interest of what Habermas calls their „generalised particularism,“ the threat to take jobs and tax revenues elsewhere. Citizens’ influence over politician 03 00 The Internet holds endless opportunities for exchange and dialogue and the promise of developing a better democratic model. Day-to-day politics are largely driven by economic lobbies in the interest of what Habermas calls their „generalised particularism,“ the threat to take jobs and tax revenues elsewhere. Citizens’ influence over politicians is twofold: they are asked for their input in elections, referenda, online consultations and surveys, and citizens can initiate issues where they see political action needed. Yet these “participative forces,” including NGOs, street rallies and charities, regularly fail to reach the ears of elected politicians as effectively as those of well-funded corporate lobbies. Also, this type of voluntary engagement often falls short of presenting the kind of reasoned challenges to the incumbents—by the electorate—that Habermas’ communicative action aimed at. A more powerful model would therefore organise the efforts of the electorate in a way that both generates those reasoned arguments, which, as Habermas quite correctly pointed out differ from mere opinions, and delivers them to the elected politicians in a manner they can neither refuse nor ignore. This is what the Citizen Lobby intends to do. 30 00 The Internet holds endless opportunities for exchange and dialogue and the promise of developing a better democratic model. Day-to-day politics are largely driven by economic lobbies in the interest of what Habermas calls their „generalised particularism,“ the threat to take jobs and tax revenues elsewhere. Citizens’ influence over politicians is twofold: they are asked for their input in elections, referenda, online consultations and surveys, and citizens can initiate issues where they see political action needed. Yet these “participative forces,” including NGOs, street rallies and charities, regularly fail to reach the ears of elected politicians as effectively as those of well-funded corporate lobbies. Also, this type of voluntary engagement often falls short of presenting the kind of reasoned challenges to the incumbents—by the electorate—that Habermas’ communicative action aimed at. A more powerful model would therefore organise the efforts of the electorate in a way that both generates those reasoned arguments, which, as Habermas quite correctly pointed out differ from mere opinions, and delivers them to the elected politicians in a manner they can neither refuse nor ignore. This is what the Citizen Lobby intends to do. 20 00 Open Access 01 00 03 02 This is the cover of the book Citizen Lobby. 02 http://meson.press/wp-content/uploads/2015/07/Olsen-Cover_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/citizen-lobby 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20151001 Leif Thomas Olsen 02 WORLD 06 15 9783957960450 03 9783957960450 06 15 9783957960467 03 9783957960467 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/citizen-lobby 20 08 20151001 01 urn:uuid:0dcdc845-6256-428d-9d6d-002bee30f916 03 01 01 thoth-work-id urn:uuid:473fcddc-23ee-46a4-8ffa-afa5020ac540 01 thoth-publication-id urn:uuid:0dcdc845-6256-428d-9d6d-002bee30f916 15 9783957961464 03 9783957961464 06 10.14619/1464 00 EB E107 10 Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). 02 https://creativecommons.org/licenses/by-nc/4.0/ 10 01 Series ID d8c7752c-9550-4d6a-883a-a7a3ee820962 02 00000007 01 Series URL https://meson.press/series-page/in-search-of-media 03 3 01 02 In Search of Media 01 01 Communication 1 A01 21 0000000182966041 Paula Bialski Paula Bialski Junior Professor of Digital Sociality 40 02w2y2t16 Leuphana University of Lüneburg Paula Bialski is junior professor of digital sociality at Leuphana University Lüneburg. She is an ethnographer of new media in everyday life and the author of Becoming Intimately Mobile. 2 A01 Finn Brunton Finn Brunton Assistant Professor of Media, Culture, and Communication 40 0190ak572 New York University Finn Brunton is assistant professor of media, culture, and communication at New York University. He works on the history and theory of computing and digital media technologies. He is the author of Spam: A Shadow History of the Internet, Obfuscation: A User’s Guide for Privacy and Protest (with Helen Nissenbaum), and Digital Cash: A Cultural History. 06 Own website http://finnb.net/ 3 A01 21 0000000328760522 Mercedes Bunz Mercedes Bunz Senior Lecturer in Digital Society 40 0220mzb33 King's College London Dr Mercedes Bunz is Senior Lecturer in Digital Society at the Department of Digital Humanities, King’s College London. She came to London in 2009 to work as the technology reporter of The Guardian. Her research explores how digital technology transforms knowledge and power. Her last book is COMMUNICATION (meson press & University of Minnesota Press 2019), with Finn Brunton and Paula Bialski, which discusses how contemporary communication puts us not only in conversation with one another but also with our machinery. Before that, she published THE INTERNET OF THINGS (Polity 2018) written with Professor Graham Meikle. 06 Own website https://mercedesbunz.net/ 01 eng 00 136 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 10 COM043000 12 UT 93 UT 20 Communication; Digital Media; Media Studies 01 06 02 00 Contemporary communication puts us not only in conversation with one another but also with our machinery. Machine communication—to communicate not just via but also with machines—is therefore the focus of this volume. Diving into digital communications history, Finn Brunton brings to the fore the alienness of computational communication by lo 03 00 Contemporary communication puts us not only in conversation with one another but also with our machinery. Machine communication—to communicate not just via but also with machines—is therefore the focus of this volume. Diving into digital communications history, Finn Brunton brings to the fore the alienness of computational communication by looking at network timekeeping, automated trolling, and early attempts at communication with extraterrestrial life. Picking up this fascination with inhuman communication, Mercedes Bunz then performs a close reading of interaction design and interfaces to show how technology addresses humans (as very young children). Finally, Paula Bialski shares her findings from a field study of software development, analyzing the communicative forms that occur when code is written by separate people. Today, communication unfolds merely between two or more conscious entities but often includes an invisible third party. Inspired by this drastic shift, this volume uncovers new meanings of what it means “to communicate.” 30 00 Contemporary communication puts us not only in conversation with one another but also with our machinery. Machine communication—to communicate not just via but also with machines—is therefore the focus of this volume. Diving into digital communications history, Finn Brunton brings to the fore the alienness of computational communication by looking at network timekeeping, automated trolling, and early attempts at communication with extraterrestrial life. Picking up this fascination with inhuman communication, Mercedes Bunz then performs a close reading of interaction design and interfaces to show how technology addresses humans (as very young children). Finally, Paula Bialski shares her findings from a field study of software development, analyzing the communicative forms that occur when code is written by separate people. Today, communication unfolds merely between two or more conscious entities but often includes an invisible third party. Inspired by this drastic shift, this volume uncovers new meanings of what it means “to communicate.” 20 00 Open Access 01 00 03 02 This is the cover of the book Communication. 02 https://meson.press/wp-content/uploads/2019/01/communication_cover_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/communication/ Lüneburg 04 01 20190125 Paula Bialski Finn Brunton Mercedes Bunz 02 WORLD WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37550 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37550/9783957961464-Communication.pdf 20 08 20190125 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/communication/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2019/01/9783957961464-Communication.pdf 20 08 20190125 01 urn:uuid:94cb5c00-2618-4c55-bad6-51d15ece4018 03 01 01 thoth-work-id urn:uuid:714e307f-5d81-44ef-811a-4483dd88b32e 01 thoth-publication-id urn:uuid:94cb5c00-2618-4c55-bad6-51d15ece4018 15 9783957962188 03 9783957962188 06 10.14619/2188 00 BC 10 01 234 mm 01 23.4 cm 01 9.21 in 02 156 mm 02 15.6 cm 02 6.14 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Containment Technologies of Holding, Filtering, Leaking 1 B01 21 0000000329439394 Marie-Luise Angerer Marie-Luise Angerer Professor of Media Studies 40 03bnmw459 University of Potsdam Marie-Luise Angerer was a professor of Media Studies at the University of Potsdam, Acting Director of the Brandenburg Centre for Media Studies (ZeM), and spokesperson of the graduate program Sensing: The Knowledge of Sensitive Media. Her research focussed on the relation between media technology, affect theory, and the re-formulation of the inside and outside of body and brain through the parameters of neuroscience and media technology. Among her many publications are Ecology of Affect: Intensive Milieus and Contingent Encounters (meson press, 2017), Desire After Affect (Rowman & Littlefield, 2014, German original diaphanes, 2007), and Timing of Affect: Epistemologies, Aesthetics, Politics (with Bernd Bösel and Michaela Ott, diaphanes 2014). Her last book on the Nonconscious (meson press 2022) deals with the question of synching processes between mind and machine. 2 B01 21 0000000184485778 Ingrid Richardson Ingrid Richardson Professor of Digital Media 40 04ttjf776 RMIT University Ingrid Richardson is Professor of Digital Media in the School of Media & Communication at RMIT University, Melbourne, Australia. She is a digital ethnographer and phenomenologist with a broad interest in the human– technology relation and mediated embodiment, and the application of innovative research methods in these contexts. She is co-author of Ambient Play (MIT Press, 2020), Exploring Minecraft (2020), Understanding Games and Game Cultures (Sage, 2021), and Bodies and Mobile Media (Polity, 2023). 3 B01 Hannah Schmedes Hannah Schmedes PhD candidate 40 04tsk2644 Ruhr University Bochum Hannah Schmedes is a PhD candidate in Gender Media Studies at Ruhr-University Bochum. She is a researcher in the project “Bicycle Media. Cooperative Media of Mobility” at the University of Siegen and an associate member of the graduate program “The Documentary” at the Ruhr-University Bochum. Her dissertation on queerfeminist infrastructure critique explores how gender politics are coded into infrastructures and platforms. “Containing: Leaks” was the topic of her M.A. in European Media Studies at the University of Potsdam, which followed a B.A. in Cultural Studies and Philosophy at the Leuphana University of Lüneburg. She is part of the feminist collective Wiki Riot Squad, where she has led writing workshops on Wikipedia's publishing and interface policies. Recent talks and publications have explored themes of porosity, leakiness, and witchcraft in relation to gender and infrastructure. 4 B01 Zoë Sofoulis Zoë Sofoulis Zoë Sofoulis, from the Institute for Culture and Society at Western Sydney University, is a retired interdisciplinary researcher with a longstanding interest in the myths and symbols of high-tech culture. Her earlier writings (under the name Zoë Sofia) focussed on science fiction, cyberculture, and electronic arts. She is more recently known for practical applications of qualitative cultural research and humanities perspectives in fields where technology and engineering predominate, especially urban water, where her papers have helped define a cultural and sociotechnical perspective on metropolitan water and demand management. When strangers ask if she has had children, Zoë is proud to say “No, but I’ve had postgraduates,” some of whom are contributors to this book. 5 A01 21 0000000211055977 Daniela Agostinho Daniela Agostinho Assistant Professor 40 01aj84f44 Aarhus University Daniela Agostinho is Assistant Professor at the School of Communication and Culture, University of Aarhus. She works in the fields of visual and digital culture and artistic and curatorial research, with a particular focus on colonial archives and the care and display of contested histories. She is co-editor of the books (W)archives: Archival Imaginaries, War and Contemporary Art (Sternberg Press/MIT Press, 2020) and Uncertain Archives. Critical Keywords for Big Data (MIT Press, 2021). She co-directs the network “Reparative Encounters: a transcontinental network for artistic research and reparative practices” with colleagues from the US Virgin Islands, Ghana, Kalaallit Nunaat and Denmark. 6 A01 21 0000000217555075 Hélène Frichot Hélène Frichot Professor of Architecture and Philosophy 40 01ej9dk98 University of Melbourne Hélène Frichot is Professor of Architecture and Philosophy, and Director of the Bachelor of Design, Faculty of Architecture, Building and Planning at the University of Melbourne, Australia. She is the former Director of Critical Studies in Architecture, School of Architecture, KTH Stockholm, Sweden. Her recent publications include Dirty Theory: Troubling Architecture (AADR 2019), Creative Ecologies: Theorizing the Practice of Architecture (Bloomsbury 2018), How to Make Yourself a Feminist Design Power Tool (AADR 2016). 7 A01 Meredith Jones Meredith Jones Professor of Gender Studies 40 00dn4t376 Brunel University Meredith Jones is Professor of Gender Studies and Director of the Institute of Communities and Society at Brunel University London. She is a feminist scholar of the body and expert in the sociocultural aspects of cosmetic surgery—her book Beautyscapes: Mapping Cosmetic Surgery Tourism (with Ruth Holliday and David Bell) won the 2020 Foundation for the Sociology of Health and Illness Book Prize. Meredith has published widely about popular culture, visuality, fashion, and embodiment. Kardashians: A Critical Anthology (edited with Kath Burton and Donna Brien) will be published by Taylor and Francis in 2024. Her podcast, Beauty Chronicles, can be found on Spotify and via other major outlets. The updated second edition of Meredith’s monograph Skintight: An Anatomy of Cosmetic Surgery is due to be released by Bloomsbury in 2025. 8 A01 Chris Otter Chris Otter Distinguished Professor of History 40 00rs6vg23 Ohio State University Chris Otter is College of Arts and Sciences Distinguished Professor of History at the Ohio State University, where he researches and teaches the history of technology, science, health and food. He is the author of The Victorian Eye: A Political History of Light and Vision in Britain, 1800-1910 (Chicago, 2008), and Diet for a Large Planet: Industrial Britain, Food Systems, and World Ecology (Chicago, 2020). His current project is a book about the history of the earth’s technosphere. 9 A01 Paul Graham Raven Paul Graham Raven Paul Graham Raven is a writer, researcher and critical futures practitioner, whose research is concerned with how the stories we tell about times yet to come shape the lives we end up living. A former Marie Skłodowska-Curie Postdoctoral Fellow (Lund University) and a member of the editorial board of the journal Futures, Paul is also an author and critic of science fiction, an occasional journalist and essayist, and a collaborator with designers and artists. He currently lives in Malmö with a cat, some guitars, and sufficient books to constitute an insurance-invalidating fire hazard. / paulgrahamraven.com 10 A01 Helen Runting Helen Runting Helen Runting is an architectural theorist, urban planner and designer, and editor. She is a founding partner in Secretary, a Stockholm-based architecture practice, which explores the capacity of architecture to facilitate a dignified life at the scale of the population. Secretary’s work has been exhibited widely in Sweden, and in Tbilisi, Melbourne, and Tokyo. Helen regularly writes critiques, reviews, and essays; she has taught at the Estonian Academy of Arts (EKA) in Tallinn, Blekinge Institute of Technology (BTH) in Karlskrona, and both the Royal Institute of Technology (KTH) and Konstfack University of Arts, Crafts, and Design in Stockholm. 11 A01 21 000000025664621X Yolande Strengers Yolande Strengers Professor of Digital Technology and Society 40 02bfwt286 Monash University Yolande Strengers is Professor of Digital Technology and Society in the Emerging Technologies Research Lab at Monash University (Faculty of Information Technology), where she leads the Energy Futures research program. Her research spans the fields of digital sociology, science and technology studies and human computer interaction. Drawing on digital and design ethnography techniques, Yolande’s research investigates the environmental and gender impacts of emerging technologies in the home, including digital voice assistants, AI and smart home devices. Recent books include The Smart Wife (The MIT Press, 2020, co-authored with Jenny Kennedy) and Social Practices and Dynamic Non-Humans (Palgrave Macmillan, 2018, co-edited with Cecily Maller). 12 A01 21 0000000160942970 Nanna Bonde Thylstrup Nanna Bonde Thylstrup Associate Professor 40 035b05819 University of Copenhagen Nanna Bonde Thylstrup is Associate Professor on the Promotion Programme at the Department of Arts and Cultural Studies, University of Copenhagen. Her writing and teaching focus on data, machine learning and digital infrastructures. Recent books include Uncertain Archives: Critical Keywords for the Age of Big Data (co-edited with Daniela Agostinho, Annie Ring, Catherine D’Ignazio and Kristin Veel, MIT Press, 2021), (W)archives: Archival Imaginaries, War, and Contemporary Art (co-edited with Daniela Agostinho, Solveig Gade, and Kristin Veel, Sternberg Press, 2021) and The Politics of Mass Digitization (MIT Press, 2019). Nanna now leads Data Loss: The Politics of Disappearance, Destruction and Dispossession in Digital Societies, a multi-year research project funded by the European Research Council on the politics and ethics of data loss. 13 A01 Dinesh Wadiwel Dinesh Wadiwel Associate Professor 40 0384j8v12 University of Sydney Dinesh Wadiwel is Associate Professor in socio-legal studies and human rights in the Discipline of Sociology and Criminology at The University of Sydney. Dinesh’s research interests include critical animal studies and disability rights. He is author of The War against Animals (Brill 2015), Animals and Capital (Edinburgh UP 2023) and co-editor (with Matthew Chrulew) of Foucault and Animals (Brill, 2016). Dinesh is also co-author, with Claire Spivakovsky and Linda Steele, of two research reports for the Australian Royal Commission into Violence, Abuse, Neglect and Exploitation of People with Disability. His essays have appeared in Cultural Studies Review, Angelaki, Political Theory, New Literary History and South Atlantic Quarterly. Dinesh is developing a new research project on animals and the State. 01 eng 00 220 03 10 BISAC052000 93 JBCT1 04 P87-96 04 HQ1101-2030.7 93 JBFU 10 SOC010000 93 JBSF11 10 SCI075000 04 SF1-1100 93 PDR 04 Q1-390 10 SCI075000 20 Daten; Medien; Philosophie; Körper; Feminismus; Container; Tierrechte 01 06 02 00 Containers are ubiquitous and inescapable. From handbags to houses, barrels to databases, captivating gameworlds to the “bag of stars” that Ursula Le Guin calls the universe, containers furnish infrastructures for living and action while extending our capacities for managing things across space and time. They not only give shape to our lifewo 03 00 Containers are ubiquitous and inescapable. From handbags to houses, barrels to databases, captivating gameworlds to the “bag of stars” that Ursula Le Guin calls the universe, containers furnish infrastructures for living and action while extending our capacities for managing things across space and time. They not only give shape to our lifeworlds: they form and transform our bodies and being.The chapters in Containment: Technologies of Holding, Filtering, Leaking traverse technologies, bodies, ontologies and imaginaries, reflecting on what different container technologies, containment strategies, and container metaphors tell us about ourselves and how we relate to our worlds. With common reference to Zoë Sofia’s (2000) foundational essay on container technologies, contributors draw on media and cultural studies, social history, architecture, and postdualistic approaches in philosophy and social science to explore liminalities of containment both as and beyond holding. 30 00 Containers are ubiquitous and inescapable. From handbags to houses, barrels to databases, captivating gameworlds to the “bag of stars” that Ursula Le Guin calls the universe, containers furnish infrastructures for living and action while extending our capacities for managing things across space and time. They not only give shape to our lifeworlds: they form and transform our bodies and being.The chapters in Containment: Technologies of Holding, Filtering, Leaking traverse technologies, bodies, ontologies and imaginaries, reflecting on what different container technologies, containment strategies, and container metaphors tell us about ourselves and how we relate to our worlds. With common reference to Zoë Sofia’s (2000) foundational essay on container technologies, contributors draw on media and cultural studies, social history, architecture, and postdualistic approaches in philosophy and social science to explore liminalities of containment both as and beyond holding. 20 00 Open Access 01 00 03 02 This is the cover of the publication Containment. 02 https://meson.press/wp-content/uploads/2024/06/Containment_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/containment/ Lüneburg 04 01 20240712 Marie-Luise Angerer, Ingrid Richardson, Hannah Schmedes and Zoë Sofoulis 02 WORLD 06 15 9783957962195 03 9783957962195 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/containment/ 20 08 20240712 01 urn:uuid:24d54857-f19a-43e7-97ac-9dc868ff55f5 03 01 01 thoth-work-id urn:uuid:714e307f-5d81-44ef-811a-4483dd88b32e 01 thoth-publication-id urn:uuid:24d54857-f19a-43e7-97ac-9dc868ff55f5 15 9783957962195 03 9783957962195 06 10.14619/2188 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Containment Technologies of Holding, Filtering, Leaking 1 B01 21 0000000329439394 Marie-Luise Angerer Marie-Luise Angerer Professor of Media Studies 40 03bnmw459 University of Potsdam Marie-Luise Angerer was a professor of Media Studies at the University of Potsdam, Acting Director of the Brandenburg Centre for Media Studies (ZeM), and spokesperson of the graduate program Sensing: The Knowledge of Sensitive Media. Her research focussed on the relation between media technology, affect theory, and the re-formulation of the inside and outside of body and brain through the parameters of neuroscience and media technology. Among her many publications are Ecology of Affect: Intensive Milieus and Contingent Encounters (meson press, 2017), Desire After Affect (Rowman & Littlefield, 2014, German original diaphanes, 2007), and Timing of Affect: Epistemologies, Aesthetics, Politics (with Bernd Bösel and Michaela Ott, diaphanes 2014). Her last book on the Nonconscious (meson press 2022) deals with the question of synching processes between mind and machine. 2 B01 21 0000000184485778 Ingrid Richardson Ingrid Richardson Professor of Digital Media 40 04ttjf776 RMIT University Ingrid Richardson is Professor of Digital Media in the School of Media & Communication at RMIT University, Melbourne, Australia. She is a digital ethnographer and phenomenologist with a broad interest in the human– technology relation and mediated embodiment, and the application of innovative research methods in these contexts. She is co-author of Ambient Play (MIT Press, 2020), Exploring Minecraft (2020), Understanding Games and Game Cultures (Sage, 2021), and Bodies and Mobile Media (Polity, 2023). 3 B01 Hannah Schmedes Hannah Schmedes PhD candidate 40 04tsk2644 Ruhr University Bochum Hannah Schmedes is a PhD candidate in Gender Media Studies at Ruhr-University Bochum. She is a researcher in the project “Bicycle Media. Cooperative Media of Mobility” at the University of Siegen and an associate member of the graduate program “The Documentary” at the Ruhr-University Bochum. Her dissertation on queerfeminist infrastructure critique explores how gender politics are coded into infrastructures and platforms. “Containing: Leaks” was the topic of her M.A. in European Media Studies at the University of Potsdam, which followed a B.A. in Cultural Studies and Philosophy at the Leuphana University of Lüneburg. She is part of the feminist collective Wiki Riot Squad, where she has led writing workshops on Wikipedia's publishing and interface policies. Recent talks and publications have explored themes of porosity, leakiness, and witchcraft in relation to gender and infrastructure. 4 B01 Zoë Sofoulis Zoë Sofoulis Zoë Sofoulis, from the Institute for Culture and Society at Western Sydney University, is a retired interdisciplinary researcher with a longstanding interest in the myths and symbols of high-tech culture. Her earlier writings (under the name Zoë Sofia) focussed on science fiction, cyberculture, and electronic arts. She is more recently known for practical applications of qualitative cultural research and humanities perspectives in fields where technology and engineering predominate, especially urban water, where her papers have helped define a cultural and sociotechnical perspective on metropolitan water and demand management. When strangers ask if she has had children, Zoë is proud to say “No, but I’ve had postgraduates,” some of whom are contributors to this book. 5 A01 21 0000000211055977 Daniela Agostinho Daniela Agostinho Assistant Professor 40 01aj84f44 Aarhus University Daniela Agostinho is Assistant Professor at the School of Communication and Culture, University of Aarhus. She works in the fields of visual and digital culture and artistic and curatorial research, with a particular focus on colonial archives and the care and display of contested histories. She is co-editor of the books (W)archives: Archival Imaginaries, War and Contemporary Art (Sternberg Press/MIT Press, 2020) and Uncertain Archives. Critical Keywords for Big Data (MIT Press, 2021). She co-directs the network “Reparative Encounters: a transcontinental network for artistic research and reparative practices” with colleagues from the US Virgin Islands, Ghana, Kalaallit Nunaat and Denmark. 6 A01 21 0000000217555075 Hélène Frichot Hélène Frichot Professor of Architecture and Philosophy 40 01ej9dk98 University of Melbourne Hélène Frichot is Professor of Architecture and Philosophy, and Director of the Bachelor of Design, Faculty of Architecture, Building and Planning at the University of Melbourne, Australia. She is the former Director of Critical Studies in Architecture, School of Architecture, KTH Stockholm, Sweden. Her recent publications include Dirty Theory: Troubling Architecture (AADR 2019), Creative Ecologies: Theorizing the Practice of Architecture (Bloomsbury 2018), How to Make Yourself a Feminist Design Power Tool (AADR 2016). 7 A01 Meredith Jones Meredith Jones Professor of Gender Studies 40 00dn4t376 Brunel University Meredith Jones is Professor of Gender Studies and Director of the Institute of Communities and Society at Brunel University London. She is a feminist scholar of the body and expert in the sociocultural aspects of cosmetic surgery—her book Beautyscapes: Mapping Cosmetic Surgery Tourism (with Ruth Holliday and David Bell) won the 2020 Foundation for the Sociology of Health and Illness Book Prize. Meredith has published widely about popular culture, visuality, fashion, and embodiment. Kardashians: A Critical Anthology (edited with Kath Burton and Donna Brien) will be published by Taylor and Francis in 2024. Her podcast, Beauty Chronicles, can be found on Spotify and via other major outlets. The updated second edition of Meredith’s monograph Skintight: An Anatomy of Cosmetic Surgery is due to be released by Bloomsbury in 2025. 8 A01 Chris Otter Chris Otter Distinguished Professor of History 40 00rs6vg23 Ohio State University Chris Otter is College of Arts and Sciences Distinguished Professor of History at the Ohio State University, where he researches and teaches the history of technology, science, health and food. He is the author of The Victorian Eye: A Political History of Light and Vision in Britain, 1800-1910 (Chicago, 2008), and Diet for a Large Planet: Industrial Britain, Food Systems, and World Ecology (Chicago, 2020). His current project is a book about the history of the earth’s technosphere. 9 A01 Paul Graham Raven Paul Graham Raven Paul Graham Raven is a writer, researcher and critical futures practitioner, whose research is concerned with how the stories we tell about times yet to come shape the lives we end up living. A former Marie Skłodowska-Curie Postdoctoral Fellow (Lund University) and a member of the editorial board of the journal Futures, Paul is also an author and critic of science fiction, an occasional journalist and essayist, and a collaborator with designers and artists. He currently lives in Malmö with a cat, some guitars, and sufficient books to constitute an insurance-invalidating fire hazard. / paulgrahamraven.com 10 A01 Helen Runting Helen Runting Helen Runting is an architectural theorist, urban planner and designer, and editor. She is a founding partner in Secretary, a Stockholm-based architecture practice, which explores the capacity of architecture to facilitate a dignified life at the scale of the population. Secretary’s work has been exhibited widely in Sweden, and in Tbilisi, Melbourne, and Tokyo. Helen regularly writes critiques, reviews, and essays; she has taught at the Estonian Academy of Arts (EKA) in Tallinn, Blekinge Institute of Technology (BTH) in Karlskrona, and both the Royal Institute of Technology (KTH) and Konstfack University of Arts, Crafts, and Design in Stockholm. 11 A01 21 000000025664621X Yolande Strengers Yolande Strengers Professor of Digital Technology and Society 40 02bfwt286 Monash University Yolande Strengers is Professor of Digital Technology and Society in the Emerging Technologies Research Lab at Monash University (Faculty of Information Technology), where she leads the Energy Futures research program. Her research spans the fields of digital sociology, science and technology studies and human computer interaction. Drawing on digital and design ethnography techniques, Yolande’s research investigates the environmental and gender impacts of emerging technologies in the home, including digital voice assistants, AI and smart home devices. Recent books include The Smart Wife (The MIT Press, 2020, co-authored with Jenny Kennedy) and Social Practices and Dynamic Non-Humans (Palgrave Macmillan, 2018, co-edited with Cecily Maller). 12 A01 21 0000000160942970 Nanna Bonde Thylstrup Nanna Bonde Thylstrup Associate Professor 40 035b05819 University of Copenhagen Nanna Bonde Thylstrup is Associate Professor on the Promotion Programme at the Department of Arts and Cultural Studies, University of Copenhagen. Her writing and teaching focus on data, machine learning and digital infrastructures. Recent books include Uncertain Archives: Critical Keywords for the Age of Big Data (co-edited with Daniela Agostinho, Annie Ring, Catherine D’Ignazio and Kristin Veel, MIT Press, 2021), (W)archives: Archival Imaginaries, War, and Contemporary Art (co-edited with Daniela Agostinho, Solveig Gade, and Kristin Veel, Sternberg Press, 2021) and The Politics of Mass Digitization (MIT Press, 2019). Nanna now leads Data Loss: The Politics of Disappearance, Destruction and Dispossession in Digital Societies, a multi-year research project funded by the European Research Council on the politics and ethics of data loss. 13 A01 Dinesh Wadiwel Dinesh Wadiwel Associate Professor 40 0384j8v12 University of Sydney Dinesh Wadiwel is Associate Professor in socio-legal studies and human rights in the Discipline of Sociology and Criminology at The University of Sydney. Dinesh’s research interests include critical animal studies and disability rights. He is author of The War against Animals (Brill 2015), Animals and Capital (Edinburgh UP 2023) and co-editor (with Matthew Chrulew) of Foucault and Animals (Brill, 2016). Dinesh is also co-author, with Claire Spivakovsky and Linda Steele, of two research reports for the Australian Royal Commission into Violence, Abuse, Neglect and Exploitation of People with Disability. His essays have appeared in Cultural Studies Review, Angelaki, Political Theory, New Literary History and South Atlantic Quarterly. Dinesh is developing a new research project on animals and the State. 01 eng 00 220 03 10 BISAC052000 93 JBCT1 04 P87-96 04 HQ1101-2030.7 93 JBFU 10 SOC010000 93 JBSF11 10 SCI075000 04 SF1-1100 93 PDR 04 Q1-390 10 SCI075000 20 Daten; Medien; Philosophie; Körper; Feminismus; Container; Tierrechte 01 06 02 00 Containers are ubiquitous and inescapable. From handbags to houses, barrels to databases, captivating gameworlds to the “bag of stars” that Ursula Le Guin calls the universe, containers furnish infrastructures for living and action while extending our capacities for managing things across space and time. They not only give shape to our lifewo 03 00 Containers are ubiquitous and inescapable. From handbags to houses, barrels to databases, captivating gameworlds to the “bag of stars” that Ursula Le Guin calls the universe, containers furnish infrastructures for living and action while extending our capacities for managing things across space and time. They not only give shape to our lifeworlds: they form and transform our bodies and being.The chapters in Containment: Technologies of Holding, Filtering, Leaking traverse technologies, bodies, ontologies and imaginaries, reflecting on what different container technologies, containment strategies, and container metaphors tell us about ourselves and how we relate to our worlds. With common reference to Zoë Sofia’s (2000) foundational essay on container technologies, contributors draw on media and cultural studies, social history, architecture, and postdualistic approaches in philosophy and social science to explore liminalities of containment both as and beyond holding. 30 00 Containers are ubiquitous and inescapable. From handbags to houses, barrels to databases, captivating gameworlds to the “bag of stars” that Ursula Le Guin calls the universe, containers furnish infrastructures for living and action while extending our capacities for managing things across space and time. They not only give shape to our lifeworlds: they form and transform our bodies and being.The chapters in Containment: Technologies of Holding, Filtering, Leaking traverse technologies, bodies, ontologies and imaginaries, reflecting on what different container technologies, containment strategies, and container metaphors tell us about ourselves and how we relate to our worlds. With common reference to Zoë Sofia’s (2000) foundational essay on container technologies, contributors draw on media and cultural studies, social history, architecture, and postdualistic approaches in philosophy and social science to explore liminalities of containment both as and beyond holding. 20 00 Open Access 01 00 03 02 This is the cover of the publication Containment. 02 https://meson.press/wp-content/uploads/2024/06/Containment_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/containment/ Lüneburg 04 01 20240712 Marie-Luise Angerer, Ingrid Richardson, Hannah Schmedes and Zoë Sofoulis 02 WORLD 06 15 9783957962188 03 9783957962188 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/95826 29 OAPEN: download the title https://library.oapen.org/viewer/web/viewer.html?file=/bitstream/handle/20.500.12657/95826/978-3-95796-219-5-Containment.pdf?sequence=1&isAllowed=y 20 08 20240712 01 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/containment/ 29 Publisher's website: download the title https://meson.press/wp-content/uploads/2024/06/978-3-95796-219-5-Containment-OA.pdf 20 08 20240712 01 urn:uuid:b7e0e3d2-251a-4a71-85cd-e405880d8aee 03 01 01 thoth-work-id urn:uuid:240dac06-209a-44ff-b038-c7b4ac18b927 01 thoth-publication-id urn:uuid:b7e0e3d2-251a-4a71-85cd-e405880d8aee 15 9783957960481 03 9783957960481 06 10.14619/0481 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Counter-Dancing Digitality On Commoning and Computation 1 A01 21 000000027922735X Shintaro Miyazaki Shintaro Miyazaki 40 01hcx6992 Humboldt-Universität zu Berlin Shintaro Miyazaki (b. 1980, Prof. Dr.) teaches and researches in the field of media studies (digitality, computation, critique, and social transformation) at Humboldt-Universität zu Berlin. Until 2020, he was a senior researcher at the Critical Media Lab, FHNW Academy of Art and Design in Basel, Switzerland. 01 eng 00 101 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 93 ATN 10 BUS029000 93 KCSA 93 QDTS1 01 06 02 00 Digitality is imposed upon us! To change this, we should not turn away from it, but look carefully into its transformative power and make operable alternatives such as counter-algorhythms and solidarity-oriented commoning. The aim is a world where profit and property no longer exist, but instead where a cooperative dance – between all the nee 03 00 Digitality is imposed upon us! To change this, we should not turn away from it, but look carefully into its transformative power and make operable alternatives such as counter-algorhythms and solidarity-oriented commoning. The aim is a world where profit and property no longer exist, but instead where a cooperative dance – between all the needs posed by our ecosystems, and all the needs of people – becomes practicable. This book is a critical media theory of future-building, modulated by a focus on the potentials of counter-dancing as providing ways to unfold fugitive practices. 30 00 Digitality is imposed upon us! To change this, we should not turn away from it, but look carefully into its transformative power and make operable alternatives such as counter-algorhythms and solidarity-oriented commoning. The aim is a world where profit and property no longer exist, but instead where a cooperative dance – between all the needs posed by our ecosystems, and all the needs of people – becomes practicable. This book is a critical media theory of future-building, modulated by a focus on the potentials of counter-dancing as providing ways to unfold fugitive practices. 20 00 Open Access 01 00 03 02 This is the cover of the book Counter-Dancing Digitality. 02 https://meson.press/wp-content/uploads/2023/03/978-3-95796-049-8_Miyazaki_Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/counter-dancing-digitality/ Lüneburg 04 01 20230324 Shintaro Miyazaki 02 WORLD 06 15 9783957960498 03 9783957960498 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/counter-dancing-digitality/ 20 08 20230324 01 urn:uuid:0ca04135-9cd4-416e-8565-e35e66c1db25 03 01 01 thoth-work-id urn:uuid:240dac06-209a-44ff-b038-c7b4ac18b927 01 thoth-publication-id urn:uuid:0ca04135-9cd4-416e-8565-e35e66c1db25 15 9783957960498 03 9783957960498 06 10.14619/0481 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Counter-Dancing Digitality On Commoning and Computation 1 A01 21 000000027922735X Shintaro Miyazaki Shintaro Miyazaki 40 01hcx6992 Humboldt-Universität zu Berlin Shintaro Miyazaki (b. 1980, Prof. Dr.) teaches and researches in the field of media studies (digitality, computation, critique, and social transformation) at Humboldt-Universität zu Berlin. Until 2020, he was a senior researcher at the Critical Media Lab, FHNW Academy of Art and Design in Basel, Switzerland. 01 eng 00 101 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 93 ATN 10 BUS029000 93 KCSA 93 QDTS1 01 06 02 00 Digitality is imposed upon us! To change this, we should not turn away from it, but look carefully into its transformative power and make operable alternatives such as counter-algorhythms and solidarity-oriented commoning. The aim is a world where profit and property no longer exist, but instead where a cooperative dance – between all the nee 03 00 Digitality is imposed upon us! To change this, we should not turn away from it, but look carefully into its transformative power and make operable alternatives such as counter-algorhythms and solidarity-oriented commoning. The aim is a world where profit and property no longer exist, but instead where a cooperative dance – between all the needs posed by our ecosystems, and all the needs of people – becomes practicable. This book is a critical media theory of future-building, modulated by a focus on the potentials of counter-dancing as providing ways to unfold fugitive practices. 30 00 Digitality is imposed upon us! To change this, we should not turn away from it, but look carefully into its transformative power and make operable alternatives such as counter-algorhythms and solidarity-oriented commoning. The aim is a world where profit and property no longer exist, but instead where a cooperative dance – between all the needs posed by our ecosystems, and all the needs of people – becomes practicable. This book is a critical media theory of future-building, modulated by a focus on the potentials of counter-dancing as providing ways to unfold fugitive practices. 20 00 Open Access 01 00 03 02 This is the cover of the book Counter-Dancing Digitality. 02 https://meson.press/wp-content/uploads/2023/03/978-3-95796-049-8_Miyazaki_Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/counter-dancing-digitality/ Lüneburg 04 01 20230324 Shintaro Miyazaki 02 WORLD 06 15 9783957960481 03 9783957960481 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88704 29 OAPEN: download the title https://library.oapen.org/bitstream/20.500.12657/88704/1/978-3-95796-049-8_Miyazaki.pdf 20 08 20230324 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/counter-dancing-digitality/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2023/03/978-3-95796-049-8_Miyazaki.pdf 20 08 20230324 01 urn:uuid:65b88078-0f13-400e-a7b7-88e1138ba41c 03 01 01 thoth-work-id urn:uuid:91343972-c0a7-48ed-890b-c6a4b6caec92 01 thoth-publication-id urn:uuid:65b88078-0f13-400e-a7b7-88e1138ba41c 15 9783957962140 03 9783957962140 00 BC 10 01 220 mm 01 22 cm 01 8.66 in 02 155 mm 02 15.5 cm 02 6.1 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Deine Kamera ist eine App Über Medienverflechtungen des Applizierens und Appropriierens 1 B01 Elisa Linseisen Elisa Linseisen Juniorprofessorin für digitale, audiovisuelle Medien 40 00g30e956 Universität Hamburg Dr. Elisa Linseisen ist Juniorprofessorin für digitale, audiovisuelle Medien am Institut für Medien und Kommunikation der Universität Hamburg. Davor forschte und lehrte sie an medienwissenschaftlichen Instituten in Wien, Weimar, Paderborn und Bochum. Von Mai bis Juli 2023 war sie Fellow der Kollegforschungsgruppe „Cinepoetics“ an der FU Berlin. 2019 promovierte sie an der Ruhr-Universität Bochum zu “High Definition. Medienphilosophisches Image Processing” (erschienen 2020 bei meson.press). Forschungs- und Lehrschwerpunkte: Queer Computing, Medical Humanities, App Studies, Digitale Bilder, Radikale Pädagogik, Kanonkritik. Aktuelle Publikationen: 2022, „Mi(s)mesis, rassifizierende Apophänie und Black (W) holes. Vom Produzieren digitaler Ähnlichkeiten“, in: F. Balke and E. Linseisen (Hrsg.), Mimesis Expanded. Die Ausweitung der mimetischen Zone, Brill-Fink, 295–326. 2022, „Wissen transferieren, Wissen app(lizieren). Für eine Mikropolitik des Anwendens und Zueignens“, in: A.-L. Harmening/S. Leinfellner/ Rebecca Meier (Hrsg.), Wissenstransfer in und mit kulturwissenschaftlicher Forschung, wgb academic, 297–322. 2 B01 Alena Strohmaier Alena Strohmaier Vertretungsprofessorin für Filmwissenschaft 40 058kzsd48 Paderborn University Dr. Alena Strohmaier ist gegenwärtig Vertretungsprofessorin für Filmwissenschaft an der Universität Paderborn. Davor war sie Projektleiterin des BMBF-Forschungsprojekts „Filmische Aneignungsprozesse von Videos der populären Aufstandsbewegungen 2009–11 im Mittleren Osten und Nordafrika“ (2019–2023) und wissenschaftliche Koordinatorin des BMBFForschungsnetzwerks „Rekonfigurationen: Geschichte, Erinnerung und Transformationsprozesse im Mittleren Osten und Nordafrika“ (2013–2019; beides Philipps-Universität Marburg). Ihre Promotion trägt den Titel: „Medienraum Diaspora. Verortungen zeitgenössischer iranischer Diasporafilme“ (Wiesbaden: Springer, 2019). Weitere Publikationen: „Rassismus im Film“, Hrsg. mit Ömer Alkin (Marburg: Schüren, 2023); „Einen Unterschied machen: Differenz und Differenzen in der Filmwissenschaft“, mit Julia Bee und Nicole Kandioler. Nach dem Film No. 20, 2022. o.S. Sie war jahrelanges Vorstandsmitglied des European Network for Cinema and Media Studies (2013-2019) und ist zudem Mitgründerin und Redakteurin des Open Media Studies Blog: https://mediastudies.hypotheses.org/ 3 A01 21 0000000294466762 Nicole Braida Nicole Braida Wissenschaftliche Mitarbeiteri 40 01rdrb571 Philipps University of Marburg Dr. Nicole Braida absolvierte ihr Bachelorstudium der Archäologie an der Universität Padua und ihr internationaler Masterstudium in dem Fach Film and audiovisual Studies (IMACS) an der Universität Udine, mit Auslandssemestern in Frankfurt und Liège. In 2021 promovierte sie in Rahmen des Graduiertenkollegs „Konfigurationen des Films“ an der Johannes-Gutenberg-Universität Mainz und 2022 erschien ihre Dissertation bei Transcript mit dem Titel „Migrating through the Web. Interactive Practices about Migration, Flight and Exile“. Seit April 2021 ist sie wissenschaftliche Mitarbeiterin und Postdoc im Projekt DiCi-Hub (A Digital Hub for Film Studies). Sie unterrichtet digitale Methoden für Filmhistoriographie und Datenvisualisierung in Deutschland und Italien an der Universität Udine. 4 A01 21 0000000316918898 Anne Ganzert Anne Ganzert Wissenschaftliche Mitarbeiterin 40 0546hnb39 University of Konstanz Dr. Anne Ganzert ist PostDoc der Medienwissenschaft und wissenschaftliche Mitarbeiterin im Centre for Human | Data | Society an der Universität Konstanz. Zuletzt war sie Koordinatorin der SFB Initiative „Serious Gaming“ und davor forschte sie am Forschungszentrum für gesellschaftlichen Zusammenhalt zu den „Dynamiken sozialer Schließung in Social Media Plattformen“. Ihr Buch „Serial Pinboarding in Contemporary Television“ (Palgrave 2020) befasst sich mit zeitgenössischen US-amerikanischen Fernsehserien und deren Pinnwänden als Dispositiven von Serialität. Weitere Forschungsinteressen sind Fan Studies, Partizipationstheorie, Transmedia Storytelling und Visual Culture Studies. Jüngere Publikationen sind unter anderem der Eintrag zu „Partizipieren“ im Handbuch Televisuelle Serialität (hrsg. von Olga Moskatova und Sven Grampp, Springer 2022) und „(Nach-)Denken und (Ver-)Folgen – Verschwörungserzählungen, Pinnwände und ihre Gefolgschaften.“ In: Following. Medien der Gefolgschaft und Prozesse des Folgens. Ein kulturwissenschaftliches Kompendium, hrsg. von A. Ganzert, P. Hauser, I. Otto, de Gruyter 2023. 5 A01 21 0000000311144336 Angela Jouini Angela Jouini Wissenschaftliche Mitarbeiterin 40 046ak2485 Freie Universität Berlin Angela Jouini (geb. Rabing), M.A. ist wissenschaftliche Mitarbeiterin am Seminar für Filmwissenschaft der FU Berlin. Zuvor war sie am IKFK der Universität Bremen tätig und war 2021 Fellow am MECAM in Tunis in der Interdisciplinary Fellow Group Aesthetics & Cultural Practice. Sie schloss ihr Masterstudium in Medienwissenschaft an der Ruhr-Universität Bochum ab. In ihrem Promotionsprojekt befasst sie sich mit Digitalästhetiken des filmischen Realismus. Weitere Forschungsinteressen sind Dokumentarfilme, Queeres Kino, Film/Migration und Smartphone-Filme. Zudem ist sie Redaktionsmitglied bei nach dem film und war 2017–2022 Projektkoordinatorin des Internationalen Bremer Symposiums zum Film. 6 A01 21 0009000717053255 Florian Krautkrämer Florian Krautkrämer Professor 40 04nd0xd48 Lucerne University of Applied Sciences and Arts Dr. Florian Krautkrämer ist Professor an der Hochschule Luzern Design Film & Kunst. Er leitet das SNF-Forschungsprojekt „Interaktiver Dokumentarfilm“ sowie zusammen mit Winfried Gerling das DFG Netzwerk „Camera Studies“. 2018 hat er für zwei Semester die Professur für Filmwissenschaft an der Johannes Gutenberg Universität in Mainz vertreten. Forschungsschwerpunkte sind der Dokumentarfilm im Zusammenhang mit technischen Veränderungen, Veränderungen von Amateurmedien und Kameras im Zusammenhang der Digitalisierung, Nachhaltigkeit und Medien, Medienindustrien sowie Experimentalfilm. Zusammen mit Winfried Gerling hat er das Buch Versatile Camcorders. Looking at the GoProMovement (Berlin 2021) herausgegeben. Zuletzt ist zudem erschienen: „Stay in the Moment. Vom Filmen nebenbei und der Suche nach dem Amateurfilm im Alltag.“ In: Brückner/Groß (Hg): Im Verwandeln der Zeit. Reflexionen über filmische Bilder. Berlin 2022. 7 A01 Laura Katharina Mücke Laura Katharina Mücke Wissenschaftliche Mitarbeiterin 40 023b0x485 Johannes Gutenberg University Mainz Laura Katharina Mücke ist Wissenschaftliche Mitarbeiterin im Arbeitsbereich „Alltagsmedien und Digitale Kulturen“ am Institut für Film-, Theater-, Medien- und Kulturwissenschaft der Universität Mainz. 2019- 2022 war sie Mitarbeiterin an der Universität Wien. Ihr Promotionsprojekt, das an den Universitäten Mainz, Wien und Groningen angesiedelt ist, beschäftigt sich kritisch mit der Diskursivität des scheinbar omnipotenten Medienerfahrungsbegriffs Immersion. Sie forscht zu sozialmedialen Bildphänomenen, Medienontologien und feministischen medienwissenschaftlichen Methoden. 8 A01 21 0000000303679090 Simone Pfeifer Simone Pfeifer Postdoktorandin 40 00rcxh774 University of Cologne Dr. Simone Pfeifer ist Sozial- und Kulturanthropologin mit einem Schwerpunk auf Medien- und Digitaler Anthropologie, Postmigration sowie religiös-politische Kontexte. Derzeit ist sie Postdoktorandin im Graduiertenkolleg „anschließen-ausschließen: Kulturelle Praktiken jenseits globaler Netzwerke“ an der Universität zu Köln. Zu ihren weiteren Forschungsschwerpunkten zählen transnationale soziale Beziehungen zwischen Senegal und Deutschland, Versicherheitlichung des Islam, politische Gewalt und ethische Herausforderungen in der ethnographischen Forschung. https://simone-pfeifer.de 01 ger 00 231 03 93 JBCT 04 P87-96 10 SOC052000 93 AJF 10 PER004000 93 ATF 10 PHO014000 93 JPW 93 UDT 20 Soziale Medien; Software; Serious Games; Fototheorie; Ukraine-Krieg; Aktivismus; Kamera; Smartphone; Dokumentarfilm; Apps; Widerstand; MENA-Region; Format 01 06 02 00 Der vorliegende Band untersucht systematisch das Verhältnis von digitalen Kameras und ihren softwaretechnischen Grundlagen, die wir unter „Apps“ zusammenfassen. Als konzeptuelles Framing in der Auseinandersetzung mit dieser medialen Verbindung aus Kamera/App wählen wir das ästhetische wie theoretische Spektrum aus Techniken des Appropriierens 03 00 Der vorliegende Band untersucht systematisch das Verhältnis von digitalen Kameras und ihren softwaretechnischen Grundlagen, die wir unter „Apps“ zusammenfassen. Als konzeptuelles Framing in der Auseinandersetzung mit dieser medialen Verbindung aus Kamera/App wählen wir das ästhetische wie theoretische Spektrum aus Techniken des Appropriierens und Applizierens und damit verbundene Theorietraditionen der Filmwissenschaft sowie der Software, Platform und App Studies. Mit dem programmatischen Befund ‚Deine Kamera ist eine App‘ soll in vier dialogischen Textpaaren dem offenen Themenfeld zwischen Appropriation/Applikation und seiner zeitgenössischen Brisanz wie historischen Tiefe entlang übergreifender Konzepte wie Partizipation, Format und Widerstand nachgegangen werden. Dabei beleuchtet der Band die Verbindung von Ästhetik und Technik, Kunst und Software und wendet sich neben dem Film auch den sogenannten Medienkünsten, dokumentarischen Videoformaten, Selbstdokumentationen und dem Gaming zu. 30 00 Der vorliegende Band untersucht systematisch das Verhältnis von digitalen Kameras und ihren softwaretechnischen Grundlagen, die wir unter „Apps“ zusammenfassen. Als konzeptuelles Framing in der Auseinandersetzung mit dieser medialen Verbindung aus Kamera/App wählen wir das ästhetische wie theoretische Spektrum aus Techniken des Appropriierens und Applizierens und damit verbundene Theorietraditionen der Filmwissenschaft sowie der Software, Platform und App Studies. Mit dem programmatischen Befund ‚Deine Kamera ist eine App‘ soll in vier dialogischen Textpaaren dem offenen Themenfeld zwischen Appropriation/Applikation und seiner zeitgenössischen Brisanz wie historischen Tiefe entlang übergreifender Konzepte wie Partizipation, Format und Widerstand nachgegangen werden. Dabei beleuchtet der Band die Verbindung von Ästhetik und Technik, Kunst und Software und wendet sich neben dem Film auch den sogenannten Medienkünsten, dokumentarischen Videoformaten, Selbstdokumentationen und dem Gaming zu. 20 00 Open Access 01 00 03 02 This is the cover of the publication Deine Kamera ist eine App. 02 https://meson.press/wp-content/uploads/2024/01/978-3-95796-214-0_Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/deine-kamera-ist-eine-app 16 40 04pz7b180 Bundesministerium für Bildung und Forschung 01 programname Kleine Fächer – Große Potenziale 01 projectname „Filmische Aneignungsprozesse von Videos der populären Aufstandsbewegungen 2009–11 im Mittleren Osten und Nordafrika" Lüneburg 04 01 20231222 Elisa Linseisen und Alena Strohmaier 02 WORLD 06 15 9783957962157 03 9783957962157 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/deine-kamera-ist-eine-app 20 08 20231222 01 urn:uuid:51579e78-0c2d-4272-82f5-6708581ee790 03 01 01 thoth-work-id urn:uuid:91343972-c0a7-48ed-890b-c6a4b6caec92 01 thoth-publication-id urn:uuid:51579e78-0c2d-4272-82f5-6708581ee790 15 9783957962157 03 9783957962157 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Deine Kamera ist eine App Über Medienverflechtungen des Applizierens und Appropriierens 1 B01 Elisa Linseisen Elisa Linseisen Juniorprofessorin für digitale, audiovisuelle Medien 40 00g30e956 Universität Hamburg Dr. Elisa Linseisen ist Juniorprofessorin für digitale, audiovisuelle Medien am Institut für Medien und Kommunikation der Universität Hamburg. Davor forschte und lehrte sie an medienwissenschaftlichen Instituten in Wien, Weimar, Paderborn und Bochum. Von Mai bis Juli 2023 war sie Fellow der Kollegforschungsgruppe „Cinepoetics“ an der FU Berlin. 2019 promovierte sie an der Ruhr-Universität Bochum zu “High Definition. Medienphilosophisches Image Processing” (erschienen 2020 bei meson.press). Forschungs- und Lehrschwerpunkte: Queer Computing, Medical Humanities, App Studies, Digitale Bilder, Radikale Pädagogik, Kanonkritik. Aktuelle Publikationen: 2022, „Mi(s)mesis, rassifizierende Apophänie und Black (W) holes. Vom Produzieren digitaler Ähnlichkeiten“, in: F. Balke and E. Linseisen (Hrsg.), Mimesis Expanded. Die Ausweitung der mimetischen Zone, Brill-Fink, 295–326. 2022, „Wissen transferieren, Wissen app(lizieren). Für eine Mikropolitik des Anwendens und Zueignens“, in: A.-L. Harmening/S. Leinfellner/ Rebecca Meier (Hrsg.), Wissenstransfer in und mit kulturwissenschaftlicher Forschung, wgb academic, 297–322. 2 B01 Alena Strohmaier Alena Strohmaier Vertretungsprofessorin für Filmwissenschaft 40 058kzsd48 Paderborn University Dr. Alena Strohmaier ist gegenwärtig Vertretungsprofessorin für Filmwissenschaft an der Universität Paderborn. Davor war sie Projektleiterin des BMBF-Forschungsprojekts „Filmische Aneignungsprozesse von Videos der populären Aufstandsbewegungen 2009–11 im Mittleren Osten und Nordafrika“ (2019–2023) und wissenschaftliche Koordinatorin des BMBFForschungsnetzwerks „Rekonfigurationen: Geschichte, Erinnerung und Transformationsprozesse im Mittleren Osten und Nordafrika“ (2013–2019; beides Philipps-Universität Marburg). Ihre Promotion trägt den Titel: „Medienraum Diaspora. Verortungen zeitgenössischer iranischer Diasporafilme“ (Wiesbaden: Springer, 2019). Weitere Publikationen: „Rassismus im Film“, Hrsg. mit Ömer Alkin (Marburg: Schüren, 2023); „Einen Unterschied machen: Differenz und Differenzen in der Filmwissenschaft“, mit Julia Bee und Nicole Kandioler. Nach dem Film No. 20, 2022. o.S. Sie war jahrelanges Vorstandsmitglied des European Network for Cinema and Media Studies (2013-2019) und ist zudem Mitgründerin und Redakteurin des Open Media Studies Blog: https://mediastudies.hypotheses.org/ 3 A01 21 0000000294466762 Nicole Braida Nicole Braida Wissenschaftliche Mitarbeiteri 40 01rdrb571 Philipps University of Marburg Dr. Nicole Braida absolvierte ihr Bachelorstudium der Archäologie an der Universität Padua und ihr internationaler Masterstudium in dem Fach Film and audiovisual Studies (IMACS) an der Universität Udine, mit Auslandssemestern in Frankfurt und Liège. In 2021 promovierte sie in Rahmen des Graduiertenkollegs „Konfigurationen des Films“ an der Johannes-Gutenberg-Universität Mainz und 2022 erschien ihre Dissertation bei Transcript mit dem Titel „Migrating through the Web. Interactive Practices about Migration, Flight and Exile“. Seit April 2021 ist sie wissenschaftliche Mitarbeiterin und Postdoc im Projekt DiCi-Hub (A Digital Hub for Film Studies). Sie unterrichtet digitale Methoden für Filmhistoriographie und Datenvisualisierung in Deutschland und Italien an der Universität Udine. 4 A01 21 0000000316918898 Anne Ganzert Anne Ganzert Wissenschaftliche Mitarbeiterin 40 0546hnb39 University of Konstanz Dr. Anne Ganzert ist PostDoc der Medienwissenschaft und wissenschaftliche Mitarbeiterin im Centre for Human | Data | Society an der Universität Konstanz. Zuletzt war sie Koordinatorin der SFB Initiative „Serious Gaming“ und davor forschte sie am Forschungszentrum für gesellschaftlichen Zusammenhalt zu den „Dynamiken sozialer Schließung in Social Media Plattformen“. Ihr Buch „Serial Pinboarding in Contemporary Television“ (Palgrave 2020) befasst sich mit zeitgenössischen US-amerikanischen Fernsehserien und deren Pinnwänden als Dispositiven von Serialität. Weitere Forschungsinteressen sind Fan Studies, Partizipationstheorie, Transmedia Storytelling und Visual Culture Studies. Jüngere Publikationen sind unter anderem der Eintrag zu „Partizipieren“ im Handbuch Televisuelle Serialität (hrsg. von Olga Moskatova und Sven Grampp, Springer 2022) und „(Nach-)Denken und (Ver-)Folgen – Verschwörungserzählungen, Pinnwände und ihre Gefolgschaften.“ In: Following. Medien der Gefolgschaft und Prozesse des Folgens. Ein kulturwissenschaftliches Kompendium, hrsg. von A. Ganzert, P. Hauser, I. Otto, de Gruyter 2023. 5 A01 21 0000000311144336 Angela Jouini Angela Jouini Wissenschaftliche Mitarbeiterin 40 046ak2485 Freie Universität Berlin Angela Jouini (geb. Rabing), M.A. ist wissenschaftliche Mitarbeiterin am Seminar für Filmwissenschaft der FU Berlin. Zuvor war sie am IKFK der Universität Bremen tätig und war 2021 Fellow am MECAM in Tunis in der Interdisciplinary Fellow Group Aesthetics & Cultural Practice. Sie schloss ihr Masterstudium in Medienwissenschaft an der Ruhr-Universität Bochum ab. In ihrem Promotionsprojekt befasst sie sich mit Digitalästhetiken des filmischen Realismus. Weitere Forschungsinteressen sind Dokumentarfilme, Queeres Kino, Film/Migration und Smartphone-Filme. Zudem ist sie Redaktionsmitglied bei nach dem film und war 2017–2022 Projektkoordinatorin des Internationalen Bremer Symposiums zum Film. 6 A01 21 0009000717053255 Florian Krautkrämer Florian Krautkrämer Professor 40 04nd0xd48 Lucerne University of Applied Sciences and Arts Dr. Florian Krautkrämer ist Professor an der Hochschule Luzern Design Film & Kunst. Er leitet das SNF-Forschungsprojekt „Interaktiver Dokumentarfilm“ sowie zusammen mit Winfried Gerling das DFG Netzwerk „Camera Studies“. 2018 hat er für zwei Semester die Professur für Filmwissenschaft an der Johannes Gutenberg Universität in Mainz vertreten. Forschungsschwerpunkte sind der Dokumentarfilm im Zusammenhang mit technischen Veränderungen, Veränderungen von Amateurmedien und Kameras im Zusammenhang der Digitalisierung, Nachhaltigkeit und Medien, Medienindustrien sowie Experimentalfilm. Zusammen mit Winfried Gerling hat er das Buch Versatile Camcorders. Looking at the GoProMovement (Berlin 2021) herausgegeben. Zuletzt ist zudem erschienen: „Stay in the Moment. Vom Filmen nebenbei und der Suche nach dem Amateurfilm im Alltag.“ In: Brückner/Groß (Hg): Im Verwandeln der Zeit. Reflexionen über filmische Bilder. Berlin 2022. 7 A01 Laura Katharina Mücke Laura Katharina Mücke Wissenschaftliche Mitarbeiterin 40 023b0x485 Johannes Gutenberg University Mainz Laura Katharina Mücke ist Wissenschaftliche Mitarbeiterin im Arbeitsbereich „Alltagsmedien und Digitale Kulturen“ am Institut für Film-, Theater-, Medien- und Kulturwissenschaft der Universität Mainz. 2019- 2022 war sie Mitarbeiterin an der Universität Wien. Ihr Promotionsprojekt, das an den Universitäten Mainz, Wien und Groningen angesiedelt ist, beschäftigt sich kritisch mit der Diskursivität des scheinbar omnipotenten Medienerfahrungsbegriffs Immersion. Sie forscht zu sozialmedialen Bildphänomenen, Medienontologien und feministischen medienwissenschaftlichen Methoden. 8 A01 21 0000000303679090 Simone Pfeifer Simone Pfeifer Postdoktorandin 40 00rcxh774 University of Cologne Dr. Simone Pfeifer ist Sozial- und Kulturanthropologin mit einem Schwerpunk auf Medien- und Digitaler Anthropologie, Postmigration sowie religiös-politische Kontexte. Derzeit ist sie Postdoktorandin im Graduiertenkolleg „anschließen-ausschließen: Kulturelle Praktiken jenseits globaler Netzwerke“ an der Universität zu Köln. Zu ihren weiteren Forschungsschwerpunkten zählen transnationale soziale Beziehungen zwischen Senegal und Deutschland, Versicherheitlichung des Islam, politische Gewalt und ethische Herausforderungen in der ethnographischen Forschung. https://simone-pfeifer.de 01 ger 00 231 03 93 JBCT 04 P87-96 10 SOC052000 93 AJF 10 PER004000 93 ATF 10 PHO014000 93 JPW 93 UDT 20 Soziale Medien; Software; Serious Games; Fototheorie; Ukraine-Krieg; Aktivismus; Kamera; Smartphone; Dokumentarfilm; Apps; Widerstand; MENA-Region; Format 01 06 02 00 Der vorliegende Band untersucht systematisch das Verhältnis von digitalen Kameras und ihren softwaretechnischen Grundlagen, die wir unter „Apps“ zusammenfassen. Als konzeptuelles Framing in der Auseinandersetzung mit dieser medialen Verbindung aus Kamera/App wählen wir das ästhetische wie theoretische Spektrum aus Techniken des Appropriierens 03 00 Der vorliegende Band untersucht systematisch das Verhältnis von digitalen Kameras und ihren softwaretechnischen Grundlagen, die wir unter „Apps“ zusammenfassen. Als konzeptuelles Framing in der Auseinandersetzung mit dieser medialen Verbindung aus Kamera/App wählen wir das ästhetische wie theoretische Spektrum aus Techniken des Appropriierens und Applizierens und damit verbundene Theorietraditionen der Filmwissenschaft sowie der Software, Platform und App Studies. Mit dem programmatischen Befund ‚Deine Kamera ist eine App‘ soll in vier dialogischen Textpaaren dem offenen Themenfeld zwischen Appropriation/Applikation und seiner zeitgenössischen Brisanz wie historischen Tiefe entlang übergreifender Konzepte wie Partizipation, Format und Widerstand nachgegangen werden. Dabei beleuchtet der Band die Verbindung von Ästhetik und Technik, Kunst und Software und wendet sich neben dem Film auch den sogenannten Medienkünsten, dokumentarischen Videoformaten, Selbstdokumentationen und dem Gaming zu. 30 00 Der vorliegende Band untersucht systematisch das Verhältnis von digitalen Kameras und ihren softwaretechnischen Grundlagen, die wir unter „Apps“ zusammenfassen. Als konzeptuelles Framing in der Auseinandersetzung mit dieser medialen Verbindung aus Kamera/App wählen wir das ästhetische wie theoretische Spektrum aus Techniken des Appropriierens und Applizierens und damit verbundene Theorietraditionen der Filmwissenschaft sowie der Software, Platform und App Studies. Mit dem programmatischen Befund ‚Deine Kamera ist eine App‘ soll in vier dialogischen Textpaaren dem offenen Themenfeld zwischen Appropriation/Applikation und seiner zeitgenössischen Brisanz wie historischen Tiefe entlang übergreifender Konzepte wie Partizipation, Format und Widerstand nachgegangen werden. Dabei beleuchtet der Band die Verbindung von Ästhetik und Technik, Kunst und Software und wendet sich neben dem Film auch den sogenannten Medienkünsten, dokumentarischen Videoformaten, Selbstdokumentationen und dem Gaming zu. 20 00 Open Access 01 00 03 02 This is the cover of the publication Deine Kamera ist eine App. 02 https://meson.press/wp-content/uploads/2024/01/978-3-95796-214-0_Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/deine-kamera-ist-eine-app 16 40 04pz7b180 Bundesministerium für Bildung und Forschung 01 programname Kleine Fächer – Große Potenziale 01 projectname „Filmische Aneignungsprozesse von Videos der populären Aufstandsbewegungen 2009–11 im Mittleren Osten und Nordafrika" Lüneburg 04 01 20231222 Elisa Linseisen und Alena Strohmaier 02 WORLD 06 15 9783957962140 03 9783957962140 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/90774 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/90774/978-3-95796-215-7-Deine_Kamera_ist_eine_App.pdf 20 08 20231222 01 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/deine-kamera-ist-eine-app 29 Publisher's website: download the title https://meson.press/wp-content/uploads/2024/01/978-3-95796-215-7-Deine_Kamera_ist_eine_App.pdf 20 08 20231222 01 urn:uuid:10db0643-7139-4c1e-aba8-281d56cf2a2d 03 01 01 thoth-work-id urn:uuid:d4128974-60ee-467c-b337-7001c37d6de5 01 thoth-publication-id urn:uuid:10db0643-7139-4c1e-aba8-281d56cf2a2d 15 9783957962249 03 9783957962249 00 BC 10 01 234 mm 01 23.4 cm 01 9.21 in 02 156 mm 02 15.6 cm 02 6.14 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Democratic Algorithms Ethnography of a Public Recommender System 1 A01 21 0000000269282099 Nikolaus Poechhacker Nikolaus Poechhacker Post-Doc Senior Scientist 40 05q9m0937 University of Klagenfurt Nikolaus Poechhacker is Post-Doc senior scientist at the Digital Age Research Center (D!ARC), University of Klagenfurt and research fellow at the Department of Innovation and Digitalisation of Law, University of Vienna. He received his PhD in Sociology at the Technical University of Munich. In his work he researches the relationship between democratic institutions, law, social order, and algorithmic systems in various domains, bringing together perspectives from media theory, STS, computer science, and sociology. 01 eng 00 214 03 93 JBCT1 04 P87-96 10 SOC052000 93 JPHV 10 POL007000 10 COM051300 93 UMB 20 STS; algorithm studies; public broadcasting; recommender systems; media studies 01 06 02 00 Can an algorithm be democratic? And how can we understand algorithms not only as technical, but also as social and political phenomena? Democratic Algorithms offers theoretically and empirically informed perspectives on how we can imagine and design algorithms for a democratic society, and what we even mean by that. Based on ethnographic fiel 03 00 Can an algorithm be democratic? And how can we understand algorithms not only as technical, but also as social and political phenomena? Democratic Algorithms offers theoretically and empirically informed perspectives on how we can imagine and design algorithms for a democratic society, and what we even mean by that. Based on ethnographic fieldwork, the book illustrates how a recommender system was built in a public broadcaster, raising questions not only about organizational and technical implementation, but also about the possible compatibility of such an algorithmic system with democratic constitutions. 30 00 Can an algorithm be democratic? And how can we understand algorithms not only as technical, but also as social and political phenomena? Democratic Algorithms offers theoretically and empirically informed perspectives on how we can imagine and design algorithms for a democratic society, and what we even mean by that. Based on ethnographic fieldwork, the book illustrates how a recommender system was built in a public broadcaster, raising questions not only about organizational and technical implementation, but also about the possible compatibility of such an algorithmic system with democratic constitutions. 20 00 Open Access 01 00 03 02 This is the cover of the book Democratic Algorithms. 02 https://meson.press/wp-content/uploads/2024/05/9783957962249_Poechhacker_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/democratic-algorithms Lüneburg 04 01 20240524 Nikolaus Poechhacker 02 WORLD 06 15 9783957962256 03 9783957962256 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/democratic-algorithms 20 08 20240524 01 urn:uuid:8ce2dfc2-3f26-4984-b532-80e46f159819 03 01 01 thoth-work-id urn:uuid:d4128974-60ee-467c-b337-7001c37d6de5 01 thoth-publication-id urn:uuid:8ce2dfc2-3f26-4984-b532-80e46f159819 15 9783957962256 03 9783957962256 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Democratic Algorithms Ethnography of a Public Recommender System 1 A01 21 0000000269282099 Nikolaus Poechhacker Nikolaus Poechhacker Post-Doc Senior Scientist 40 05q9m0937 University of Klagenfurt Nikolaus Poechhacker is Post-Doc senior scientist at the Digital Age Research Center (D!ARC), University of Klagenfurt and research fellow at the Department of Innovation and Digitalisation of Law, University of Vienna. He received his PhD in Sociology at the Technical University of Munich. In his work he researches the relationship between democratic institutions, law, social order, and algorithmic systems in various domains, bringing together perspectives from media theory, STS, computer science, and sociology. 01 eng 00 214 03 93 JBCT1 04 P87-96 10 SOC052000 93 JPHV 10 POL007000 10 COM051300 93 UMB 20 STS; algorithm studies; public broadcasting; recommender systems; media studies 01 06 02 00 Can an algorithm be democratic? And how can we understand algorithms not only as technical, but also as social and political phenomena? Democratic Algorithms offers theoretically and empirically informed perspectives on how we can imagine and design algorithms for a democratic society, and what we even mean by that. Based on ethnographic fiel 03 00 Can an algorithm be democratic? And how can we understand algorithms not only as technical, but also as social and political phenomena? Democratic Algorithms offers theoretically and empirically informed perspectives on how we can imagine and design algorithms for a democratic society, and what we even mean by that. Based on ethnographic fieldwork, the book illustrates how a recommender system was built in a public broadcaster, raising questions not only about organizational and technical implementation, but also about the possible compatibility of such an algorithmic system with democratic constitutions. 30 00 Can an algorithm be democratic? And how can we understand algorithms not only as technical, but also as social and political phenomena? Democratic Algorithms offers theoretically and empirically informed perspectives on how we can imagine and design algorithms for a democratic society, and what we even mean by that. Based on ethnographic fieldwork, the book illustrates how a recommender system was built in a public broadcaster, raising questions not only about organizational and technical implementation, but also about the possible compatibility of such an algorithmic system with democratic constitutions. 20 00 Open Access 01 00 03 02 This is the cover of the book Democratic Algorithms. 02 https://meson.press/wp-content/uploads/2024/05/9783957962249_Poechhacker_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/democratic-algorithms Lüneburg 04 01 20240524 Nikolaus Poechhacker 02 WORLD 06 15 9783957962249 03 9783957962249 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/90776 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/90776/978-3-95796-225-6-Poechhacker.pdf 20 08 20240524 01 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/democratic-algorithms 29 Publisher's website: download the title https://meson.press/wp-content/uploads/2024/05/978-3-95796-225-6-Democratic-Algorithms.pdf 20 08 20240524 01 urn:uuid:0cd09ad2-d7f8-4644-a285-9ab86e175a17 03 01 01 thoth-work-id urn:uuid:446d6ab7-31df-4ee5-86d7-0f7cb31f0f1b 01 thoth-publication-id urn:uuid:0cd09ad2-d7f8-4644-a285-9ab86e175a17 15 9783957960153 03 9783957960153 06 10.14619/003 00 BC 10 01 234 mm 01 23.4 cm 01 9.21 in 02 156 mm 02 15.6 cm 02 6.14 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Die verschiedenen Modi der Existenz 1 A01 Étienne Souriau Étienne Souriau Chair in Aesthetics 40 02en5vm52 Sorbonne Université Étienne Souriau (1892–1979) lehrte an den Universitäten von Aix-en-Provence und Lyon, bevor er Professor an der Sorbonne wurde, wo er einen Lehrstuhl für Ästhetik innehatte. Er war Herausgeber der Revue d’esthétique und wurde 1958 in die Académie des sciences morales et politiques gewählt. Mit Die verschiedenen Modi der Existenz liegt nun erstmals eine Monographie Souriaus in deutscher Sprache vor. 4 B06 Thomas Wäckerle Thomas Wäckerle 01 ger 04 B1-5802 12 HPCF3 10 PHI006000 93 QDHR5 04 BH1-301 12 HPN 10 PHI001000 93 QDTN 20 Ästhetik; Bruno Latour; ANT; Philosophie; Existenzweisen 01 06 02 00 „Wäre die Philosophie auch nur eine Stunde der Mühe wert, wenn sie uns nicht für das Leben rüstete?“ Gezielten Schrittes entwirft der französische Philosoph Étienne Souriau in diesem dicht gedrängten Buch eine Grammatik der Existenz. Im Fokus steht nicht nur ihre Theorie, sondern auch die tatsächliche Ausübung der „Kunst des Existierens“. Wie 03 00 „Wäre die Philosophie auch nur eine Stunde der Mühe wert, wenn sie uns nicht für das Leben rüstete?“ Gezielten Schrittes entwirft der französische Philosoph Étienne Souriau in diesem dicht gedrängten Buch eine Grammatik der Existenz. Im Fokus steht nicht nur ihre Theorie, sondern auch die tatsächliche Ausübung der „Kunst des Existierens“. Wie Gilles Deleuze und William James vertritt Souriau dabei die These eines existenziellen Pluralismus: Es gibt Phänomene, Dinge, das Virtuelle, fiktionale Wesen – die Existenz ist polyphon. Souriaus radikale Herangehensweise hat auch Bruno Latour und Isabelle Stengers entscheidend beeinflusst. In ihrer ausführlichen Einleitung zu Souriaus Text von 1943 und dem ebenfalls zum ersten Mal in deutscher Sprache veröffentlichten Vortrag „Über den Modus der Existenz des zu vollbringenden Werks“ (1956) zeigt sich eindrucksvoll die Aktualität seines Denkens. 30 00 „Wäre die Philosophie auch nur eine Stunde der Mühe wert, wenn sie uns nicht für das Leben rüstete?“ Gezielten Schrittes entwirft der französische Philosoph Étienne Souriau in diesem dicht gedrängten Buch eine Grammatik der Existenz. Im Fokus steht nicht nur ihre Theorie, sondern auch die tatsächliche Ausübung der „Kunst des Existierens“. Wie Gilles Deleuze und William James vertritt Souriau dabei die These eines existenziellen Pluralismus: Es gibt Phänomene, Dinge, das Virtuelle, fiktionale Wesen – die Existenz ist polyphon. Souriaus radikale Herangehensweise hat auch Bruno Latour und Isabelle Stengers entscheidend beeinflusst. In ihrer ausführlichen Einleitung zu Souriaus Text von 1943 und dem ebenfalls zum ersten Mal in deutscher Sprache veröffentlichten Vortrag „Über den Modus der Existenz des zu vollbringenden Werks“ (1956) zeigt sich eindrucksvoll die Aktualität seines Denkens. 20 00 Open Access 01 00 03 02 This is the cover of the book Die verschiedenen Modi der Existenz. 02 http://meson.press/wp-content/uploads/2015/05/Souriau-Die-verschiedenen-Modi-der-Exiszenz-WEB-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/die-verschiedenen-modi-der-existenz 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150618 Étienne Souriau Isabelle Stengers Bruno Latour 02 WORLD 06 15 9783957960160 03 9783957960160 06 15 9783957960177 03 9783957960177 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/die-verschiedenen-modi-der-existenz 20 08 20150618 01 urn:uuid:aab802b0-ddfd-4b1e-bfcb-79b6b631e604 03 01 01 thoth-work-id urn:uuid:446d6ab7-31df-4ee5-86d7-0f7cb31f0f1b 01 thoth-publication-id urn:uuid:aab802b0-ddfd-4b1e-bfcb-79b6b631e604 15 9783957960160 03 9783957960160 06 10.14619/003 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Die verschiedenen Modi der Existenz 1 A01 Étienne Souriau Étienne Souriau Chair in Aesthetics 40 02en5vm52 Sorbonne Université Étienne Souriau (1892–1979) lehrte an den Universitäten von Aix-en-Provence und Lyon, bevor er Professor an der Sorbonne wurde, wo er einen Lehrstuhl für Ästhetik innehatte. Er war Herausgeber der Revue d’esthétique und wurde 1958 in die Académie des sciences morales et politiques gewählt. Mit Die verschiedenen Modi der Existenz liegt nun erstmals eine Monographie Souriaus in deutscher Sprache vor. 4 B06 Thomas Wäckerle Thomas Wäckerle 01 ger 04 B1-5802 12 HPCF3 10 PHI006000 93 QDHR5 04 BH1-301 12 HPN 10 PHI001000 93 QDTN 20 Ästhetik; Bruno Latour; ANT; Philosophie; Existenzweisen 01 06 02 00 „Wäre die Philosophie auch nur eine Stunde der Mühe wert, wenn sie uns nicht für das Leben rüstete?“ Gezielten Schrittes entwirft der französische Philosoph Étienne Souriau in diesem dicht gedrängten Buch eine Grammatik der Existenz. Im Fokus steht nicht nur ihre Theorie, sondern auch die tatsächliche Ausübung der „Kunst des Existierens“. Wie 03 00 „Wäre die Philosophie auch nur eine Stunde der Mühe wert, wenn sie uns nicht für das Leben rüstete?“ Gezielten Schrittes entwirft der französische Philosoph Étienne Souriau in diesem dicht gedrängten Buch eine Grammatik der Existenz. Im Fokus steht nicht nur ihre Theorie, sondern auch die tatsächliche Ausübung der „Kunst des Existierens“. Wie Gilles Deleuze und William James vertritt Souriau dabei die These eines existenziellen Pluralismus: Es gibt Phänomene, Dinge, das Virtuelle, fiktionale Wesen – die Existenz ist polyphon. Souriaus radikale Herangehensweise hat auch Bruno Latour und Isabelle Stengers entscheidend beeinflusst. In ihrer ausführlichen Einleitung zu Souriaus Text von 1943 und dem ebenfalls zum ersten Mal in deutscher Sprache veröffentlichten Vortrag „Über den Modus der Existenz des zu vollbringenden Werks“ (1956) zeigt sich eindrucksvoll die Aktualität seines Denkens. 30 00 „Wäre die Philosophie auch nur eine Stunde der Mühe wert, wenn sie uns nicht für das Leben rüstete?“ Gezielten Schrittes entwirft der französische Philosoph Étienne Souriau in diesem dicht gedrängten Buch eine Grammatik der Existenz. Im Fokus steht nicht nur ihre Theorie, sondern auch die tatsächliche Ausübung der „Kunst des Existierens“. Wie Gilles Deleuze und William James vertritt Souriau dabei die These eines existenziellen Pluralismus: Es gibt Phänomene, Dinge, das Virtuelle, fiktionale Wesen – die Existenz ist polyphon. Souriaus radikale Herangehensweise hat auch Bruno Latour und Isabelle Stengers entscheidend beeinflusst. In ihrer ausführlichen Einleitung zu Souriaus Text von 1943 und dem ebenfalls zum ersten Mal in deutscher Sprache veröffentlichten Vortrag „Über den Modus der Existenz des zu vollbringenden Werks“ (1956) zeigt sich eindrucksvoll die Aktualität seines Denkens. 20 00 Open Access 01 00 03 02 This is the cover of the book Die verschiedenen Modi der Existenz. 02 http://meson.press/wp-content/uploads/2015/05/Souriau-Die-verschiedenen-Modi-der-Exiszenz-WEB-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/die-verschiedenen-modi-der-existenz 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150618 Étienne Souriau Isabelle Stengers Bruno Latour 02 WORLD 06 15 9783957960153 03 9783957960153 06 15 9783957960177 03 9783957960177 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37579 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37579/9783957960160-Souriau-Modi_der_Existenz.pdf 20 08 20150618 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/die-verschiedenen-modi-der-existenz 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2015/04/9783957960160-Souriau-Modi_der_Existenz.pdf 20 08 20150618 01 urn:uuid:565bb0fa-c561-43bb-b510-444b2e623513 03 01 01 thoth-work-id urn:uuid:446d6ab7-31df-4ee5-86d7-0f7cb31f0f1b 01 thoth-publication-id urn:uuid:565bb0fa-c561-43bb-b510-444b2e623513 15 9783957960177 03 9783957960177 06 10.14619/003 00 EB E101 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Die verschiedenen Modi der Existenz 1 A01 Étienne Souriau Étienne Souriau Chair in Aesthetics 40 02en5vm52 Sorbonne Université Étienne Souriau (1892–1979) lehrte an den Universitäten von Aix-en-Provence und Lyon, bevor er Professor an der Sorbonne wurde, wo er einen Lehrstuhl für Ästhetik innehatte. Er war Herausgeber der Revue d’esthétique und wurde 1958 in die Académie des sciences morales et politiques gewählt. Mit Die verschiedenen Modi der Existenz liegt nun erstmals eine Monographie Souriaus in deutscher Sprache vor. 4 B06 Thomas Wäckerle Thomas Wäckerle 01 ger 04 B1-5802 12 HPCF3 10 PHI006000 93 QDHR5 04 BH1-301 12 HPN 10 PHI001000 93 QDTN 20 Ästhetik; Bruno Latour; ANT; Philosophie; Existenzweisen 01 06 02 00 „Wäre die Philosophie auch nur eine Stunde der Mühe wert, wenn sie uns nicht für das Leben rüstete?“ Gezielten Schrittes entwirft der französische Philosoph Étienne Souriau in diesem dicht gedrängten Buch eine Grammatik der Existenz. Im Fokus steht nicht nur ihre Theorie, sondern auch die tatsächliche Ausübung der „Kunst des Existierens“. Wie 03 00 „Wäre die Philosophie auch nur eine Stunde der Mühe wert, wenn sie uns nicht für das Leben rüstete?“ Gezielten Schrittes entwirft der französische Philosoph Étienne Souriau in diesem dicht gedrängten Buch eine Grammatik der Existenz. Im Fokus steht nicht nur ihre Theorie, sondern auch die tatsächliche Ausübung der „Kunst des Existierens“. Wie Gilles Deleuze und William James vertritt Souriau dabei die These eines existenziellen Pluralismus: Es gibt Phänomene, Dinge, das Virtuelle, fiktionale Wesen – die Existenz ist polyphon. Souriaus radikale Herangehensweise hat auch Bruno Latour und Isabelle Stengers entscheidend beeinflusst. In ihrer ausführlichen Einleitung zu Souriaus Text von 1943 und dem ebenfalls zum ersten Mal in deutscher Sprache veröffentlichten Vortrag „Über den Modus der Existenz des zu vollbringenden Werks“ (1956) zeigt sich eindrucksvoll die Aktualität seines Denkens. 30 00 „Wäre die Philosophie auch nur eine Stunde der Mühe wert, wenn sie uns nicht für das Leben rüstete?“ Gezielten Schrittes entwirft der französische Philosoph Étienne Souriau in diesem dicht gedrängten Buch eine Grammatik der Existenz. Im Fokus steht nicht nur ihre Theorie, sondern auch die tatsächliche Ausübung der „Kunst des Existierens“. Wie Gilles Deleuze und William James vertritt Souriau dabei die These eines existenziellen Pluralismus: Es gibt Phänomene, Dinge, das Virtuelle, fiktionale Wesen – die Existenz ist polyphon. Souriaus radikale Herangehensweise hat auch Bruno Latour und Isabelle Stengers entscheidend beeinflusst. In ihrer ausführlichen Einleitung zu Souriaus Text von 1943 und dem ebenfalls zum ersten Mal in deutscher Sprache veröffentlichten Vortrag „Über den Modus der Existenz des zu vollbringenden Werks“ (1956) zeigt sich eindrucksvoll die Aktualität seines Denkens. 20 00 Open Access 01 00 03 02 This is the cover of the book Die verschiedenen Modi der Existenz. 02 http://meson.press/wp-content/uploads/2015/05/Souriau-Die-verschiedenen-Modi-der-Exiszenz-WEB-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/die-verschiedenen-modi-der-existenz 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150618 Étienne Souriau Isabelle Stengers Bruno Latour 02 WORLD 06 15 9783957960153 03 9783957960153 06 15 9783957960160 03 9783957960160 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/die-verschiedenen-modi-der-existenz 20 08 20150618 01 urn:uuid:54159ae7-7ae5-4d0b-a797-78e48d5ba29b 03 01 01 thoth-work-id urn:uuid:525e7119-52be-4afb-8a02-947babc292d2 01 thoth-publication-id urn:uuid:54159ae7-7ae5-4d0b-a797-78e48d5ba29b 15 9783957960504 03 9783957960504 06 10.14619/013 00 BC 10 01 234 mm 01 23.4 cm 01 9.21 in 02 156 mm 02 15.6 cm 02 6.14 in 01 01 Digital Activism in Asia Reader 1 B01 Nishant Shah Nishant Shah Professor of Culture and Aesthetics of New Media 40 02w2y2t16 Leuphana University of Lüneburg Nishant Shah is Professor of Culture and Aesthetics of New Media at the Leuphana University Lüneburg, Research Associate at Common Media Lab, Affiliate at Digital Cultures Research Lab, and International Tandempartner at Hybrid Publishing Lab. He is the co-founder and former-Director-Research at the Centre for Internet and Society, India. In his varied roles, he has been committed to producing infrastructure, frameworks and collaborations in the global south to understand and analyse the ways in which emergence and growth of digital technologies have shaped the contemporary social, political and cultural milieu. His Ph.D. thesis titled “The Technosocial Subject: Cities, Cyborgs and Cyberspace” builds a framework to examine the technosocial identities that are produced at the intersection of law, digital technologies and everyday cultural practices in emerging information societies like India. Nishant was an Asia Research fellow looking at the cost and infrastructure of building IT Cities like Shanghai. He is the author of a recent thought-piece titled “Whose Change is it Anyway? – Towards a future of digital technologies and citizen action in emerging information societies” that seeks to revisit the debates around digital activism and change in the global context. His current interests are in critically intervening in debates around Digital Humanities and conditions of change mediated by technologies. 2 B01 Puthiya Purayil Sneha Puthiya Purayil Sneha Programme Officer 40 01d0r2q86 Centre for Internet and Society Puthiya Purayil Sneha is Programme Officer with the Researchers at Work programme at the Centre for Internet and Society (CIS), India. Her training is in humanities, and she has previously worked with a research programme on higher education in India at the Centre for the Study of Culture and Society, (CSCS) Bangalore. At CIS she is presently engaged withaproject on mapping the emergent field of Digital Humanities in India, and is also interested in questions on changing modes of knowledge production in the humanities with the advent of the internet and new digital technologies. 3 B01 21 0000000157244557 Sumandro Chattapadhyay Sumandro Chattapadhyay Research Director 40 01d0r2q86 Centre for Internet and Society Sumandro Chattapadhyay is Research Director at the Centre for Internet and Society, India. He leads the open data activities at CIS, and also the Researchers at Work (RAW) programme. His academic interests span over topics of history and politics of informatics in India, new media and technology studies, and data infrastructures and economies; and is alsokeenlyinterested in questions and techniques of digital humanities. 4 A01 Denisse Albornoz Denisse Albornoz Denisse Albornoz is Ecuadorian and resides in Toronto. Sheworkedfor 11 months at the Centre for Internet and Society as a program associate for the Making Change project, looking at methods for change at the intersections of art, technology and activism. She continued her research back in Toronto exploring how trans-media storytelling practices are used in Bangalore to challenge dominant discourses and strengthen citizenship habits. She graduated from the International Development Studies program at the University of Toronto in 2015. 5 A01 Esra’a Al Shafei Esra’a Al Shafei Esra’a Al Shafei is the founder and director of Mideast Youth,anetwork of online platforms that amplify under-reported and marginalized voices throughout the Middle East and North Africa. She isarecipient of the Berkman Award from Harvard University’s Berkman Center for Internet and Society for “outstanding contributions to the internet and its impact on society,” and is currentlyaShuttleworth Foundation Fellow. Previously, she was an Echoing Green Fellow andaSenior TED Fellow. In 2011 she was featured in Fast Company as one of the “100 Most Creative People in Business” and awarded the Monaco Media Prize, which acknowledges innovative uses of media for the betterment of humanity. In 2014, she was featured in Forbes’ “30 Under 30” list of social entrepreneurs making an impact in the world. The same year, Mideast Youth received the Human Rights Tulip, awarded annually to an organization which promotes and supports human rights in innovative ways 6 A01 Maesy Angelina Maesy Angelina Maesy Angelina works on research and social innovation for women empowerment and poverty reduction in Jakarta, Indonesia. Her weekends are spent running POST, an independent bookshop and creative space that she co-founded in a traditional market in Jakarta. 7 A01 Htaike Htaike Aung Htaike Htaike Aung Htaike Htaike Aung is the Programme Manager at Myanmar ICT for Development Organisation, or MIDO. She is interested in Internet culture, and has been involved in Internet propagation events in Myanmar since 2006. She is a computer privacy and circumvention activist. Htaike Htaike conducts trainings on Internet and digital security for the human rights defenders in Myanmar. She is one of the founders of the Myanmar Bloggers Society, and is an organizer of the Barcamp Yangon, http://www.barcampyangon.org/index. html, considered one of the biggest Barcamp gatherings in the world. She has also worked with several international NGOs to provide ICT training to grassroots activists and workers 8 A01 21 0000000345105634 Anat Ben-David Anat Ben-David Lecturer in the Department of Sociology, Political Science and Communication 40 027z64205 Open University of Israel Anat Ben-David is a lecturer in the department of Sociology, Political Science and Communication at the Open University of Israel. 9 A01 Nandini Chami Nandini Chami Senior Research Associate 40 04xxdsr80 IT for Change Nandini Chami is Senior Research Associate at IT for Change http://www. itforchange.net/,aBangalore-based NGO, working on information society theory and practice from the standpoint of gender equality and social justice. Her research interests are: democracy and citizenship in the digital age and community informatics 10 A01 Tracey Cheng Tracey Cheng Tracey Cheng was born in the U.S. and raised in Taiwan. She received both her Bachelor’s degree in Comparative Religion and her degree in Master of Communication in Digital Media (MCDM) from the University of Washington. She currently resides in Taiwan. 11 A01 Armand Hurault Armand Hurault Armand Hurault has been working on the Middle East since 2008 and on the political dynamics and forms of dissent of the Arab Spring since 2011. He is currently deputy coordinator at ASML,aSyro-French organization supporting the emergence of an alternative and professional media landscape in Syria. Armand holdsafirst master’s degree from Sciences-Po, France, andasecond in Middle East Politics from the School of Oriental and African Studies (SOAS), University of London. 12 A01 Rachael Jolley Rachael Jolley Rachael Jolley is the editor of Index on Censorship magazine. Having started as a news reporter on a local newspaper, she moved on to writing for magazines, newspapers and websites in the UK and internationally (including The Times, the Financial Times and The Guardian). She has been editorial director at think tank British Future, managing editor for monthly magazine Business Traveller, and editor of Business Traveller Middle East, and commissioning editor (online) for the Fabian Society. She also launched the quarterly magazine Public Health Today. 13 A01 21 0000000155512415 Youngmi Kim Youngmi Kim Associate Professor at the Ddepartment of International Relations/Public Policy 40 02zx40v98 Central European University Youngmi Kim is an associate professor at the department of International Relations/Public policy at Central European University. She received her PhD from the University of Sheffield (UK) in 2007 and joined CEU in 2009. Youngmi was previouslyaLeverhulme Trust Early Career Fellow and an ESRC Post-Doctoral Fellow at the University of Edinburgh, and has also taught at University College Dublin, Ireland. Her main interests are in comparative politics, especially in the study of political parties and party systems in new democracies, online politics, and comparative regionalism. Her current research explores online political participation and its relationship with offline activism, and the impact of political culture on political behavior. 14 A01 21 0000000215839920 Merlyna Lim Merlyna Lim Canada Research Chair in Digital Media and Global Network Society in the School of Journalism and Communication 40 02qtvee93 Carleton University Merlyna Lim isascholar studying ICT (Information and Communication Studies), particularly on the socio-political shaping of new media in nonWestern contexts. She has been appointed a Canada Research Chair in Digital Media and Global Network Society in the School of Journalism and Communication Carleton University in 2014. Formerly she wasaVisiting Research Scholar at Princeton University’s Center for Information Technology Policy and aDistinguished Scholar of Technology and Public Engagement of the School of Social Transformation Justice and Social Inquiry Program and the Consortium for Science, Policy and Outcomes at Arizona State University. She previously held a Networked Public Research Associate position at the Annenberg Center for Communication at the University of Southern California, Los Angeles. She got her PhD, with distinction (cum laude), from University of Twente in Enschede, Netherlands, withadissertation entitled “@rchipelago Online: The Internet and Political Activism in Indonesia.” 15 A01 Sarah McKeever Sarah McKeever PhD in Contemporary India Studies at the India Institute 40 0220mzb33 King's College London Sarah McKeever graduated from the University of Chicago in 2010 withadegree in International Studies, focusing on contemporary Indian politics and society. She wasaFulbright-Nehru English Teaching Assistant from 2010-2011, working inagovernment school in New Delhi to assist in English language comprehension and verbal skills. After working in Washington, D.C. on SinoIndian relations, Ms. McKeever graduated with an MSc in Contemporary India from the University of Oxford in 2013. She is currently working on her PhD in Contemporary India Studies at the India Institute at King’s College London. Her work focuses on the impact of social media on contemporary political movements. 16 A01 21 0000000236658184 Subhashish Panigrahi Subhashish Panigrahi 40 01d0r2q86 Centre for Internet and Society Subhashish Panigrahi is an an educator and open source activist based in Bangalore, India. He isalong time Wikimedian and is involved in India’s first GLAM project. Currently he is working at the Access To Knowledge program of the Centre for Internet and Society. In the past, he has worked on building partnerships with GLAM institutions, universities, language research organizations, government departments and individuals for bringing more scholarly and encyclopedic content on language, culture and history under free licenses. He has learning interests in building collaborative GLAM projects that operate in low cost and bring institutions, resourceful experts and scholars under one roof. He has been involved in various language related conferences and spoken in both policy and implementation discourses around open knowledge and open source. 17 A01 21 0000000152711881 Prabhas Pokharel Prabhas Pokharel Prabhas Pokharel is a practitioner using technology for social development in the developing world, focusing on Nepal. He is currently working as a Product Design Fellow at the Kathmandu Living Labs, responding to the Nepal earthquake with information products utilizing technology and crowd intelligence. He hasworkedin roles ranging from the very technical (software developer) to the the very non-technical (researcher/blogger) in places ranging from Nepal, India, Kenya, Kosovo, Nigeria, Peru and the United States. Some examples of his work include: the development of technology infrastructure to support local-level grant-making in Nigeria, and helping establish the UNICEF Innovations Labs in Kosovo. Prabhas is a native of Nepal. Starting in the fall of 2015, he will be a student at the Product Design program at Stanford University. 18 A01 Puthiya Purayil Sneha Puthiya Purayil Sneha Programme Officer with the Researchers at Work programme 40 01d0r2q86 Centre for Internet and Society Puthiya Purayil Sneha is Programme Officer with the Researchers at Work programme at the Centre for Internet and Society (CIS), India. Her training is in humanities, and she has previously worked with a research programme on higher education in India at the Centre for the Study of Culture and Society, (CSCS) Bangalore. At CIS she is presently engaged withaproject on mapping the emergent field of Digital Humanities in India, and is also interested in questions on changing modes of knowledge production in the humanities with the advent of the internet and new digital technologies. 19 A01 21 0000000165909555 Padmini Ray Murray Padmini Ray Murray 40 033mhgr78 Srishti Institute of Art Design and Technology Padmini Ray Murray joined the Srishti Institute of Art, Design and Technology, Bangalore in January 2015. Ray Murray is one of the founders of the South Asian Digital Humanities Network and currently serves as vice-chair of Global Outlook::Digital Humanities, as editor-in-chief at SHARP news, and on the editorial board at Technoculture. Her research interests span the history of the book, public history, comics, videogames and literary studies. Ray Murray received her PhD in 2008 from the University of Edinburgh. 20 A01 Urvashi Sarkar Urvashi Sarkar Urvashi Sarkar is a freelance journalist with an interest in politics, gender and culture. She currently works in the development sector and is a former reporter with The Hindu. 21 A01 Shobha S V Shobha S V Shobha S V is a digital media professional working in India. She is a trained journalist with an experience of working with media organisations viz. Daily News and Analysis, Times group and Mid-Day. A sociologist by training, she currently works for a women’s rights organisation working on issues relatyed to violence against women. She has experience in researching women’s experiences on social media, managing digital content, and designing and implementing projects related to crowd sourced knowledge and social justice. 22 A01 YiPing Zona Tsou YiPing (Zona) Tsou YiPing (Zona) Tsou is a language and intercultural educator as well as creative learning entrepreneur. She holdsadegree in Foreign Languages and Literatures from National Taiwan University and an M.A. in Cultural Studies from National Central University and has presented her poetic and scholarly work internationally. A translator, lecturer, and frequent collaborator, Tsou co-founded Becoming, the first crowd-learning community for cross-cultural creatives in Taipei. She also startedacreative center in Kaohsiung called InBetween to bring together cultural literacy and language learning. 23 A01 Hu Yong Hu Yong Professor in the School of Journalism and Communication 40 02v51f717 Peking University Hu Yong is a professor at Peking University’s School of Journalism and Communication, and a well-known new media critic and Chinese Internet pioneer.Before joining the faculty of Peking University, Hu Yong hasworkedforanumber of media sources for over 15 years, including China Daily, Lifeweek, China Internet Weekly and China Central Television. He is active in industry affairs as he is co-founder of the Digital Forum of China,anonprofit organization that promotes public awareness of digitization and advocates afree and responsible Internet. In 2000, Hu Yong was nominated for China’s list of top Internet industry figures. Hu Yong isafounding director for Communication Association of China (CAC) and China New Media Communication Association (CNMCA). His publications include Internet: The King Who Rules, the first book introducing the Internet to Chinese readers, and The Rising Cacophony: Personal Expression and Public Discussion in the Internet Age, documenting major transformations in the Chinese cyberspace. 24 A01 Huma Yusuf Huma Yusuf Global Fellow 40 00whzh260 Woodrow Wilson International Center for Scholars Huma Yusuf isafreelance media researcher andaGlobal Fellow of the Woodrow Wilson International Center for Scholars in Washington, DC. She holds a master’s degree from MIT’s Comparative Media Studies program and a bachelor’s degree from Harvard University. She was a research associate at the MIT Center for Future Civic Media during the 2007-2008 academic year. Her academic research at MIT examined how new media platforms and mediated practices help shape urban identity and negotiate street violence. As a print and online journalist based in Karachi, Pakistan, she reports on Pakistani politics, media trends, development, and violence against women. She is the recipient of the European Commission’s 2006 Natali Lorenzo Prize for Human Rights Journalism and the UNESCO/Pakistan Press Foundation 2005 Gender in Journalism Award. 25 A01 21 0000000329246517 Weiyu Zhang Weiyu Zhang Associate Professor at the Department of Communication and New Media 40 01tgyzw49 National University of Singapore Weiyu Zhang is an Associate Professor at the Department of Communication and New Media, National University of Singapore. She graduated from the Annenberg School for Communication, University of Pennsylvania. Her research interests are in New Media and Civic Engagement, Social and Cognitive Psychology of New Media. 01 eng 00 269 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 93 JPSL 12 JPSL 10 POL062000 93 UD 12 UD 20 Activism; Networked Societies; Digital Society; Social Media; Asia 01 06 02 00 The digital turn might as well be marked as an Asian turn. From flash-mobs in Taiwan to feminist mobilisations in India, from hybrid media strategies of Syrian activists to cultural protests in Thailand, we see the emergence of political acts that transform the citizen from being a beneficiary of change to becoming an agent of change. In co-s 03 00 The digital turn might as well be marked as an Asian turn. From flash-mobs in Taiwan to feminist mobilisations in India, from hybrid media strategies of Syrian activists to cultural protests in Thailand, we see the emergence of political acts that transform the citizen from being a beneficiary of change to becoming an agent of change. In co-shaping these changes, what the digital shall be used for, and what its consequences will be, are both up for speculation and negotiation. Digital Activism in Asia marks a particular shift where these questions are no longer being refracted through the ICT4D logic, or the West’s attempts to save Asia from itself, but shaped by multiplicity, unevenness, and urgencies of digital sites and users in Asia. This reader crowd-sources critical tools, concepts, analyses, and annotations, self-identified by a network of change makers in Asia as important in their own practices within their own contexts. 30 00 The digital turn might as well be marked as an Asian turn. From flash-mobs in Taiwan to feminist mobilisations in India, from hybrid media strategies of Syrian activists to cultural protests in Thailand, we see the emergence of political acts that transform the citizen from being a beneficiary of change to becoming an agent of change. In co-shaping these changes, what the digital shall be used for, and what its consequences will be, are both up for speculation and negotiation. Digital Activism in Asia marks a particular shift where these questions are no longer being refracted through the ICT4D logic, or the West’s attempts to save Asia from itself, but shaped by multiplicity, unevenness, and urgencies of digital sites and users in Asia. This reader crowd-sources critical tools, concepts, analyses, and annotations, self-identified by a network of change makers in Asia as important in their own practices within their own contexts. 01 00 03 02 This is the cover of the book Digital Activism in Asia Reader. 02 http://meson.press/wp-content/uploads/2015/07/digital-activism-asia-cover-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/digital-activism-in-asia-reader 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150701 Nishant Shah Puthiya Purayil Sneha Sumandro Chattapadhyay 02 WORLD 06 15 9783957960511 03 9783957960511 06 15 9783957960528 03 9783957960528 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/digital-activism-in-asia-reader 20 08 20150701 01 urn:uuid:f806a570-ad64-41a5-b3ea-1fb3dda94ac2 03 01 01 thoth-work-id urn:uuid:525e7119-52be-4afb-8a02-947babc292d2 01 thoth-publication-id urn:uuid:f806a570-ad64-41a5-b3ea-1fb3dda94ac2 15 9783957960511 03 9783957960511 06 10.14619/013 00 EB E107 10 01 01 Digital Activism in Asia Reader 1 B01 Nishant Shah Nishant Shah Professor of Culture and Aesthetics of New Media 40 02w2y2t16 Leuphana University of Lüneburg Nishant Shah is Professor of Culture and Aesthetics of New Media at the Leuphana University Lüneburg, Research Associate at Common Media Lab, Affiliate at Digital Cultures Research Lab, and International Tandempartner at Hybrid Publishing Lab. He is the co-founder and former-Director-Research at the Centre for Internet and Society, India. In his varied roles, he has been committed to producing infrastructure, frameworks and collaborations in the global south to understand and analyse the ways in which emergence and growth of digital technologies have shaped the contemporary social, political and cultural milieu. His Ph.D. thesis titled “The Technosocial Subject: Cities, Cyborgs and Cyberspace” builds a framework to examine the technosocial identities that are produced at the intersection of law, digital technologies and everyday cultural practices in emerging information societies like India. Nishant was an Asia Research fellow looking at the cost and infrastructure of building IT Cities like Shanghai. He is the author of a recent thought-piece titled “Whose Change is it Anyway? – Towards a future of digital technologies and citizen action in emerging information societies” that seeks to revisit the debates around digital activism and change in the global context. His current interests are in critically intervening in debates around Digital Humanities and conditions of change mediated by technologies. 2 B01 Puthiya Purayil Sneha Puthiya Purayil Sneha Programme Officer 40 01d0r2q86 Centre for Internet and Society Puthiya Purayil Sneha is Programme Officer with the Researchers at Work programme at the Centre for Internet and Society (CIS), India. Her training is in humanities, and she has previously worked with a research programme on higher education in India at the Centre for the Study of Culture and Society, (CSCS) Bangalore. At CIS she is presently engaged withaproject on mapping the emergent field of Digital Humanities in India, and is also interested in questions on changing modes of knowledge production in the humanities with the advent of the internet and new digital technologies. 3 B01 21 0000000157244557 Sumandro Chattapadhyay Sumandro Chattapadhyay Research Director 40 01d0r2q86 Centre for Internet and Society Sumandro Chattapadhyay is Research Director at the Centre for Internet and Society, India. He leads the open data activities at CIS, and also the Researchers at Work (RAW) programme. His academic interests span over topics of history and politics of informatics in India, new media and technology studies, and data infrastructures and economies; and is alsokeenlyinterested in questions and techniques of digital humanities. 4 A01 Denisse Albornoz Denisse Albornoz Denisse Albornoz is Ecuadorian and resides in Toronto. Sheworkedfor 11 months at the Centre for Internet and Society as a program associate for the Making Change project, looking at methods for change at the intersections of art, technology and activism. She continued her research back in Toronto exploring how trans-media storytelling practices are used in Bangalore to challenge dominant discourses and strengthen citizenship habits. She graduated from the International Development Studies program at the University of Toronto in 2015. 5 A01 Esra’a Al Shafei Esra’a Al Shafei Esra’a Al Shafei is the founder and director of Mideast Youth,anetwork of online platforms that amplify under-reported and marginalized voices throughout the Middle East and North Africa. She isarecipient of the Berkman Award from Harvard University’s Berkman Center for Internet and Society for “outstanding contributions to the internet and its impact on society,” and is currentlyaShuttleworth Foundation Fellow. Previously, she was an Echoing Green Fellow andaSenior TED Fellow. In 2011 she was featured in Fast Company as one of the “100 Most Creative People in Business” and awarded the Monaco Media Prize, which acknowledges innovative uses of media for the betterment of humanity. In 2014, she was featured in Forbes’ “30 Under 30” list of social entrepreneurs making an impact in the world. The same year, Mideast Youth received the Human Rights Tulip, awarded annually to an organization which promotes and supports human rights in innovative ways 6 A01 Maesy Angelina Maesy Angelina Maesy Angelina works on research and social innovation for women empowerment and poverty reduction in Jakarta, Indonesia. Her weekends are spent running POST, an independent bookshop and creative space that she co-founded in a traditional market in Jakarta. 7 A01 Htaike Htaike Aung Htaike Htaike Aung Htaike Htaike Aung is the Programme Manager at Myanmar ICT for Development Organisation, or MIDO. She is interested in Internet culture, and has been involved in Internet propagation events in Myanmar since 2006. She is a computer privacy and circumvention activist. Htaike Htaike conducts trainings on Internet and digital security for the human rights defenders in Myanmar. She is one of the founders of the Myanmar Bloggers Society, and is an organizer of the Barcamp Yangon, http://www.barcampyangon.org/index. html, considered one of the biggest Barcamp gatherings in the world. She has also worked with several international NGOs to provide ICT training to grassroots activists and workers 8 A01 21 0000000345105634 Anat Ben-David Anat Ben-David Lecturer in the Department of Sociology, Political Science and Communication 40 027z64205 Open University of Israel Anat Ben-David is a lecturer in the department of Sociology, Political Science and Communication at the Open University of Israel. 9 A01 Nandini Chami Nandini Chami Senior Research Associate 40 04xxdsr80 IT for Change Nandini Chami is Senior Research Associate at IT for Change http://www. itforchange.net/,aBangalore-based NGO, working on information society theory and practice from the standpoint of gender equality and social justice. Her research interests are: democracy and citizenship in the digital age and community informatics 10 A01 Tracey Cheng Tracey Cheng Tracey Cheng was born in the U.S. and raised in Taiwan. She received both her Bachelor’s degree in Comparative Religion and her degree in Master of Communication in Digital Media (MCDM) from the University of Washington. She currently resides in Taiwan. 11 A01 Armand Hurault Armand Hurault Armand Hurault has been working on the Middle East since 2008 and on the political dynamics and forms of dissent of the Arab Spring since 2011. He is currently deputy coordinator at ASML,aSyro-French organization supporting the emergence of an alternative and professional media landscape in Syria. Armand holdsafirst master’s degree from Sciences-Po, France, andasecond in Middle East Politics from the School of Oriental and African Studies (SOAS), University of London. 12 A01 Rachael Jolley Rachael Jolley Rachael Jolley is the editor of Index on Censorship magazine. Having started as a news reporter on a local newspaper, she moved on to writing for magazines, newspapers and websites in the UK and internationally (including The Times, the Financial Times and The Guardian). She has been editorial director at think tank British Future, managing editor for monthly magazine Business Traveller, and editor of Business Traveller Middle East, and commissioning editor (online) for the Fabian Society. She also launched the quarterly magazine Public Health Today. 13 A01 21 0000000155512415 Youngmi Kim Youngmi Kim Associate Professor at the Ddepartment of International Relations/Public Policy 40 02zx40v98 Central European University Youngmi Kim is an associate professor at the department of International Relations/Public policy at Central European University. She received her PhD from the University of Sheffield (UK) in 2007 and joined CEU in 2009. Youngmi was previouslyaLeverhulme Trust Early Career Fellow and an ESRC Post-Doctoral Fellow at the University of Edinburgh, and has also taught at University College Dublin, Ireland. Her main interests are in comparative politics, especially in the study of political parties and party systems in new democracies, online politics, and comparative regionalism. Her current research explores online political participation and its relationship with offline activism, and the impact of political culture on political behavior. 14 A01 21 0000000215839920 Merlyna Lim Merlyna Lim Canada Research Chair in Digital Media and Global Network Society in the School of Journalism and Communication 40 02qtvee93 Carleton University Merlyna Lim isascholar studying ICT (Information and Communication Studies), particularly on the socio-political shaping of new media in nonWestern contexts. She has been appointed a Canada Research Chair in Digital Media and Global Network Society in the School of Journalism and Communication Carleton University in 2014. Formerly she wasaVisiting Research Scholar at Princeton University’s Center for Information Technology Policy and aDistinguished Scholar of Technology and Public Engagement of the School of Social Transformation Justice and Social Inquiry Program and the Consortium for Science, Policy and Outcomes at Arizona State University. She previously held a Networked Public Research Associate position at the Annenberg Center for Communication at the University of Southern California, Los Angeles. She got her PhD, with distinction (cum laude), from University of Twente in Enschede, Netherlands, withadissertation entitled “@rchipelago Online: The Internet and Political Activism in Indonesia.” 15 A01 Sarah McKeever Sarah McKeever PhD in Contemporary India Studies at the India Institute 40 0220mzb33 King's College London Sarah McKeever graduated from the University of Chicago in 2010 withadegree in International Studies, focusing on contemporary Indian politics and society. She wasaFulbright-Nehru English Teaching Assistant from 2010-2011, working inagovernment school in New Delhi to assist in English language comprehension and verbal skills. After working in Washington, D.C. on SinoIndian relations, Ms. McKeever graduated with an MSc in Contemporary India from the University of Oxford in 2013. She is currently working on her PhD in Contemporary India Studies at the India Institute at King’s College London. Her work focuses on the impact of social media on contemporary political movements. 16 A01 21 0000000236658184 Subhashish Panigrahi Subhashish Panigrahi 40 01d0r2q86 Centre for Internet and Society Subhashish Panigrahi is an an educator and open source activist based in Bangalore, India. He isalong time Wikimedian and is involved in India’s first GLAM project. Currently he is working at the Access To Knowledge program of the Centre for Internet and Society. In the past, he has worked on building partnerships with GLAM institutions, universities, language research organizations, government departments and individuals for bringing more scholarly and encyclopedic content on language, culture and history under free licenses. He has learning interests in building collaborative GLAM projects that operate in low cost and bring institutions, resourceful experts and scholars under one roof. He has been involved in various language related conferences and spoken in both policy and implementation discourses around open knowledge and open source. 17 A01 21 0000000152711881 Prabhas Pokharel Prabhas Pokharel Prabhas Pokharel is a practitioner using technology for social development in the developing world, focusing on Nepal. He is currently working as a Product Design Fellow at the Kathmandu Living Labs, responding to the Nepal earthquake with information products utilizing technology and crowd intelligence. He hasworkedin roles ranging from the very technical (software developer) to the the very non-technical (researcher/blogger) in places ranging from Nepal, India, Kenya, Kosovo, Nigeria, Peru and the United States. Some examples of his work include: the development of technology infrastructure to support local-level grant-making in Nigeria, and helping establish the UNICEF Innovations Labs in Kosovo. Prabhas is a native of Nepal. Starting in the fall of 2015, he will be a student at the Product Design program at Stanford University. 18 A01 Puthiya Purayil Sneha Puthiya Purayil Sneha Programme Officer with the Researchers at Work programme 40 01d0r2q86 Centre for Internet and Society Puthiya Purayil Sneha is Programme Officer with the Researchers at Work programme at the Centre for Internet and Society (CIS), India. Her training is in humanities, and she has previously worked with a research programme on higher education in India at the Centre for the Study of Culture and Society, (CSCS) Bangalore. At CIS she is presently engaged withaproject on mapping the emergent field of Digital Humanities in India, and is also interested in questions on changing modes of knowledge production in the humanities with the advent of the internet and new digital technologies. 19 A01 21 0000000165909555 Padmini Ray Murray Padmini Ray Murray 40 033mhgr78 Srishti Institute of Art Design and Technology Padmini Ray Murray joined the Srishti Institute of Art, Design and Technology, Bangalore in January 2015. Ray Murray is one of the founders of the South Asian Digital Humanities Network and currently serves as vice-chair of Global Outlook::Digital Humanities, as editor-in-chief at SHARP news, and on the editorial board at Technoculture. Her research interests span the history of the book, public history, comics, videogames and literary studies. Ray Murray received her PhD in 2008 from the University of Edinburgh. 20 A01 Urvashi Sarkar Urvashi Sarkar Urvashi Sarkar is a freelance journalist with an interest in politics, gender and culture. She currently works in the development sector and is a former reporter with The Hindu. 21 A01 Shobha S V Shobha S V Shobha S V is a digital media professional working in India. She is a trained journalist with an experience of working with media organisations viz. Daily News and Analysis, Times group and Mid-Day. A sociologist by training, she currently works for a women’s rights organisation working on issues relatyed to violence against women. She has experience in researching women’s experiences on social media, managing digital content, and designing and implementing projects related to crowd sourced knowledge and social justice. 22 A01 YiPing Zona Tsou YiPing (Zona) Tsou YiPing (Zona) Tsou is a language and intercultural educator as well as creative learning entrepreneur. She holdsadegree in Foreign Languages and Literatures from National Taiwan University and an M.A. in Cultural Studies from National Central University and has presented her poetic and scholarly work internationally. A translator, lecturer, and frequent collaborator, Tsou co-founded Becoming, the first crowd-learning community for cross-cultural creatives in Taipei. She also startedacreative center in Kaohsiung called InBetween to bring together cultural literacy and language learning. 23 A01 Hu Yong Hu Yong Professor in the School of Journalism and Communication 40 02v51f717 Peking University Hu Yong is a professor at Peking University’s School of Journalism and Communication, and a well-known new media critic and Chinese Internet pioneer.Before joining the faculty of Peking University, Hu Yong hasworkedforanumber of media sources for over 15 years, including China Daily, Lifeweek, China Internet Weekly and China Central Television. He is active in industry affairs as he is co-founder of the Digital Forum of China,anonprofit organization that promotes public awareness of digitization and advocates afree and responsible Internet. In 2000, Hu Yong was nominated for China’s list of top Internet industry figures. Hu Yong isafounding director for Communication Association of China (CAC) and China New Media Communication Association (CNMCA). His publications include Internet: The King Who Rules, the first book introducing the Internet to Chinese readers, and The Rising Cacophony: Personal Expression and Public Discussion in the Internet Age, documenting major transformations in the Chinese cyberspace. 24 A01 Huma Yusuf Huma Yusuf Global Fellow 40 00whzh260 Woodrow Wilson International Center for Scholars Huma Yusuf isafreelance media researcher andaGlobal Fellow of the Woodrow Wilson International Center for Scholars in Washington, DC. She holds a master’s degree from MIT’s Comparative Media Studies program and a bachelor’s degree from Harvard University. She was a research associate at the MIT Center for Future Civic Media during the 2007-2008 academic year. Her academic research at MIT examined how new media platforms and mediated practices help shape urban identity and negotiate street violence. As a print and online journalist based in Karachi, Pakistan, she reports on Pakistani politics, media trends, development, and violence against women. She is the recipient of the European Commission’s 2006 Natali Lorenzo Prize for Human Rights Journalism and the UNESCO/Pakistan Press Foundation 2005 Gender in Journalism Award. 25 A01 21 0000000329246517 Weiyu Zhang Weiyu Zhang Associate Professor at the Department of Communication and New Media 40 01tgyzw49 National University of Singapore Weiyu Zhang is an Associate Professor at the Department of Communication and New Media, National University of Singapore. She graduated from the Annenberg School for Communication, University of Pennsylvania. Her research interests are in New Media and Civic Engagement, Social and Cognitive Psychology of New Media. 01 eng 00 269 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 93 JPSL 12 JPSL 10 POL062000 93 UD 12 UD 20 Activism; Networked Societies; Digital Society; Social Media; Asia 01 06 02 00 The digital turn might as well be marked as an Asian turn. From flash-mobs in Taiwan to feminist mobilisations in India, from hybrid media strategies of Syrian activists to cultural protests in Thailand, we see the emergence of political acts that transform the citizen from being a beneficiary of change to becoming an agent of change. In co-s 03 00 The digital turn might as well be marked as an Asian turn. From flash-mobs in Taiwan to feminist mobilisations in India, from hybrid media strategies of Syrian activists to cultural protests in Thailand, we see the emergence of political acts that transform the citizen from being a beneficiary of change to becoming an agent of change. In co-shaping these changes, what the digital shall be used for, and what its consequences will be, are both up for speculation and negotiation. Digital Activism in Asia marks a particular shift where these questions are no longer being refracted through the ICT4D logic, or the West’s attempts to save Asia from itself, but shaped by multiplicity, unevenness, and urgencies of digital sites and users in Asia. This reader crowd-sources critical tools, concepts, analyses, and annotations, self-identified by a network of change makers in Asia as important in their own practices within their own contexts. 30 00 The digital turn might as well be marked as an Asian turn. From flash-mobs in Taiwan to feminist mobilisations in India, from hybrid media strategies of Syrian activists to cultural protests in Thailand, we see the emergence of political acts that transform the citizen from being a beneficiary of change to becoming an agent of change. In co-shaping these changes, what the digital shall be used for, and what its consequences will be, are both up for speculation and negotiation. Digital Activism in Asia marks a particular shift where these questions are no longer being refracted through the ICT4D logic, or the West’s attempts to save Asia from itself, but shaped by multiplicity, unevenness, and urgencies of digital sites and users in Asia. This reader crowd-sources critical tools, concepts, analyses, and annotations, self-identified by a network of change makers in Asia as important in their own practices within their own contexts. 01 00 03 02 This is the cover of the book Digital Activism in Asia Reader. 02 http://meson.press/wp-content/uploads/2015/07/digital-activism-asia-cover-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/digital-activism-in-asia-reader 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150701 Nishant Shah Puthiya Purayil Sneha Sumandro Chattapadhyay 02 WORLD 06 15 9783957960504 03 9783957960504 06 15 9783957960528 03 9783957960528 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37567 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37567/9783957960511-Digital-Activism-Asia-Reader.pdf 20 08 20150701 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/digital-activism-in-asia-reader 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2015/08/9783957960511-Digital-Activism-Asia-Reader.pdf 20 08 20150701 01 urn:uuid:47599898-5d88-429e-9bad-c0c4ab677676 03 01 01 thoth-work-id urn:uuid:525e7119-52be-4afb-8a02-947babc292d2 01 thoth-publication-id urn:uuid:47599898-5d88-429e-9bad-c0c4ab677676 15 9783957960528 03 9783957960528 06 10.14619/013 00 EB E101 10 01 01 Digital Activism in Asia Reader 1 B01 Nishant Shah Nishant Shah Professor of Culture and Aesthetics of New Media 40 02w2y2t16 Leuphana University of Lüneburg Nishant Shah is Professor of Culture and Aesthetics of New Media at the Leuphana University Lüneburg, Research Associate at Common Media Lab, Affiliate at Digital Cultures Research Lab, and International Tandempartner at Hybrid Publishing Lab. He is the co-founder and former-Director-Research at the Centre for Internet and Society, India. In his varied roles, he has been committed to producing infrastructure, frameworks and collaborations in the global south to understand and analyse the ways in which emergence and growth of digital technologies have shaped the contemporary social, political and cultural milieu. His Ph.D. thesis titled “The Technosocial Subject: Cities, Cyborgs and Cyberspace” builds a framework to examine the technosocial identities that are produced at the intersection of law, digital technologies and everyday cultural practices in emerging information societies like India. Nishant was an Asia Research fellow looking at the cost and infrastructure of building IT Cities like Shanghai. He is the author of a recent thought-piece titled “Whose Change is it Anyway? – Towards a future of digital technologies and citizen action in emerging information societies” that seeks to revisit the debates around digital activism and change in the global context. His current interests are in critically intervening in debates around Digital Humanities and conditions of change mediated by technologies. 2 B01 Puthiya Purayil Sneha Puthiya Purayil Sneha Programme Officer 40 01d0r2q86 Centre for Internet and Society Puthiya Purayil Sneha is Programme Officer with the Researchers at Work programme at the Centre for Internet and Society (CIS), India. Her training is in humanities, and she has previously worked with a research programme on higher education in India at the Centre for the Study of Culture and Society, (CSCS) Bangalore. At CIS she is presently engaged withaproject on mapping the emergent field of Digital Humanities in India, and is also interested in questions on changing modes of knowledge production in the humanities with the advent of the internet and new digital technologies. 3 B01 21 0000000157244557 Sumandro Chattapadhyay Sumandro Chattapadhyay Research Director 40 01d0r2q86 Centre for Internet and Society Sumandro Chattapadhyay is Research Director at the Centre for Internet and Society, India. He leads the open data activities at CIS, and also the Researchers at Work (RAW) programme. His academic interests span over topics of history and politics of informatics in India, new media and technology studies, and data infrastructures and economies; and is alsokeenlyinterested in questions and techniques of digital humanities. 4 A01 Denisse Albornoz Denisse Albornoz Denisse Albornoz is Ecuadorian and resides in Toronto. Sheworkedfor 11 months at the Centre for Internet and Society as a program associate for the Making Change project, looking at methods for change at the intersections of art, technology and activism. She continued her research back in Toronto exploring how trans-media storytelling practices are used in Bangalore to challenge dominant discourses and strengthen citizenship habits. She graduated from the International Development Studies program at the University of Toronto in 2015. 5 A01 Esra’a Al Shafei Esra’a Al Shafei Esra’a Al Shafei is the founder and director of Mideast Youth,anetwork of online platforms that amplify under-reported and marginalized voices throughout the Middle East and North Africa. She isarecipient of the Berkman Award from Harvard University’s Berkman Center for Internet and Society for “outstanding contributions to the internet and its impact on society,” and is currentlyaShuttleworth Foundation Fellow. Previously, she was an Echoing Green Fellow andaSenior TED Fellow. In 2011 she was featured in Fast Company as one of the “100 Most Creative People in Business” and awarded the Monaco Media Prize, which acknowledges innovative uses of media for the betterment of humanity. In 2014, she was featured in Forbes’ “30 Under 30” list of social entrepreneurs making an impact in the world. The same year, Mideast Youth received the Human Rights Tulip, awarded annually to an organization which promotes and supports human rights in innovative ways 6 A01 Maesy Angelina Maesy Angelina Maesy Angelina works on research and social innovation for women empowerment and poverty reduction in Jakarta, Indonesia. Her weekends are spent running POST, an independent bookshop and creative space that she co-founded in a traditional market in Jakarta. 7 A01 Htaike Htaike Aung Htaike Htaike Aung Htaike Htaike Aung is the Programme Manager at Myanmar ICT for Development Organisation, or MIDO. She is interested in Internet culture, and has been involved in Internet propagation events in Myanmar since 2006. She is a computer privacy and circumvention activist. Htaike Htaike conducts trainings on Internet and digital security for the human rights defenders in Myanmar. She is one of the founders of the Myanmar Bloggers Society, and is an organizer of the Barcamp Yangon, http://www.barcampyangon.org/index. html, considered one of the biggest Barcamp gatherings in the world. She has also worked with several international NGOs to provide ICT training to grassroots activists and workers 8 A01 21 0000000345105634 Anat Ben-David Anat Ben-David Lecturer in the Department of Sociology, Political Science and Communication 40 027z64205 Open University of Israel Anat Ben-David is a lecturer in the department of Sociology, Political Science and Communication at the Open University of Israel. 9 A01 Nandini Chami Nandini Chami Senior Research Associate 40 04xxdsr80 IT for Change Nandini Chami is Senior Research Associate at IT for Change http://www. itforchange.net/,aBangalore-based NGO, working on information society theory and practice from the standpoint of gender equality and social justice. Her research interests are: democracy and citizenship in the digital age and community informatics 10 A01 Tracey Cheng Tracey Cheng Tracey Cheng was born in the U.S. and raised in Taiwan. She received both her Bachelor’s degree in Comparative Religion and her degree in Master of Communication in Digital Media (MCDM) from the University of Washington. She currently resides in Taiwan. 11 A01 Armand Hurault Armand Hurault Armand Hurault has been working on the Middle East since 2008 and on the political dynamics and forms of dissent of the Arab Spring since 2011. He is currently deputy coordinator at ASML,aSyro-French organization supporting the emergence of an alternative and professional media landscape in Syria. Armand holdsafirst master’s degree from Sciences-Po, France, andasecond in Middle East Politics from the School of Oriental and African Studies (SOAS), University of London. 12 A01 Rachael Jolley Rachael Jolley Rachael Jolley is the editor of Index on Censorship magazine. Having started as a news reporter on a local newspaper, she moved on to writing for magazines, newspapers and websites in the UK and internationally (including The Times, the Financial Times and The Guardian). She has been editorial director at think tank British Future, managing editor for monthly magazine Business Traveller, and editor of Business Traveller Middle East, and commissioning editor (online) for the Fabian Society. She also launched the quarterly magazine Public Health Today. 13 A01 21 0000000155512415 Youngmi Kim Youngmi Kim Associate Professor at the Ddepartment of International Relations/Public Policy 40 02zx40v98 Central European University Youngmi Kim is an associate professor at the department of International Relations/Public policy at Central European University. She received her PhD from the University of Sheffield (UK) in 2007 and joined CEU in 2009. Youngmi was previouslyaLeverhulme Trust Early Career Fellow and an ESRC Post-Doctoral Fellow at the University of Edinburgh, and has also taught at University College Dublin, Ireland. Her main interests are in comparative politics, especially in the study of political parties and party systems in new democracies, online politics, and comparative regionalism. Her current research explores online political participation and its relationship with offline activism, and the impact of political culture on political behavior. 14 A01 21 0000000215839920 Merlyna Lim Merlyna Lim Canada Research Chair in Digital Media and Global Network Society in the School of Journalism and Communication 40 02qtvee93 Carleton University Merlyna Lim isascholar studying ICT (Information and Communication Studies), particularly on the socio-political shaping of new media in nonWestern contexts. She has been appointed a Canada Research Chair in Digital Media and Global Network Society in the School of Journalism and Communication Carleton University in 2014. Formerly she wasaVisiting Research Scholar at Princeton University’s Center for Information Technology Policy and aDistinguished Scholar of Technology and Public Engagement of the School of Social Transformation Justice and Social Inquiry Program and the Consortium for Science, Policy and Outcomes at Arizona State University. She previously held a Networked Public Research Associate position at the Annenberg Center for Communication at the University of Southern California, Los Angeles. She got her PhD, with distinction (cum laude), from University of Twente in Enschede, Netherlands, withadissertation entitled “@rchipelago Online: The Internet and Political Activism in Indonesia.” 15 A01 Sarah McKeever Sarah McKeever PhD in Contemporary India Studies at the India Institute 40 0220mzb33 King's College London Sarah McKeever graduated from the University of Chicago in 2010 withadegree in International Studies, focusing on contemporary Indian politics and society. She wasaFulbright-Nehru English Teaching Assistant from 2010-2011, working inagovernment school in New Delhi to assist in English language comprehension and verbal skills. After working in Washington, D.C. on SinoIndian relations, Ms. McKeever graduated with an MSc in Contemporary India from the University of Oxford in 2013. She is currently working on her PhD in Contemporary India Studies at the India Institute at King’s College London. Her work focuses on the impact of social media on contemporary political movements. 16 A01 21 0000000236658184 Subhashish Panigrahi Subhashish Panigrahi 40 01d0r2q86 Centre for Internet and Society Subhashish Panigrahi is an an educator and open source activist based in Bangalore, India. He isalong time Wikimedian and is involved in India’s first GLAM project. Currently he is working at the Access To Knowledge program of the Centre for Internet and Society. In the past, he has worked on building partnerships with GLAM institutions, universities, language research organizations, government departments and individuals for bringing more scholarly and encyclopedic content on language, culture and history under free licenses. He has learning interests in building collaborative GLAM projects that operate in low cost and bring institutions, resourceful experts and scholars under one roof. He has been involved in various language related conferences and spoken in both policy and implementation discourses around open knowledge and open source. 17 A01 21 0000000152711881 Prabhas Pokharel Prabhas Pokharel Prabhas Pokharel is a practitioner using technology for social development in the developing world, focusing on Nepal. He is currently working as a Product Design Fellow at the Kathmandu Living Labs, responding to the Nepal earthquake with information products utilizing technology and crowd intelligence. He hasworkedin roles ranging from the very technical (software developer) to the the very non-technical (researcher/blogger) in places ranging from Nepal, India, Kenya, Kosovo, Nigeria, Peru and the United States. Some examples of his work include: the development of technology infrastructure to support local-level grant-making in Nigeria, and helping establish the UNICEF Innovations Labs in Kosovo. Prabhas is a native of Nepal. Starting in the fall of 2015, he will be a student at the Product Design program at Stanford University. 18 A01 Puthiya Purayil Sneha Puthiya Purayil Sneha Programme Officer with the Researchers at Work programme 40 01d0r2q86 Centre for Internet and Society Puthiya Purayil Sneha is Programme Officer with the Researchers at Work programme at the Centre for Internet and Society (CIS), India. Her training is in humanities, and she has previously worked with a research programme on higher education in India at the Centre for the Study of Culture and Society, (CSCS) Bangalore. At CIS she is presently engaged withaproject on mapping the emergent field of Digital Humanities in India, and is also interested in questions on changing modes of knowledge production in the humanities with the advent of the internet and new digital technologies. 19 A01 21 0000000165909555 Padmini Ray Murray Padmini Ray Murray 40 033mhgr78 Srishti Institute of Art Design and Technology Padmini Ray Murray joined the Srishti Institute of Art, Design and Technology, Bangalore in January 2015. Ray Murray is one of the founders of the South Asian Digital Humanities Network and currently serves as vice-chair of Global Outlook::Digital Humanities, as editor-in-chief at SHARP news, and on the editorial board at Technoculture. Her research interests span the history of the book, public history, comics, videogames and literary studies. Ray Murray received her PhD in 2008 from the University of Edinburgh. 20 A01 Urvashi Sarkar Urvashi Sarkar Urvashi Sarkar is a freelance journalist with an interest in politics, gender and culture. She currently works in the development sector and is a former reporter with The Hindu. 21 A01 Shobha S V Shobha S V Shobha S V is a digital media professional working in India. She is a trained journalist with an experience of working with media organisations viz. Daily News and Analysis, Times group and Mid-Day. A sociologist by training, she currently works for a women’s rights organisation working on issues relatyed to violence against women. She has experience in researching women’s experiences on social media, managing digital content, and designing and implementing projects related to crowd sourced knowledge and social justice. 22 A01 YiPing Zona Tsou YiPing (Zona) Tsou YiPing (Zona) Tsou is a language and intercultural educator as well as creative learning entrepreneur. She holdsadegree in Foreign Languages and Literatures from National Taiwan University and an M.A. in Cultural Studies from National Central University and has presented her poetic and scholarly work internationally. A translator, lecturer, and frequent collaborator, Tsou co-founded Becoming, the first crowd-learning community for cross-cultural creatives in Taipei. She also startedacreative center in Kaohsiung called InBetween to bring together cultural literacy and language learning. 23 A01 Hu Yong Hu Yong Professor in the School of Journalism and Communication 40 02v51f717 Peking University Hu Yong is a professor at Peking University’s School of Journalism and Communication, and a well-known new media critic and Chinese Internet pioneer.Before joining the faculty of Peking University, Hu Yong hasworkedforanumber of media sources for over 15 years, including China Daily, Lifeweek, China Internet Weekly and China Central Television. He is active in industry affairs as he is co-founder of the Digital Forum of China,anonprofit organization that promotes public awareness of digitization and advocates afree and responsible Internet. In 2000, Hu Yong was nominated for China’s list of top Internet industry figures. Hu Yong isafounding director for Communication Association of China (CAC) and China New Media Communication Association (CNMCA). His publications include Internet: The King Who Rules, the first book introducing the Internet to Chinese readers, and The Rising Cacophony: Personal Expression and Public Discussion in the Internet Age, documenting major transformations in the Chinese cyberspace. 24 A01 Huma Yusuf Huma Yusuf Global Fellow 40 00whzh260 Woodrow Wilson International Center for Scholars Huma Yusuf isafreelance media researcher andaGlobal Fellow of the Woodrow Wilson International Center for Scholars in Washington, DC. She holds a master’s degree from MIT’s Comparative Media Studies program and a bachelor’s degree from Harvard University. She was a research associate at the MIT Center for Future Civic Media during the 2007-2008 academic year. Her academic research at MIT examined how new media platforms and mediated practices help shape urban identity and negotiate street violence. As a print and online journalist based in Karachi, Pakistan, she reports on Pakistani politics, media trends, development, and violence against women. She is the recipient of the European Commission’s 2006 Natali Lorenzo Prize for Human Rights Journalism and the UNESCO/Pakistan Press Foundation 2005 Gender in Journalism Award. 25 A01 21 0000000329246517 Weiyu Zhang Weiyu Zhang Associate Professor at the Department of Communication and New Media 40 01tgyzw49 National University of Singapore Weiyu Zhang is an Associate Professor at the Department of Communication and New Media, National University of Singapore. She graduated from the Annenberg School for Communication, University of Pennsylvania. Her research interests are in New Media and Civic Engagement, Social and Cognitive Psychology of New Media. 01 eng 00 269 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 93 JPSL 12 JPSL 10 POL062000 93 UD 12 UD 20 Activism; Networked Societies; Digital Society; Social Media; Asia 01 06 02 00 The digital turn might as well be marked as an Asian turn. From flash-mobs in Taiwan to feminist mobilisations in India, from hybrid media strategies of Syrian activists to cultural protests in Thailand, we see the emergence of political acts that transform the citizen from being a beneficiary of change to becoming an agent of change. In co-s 03 00 The digital turn might as well be marked as an Asian turn. From flash-mobs in Taiwan to feminist mobilisations in India, from hybrid media strategies of Syrian activists to cultural protests in Thailand, we see the emergence of political acts that transform the citizen from being a beneficiary of change to becoming an agent of change. In co-shaping these changes, what the digital shall be used for, and what its consequences will be, are both up for speculation and negotiation. Digital Activism in Asia marks a particular shift where these questions are no longer being refracted through the ICT4D logic, or the West’s attempts to save Asia from itself, but shaped by multiplicity, unevenness, and urgencies of digital sites and users in Asia. This reader crowd-sources critical tools, concepts, analyses, and annotations, self-identified by a network of change makers in Asia as important in their own practices within their own contexts. 30 00 The digital turn might as well be marked as an Asian turn. From flash-mobs in Taiwan to feminist mobilisations in India, from hybrid media strategies of Syrian activists to cultural protests in Thailand, we see the emergence of political acts that transform the citizen from being a beneficiary of change to becoming an agent of change. In co-shaping these changes, what the digital shall be used for, and what its consequences will be, are both up for speculation and negotiation. Digital Activism in Asia marks a particular shift where these questions are no longer being refracted through the ICT4D logic, or the West’s attempts to save Asia from itself, but shaped by multiplicity, unevenness, and urgencies of digital sites and users in Asia. This reader crowd-sources critical tools, concepts, analyses, and annotations, self-identified by a network of change makers in Asia as important in their own practices within their own contexts. 01 00 03 02 This is the cover of the book Digital Activism in Asia Reader. 02 http://meson.press/wp-content/uploads/2015/07/digital-activism-asia-cover-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/digital-activism-in-asia-reader 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150701 Nishant Shah Puthiya Purayil Sneha Sumandro Chattapadhyay 02 WORLD 06 15 9783957960504 03 9783957960504 06 15 9783957960511 03 9783957960511 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/digital-activism-in-asia-reader 20 08 20150701 01 urn:uuid:ddae919f-8de2-40e6-947b-7e238995aee5 03 01 01 thoth-work-id urn:uuid:3395db15-4810-49d3-80bc-cc8997750462 01 thoth-publication-id urn:uuid:ddae919f-8de2-40e6-947b-7e238995aee5 15 9783957960580 03 9783957960580 06 10.14619/0580 00 EB E107 10 10 01 Series ID d8c7752c-9550-4d6a-883a-a7a3ee820962 02 00000007 01 Series URL https://meson.press/series-page/in-search-of-media 03 13 01 02 In Search of Media 01 01 Digital Energetics 1 A01 21 0000000328546980 Zane Griffin Talley Cooper Zane Griffin Talley Cooper PhD Candidate 40 00b30xv10 University of Pennsylvania Zane Griffin Talley Cooper is a PhD candidate at the Annenberg School for Communication at the University of Pennsylvania and a doctoral fellow at the Center for Advanced Research on Global Communication. 2 A01 21 0000000349996147 Jordan B. Kinder Jordan B. Kinder Postdoctoral Fellow 40 03vek6s52 Harvard University Jordan B. Kinder (Métis) is a postdoctoral fellow in environmental humanities at the Mahindra Humanities Center, Harvard University (2022–23). 3 A01 Cindy Kaiying Lin Cindy Kaiying Lin Assistant Professor 40 04p491231 Pennsylvania State University Cindy Kaiying Lin is an assistant professor in the College of Information Sciences and Technology at Pennsylvania State University. 4 A01 21 000000018770418X Anne Pasek Anne Pasek Assistant Professor 40 03ygmq230 Trent University Anne Pasek is an assistant professor and the Canada Research Chair in Media, Culture, and the Environment at Trent University 01 eng 00 130 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 01 06 02 00 Media and energy require joint theorization as they are bound together across contemporary informational and fossil regimes. Digital Energetics traces the contours of a media analytic of energy and an energy analytic of media across the cultural, environmental, and labor relations they subtend. Focusing specifically on digital operations, its 03 00 Media and energy require joint theorization as they are bound together across contemporary informational and fossil regimes. Digital Energetics traces the contours of a media analytic of energy and an energy analytic of media across the cultural, environmental, and labor relations they subtend. Focusing specifically on digital operations, its authors analyze how data and energy have jointly modulated the character of data work and politics in a warming world. 30 00 Media and energy require joint theorization as they are bound together across contemporary informational and fossil regimes. Digital Energetics traces the contours of a media analytic of energy and an energy analytic of media across the cultural, environmental, and labor relations they subtend. Focusing specifically on digital operations, its authors analyze how data and energy have jointly modulated the character of data work and politics in a warming world. 01 00 03 02 This is the cover of Digital Energetics. 02 https://meson.press/wp-content/uploads/2023/06/Digital_Energetics_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/digital-energetics/ 16 40 0213rcc28 32 10.13039/501100004326 Simon Fraser University 01 programname Canada 150 Research Chairs Program Lüneburg 04 01 20230824 Anne Pasek Cindy Kaiying Lin Zane Griffin Talley Cooper Jordan B. Kinder 02 WORLD WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88706 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/88706/978-3-95796-058-0-Digital-Energetics.pdf?sequence=1&isAllowed=y 20 08 20230824 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/digital-energetics/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2023/06/978-3-95796-058-0-Digital-Energetics.pdf 20 08 20230824 01 urn:uuid:c3ecdcab-f737-44ed-a77c-032cd83668a5 03 01 01 thoth-work-id urn:uuid:d2508c39-cb2a-4a0f-9e0e-0b771f1dbe80 01 thoth-publication-id urn:uuid:c3ecdcab-f737-44ed-a77c-032cd83668a5 15 9783957960757 03 9783957960757 06 10.14619/012 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Diversity of Play 1 B01 21 0000000345433478 Mathias Fuchs Mathias Fuchs 40 02w2y2t16 Leuphana University of Lüneburg Prof. Dr. Mathias Fuchs studied Computer Science in Erlangen and Vienna (Vienna University of Technology), and Composition in Vienna (Universität für Musik und darstellende Kunst Wien) and in Stockholm (EMS, Fylkingen). In 2010 Mathias Fuchs received his Doctor title by Humboldt University of Berlin for a PhD thesis on the meaning of sounds (“Sinn und Sound”). He has pioneered in the field of artistic use of games and is a leading theoretician on game art and games studies. He is an artist, musician, media critic, and Professor at the Centre for Digital Cultures at Leuphana University Lüneburg, Germany. He is also Director of the Leuphana Gamification Lab. 06 Own website https://creativegames.org.uk/ 2 A01 21 0000000321890025 Astrid Ensslin Astrid Ensslin 40 006jb1a24 Bangor University Astrid Ensslin joined Bangor University in 2007 after receiving her PhD (summa cum laude) on electronic literature (hypertext, hypermedia and canonicity) from Heidelberg University. She has previously held Economic and Social Research Council and British Academy funded research and teaching positions at the universities of Leeds and Manchester. Her main interests are in the field of digital humanities, in particular digital culture and communication. Her current research revolves around reading digital fiction (Arts and Humanities Research Council funded) and literary gaming. Further interests include the language of videogames and gaming, language ideologies in (new) media, and studying learner language using corpus-based discourse analysis. She convenes Bangor University’s Digital Economies Cluster and is Principal Investigator of the Journal of Gaming and Virtual Worlds. 3 A01 21 0000000207444144 Tanya Krzywinska Tanya Krzywinska Professor of Digital Games 40 022gstf70 Falmouth University Tanya Krzywinska started playing computer-based games on Usenet when working at Digital Equipment Corporation while doing her Masters in film. Several years later, after completing her PhD, she gave her earliest paper on horror games at one of the first ever academic conferences on games in 2000 and co-edited the first collection of essays to be devoted to the study of the relationship between games and cinema. Tanya has focused her attention mainly on games, with a particular interest in their formal properties, graphical styles and “world creation”. She is Director of the Games Academy and Professor of Digital Games at Falmouth University, as well as Editor of the journal Games and Culture and Creative Director of Round Table Game Studios. At Falmouth University, Tanya has developed the Digital Games Academy, which offers a suite of games-related BA and BSc (Hons) courses in digital game art, animation, design, music, programming and writing. 4 A01 Karen Palmer Karen Palmer Karen Palmer is a filmmaker, artist and designer of neurogames. Karen explores new formats and aesthetic production technologies with her group, Interactive Films. She fuses film, gaming, technology, wellbeing and sport. Karen’s work has received international exposure and critical acclaim, including screenings at the Institute of Contemporary Arts and the British Academy of Film and Television Arts. She has exhibited at the V&A as part of the Digital Design Weekend (September 2014). She was also an invited speaker at the International WOW Talks series at Regent Street Apple Store as part of V&A events in conjunction with the London Design Festival. She is currently working on the development of a new piece entitled FUTURESELF. 5 A01 Markus Rautzenberg Markus Rautzenberg 40 046ak2485 Freie Universität Berlin Markus Rautzenberg is a German philosopher currently working at Freie Universität Berlin. In 2007 he received his doctoral grade in philosophy with a thesis on a theory of perturbation. Fellowships he has received include a German Research Foundation (DFG) Doctoral Scholarship at the graduate school working with the Körper-Inszenierungen (The Staging of the Body) Research Group and a DFG Postdoctoral Fellowship at the international graduate school, working with the Interart Research Group. Since 2009, he has been a member of the research staff at the Institute for Philosophy at Freie Universität Berlin, and since 2011 heads his own DFG research project on non-visual aspects of iconicity. His main fields of research are media theory, picture theory, aesthetics, the relation of iconicity and knowledge, epistemology and game studies. 01 eng 00 112 03 10 COM012040 04 P87-96 93 UDX 12 UDX 93 JBCT1 12 JFD 10 SOC052000 10 BUS070060 93 KNT 12 KNT 12 UGG 93 UGG 93 UMK 12 UMK 20 Game Studies; Ludology; Gamification; Ludification; Gothic; Play Studies; DiGRA; Narratology; Diversity 01 06 02 00 The early days when digital games were new, harmless, and a niche are long gone. Today’s games can simulate battlefields, predict disaster, and crash markets. We are faced with a diversity of play and the ubiquity of games, making them not only a popular medium, but the leading medium of our contemporary society. Based on the keynote lectures 03 00 The early days when digital games were new, harmless, and a niche are long gone. Today’s games can simulate battlefields, predict disaster, and crash markets. We are faced with a diversity of play and the ubiquity of games, making them not only a popular medium, but the leading medium of our contemporary society. Based on the keynote lectures held at DiGRA2015, “Diversity of Play” provides a critical view on the current stage of digital games from a theoretic, artistic, and practical perspective by pointing towards the uncanny, the power of “unnatural” narratives, and the exceptions and uncertainties of digital ludic environments. With an interview with Karen Palmer and essays by Astrid Ensslin, Mathias Fuchs, Tanya Krzywinska, and Markus Rautzenberg. 30 00 The early days when digital games were new, harmless, and a niche are long gone. Today’s games can simulate battlefields, predict disaster, and crash markets. We are faced with a diversity of play and the ubiquity of games, making them not only a popular medium, but the leading medium of our contemporary society. Based on the keynote lectures held at DiGRA2015, “Diversity of Play” provides a critical view on the current stage of digital games from a theoretic, artistic, and practical perspective by pointing towards the uncanny, the power of “unnatural” narratives, and the exceptions and uncertainties of digital ludic environments. With an interview with Karen Palmer and essays by Astrid Ensslin, Mathias Fuchs, Tanya Krzywinska, and Markus Rautzenberg. 20 00 Open Access 01 00 03 02 This is the cover of the book Diversity of Play. 02 http://meson.press/wp-content/uploads/2015/07/Diversity-of-Play-Cover_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/diversity-of-play 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150701 Mathias Fuchs 02 WORLD 06 15 9783957960764 03 9783957960764 06 15 9783957960771 03 9783957960771 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/diversity-of-play 20 08 20150701 01 urn:uuid:24da28f7-dc1f-4e78-b4e1-0141f2990e18 03 01 01 thoth-work-id urn:uuid:d2508c39-cb2a-4a0f-9e0e-0b771f1dbe80 01 thoth-publication-id urn:uuid:24da28f7-dc1f-4e78-b4e1-0141f2990e18 15 9783957960764 03 9783957960764 06 10.14619/012 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Diversity of Play 1 B01 21 0000000345433478 Mathias Fuchs Mathias Fuchs 40 02w2y2t16 Leuphana University of Lüneburg Prof. Dr. Mathias Fuchs studied Computer Science in Erlangen and Vienna (Vienna University of Technology), and Composition in Vienna (Universität für Musik und darstellende Kunst Wien) and in Stockholm (EMS, Fylkingen). In 2010 Mathias Fuchs received his Doctor title by Humboldt University of Berlin for a PhD thesis on the meaning of sounds (“Sinn und Sound”). He has pioneered in the field of artistic use of games and is a leading theoretician on game art and games studies. He is an artist, musician, media critic, and Professor at the Centre for Digital Cultures at Leuphana University Lüneburg, Germany. He is also Director of the Leuphana Gamification Lab. 06 Own website https://creativegames.org.uk/ 2 A01 21 0000000321890025 Astrid Ensslin Astrid Ensslin 40 006jb1a24 Bangor University Astrid Ensslin joined Bangor University in 2007 after receiving her PhD (summa cum laude) on electronic literature (hypertext, hypermedia and canonicity) from Heidelberg University. She has previously held Economic and Social Research Council and British Academy funded research and teaching positions at the universities of Leeds and Manchester. Her main interests are in the field of digital humanities, in particular digital culture and communication. Her current research revolves around reading digital fiction (Arts and Humanities Research Council funded) and literary gaming. Further interests include the language of videogames and gaming, language ideologies in (new) media, and studying learner language using corpus-based discourse analysis. She convenes Bangor University’s Digital Economies Cluster and is Principal Investigator of the Journal of Gaming and Virtual Worlds. 3 A01 21 0000000207444144 Tanya Krzywinska Tanya Krzywinska Professor of Digital Games 40 022gstf70 Falmouth University Tanya Krzywinska started playing computer-based games on Usenet when working at Digital Equipment Corporation while doing her Masters in film. Several years later, after completing her PhD, she gave her earliest paper on horror games at one of the first ever academic conferences on games in 2000 and co-edited the first collection of essays to be devoted to the study of the relationship between games and cinema. Tanya has focused her attention mainly on games, with a particular interest in their formal properties, graphical styles and “world creation”. She is Director of the Games Academy and Professor of Digital Games at Falmouth University, as well as Editor of the journal Games and Culture and Creative Director of Round Table Game Studios. At Falmouth University, Tanya has developed the Digital Games Academy, which offers a suite of games-related BA and BSc (Hons) courses in digital game art, animation, design, music, programming and writing. 4 A01 Karen Palmer Karen Palmer Karen Palmer is a filmmaker, artist and designer of neurogames. Karen explores new formats and aesthetic production technologies with her group, Interactive Films. She fuses film, gaming, technology, wellbeing and sport. Karen’s work has received international exposure and critical acclaim, including screenings at the Institute of Contemporary Arts and the British Academy of Film and Television Arts. She has exhibited at the V&A as part of the Digital Design Weekend (September 2014). She was also an invited speaker at the International WOW Talks series at Regent Street Apple Store as part of V&A events in conjunction with the London Design Festival. She is currently working on the development of a new piece entitled FUTURESELF. 5 A01 Markus Rautzenberg Markus Rautzenberg 40 046ak2485 Freie Universität Berlin Markus Rautzenberg is a German philosopher currently working at Freie Universität Berlin. In 2007 he received his doctoral grade in philosophy with a thesis on a theory of perturbation. Fellowships he has received include a German Research Foundation (DFG) Doctoral Scholarship at the graduate school working with the Körper-Inszenierungen (The Staging of the Body) Research Group and a DFG Postdoctoral Fellowship at the international graduate school, working with the Interart Research Group. Since 2009, he has been a member of the research staff at the Institute for Philosophy at Freie Universität Berlin, and since 2011 heads his own DFG research project on non-visual aspects of iconicity. His main fields of research are media theory, picture theory, aesthetics, the relation of iconicity and knowledge, epistemology and game studies. 01 eng 00 112 03 10 COM012040 04 P87-96 93 UDX 12 UDX 93 JBCT1 12 JFD 10 SOC052000 10 BUS070060 93 KNT 12 KNT 12 UGG 93 UGG 93 UMK 12 UMK 20 Game Studies; Ludology; Gamification; Ludification; Gothic; Play Studies; DiGRA; Narratology; Diversity 01 06 02 00 The early days when digital games were new, harmless, and a niche are long gone. Today’s games can simulate battlefields, predict disaster, and crash markets. We are faced with a diversity of play and the ubiquity of games, making them not only a popular medium, but the leading medium of our contemporary society. Based on the keynote lectures 03 00 The early days when digital games were new, harmless, and a niche are long gone. Today’s games can simulate battlefields, predict disaster, and crash markets. We are faced with a diversity of play and the ubiquity of games, making them not only a popular medium, but the leading medium of our contemporary society. Based on the keynote lectures held at DiGRA2015, “Diversity of Play” provides a critical view on the current stage of digital games from a theoretic, artistic, and practical perspective by pointing towards the uncanny, the power of “unnatural” narratives, and the exceptions and uncertainties of digital ludic environments. With an interview with Karen Palmer and essays by Astrid Ensslin, Mathias Fuchs, Tanya Krzywinska, and Markus Rautzenberg. 30 00 The early days when digital games were new, harmless, and a niche are long gone. Today’s games can simulate battlefields, predict disaster, and crash markets. We are faced with a diversity of play and the ubiquity of games, making them not only a popular medium, but the leading medium of our contemporary society. Based on the keynote lectures held at DiGRA2015, “Diversity of Play” provides a critical view on the current stage of digital games from a theoretic, artistic, and practical perspective by pointing towards the uncanny, the power of “unnatural” narratives, and the exceptions and uncertainties of digital ludic environments. With an interview with Karen Palmer and essays by Astrid Ensslin, Mathias Fuchs, Tanya Krzywinska, and Markus Rautzenberg. 20 00 Open Access 01 00 03 02 This is the cover of the book Diversity of Play. 02 http://meson.press/wp-content/uploads/2015/07/Diversity-of-Play-Cover_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/diversity-of-play 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150701 Mathias Fuchs 02 WORLD 06 15 9783957960757 03 9783957960757 06 15 9783957960771 03 9783957960771 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37568 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37568/978-3-95796-076-4-Diversity-of-Play.pdf 20 08 20150701 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/diversity-of-play 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2015/07/978-3-95796-076-4-Diversity-of-Play.pdf 20 08 20150701 01 urn:uuid:fd9e5830-7a62-48e3-8298-960f0b094d0b 03 01 01 thoth-work-id urn:uuid:d2508c39-cb2a-4a0f-9e0e-0b771f1dbe80 01 thoth-publication-id urn:uuid:fd9e5830-7a62-48e3-8298-960f0b094d0b 15 9783957960771 03 9783957960771 06 10.14619/012 00 EB E101 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Diversity of Play 1 B01 21 0000000345433478 Mathias Fuchs Mathias Fuchs 40 02w2y2t16 Leuphana University of Lüneburg Prof. Dr. Mathias Fuchs studied Computer Science in Erlangen and Vienna (Vienna University of Technology), and Composition in Vienna (Universität für Musik und darstellende Kunst Wien) and in Stockholm (EMS, Fylkingen). In 2010 Mathias Fuchs received his Doctor title by Humboldt University of Berlin for a PhD thesis on the meaning of sounds (“Sinn und Sound”). He has pioneered in the field of artistic use of games and is a leading theoretician on game art and games studies. He is an artist, musician, media critic, and Professor at the Centre for Digital Cultures at Leuphana University Lüneburg, Germany. He is also Director of the Leuphana Gamification Lab. 06 Own website https://creativegames.org.uk/ 2 A01 21 0000000321890025 Astrid Ensslin Astrid Ensslin 40 006jb1a24 Bangor University Astrid Ensslin joined Bangor University in 2007 after receiving her PhD (summa cum laude) on electronic literature (hypertext, hypermedia and canonicity) from Heidelberg University. She has previously held Economic and Social Research Council and British Academy funded research and teaching positions at the universities of Leeds and Manchester. Her main interests are in the field of digital humanities, in particular digital culture and communication. Her current research revolves around reading digital fiction (Arts and Humanities Research Council funded) and literary gaming. Further interests include the language of videogames and gaming, language ideologies in (new) media, and studying learner language using corpus-based discourse analysis. She convenes Bangor University’s Digital Economies Cluster and is Principal Investigator of the Journal of Gaming and Virtual Worlds. 3 A01 21 0000000207444144 Tanya Krzywinska Tanya Krzywinska Professor of Digital Games 40 022gstf70 Falmouth University Tanya Krzywinska started playing computer-based games on Usenet when working at Digital Equipment Corporation while doing her Masters in film. Several years later, after completing her PhD, she gave her earliest paper on horror games at one of the first ever academic conferences on games in 2000 and co-edited the first collection of essays to be devoted to the study of the relationship between games and cinema. Tanya has focused her attention mainly on games, with a particular interest in their formal properties, graphical styles and “world creation”. She is Director of the Games Academy and Professor of Digital Games at Falmouth University, as well as Editor of the journal Games and Culture and Creative Director of Round Table Game Studios. At Falmouth University, Tanya has developed the Digital Games Academy, which offers a suite of games-related BA and BSc (Hons) courses in digital game art, animation, design, music, programming and writing. 4 A01 Karen Palmer Karen Palmer Karen Palmer is a filmmaker, artist and designer of neurogames. Karen explores new formats and aesthetic production technologies with her group, Interactive Films. She fuses film, gaming, technology, wellbeing and sport. Karen’s work has received international exposure and critical acclaim, including screenings at the Institute of Contemporary Arts and the British Academy of Film and Television Arts. She has exhibited at the V&A as part of the Digital Design Weekend (September 2014). She was also an invited speaker at the International WOW Talks series at Regent Street Apple Store as part of V&A events in conjunction with the London Design Festival. She is currently working on the development of a new piece entitled FUTURESELF. 5 A01 Markus Rautzenberg Markus Rautzenberg 40 046ak2485 Freie Universität Berlin Markus Rautzenberg is a German philosopher currently working at Freie Universität Berlin. In 2007 he received his doctoral grade in philosophy with a thesis on a theory of perturbation. Fellowships he has received include a German Research Foundation (DFG) Doctoral Scholarship at the graduate school working with the Körper-Inszenierungen (The Staging of the Body) Research Group and a DFG Postdoctoral Fellowship at the international graduate school, working with the Interart Research Group. Since 2009, he has been a member of the research staff at the Institute for Philosophy at Freie Universität Berlin, and since 2011 heads his own DFG research project on non-visual aspects of iconicity. His main fields of research are media theory, picture theory, aesthetics, the relation of iconicity and knowledge, epistemology and game studies. 01 eng 00 112 03 10 COM012040 04 P87-96 93 UDX 12 UDX 93 JBCT1 12 JFD 10 SOC052000 10 BUS070060 93 KNT 12 KNT 12 UGG 93 UGG 93 UMK 12 UMK 20 Game Studies; Ludology; Gamification; Ludification; Gothic; Play Studies; DiGRA; Narratology; Diversity 01 06 02 00 The early days when digital games were new, harmless, and a niche are long gone. Today’s games can simulate battlefields, predict disaster, and crash markets. We are faced with a diversity of play and the ubiquity of games, making them not only a popular medium, but the leading medium of our contemporary society. Based on the keynote lectures 03 00 The early days when digital games were new, harmless, and a niche are long gone. Today’s games can simulate battlefields, predict disaster, and crash markets. We are faced with a diversity of play and the ubiquity of games, making them not only a popular medium, but the leading medium of our contemporary society. Based on the keynote lectures held at DiGRA2015, “Diversity of Play” provides a critical view on the current stage of digital games from a theoretic, artistic, and practical perspective by pointing towards the uncanny, the power of “unnatural” narratives, and the exceptions and uncertainties of digital ludic environments. With an interview with Karen Palmer and essays by Astrid Ensslin, Mathias Fuchs, Tanya Krzywinska, and Markus Rautzenberg. 30 00 The early days when digital games were new, harmless, and a niche are long gone. Today’s games can simulate battlefields, predict disaster, and crash markets. We are faced with a diversity of play and the ubiquity of games, making them not only a popular medium, but the leading medium of our contemporary society. Based on the keynote lectures held at DiGRA2015, “Diversity of Play” provides a critical view on the current stage of digital games from a theoretic, artistic, and practical perspective by pointing towards the uncanny, the power of “unnatural” narratives, and the exceptions and uncertainties of digital ludic environments. With an interview with Karen Palmer and essays by Astrid Ensslin, Mathias Fuchs, Tanya Krzywinska, and Markus Rautzenberg. 20 00 Open Access 01 00 03 02 This is the cover of the book Diversity of Play. 02 http://meson.press/wp-content/uploads/2015/07/Diversity-of-Play-Cover_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/diversity-of-play 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150701 Mathias Fuchs 02 WORLD 06 15 9783957960757 03 9783957960757 06 15 9783957960764 03 9783957960764 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/diversity-of-play 20 08 20150701 01 urn:uuid:09227340-4e59-4c6b-ba65-ac6b1ce9deae 03 01 01 thoth-work-id urn:uuid:59ecdda1-efd8-45d2-b6a6-11bc8fe480f5 01 thoth-publication-id urn:uuid:09227340-4e59-4c6b-ba65-ac6b1ce9deae 15 9783957961891 03 9783957961891 06 10.14619/1891 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID bb95d179-db6a-4325-81d0-8aa456fd8b58 02 00000001 01 Series URL https://meson.press/series-page/future-ecologies 03 1 01 02 Future Ecologies 01 01 Earth and Beyond in Tumultuous Times A Critical Atlas of the Anthropocene 1 B01 Réka Patrícia Gál Réka Patrícia Gál PhD Candidate 40 03dbr7087 University of Toronto Réka Patrícia Gál is a PhD student at the Faculty of Information at the University of Toronto and a Fellow at the McLuhan Centre for Culture and Technology. Her main research interests are in feminist media theory, science and technology studies, environmental humanities, and anthropology of outer space. 2 B01 Petra Löffler Petra Löffler Professor of Theory and History of Contemporary Media 40 033n9gh91 University of Oldenburg Petra Löffler is Professor of Theory and History of Contemporary Media at Carl von Ossietzky University of Oldenburg. Her particular research interests include media archeology, media ecologies, archival practices, and material culture. 3 A01 Jakob Claus Jakob Claus Research Associate 40 033n9gh91 University of Oldenburg Jakob Claus is a research associate at the Institute of Art and Visual Culture at Carl von Ossietzky University of Oldenburg. His research interests focus on technology and media theory, the formation of knowledge regimes, and colonial modes of epistemological exclusion. 4 A01 Jörg Dünne Jörg Dünne Professor of Romance Literatures 40 01hcx6992 Humboldt-Universität zu Berlin Jörg Dünne is Professor of Romance Literatures at Humboldt University of Berlin. His fields of study are literatures in Spanish and French since early modernity, and his particular research interests include literature and cartography, catastrophism, and imaginations of deep time. 5 A01 Marie Heinrichs Marie Heinrichs 40 03bnmw459 University of Potsdam Marie Heinrichs studies European Media Studies at the University of Potsdam. Her main areas of research interest include materialism(s), embodiment, physicality, feminist standpoint theory, critical theory of technology, and protest movements. 6 A01 Hannah Schmedes Hannah Schmedes 40 03bnmw459 University of Potsdam Hannah Schmedes studies European Media Studies at the University of Potsdam and works at the Cluster of Excellence »Matters of Activity. Image, Space, Material« of Humboldt University of Berlin. Her research focusses on the correlation of biological and technical narratives about extraterrestrial colonialism and symbiosis. 7 A01 Tomás J. Usón Tomás J. Usón PhD Student 40 01hcx6992 Humboldt-Universität zu Berlin Tomás J. Usón is a PhD student at the Institute for European Ethnology and IRI THESys at Humboldt University of Berlin. His main research interests are in risk and disaster studies, science and technology studies, urban anthropology and anthropological theory of time, memory and anticipation. 01 eng 00 218 03 12 JPSL 93 JPSL 04 P87-96 10 POL062000 04 GE195-199 93 JBCT1 12 JFD 10 SOC052000 04 GF1-900 93 RNA 12 RNA 10 SCI020000 12 PSAF 93 PSAF 20 Ecology 01 06 02 00 Earth and Beyond in Tumultuous Times offers a critical exploration of the Anthropocene concept. It addresses the urgent geopolitical and environmental questions raised by the new geological epoch. How are we to rethink landscapes, such as river deltas, oceans, or outer space? How can we create spaces for resistance and utopic dreaming? This v 03 00 Earth and Beyond in Tumultuous Times offers a critical exploration of the Anthropocene concept. It addresses the urgent geopolitical and environmental questions raised by the new geological epoch. How are we to rethink landscapes, such as river deltas, oceans, or outer space? How can we create spaces for resistance and utopic dreaming? This volume confronts these questions by charting how space and place are constructed, deconstructed, and negotiated by humans and non-humans under conditions of globally entangled consumption, movement, and contamination. The essays in this volume are complemented by artistic interventions that offer a poetics for a harmed planet and the numerous worlds it contains.Earth and Beyond in Tumultuous Times is part of the series Future Ecologies dedicated to rethink the multiple ecologies that flourish and struggle on Earth and beyond. 30 00 Earth and Beyond in Tumultuous Times offers a critical exploration of the Anthropocene concept. It addresses the urgent geopolitical and environmental questions raised by the new geological epoch. How are we to rethink landscapes, such as river deltas, oceans, or outer space? How can we create spaces for resistance and utopic dreaming? This volume confronts these questions by charting how space and place are constructed, deconstructed, and negotiated by humans and non-humans under conditions of globally entangled consumption, movement, and contamination. The essays in this volume are complemented by artistic interventions that offer a poetics for a harmed planet and the numerous worlds it contains.Earth and Beyond in Tumultuous Times is part of the series Future Ecologies dedicated to rethink the multiple ecologies that flourish and struggle on Earth and beyond. 20 00 Open Access 01 00 03 02 This is the cover of the book Earth and Beyond in Tumultuous Times. 02 https://meson.press/wp-content/uploads/2021/03/978-3-95796-189-1_Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/earth-and-beyond-in-tumultuous-times/ Lüneburg 04 01 20210315 Réka Patrícia Gál Petra Löffler 02 WORLD 06 15 9783957961907 03 9783957961907 WORLD 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/earth-and-beyond-in-tumultuous-times/ 20 08 20210315 01 urn:uuid:7a24480c-12b1-4596-aa9e-b98eee06d71f 03 01 01 thoth-work-id urn:uuid:59ecdda1-efd8-45d2-b6a6-11bc8fe480f5 01 thoth-publication-id urn:uuid:7a24480c-12b1-4596-aa9e-b98eee06d71f 15 9783957961907 03 9783957961907 06 10.14619/1891 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID bb95d179-db6a-4325-81d0-8aa456fd8b58 02 00000001 01 Series URL https://meson.press/series-page/future-ecologies 03 1 01 02 Future Ecologies 01 01 Earth and Beyond in Tumultuous Times A Critical Atlas of the Anthropocene 1 B01 Réka Patrícia Gál Réka Patrícia Gál PhD Candidate 40 03dbr7087 University of Toronto Réka Patrícia Gál is a PhD student at the Faculty of Information at the University of Toronto and a Fellow at the McLuhan Centre for Culture and Technology. Her main research interests are in feminist media theory, science and technology studies, environmental humanities, and anthropology of outer space. 2 B01 Petra Löffler Petra Löffler Professor of Theory and History of Contemporary Media 40 033n9gh91 University of Oldenburg Petra Löffler is Professor of Theory and History of Contemporary Media at Carl von Ossietzky University of Oldenburg. Her particular research interests include media archeology, media ecologies, archival practices, and material culture. 3 A01 Jakob Claus Jakob Claus Research Associate 40 033n9gh91 University of Oldenburg Jakob Claus is a research associate at the Institute of Art and Visual Culture at Carl von Ossietzky University of Oldenburg. His research interests focus on technology and media theory, the formation of knowledge regimes, and colonial modes of epistemological exclusion. 4 A01 Jörg Dünne Jörg Dünne Professor of Romance Literatures 40 01hcx6992 Humboldt-Universität zu Berlin Jörg Dünne is Professor of Romance Literatures at Humboldt University of Berlin. His fields of study are literatures in Spanish and French since early modernity, and his particular research interests include literature and cartography, catastrophism, and imaginations of deep time. 5 A01 Marie Heinrichs Marie Heinrichs 40 03bnmw459 University of Potsdam Marie Heinrichs studies European Media Studies at the University of Potsdam. Her main areas of research interest include materialism(s), embodiment, physicality, feminist standpoint theory, critical theory of technology, and protest movements. 6 A01 Hannah Schmedes Hannah Schmedes 40 03bnmw459 University of Potsdam Hannah Schmedes studies European Media Studies at the University of Potsdam and works at the Cluster of Excellence »Matters of Activity. Image, Space, Material« of Humboldt University of Berlin. Her research focusses on the correlation of biological and technical narratives about extraterrestrial colonialism and symbiosis. 7 A01 Tomás J. Usón Tomás J. Usón PhD Student 40 01hcx6992 Humboldt-Universität zu Berlin Tomás J. Usón is a PhD student at the Institute for European Ethnology and IRI THESys at Humboldt University of Berlin. His main research interests are in risk and disaster studies, science and technology studies, urban anthropology and anthropological theory of time, memory and anticipation. 01 eng 00 218 03 12 JPSL 93 JPSL 04 P87-96 10 POL062000 04 GE195-199 93 JBCT1 12 JFD 10 SOC052000 04 GF1-900 93 RNA 12 RNA 10 SCI020000 12 PSAF 93 PSAF 20 Ecology 01 06 02 00 Earth and Beyond in Tumultuous Times offers a critical exploration of the Anthropocene concept. It addresses the urgent geopolitical and environmental questions raised by the new geological epoch. How are we to rethink landscapes, such as river deltas, oceans, or outer space? How can we create spaces for resistance and utopic dreaming? This v 03 00 Earth and Beyond in Tumultuous Times offers a critical exploration of the Anthropocene concept. It addresses the urgent geopolitical and environmental questions raised by the new geological epoch. How are we to rethink landscapes, such as river deltas, oceans, or outer space? How can we create spaces for resistance and utopic dreaming? This volume confronts these questions by charting how space and place are constructed, deconstructed, and negotiated by humans and non-humans under conditions of globally entangled consumption, movement, and contamination. The essays in this volume are complemented by artistic interventions that offer a poetics for a harmed planet and the numerous worlds it contains.Earth and Beyond in Tumultuous Times is part of the series Future Ecologies dedicated to rethink the multiple ecologies that flourish and struggle on Earth and beyond. 30 00 Earth and Beyond in Tumultuous Times offers a critical exploration of the Anthropocene concept. It addresses the urgent geopolitical and environmental questions raised by the new geological epoch. How are we to rethink landscapes, such as river deltas, oceans, or outer space? How can we create spaces for resistance and utopic dreaming? This volume confronts these questions by charting how space and place are constructed, deconstructed, and negotiated by humans and non-humans under conditions of globally entangled consumption, movement, and contamination. The essays in this volume are complemented by artistic interventions that offer a poetics for a harmed planet and the numerous worlds it contains.Earth and Beyond in Tumultuous Times is part of the series Future Ecologies dedicated to rethink the multiple ecologies that flourish and struggle on Earth and beyond. 20 00 Open Access 01 00 03 02 This is the cover of the book Earth and Beyond in Tumultuous Times. 02 https://meson.press/wp-content/uploads/2021/03/978-3-95796-189-1_Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/earth-and-beyond-in-tumultuous-times/ Lüneburg 04 01 20210315 Réka Patrícia Gál Petra Löffler 02 WORLD 06 15 9783957961891 03 9783957961891 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/50006 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/50006/9783957961891.pdf 20 08 20210315 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/earth-and-beyond-in-tumultuous-times/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2021/03/978-3-95796-189-1_Earth-and-Beyond.pdf 20 08 20210315 01 urn:uuid:83b96288-8357-4066-bd23-9d8a7bb4915c 03 01 01 thoth-work-id urn:uuid:a3358bd7-38eb-4a1b-b045-ca1abdec6882 01 thoth-publication-id urn:uuid:83b96288-8357-4066-bd23-9d8a7bb4915c 15 9783957960955 03 9783957960955 06 10.14619/020 00 BC 10 01 190 mm 01 19 cm 01 7.48 in 02 120 mm 02 12 cm 02 4.72 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Ecology of Affect Intensive Milieus and Contingent Encounters 1 A01 21 0000000329439394 Marie-Luise Angerer Marie-Luise Angerer Professor of Media Studies 40 03bnmw459 University of Potsdam Marie-Luise Angerer is a professor of Media Studies at the University of Potsdam. The focus of her research is on media technology, affect and neuroscientific reformulations of desire and sexuality. Her most recent publications include Desire After Affect (2014, German original 2007), Choreographie – Medien – Gender (with Yvonne Hardt and Anna-Carolin Weber, 2013), Timing of Affect: Epistemologies, Aesthetics, Politics (with Bernd Bösel and Michaela Ott, 2014), numerous articles in books and journals on the topic of posthumanism and affective politics. 2 B06 Gerrit Jackson Gerrit Jackson 01 eng 00 70 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 20 dislocation; ecology; milieu; feeling; antagonism; interval; intensity; political affect; affect 01 06 02 00 The way we conceive the human today is particularly affected by the shifts in media technology during the 20th century. Affect emerges as the new liminal concept that renders the body compatible in novel ways with the technology and politics of media. By ways of a relational reorganization the organic end technological life is condensed in a 03 00 The way we conceive the human today is particularly affected by the shifts in media technology during the 20th century. Affect emerges as the new liminal concept that renders the body compatible in novel ways with the technology and politics of media. By ways of a relational reorganization the organic end technological life is condensed in a new, intense way to an ecology of affects. 30 00 The way we conceive the human today is particularly affected by the shifts in media technology during the 20th century. Affect emerges as the new liminal concept that renders the body compatible in novel ways with the technology and politics of media. By ways of a relational reorganization the organic end technological life is condensed in a new, intense way to an ecology of affects. 20 00 Open Access 01 00 03 02 This is the cover of the book Ecology of Affect. 02 http://meson.press/wp-content/uploads/2017/04/cover_angerer_en_web-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/ecology-of-affect Lüneburg 04 01 20170502 Marie-Luise Angerer 02 WORLD 06 15 9783957960962 03 9783957960962 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/ecology-of-affect 20 08 20170502 01 urn:uuid:d2cdb923-ae42-401e-b160-86c4ea8d3e97 03 01 01 thoth-work-id urn:uuid:a3358bd7-38eb-4a1b-b045-ca1abdec6882 01 thoth-publication-id urn:uuid:d2cdb923-ae42-401e-b160-86c4ea8d3e97 15 9783957960962 03 9783957960962 06 10.14619/020 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Ecology of Affect Intensive Milieus and Contingent Encounters 1 A01 21 0000000329439394 Marie-Luise Angerer Marie-Luise Angerer Professor of Media Studies 40 03bnmw459 University of Potsdam Marie-Luise Angerer is a professor of Media Studies at the University of Potsdam. The focus of her research is on media technology, affect and neuroscientific reformulations of desire and sexuality. Her most recent publications include Desire After Affect (2014, German original 2007), Choreographie – Medien – Gender (with Yvonne Hardt and Anna-Carolin Weber, 2013), Timing of Affect: Epistemologies, Aesthetics, Politics (with Bernd Bösel and Michaela Ott, 2014), numerous articles in books and journals on the topic of posthumanism and affective politics. 2 B06 Gerrit Jackson Gerrit Jackson 01 eng 00 70 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 20 dislocation; ecology; milieu; feeling; antagonism; interval; intensity; political affect; affect 01 06 02 00 The way we conceive the human today is particularly affected by the shifts in media technology during the 20th century. Affect emerges as the new liminal concept that renders the body compatible in novel ways with the technology and politics of media. By ways of a relational reorganization the organic end technological life is condensed in a 03 00 The way we conceive the human today is particularly affected by the shifts in media technology during the 20th century. Affect emerges as the new liminal concept that renders the body compatible in novel ways with the technology and politics of media. By ways of a relational reorganization the organic end technological life is condensed in a new, intense way to an ecology of affects. 30 00 The way we conceive the human today is particularly affected by the shifts in media technology during the 20th century. Affect emerges as the new liminal concept that renders the body compatible in novel ways with the technology and politics of media. By ways of a relational reorganization the organic end technological life is condensed in a new, intense way to an ecology of affects. 20 00 Open Access 01 00 03 02 This is the cover of the book Ecology of Affect. 02 http://meson.press/wp-content/uploads/2017/04/cover_angerer_en_web-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/ecology-of-affect Lüneburg 04 01 20170502 Marie-Luise Angerer 02 WORLD 06 15 9783957960955 03 9783957960955 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37561 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37561/978-3-95796-096-2_Angerer_en.pdf 20 08 20170502 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/ecology-of-affect 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2017/04/978-3-95796-096-2_Angerer_en.pdf 20 08 20170502 01 urn:uuid:f277afa2-b3de-499d-8a53-b0f6649081ab 03 01 01 thoth-work-id urn:uuid:563a9a1a-f24b-482b-8c6a-54198a84c464 01 thoth-publication-id urn:uuid:f277afa2-b3de-499d-8a53-b0f6649081ab 15 9783957961778 03 9783957961778 06 10.14619/1778 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 8 01 02 Digital Cultures 01 01 Ein Medium namens McLuhan 37 Befragungen eines Klassikers 1 B01 Peter Bexte Peter Bexte 40 00f2wje32 Academy of Media Arts Cologne Bexte, Peter. Nach einem Studium der neueren deutschen Literatur (M.A.) Promotion im Fach Kunstgeschichte. Seit 2008 Lehrstuhl ‚Ästhetik‘ an der Kunsthochschule für Medien Köln. 2005-08: Dreijährige Gastprofessur „Geschichte und Theorie der technischen Medien“ im Studiengang Europäische Medienwissenschaft, Potsdam. Senior Fellowships: 2011/12 IKKM Weimar; 2016 IFK Wien. Forschungsinteressen: optische Medien, Wahrnehmungstheorie, Philosophie der Relationen/Präpositionen. Website: http://www.pbexte.de. 2 B01 Martina Leeker Martina Leeker 40 02w2y2t16 Leuphana University of Lüneburg Has a background in theatre studies, media studies, theatre practice, and performance. She held an assistant professorship in theatre and media at the University of Bayreuth from 2002 to 2010 and was a senior researcher at Leuphana University Lüneburg’s Centre for Digital Cultures from 2013 until autumn 2018. Her research interests include theatre/performance and media, art and technology, systems engineering, infrastructures, the history of fascination with digital cultures, and methods and critique in digital cultures. As part of her academic work, Leeker is building on research with artistic methods, in particular performative methods, within lecture-performances and speculation labs. Website: https://martina-leeker. de/. 06 Own website https://martina-leeker.de/ 3 A01 Arie Altena Arie Altena Studied Algemene Literatuurwetenschap (Literary Theory/Allgemeine Literaturwissenschaft) at the University of Amsterdam. Writes about the intersection of technology and art since 1993. Editor of Mediamatic Magazine in the 1990s. Tutor at the M.A. Interactive Media and Environments in Groningen until 2007. Numerous interviews with artists, composers and theorists, many in books co-edited for the Sonic Acts Festival. Since 2012 his research interests are focused on the Antropocene and ecology. Works for V2_ in Rotterdam and for Sonic Acts in Amsterdam. 4 A01 21 0000000329439394 Marie-Luise Angerer Marie-Luise Angerer Professorin für Medientheorie/Medienwissenschaft 40 03bnmw459 University of Potsdam Studium der Kommunikationswissenschaften, Philosophie, Romanistik und Kunstgeschichte. Professorin für Medientheorie/Medienwissenschaft an der Universität Potsdam, Studiengang Europäische Medienwissenschaft (UP/FH Potsdam). Professorin für Medien- und Kulturwissenschaften/Gender Studies an der Kunsthochschule für Medien Köln (2000-2015). Vertretungsprofessorin Film- und Fernsehwissenschaften Ruhr-Universität Bochum. Gastprofessorin UdK Berlin, Central European University Budapest. Lehrbeauftragte, ORF-Mitarbeiterin, Verlagslektorin, Forschungsprojekte-Mitarbeiterin. Forschungs- und Studienaufenthalte in den USA, Australien und Kanada. Forschungsverlauf: von body options über das Begehren nach dem Affekt bis zum nonconscious turn. Website: www.uni-potsdam.de/de/medienwissenschaft/ professur-fuer-medientheorie-medienwissenschaft/mitarbeiter/ prof-dr-marie-luise-angerer.html. 5 A01 21 0000000226326274 Benjamin Beil Benjamin Beil Professor für Medienwissenschaft mit Schwerpunkt Digitalkultur 40 00rcxh774 University of Cologne Professor für Medienwissenschaft mit Schwerpunkt Digitalkultur. Studium der Medien-Planung, -Entwicklung, -Beratung. Promotion mit der Arbeit „Point of View und figurenzentrierte Erzählformen im Film und im Computerspiel“ an der Universität Siegen. Wissenschaftlicher Mitarbeiter im FK-615 Medienumbrüche. Forschungsinteressen: Game Studies, partizipative Medienkulturen, digitale Medien im Museum, Inter- und Transmedialität. Website: http://mekuwi.phil-fak.uni-koeln.de/ benjamin-beil. 6 A01 Klaus Benesch Klaus Benesch Professor 40 05591te55 Ludwig-Maximilians-Universität München Lehrstuhl für Nordamerikastudien an der Ludwigs-Maximilians-Universität München und von 2006-2013 Direktor der Bayerischen Amerika-Akademie. Studium der Kommunikationswissenschaft, Anglistik und Amerikanistik. Promotion in München (1990), Habilitation an der Universität Freiburg (1999). Gastprofessuren in den USA, Frankreich, Italien und in der Schweiz. Forschungsschwerpunkte: Amerikanische Literaturen und Kulturen; Architektur, Urbanismus und Technikgeschichte; Literatur- und Medientheorie. Website: http://www.amerikanistik. lmu.de/benesch. 7 A01 Peter Bexte Peter Bexte 40 00f2wje32 Academy of Media Arts Cologne Nach einem Studium der neueren deutschen Literatur (M.A.) Promotion im Fach Kunstgeschichte. Seit 2008 Lehrstuhl ‚Ästhetik‘ an der Kunsthochschule für Medien Köln. 2005-08: Dreijährige Gastprofessur „Geschichte und Theorie der technischen Medien“ im Studiengang Europäische Medienwissenschaft, Potsdam. Senior Fellowships: 2011/12 IKKM Weimar; 2016 IFK Wien. Forschungsinteressen: optische Medien, Wahrnehmungstheorie, Philosophie der Relationen/Präpositionen. Website: http://www.pbexte.de. 8 A01 Richard Cavell Richard Cavell Professor 40 03rmrcq20 University of British Columbia Ph.D. in Comparative Literature, University of Toronto. Professor and co-founder of Media Studies Program, University of British Columbia (Vancouver, Canada). Author of McLuhan in Space (2002), Marinetti Dines with the High Command (2014), Remediating McLuhan (2016), Friedman House (2017), Speechsong (2020); editor of On the Nature of Media: Essays by McLuhan 1952-78 (2016); curator of spectresofmcluhan.arts.ubc.ca. Website: https://english.ubc.ca/person/richard-cavell/. 9 A01 Jan Distelmeyer Jan Distelmeyer Professor für Geschichte und Theorie der technischen Medien 40 012m9bp23 University of Applied Sciences Potsdam Studium Deutsche Sprache und Literatur (Schwerpunkt Theater und Medien), Philosophie sowie Theater-, Film- und Fernsehwissenschaften in Hamburg und Bochum. Professor für Geschichte und Theorie der technischen Medien im Kooperationsstudiengang Europäische Medienwissenschaft (EMW) der Fachhochschule Potsdam und Universität Potsdam. 133 Lehrbeauftragter der Universität Hamburg. 2005-2007: Gastprofessor und wissenschaftlicher Mitarbeiter der EMW. 2007- 2008: Vertreter der Professur „Medienwissenschaft mit dem Schwerpunkt Medienästhetik/Medienkultur“ an der HBK Braunschweig. Forschungsinteressen: Medientheorie, Digitalität, Interfaces, Film, Games. Website: http://www.distelmeyer.emwpotsdam.de. 10 A01 Bernhard J. Dotzler Bernhard J. Dotzler Professor für Medienwissenschaft 40 01eezs655 University of Regensburg Studium der Neueren deutschen Literaturgeschichte, Philosophie, Linguistik und Kulturwissenschaft in Freiburg, Siegen, Bochum und Berlin. Seit 2004 Professor für Medienwissenschaft an der Universität Regensburg. 2018 Charlotte M. Craig Distinguished Visiting Professor an der Rutgers University. Aktuelle Forschungsinteressen: Unzeitgemäße Betrachtungen aller Art, eine „Kritik der maschinellen Intelligenz“ und „Mond und Medien: Astronoetische Beobachtungen zur Informationstechnologie“. Website: https://www.uni-regensburg. de/sprache-literatur-kultur/medienwissenschaft/aktuelles/index. html. 11 A01 Wolfgang Ernst Wolfgang Ernst Ordentlicher Professor für Medientheorien 40 01hcx6992 Humboldt-Universität zu Berlin Akademisches Magisterstudium der Altertumswissenschaften (Alte Geschichte, Lateinischen Philologie, teilweise Klassische Archäologie) und Promotion in Geschichtswissenschaft. Seit 2003 Ordentlicher Professor für Medientheorien an der Humboldt-Universität zu Berlin. 1995-1999 wissenschaftlicher Mitarbeiter für „Theorie und Archäologie der Medien im Kunstkontext“ an der Kunsthochschule für Medien in Köln. Im Verlauf der zeitgleichen Arbeit an der Habilitationsschrift (resultierend in einer venia legendi für Medienwissenschaft und Kulturwissenschaft) Konversion vom Historiker zum techniknahen Medienarchäologen. Aktuelle Forschungsschwerpunkte: Radikale Medienarchäologie, Speichertheorie, kulturelle Übertragungstechniken, Ästhetik und Theorie der zeitbasierten und -kritischen, besonders der sonischen Medien. Website: https:// www.medientheorien.hu-berlin.de. 12 A01 Petra Gehring Petra Gehring Professorin für Philosophie 40 05n911h24 Technical University of Darmstadt Philosophie, Politikwissenschaft und Rechtswissenschaft. Professorin für Philosophie an der TU Darmstadt. Promotion: Bochum 1992. Habilitation: Hagen 2000. Website: https://www.philosophie.tu-darmstadt.de/institut_phil/ mitarbeiter_innen_phil/professoren/gehring/. 13 A01 Olga Goriunova Olga Goriunova 40 04g2vpn86 Royal Holloway, University of London Russian philology. Reader, Royal Holloway University of London. Author of Bleak Joys. Aesthetics of Ecology and Impossibility (with Matthew Fuller, 2019), Art Platforms and Cultural Production on the Internet (2012), editor of Fun and Software: Exploring Pleasure, Pain and Paradox in Computing (2014) and of Readme. Software Art and Cultures (with Alexei Shulgin, 2004). She curated Readme, software art festivals, 2001-2005 and Runme.org software art repository. 14 A01 Baruch Gottlieb Baruch Gottlieb Lecturer 40 03eznrw16 Berlin University of the Arts Lecturer 40 02wxx3e24 Brandenburg University of Technology Cottbus-Senftenberg Trained as a filmmaker at Concordia University Montreal. Has a doctorate in digital aesthetics from the University of Arts Berlin. He is an active member of the Telekommunisten, Arts & Economic Group and laboratoire de déberlinisation artist collectives. He is curator of the touring exhibition series „Flusser & the Arts“ and „FEEDBACK: Marshall McLuhan and the Arts“. Author of Digital Materialism (Emerald 2018). He is currently lecturer in digital aesthetics at UdK Berlin and Technical University Cottbus and artistic researcher in residence at West Den Haag. 15 A01 Wolfgang Hagen Wolfgang Hagen Professor für Medienwissenschaft 40 02w2y2t16 Leuphana University of Lüneburg Promoviert 1977 in Philosophie, mit einer damals „ideologie-historisch“ verstandenen Arbeit über die „Schillerverehrung in der Sozialdemokratie vor 1914“. Professor für Medienwissenschaft an der Leuphana Universität Lüneburg. Langjährige Arbeit in verschiedenen Leitungspositionen von Kultur- und Musikabteilungen in öffentlich-rechtlichen Rundfunkanstalten (RB, DLF). Forschungsinteressen im Bereich der Geschichte des Computers und der digitalen Medien. Website: http://www.whagen.de. 16 A01 21 0000000180093160 Orit Halpern Orit Halpern Associate Professor in the Department of Sociology and Anthropology 40 03nvtfm43 Concordia University Is a Strategic Hire in Interactive Theory and Design 135 and an Associate Professor in the Department of Sociology and Anthropology at Concordia University in Montreal, Canada. Her work bridges the histories of science, computing, and cybernetics with design and art practice. She currently focuses on how history impacts contemporary design, particularly in respect to „smart“ infrastructures and the future of machine learning and artificial intelligence. She is also the director of the Speculative Life Research Cluster, a research-creation laboratory situated at the intersection of science technology studies, media arts, and the humanities (www.speculativelife.com). Her recent monograph, Beautiful Data (Duke Press, 2015), is a history of interactivity, data visualization, and ubiquitous computing. She has also published and created works for a variety of venues including e-flux, Grey Room, Rhizome, The Journal of Visual Culture, Public Culture, and ZKM in Karlsruhe, Germany. Website: http://www.orithalpern.net. 06 Own website http://www.orithalpern.net/ 17 A01 21 0000000155919995 Karin Harrasser Karin Harrasser Professorin für Kulturwissenschaft 40 02as55378 University of Arts and Industrial Design Linz Studierte Germanistin und Historikerin. Professorin für Kulturwissenschaft an der Kunstuniversität Linz. Promotion über Computerhystorien an der Universität Wien. Habilitation in Kulturwissenschaft an der Humboldt-Universität zu Berlin (Prothesen. Figuren einer lädierten Moderne). Forschung u.a. zu: Körper- und Medientechniken, Verzeitlichung, Theorien des Subjekts/der Objekte, Science-Fiction, Genres und Methoden der Kulturwissenschaft, transatlantische Verstrickungen seit dem Barock. Website: https://de.wikipedia.org/wiki/Karin_Harrasser. 18 A01 Jens Hauser Jens Hauser 40 05hs6h993 Michigan State University Studium der Medienwissenschaft und Wissenschaftsjournalistik. Derzeit Forscher am Medical Museion Kopenhagen und außerordentliches Mitglied der Kunstfakultät der Michigan State University und Gastdozent für experimentelle Architektur an der Universität Innsbruck. Promotion zu ‚Biomedialität‘ an der Ruhr-Universität Bochum, gefolgt von zwei postdoktoralen Forschungsstellen an den geistes, gesundheits- und medizinwissenschaftlichen Fakultäten der Universität Kopenhagen. Arbeitet als Autor und Kurator zur Interaktion von Kunst und Technologie. 19 A01 Stefan Heidenreich Stefan Heidenreich 40 01hcx6992 Humboldt-Universität zu Berlin Nach dem Studium der Kommunikationswissenschaft, Philosophie und Germanistik in Bochum und Berlin, sowie zeitweise Wirtschaftswissenschaft und Physik, Mitarbeit bei Friedrich Kittler an der HU Berlin. Nach zwischenzeitlichen Jobs an der ETH Zürich (Architektur und Kunst), der Kunsthochschule Kassel, der Akademie Düsseldorf und der Uni Köln derzeit freier Autor und Politikberater in Berlin im Themenfeld Medien, Ökonomie und Kunst. Bücher bei merve.de. Website: http://www. stefanheidenreich.de/. 20 A01 Ute Holl Ute Holl Professorin für Medienästhetik 40 02s6k3f65 University of Basel Studierte Literaturwissenschaft, Geschichte, Philosophie in Freiburg im Breisgau und Rom. Professorin für Medienästhetik an der Universität Basel. Videofilmerin und Film-Redakteurin. Dissertation über die Reziprozität der Trance im ethnografischen Film: Kino, Trance und Kybernetik (Berlin 2002). Forschungen zur Wissensgeschichte audiovisueller Medien, insbesondere des Kinos, zu Sound und Radiophonie, zur Medienökologie. Website: http://www.uteholl.de/. 21 A01 Derrick de Kerckhove Derrick de Kerckhove Professor of Sociology 40 05290cv24 University of Naples Federico II Studied French Language and Literature. He worked as translator, assistant and co-author with Marshall McLuhan (1972-1980). Former Director of the McLuhan Program in Culture & Technology at the University of Toronto (1983-2008), subsequently professor of Sociology of the University Federico II in Naples. Author of a dozen books translated in over ten languages. He is presently scientific director of Media Duemila and of Osservatorio TuttiMedia in Italy and Visiting Professor at the Polytechnic Institute of Milan. 22 A01 Martina Leeker Martina Leeker 40 02w2y2t16 Leuphana University of Lüneburg Has a background in theatre studies, media studies, theatre practice, and performance. She held an assistant professorship in theatre and media at the University of Bayreuth from 2002 to 2010 and was a senior researcher at Leuphana University Lüneburg’s Centre for Digital Cultures from 2013 until autumn 2018. Her research interests include theatre/performance and media, art and technology, systems engineering, infrastructures, the history of fascination with digital cultures,and methods and critique in digital cultures. As part of her academic work, Leeker is building on research with artistic methods, in particular performative methods, within lecture-performances and speculation labs. Website: https://martina-leeker. de/. 06 Own website https://martina-leeker.de/ 23 A01 Petra Löffler Petra Löffler Professorin für Theorie und Geschichte gegenwärtiger Medien 40 033n9gh91 University of Oldenburg Studierte Germanistik, Kunstgeschichte und Slawistik und ist Professorin für „Theorie und Geschichte gegenwärtiger Medien“ an der Carl von Ossietzky Universität Oldenburg. Sie war wissenschaftliche Mitarbeiterin am Interuniversitären Forschungskolleg „Medien und kulturelle Kommunikation“ an der Universität Köln, an der Universität Regensburg, Universitätsassistentin an der Universität Wien und hat Professuren an der Universität Siegen, der Bauhaus-Universität Weimar und der Humboldt-Universität zu Berlin vertreten. Sie forscht zu Medienökologie, materiellen Kulturen und Archiven der Zukunft. Website: https://uol.de/kunst/lehrende/professorinnen/ prof-dr-petra-loeffler. 24 A01 Shannon Mattern Shannon Mattern Professor of Anthropology 40 00b30xv10 University of Pennsylvania Media Studies and Design History. Professor of Anthropology. Archives, Libraries, Digital Urbanism, Media Infrastructures, Spatial Epistemologies. Website: https://wordsinspace.net/. 25 A01 21 000000016623043X Dieter Mersch Dieter Mersch Professor für Ästhetik 40 05r0ap620 Zurich University of the Arts Philosophie. Leiter des Instituts für Theorie an der Zürcher Hochschule der Künste. 1992 Promotion, 2000 Habilitation an der TU Darmstadt. 2001 Intendanz des Forums der Muthesius-Hochschule Kiel. 2004-2013 Professur für Medientheorie und Medienwissenschaften an der Universität Potsdam. Seit 2013 Professor für Ästhetik an der ZHdK Zürich. Zurzeit Präsident der Deutschen Gesellschaft für Ästhetik. Forschungsinteressen: Philosophische Ästhetik, Kunsttheorie, Medienphilosophie, Bildtheorie, Philosophien des 20. und 21. Jahrhunderts. Website: http://www.dieter-mersch.de/. 26 A01 Stefan Münker Stefan Münker Privatdozent für Medienwissenschaft 40 01hcx6992 Humboldt-Universität zu Berlin Studium der Philosophie, Germanistik und Kunstgeschichte. Promotion in Philosophie in Berlin, Habilitation in Medienwissenschaft in Basel. Privatdozent für Medienwissenschaft an der Humboldt-Universität zu Berlin. Lehrtätigkeiten in Basel, Regensburg, St. Gallen. Forschungsschwerpunkt: Philosophie der (neuen) Medien und des Fernsehens, Theorie und Geschichte der Digitalisierung. 27 A01 Benjamin Peters Benjamin Peters Hazel Rogers Associate Professor of Media Studies 40 04wn28048 University of Tulsa Slavic studies, literature and languages, and interdisciplinary humanities and social sciences. Hazel Rogers Associate Professor of Media Studies at the University of Tulsa as well as affiliated fellow at the Information Society Project at Yale Law School. Research interests in media history and theory, the philosophy and history of information science and technology, and the comparative origins and consequences of the current Information Age. Website: https://www.benjaminpeters.org/. 28 A01 John Durham Peters John Durham Peters Maria Rosa Menocal Professor of English and Film & Media Studies 40 03v76x132 Yale University B.A. in English, M.A. and Ph.D. in Communication Studies. Maria Rosa Menocal Professor of English and Film & Media Studies, Yale University. Books: Speaking into the Air (1999), Courting the Abyss (2005), The Marvelous Clouds (2015), Promiscuous Knowledge (with Kenneth Cmiel, 2020). Media Theory and History. I don’t really have a good website but there is this poorly maintained thing: https://johndurhampeters.com/. 29 A01 Claus Pias Claus Pias Professor for „History and Theory of Media“ 40 02w2y2t16 Leuphana University of Lüneburg Studied Art History, German Literature, and Philosophy in Bonn. Currently Professor for „History and Theory of Media“ at Leuphana University Lüneburg. He was Professor for „Epistemology and Philosophy of Media“ at the University of Vienna, Fellow at the Institute for Advanced Study Berlin, and Visiting Professor at Princeton University. Research interests: digital cultures, history of media. Website: https://www.leuphana. de/institute/icam/personen/claus-pias.html. 30 A01 Markus Rautzenberg Markus Rautzenberg Professor für Philosophie 40 03gf02c22 Folkwang University of the Arts Studium der Germanistik, Philosophie und Theaterwissenschaft. Heute Professor für Philosophie an der Folkwang Universität der Künste in Essen. Promotion an der Freien Universität Berlin im Fach Philosophie bei Sybille Krämer, Promotionsstipendium im Graduiertenkolleg „KörperInszenierungen“, Post-Doc Stipendium am Graduiertenkolleg „InterArt“, danach eigenverantwortliches Drittmittelprojekt im Bereich der Bildtheorie (alle DFG). Forschungsinteressen: Medientheorie, insbesondere Bildtheorie sowie algorithmische Kultur, Philosophie des Spiels, Kontingenz und Ungewissheit. Website: https://www.folkwang-uni.de/home/hochschule/personen/ lehrende/vollanzeige/personen-detail/prof-dr-markus-rautzenberg. 31 A01 Stefan Rieger Stefan Rieger Professor für Mediengeschichte 40 04tsk2644 Ruhr University Bochum Studium der Germanistik und Philosophie. Stipendiat im Graduiertenkolleg Theorie der Literatur (Konstanz), im Anschluss daran Mitarbeiter im Sonderforschungsbereich Literatur und Anthropologie. Promotion über barocke Datenverarbeitung und Mnemotechnik, Habilitationsschrift zum Verhältnis von Medien und Anthropologie (Die Individualität der Medien. Eine Geschichte der Wissenschaften vom Menschen, Frankfurt/M. 2001). Aktuelle Arbeits- und Publikationsschwerpunkte: Wissenschaftsgeschichte, Medientheorie, Kulturtechniken und Virtualität. Seit 2007 Professor für Mediengeschichte an der Ruhr-Universität Bochum. Website: https://ifm.blogs.ruhr-uni-bochum.de/index. php/institut/personen/rieger/. 32 A01 Katja Rothe Katja Rothe Juniorprofessorin 40 03eznrw16 Berlin University of the Arts Kulturwissenschaftlerin. Juniorprofessorin an der Universität der Künste Berlin. Promotion im Graduiertenkolleg Codierung von Gewalt im Wandel. Wissenschaftliche Mitarbeiterin an der TU Berlin sowie an den Universitäten Wien und Basel. Gastprofessur an der Humboldt-Universität zu Berlin und der Aberystwyth University. Forschungsinteressen: Wissensgeschichte, Popularisierung von Wissen, Praxistheorie, Genderund Queerstudies. Website: http://rothespraxis.de/ 33 A01 Kerstin Schmidt Kerstin Schmidt Professor and Chair of American Studies 40 00mx91s63 Catholic University of Eichstätt-Ingolstadt English Literature. Professor and Chair of American Studies, Cath. University of Eichstaett-Ingolstadt. Education/ university positions held (sel.): Freiburg, Massachusetts/Amherst, LMU; Siegen. Fellowships (sel.): Yale, Indiana University, University of Wyoming, CUNY Graduate Center, University of Toronto/ British Columbia. Research interests: drama/theater, race/ diaspora studies, urban studies/theories of space/place; media theory/radio culture; documentary photography. Website: https://www.ku.de/en/slf/fachgebiete-lehrstuehle/anglistik/ amerikanistik/lehrstuehle-professuren/chair-of-americanstudies/team/prof-dr-kerstin-schmidt. 34 A01 Jens Schröter Jens Schröter Inhaber des Lehrstuhls für Medienkulturwissenschaft 40 041nas322 University of Bonn Studierte Theater-, Film- und Fernsehwissenschaft, Kunstgeschichte und Philosophie. Heute Inhaber des Lehrstuhls für Medienkulturwissenschaft an der Universität Bonn. Zuvor Professor für multimediale Systeme an der Universität Siegen. Verschiedene VW- und DFG-Projekte, Fellowships. Forschungsschwerpunkte: Theorie und Geschichte der digitalen Medien, Theorie und Geschichte der Fotografie, dreidimensionale Bilder, Kritische Medientheorie, Zukünftige Medien. Website: https://www.medienkulturwissenschaft-bonn.de/. 35 A01 Erhard Schüttpelz Erhard Schüttpelz Professor für Medientheorie 40 02azyry73 University of Siegen Prof. Dr. (Medientheorie), Universität Siegen. Ausbildung in Hannover, Exeter, Bonn, Oxford, Köln, New York, Konstanz und Wien. Deutsche und Vergleichende Literaturwissenschaft (Habilitation in Konstanz). Vorbereitung durch Postcolonial Studies (Columbia University). Promotionsstudium Deutsche Sprach- und Literaturwissenschaft mit den Nebenfächern Ethnologie und Anglistik. Vorbereitung durch Sprachphilosophie-Studien (Oxford). Staatsexamen Sekundarstufe II (Germanistik, Anglistik) mit Studienanteilen in Pädagogik und Philosophie. Joyce-Lesekreis (Bonn). Neue Deutsche Welle (Hannover). Forschungsinteressen: Lost Causes & Unfinished Business. 36 A01 21 0000000252258711 Florian Sprenger Florian Sprenger Professor für Virtual Humanities 40 04tsk2644 Ruhr University Bochum Hat Medienwissenschaft und Philosophie studiert und ist derzeit Professor für Virtual Humanities am Institut für Medienwissenschaft der Ruhr-Universität Bochum. Davor war er Juniorprofessor für Medienkulturwissenschaft an der Goethe-Universität Frankfurt und Postdoc am Digital Cultures Research Lab der Leuphana Universität Lüneburg. Seine Forschungsschwerpunkte umfassen die Geschichte und Gegenwart digitaler Kulturen, Biopolitiken künstlicher environments, die Verkehrswende und autonome Autos. 06 Own website http://www.floriansprenger.com/ 37 A01 Fred Turner Fred Turner Harry and Norman Chandler Professor of Communication 40 00f54p054 Stanford University 1984 B.A. (Magna Cum Laude) in English and 141 American Literature, Brown University. 1985 M.A. in English and American Literature, Columbia University. 2002 Ph.D. in Communication, University of California, San Diego. Harry and Norman Chandler Professor of Communication and by courtesy of History and Art History Stanford University. Professorships at Stanford University, 2003-Present. I’m interested in American cultural history from World War II to the present, and especially in questions of how new media technologies have been integrated into national life. Website: http://fredturner.stanford.edu. 38 A01 Christina Vagt Christina Vagt Associate Professor European Media Studies 40 02t274463 University of California, Santa Barbara Magistra der Kulturwissenschaft/Neuere und Neueste Geschichte, Humboldt-Universität zu Berlin. Associate Professor European Media Studies, Department of Germanic & Slavic Studies, University of California Santa Barbara. Gastprofessorin Theorie und Geschichte des Wissens, Humboldt-Universität zu Berlin. Gastprofessorin Theorie und Geschichte künstlicher Welten, Bauhaus-Universität Weimar. Wissenschaftliche Mitarbeiterin, Literaturwissenschaft, TU Berlin. Promotion am Graduiertenkolleg Mediale Historiographien, Bauhaus-Universität Weimar. Forschungsschwerpunkte: Physik und Philosophie, Kybernetik und Design, Verhaltenslehren sowie Theorien des Realen. Website: http://www.christinavagt.com. 39 A01 Hartmut Winkler Hartmut Winkler Professor Emeritus of Media Studies, Media Theory and Media Culture 40 058kzsd48 Paderborn University Prof. Dr.; Dipl. Ing. FH (Architektur, Städtebau), Magister (Germanistik, Theater-, Film- und Fernsehwissenschaft). 1999 bis 2017 Professor für Medienwissenschaft, Medientheorie und Medienkultur an der Universität Paderborn. Mit-Initiator und zeitweise Sprecher des Graduiertenkollegs Automatismen. Seit 2017 im Ruhestand. Arbeitsgebiete: Medien, Kulturtheorie, Techniktheorie, Alltagskultur, Semiotik. Website: http://homepages.uni-paderborn.de/ winkler/. 01 eng 01 ger 00 141 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 12 AFKP 93 ATN 20 Medienwissenschaften; McLuhan; Digitalisierung; Interviews; Medientheorie 01 06 02 00 „If you don‘t like my arguments, I‘ve got some more.“ (Marshall McLuhan) Wie aber steht es um den Klassiker der Medienwissenschaften im 21. Jahrhundert? Diese Frage diskutieren 37 zeitgenössische Medienwissenschaftler_innen. Ihre Antworten stehen in einem reizvollen Kontrast zu Interviews, die 2007 entstanden und jetzt online zugänglich gemac 03 00 „If you don‘t like my arguments, I‘ve got some more.“ (Marshall McLuhan) Wie aber steht es um den Klassiker der Medienwissenschaften im 21. Jahrhundert? Diese Frage diskutieren 37 zeitgenössische Medienwissenschaftler_innen. Ihre Antworten stehen in einem reizvollen Kontrast zu Interviews, die 2007 entstanden und jetzt online zugänglich gemacht worden sind. Viele der ursprünglich Befragten sind erneut beteiligt, neue Stimmen kamen hinzu. Dabei zeigt sich im Vergleich: Die Medienwissenschaften sind diverser geworden, und manche Zukunftserwartung wurde drastisch revidiert. 30 00 „If you don‘t like my arguments, I‘ve got some more.“ (Marshall McLuhan) Wie aber steht es um den Klassiker der Medienwissenschaften im 21. Jahrhundert? Diese Frage diskutieren 37 zeitgenössische Medienwissenschaftler_innen. Ihre Antworten stehen in einem reizvollen Kontrast zu Interviews, die 2007 entstanden und jetzt online zugänglich gemacht worden sind. Viele der ursprünglich Befragten sind erneut beteiligt, neue Stimmen kamen hinzu. Dabei zeigt sich im Vergleich: Die Medienwissenschaften sind diverser geworden, und manche Zukunftserwartung wurde drastisch revidiert. 20 00 Open Access 01 00 03 02 This is the cover of the book Medium McLuhan. 02 https://meson.press/wp-content/uploads/2020/12/9783957961785-Medium_McLuhan_Cover_s.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/ein-medium-namens-mcluhan/ Lüneburg 04 01 20201218 Peter Bexte Martina Leeker 02 WORLD 06 15 9783957961785 03 9783957961785 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/ein-medium-namens-mcluhan/ 20 08 20201218 01 urn:uuid:786ed27f-544e-4a46-b309-e8b03a10b7bc 03 01 01 thoth-work-id urn:uuid:563a9a1a-f24b-482b-8c6a-54198a84c464 01 thoth-publication-id urn:uuid:786ed27f-544e-4a46-b309-e8b03a10b7bc 15 9783957961785 03 9783957961785 06 10.14619/1778 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 8 01 02 Digital Cultures 01 01 Ein Medium namens McLuhan 37 Befragungen eines Klassikers 1 B01 Peter Bexte Peter Bexte 40 00f2wje32 Academy of Media Arts Cologne Bexte, Peter. Nach einem Studium der neueren deutschen Literatur (M.A.) Promotion im Fach Kunstgeschichte. Seit 2008 Lehrstuhl ‚Ästhetik‘ an der Kunsthochschule für Medien Köln. 2005-08: Dreijährige Gastprofessur „Geschichte und Theorie der technischen Medien“ im Studiengang Europäische Medienwissenschaft, Potsdam. Senior Fellowships: 2011/12 IKKM Weimar; 2016 IFK Wien. Forschungsinteressen: optische Medien, Wahrnehmungstheorie, Philosophie der Relationen/Präpositionen. Website: http://www.pbexte.de. 2 B01 Martina Leeker Martina Leeker 40 02w2y2t16 Leuphana University of Lüneburg Has a background in theatre studies, media studies, theatre practice, and performance. She held an assistant professorship in theatre and media at the University of Bayreuth from 2002 to 2010 and was a senior researcher at Leuphana University Lüneburg’s Centre for Digital Cultures from 2013 until autumn 2018. Her research interests include theatre/performance and media, art and technology, systems engineering, infrastructures, the history of fascination with digital cultures, and methods and critique in digital cultures. As part of her academic work, Leeker is building on research with artistic methods, in particular performative methods, within lecture-performances and speculation labs. Website: https://martina-leeker. de/. 06 Own website https://martina-leeker.de/ 3 A01 Arie Altena Arie Altena Studied Algemene Literatuurwetenschap (Literary Theory/Allgemeine Literaturwissenschaft) at the University of Amsterdam. Writes about the intersection of technology and art since 1993. Editor of Mediamatic Magazine in the 1990s. Tutor at the M.A. Interactive Media and Environments in Groningen until 2007. Numerous interviews with artists, composers and theorists, many in books co-edited for the Sonic Acts Festival. Since 2012 his research interests are focused on the Antropocene and ecology. Works for V2_ in Rotterdam and for Sonic Acts in Amsterdam. 4 A01 21 0000000329439394 Marie-Luise Angerer Marie-Luise Angerer Professorin für Medientheorie/Medienwissenschaft 40 03bnmw459 University of Potsdam Studium der Kommunikationswissenschaften, Philosophie, Romanistik und Kunstgeschichte. Professorin für Medientheorie/Medienwissenschaft an der Universität Potsdam, Studiengang Europäische Medienwissenschaft (UP/FH Potsdam). Professorin für Medien- und Kulturwissenschaften/Gender Studies an der Kunsthochschule für Medien Köln (2000-2015). Vertretungsprofessorin Film- und Fernsehwissenschaften Ruhr-Universität Bochum. Gastprofessorin UdK Berlin, Central European University Budapest. Lehrbeauftragte, ORF-Mitarbeiterin, Verlagslektorin, Forschungsprojekte-Mitarbeiterin. Forschungs- und Studienaufenthalte in den USA, Australien und Kanada. Forschungsverlauf: von body options über das Begehren nach dem Affekt bis zum nonconscious turn. Website: www.uni-potsdam.de/de/medienwissenschaft/ professur-fuer-medientheorie-medienwissenschaft/mitarbeiter/ prof-dr-marie-luise-angerer.html. 5 A01 21 0000000226326274 Benjamin Beil Benjamin Beil Professor für Medienwissenschaft mit Schwerpunkt Digitalkultur 40 00rcxh774 University of Cologne Professor für Medienwissenschaft mit Schwerpunkt Digitalkultur. Studium der Medien-Planung, -Entwicklung, -Beratung. Promotion mit der Arbeit „Point of View und figurenzentrierte Erzählformen im Film und im Computerspiel“ an der Universität Siegen. Wissenschaftlicher Mitarbeiter im FK-615 Medienumbrüche. Forschungsinteressen: Game Studies, partizipative Medienkulturen, digitale Medien im Museum, Inter- und Transmedialität. Website: http://mekuwi.phil-fak.uni-koeln.de/ benjamin-beil. 6 A01 Klaus Benesch Klaus Benesch Professor 40 05591te55 Ludwig-Maximilians-Universität München Lehrstuhl für Nordamerikastudien an der Ludwigs-Maximilians-Universität München und von 2006-2013 Direktor der Bayerischen Amerika-Akademie. Studium der Kommunikationswissenschaft, Anglistik und Amerikanistik. Promotion in München (1990), Habilitation an der Universität Freiburg (1999). Gastprofessuren in den USA, Frankreich, Italien und in der Schweiz. Forschungsschwerpunkte: Amerikanische Literaturen und Kulturen; Architektur, Urbanismus und Technikgeschichte; Literatur- und Medientheorie. Website: http://www.amerikanistik. lmu.de/benesch. 7 A01 Peter Bexte Peter Bexte 40 00f2wje32 Academy of Media Arts Cologne Nach einem Studium der neueren deutschen Literatur (M.A.) Promotion im Fach Kunstgeschichte. Seit 2008 Lehrstuhl ‚Ästhetik‘ an der Kunsthochschule für Medien Köln. 2005-08: Dreijährige Gastprofessur „Geschichte und Theorie der technischen Medien“ im Studiengang Europäische Medienwissenschaft, Potsdam. Senior Fellowships: 2011/12 IKKM Weimar; 2016 IFK Wien. Forschungsinteressen: optische Medien, Wahrnehmungstheorie, Philosophie der Relationen/Präpositionen. Website: http://www.pbexte.de. 8 A01 Richard Cavell Richard Cavell Professor 40 03rmrcq20 University of British Columbia Ph.D. in Comparative Literature, University of Toronto. Professor and co-founder of Media Studies Program, University of British Columbia (Vancouver, Canada). Author of McLuhan in Space (2002), Marinetti Dines with the High Command (2014), Remediating McLuhan (2016), Friedman House (2017), Speechsong (2020); editor of On the Nature of Media: Essays by McLuhan 1952-78 (2016); curator of spectresofmcluhan.arts.ubc.ca. Website: https://english.ubc.ca/person/richard-cavell/. 9 A01 Jan Distelmeyer Jan Distelmeyer Professor für Geschichte und Theorie der technischen Medien 40 012m9bp23 University of Applied Sciences Potsdam Studium Deutsche Sprache und Literatur (Schwerpunkt Theater und Medien), Philosophie sowie Theater-, Film- und Fernsehwissenschaften in Hamburg und Bochum. Professor für Geschichte und Theorie der technischen Medien im Kooperationsstudiengang Europäische Medienwissenschaft (EMW) der Fachhochschule Potsdam und Universität Potsdam. 133 Lehrbeauftragter der Universität Hamburg. 2005-2007: Gastprofessor und wissenschaftlicher Mitarbeiter der EMW. 2007- 2008: Vertreter der Professur „Medienwissenschaft mit dem Schwerpunkt Medienästhetik/Medienkultur“ an der HBK Braunschweig. Forschungsinteressen: Medientheorie, Digitalität, Interfaces, Film, Games. Website: http://www.distelmeyer.emwpotsdam.de. 10 A01 Bernhard J. Dotzler Bernhard J. Dotzler Professor für Medienwissenschaft 40 01eezs655 University of Regensburg Studium der Neueren deutschen Literaturgeschichte, Philosophie, Linguistik und Kulturwissenschaft in Freiburg, Siegen, Bochum und Berlin. Seit 2004 Professor für Medienwissenschaft an der Universität Regensburg. 2018 Charlotte M. Craig Distinguished Visiting Professor an der Rutgers University. Aktuelle Forschungsinteressen: Unzeitgemäße Betrachtungen aller Art, eine „Kritik der maschinellen Intelligenz“ und „Mond und Medien: Astronoetische Beobachtungen zur Informationstechnologie“. Website: https://www.uni-regensburg. de/sprache-literatur-kultur/medienwissenschaft/aktuelles/index. html. 11 A01 Wolfgang Ernst Wolfgang Ernst Ordentlicher Professor für Medientheorien 40 01hcx6992 Humboldt-Universität zu Berlin Akademisches Magisterstudium der Altertumswissenschaften (Alte Geschichte, Lateinischen Philologie, teilweise Klassische Archäologie) und Promotion in Geschichtswissenschaft. Seit 2003 Ordentlicher Professor für Medientheorien an der Humboldt-Universität zu Berlin. 1995-1999 wissenschaftlicher Mitarbeiter für „Theorie und Archäologie der Medien im Kunstkontext“ an der Kunsthochschule für Medien in Köln. Im Verlauf der zeitgleichen Arbeit an der Habilitationsschrift (resultierend in einer venia legendi für Medienwissenschaft und Kulturwissenschaft) Konversion vom Historiker zum techniknahen Medienarchäologen. Aktuelle Forschungsschwerpunkte: Radikale Medienarchäologie, Speichertheorie, kulturelle Übertragungstechniken, Ästhetik und Theorie der zeitbasierten und -kritischen, besonders der sonischen Medien. Website: https:// www.medientheorien.hu-berlin.de. 12 A01 Petra Gehring Petra Gehring Professorin für Philosophie 40 05n911h24 Technical University of Darmstadt Philosophie, Politikwissenschaft und Rechtswissenschaft. Professorin für Philosophie an der TU Darmstadt. Promotion: Bochum 1992. Habilitation: Hagen 2000. Website: https://www.philosophie.tu-darmstadt.de/institut_phil/ mitarbeiter_innen_phil/professoren/gehring/. 13 A01 Olga Goriunova Olga Goriunova 40 04g2vpn86 Royal Holloway, University of London Russian philology. Reader, Royal Holloway University of London. Author of Bleak Joys. Aesthetics of Ecology and Impossibility (with Matthew Fuller, 2019), Art Platforms and Cultural Production on the Internet (2012), editor of Fun and Software: Exploring Pleasure, Pain and Paradox in Computing (2014) and of Readme. Software Art and Cultures (with Alexei Shulgin, 2004). She curated Readme, software art festivals, 2001-2005 and Runme.org software art repository. 14 A01 Baruch Gottlieb Baruch Gottlieb Lecturer 40 03eznrw16 Berlin University of the Arts Lecturer 40 02wxx3e24 Brandenburg University of Technology Cottbus-Senftenberg Trained as a filmmaker at Concordia University Montreal. Has a doctorate in digital aesthetics from the University of Arts Berlin. He is an active member of the Telekommunisten, Arts & Economic Group and laboratoire de déberlinisation artist collectives. He is curator of the touring exhibition series „Flusser & the Arts“ and „FEEDBACK: Marshall McLuhan and the Arts“. Author of Digital Materialism (Emerald 2018). He is currently lecturer in digital aesthetics at UdK Berlin and Technical University Cottbus and artistic researcher in residence at West Den Haag. 15 A01 Wolfgang Hagen Wolfgang Hagen Professor für Medienwissenschaft 40 02w2y2t16 Leuphana University of Lüneburg Promoviert 1977 in Philosophie, mit einer damals „ideologie-historisch“ verstandenen Arbeit über die „Schillerverehrung in der Sozialdemokratie vor 1914“. Professor für Medienwissenschaft an der Leuphana Universität Lüneburg. Langjährige Arbeit in verschiedenen Leitungspositionen von Kultur- und Musikabteilungen in öffentlich-rechtlichen Rundfunkanstalten (RB, DLF). Forschungsinteressen im Bereich der Geschichte des Computers und der digitalen Medien. Website: http://www.whagen.de. 16 A01 21 0000000180093160 Orit Halpern Orit Halpern Associate Professor in the Department of Sociology and Anthropology 40 03nvtfm43 Concordia University Is a Strategic Hire in Interactive Theory and Design 135 and an Associate Professor in the Department of Sociology and Anthropology at Concordia University in Montreal, Canada. Her work bridges the histories of science, computing, and cybernetics with design and art practice. She currently focuses on how history impacts contemporary design, particularly in respect to „smart“ infrastructures and the future of machine learning and artificial intelligence. She is also the director of the Speculative Life Research Cluster, a research-creation laboratory situated at the intersection of science technology studies, media arts, and the humanities (www.speculativelife.com). Her recent monograph, Beautiful Data (Duke Press, 2015), is a history of interactivity, data visualization, and ubiquitous computing. She has also published and created works for a variety of venues including e-flux, Grey Room, Rhizome, The Journal of Visual Culture, Public Culture, and ZKM in Karlsruhe, Germany. Website: http://www.orithalpern.net. 06 Own website http://www.orithalpern.net/ 17 A01 21 0000000155919995 Karin Harrasser Karin Harrasser Professorin für Kulturwissenschaft 40 02as55378 University of Arts and Industrial Design Linz Studierte Germanistin und Historikerin. Professorin für Kulturwissenschaft an der Kunstuniversität Linz. Promotion über Computerhystorien an der Universität Wien. Habilitation in Kulturwissenschaft an der Humboldt-Universität zu Berlin (Prothesen. Figuren einer lädierten Moderne). Forschung u.a. zu: Körper- und Medientechniken, Verzeitlichung, Theorien des Subjekts/der Objekte, Science-Fiction, Genres und Methoden der Kulturwissenschaft, transatlantische Verstrickungen seit dem Barock. Website: https://de.wikipedia.org/wiki/Karin_Harrasser. 18 A01 Jens Hauser Jens Hauser 40 05hs6h993 Michigan State University Studium der Medienwissenschaft und Wissenschaftsjournalistik. Derzeit Forscher am Medical Museion Kopenhagen und außerordentliches Mitglied der Kunstfakultät der Michigan State University und Gastdozent für experimentelle Architektur an der Universität Innsbruck. Promotion zu ‚Biomedialität‘ an der Ruhr-Universität Bochum, gefolgt von zwei postdoktoralen Forschungsstellen an den geistes, gesundheits- und medizinwissenschaftlichen Fakultäten der Universität Kopenhagen. Arbeitet als Autor und Kurator zur Interaktion von Kunst und Technologie. 19 A01 Stefan Heidenreich Stefan Heidenreich 40 01hcx6992 Humboldt-Universität zu Berlin Nach dem Studium der Kommunikationswissenschaft, Philosophie und Germanistik in Bochum und Berlin, sowie zeitweise Wirtschaftswissenschaft und Physik, Mitarbeit bei Friedrich Kittler an der HU Berlin. Nach zwischenzeitlichen Jobs an der ETH Zürich (Architektur und Kunst), der Kunsthochschule Kassel, der Akademie Düsseldorf und der Uni Köln derzeit freier Autor und Politikberater in Berlin im Themenfeld Medien, Ökonomie und Kunst. Bücher bei merve.de. Website: http://www. stefanheidenreich.de/. 20 A01 Ute Holl Ute Holl Professorin für Medienästhetik 40 02s6k3f65 University of Basel Studierte Literaturwissenschaft, Geschichte, Philosophie in Freiburg im Breisgau und Rom. Professorin für Medienästhetik an der Universität Basel. Videofilmerin und Film-Redakteurin. Dissertation über die Reziprozität der Trance im ethnografischen Film: Kino, Trance und Kybernetik (Berlin 2002). Forschungen zur Wissensgeschichte audiovisueller Medien, insbesondere des Kinos, zu Sound und Radiophonie, zur Medienökologie. Website: http://www.uteholl.de/. 21 A01 Derrick de Kerckhove Derrick de Kerckhove Professor of Sociology 40 05290cv24 University of Naples Federico II Studied French Language and Literature. He worked as translator, assistant and co-author with Marshall McLuhan (1972-1980). Former Director of the McLuhan Program in Culture & Technology at the University of Toronto (1983-2008), subsequently professor of Sociology of the University Federico II in Naples. Author of a dozen books translated in over ten languages. He is presently scientific director of Media Duemila and of Osservatorio TuttiMedia in Italy and Visiting Professor at the Polytechnic Institute of Milan. 22 A01 Martina Leeker Martina Leeker 40 02w2y2t16 Leuphana University of Lüneburg Has a background in theatre studies, media studies, theatre practice, and performance. She held an assistant professorship in theatre and media at the University of Bayreuth from 2002 to 2010 and was a senior researcher at Leuphana University Lüneburg’s Centre for Digital Cultures from 2013 until autumn 2018. Her research interests include theatre/performance and media, art and technology, systems engineering, infrastructures, the history of fascination with digital cultures,and methods and critique in digital cultures. As part of her academic work, Leeker is building on research with artistic methods, in particular performative methods, within lecture-performances and speculation labs. Website: https://martina-leeker. de/. 06 Own website https://martina-leeker.de/ 23 A01 Petra Löffler Petra Löffler Professorin für Theorie und Geschichte gegenwärtiger Medien 40 033n9gh91 University of Oldenburg Studierte Germanistik, Kunstgeschichte und Slawistik und ist Professorin für „Theorie und Geschichte gegenwärtiger Medien“ an der Carl von Ossietzky Universität Oldenburg. Sie war wissenschaftliche Mitarbeiterin am Interuniversitären Forschungskolleg „Medien und kulturelle Kommunikation“ an der Universität Köln, an der Universität Regensburg, Universitätsassistentin an der Universität Wien und hat Professuren an der Universität Siegen, der Bauhaus-Universität Weimar und der Humboldt-Universität zu Berlin vertreten. Sie forscht zu Medienökologie, materiellen Kulturen und Archiven der Zukunft. Website: https://uol.de/kunst/lehrende/professorinnen/ prof-dr-petra-loeffler. 24 A01 Shannon Mattern Shannon Mattern Professor of Anthropology 40 00b30xv10 University of Pennsylvania Media Studies and Design History. Professor of Anthropology. Archives, Libraries, Digital Urbanism, Media Infrastructures, Spatial Epistemologies. Website: https://wordsinspace.net/. 25 A01 21 000000016623043X Dieter Mersch Dieter Mersch Professor für Ästhetik 40 05r0ap620 Zurich University of the Arts Philosophie. Leiter des Instituts für Theorie an der Zürcher Hochschule der Künste. 1992 Promotion, 2000 Habilitation an der TU Darmstadt. 2001 Intendanz des Forums der Muthesius-Hochschule Kiel. 2004-2013 Professur für Medientheorie und Medienwissenschaften an der Universität Potsdam. Seit 2013 Professor für Ästhetik an der ZHdK Zürich. Zurzeit Präsident der Deutschen Gesellschaft für Ästhetik. Forschungsinteressen: Philosophische Ästhetik, Kunsttheorie, Medienphilosophie, Bildtheorie, Philosophien des 20. und 21. Jahrhunderts. Website: http://www.dieter-mersch.de/. 26 A01 Stefan Münker Stefan Münker Privatdozent für Medienwissenschaft 40 01hcx6992 Humboldt-Universität zu Berlin Studium der Philosophie, Germanistik und Kunstgeschichte. Promotion in Philosophie in Berlin, Habilitation in Medienwissenschaft in Basel. Privatdozent für Medienwissenschaft an der Humboldt-Universität zu Berlin. Lehrtätigkeiten in Basel, Regensburg, St. Gallen. Forschungsschwerpunkt: Philosophie der (neuen) Medien und des Fernsehens, Theorie und Geschichte der Digitalisierung. 27 A01 Benjamin Peters Benjamin Peters Hazel Rogers Associate Professor of Media Studies 40 04wn28048 University of Tulsa Slavic studies, literature and languages, and interdisciplinary humanities and social sciences. Hazel Rogers Associate Professor of Media Studies at the University of Tulsa as well as affiliated fellow at the Information Society Project at Yale Law School. Research interests in media history and theory, the philosophy and history of information science and technology, and the comparative origins and consequences of the current Information Age. Website: https://www.benjaminpeters.org/. 28 A01 John Durham Peters John Durham Peters Maria Rosa Menocal Professor of English and Film & Media Studies 40 03v76x132 Yale University B.A. in English, M.A. and Ph.D. in Communication Studies. Maria Rosa Menocal Professor of English and Film & Media Studies, Yale University. Books: Speaking into the Air (1999), Courting the Abyss (2005), The Marvelous Clouds (2015), Promiscuous Knowledge (with Kenneth Cmiel, 2020). Media Theory and History. I don’t really have a good website but there is this poorly maintained thing: https://johndurhampeters.com/. 29 A01 Claus Pias Claus Pias Professor for „History and Theory of Media“ 40 02w2y2t16 Leuphana University of Lüneburg Studied Art History, German Literature, and Philosophy in Bonn. Currently Professor for „History and Theory of Media“ at Leuphana University Lüneburg. He was Professor for „Epistemology and Philosophy of Media“ at the University of Vienna, Fellow at the Institute for Advanced Study Berlin, and Visiting Professor at Princeton University. Research interests: digital cultures, history of media. Website: https://www.leuphana. de/institute/icam/personen/claus-pias.html. 30 A01 Markus Rautzenberg Markus Rautzenberg Professor für Philosophie 40 03gf02c22 Folkwang University of the Arts Studium der Germanistik, Philosophie und Theaterwissenschaft. Heute Professor für Philosophie an der Folkwang Universität der Künste in Essen. Promotion an der Freien Universität Berlin im Fach Philosophie bei Sybille Krämer, Promotionsstipendium im Graduiertenkolleg „KörperInszenierungen“, Post-Doc Stipendium am Graduiertenkolleg „InterArt“, danach eigenverantwortliches Drittmittelprojekt im Bereich der Bildtheorie (alle DFG). Forschungsinteressen: Medientheorie, insbesondere Bildtheorie sowie algorithmische Kultur, Philosophie des Spiels, Kontingenz und Ungewissheit. Website: https://www.folkwang-uni.de/home/hochschule/personen/ lehrende/vollanzeige/personen-detail/prof-dr-markus-rautzenberg. 31 A01 Stefan Rieger Stefan Rieger Professor für Mediengeschichte 40 04tsk2644 Ruhr University Bochum Studium der Germanistik und Philosophie. Stipendiat im Graduiertenkolleg Theorie der Literatur (Konstanz), im Anschluss daran Mitarbeiter im Sonderforschungsbereich Literatur und Anthropologie. Promotion über barocke Datenverarbeitung und Mnemotechnik, Habilitationsschrift zum Verhältnis von Medien und Anthropologie (Die Individualität der Medien. Eine Geschichte der Wissenschaften vom Menschen, Frankfurt/M. 2001). Aktuelle Arbeits- und Publikationsschwerpunkte: Wissenschaftsgeschichte, Medientheorie, Kulturtechniken und Virtualität. Seit 2007 Professor für Mediengeschichte an der Ruhr-Universität Bochum. Website: https://ifm.blogs.ruhr-uni-bochum.de/index. php/institut/personen/rieger/. 32 A01 Katja Rothe Katja Rothe Juniorprofessorin 40 03eznrw16 Berlin University of the Arts Kulturwissenschaftlerin. Juniorprofessorin an der Universität der Künste Berlin. Promotion im Graduiertenkolleg Codierung von Gewalt im Wandel. Wissenschaftliche Mitarbeiterin an der TU Berlin sowie an den Universitäten Wien und Basel. Gastprofessur an der Humboldt-Universität zu Berlin und der Aberystwyth University. Forschungsinteressen: Wissensgeschichte, Popularisierung von Wissen, Praxistheorie, Genderund Queerstudies. Website: http://rothespraxis.de/ 33 A01 Kerstin Schmidt Kerstin Schmidt Professor and Chair of American Studies 40 00mx91s63 Catholic University of Eichstätt-Ingolstadt English Literature. Professor and Chair of American Studies, Cath. University of Eichstaett-Ingolstadt. Education/ university positions held (sel.): Freiburg, Massachusetts/Amherst, LMU; Siegen. Fellowships (sel.): Yale, Indiana University, University of Wyoming, CUNY Graduate Center, University of Toronto/ British Columbia. Research interests: drama/theater, race/ diaspora studies, urban studies/theories of space/place; media theory/radio culture; documentary photography. Website: https://www.ku.de/en/slf/fachgebiete-lehrstuehle/anglistik/ amerikanistik/lehrstuehle-professuren/chair-of-americanstudies/team/prof-dr-kerstin-schmidt. 34 A01 Jens Schröter Jens Schröter Inhaber des Lehrstuhls für Medienkulturwissenschaft 40 041nas322 University of Bonn Studierte Theater-, Film- und Fernsehwissenschaft, Kunstgeschichte und Philosophie. Heute Inhaber des Lehrstuhls für Medienkulturwissenschaft an der Universität Bonn. Zuvor Professor für multimediale Systeme an der Universität Siegen. Verschiedene VW- und DFG-Projekte, Fellowships. Forschungsschwerpunkte: Theorie und Geschichte der digitalen Medien, Theorie und Geschichte der Fotografie, dreidimensionale Bilder, Kritische Medientheorie, Zukünftige Medien. Website: https://www.medienkulturwissenschaft-bonn.de/. 35 A01 Erhard Schüttpelz Erhard Schüttpelz Professor für Medientheorie 40 02azyry73 University of Siegen Prof. Dr. (Medientheorie), Universität Siegen. Ausbildung in Hannover, Exeter, Bonn, Oxford, Köln, New York, Konstanz und Wien. Deutsche und Vergleichende Literaturwissenschaft (Habilitation in Konstanz). Vorbereitung durch Postcolonial Studies (Columbia University). Promotionsstudium Deutsche Sprach- und Literaturwissenschaft mit den Nebenfächern Ethnologie und Anglistik. Vorbereitung durch Sprachphilosophie-Studien (Oxford). Staatsexamen Sekundarstufe II (Germanistik, Anglistik) mit Studienanteilen in Pädagogik und Philosophie. Joyce-Lesekreis (Bonn). Neue Deutsche Welle (Hannover). Forschungsinteressen: Lost Causes & Unfinished Business. 36 A01 21 0000000252258711 Florian Sprenger Florian Sprenger Professor für Virtual Humanities 40 04tsk2644 Ruhr University Bochum Hat Medienwissenschaft und Philosophie studiert und ist derzeit Professor für Virtual Humanities am Institut für Medienwissenschaft der Ruhr-Universität Bochum. Davor war er Juniorprofessor für Medienkulturwissenschaft an der Goethe-Universität Frankfurt und Postdoc am Digital Cultures Research Lab der Leuphana Universität Lüneburg. Seine Forschungsschwerpunkte umfassen die Geschichte und Gegenwart digitaler Kulturen, Biopolitiken künstlicher environments, die Verkehrswende und autonome Autos. 06 Own website http://www.floriansprenger.com/ 37 A01 Fred Turner Fred Turner Harry and Norman Chandler Professor of Communication 40 00f54p054 Stanford University 1984 B.A. (Magna Cum Laude) in English and 141 American Literature, Brown University. 1985 M.A. in English and American Literature, Columbia University. 2002 Ph.D. in Communication, University of California, San Diego. Harry and Norman Chandler Professor of Communication and by courtesy of History and Art History Stanford University. Professorships at Stanford University, 2003-Present. I’m interested in American cultural history from World War II to the present, and especially in questions of how new media technologies have been integrated into national life. Website: http://fredturner.stanford.edu. 38 A01 Christina Vagt Christina Vagt Associate Professor European Media Studies 40 02t274463 University of California, Santa Barbara Magistra der Kulturwissenschaft/Neuere und Neueste Geschichte, Humboldt-Universität zu Berlin. Associate Professor European Media Studies, Department of Germanic & Slavic Studies, University of California Santa Barbara. Gastprofessorin Theorie und Geschichte des Wissens, Humboldt-Universität zu Berlin. Gastprofessorin Theorie und Geschichte künstlicher Welten, Bauhaus-Universität Weimar. Wissenschaftliche Mitarbeiterin, Literaturwissenschaft, TU Berlin. Promotion am Graduiertenkolleg Mediale Historiographien, Bauhaus-Universität Weimar. Forschungsschwerpunkte: Physik und Philosophie, Kybernetik und Design, Verhaltenslehren sowie Theorien des Realen. Website: http://www.christinavagt.com. 39 A01 Hartmut Winkler Hartmut Winkler Professor Emeritus of Media Studies, Media Theory and Media Culture 40 058kzsd48 Paderborn University Prof. Dr.; Dipl. Ing. FH (Architektur, Städtebau), Magister (Germanistik, Theater-, Film- und Fernsehwissenschaft). 1999 bis 2017 Professor für Medienwissenschaft, Medientheorie und Medienkultur an der Universität Paderborn. Mit-Initiator und zeitweise Sprecher des Graduiertenkollegs Automatismen. Seit 2017 im Ruhestand. Arbeitsgebiete: Medien, Kulturtheorie, Techniktheorie, Alltagskultur, Semiotik. Website: http://homepages.uni-paderborn.de/ winkler/. 01 eng 01 ger 00 141 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 12 AFKP 93 ATN 20 Medienwissenschaften; McLuhan; Digitalisierung; Interviews; Medientheorie 01 06 02 00 „If you don‘t like my arguments, I‘ve got some more.“ (Marshall McLuhan) Wie aber steht es um den Klassiker der Medienwissenschaften im 21. Jahrhundert? Diese Frage diskutieren 37 zeitgenössische Medienwissenschaftler_innen. Ihre Antworten stehen in einem reizvollen Kontrast zu Interviews, die 2007 entstanden und jetzt online zugänglich gemac 03 00 „If you don‘t like my arguments, I‘ve got some more.“ (Marshall McLuhan) Wie aber steht es um den Klassiker der Medienwissenschaften im 21. Jahrhundert? Diese Frage diskutieren 37 zeitgenössische Medienwissenschaftler_innen. Ihre Antworten stehen in einem reizvollen Kontrast zu Interviews, die 2007 entstanden und jetzt online zugänglich gemacht worden sind. Viele der ursprünglich Befragten sind erneut beteiligt, neue Stimmen kamen hinzu. Dabei zeigt sich im Vergleich: Die Medienwissenschaften sind diverser geworden, und manche Zukunftserwartung wurde drastisch revidiert. 30 00 „If you don‘t like my arguments, I‘ve got some more.“ (Marshall McLuhan) Wie aber steht es um den Klassiker der Medienwissenschaften im 21. Jahrhundert? Diese Frage diskutieren 37 zeitgenössische Medienwissenschaftler_innen. Ihre Antworten stehen in einem reizvollen Kontrast zu Interviews, die 2007 entstanden und jetzt online zugänglich gemacht worden sind. Viele der ursprünglich Befragten sind erneut beteiligt, neue Stimmen kamen hinzu. Dabei zeigt sich im Vergleich: Die Medienwissenschaften sind diverser geworden, und manche Zukunftserwartung wurde drastisch revidiert. 20 00 Open Access 01 00 03 02 This is the cover of the book Medium McLuhan. 02 https://meson.press/wp-content/uploads/2020/12/9783957961785-Medium_McLuhan_Cover_s.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/ein-medium-namens-mcluhan/ Lüneburg 04 01 20201218 Peter Bexte Martina Leeker 02 WORLD 06 15 9783957961778 03 9783957961778 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/50002 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/50002/9783957961785.pdf 20 08 20201218 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/ein-medium-namens-mcluhan/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2020/12/9783957961785-Medium_McLuhan.pdf 20 08 20201218 01 urn:uuid:2b825497-68b4-4fd4-b621-c15d15a04f44 03 01 01 thoth-work-id urn:uuid:34098e5e-24d9-4c8d-90fe-101d7db7feeb 01 thoth-publication-id urn:uuid:2b825497-68b4-4fd4-b621-c15d15a04f44 15 9783957962263 03 9783957962263 06 10.14619/2263 00 BC 10 01 234 mm 01 23.4 cm 01 9.21 in 02 156 mm 02 15.6 cm 02 6.14 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID bb95d179-db6a-4325-81d0-8aa456fd8b58 02 00000001 01 Series URL https://meson.press/series-page/future-ecologies 03 7 01 02 Future Ecologies 01 01 Elementare Ekstasen Sondierungen der Technosphäre 1 A01 21 0009000309235682 Léa Perraudin Léa Perraudin Postdoctoral Researcher 40 01hcx6992 Humboldt-Universität zu Berlin Léa Perraudin is a postdoctoral researcher at the Cluster of Excellence “Matters of Activity. Image Space Material” at Humboldt-Universität zu Berlin. Her research is concerned with (media) infrastructures of the Anthropocene, experimental cultures in media, art and design, as well as practices of knowing, writing and making in the realm of environmental humanities and queer feminist technology studies. Léa is currently working on an extensive media theory of phase transitions, investigating the material ties of media infrastructures in contemporary technocapitalist environments through situated phenomena of transience, dispersal, abundance and solidification. Together with Martin Müller, Léa leads the experimental laboratory for knowledge exchange and speculative design “CollActive Materials,” funded by the Berlin University Alliance. 01 ger 00 338 03 93 ATN 04 P87-96 10 PER004000 93 ATF 10 SOC052000 93 JBCT1 10 SCI020000 93 PSAF 93 QD 93 UYZG 01 06 02 00 Elementare Ekstasen überschwemmen, erodieren und evaporieren die wohlsortierten Grenzziehungen zwischen Technik, Umwelt und Mensch. Als Neuverortung im Spannungsfeld medienökologischer, neomaterialistischer und technikfeministischer Theoriebildung werden hier all jene Widerständigkeiten und Un/Verfügbarkeiten sondiert, die von techno-kapitali 03 00 Elementare Ekstasen überschwemmen, erodieren und evaporieren die wohlsortierten Grenzziehungen zwischen Technik, Umwelt und Mensch. Als Neuverortung im Spannungsfeld medienökologischer, neomaterialistischer und technikfeministischer Theoriebildung werden hier all jene Widerständigkeiten und Un/Verfügbarkeiten sondiert, die von techno-kapitalistisch protegierten Operationen nicht zu tilgen sind. Was hieße es, die planetarische Implikation der Technosphäre aus Mikroperspektiven zu denken, mit ihren Überlappungen, Leerstellen, Fragmentierungen, Akkumulationen des Technischen zu schreiben? Entlang ihrer materiellen Prozessualität werden elementare Medien wie Regen, Minerale, Staub und Schaum zur Gegenwartsdiagnose. Angesichts der umfassenden Ökologisierungstendenzen und ihrer experimentellen Verarbeitung in Medienkunst und Interfacedesign verdichtet sich ein kritisches Begriffsinventar, das die makrologische Karriere des Technischen anders denkt. 30 00 Elementare Ekstasen überschwemmen, erodieren und evaporieren die wohlsortierten Grenzziehungen zwischen Technik, Umwelt und Mensch. Als Neuverortung im Spannungsfeld medienökologischer, neomaterialistischer und technikfeministischer Theoriebildung werden hier all jene Widerständigkeiten und Un/Verfügbarkeiten sondiert, die von techno-kapitalistisch protegierten Operationen nicht zu tilgen sind. Was hieße es, die planetarische Implikation der Technosphäre aus Mikroperspektiven zu denken, mit ihren Überlappungen, Leerstellen, Fragmentierungen, Akkumulationen des Technischen zu schreiben? Entlang ihrer materiellen Prozessualität werden elementare Medien wie Regen, Minerale, Staub und Schaum zur Gegenwartsdiagnose. Angesichts der umfassenden Ökologisierungstendenzen und ihrer experimentellen Verarbeitung in Medienkunst und Interfacedesign verdichtet sich ein kritisches Begriffsinventar, das die makrologische Karriere des Technischen anders denkt. 20 00 Open Access 01 00 03 02 This is the cover of the book Elementare Ekstasen. 02 https://meson.press/wp-content/uploads/2024/05/Perraudin-Elementare-Ekstasen-Cover-300dpi.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/elementare-ekstasen 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Exzellenzstrategie des Bundes und der Länder 01 projectname Matters of Activity. Image Space Material 01 projectshortname EXC 2025 01 grantnumber 390648296 Lüneburg 04 01 20240531 Léa Perraudin 02 WORLD 06 15 9783957962270 03 9783957962270 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/elementare-ekstasen 20 08 20240531 01 urn:uuid:d0829aa6-8485-40fb-bd85-5b12c3f7b54b 03 01 01 thoth-work-id urn:uuid:34098e5e-24d9-4c8d-90fe-101d7db7feeb 01 thoth-publication-id urn:uuid:d0829aa6-8485-40fb-bd85-5b12c3f7b54b 15 9783957962270 03 9783957962270 06 10.14619/2263 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID bb95d179-db6a-4325-81d0-8aa456fd8b58 02 00000001 01 Series URL https://meson.press/series-page/future-ecologies 03 7 01 02 Future Ecologies 01 01 Elementare Ekstasen Sondierungen der Technosphäre 1 A01 21 0009000309235682 Léa Perraudin Léa Perraudin Postdoctoral Researcher 40 01hcx6992 Humboldt-Universität zu Berlin Léa Perraudin is a postdoctoral researcher at the Cluster of Excellence “Matters of Activity. Image Space Material” at Humboldt-Universität zu Berlin. Her research is concerned with (media) infrastructures of the Anthropocene, experimental cultures in media, art and design, as well as practices of knowing, writing and making in the realm of environmental humanities and queer feminist technology studies. Léa is currently working on an extensive media theory of phase transitions, investigating the material ties of media infrastructures in contemporary technocapitalist environments through situated phenomena of transience, dispersal, abundance and solidification. Together with Martin Müller, Léa leads the experimental laboratory for knowledge exchange and speculative design “CollActive Materials,” funded by the Berlin University Alliance. 01 ger 00 338 03 93 ATN 04 P87-96 10 PER004000 93 ATF 10 SOC052000 93 JBCT1 10 SCI020000 93 PSAF 93 QD 93 UYZG 01 06 02 00 Elementare Ekstasen überschwemmen, erodieren und evaporieren die wohlsortierten Grenzziehungen zwischen Technik, Umwelt und Mensch. Als Neuverortung im Spannungsfeld medienökologischer, neomaterialistischer und technikfeministischer Theoriebildung werden hier all jene Widerständigkeiten und Un/Verfügbarkeiten sondiert, die von techno-kapitali 03 00 Elementare Ekstasen überschwemmen, erodieren und evaporieren die wohlsortierten Grenzziehungen zwischen Technik, Umwelt und Mensch. Als Neuverortung im Spannungsfeld medienökologischer, neomaterialistischer und technikfeministischer Theoriebildung werden hier all jene Widerständigkeiten und Un/Verfügbarkeiten sondiert, die von techno-kapitalistisch protegierten Operationen nicht zu tilgen sind. Was hieße es, die planetarische Implikation der Technosphäre aus Mikroperspektiven zu denken, mit ihren Überlappungen, Leerstellen, Fragmentierungen, Akkumulationen des Technischen zu schreiben? Entlang ihrer materiellen Prozessualität werden elementare Medien wie Regen, Minerale, Staub und Schaum zur Gegenwartsdiagnose. Angesichts der umfassenden Ökologisierungstendenzen und ihrer experimentellen Verarbeitung in Medienkunst und Interfacedesign verdichtet sich ein kritisches Begriffsinventar, das die makrologische Karriere des Technischen anders denkt. 30 00 Elementare Ekstasen überschwemmen, erodieren und evaporieren die wohlsortierten Grenzziehungen zwischen Technik, Umwelt und Mensch. Als Neuverortung im Spannungsfeld medienökologischer, neomaterialistischer und technikfeministischer Theoriebildung werden hier all jene Widerständigkeiten und Un/Verfügbarkeiten sondiert, die von techno-kapitalistisch protegierten Operationen nicht zu tilgen sind. Was hieße es, die planetarische Implikation der Technosphäre aus Mikroperspektiven zu denken, mit ihren Überlappungen, Leerstellen, Fragmentierungen, Akkumulationen des Technischen zu schreiben? Entlang ihrer materiellen Prozessualität werden elementare Medien wie Regen, Minerale, Staub und Schaum zur Gegenwartsdiagnose. Angesichts der umfassenden Ökologisierungstendenzen und ihrer experimentellen Verarbeitung in Medienkunst und Interfacedesign verdichtet sich ein kritisches Begriffsinventar, das die makrologische Karriere des Technischen anders denkt. 20 00 Open Access 01 00 03 02 This is the cover of the book Elementare Ekstasen. 02 https://meson.press/wp-content/uploads/2024/05/Perraudin-Elementare-Ekstasen-Cover-300dpi.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/elementare-ekstasen 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Exzellenzstrategie des Bundes und der Länder 01 projectname Matters of Activity. Image Space Material 01 projectshortname EXC 2025 01 grantnumber 390648296 Lüneburg 04 01 20240531 Léa Perraudin 02 WORLD 06 15 9783957962263 03 9783957962263 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/95825 29 OAPEN: download the title https://library.oapen.org/viewer/web/viewer.html?file=/bitstream/handle/20.500.12657/95825/978-3-95796-227-0_Elementare-Ekstasen.pdf?sequence=1&isAllowed=y 20 08 20240531 01 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/elementare-ekstasen 29 Publisher's website: download the title https://meson.press/wp-content/uploads/2024/05/978-3-95796-227-0_Elementare-Ekstasen_OA.pdf 20 08 20240531 01 urn:uuid:f12e7145-146c-4f9c-ba06-5674135be03a 03 01 01 thoth-work-id urn:uuid:7d4b8528-4916-471a-bac1-696dd8d0314c 01 thoth-publication-id urn:uuid:f12e7145-146c-4f9c-ba06-5674135be03a 15 9783957961952 03 9783957961952 06 10.14619/1952 00 BC 10 01 210 mm 01 21 cm 01 8.27 in 02 155 mm 02 15.5 cm 02 6.1 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Fahrradutopien Medien, Ästhetiken und Aktivismus 1 A01 Julia Bee Julia Bee Professorin für Medienästhetik 40 02azyry73 University of Siegen Julia Bee (sie/ihr), Dr. phil, Medien- und Kulturwissenschaftlerin, ist Professorin für Medienästhetik an der Universität Siegen und Fahrradaktivistin. Aktuelle Arbeitsgebiete: Visuelle Anthropologie und experimentelle Methoden, Gender, Affekt und Medien, Fahrradmedien, Mobilitätsgerechtigkeit. 2 A01 Ulrike Bergermann Ulrike Bergermann Professorin für Medienwissenschaft 40 03aft2f80 Braunschweig University of Art Ulrike Bergermann (sie/ihr), Professorin für Medienwissenschaft, HBK Braunschweig, Schwerpunke: Gender und Postcolonial Studies. Vita und Publikationen: ULRIKEBERGERMANN.DE, zuletzt: A Side Taken. Relating To Slavery in Octavia Butler’s Kindred, in: Elke Bippus et al. (Hg.), Taking Sides, Bielefeld 2021; Connect and Divide: The Practice Turn in Media Studies, hg. m. Erhard Schüttpelz et al., Zürich 2021 3 A01 Linda Keck Linda Keck wissenschaftliche Mitarbeiterin und Koordinatorin am Lehrstuhl für Kulturtechnikforschung 40 033bb5z47 Bauhaus University, Weimar Linda Keck (sie/ihr) ist wissenschaftliche Mitarbeiterin und Koordinatorin am Lehrstuhl für Kulturtechnikforschung an der Bauhaus-Universität Weimar. Ihre Interessen belaufen sich auf Hybride und Transite, die sie, unter dem Begriff der Scharniermedien zusammenfassend, als jedwede Formen und Aktionen von Klappen (wie etwa auch das Faltrad) in den Blick nimmt. 4 A01 Sarah Sander Sarah Sander 40 03prydq77 University of Vienna Sarah Sander (sie/ihr), Dr. phil, ist Medien- und Kulturwissenschaftlerin und arbeitet derzeit am Institut für Theater-, Film- und Medienwissenschaften der Universität Wien. Ihre aktuellen Forschungsinteressen gelten Expanded Cinema, Medien des Aktivismus und der Kooparation, medialen Anthropologien und Migration. 5 A01 Herbert Schwaab Herbert Schwaab Akademischer Oberrat am Lehrstuhl für Medienwissenschaft 40 01eezs655 University of Regensburg Herbert Schwaab (er/ihm) lehrt als Akademischer Oberrat am Lehrstuhl für Medienwissenschaft an der Universität Regensburg. Promotion 2006 mit einer Arbeit zur Filmphilosophie von Stanley Cavell in Bochum. Derzeitige Forschungsschwerpunkte: Fernsehgeschichte, Sitcom, Anime, Populismus im Fernsehen, Medialität des Fahrrads und Repräsentationen von Autismus. 6 A01 Markus Stauff Markus Stauff 40 04dkp9463 University of Amsterdam Markus Stauff (er/ihm) lehrt und forscht am Department Media Studies der Universität Amsterdam. Forschungsschwerpunkte sind Medien als Regierungstechniken; Fernsehen und cross-mediale Transformationsprozess; visuelle Kultur des Mediensports. 7 A01 Franzi Wagner Franzi Wagner 40 03aft2f80 Braunschweig University of Art Franzi Wagner (dey/deren) ist als wissenschaftliche Mitarbeit am Institut für Medienwissenschaft der HBK Braunschweig tätig und verfolgt ein Dissertationsprojekt zu den Beziehungen von Körperlichkeit(en), Ort(en) und Zeit(en) in Virtual Reality unter besonderer Berücksichtigung des queeren Potenzials derer. Zu Wagners Forschungsschwerpunkten zählen insb. Virtual Reality, Queer Theory und Gender Media Studies. 01 ger 00 263 03 93 JBCT1 04 P87-96 93 ATFA 93 ATFR 93 JBSF11 93 JPW 93 RNC 93 RPT 93 UYV 20 Kollektive; Feminismus; Kino; Gender Studies; Ökologie; Dokumentation; Fahrrad; Mobilität; Digitale Medien; Radfahren; Digitalisierung; Diversität; Utopie; Aktivismus 01 06 02 00 Das Fahrrad ist ein Medium sozialer Veränderung. Seine vielfältigen utopischen Potenziale ergeben sich nicht zuletzt aus seinen ebenso vielfältigen und häufig übersehenen medialen Qualitäten: Es vermittelt, es verbindet, es übersetzt; es modifiziert Wahrnehmung und Organisation von Raum und Zeit, von Körpern und von Sozialität. Umgekehrt kann 03 00 Das Fahrrad ist ein Medium sozialer Veränderung. Seine vielfältigen utopischen Potenziale ergeben sich nicht zuletzt aus seinen ebenso vielfältigen und häufig übersehenen medialen Qualitäten: Es vermittelt, es verbindet, es übersetzt; es modifiziert Wahrnehmung und Organisation von Raum und Zeit, von Körpern und von Sozialität. Umgekehrt kann auch das medienwissenschaftliche Denken fahrradmedial verändert werden. Das Fahrrad ist nicht nur Medium des sozialen und ökologischen Wandels: Radfahren eröffnet Perspektiven, verändert Räume, lässt neue Relationen entstehen und teilt Handlungsmacht neu auf.Fahrradutopien denkt vom Fahrrad aus und ergänzt dabei bestehende Ansätze zur Mobilitätsforschung um medienkulturwissenschaftliche Perspektiven. Die Beiträge verbinden Medienwissenschaften und Forschungen zu Fahrradaktivismus mit der Liebe zum Radfahren. Fokussiert werden Fahrradfilme und -vlogs, Verkehr und Infrastrukturen, Virtuelle Realität und Fahrrad, Fahrradkollektive und Fahrradfeminismus. 30 00 Das Fahrrad ist ein Medium sozialer Veränderung. Seine vielfältigen utopischen Potenziale ergeben sich nicht zuletzt aus seinen ebenso vielfältigen und häufig übersehenen medialen Qualitäten: Es vermittelt, es verbindet, es übersetzt; es modifiziert Wahrnehmung und Organisation von Raum und Zeit, von Körpern und von Sozialität. Umgekehrt kann auch das medienwissenschaftliche Denken fahrradmedial verändert werden. Das Fahrrad ist nicht nur Medium des sozialen und ökologischen Wandels: Radfahren eröffnet Perspektiven, verändert Räume, lässt neue Relationen entstehen und teilt Handlungsmacht neu auf.Fahrradutopien denkt vom Fahrrad aus und ergänzt dabei bestehende Ansätze zur Mobilitätsforschung um medienkulturwissenschaftliche Perspektiven. Die Beiträge verbinden Medienwissenschaften und Forschungen zu Fahrradaktivismus mit der Liebe zum Radfahren. Fokussiert werden Fahrradfilme und -vlogs, Verkehr und Infrastrukturen, Virtuelle Realität und Fahrrad, Fahrradkollektive und Fahrradfeminismus. 20 00 Open Access 01 00 03 02 This is the cover of the book Fahrradutopien. 02 https://meson.press/wp-content/uploads/2022/05/Fahrradutopien_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/fahrradutopien/ 16 40 03aft2f80 Braunschweig University of Art 16 40 033bb5z47 32 10.13039/501100006708 Bauhaus University, Weimar Lüneburg 04 01 20220627 Julia Bee, Ulrike Bergermann, Linda Keck, Sarah Sander, Herbert Schwaab, Markus Stauff, Franzi Wagner 02 WORLD 06 15 9783957961969 03 9783957961969 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/fahrradutopien/ 20 08 20220627 01 urn:uuid:4a834459-a6f0-4311-a219-82c71f8e00ce 03 01 01 thoth-work-id urn:uuid:7d4b8528-4916-471a-bac1-696dd8d0314c 01 thoth-publication-id urn:uuid:4a834459-a6f0-4311-a219-82c71f8e00ce 15 9783957961969 03 9783957961969 06 10.14619/1952 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Fahrradutopien Medien, Ästhetiken und Aktivismus 1 A01 Julia Bee Julia Bee Professorin für Medienästhetik 40 02azyry73 University of Siegen Julia Bee (sie/ihr), Dr. phil, Medien- und Kulturwissenschaftlerin, ist Professorin für Medienästhetik an der Universität Siegen und Fahrradaktivistin. Aktuelle Arbeitsgebiete: Visuelle Anthropologie und experimentelle Methoden, Gender, Affekt und Medien, Fahrradmedien, Mobilitätsgerechtigkeit. 2 A01 Ulrike Bergermann Ulrike Bergermann Professorin für Medienwissenschaft 40 03aft2f80 Braunschweig University of Art Ulrike Bergermann (sie/ihr), Professorin für Medienwissenschaft, HBK Braunschweig, Schwerpunke: Gender und Postcolonial Studies. Vita und Publikationen: ULRIKEBERGERMANN.DE, zuletzt: A Side Taken. Relating To Slavery in Octavia Butler’s Kindred, in: Elke Bippus et al. (Hg.), Taking Sides, Bielefeld 2021; Connect and Divide: The Practice Turn in Media Studies, hg. m. Erhard Schüttpelz et al., Zürich 2021 3 A01 Linda Keck Linda Keck wissenschaftliche Mitarbeiterin und Koordinatorin am Lehrstuhl für Kulturtechnikforschung 40 033bb5z47 Bauhaus University, Weimar Linda Keck (sie/ihr) ist wissenschaftliche Mitarbeiterin und Koordinatorin am Lehrstuhl für Kulturtechnikforschung an der Bauhaus-Universität Weimar. Ihre Interessen belaufen sich auf Hybride und Transite, die sie, unter dem Begriff der Scharniermedien zusammenfassend, als jedwede Formen und Aktionen von Klappen (wie etwa auch das Faltrad) in den Blick nimmt. 4 A01 Sarah Sander Sarah Sander 40 03prydq77 University of Vienna Sarah Sander (sie/ihr), Dr. phil, ist Medien- und Kulturwissenschaftlerin und arbeitet derzeit am Institut für Theater-, Film- und Medienwissenschaften der Universität Wien. Ihre aktuellen Forschungsinteressen gelten Expanded Cinema, Medien des Aktivismus und der Kooparation, medialen Anthropologien und Migration. 5 A01 Herbert Schwaab Herbert Schwaab Akademischer Oberrat am Lehrstuhl für Medienwissenschaft 40 01eezs655 University of Regensburg Herbert Schwaab (er/ihm) lehrt als Akademischer Oberrat am Lehrstuhl für Medienwissenschaft an der Universität Regensburg. Promotion 2006 mit einer Arbeit zur Filmphilosophie von Stanley Cavell in Bochum. Derzeitige Forschungsschwerpunkte: Fernsehgeschichte, Sitcom, Anime, Populismus im Fernsehen, Medialität des Fahrrads und Repräsentationen von Autismus. 6 A01 Markus Stauff Markus Stauff 40 04dkp9463 University of Amsterdam Markus Stauff (er/ihm) lehrt und forscht am Department Media Studies der Universität Amsterdam. Forschungsschwerpunkte sind Medien als Regierungstechniken; Fernsehen und cross-mediale Transformationsprozess; visuelle Kultur des Mediensports. 7 A01 Franzi Wagner Franzi Wagner 40 03aft2f80 Braunschweig University of Art Franzi Wagner (dey/deren) ist als wissenschaftliche Mitarbeit am Institut für Medienwissenschaft der HBK Braunschweig tätig und verfolgt ein Dissertationsprojekt zu den Beziehungen von Körperlichkeit(en), Ort(en) und Zeit(en) in Virtual Reality unter besonderer Berücksichtigung des queeren Potenzials derer. Zu Wagners Forschungsschwerpunkten zählen insb. Virtual Reality, Queer Theory und Gender Media Studies. 01 ger 00 263 03 93 JBCT1 04 P87-96 93 ATFA 93 ATFR 93 JBSF11 93 JPW 93 RNC 93 RPT 93 UYV 20 Kollektive; Feminismus; Kino; Gender Studies; Ökologie; Dokumentation; Fahrrad; Mobilität; Digitale Medien; Radfahren; Digitalisierung; Diversität; Utopie; Aktivismus 01 06 02 00 Das Fahrrad ist ein Medium sozialer Veränderung. Seine vielfältigen utopischen Potenziale ergeben sich nicht zuletzt aus seinen ebenso vielfältigen und häufig übersehenen medialen Qualitäten: Es vermittelt, es verbindet, es übersetzt; es modifiziert Wahrnehmung und Organisation von Raum und Zeit, von Körpern und von Sozialität. Umgekehrt kann 03 00 Das Fahrrad ist ein Medium sozialer Veränderung. Seine vielfältigen utopischen Potenziale ergeben sich nicht zuletzt aus seinen ebenso vielfältigen und häufig übersehenen medialen Qualitäten: Es vermittelt, es verbindet, es übersetzt; es modifiziert Wahrnehmung und Organisation von Raum und Zeit, von Körpern und von Sozialität. Umgekehrt kann auch das medienwissenschaftliche Denken fahrradmedial verändert werden. Das Fahrrad ist nicht nur Medium des sozialen und ökologischen Wandels: Radfahren eröffnet Perspektiven, verändert Räume, lässt neue Relationen entstehen und teilt Handlungsmacht neu auf.Fahrradutopien denkt vom Fahrrad aus und ergänzt dabei bestehende Ansätze zur Mobilitätsforschung um medienkulturwissenschaftliche Perspektiven. Die Beiträge verbinden Medienwissenschaften und Forschungen zu Fahrradaktivismus mit der Liebe zum Radfahren. Fokussiert werden Fahrradfilme und -vlogs, Verkehr und Infrastrukturen, Virtuelle Realität und Fahrrad, Fahrradkollektive und Fahrradfeminismus. 30 00 Das Fahrrad ist ein Medium sozialer Veränderung. Seine vielfältigen utopischen Potenziale ergeben sich nicht zuletzt aus seinen ebenso vielfältigen und häufig übersehenen medialen Qualitäten: Es vermittelt, es verbindet, es übersetzt; es modifiziert Wahrnehmung und Organisation von Raum und Zeit, von Körpern und von Sozialität. Umgekehrt kann auch das medienwissenschaftliche Denken fahrradmedial verändert werden. Das Fahrrad ist nicht nur Medium des sozialen und ökologischen Wandels: Radfahren eröffnet Perspektiven, verändert Räume, lässt neue Relationen entstehen und teilt Handlungsmacht neu auf.Fahrradutopien denkt vom Fahrrad aus und ergänzt dabei bestehende Ansätze zur Mobilitätsforschung um medienkulturwissenschaftliche Perspektiven. Die Beiträge verbinden Medienwissenschaften und Forschungen zu Fahrradaktivismus mit der Liebe zum Radfahren. Fokussiert werden Fahrradfilme und -vlogs, Verkehr und Infrastrukturen, Virtuelle Realität und Fahrrad, Fahrradkollektive und Fahrradfeminismus. 20 00 Open Access 01 00 03 02 This is the cover of the book Fahrradutopien. 02 https://meson.press/wp-content/uploads/2022/05/Fahrradutopien_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/fahrradutopien/ 16 40 03aft2f80 Braunschweig University of Art 16 40 033bb5z47 32 10.13039/501100006708 Bauhaus University, Weimar Lüneburg 04 01 20220627 Julia Bee, Ulrike Bergermann, Linda Keck, Sarah Sander, Herbert Schwaab, Markus Stauff, Franzi Wagner 02 WORLD 06 15 9783957961952 03 9783957961952 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88712 29 OAPEN: download the title https://library.oapen.org/bitstream/20.500.12657/88712/1/978-3-95796-196-9_Fahrradutopien.pdf 20 08 20220627 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/fahrradutopien/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2022/05/978-3-95796-196-9_Fahrradutopien.pdf 20 08 20220627 01 urn:uuid:92c4f2f5-a09d-4f2a-8eb7-9e2bb82e23b1 03 01 01 thoth-work-id urn:uuid:0151e55d-474a-4825-a303-cc2e07cad6eb 01 thoth-publication-id urn:uuid:92c4f2f5-a09d-4f2a-8eb7-9e2bb82e23b1 15 9783957961402 03 9783957961402 06 10.14619/1402 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Ferocious Logics Unmaking the Algorithm 1 A01 21 0000000210187433 Luke Munn Luke Munn Studio Supervisor 40 02d6ntk65 Whitecliffe College of Arts and Design PhD Candidate 40 03t52dk35 Western Sydney University Luke Munn uses both practice-based and theoretical approaches to explore the intersections between technology and capital, body and code. His projects have been exhibited throughout Europe, North America, and Oceania. He is a Studio Supervisor at Whitecliffe College of Art & Design and a current PhD Candidate at the Institute for Culture & Society, Western Sydney University. 06 Own website http://www.lukemunn.com/ 01 eng 00 172 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 93 ATN 10 BUS070060 12 KNT 93 KNT 20 Production; Alexa; Relationships; Body; Subjectivity; Algorithm; Subject; Airbnb; Labor; Space; Capital; Contingency; Uber; Palantir; Productivity 01 06 02 00 Contemporary power manifests in the algorithmic. And yet this power seems incomprehensible: understood as code, it becomes apolitical; understood as a totality, it becomes overwhelming. This book takes an alternate approach, using it to unravel the operations of Uber and Palantir, Airbnb and Amazon Alexa. Moving off the whiteboard and into th 03 00 Contemporary power manifests in the algorithmic. And yet this power seems incomprehensible: understood as code, it becomes apolitical; understood as a totality, it becomes overwhelming. This book takes an alternate approach, using it to unravel the operations of Uber and Palantir, Airbnb and Amazon Alexa. Moving off the whiteboard and into the world, the algorithmic must negotiate with frictions—the ‘merely’ technical routines of distributing data and running tasks coming together into broader social forces that shape subjectivities, steer bodies, and calibrate relationships. Driven by the imperatives of capital, the algorithmic exhausts subjects and spaces, a double move seeking to both exhaustively apprehend them and exhaust away their productivities. But these on-the-ground encounters also reveal that force is never guaranteed. The irreducibility of the world renders logic inadequate and control gives way to contingency. 30 00 Contemporary power manifests in the algorithmic. And yet this power seems incomprehensible: understood as code, it becomes apolitical; understood as a totality, it becomes overwhelming. This book takes an alternate approach, using it to unravel the operations of Uber and Palantir, Airbnb and Amazon Alexa. Moving off the whiteboard and into the world, the algorithmic must negotiate with frictions—the ‘merely’ technical routines of distributing data and running tasks coming together into broader social forces that shape subjectivities, steer bodies, and calibrate relationships. Driven by the imperatives of capital, the algorithmic exhausts subjects and spaces, a double move seeking to both exhaustively apprehend them and exhaust away their productivities. But these on-the-ground encounters also reveal that force is never guaranteed. The irreducibility of the world renders logic inadequate and control gives way to contingency. 20 00 Open Access 01 00 03 02 This is the cover of the book Ferocious Logics. 02 https://meson.press/wp-content/uploads/2018/09/Munn_U1_web-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/ferocious-logics Lüneburg 04 01 20181119 Luke Munn 02 WORLD 06 15 9783957961419 03 9783957961419 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/ferocious-logics 20 08 20181119 01 urn:uuid:4770182d-8b46-4fd6-bb88-2372ba283509 03 01 01 thoth-work-id urn:uuid:0151e55d-474a-4825-a303-cc2e07cad6eb 01 thoth-publication-id urn:uuid:4770182d-8b46-4fd6-bb88-2372ba283509 15 9783957961419 03 9783957961419 06 10.14619/1402 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Ferocious Logics Unmaking the Algorithm 1 A01 21 0000000210187433 Luke Munn Luke Munn Studio Supervisor 40 02d6ntk65 Whitecliffe College of Arts and Design PhD Candidate 40 03t52dk35 Western Sydney University Luke Munn uses both practice-based and theoretical approaches to explore the intersections between technology and capital, body and code. His projects have been exhibited throughout Europe, North America, and Oceania. He is a Studio Supervisor at Whitecliffe College of Art & Design and a current PhD Candidate at the Institute for Culture & Society, Western Sydney University. 06 Own website http://www.lukemunn.com/ 01 eng 00 172 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 93 ATN 10 BUS070060 12 KNT 93 KNT 20 Production; Alexa; Relationships; Body; Subjectivity; Algorithm; Subject; Airbnb; Labor; Space; Capital; Contingency; Uber; Palantir; Productivity 01 06 02 00 Contemporary power manifests in the algorithmic. And yet this power seems incomprehensible: understood as code, it becomes apolitical; understood as a totality, it becomes overwhelming. This book takes an alternate approach, using it to unravel the operations of Uber and Palantir, Airbnb and Amazon Alexa. Moving off the whiteboard and into th 03 00 Contemporary power manifests in the algorithmic. And yet this power seems incomprehensible: understood as code, it becomes apolitical; understood as a totality, it becomes overwhelming. This book takes an alternate approach, using it to unravel the operations of Uber and Palantir, Airbnb and Amazon Alexa. Moving off the whiteboard and into the world, the algorithmic must negotiate with frictions—the ‘merely’ technical routines of distributing data and running tasks coming together into broader social forces that shape subjectivities, steer bodies, and calibrate relationships. Driven by the imperatives of capital, the algorithmic exhausts subjects and spaces, a double move seeking to both exhaustively apprehend them and exhaust away their productivities. But these on-the-ground encounters also reveal that force is never guaranteed. The irreducibility of the world renders logic inadequate and control gives way to contingency. 30 00 Contemporary power manifests in the algorithmic. And yet this power seems incomprehensible: understood as code, it becomes apolitical; understood as a totality, it becomes overwhelming. This book takes an alternate approach, using it to unravel the operations of Uber and Palantir, Airbnb and Amazon Alexa. Moving off the whiteboard and into the world, the algorithmic must negotiate with frictions—the ‘merely’ technical routines of distributing data and running tasks coming together into broader social forces that shape subjectivities, steer bodies, and calibrate relationships. Driven by the imperatives of capital, the algorithmic exhausts subjects and spaces, a double move seeking to both exhaustively apprehend them and exhaust away their productivities. But these on-the-ground encounters also reveal that force is never guaranteed. The irreducibility of the world renders logic inadequate and control gives way to contingency. 20 00 Open Access 01 00 03 02 This is the cover of the book Ferocious Logics. 02 https://meson.press/wp-content/uploads/2018/09/Munn_U1_web-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/ferocious-logics Lüneburg 04 01 20181119 Luke Munn 02 WORLD 06 15 9783957961402 03 9783957961402 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37552 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37552/9783957961419_Munn_Ferocious_Logics.pdf 20 08 20181119 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/ferocious-logics 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2018/09/9783957961419_Munn_Ferocious_Logics.pdf 20 08 20181119 01 urn:uuid:46c5d00c-b0d0-44f3-a3b8-5f0c82926bb9 03 01 01 thoth-work-id urn:uuid:40c7d203-9e7e-41f1-8bdd-bd390b82ab38 01 thoth-publication-id urn:uuid:46c5d00c-b0d0-44f3-a3b8-5f0c82926bb9 15 9783957961556 03 9783957961556 06 10.14619/1556 00 BC 10 01 220 mm 01 22 cm 01 8.66 in 02 155 mm 02 15.5 cm 02 6.1 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Format Matters Standards, Practices, and Politics in Media Cultures 1 B01 Marek Jancovic Marek Jancovic Lecturer 40 023b0x485 Johannes Gutenberg University Mainz Marek Jancovic is a lecturer at the Institute of Film, Theater, Media and Cultural Studies at the University of Mainz and guest researcher at the Amsterdam School for Cultural Analysis. His doctoral dissertation Misinscriptions: A Media Epigraphy of Video Compression explores the value of decay and error for media-historical research. 2 B01 Axel Volmar Axel Volmar Postdoctoral Research Fellow 40 02azyry73 University of Siegen Axel Volmar is a Postdoctoral Research Fellow at the DFG-funded Collaborative Research Center “Media of Cooperation” (SFB 1187 Medien der Kooperation) at the University of Siegen. His research interests include the history and theory of digital media, infrastructures, and cultures, sound studies, digital temporalities and cooperative media. 3 B01 Alexandra Schneider Alexandra Schneider Professor of Film and Media Studies 40 023b0x485 Johannes Gutenberg University Mainz Alexandra Schneider is Professor of Film and Media Studies at the Johannes Gutenberg-University Mainz and Principal Investigator at the DFG-funded Research Training Group “Configurations of Cinema.” 4 A01 21 0000000178072010 Erika Balsom Erika Balsom Senior Lecturer 40 0220mzb33 King's College London Erika Balsom is a senior lecturer in Film Studies at King’s College London, specializing in experimental cinema, moving image art, documentary, and film and media theory. Her book, After Uniqueness: A History of Film and Video in Circulation,was published by Columbia University Press in 2017. 5 A01 Oliver Fahle Oliver Fahle Professor of Film Studies 40 04tsk2644 Ruhr University Bochum Oliver Fahle is Professor of Film Studies at Ruhr-University Bochum with aresearch focus on the aesthetics and theory of film and audiovisual media, and Deputy Speaker of the German Research Foundation graduate collective “Documentary Practices: Excess and Privation.” 6 A01 Florian Hoof Florian Hoof Research Associate 40 02w2y2t16 Leuphana University of Lüneburg Florian Hoof is a research associate at MECS, Institute for Advanced Study on Media Cultures of Computer Simulation, Leuphana University Lüneburg. His fields of research include digital cultures, organizational media, film and media history, non-theatrical film, and media industries. His book Angels of Efficiency: A Media History of Consulting is forthcoming with Oxford University Press in 2020. 7 A01 Elisa Linseisen Elisa Linseisen Postdoctoral Assistant Researcher 40 058kzsd48 Paderborn University Elisa Linseisen is a postdoctoral Assistant Researcher at the Institute of Media Studies at Paderborn University. Her doctoral dissertation engages with an aesthetic theory of high definition images withamediaphilosophical focus. 8 A01 21 0000000216897233 Ramon Lobato Ramon Lobato Senior Research Fellow 40 04ttjf776 RMIT University Ramon Lobato is Senior Research Fellow in the School of Media and Communication at RMIT University, Melbourne. His research interests include videomarkets,piracy, and informal media economies. 9 A01 21 0000000167376959 Roland Meyer Roland Meyer Postdoctoral Researcher 40 02wxx3e24 Brandenburg University of Technology Cottbus-Senftenberg Roland Meyer isapostdoctoral researcher and lecturer in art history at the Faculty for Architecture, Civil Engineering and City Planning of the Brandenburg University of Technology Cottbus-Senftenberg. His research focuses on the history and theory of technical images, the visual culture of modernity and the history of art, design and architecture after 1945. His latest book, Operative Porträts: Eine Bildgeschichte der Identifizierbarkeit von Lavater bis Facebook,was published by Konstanz University Press in 2019. 10 A01 Kalani Michell Kalani Michell Assistant Professor of European Languages and Transcultural Studies 40 046rm7j60 University of California, Los Angeles Kalani Michell is Assistant Professor of European Languages and Transcultural Studies at the University of California Los Angeles. Her primary research interests include film studies, media theory and historiography, installation and performance art, and print culture. 11 A01 Antonio Somaini Antonio Somaini Professor in Film, Media, and Visual Culture Theory 40 03z6jp965 Sorbonne Nouvelle University Antonio Somaini is Professor in Film, Media, and Visual Culture Theory at the Université Sorbonne Nouvelle Paris 3. His works deals with the history of film and media theories (W. Benjamin, S.M. Eisenstein, L. Moholy-Nagy, D. Vertov) and withkeyissues in contemporary visual and media culture, such as the implications of high and low definition, and the new forms of machine vision. He is currently working onabook entitled Medium Archaeology (University of Minnesota Press) and on an exhibition entitled Time Machine. Cinematic Temporalities (Parma, Italy, January-May 2020). 12 A01 Markus Stauff Markus Stauff 40 04dkp9463 University of Amsterdam Markus Stauff works at the Media Studies department at the University of Amsterdam. His main research areas are television and digital media, governmentality studies, and media sports. For publications see: https:// www.uva.nl/profiel/s/t/m.stauff/m.stauff.html. 13 A01 Wanda Strauven Wanda Strauven Lecturer 40 023b0x485 Johannes Gutenberg University Mainz Wanda Strauven teaches Film and Media Studies at the Johannes Gutenberg-University Mainz. Her research focuses on early cinema, touchbased media and screen practices of post-cinema from interactive media installations to creative media hacking by today’s children. 14 A01 21 0000000229074586 Julian Thomas Julian Thomas Professor of Media and Communication 40 04ttjf776 RMIT University Julian Thomas is Professor of Media and Communication at RMIT University, Melbourne. He is interested in the histories of new communications technologies and informal media economies. 01 eng 00 285 03 12 APFA 93 ATN 04 P87-96 10 PER004030 93 ATFA 12 GLP 10 LAN025020 93 GLP 12 JFD 10 SOC052000 10 BUS070060 93 JBCT1 12 JFD 10 COM030000 93 JBCT2 12 JFDT 12 KNT 93 KNT 12 UKS 93 UKS 20 Formats; Formatting; Media Cultures; Politics; Practices; Standards 01 06 02 00 From TIFF files to TED talks, from book sizes to blues stations—the term “format” circulates in a staggering array of contexts and applies to entirely dissimilar objects and practices. How can such a pliable notion meaningfully function as an instrument of classification in so many industries and scientific communities? Comprising a wide rang 03 00 From TIFF files to TED talks, from book sizes to blues stations—the term “format” circulates in a staggering array of contexts and applies to entirely dissimilar objects and practices. How can such a pliable notion meaningfully function as an instrument of classification in so many industries and scientific communities? Comprising a wide range of case studies on the standards, practices, and politics of formats from scholars of photography, film, radio, television, and the Internet, Format Matters charts the many ways in which formats shape and are shaped by past and present media cultures. This volume represents the first sustained collaborative effort to advance the emerging field of format studies. 30 00 From TIFF files to TED talks, from book sizes to blues stations—the term “format” circulates in a staggering array of contexts and applies to entirely dissimilar objects and practices. How can such a pliable notion meaningfully function as an instrument of classification in so many industries and scientific communities? Comprising a wide range of case studies on the standards, practices, and politics of formats from scholars of photography, film, radio, television, and the Internet, Format Matters charts the many ways in which formats shape and are shaped by past and present media cultures. This volume represents the first sustained collaborative effort to advance the emerging field of format studies. 20 00 Open Access 01 00 03 02 This is the cover of the book Format Matters. 02 https://meson.press/wp-content/uploads/2019/12/Format-Matters-Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/format-matters Lüneburg 04 01 20200226 Marek Jancovic Axel Volmar Alexandra Schneider 02 WORLD 06 15 9783957961563 03 9783957961563 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/format-matters 20 08 20200226 01 urn:uuid:d2d482d7-1383-4738-95d0-2ae7d78ba168 03 01 01 thoth-work-id urn:uuid:40c7d203-9e7e-41f1-8bdd-bd390b82ab38 01 thoth-publication-id urn:uuid:d2d482d7-1383-4738-95d0-2ae7d78ba168 15 9783957961563 03 9783957961563 06 10.14619/1556 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Format Matters Standards, Practices, and Politics in Media Cultures 1 B01 Marek Jancovic Marek Jancovic Lecturer 40 023b0x485 Johannes Gutenberg University Mainz Marek Jancovic is a lecturer at the Institute of Film, Theater, Media and Cultural Studies at the University of Mainz and guest researcher at the Amsterdam School for Cultural Analysis. His doctoral dissertation Misinscriptions: A Media Epigraphy of Video Compression explores the value of decay and error for media-historical research. 2 B01 Axel Volmar Axel Volmar Postdoctoral Research Fellow 40 02azyry73 University of Siegen Axel Volmar is a Postdoctoral Research Fellow at the DFG-funded Collaborative Research Center “Media of Cooperation” (SFB 1187 Medien der Kooperation) at the University of Siegen. His research interests include the history and theory of digital media, infrastructures, and cultures, sound studies, digital temporalities and cooperative media. 3 B01 Alexandra Schneider Alexandra Schneider Professor of Film and Media Studies 40 023b0x485 Johannes Gutenberg University Mainz Alexandra Schneider is Professor of Film and Media Studies at the Johannes Gutenberg-University Mainz and Principal Investigator at the DFG-funded Research Training Group “Configurations of Cinema.” 4 A01 21 0000000178072010 Erika Balsom Erika Balsom Senior Lecturer 40 0220mzb33 King's College London Erika Balsom is a senior lecturer in Film Studies at King’s College London, specializing in experimental cinema, moving image art, documentary, and film and media theory. Her book, After Uniqueness: A History of Film and Video in Circulation,was published by Columbia University Press in 2017. 5 A01 Oliver Fahle Oliver Fahle Professor of Film Studies 40 04tsk2644 Ruhr University Bochum Oliver Fahle is Professor of Film Studies at Ruhr-University Bochum with aresearch focus on the aesthetics and theory of film and audiovisual media, and Deputy Speaker of the German Research Foundation graduate collective “Documentary Practices: Excess and Privation.” 6 A01 Florian Hoof Florian Hoof Research Associate 40 02w2y2t16 Leuphana University of Lüneburg Florian Hoof is a research associate at MECS, Institute for Advanced Study on Media Cultures of Computer Simulation, Leuphana University Lüneburg. His fields of research include digital cultures, organizational media, film and media history, non-theatrical film, and media industries. His book Angels of Efficiency: A Media History of Consulting is forthcoming with Oxford University Press in 2020. 7 A01 Elisa Linseisen Elisa Linseisen Postdoctoral Assistant Researcher 40 058kzsd48 Paderborn University Elisa Linseisen is a postdoctoral Assistant Researcher at the Institute of Media Studies at Paderborn University. Her doctoral dissertation engages with an aesthetic theory of high definition images withamediaphilosophical focus. 8 A01 21 0000000216897233 Ramon Lobato Ramon Lobato Senior Research Fellow 40 04ttjf776 RMIT University Ramon Lobato is Senior Research Fellow in the School of Media and Communication at RMIT University, Melbourne. His research interests include videomarkets,piracy, and informal media economies. 9 A01 21 0000000167376959 Roland Meyer Roland Meyer Postdoctoral Researcher 40 02wxx3e24 Brandenburg University of Technology Cottbus-Senftenberg Roland Meyer isapostdoctoral researcher and lecturer in art history at the Faculty for Architecture, Civil Engineering and City Planning of the Brandenburg University of Technology Cottbus-Senftenberg. His research focuses on the history and theory of technical images, the visual culture of modernity and the history of art, design and architecture after 1945. His latest book, Operative Porträts: Eine Bildgeschichte der Identifizierbarkeit von Lavater bis Facebook,was published by Konstanz University Press in 2019. 10 A01 Kalani Michell Kalani Michell Assistant Professor of European Languages and Transcultural Studies 40 046rm7j60 University of California, Los Angeles Kalani Michell is Assistant Professor of European Languages and Transcultural Studies at the University of California Los Angeles. Her primary research interests include film studies, media theory and historiography, installation and performance art, and print culture. 11 A01 Antonio Somaini Antonio Somaini Professor in Film, Media, and Visual Culture Theory 40 03z6jp965 Sorbonne Nouvelle University Antonio Somaini is Professor in Film, Media, and Visual Culture Theory at the Université Sorbonne Nouvelle Paris 3. His works deals with the history of film and media theories (W. Benjamin, S.M. Eisenstein, L. Moholy-Nagy, D. Vertov) and withkeyissues in contemporary visual and media culture, such as the implications of high and low definition, and the new forms of machine vision. He is currently working onabook entitled Medium Archaeology (University of Minnesota Press) and on an exhibition entitled Time Machine. Cinematic Temporalities (Parma, Italy, January-May 2020). 12 A01 Markus Stauff Markus Stauff 40 04dkp9463 University of Amsterdam Markus Stauff works at the Media Studies department at the University of Amsterdam. His main research areas are television and digital media, governmentality studies, and media sports. For publications see: https:// www.uva.nl/profiel/s/t/m.stauff/m.stauff.html. 13 A01 Wanda Strauven Wanda Strauven Lecturer 40 023b0x485 Johannes Gutenberg University Mainz Wanda Strauven teaches Film and Media Studies at the Johannes Gutenberg-University Mainz. Her research focuses on early cinema, touchbased media and screen practices of post-cinema from interactive media installations to creative media hacking by today’s children. 14 A01 21 0000000229074586 Julian Thomas Julian Thomas Professor of Media and Communication 40 04ttjf776 RMIT University Julian Thomas is Professor of Media and Communication at RMIT University, Melbourne. He is interested in the histories of new communications technologies and informal media economies. 01 eng 00 285 03 12 APFA 93 ATN 04 P87-96 10 PER004030 93 ATFA 12 GLP 10 LAN025020 93 GLP 12 JFD 10 SOC052000 10 BUS070060 93 JBCT1 12 JFD 10 COM030000 93 JBCT2 12 JFDT 12 KNT 93 KNT 12 UKS 93 UKS 20 Formats; Formatting; Media Cultures; Politics; Practices; Standards 01 06 02 00 From TIFF files to TED talks, from book sizes to blues stations—the term “format” circulates in a staggering array of contexts and applies to entirely dissimilar objects and practices. How can such a pliable notion meaningfully function as an instrument of classification in so many industries and scientific communities? Comprising a wide rang 03 00 From TIFF files to TED talks, from book sizes to blues stations—the term “format” circulates in a staggering array of contexts and applies to entirely dissimilar objects and practices. How can such a pliable notion meaningfully function as an instrument of classification in so many industries and scientific communities? Comprising a wide range of case studies on the standards, practices, and politics of formats from scholars of photography, film, radio, television, and the Internet, Format Matters charts the many ways in which formats shape and are shaped by past and present media cultures. This volume represents the first sustained collaborative effort to advance the emerging field of format studies. 30 00 From TIFF files to TED talks, from book sizes to blues stations—the term “format” circulates in a staggering array of contexts and applies to entirely dissimilar objects and practices. How can such a pliable notion meaningfully function as an instrument of classification in so many industries and scientific communities? Comprising a wide range of case studies on the standards, practices, and politics of formats from scholars of photography, film, radio, television, and the Internet, Format Matters charts the many ways in which formats shape and are shaped by past and present media cultures. This volume represents the first sustained collaborative effort to advance the emerging field of format studies. 20 00 Open Access 01 00 03 02 This is the cover of the book Format Matters. 02 https://meson.press/wp-content/uploads/2019/12/Format-Matters-Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/format-matters Lüneburg 04 01 20200226 Marek Jancovic Axel Volmar Alexandra Schneider 02 WORLD 06 15 9783957961556 03 9783957961556 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37545 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37545/978-3-95796-156-3-Format-Matters.pdf 20 08 20200226 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/format-matters 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2020/01/978-3-95796-156-3-Format-Matters.pdf 20 08 20200226 01 urn:uuid:6131715d-4394-4769-a5b8-7d76f0ad18f9 03 01 01 thoth-work-id urn:uuid:85261c62-801d-41e9-961f-456bae51e842 01 thoth-publication-id urn:uuid:6131715d-4394-4769-a5b8-7d76f0ad18f9 15 9783957961983 03 9783957961983 06 10.14619/1983 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 9 01 02 Digital Cultures 01 01 Foucault, digital 1 A01 Bernhard J. Dotzler Bernhard J. Dotzler Professor für Medienwissenschaft 40 01eezs655 University of Regensburg Bernhard J. Dotzler ist Professor für Medienwissenschaft an der Universität Regensburg. 2010 Visiting Kade Professor an der University of California, Santa Barbara. 2018 Charlotte M. Craig Distinguished Visiting Professor, Rutgers University. Seine Forschungsinteressen sind fortgeführte Unzeitgemässe Betrachtungen aller Art, eine Kritik der maschinellen Intelligenz sowie Astronoetische Beobachtungen zur Informationstechnologie. – Buchpublikationen u.a.: L’Inconnue de l’art. Über Medien-Kunst (2003); Diskurs und Medium (3 Bde., 2006-2011); Zurück zu Foucault (2020); Mediengeschichte als Historische Techno-Logie (2. Aufl., 2021). 2 A01 Henning Schmidgen Henning Schmidgen Professor für Theorie medialer Welten 40 033bb5z47 Bauhaus University, Weimar Henning Schmidgen ist Professor für Theorie medialer Welten an der Bauhaus-Universität Weimar. Studium der Psychologie, Philosophie und Linguistik in Berlin und Paris. 1996 Promotion in Psychologie. Von 1997 bis 2011 Mitarbeiter am Max-Planck-Institut für Wissenschaftsgeschichte (Abt. Rheinberger). Habilitation 2011. Von 2011 bis 2014 Professor für Medienästhetik an der Universität Regensburg, seither in Weimar. Letzte Veröffentlichungen Die Guattari-Tapes (Leipzig 2019) sowie Horn, or The Counterside of Media (Durham 2022). 01 ger 00 104 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 04 AZ(20)-999 93 GTB 12 PDA 10 SCI075000 04 B69-99 12 HP 93 PDA 93 QD 20 Foucault; Digitalisierung; Wissenschaftsgeschichte; Digital Humanities; Diskursanalyse 01 06 02 00 Mitte der 1960er Jahre hat Michel Foucault die Methode der „Diskursanalyse“ in die Geistes- und Sozialwissenschaften eingeführt. Besonders in der Archäologie des Wissens hat er dafür plädiert, die Geschichte des Wissens und der Wissenschaften zum Gegenstand diskursanalytischer Untersuchungen zu machen. Über ein halbes Jahrhundert später ist i 03 00 Mitte der 1960er Jahre hat Michel Foucault die Methode der „Diskursanalyse“ in die Geistes- und Sozialwissenschaften eingeführt. Besonders in der Archäologie des Wissens hat er dafür plädiert, die Geschichte des Wissens und der Wissenschaften zum Gegenstand diskursanalytischer Untersuchungen zu machen. Über ein halbes Jahrhundert später ist im Bereich der Informatik ein zunehmendes Interesse an der Diskursanalyse zu verzeichnen. In der Regel spielt Foucault dabei aber keine Rolle. Fern von jeder Archäologie setzen auch die Digital Humanities vermehrt auf die Analyse von historischen und gegenwärtigen Diskursen. Angesichts dieser Konjunkturen ist es an der Zeit, die Archäologie des Wissens neu zu lesen. Denn schon 1968 behauptete der französische Historiker Emmanuel Le Roy Ladurie „Der zukünftige Historiker wird Programmierer sein, oder er wird nicht sein.“ Ein Jahr später gibt Foucault mit seinem Buch auf eben diese Herausforderung eine ebenso informierte wie nuancierte Antwort. Diese Antwort ist in ihrer Aktualität und Relevanz erst noch zu entdecken. 30 00 Mitte der 1960er Jahre hat Michel Foucault die Methode der „Diskursanalyse“ in die Geistes- und Sozialwissenschaften eingeführt. Besonders in der Archäologie des Wissens hat er dafür plädiert, die Geschichte des Wissens und der Wissenschaften zum Gegenstand diskursanalytischer Untersuchungen zu machen. Über ein halbes Jahrhundert später ist im Bereich der Informatik ein zunehmendes Interesse an der Diskursanalyse zu verzeichnen. In der Regel spielt Foucault dabei aber keine Rolle. Fern von jeder Archäologie setzen auch die Digital Humanities vermehrt auf die Analyse von historischen und gegenwärtigen Diskursen. Angesichts dieser Konjunkturen ist es an der Zeit, die Archäologie des Wissens neu zu lesen. Denn schon 1968 behauptete der französische Historiker Emmanuel Le Roy Ladurie „Der zukünftige Historiker wird Programmierer sein, oder er wird nicht sein.“ Ein Jahr später gibt Foucault mit seinem Buch auf eben diese Herausforderung eine ebenso informierte wie nuancierte Antwort. Diese Antwort ist in ihrer Aktualität und Relevanz erst noch zu entdecken. 20 00 Open Access 01 00 03 02 This is the cover of Foucault, digital. 02 https://meson.press/wp-content/uploads/2022/02/DotzlerSchmidgen_Foucault-Digital_L.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/foucault-digital/ Lüneburg 04 01 20220422 Bernhard J. Dotzler Henning Schmidgen 02 WORLD 06 15 9783957961990 03 9783957961990 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/foucault-digital/ 20 08 20220422 01 urn:uuid:f44072f0-beef-4812-9ac4-04951de6d8dd 03 01 01 thoth-work-id urn:uuid:85261c62-801d-41e9-961f-456bae51e842 01 thoth-publication-id urn:uuid:f44072f0-beef-4812-9ac4-04951de6d8dd 15 9783957961990 03 9783957961990 06 10.14619/1983 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 9 01 02 Digital Cultures 01 01 Foucault, digital 1 A01 Bernhard J. Dotzler Bernhard J. Dotzler Professor für Medienwissenschaft 40 01eezs655 University of Regensburg Bernhard J. Dotzler ist Professor für Medienwissenschaft an der Universität Regensburg. 2010 Visiting Kade Professor an der University of California, Santa Barbara. 2018 Charlotte M. Craig Distinguished Visiting Professor, Rutgers University. Seine Forschungsinteressen sind fortgeführte Unzeitgemässe Betrachtungen aller Art, eine Kritik der maschinellen Intelligenz sowie Astronoetische Beobachtungen zur Informationstechnologie. – Buchpublikationen u.a.: L’Inconnue de l’art. Über Medien-Kunst (2003); Diskurs und Medium (3 Bde., 2006-2011); Zurück zu Foucault (2020); Mediengeschichte als Historische Techno-Logie (2. Aufl., 2021). 2 A01 Henning Schmidgen Henning Schmidgen Professor für Theorie medialer Welten 40 033bb5z47 Bauhaus University, Weimar Henning Schmidgen ist Professor für Theorie medialer Welten an der Bauhaus-Universität Weimar. Studium der Psychologie, Philosophie und Linguistik in Berlin und Paris. 1996 Promotion in Psychologie. Von 1997 bis 2011 Mitarbeiter am Max-Planck-Institut für Wissenschaftsgeschichte (Abt. Rheinberger). Habilitation 2011. Von 2011 bis 2014 Professor für Medienästhetik an der Universität Regensburg, seither in Weimar. Letzte Veröffentlichungen Die Guattari-Tapes (Leipzig 2019) sowie Horn, or The Counterside of Media (Durham 2022). 01 ger 00 104 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 04 AZ(20)-999 93 GTB 12 PDA 10 SCI075000 04 B69-99 12 HP 93 PDA 93 QD 20 Foucault; Digitalisierung; Wissenschaftsgeschichte; Digital Humanities; Diskursanalyse 01 06 02 00 Mitte der 1960er Jahre hat Michel Foucault die Methode der „Diskursanalyse“ in die Geistes- und Sozialwissenschaften eingeführt. Besonders in der Archäologie des Wissens hat er dafür plädiert, die Geschichte des Wissens und der Wissenschaften zum Gegenstand diskursanalytischer Untersuchungen zu machen. Über ein halbes Jahrhundert später ist i 03 00 Mitte der 1960er Jahre hat Michel Foucault die Methode der „Diskursanalyse“ in die Geistes- und Sozialwissenschaften eingeführt. Besonders in der Archäologie des Wissens hat er dafür plädiert, die Geschichte des Wissens und der Wissenschaften zum Gegenstand diskursanalytischer Untersuchungen zu machen. Über ein halbes Jahrhundert später ist im Bereich der Informatik ein zunehmendes Interesse an der Diskursanalyse zu verzeichnen. In der Regel spielt Foucault dabei aber keine Rolle. Fern von jeder Archäologie setzen auch die Digital Humanities vermehrt auf die Analyse von historischen und gegenwärtigen Diskursen. Angesichts dieser Konjunkturen ist es an der Zeit, die Archäologie des Wissens neu zu lesen. Denn schon 1968 behauptete der französische Historiker Emmanuel Le Roy Ladurie „Der zukünftige Historiker wird Programmierer sein, oder er wird nicht sein.“ Ein Jahr später gibt Foucault mit seinem Buch auf eben diese Herausforderung eine ebenso informierte wie nuancierte Antwort. Diese Antwort ist in ihrer Aktualität und Relevanz erst noch zu entdecken. 30 00 Mitte der 1960er Jahre hat Michel Foucault die Methode der „Diskursanalyse“ in die Geistes- und Sozialwissenschaften eingeführt. Besonders in der Archäologie des Wissens hat er dafür plädiert, die Geschichte des Wissens und der Wissenschaften zum Gegenstand diskursanalytischer Untersuchungen zu machen. Über ein halbes Jahrhundert später ist im Bereich der Informatik ein zunehmendes Interesse an der Diskursanalyse zu verzeichnen. In der Regel spielt Foucault dabei aber keine Rolle. Fern von jeder Archäologie setzen auch die Digital Humanities vermehrt auf die Analyse von historischen und gegenwärtigen Diskursen. Angesichts dieser Konjunkturen ist es an der Zeit, die Archäologie des Wissens neu zu lesen. Denn schon 1968 behauptete der französische Historiker Emmanuel Le Roy Ladurie „Der zukünftige Historiker wird Programmierer sein, oder er wird nicht sein.“ Ein Jahr später gibt Foucault mit seinem Buch auf eben diese Herausforderung eine ebenso informierte wie nuancierte Antwort. Diese Antwort ist in ihrer Aktualität und Relevanz erst noch zu entdecken. 20 00 Open Access 01 00 03 02 This is the cover of Foucault, digital. 02 https://meson.press/wp-content/uploads/2022/02/DotzlerSchmidgen_Foucault-Digital_L.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/foucault-digital/ Lüneburg 04 01 20220422 Bernhard J. Dotzler Henning Schmidgen 02 WORLD 06 15 9783957961983 03 9783957961983 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88713 29 OAPEN: download the title https://library.oapen.org/bitstream/20.500.12657/88713/1/978-3-95796-199-0_Foucault-Digital.pdf 20 08 20220422 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/foucault-digital/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2022/02/978-3-95796-199-0_Foucault-Digital.pdf 20 08 20220422 01 urn:uuid:83730b97-a897-4442-8b48-0c45a1686837 03 01 01 thoth-work-id urn:uuid:b2ce3a55-dab4-407a-b698-7c8090cbcab0 01 thoth-publication-id urn:uuid:83730b97-a897-4442-8b48-0c45a1686837 15 9783957962386 03 9783957962386 06 10.14619/2386 00 BC 10 01 234 mm 01 23.4 cm 01 9.21 in 02 156 mm 02 15.6 cm 02 6.14 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID bb95d179-db6a-4325-81d0-8aa456fd8b58 02 00000001 01 Series URL https://meson.press/series-page/future-ecologies 03 9 01 02 Future Ecologies 01 01 Fragile Evidenz Videodokumente illegaler Zurückweisungen an Europas Grenzen 1 A01 21 0009000308017552 Anna Polze Anna Polze 40 04tsk2644 Ruhr University Bochum Anna Polze ist Medien- und Kulturwissenschaftlerin. Sie arbeitet derzeit am SFB „Virtuelle Lebenswelten“ der Ruhr-Universität Bochum im Teilprojekt „Virtuelle Streitwelten. Foren und Tribunalisierungsdynamiken“. Ihre Promotion erfolgte im Rahmen des DFG-Graduiertenkollegs „Das Dokumentarische. Exzess und Entzug“ an der Ruhr-Universität Bochum im Jahr 2024. Anna Polze studierte Medienkultur und Kulturwissenschaft in Weimar und Berlin sowie in Lyon und Paris. Sie ist Mitglied der Redaktion der Zeitschrift für Medienwissenschaft (ZfM). Ihre Forschungsschwerpunkte sind: Digitale (Bewegt-)Bildkulturen, Forensische Medien und Evidenzverfahren (Forensic Architecture), Medien der Migration, Ausstellungen. 01 ger 93 ATN 04 P87-96 10 SOC052000 10 ART046000 93 JBCT1 93 AFKV 20 Medientheorie; Dokumentation; forensische Medienpraktiken; digitale Bildkulturen; Forensic Architecture 01 06 02 00 Pushbacks finden systematisch an den EU-Außengrenzen statt. Von offizieller Seite wird ihr Einsatz geheim gehalten oder geleugnet. Fragile Evidenz stellt die Frage, wie aus einem gescheiterten Fluchtversuch eine aussagekräftige Falldarstellung europäischer Grenzregime entstehen kann. Es begreift die Dokumentation illegaler Zurückweisungen als 03 00 Pushbacks finden systematisch an den EU-Außengrenzen statt. Von offizieller Seite wird ihr Einsatz geheim gehalten oder geleugnet. Fragile Evidenz stellt die Frage, wie aus einem gescheiterten Fluchtversuch eine aussagekräftige Falldarstellung europäischer Grenzregime entstehen kann. Es begreift die Dokumentation illegaler Zurückweisungen als mediale Aushandlungen von Sichtbarkeit und Hörbarkeit, Aufmerksamkeit, öffentlicher Anerkennung und vor allem Evidenz.Eine zehnminütige Videoinvestigation der Rechercheagentur Forensic Architecture erweist sich als Symptom für die Krisen politischen Auftretens in digitalen Medien. Sie wird detailliert als Montage von Smartphone-Dokumenten fliehender Personen und den Medien forensischer Verifikation aufgeschlüsselt. Im Zentrum steht die Spannung zwischen Fluchtauftritt und Evidenzprozess, das Wechselspiel von ästhetischen Strategien und rhetorischen Wirksamkeiten, von Situiertheit und Infrastrukturen. Fragile Evidenz ist eine analytische Reaktion auf die anwachsende Präsenz forensischer Medienpraktiken in digitalen Bildkulturen. 30 00 Pushbacks finden systematisch an den EU-Außengrenzen statt. Von offizieller Seite wird ihr Einsatz geheim gehalten oder geleugnet. Fragile Evidenz stellt die Frage, wie aus einem gescheiterten Fluchtversuch eine aussagekräftige Falldarstellung europäischer Grenzregime entstehen kann. Es begreift die Dokumentation illegaler Zurückweisungen als mediale Aushandlungen von Sichtbarkeit und Hörbarkeit, Aufmerksamkeit, öffentlicher Anerkennung und vor allem Evidenz.Eine zehnminütige Videoinvestigation der Rechercheagentur Forensic Architecture erweist sich als Symptom für die Krisen politischen Auftretens in digitalen Medien. Sie wird detailliert als Montage von Smartphone-Dokumenten fliehender Personen und den Medien forensischer Verifikation aufgeschlüsselt. Im Zentrum steht die Spannung zwischen Fluchtauftritt und Evidenzprozess, das Wechselspiel von ästhetischen Strategien und rhetorischen Wirksamkeiten, von Situiertheit und Infrastrukturen. Fragile Evidenz ist eine analytische Reaktion auf die anwachsende Präsenz forensischer Medienpraktiken in digitalen Bildkulturen. 20 00 Open Access 01 00 03 02 This is the cover of the book Fragile Evidenz. 02 https://meson.press/wp-content/uploads/2024/12/Fragile-Evidenz-Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/fragile-evidenz/ 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname DFG-Graduiertenkolleg 2132 01 projectname Das Dokumentarische. Exzess und Entzug 16 40 04tsk2644 32 10.13039/501100006254 Ruhr University Bochum 01 programname Open Access-Monographienfonds Lüneburg 04 01 20241230 Anna Polze 02 WORLD 06 15 9783957962393 03 9783957962393 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/fragile-evidenz/ 20 08 20241230 01 urn:uuid:f84419b8-7d72-4077-b554-6cac8fd1e373 03 01 01 thoth-work-id urn:uuid:b2ce3a55-dab4-407a-b698-7c8090cbcab0 01 thoth-publication-id urn:uuid:f84419b8-7d72-4077-b554-6cac8fd1e373 15 9783957962393 03 9783957962393 06 10.14619/2386 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID bb95d179-db6a-4325-81d0-8aa456fd8b58 02 00000001 01 Series URL https://meson.press/series-page/future-ecologies 03 9 01 02 Future Ecologies 01 01 Fragile Evidenz Videodokumente illegaler Zurückweisungen an Europas Grenzen 1 A01 21 0009000308017552 Anna Polze Anna Polze 40 04tsk2644 Ruhr University Bochum Anna Polze ist Medien- und Kulturwissenschaftlerin. Sie arbeitet derzeit am SFB „Virtuelle Lebenswelten“ der Ruhr-Universität Bochum im Teilprojekt „Virtuelle Streitwelten. Foren und Tribunalisierungsdynamiken“. Ihre Promotion erfolgte im Rahmen des DFG-Graduiertenkollegs „Das Dokumentarische. Exzess und Entzug“ an der Ruhr-Universität Bochum im Jahr 2024. Anna Polze studierte Medienkultur und Kulturwissenschaft in Weimar und Berlin sowie in Lyon und Paris. Sie ist Mitglied der Redaktion der Zeitschrift für Medienwissenschaft (ZfM). Ihre Forschungsschwerpunkte sind: Digitale (Bewegt-)Bildkulturen, Forensische Medien und Evidenzverfahren (Forensic Architecture), Medien der Migration, Ausstellungen. 01 ger 93 ATN 04 P87-96 10 SOC052000 10 ART046000 93 JBCT1 93 AFKV 20 Medientheorie; Dokumentation; forensische Medienpraktiken; digitale Bildkulturen; Forensic Architecture 01 06 02 00 Pushbacks finden systematisch an den EU-Außengrenzen statt. Von offizieller Seite wird ihr Einsatz geheim gehalten oder geleugnet. Fragile Evidenz stellt die Frage, wie aus einem gescheiterten Fluchtversuch eine aussagekräftige Falldarstellung europäischer Grenzregime entstehen kann. Es begreift die Dokumentation illegaler Zurückweisungen als 03 00 Pushbacks finden systematisch an den EU-Außengrenzen statt. Von offizieller Seite wird ihr Einsatz geheim gehalten oder geleugnet. Fragile Evidenz stellt die Frage, wie aus einem gescheiterten Fluchtversuch eine aussagekräftige Falldarstellung europäischer Grenzregime entstehen kann. Es begreift die Dokumentation illegaler Zurückweisungen als mediale Aushandlungen von Sichtbarkeit und Hörbarkeit, Aufmerksamkeit, öffentlicher Anerkennung und vor allem Evidenz.Eine zehnminütige Videoinvestigation der Rechercheagentur Forensic Architecture erweist sich als Symptom für die Krisen politischen Auftretens in digitalen Medien. Sie wird detailliert als Montage von Smartphone-Dokumenten fliehender Personen und den Medien forensischer Verifikation aufgeschlüsselt. Im Zentrum steht die Spannung zwischen Fluchtauftritt und Evidenzprozess, das Wechselspiel von ästhetischen Strategien und rhetorischen Wirksamkeiten, von Situiertheit und Infrastrukturen. Fragile Evidenz ist eine analytische Reaktion auf die anwachsende Präsenz forensischer Medienpraktiken in digitalen Bildkulturen. 30 00 Pushbacks finden systematisch an den EU-Außengrenzen statt. Von offizieller Seite wird ihr Einsatz geheim gehalten oder geleugnet. Fragile Evidenz stellt die Frage, wie aus einem gescheiterten Fluchtversuch eine aussagekräftige Falldarstellung europäischer Grenzregime entstehen kann. Es begreift die Dokumentation illegaler Zurückweisungen als mediale Aushandlungen von Sichtbarkeit und Hörbarkeit, Aufmerksamkeit, öffentlicher Anerkennung und vor allem Evidenz.Eine zehnminütige Videoinvestigation der Rechercheagentur Forensic Architecture erweist sich als Symptom für die Krisen politischen Auftretens in digitalen Medien. Sie wird detailliert als Montage von Smartphone-Dokumenten fliehender Personen und den Medien forensischer Verifikation aufgeschlüsselt. Im Zentrum steht die Spannung zwischen Fluchtauftritt und Evidenzprozess, das Wechselspiel von ästhetischen Strategien und rhetorischen Wirksamkeiten, von Situiertheit und Infrastrukturen. Fragile Evidenz ist eine analytische Reaktion auf die anwachsende Präsenz forensischer Medienpraktiken in digitalen Bildkulturen. 20 00 Open Access 01 00 03 02 This is the cover of the book Fragile Evidenz. 02 https://meson.press/wp-content/uploads/2024/12/Fragile-Evidenz-Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/fragile-evidenz/ 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname DFG-Graduiertenkolleg 2132 01 projectname Das Dokumentarische. Exzess und Entzug 16 40 04tsk2644 32 10.13039/501100006254 Ruhr University Bochum 01 programname Open Access-Monographienfonds Lüneburg 04 01 20241230 Anna Polze 02 WORLD 06 15 9783957962386 03 9783957962386 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/98929 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/98929/978-3-95796-239-3_Fragile_Evidenz.pdf?sequence=1&isAllowed=y 20 08 20241230 01 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/fragile-evidenz/ 29 Publisher's website: download the title https://meson.press/wp-content/uploads/2025/01/978-3-95796-239-3_Fragile_Evidenz.pdf 20 08 20241230 01 urn:uuid:36449435-791c-48fc-ab6d-3e07f358264a 03 01 01 thoth-work-id urn:uuid:14600c04-2346-4a93-baaa-deb45999f137 01 thoth-publication-id urn:uuid:36449435-791c-48fc-ab6d-3e07f358264a 15 9783957962164 03 9783957962164 06 10.14619/2164 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Frictions Inquiries into Cybernetic Thinking and Its Attempts towards Mate[real]ization 1 B01 21 000000015640204X Diego Gómez-Venegas Diego Gómez-Venegas PhD candidate 40 01hcx6992 Humboldt-Universität zu Berlin Diego Gómez-Venegas is a PhD candidate at the Institute of Musicology and Media Sciences (Media Sciences section) of Humboldt-Universität zu Berlin. His work focuses on the mediaarchaeo-genealogical traces of cybernetics and its links to our contemporary condition. 2 A01 Andrei Cretu Andrei Cretu Teaching Assistant Professor 40 00rs6vg23 The Ohio State University Andrei Cretu is a teaching assistant professor in the Department of Slavic and East European Languages at The Ohio State University and a recipient of the American Society for Cybernetics’ Heinz von Foerster Award. His research focuses on communication theory and the mathematical modeling of language. 3 A01 Wolfgang Ernst Wolfgang Ernst Chair of Media Theories 40 01hcx6992 Humboldt-Universität zu Berlin Wolfgang Ernst is chair of Media Theories at Humboldt-Universität zu Berlin. His research covers media archaeology as method, theory of technical storage, technologies of cultural transmission, micro-temporal media aesthetics, critique of history as master discourse of cultural and technological time, and sound analysis from a media-epistemological perspective. 4 A01 Thomas Fischer Thomas Fischer Professor at the School of Design 40 049tv2d57 Southern University of Science and Technology Thomas Fischer is a professor at the School of Design at the Southern University of Science and Technology, a fellow of the Design Research Society, and recipient of the American Society for Cybernetics’ Warren McCulloch Award. His research focuses on design computing, design cybernetics, and digital media. 5 A01 21 0000000157443433 Hans-Christian von Herrmann Hans-Christian von Herrmann Chair of Literary Studies (Literature and Science) 40 03v4gjf40 Technische Universität Berlin Hans-Christian von Herrmann holds the chair of Literary Studies (Literature and Science) at Technische Universität Berlin. His work focuses on the change in literary culture in the age of cybernetization, practices of automation in the arts since the late 19th century, and the effects of planetarization associated with modern technology. 6 A01 21 0000000186698507 Stefan Höltgen Stefan Höltgen 40 041nas322 University of Bonn Stefan Höltgen (PhD, ScD) is scholar for media science at University of Bonn. He researches and teaches media and computer archaeology, and works as scientific advisor for the Oldenburg Computer Museum. 7 A01 21 0000000238174706 Rolf F. Nohr Rolf F. Nohr Professor of Media Aesthetics and Media Culture 40 03aft2f80 Braunschweig University of Art Rolf F. Nohr is professor of Media Aesthetics and Media Culture at HBK Braunschweig, and an external affiliate at the College of Humanities of University of Arizona. His work focuses on media evidence processes, game studies and instantaneous images. 8 A01 Eva Schauerte Eva Schauerte Eva Schauerte is a media and cultural historian with a focus on media history of computer democracy. In the past she held research positions at the Institute for Media Culture Studies at Albert-Ludwigs-University Freiburg (2011–2016), and at IKKM (2016–2020). Currently, she works for the Senate Chancellery of Bremen. 9 A01 Isabell Schrickel Isabell Schrickel PhD candidate 40 02w2y2t16 Leuphana University of Lüneburg Isabell Schrickel is a PhD candidate at the Center for Global Sustainability and Cultural Transformation (Leuphana University / Arizona State University). Isabell was visiting fellow at Harvard’s Department of the History of Science and at IKKM. Her work historicizes environmental sciences, modeling and simulation, and the evolution of sustainability thinking. 10 A01 Sebastian Vehlken Sebastian Vehlken Professor of Knowledge Processes and Digital Media 40 033n9gh91 University of Oldenburg Sebastian Vehlken is professor of Knowledge Processes and Digital Media at Universität Oldenburg, and head of the program area Ships as Knowledge Repositories at the German Maritime Museum/Leibniz-Institute for Maritime History. His research interests include the media history of computer simulation, media of futurology, and oceans as knowledge spaces. 01 eng 00 204 03 93 JBCT 12 JFD 04 P87-96 10 SOC052000 10 COM017000 12 GPFC 93 GPFC 20 media archaeology; cybernetics; systems research; media theory; media history 01 06 02 00 Frictions is a collective invitation to embrace the space of difference that both connects and separates techno-scientific discourses from their actual implementations—or even, from their non-implementations. Through a series of case studies focused on cybernetics, systems research, and some of their more contemporary inheritors, this book ar 03 00 Frictions is a collective invitation to embrace the space of difference that both connects and separates techno-scientific discourses from their actual implementations—or even, from their non-implementations. Through a series of case studies focused on cybernetics, systems research, and some of their more contemporary inheritors, this book argues that such a middle space, the topology of frictions, offers significant insights to assess the historical and epistemological relevance of these interconnected fields. Characterized here as cybernetic thinking, this broad area of theoretical and applied projects would conceal, precisely within its frictions, the operational principles of our present. 30 00 Frictions is a collective invitation to embrace the space of difference that both connects and separates techno-scientific discourses from their actual implementations—or even, from their non-implementations. Through a series of case studies focused on cybernetics, systems research, and some of their more contemporary inheritors, this book argues that such a middle space, the topology of frictions, offers significant insights to assess the historical and epistemological relevance of these interconnected fields. Characterized here as cybernetic thinking, this broad area of theoretical and applied projects would conceal, precisely within its frictions, the operational principles of our present. 20 00 Open Access 01 00 03 02 This is the cover of the book Frictions. 02 https://meson.press/wp-content/uploads/2023/08/Cover_Frictions.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/frictions/ 16 40 01hcx6992 32 10.13039/501100006211 Humboldt-Universität zu Berlin 01 programname Open Access Publication Fund Lüneburg 04 01 20230929 Diego Gómez-Venegas 02 WORLD 06 15 9783957962171 03 9783957962171 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/frictions/ 20 08 20230929 01 urn:uuid:b6a24e80-c844-4249-81b8-b53765af78d7 03 01 01 thoth-work-id urn:uuid:14600c04-2346-4a93-baaa-deb45999f137 01 thoth-publication-id urn:uuid:b6a24e80-c844-4249-81b8-b53765af78d7 15 9783957962171 03 9783957962171 06 10.14619/2164 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Frictions Inquiries into Cybernetic Thinking and Its Attempts towards Mate[real]ization 1 B01 21 000000015640204X Diego Gómez-Venegas Diego Gómez-Venegas PhD candidate 40 01hcx6992 Humboldt-Universität zu Berlin Diego Gómez-Venegas is a PhD candidate at the Institute of Musicology and Media Sciences (Media Sciences section) of Humboldt-Universität zu Berlin. His work focuses on the mediaarchaeo-genealogical traces of cybernetics and its links to our contemporary condition. 2 A01 Andrei Cretu Andrei Cretu Teaching Assistant Professor 40 00rs6vg23 The Ohio State University Andrei Cretu is a teaching assistant professor in the Department of Slavic and East European Languages at The Ohio State University and a recipient of the American Society for Cybernetics’ Heinz von Foerster Award. His research focuses on communication theory and the mathematical modeling of language. 3 A01 Wolfgang Ernst Wolfgang Ernst Chair of Media Theories 40 01hcx6992 Humboldt-Universität zu Berlin Wolfgang Ernst is chair of Media Theories at Humboldt-Universität zu Berlin. His research covers media archaeology as method, theory of technical storage, technologies of cultural transmission, micro-temporal media aesthetics, critique of history as master discourse of cultural and technological time, and sound analysis from a media-epistemological perspective. 4 A01 Thomas Fischer Thomas Fischer Professor at the School of Design 40 049tv2d57 Southern University of Science and Technology Thomas Fischer is a professor at the School of Design at the Southern University of Science and Technology, a fellow of the Design Research Society, and recipient of the American Society for Cybernetics’ Warren McCulloch Award. His research focuses on design computing, design cybernetics, and digital media. 5 A01 21 0000000157443433 Hans-Christian von Herrmann Hans-Christian von Herrmann Chair of Literary Studies (Literature and Science) 40 03v4gjf40 Technische Universität Berlin Hans-Christian von Herrmann holds the chair of Literary Studies (Literature and Science) at Technische Universität Berlin. His work focuses on the change in literary culture in the age of cybernetization, practices of automation in the arts since the late 19th century, and the effects of planetarization associated with modern technology. 6 A01 21 0000000186698507 Stefan Höltgen Stefan Höltgen 40 041nas322 University of Bonn Stefan Höltgen (PhD, ScD) is scholar for media science at University of Bonn. He researches and teaches media and computer archaeology, and works as scientific advisor for the Oldenburg Computer Museum. 7 A01 21 0000000238174706 Rolf F. Nohr Rolf F. Nohr Professor of Media Aesthetics and Media Culture 40 03aft2f80 Braunschweig University of Art Rolf F. Nohr is professor of Media Aesthetics and Media Culture at HBK Braunschweig, and an external affiliate at the College of Humanities of University of Arizona. His work focuses on media evidence processes, game studies and instantaneous images. 8 A01 Eva Schauerte Eva Schauerte Eva Schauerte is a media and cultural historian with a focus on media history of computer democracy. In the past she held research positions at the Institute for Media Culture Studies at Albert-Ludwigs-University Freiburg (2011–2016), and at IKKM (2016–2020). Currently, she works for the Senate Chancellery of Bremen. 9 A01 Isabell Schrickel Isabell Schrickel PhD candidate 40 02w2y2t16 Leuphana University of Lüneburg Isabell Schrickel is a PhD candidate at the Center for Global Sustainability and Cultural Transformation (Leuphana University / Arizona State University). Isabell was visiting fellow at Harvard’s Department of the History of Science and at IKKM. Her work historicizes environmental sciences, modeling and simulation, and the evolution of sustainability thinking. 10 A01 Sebastian Vehlken Sebastian Vehlken Professor of Knowledge Processes and Digital Media 40 033n9gh91 University of Oldenburg Sebastian Vehlken is professor of Knowledge Processes and Digital Media at Universität Oldenburg, and head of the program area Ships as Knowledge Repositories at the German Maritime Museum/Leibniz-Institute for Maritime History. His research interests include the media history of computer simulation, media of futurology, and oceans as knowledge spaces. 01 eng 00 204 03 93 JBCT 12 JFD 04 P87-96 10 SOC052000 10 COM017000 12 GPFC 93 GPFC 20 media archaeology; cybernetics; systems research; media theory; media history 01 06 02 00 Frictions is a collective invitation to embrace the space of difference that both connects and separates techno-scientific discourses from their actual implementations—or even, from their non-implementations. Through a series of case studies focused on cybernetics, systems research, and some of their more contemporary inheritors, this book ar 03 00 Frictions is a collective invitation to embrace the space of difference that both connects and separates techno-scientific discourses from their actual implementations—or even, from their non-implementations. Through a series of case studies focused on cybernetics, systems research, and some of their more contemporary inheritors, this book argues that such a middle space, the topology of frictions, offers significant insights to assess the historical and epistemological relevance of these interconnected fields. Characterized here as cybernetic thinking, this broad area of theoretical and applied projects would conceal, precisely within its frictions, the operational principles of our present. 30 00 Frictions is a collective invitation to embrace the space of difference that both connects and separates techno-scientific discourses from their actual implementations—or even, from their non-implementations. Through a series of case studies focused on cybernetics, systems research, and some of their more contemporary inheritors, this book argues that such a middle space, the topology of frictions, offers significant insights to assess the historical and epistemological relevance of these interconnected fields. Characterized here as cybernetic thinking, this broad area of theoretical and applied projects would conceal, precisely within its frictions, the operational principles of our present. 20 00 Open Access 01 00 03 02 This is the cover of the book Frictions. 02 https://meson.press/wp-content/uploads/2023/08/Cover_Frictions.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/frictions/ 16 40 01hcx6992 32 10.13039/501100006211 Humboldt-Universität zu Berlin 01 programname Open Access Publication Fund Lüneburg 04 01 20230929 Diego Gómez-Venegas 02 WORLD 06 15 9783957962164 03 9783957962164 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88720 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/88720/978-3-95796-217-1-_Frictions.pdf?sequence=1&isAllowed=y 20 08 20230929 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/frictions/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2023/08/978-3-95796-217-1-_Frictions.pdf 20 08 20230929 01 urn:uuid:d0a612f5-2bc4-4c38-9542-cede223c32fd 03 01 01 thoth-work-id urn:uuid:bed1bcda-84e2-47cd-9f60-15bc20bf90e3 01 thoth-publication-id urn:uuid:d0a612f5-2bc4-4c38-9542-cede223c32fd 15 9783957960603 03 9783957960603 06 10.14619/011 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 3dfe915a-a1d8-40a3-9561-1ad437c67ce4 02 00000003 01 Series URL https://meson.press/series-page/media-democracy-political-process-series 03 1 01 02 Media, Democracy & Political Process 01 01 The Political Structure of UK Broadcasting 1949–1999 1 A01 David Elstein David Elstein David Elstein has spent fifty years in broadcasting, as a director and producer (at the BBC, Thames TV and London Weekend TV), Director of Programmes (at Thames TV and BSkyB) and Chief Executive (Brook Productions Ltd, Primetime Television Ltd, Channel 5 and Sparrowhawk Media). He has also chaired the British Screen Advisory Council, the National Film and Television School, the Commercial Radio Companies Association, DCD Media plc, Sports Network plc and Screen Digest Ltd. He has been a visiting professor at the Universities of Oxford, Stirling and Westminster. He is currently an executive producer at Portobello Films (whose “IDA” won the 2015 Oscar for Best Film in a Foreign Language). 01 eng 00 208 03 93 GTC 12 GTC 10 LAN004000 04 P87-96 93 JBCT2 12 JFDT 10 PER010000 04 TK5101-6720 20 Broadcasting; media policy; BBC 01 06 02 00 In 1999 David Elstein delivered a lecture series examining the evolvement of UK Broadcasting policy from 1949 to 1999. His sharp analysis is a valuable contribution to the post-war development of the British broadcasting system and unfolds many topical issues in current media policy debates. 03 00 In 1999 David Elstein delivered a lecture series examining the evolvement of UK Broadcasting policy from 1949 to 1999. His sharp analysis is a valuable contribution to the post-war development of the British broadcasting system and unfolds many topical issues in current media policy debates. 30 00 In 1999 David Elstein delivered a lecture series examining the evolvement of UK Broadcasting policy from 1949 to 1999. His sharp analysis is a valuable contribution to the post-war development of the British broadcasting system and unfolds many topical issues in current media policy debates. 20 00 Open Access 01 00 03 02 This is the cover of the book The Political Structure of UK Broadcasting 1949–1999. 02 http://meson.press/wp-content/uploads/2015/07/Elstein-Cover_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/the-political-structure-of-uk-broadcasting-1949-99 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150701 David Elstein 02 WORLD 06 15 9783957960610 03 9783957960610 06 15 9783957960627 03 9783957960627 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/the-political-structure-of-uk-broadcasting-1949-99 20 08 20150701 01 urn:uuid:112e713e-b2c3-4ec1-914f-903f7fbb4e0e 03 01 01 thoth-work-id urn:uuid:bed1bcda-84e2-47cd-9f60-15bc20bf90e3 01 thoth-publication-id urn:uuid:112e713e-b2c3-4ec1-914f-903f7fbb4e0e 15 9783957960610 03 9783957960610 06 10.14619/011 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 3dfe915a-a1d8-40a3-9561-1ad437c67ce4 02 00000003 01 Series URL https://meson.press/series-page/media-democracy-political-process-series 03 1 01 02 Media, Democracy & Political Process 01 01 The Political Structure of UK Broadcasting 1949–1999 1 A01 David Elstein David Elstein David Elstein has spent fifty years in broadcasting, as a director and producer (at the BBC, Thames TV and London Weekend TV), Director of Programmes (at Thames TV and BSkyB) and Chief Executive (Brook Productions Ltd, Primetime Television Ltd, Channel 5 and Sparrowhawk Media). He has also chaired the British Screen Advisory Council, the National Film and Television School, the Commercial Radio Companies Association, DCD Media plc, Sports Network plc and Screen Digest Ltd. He has been a visiting professor at the Universities of Oxford, Stirling and Westminster. He is currently an executive producer at Portobello Films (whose “IDA” won the 2015 Oscar for Best Film in a Foreign Language). 01 eng 00 208 03 93 GTC 12 GTC 10 LAN004000 04 P87-96 93 JBCT2 12 JFDT 10 PER010000 04 TK5101-6720 20 Broadcasting; media policy; BBC 01 06 02 00 In 1999 David Elstein delivered a lecture series examining the evolvement of UK Broadcasting policy from 1949 to 1999. His sharp analysis is a valuable contribution to the post-war development of the British broadcasting system and unfolds many topical issues in current media policy debates. 03 00 In 1999 David Elstein delivered a lecture series examining the evolvement of UK Broadcasting policy from 1949 to 1999. His sharp analysis is a valuable contribution to the post-war development of the British broadcasting system and unfolds many topical issues in current media policy debates. 30 00 In 1999 David Elstein delivered a lecture series examining the evolvement of UK Broadcasting policy from 1949 to 1999. His sharp analysis is a valuable contribution to the post-war development of the British broadcasting system and unfolds many topical issues in current media policy debates. 20 00 Open Access 01 00 03 02 This is the cover of the book The Political Structure of UK Broadcasting 1949–1999. 02 http://meson.press/wp-content/uploads/2015/07/Elstein-Cover_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/the-political-structure-of-uk-broadcasting-1949-99 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150701 David Elstein 02 WORLD 06 15 9783957960603 03 9783957960603 06 15 9783957960627 03 9783957960627 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37569 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37569/9783957960610-UK-Broadcasting.pdf 20 08 20150701 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/the-political-structure-of-uk-broadcasting-1949-99 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2015/07/9783957960610-UK-Broadcasting.pdf 20 08 20150701 01 urn:uuid:576d9270-c0a1-487e-8d3c-1a080f15cef8 03 01 01 thoth-work-id urn:uuid:bed1bcda-84e2-47cd-9f60-15bc20bf90e3 01 thoth-publication-id urn:uuid:576d9270-c0a1-487e-8d3c-1a080f15cef8 15 9783957960627 03 9783957960627 06 10.14619/011 00 EB E101 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 3dfe915a-a1d8-40a3-9561-1ad437c67ce4 02 00000003 01 Series URL https://meson.press/series-page/media-democracy-political-process-series 03 1 01 02 Media, Democracy & Political Process 01 01 The Political Structure of UK Broadcasting 1949–1999 1 A01 David Elstein David Elstein David Elstein has spent fifty years in broadcasting, as a director and producer (at the BBC, Thames TV and London Weekend TV), Director of Programmes (at Thames TV and BSkyB) and Chief Executive (Brook Productions Ltd, Primetime Television Ltd, Channel 5 and Sparrowhawk Media). He has also chaired the British Screen Advisory Council, the National Film and Television School, the Commercial Radio Companies Association, DCD Media plc, Sports Network plc and Screen Digest Ltd. He has been a visiting professor at the Universities of Oxford, Stirling and Westminster. He is currently an executive producer at Portobello Films (whose “IDA” won the 2015 Oscar for Best Film in a Foreign Language). 01 eng 00 208 03 93 GTC 12 GTC 10 LAN004000 04 P87-96 93 JBCT2 12 JFDT 10 PER010000 04 TK5101-6720 20 Broadcasting; media policy; BBC 01 06 02 00 In 1999 David Elstein delivered a lecture series examining the evolvement of UK Broadcasting policy from 1949 to 1999. His sharp analysis is a valuable contribution to the post-war development of the British broadcasting system and unfolds many topical issues in current media policy debates. 03 00 In 1999 David Elstein delivered a lecture series examining the evolvement of UK Broadcasting policy from 1949 to 1999. His sharp analysis is a valuable contribution to the post-war development of the British broadcasting system and unfolds many topical issues in current media policy debates. 30 00 In 1999 David Elstein delivered a lecture series examining the evolvement of UK Broadcasting policy from 1949 to 1999. His sharp analysis is a valuable contribution to the post-war development of the British broadcasting system and unfolds many topical issues in current media policy debates. 20 00 Open Access 01 00 03 02 This is the cover of the book The Political Structure of UK Broadcasting 1949–1999. 02 http://meson.press/wp-content/uploads/2015/07/Elstein-Cover_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/the-political-structure-of-uk-broadcasting-1949-99 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150701 David Elstein 02 WORLD 06 15 9783957960603 03 9783957960603 06 15 9783957960610 03 9783957960610 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/the-political-structure-of-uk-broadcasting-1949-99 20 08 20150701 01 urn:uuid:5083ac9f-2f25-4fd1-961f-7dcd41c2fa21 03 01 01 thoth-work-id urn:uuid:9a0ddf51-69f0-465a-906f-43c4a545e507 01 thoth-publication-id urn:uuid:5083ac9f-2f25-4fd1-961f-7dcd41c2fa21 15 9783957960405 03 9783957960405 06 10.14619/005 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 2 01 02 Digital Cultures 01 01 The Politics of Micro-Decisions Edward Snowden, Net Neutrality, and the Architectures of the Internet 1 A01 21 0000000252258711 Florian Sprenger Florian Sprenger Florian Sprenger is professor of virtual humanities at Ruhr-Universität Bochum. He is author of Politics of Micro-Decisions: Edward Snowden, Net Neutrality and the Architecture of the Internet (Meson Press, 2015). His research covers topics such as the history of artificial environments, media of immediacy, and the internet of things. 06 Own website http://www.floriansprenger.com/ 2 A23 21 0000000302535554 Christopher Kelty Christopher Kelty Florian Sprenger is professor of virtual humanities at Ruhr-Universität Bochum. He is author of Politics of Micro-Decisions: Edward Snowden, Net Neutrality and the Architecture of the Internet (Meson Press, 2015). His research covers topics such as the history of artificial environments, media of immediacy, and the internet of things. 06 Own website https://kelty.org/kelty.html 3 B06 Valentine A. Pakis Valentine Pakis 01 eng 00 128 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 10 COM060000 04 T58.5-58.64 12 UBW 93 UBW 10 COM043040 93 UTN 12 UTN 12 UTP 93 UTP 20 materiality; Edward Snowden; media studies; power; politics; surveillance; net neutrality; networking; micro-decisions; Paul Baran; internet architecture; infrastructure 01 06 02 00 Be it in the case of opening a website, sending an email, or high-frequency trading, bits and bytes of information have to cross numerous nodes at which micro-decisions are made. These decisions concern the most efficient path through the network, the processing speed, or the priority of incoming data packets.Despite their multifaceted 03 00 Be it in the case of opening a website, sending an email, or high-frequency trading, bits and bytes of information have to cross numerous nodes at which micro-decisions are made. These decisions concern the most efficient path through the network, the processing speed, or the priority of incoming data packets.Despite their multifaceted nature, micro-decisions are a dimension of control and surveillance in the twenty-first century that has received little critical attention. They represent the smallest unit and the technical precondition of a contemporary network politics – and of our potential opposition to it. The current debates regarding net neutrality and Edward Snowden’s revelation of NSA surveillance are only the tip of the iceberg. What is at stake is nothing less than the future of the Internet as we know it. 30 00 Be it in the case of opening a website, sending an email, or high-frequency trading, bits and bytes of information have to cross numerous nodes at which micro-decisions are made. These decisions concern the most efficient path through the network, the processing speed, or the priority of incoming data packets.Despite their multifaceted nature, micro-decisions are a dimension of control and surveillance in the twenty-first century that has received little critical attention. They represent the smallest unit and the technical precondition of a contemporary network politics – and of our potential opposition to it. The current debates regarding net neutrality and Edward Snowden’s revelation of NSA surveillance are only the tip of the iceberg. What is at stake is nothing less than the future of the Internet as we know it. 20 00 Open Access 01 00 03 02 This is the cover of the book The Politics of Micro-Decisions. 02 https://meson.press/wp-content/uploads/2015/04/9783957960412-Sprenger-The_Politics_of_Micro-Descisions_COVER.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/the-politics-of-micro-decisions/ 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovationsinkubator 16 40 00949d647 Niedersächsisches Ministerium für Wissenschaft und Kultur 01 programname Niedersächsisches Vorab 16 40 03bsmfz84 32 10.13039/501100001663 Volkswagen Foundation 01 programname Niedersächsisches Vorab Lüneburg 04 01 20150618 Florian Sprenger 02 WORLD 06 15 9783957960412 03 9783957960412 06 15 9783957960429 03 9783957960429 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/the-politics-of-micro-decisions/ 20 08 20150618 01 urn:uuid:92b4dbc2-d81c-4765-93d3-adbe3a59050a 03 01 01 thoth-work-id urn:uuid:9a0ddf51-69f0-465a-906f-43c4a545e507 01 thoth-publication-id urn:uuid:92b4dbc2-d81c-4765-93d3-adbe3a59050a 15 9783957960412 03 9783957960412 06 10.14619/005 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 2 01 02 Digital Cultures 01 01 The Politics of Micro-Decisions Edward Snowden, Net Neutrality, and the Architectures of the Internet 1 A01 21 0000000252258711 Florian Sprenger Florian Sprenger Florian Sprenger is professor of virtual humanities at Ruhr-Universität Bochum. He is author of Politics of Micro-Decisions: Edward Snowden, Net Neutrality and the Architecture of the Internet (Meson Press, 2015). His research covers topics such as the history of artificial environments, media of immediacy, and the internet of things. 06 Own website http://www.floriansprenger.com/ 2 A23 21 0000000302535554 Christopher Kelty Christopher Kelty Florian Sprenger is professor of virtual humanities at Ruhr-Universität Bochum. He is author of Politics of Micro-Decisions: Edward Snowden, Net Neutrality and the Architecture of the Internet (Meson Press, 2015). His research covers topics such as the history of artificial environments, media of immediacy, and the internet of things. 06 Own website https://kelty.org/kelty.html 3 B06 Valentine A. Pakis Valentine Pakis 01 eng 00 128 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 10 COM060000 04 T58.5-58.64 12 UBW 93 UBW 10 COM043040 93 UTN 12 UTN 12 UTP 93 UTP 20 materiality; Edward Snowden; media studies; power; politics; surveillance; net neutrality; networking; micro-decisions; Paul Baran; internet architecture; infrastructure 01 06 02 00 Be it in the case of opening a website, sending an email, or high-frequency trading, bits and bytes of information have to cross numerous nodes at which micro-decisions are made. These decisions concern the most efficient path through the network, the processing speed, or the priority of incoming data packets.Despite their multifaceted 03 00 Be it in the case of opening a website, sending an email, or high-frequency trading, bits and bytes of information have to cross numerous nodes at which micro-decisions are made. These decisions concern the most efficient path through the network, the processing speed, or the priority of incoming data packets.Despite their multifaceted nature, micro-decisions are a dimension of control and surveillance in the twenty-first century that has received little critical attention. They represent the smallest unit and the technical precondition of a contemporary network politics – and of our potential opposition to it. The current debates regarding net neutrality and Edward Snowden’s revelation of NSA surveillance are only the tip of the iceberg. What is at stake is nothing less than the future of the Internet as we know it. 30 00 Be it in the case of opening a website, sending an email, or high-frequency trading, bits and bytes of information have to cross numerous nodes at which micro-decisions are made. These decisions concern the most efficient path through the network, the processing speed, or the priority of incoming data packets.Despite their multifaceted nature, micro-decisions are a dimension of control and surveillance in the twenty-first century that has received little critical attention. They represent the smallest unit and the technical precondition of a contemporary network politics – and of our potential opposition to it. The current debates regarding net neutrality and Edward Snowden’s revelation of NSA surveillance are only the tip of the iceberg. What is at stake is nothing less than the future of the Internet as we know it. 20 00 Open Access 01 00 03 02 This is the cover of the book The Politics of Micro-Decisions. 02 https://meson.press/wp-content/uploads/2015/04/9783957960412-Sprenger-The_Politics_of_Micro-Descisions_COVER.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/the-politics-of-micro-decisions/ 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovationsinkubator 16 40 00949d647 Niedersächsisches Ministerium für Wissenschaft und Kultur 01 programname Niedersächsisches Vorab 16 40 03bsmfz84 32 10.13039/501100001663 Volkswagen Foundation 01 programname Niedersächsisches Vorab Lüneburg 04 01 20150618 Florian Sprenger 02 WORLD 06 15 9783957960405 03 9783957960405 06 15 9783957960429 03 9783957960429 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37575 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37575/9783957960412-Sprenger-The_Politics_of_Micro-Descisions.pdf 20 08 20150618 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/the-politics-of-micro-decisions/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2015/04/9783957960412-Sprenger-The_Politics_of_Micro-Descisions.pdf 20 08 20150618 01 urn:uuid:61f32f42-9f46-429e-8487-b2ecc6c5b25b 03 01 01 thoth-work-id urn:uuid:9a0ddf51-69f0-465a-906f-43c4a545e507 01 thoth-publication-id urn:uuid:61f32f42-9f46-429e-8487-b2ecc6c5b25b 15 9783957960429 03 9783957960429 06 10.14619/005 00 EB E101 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 2 01 02 Digital Cultures 01 01 The Politics of Micro-Decisions Edward Snowden, Net Neutrality, and the Architectures of the Internet 1 A01 21 0000000252258711 Florian Sprenger Florian Sprenger Florian Sprenger is professor of virtual humanities at Ruhr-Universität Bochum. He is author of Politics of Micro-Decisions: Edward Snowden, Net Neutrality and the Architecture of the Internet (Meson Press, 2015). His research covers topics such as the history of artificial environments, media of immediacy, and the internet of things. 06 Own website http://www.floriansprenger.com/ 2 A23 21 0000000302535554 Christopher Kelty Christopher Kelty Florian Sprenger is professor of virtual humanities at Ruhr-Universität Bochum. He is author of Politics of Micro-Decisions: Edward Snowden, Net Neutrality and the Architecture of the Internet (Meson Press, 2015). His research covers topics such as the history of artificial environments, media of immediacy, and the internet of things. 06 Own website https://kelty.org/kelty.html 3 B06 Valentine A. Pakis Valentine Pakis 01 eng 00 128 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 10 COM060000 04 T58.5-58.64 12 UBW 93 UBW 10 COM043040 93 UTN 12 UTN 12 UTP 93 UTP 20 materiality; Edward Snowden; media studies; power; politics; surveillance; net neutrality; networking; micro-decisions; Paul Baran; internet architecture; infrastructure 01 06 02 00 Be it in the case of opening a website, sending an email, or high-frequency trading, bits and bytes of information have to cross numerous nodes at which micro-decisions are made. These decisions concern the most efficient path through the network, the processing speed, or the priority of incoming data packets.Despite their multifaceted 03 00 Be it in the case of opening a website, sending an email, or high-frequency trading, bits and bytes of information have to cross numerous nodes at which micro-decisions are made. These decisions concern the most efficient path through the network, the processing speed, or the priority of incoming data packets.Despite their multifaceted nature, micro-decisions are a dimension of control and surveillance in the twenty-first century that has received little critical attention. They represent the smallest unit and the technical precondition of a contemporary network politics – and of our potential opposition to it. The current debates regarding net neutrality and Edward Snowden’s revelation of NSA surveillance are only the tip of the iceberg. What is at stake is nothing less than the future of the Internet as we know it. 30 00 Be it in the case of opening a website, sending an email, or high-frequency trading, bits and bytes of information have to cross numerous nodes at which micro-decisions are made. These decisions concern the most efficient path through the network, the processing speed, or the priority of incoming data packets.Despite their multifaceted nature, micro-decisions are a dimension of control and surveillance in the twenty-first century that has received little critical attention. They represent the smallest unit and the technical precondition of a contemporary network politics – and of our potential opposition to it. The current debates regarding net neutrality and Edward Snowden’s revelation of NSA surveillance are only the tip of the iceberg. What is at stake is nothing less than the future of the Internet as we know it. 20 00 Open Access 01 00 03 02 This is the cover of the book The Politics of Micro-Decisions. 02 https://meson.press/wp-content/uploads/2015/04/9783957960412-Sprenger-The_Politics_of_Micro-Descisions_COVER.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/the-politics-of-micro-decisions/ 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovationsinkubator 16 40 00949d647 Niedersächsisches Ministerium für Wissenschaft und Kultur 01 programname Niedersächsisches Vorab 16 40 03bsmfz84 32 10.13039/501100001663 Volkswagen Foundation 01 programname Niedersächsisches Vorab Lüneburg 04 01 20150618 Florian Sprenger 02 WORLD 06 15 9783957960405 03 9783957960405 06 15 9783957960412 03 9783957960412 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/the-politics-of-micro-decisions/ 20 08 20150618 01 urn:uuid:fdfa5998-e681-4d96-9236-09394e46880b 03 01 01 thoth-work-id urn:uuid:9d876020-fb2f-4fdb-a5d9-93c1e43ae8a2 01 thoth-publication-id urn:uuid:fdfa5998-e681-4d96-9236-09394e46880b 15 9783957960559 03 9783957960559 06 10.14619/008 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 3 01 02 Digital Cultures 01 01 There is no Software, there are just Services 1 B01 Irina Kaldrack Irina Kaldrack Postdoctoral Researcher 40 02w2y2t16 Leuphana University of Lüneburg Irina Kaldrack is a postdoctoral researcher at the Digital Cultures Research Lab at Leuphana University, where her work concerns new methods in the digital age, the theory and history of digital cultures, the scientific history of motion, and the cultural history of mathematics. 2 B01 Martina Leeker Martina Leeker Professor of Methods in Digital Cultures 40 02w2y2t16 Leuphana University of Lüneburg Martina Leeker is Professor of Methods in Digital Cultures and Senior Researcher at the Digital Cultures Research Lab, Leuphana University of Lüneburg. She is a scholar and lecturer for theater and media studies. Her research concerns artistic/practical research in digital cultures, discourse-analytical media theory, media-anthropology, art and technology, theater and media. 06 Own website https://martina-leeker.de/ 3 A01 21 0000000255707201 Seth Erickson Seth Erickson PhD candidate 40 046rm7j60 University of California, Los Angeles Seth Erickson is a PhD candidate at the Department of Information Studies, University of California, Los Angeles. His dissertation focuses on software development practices in contemporary digital scholarship. 4 A01 21 0000000153910292 Anders Fagerjord Anders Fagerjord Associate Professor of Media Studies 40 01xtthb56 University of Oslo Anders Fagerjord is Associate Professor of Media Studies at the Department of Media and Communication, University of Oslo. His research interests include locative media, design theory, multimodality and multimedia theory; and the concept of “convergence.” Outside of academia, he has worked as a web designer and radio host. 5 A01 21 0000000302535554 Christopher Kelty Christopher Kelty Professor of Information Studies and Anthropology 40 046rm7j60 University of California, Los Angeles Christopher M. Kelty is Professor of Information Studies and Anthropology at the University of California, Los Angeles. He is the author of Two Bits: The Cultural Significance of Free Software. Current research projects can be found at http://kelty.org/. 06 Own website https://kelty.org/kelty.html 6 A01 21 0000000226605249 Andrew Lison Andrew Lison Postdoctoral Researcher 40 001tmjg57 University of Kansas Andrew Lison is a Postdoctoral Researcher in the Digital Humanities at the Hall Center for the Humanities, University of Kansas. He is co-editor, with Timothy Scott Brown, of The Global Sixties in Sound and Vision: Media, Counterculture, Revolt (Palgrave Macmillan, 2014). His work has also appeared in New Formations and Science Fiction Studies. 7 A01 21 0000000326961064 Liam Magee Liam Magee Senior Research Fellow 40 03t52dk35 Western Sydney University Liam Magee is a Senior Research Fellow at the Institute for Culture and Society, University of Western Sydney. He is coauthor of Towards a Semantic Web: Connecting Knowledge in Academic Research (2010). 8 A01 Christoph Neubert Christoph Neubert Postdoctoral Lecturer for Media History 40 058kzsd48 Paderborn University Christoph Neubert is a Postdoctoral Lecturer for Media History at the Department of Media Studies, University of Paderborn and senior member of the DFG Research Training Group “Automatisms.” His research interests include media theory and history, the epistemology of traffic and logistics, and the history of ecology. 9 A01 21 0000000222486377 Jussi Parikka Jussi Parikka Professor of Technological Culture & Aesthetics 40 01ryk1543 University of Southampton Jussi Parikka is Professor of Technological Culture & Aesthetics at Winchester School of Art, University of Southampton. He is the author of several books on digital culture and media theory, including What is Media Archaeology? (2012) and most recently A Geology of Media (2015). 10 A01 21 0000000307102109 Ned Rossiter Ned Rossiter Professor of Communication 40 03t52dk35 Western Sydney University Ned Rossiter is Professor of Communication at the Institute for Culture and Society, University of Western Sydney. His book Software, Infrastructure, Labor: A Media Theory of Logistical Nightmares is forthcoming in 2015. 06 Own website https://nedrossiter.org/ 01 eng 00 114 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 20 services; social media; knowledge; programming; software; cultural technique; data; business models; digital labor 01 06 02 00 Is software dead? Services like Google, Dropbox, Adobe Creative Cloud, or Social Media apps are all-pervasive in our digital media landscape. This marks the (re)emergence of the service paradigm that challenges traditional business and license models as well as modes of media creation and use. The short essays in this edited collection discus 03 00 Is software dead? Services like Google, Dropbox, Adobe Creative Cloud, or Social Media apps are all-pervasive in our digital media landscape. This marks the (re)emergence of the service paradigm that challenges traditional business and license models as well as modes of media creation and use. The short essays in this edited collection discuss how services shift the notion of software, the cultural technique of programming, conditions of labor as well as the ecology and politics of data and how they influence dispositifs of knowledge.Contributors: Ned Rossiter, Jussi Parikka, Christoph Neubert, Liam Magee, Andrew Lison, Christopher M. Kelty, Anders Fagerjord, and Seth Erickson. 30 00 Is software dead? Services like Google, Dropbox, Adobe Creative Cloud, or Social Media apps are all-pervasive in our digital media landscape. This marks the (re)emergence of the service paradigm that challenges traditional business and license models as well as modes of media creation and use. The short essays in this edited collection discuss how services shift the notion of software, the cultural technique of programming, conditions of labor as well as the ecology and politics of data and how they influence dispositifs of knowledge.Contributors: Ned Rossiter, Jussi Parikka, Christoph Neubert, Liam Magee, Andrew Lison, Christopher M. Kelty, Anders Fagerjord, and Seth Erickson. 20 00 Open Access 01 00 03 02 This is the cover of the book There is no Software, there are just Services. 02 http://meson.press/wp-content/uploads/2015/06/Kaldrack-No-Software-Just-Services-Cover_Web-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/there-is-no-software-there-are-just-services 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovationsinkubator 16 40 00949d647 Niedersächsisches Ministerium für Wissenschaft und Kultur 01 programname Niedersächsisches Vorab 16 40 03bsmfz84 32 10.13039/501100001663 Volkswagen Foundation 01 programname Niedersächsisches Vorab Lüneburg 04 01 20150930 Irina Kaldrack Martina Leeker 02 WORLD 06 15 9783957960566 03 9783957960566 06 15 9783957960573 03 9783957960573 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/there-is-no-software-there-are-just-services 20 08 20150930 01 urn:uuid:a7a7dc9b-81f8-444b-920f-7a997a723953 03 01 01 thoth-work-id urn:uuid:9d876020-fb2f-4fdb-a5d9-93c1e43ae8a2 01 thoth-publication-id urn:uuid:a7a7dc9b-81f8-444b-920f-7a997a723953 15 9783957960566 03 9783957960566 06 10.14619/008 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 3 01 02 Digital Cultures 01 01 There is no Software, there are just Services 1 B01 Irina Kaldrack Irina Kaldrack Postdoctoral Researcher 40 02w2y2t16 Leuphana University of Lüneburg Irina Kaldrack is a postdoctoral researcher at the Digital Cultures Research Lab at Leuphana University, where her work concerns new methods in the digital age, the theory and history of digital cultures, the scientific history of motion, and the cultural history of mathematics. 2 B01 Martina Leeker Martina Leeker Professor of Methods in Digital Cultures 40 02w2y2t16 Leuphana University of Lüneburg Martina Leeker is Professor of Methods in Digital Cultures and Senior Researcher at the Digital Cultures Research Lab, Leuphana University of Lüneburg. She is a scholar and lecturer for theater and media studies. Her research concerns artistic/practical research in digital cultures, discourse-analytical media theory, media-anthropology, art and technology, theater and media. 06 Own website https://martina-leeker.de/ 3 A01 21 0000000255707201 Seth Erickson Seth Erickson PhD candidate 40 046rm7j60 University of California, Los Angeles Seth Erickson is a PhD candidate at the Department of Information Studies, University of California, Los Angeles. His dissertation focuses on software development practices in contemporary digital scholarship. 4 A01 21 0000000153910292 Anders Fagerjord Anders Fagerjord Associate Professor of Media Studies 40 01xtthb56 University of Oslo Anders Fagerjord is Associate Professor of Media Studies at the Department of Media and Communication, University of Oslo. His research interests include locative media, design theory, multimodality and multimedia theory; and the concept of “convergence.” Outside of academia, he has worked as a web designer and radio host. 5 A01 21 0000000302535554 Christopher Kelty Christopher Kelty Professor of Information Studies and Anthropology 40 046rm7j60 University of California, Los Angeles Christopher M. Kelty is Professor of Information Studies and Anthropology at the University of California, Los Angeles. He is the author of Two Bits: The Cultural Significance of Free Software. Current research projects can be found at http://kelty.org/. 06 Own website https://kelty.org/kelty.html 6 A01 21 0000000226605249 Andrew Lison Andrew Lison Postdoctoral Researcher 40 001tmjg57 University of Kansas Andrew Lison is a Postdoctoral Researcher in the Digital Humanities at the Hall Center for the Humanities, University of Kansas. He is co-editor, with Timothy Scott Brown, of The Global Sixties in Sound and Vision: Media, Counterculture, Revolt (Palgrave Macmillan, 2014). His work has also appeared in New Formations and Science Fiction Studies. 7 A01 21 0000000326961064 Liam Magee Liam Magee Senior Research Fellow 40 03t52dk35 Western Sydney University Liam Magee is a Senior Research Fellow at the Institute for Culture and Society, University of Western Sydney. He is coauthor of Towards a Semantic Web: Connecting Knowledge in Academic Research (2010). 8 A01 Christoph Neubert Christoph Neubert Postdoctoral Lecturer for Media History 40 058kzsd48 Paderborn University Christoph Neubert is a Postdoctoral Lecturer for Media History at the Department of Media Studies, University of Paderborn and senior member of the DFG Research Training Group “Automatisms.” His research interests include media theory and history, the epistemology of traffic and logistics, and the history of ecology. 9 A01 21 0000000222486377 Jussi Parikka Jussi Parikka Professor of Technological Culture & Aesthetics 40 01ryk1543 University of Southampton Jussi Parikka is Professor of Technological Culture & Aesthetics at Winchester School of Art, University of Southampton. He is the author of several books on digital culture and media theory, including What is Media Archaeology? (2012) and most recently A Geology of Media (2015). 10 A01 21 0000000307102109 Ned Rossiter Ned Rossiter Professor of Communication 40 03t52dk35 Western Sydney University Ned Rossiter is Professor of Communication at the Institute for Culture and Society, University of Western Sydney. His book Software, Infrastructure, Labor: A Media Theory of Logistical Nightmares is forthcoming in 2015. 06 Own website https://nedrossiter.org/ 01 eng 00 114 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 20 services; social media; knowledge; programming; software; cultural technique; data; business models; digital labor 01 06 02 00 Is software dead? Services like Google, Dropbox, Adobe Creative Cloud, or Social Media apps are all-pervasive in our digital media landscape. This marks the (re)emergence of the service paradigm that challenges traditional business and license models as well as modes of media creation and use. The short essays in this edited collection discus 03 00 Is software dead? Services like Google, Dropbox, Adobe Creative Cloud, or Social Media apps are all-pervasive in our digital media landscape. This marks the (re)emergence of the service paradigm that challenges traditional business and license models as well as modes of media creation and use. The short essays in this edited collection discuss how services shift the notion of software, the cultural technique of programming, conditions of labor as well as the ecology and politics of data and how they influence dispositifs of knowledge.Contributors: Ned Rossiter, Jussi Parikka, Christoph Neubert, Liam Magee, Andrew Lison, Christopher M. Kelty, Anders Fagerjord, and Seth Erickson. 30 00 Is software dead? Services like Google, Dropbox, Adobe Creative Cloud, or Social Media apps are all-pervasive in our digital media landscape. This marks the (re)emergence of the service paradigm that challenges traditional business and license models as well as modes of media creation and use. The short essays in this edited collection discuss how services shift the notion of software, the cultural technique of programming, conditions of labor as well as the ecology and politics of data and how they influence dispositifs of knowledge.Contributors: Ned Rossiter, Jussi Parikka, Christoph Neubert, Liam Magee, Andrew Lison, Christopher M. Kelty, Anders Fagerjord, and Seth Erickson. 20 00 Open Access 01 00 03 02 This is the cover of the book There is no Software, there are just Services. 02 http://meson.press/wp-content/uploads/2015/06/Kaldrack-No-Software-Just-Services-Cover_Web-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/there-is-no-software-there-are-just-services 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovationsinkubator 16 40 00949d647 Niedersächsisches Ministerium für Wissenschaft und Kultur 01 programname Niedersächsisches Vorab 16 40 03bsmfz84 32 10.13039/501100001663 Volkswagen Foundation 01 programname Niedersächsisches Vorab Lüneburg 04 01 20150930 Irina Kaldrack Martina Leeker 02 WORLD 06 15 9783957960559 03 9783957960559 06 15 9783957960573 03 9783957960573 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37572 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37572/9783957960566-No-Software-just-Services.pdf?sequence=1&isAllowed=y 20 08 20150930 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/there-is-no-software-there-are-just-services 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2015/06/9783957960566-No-Software-just-Services.pdf 20 08 20150930 01 urn:uuid:dfe4a868-43b7-48a0-a126-f376c6217969 03 01 01 thoth-work-id urn:uuid:9d876020-fb2f-4fdb-a5d9-93c1e43ae8a2 01 thoth-publication-id urn:uuid:dfe4a868-43b7-48a0-a126-f376c6217969 15 9783957960573 03 9783957960573 06 10.14619/008 00 EB E101 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 3 01 02 Digital Cultures 01 01 There is no Software, there are just Services 1 B01 Irina Kaldrack Irina Kaldrack Postdoctoral Researcher 40 02w2y2t16 Leuphana University of Lüneburg Irina Kaldrack is a postdoctoral researcher at the Digital Cultures Research Lab at Leuphana University, where her work concerns new methods in the digital age, the theory and history of digital cultures, the scientific history of motion, and the cultural history of mathematics. 2 B01 Martina Leeker Martina Leeker Professor of Methods in Digital Cultures 40 02w2y2t16 Leuphana University of Lüneburg Martina Leeker is Professor of Methods in Digital Cultures and Senior Researcher at the Digital Cultures Research Lab, Leuphana University of Lüneburg. She is a scholar and lecturer for theater and media studies. Her research concerns artistic/practical research in digital cultures, discourse-analytical media theory, media-anthropology, art and technology, theater and media. 06 Own website https://martina-leeker.de/ 3 A01 21 0000000255707201 Seth Erickson Seth Erickson PhD candidate 40 046rm7j60 University of California, Los Angeles Seth Erickson is a PhD candidate at the Department of Information Studies, University of California, Los Angeles. His dissertation focuses on software development practices in contemporary digital scholarship. 4 A01 21 0000000153910292 Anders Fagerjord Anders Fagerjord Associate Professor of Media Studies 40 01xtthb56 University of Oslo Anders Fagerjord is Associate Professor of Media Studies at the Department of Media and Communication, University of Oslo. His research interests include locative media, design theory, multimodality and multimedia theory; and the concept of “convergence.” Outside of academia, he has worked as a web designer and radio host. 5 A01 21 0000000302535554 Christopher Kelty Christopher Kelty Professor of Information Studies and Anthropology 40 046rm7j60 University of California, Los Angeles Christopher M. Kelty is Professor of Information Studies and Anthropology at the University of California, Los Angeles. He is the author of Two Bits: The Cultural Significance of Free Software. Current research projects can be found at http://kelty.org/. 06 Own website https://kelty.org/kelty.html 6 A01 21 0000000226605249 Andrew Lison Andrew Lison Postdoctoral Researcher 40 001tmjg57 University of Kansas Andrew Lison is a Postdoctoral Researcher in the Digital Humanities at the Hall Center for the Humanities, University of Kansas. He is co-editor, with Timothy Scott Brown, of The Global Sixties in Sound and Vision: Media, Counterculture, Revolt (Palgrave Macmillan, 2014). His work has also appeared in New Formations and Science Fiction Studies. 7 A01 21 0000000326961064 Liam Magee Liam Magee Senior Research Fellow 40 03t52dk35 Western Sydney University Liam Magee is a Senior Research Fellow at the Institute for Culture and Society, University of Western Sydney. He is coauthor of Towards a Semantic Web: Connecting Knowledge in Academic Research (2010). 8 A01 Christoph Neubert Christoph Neubert Postdoctoral Lecturer for Media History 40 058kzsd48 Paderborn University Christoph Neubert is a Postdoctoral Lecturer for Media History at the Department of Media Studies, University of Paderborn and senior member of the DFG Research Training Group “Automatisms.” His research interests include media theory and history, the epistemology of traffic and logistics, and the history of ecology. 9 A01 21 0000000222486377 Jussi Parikka Jussi Parikka Professor of Technological Culture & Aesthetics 40 01ryk1543 University of Southampton Jussi Parikka is Professor of Technological Culture & Aesthetics at Winchester School of Art, University of Southampton. He is the author of several books on digital culture and media theory, including What is Media Archaeology? (2012) and most recently A Geology of Media (2015). 10 A01 21 0000000307102109 Ned Rossiter Ned Rossiter Professor of Communication 40 03t52dk35 Western Sydney University Ned Rossiter is Professor of Communication at the Institute for Culture and Society, University of Western Sydney. His book Software, Infrastructure, Labor: A Media Theory of Logistical Nightmares is forthcoming in 2015. 06 Own website https://nedrossiter.org/ 01 eng 00 114 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 20 services; social media; knowledge; programming; software; cultural technique; data; business models; digital labor 01 06 02 00 Is software dead? Services like Google, Dropbox, Adobe Creative Cloud, or Social Media apps are all-pervasive in our digital media landscape. This marks the (re)emergence of the service paradigm that challenges traditional business and license models as well as modes of media creation and use. The short essays in this edited collection discus 03 00 Is software dead? Services like Google, Dropbox, Adobe Creative Cloud, or Social Media apps are all-pervasive in our digital media landscape. This marks the (re)emergence of the service paradigm that challenges traditional business and license models as well as modes of media creation and use. The short essays in this edited collection discuss how services shift the notion of software, the cultural technique of programming, conditions of labor as well as the ecology and politics of data and how they influence dispositifs of knowledge.Contributors: Ned Rossiter, Jussi Parikka, Christoph Neubert, Liam Magee, Andrew Lison, Christopher M. Kelty, Anders Fagerjord, and Seth Erickson. 30 00 Is software dead? Services like Google, Dropbox, Adobe Creative Cloud, or Social Media apps are all-pervasive in our digital media landscape. This marks the (re)emergence of the service paradigm that challenges traditional business and license models as well as modes of media creation and use. The short essays in this edited collection discuss how services shift the notion of software, the cultural technique of programming, conditions of labor as well as the ecology and politics of data and how they influence dispositifs of knowledge.Contributors: Ned Rossiter, Jussi Parikka, Christoph Neubert, Liam Magee, Andrew Lison, Christopher M. Kelty, Anders Fagerjord, and Seth Erickson. 20 00 Open Access 01 00 03 02 This is the cover of the book There is no Software, there are just Services. 02 http://meson.press/wp-content/uploads/2015/06/Kaldrack-No-Software-Just-Services-Cover_Web-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/there-is-no-software-there-are-just-services 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovationsinkubator 16 40 00949d647 Niedersächsisches Ministerium für Wissenschaft und Kultur 01 programname Niedersächsisches Vorab 16 40 03bsmfz84 32 10.13039/501100001663 Volkswagen Foundation 01 programname Niedersächsisches Vorab Lüneburg 04 01 20150930 Irina Kaldrack Martina Leeker 02 WORLD 06 15 9783957960559 03 9783957960559 06 15 9783957960566 03 9783957960566 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/there-is-no-software-there-are-just-services 20 08 20150930 01 urn:uuid:3cf0c060-fab4-4f21-a84a-d911520b4c46 03 01 01 thoth-work-id urn:uuid:36f7480e-ca45-452c-a5c0-ba1dccf135ec 01 thoth-publication-id urn:uuid:3cf0c060-fab4-4f21-a84a-d911520b4c46 15 9783957961860 03 9783957961860 06 10.14619/1860 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Touchscreen Archaeology Tracing Histories of Hands-On Media Practices 1 A01 Wanda Strauven Wanda Strauven Adjunct Professor in Film and Media Studies 40 00hj8s172 Columbia University Wanda Strauven is Adjunct Professor in Film and Media Studies at Columbia University. She is also affiliated with the Institute of Theater, Film and Media Studies at Goethe University Frankfurt. Her research focuses on early and avant-garde cinema, media archaeology, tactile media, and children’s interaction with media. 01 eng 00 260 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 12 APFA 93 ATFA 10 PER004030 04 PN1993-1994 12 APT 93 ATJ 10 PER010000 04 PN1992-1992.92 12 AFKV 93 ATN 20 Film; Surface; Media Archaeology; Toys; Gestures; Tactile Art; Touch; Museum; Television; Interface 01 06 02 00 The touchscreen belongs to a century-long history of hands-on media practices and touchable art objects. This media-archaeological excavation examines the nature of our sensual involvement with media and invites the reader to think about the touchscreen beyond its technological implications. In six chapters, the book questions and historicize 03 00 The touchscreen belongs to a century-long history of hands-on media practices and touchable art objects. This media-archaeological excavation examines the nature of our sensual involvement with media and invites the reader to think about the touchscreen beyond its technological implications. In six chapters, the book questions and historicizes both aspects of the touchscreen, considering "touch" as a media practice and "screen" as a touchable object. 30 00 The touchscreen belongs to a century-long history of hands-on media practices and touchable art objects. This media-archaeological excavation examines the nature of our sensual involvement with media and invites the reader to think about the touchscreen beyond its technological implications. In six chapters, the book questions and historicizes both aspects of the touchscreen, considering "touch" as a media practice and "screen" as a touchable object. 20 00 Open Access 01 00 03 02 This is the cover of the book Touchscreen Archaeology. 02 https://meson.press/wp-content/uploads/2021/01/Strauven_Cover_s.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/touchscreen-archaeology/ 16 Frankfurt Humanities Research Centre, Goethe University Frankfurt 01 programname ProPostDoc Lüneburg 04 01 20210517 Wanda Strauven 02 WORLD 06 15 9783957961877 03 9783957961877 WORLD 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/touchscreen-archaeology/ 20 08 20210517 01 urn:uuid:809fd473-bb71-4fe6-b6c3-dfea6d4d638a 03 01 01 thoth-work-id urn:uuid:36f7480e-ca45-452c-a5c0-ba1dccf135ec 01 thoth-publication-id urn:uuid:809fd473-bb71-4fe6-b6c3-dfea6d4d638a 15 9783957961877 03 9783957961877 06 10.14619/1860 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Touchscreen Archaeology Tracing Histories of Hands-On Media Practices 1 A01 Wanda Strauven Wanda Strauven Adjunct Professor in Film and Media Studies 40 00hj8s172 Columbia University Wanda Strauven is Adjunct Professor in Film and Media Studies at Columbia University. She is also affiliated with the Institute of Theater, Film and Media Studies at Goethe University Frankfurt. Her research focuses on early and avant-garde cinema, media archaeology, tactile media, and children’s interaction with media. 01 eng 00 260 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 12 APFA 93 ATFA 10 PER004030 04 PN1993-1994 12 APT 93 ATJ 10 PER010000 04 PN1992-1992.92 12 AFKV 93 ATN 20 Film; Surface; Media Archaeology; Toys; Gestures; Tactile Art; Touch; Museum; Television; Interface 01 06 02 00 The touchscreen belongs to a century-long history of hands-on media practices and touchable art objects. This media-archaeological excavation examines the nature of our sensual involvement with media and invites the reader to think about the touchscreen beyond its technological implications. In six chapters, the book questions and historicize 03 00 The touchscreen belongs to a century-long history of hands-on media practices and touchable art objects. This media-archaeological excavation examines the nature of our sensual involvement with media and invites the reader to think about the touchscreen beyond its technological implications. In six chapters, the book questions and historicizes both aspects of the touchscreen, considering "touch" as a media practice and "screen" as a touchable object. 30 00 The touchscreen belongs to a century-long history of hands-on media practices and touchable art objects. This media-archaeological excavation examines the nature of our sensual involvement with media and invites the reader to think about the touchscreen beyond its technological implications. In six chapters, the book questions and historicizes both aspects of the touchscreen, considering "touch" as a media practice and "screen" as a touchable object. 20 00 Open Access 01 00 03 02 This is the cover of the book Touchscreen Archaeology. 02 https://meson.press/wp-content/uploads/2021/01/Strauven_Cover_s.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/touchscreen-archaeology/ 16 Frankfurt Humanities Research Centre, Goethe University Frankfurt 01 programname ProPostDoc Lüneburg 04 01 20210517 Wanda Strauven 02 WORLD 06 15 9783957961860 03 9783957961860 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/50005 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/50005/9783957961877.pdf 20 08 20210517 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/touchscreen-archaeology/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2021/04/9783957961877_Strauven.pdf 20 08 20210517 01 urn:uuid:9db2a0a7-ea21-4191-8f5a-e10bfd36078f 03 01 01 thoth-work-id urn:uuid:618f4192-11d9-49bd-b776-a842e2331563 01 thoth-publication-id urn:uuid:9db2a0a7-ea21-4191-8f5a-e10bfd36078f 15 9783957960030 03 9783957960030 06 10.14619/0030 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 4433718b-565b-4e98-b1ef-43519635928f 02 00000009 01 Series URL https://meson.press/series-page/configurations-of-film 03 1 01 02 Configurations of Film 01 01 Tracks from the Crypt 1 A01 John Mowitt John Mowitt Leadership Chair in the Critical Humanities 40 024mrxd33 University of Leeds John Mowitt holds the Leadership Chair in the Critical Humanities at the University of Leeds. His publications range widely over the fields of culture, politics and theory. His most recent book, Sounds: The Ambient Humanities, appeared from University of California Press in 2015. He is a senior co-editor of Cultural Critique. 2 A24 Rebecca Boguska Rebecca Boguska 3 A24 21 0000000234552423 Vinzenz Hediger Vinzenz Hediger 01 eng 00 48 03 93 JBCT 12 JFD 04 P87-96 10 SOC052000 93 AFKP 12 AFKP 10 PHO022000 12 AJRH 93 AJTV 10 PER004030 12 APFA 93 ATFA 93 ATN 12 AVA 93 AVA 12 AVGN 93 AVLP 20 Communication; Crypt; David Bowie; Fama; Jacques Derrida; Machine; Martin Buber; Mediation; Tombeau 01 06 02 00 David Bowie’s 2015 Blackstar has been understood by critics and fans alike to have a certain valedictory status. For them, perhaps for us, it is a 39-minute and 13-second farewell. A long goodbye. My angle is different. By situating the Bowie/Renck collaboration on “Lazarus” in the context of a meditation on the question once posed by Georg S 03 00 David Bowie’s 2015 Blackstar has been understood by critics and fans alike to have a certain valedictory status. For them, perhaps for us, it is a 39-minute and 13-second farewell. A long goodbye. My angle is different. By situating the Bowie/Renck collaboration on “Lazarus” in the context of a meditation on the question once posed by Georg Stanitzek, “Was ist Kommunikation?” I consider the CD and the video as experiments in re-configuration. More specifically, by thinking about the distinctly cinematic iteration of the question of communication (citing here Captain’s “what we have here is … failure to communicate” from Cool Hand Luke) I propose that mediated communication embodies the Ich/Es modality of dialogue disparaged by Martin Buber. What this invites us to consider is whether “Lazarus” in particular isn’t the generation of an audiovisual tombeau from which or out of which communication strains are to be heard. Is it “saying” farewell? Is it “saying” anything? By drawing on Jacques Derrida’s appropriation of the crypt in the work of Abraham and Torok, I propose that “Lazarus” manages (and the feat is neither small nor insignificant) to communicate nothing. In effect, “Lazarus” is the very sound, not of a failure to communicate, but of a “speaking” emptied of what protects it from mediation. Here, Bowie’s gnomic persona assumes a political valence not typically ascribed to it. 30 00 David Bowie’s 2015 Blackstar has been understood by critics and fans alike to have a certain valedictory status. For them, perhaps for us, it is a 39-minute and 13-second farewell. A long goodbye. My angle is different. By situating the Bowie/Renck collaboration on “Lazarus” in the context of a meditation on the question once posed by Georg Stanitzek, “Was ist Kommunikation?” I consider the CD and the video as experiments in re-configuration. More specifically, by thinking about the distinctly cinematic iteration of the question of communication (citing here Captain’s “what we have here is … failure to communicate” from Cool Hand Luke) I propose that mediated communication embodies the Ich/Es modality of dialogue disparaged by Martin Buber. What this invites us to consider is whether “Lazarus” in particular isn’t the generation of an audiovisual tombeau from which or out of which communication strains are to be heard. Is it “saying” farewell? Is it “saying” anything? By drawing on Jacques Derrida’s appropriation of the crypt in the work of Abraham and Torok, I propose that “Lazarus” manages (and the feat is neither small nor insignificant) to communicate nothing. In effect, “Lazarus” is the very sound, not of a failure to communicate, but of a “speaking” emptied of what protects it from mediation. Here, Bowie’s gnomic persona assumes a political valence not typically ascribed to it. 20 00 Open Access 01 00 03 02 This is the cover of the book Tracks from the Crypt. 02 https://meson.press/wp-content/uploads/2019/08/Mowitt_U1_small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/tracks-from-the-crypt 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Graduiertenkolleg 01 projectname GRK 2279: Konfigurationen des Films 01 projectshortname Konfigurationen des Films 01 grantnumber 310565625 Lüneburg 04 01 20190925 John Mowitt Rebecca Boguska Vinzenz Hediger 02 WORLD WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37578 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37578/978-3-95796-003-0-Mowitt.pdf 20 08 20190925 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/tracks-from-the-crypt 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2019/11/978-3-95796-003-0-Mowitt.pdf 20 08 20190925 01 urn:uuid:1382662a-ae40-47ae-98a0-34e03ae71366 03 01 01 thoth-work-id urn:uuid:38872158-58b9-4ddf-a90e-f6001ac6c62d 01 thoth-publication-id urn:uuid:1382662a-ae40-47ae-98a0-34e03ae71366 15 9783957960801 03 9783957960801 06 10.14619/017 00 BC 10 01 220 mm 01 22 cm 01 8.66 in 02 155 mm 02 15.5 cm 02 6.1 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Trick 17 Mediengeschichten zwischen Zauberkunst und Wissenschaft 1 A01 Sebastian Vehlken Sebastian Vehlken Junior Director of the Institute for Advanced Study on Media Cultures of Computer Simulation 40 02w2y2t16 Leuphana University of Lüneburg Sebastian Vehlken is Junior Director of the Institute for Advanced Study on Media Cultures of Computer Simulation at Leuphana University Lüneburg. He was visiting professor at Humboldt University Berlin, at the University of Vienna, and at Leuphana, and Research Fellow at the IFK Vienna. His main research interests focus on media theory, cultural techniques, and the media history of computer simulation and supercomputing. Recent publications include Neighborhood Technologies: Media and Mathematics of Dynamic Networks, ed. with Tobias Harks (Zürich: Diaphanes 2015). 2 A01 Katja Müller-Helle Katja Müller-Helle Postdoctoral Scholar 40 046ak2485 Freie Universität Berlin Katja Müller-Helle is post doctoral scholar at the Kollegforschergruppe BildEvidenz. Geschichte und Ästhetik of Free University of Berlin. Her research covers the history and theory of photography, media history, historiography of avant-garde cultures and theories of pictorial evidence. Among her publications are Zeitspeicher der Fotografie. Zukunftsbilder 1860–1913, Paderborn: Fink (forthcoming); „The Past Future of Futurist Movement Photography”, in: The Getty Research Journal, no 7, 2015: 109-23; „Stumme Zeugen. Fotografische Bildevidenz am Rand der Wahrscheinlichkeit”, in: Zeitschrift für Medienwissenschaft, no 11, 2/2014: 37-48; Blitzlicht. Berlin/Zürich: diaphanes, 2012 (edited with Florian Sprenger). 3 A01 Jan Müggenburg Müggenburg Jan Post Doctoral Research Assistant 40 02w2y2t16 Leuphana University of Lüneburg Jan Mueggenburg is currently working as a post doctoral research assistant at the Institute for Culture and Aesthetics of Digital Media at the Leuphana University in Lueneburg. He publishes and lectures about the history of computing, cybernetics and bionics. His latest publications include: “Der Delfin als Medium: Formation und Imagination in John C. Lillys Kommunikationsexperimenten,” in Designing Thinking: Angewandte Imagination und Kreativität um 1960, ed. Claudia Mareis (Paderborn: Fink 2016), 187–213, and “Clean by Nature: Lively Surfaces and the Holistic-Systemic Heritage of Contemporary Bionik,” communication +1, 3 (2014): Article 9. 4 A01 21 0000000252258711 Florian Sprenger Florian Sprenger Professor of Virtual Humanities 40 04tsk2644 Ruhr University Bochum Florian Sprenger is professor of virtual humanities at Ruhr-Universität Bochum. He is author of Politics of Micro-Decisions: Edward Snowden, Net Neutrality and the Architecture of the Internet (Meson Press, 2015). His research covers topics such as the history of artificial environments, media of immediacy, and the internet of things. 06 Own website http://www.floriansprenger.com/ 01 ger 00 120 03 93 JBCT 04 P87-96 93 AJTF 93 GPFC 93 KNT 93 QRYM2 93 QRYX5 93 TBX 20 Techniktricks; Mediengeschichte; Technikgeschichte; Spiritismus; Trick Photography; Trick Talking Head; Zauberhandbuch; Informationsgesellschaft; Ubiquitous Computing; Tricktechnik; Zauberei 01 06 02 00 Der Zauber der Medien speist sich aus ihrem Geheimnis: Den Usern von heute sind Laptop, Smartphone oder Tablet eine Blackbox, die ihre Sinne im Bann hält und die Techniktricks im Inneren hinter einer opaken Oberfläche verbirgt. Doch solche Verzauberung ist nicht neu. Umihr auf die Spur zu kommen, nähert sich dieses Buch der Mediengeschichte d 03 00 Der Zauber der Medien speist sich aus ihrem Geheimnis: Den Usern von heute sind Laptop, Smartphone oder Tablet eine Blackbox, die ihre Sinne im Bann hält und die Techniktricks im Inneren hinter einer opaken Oberfläche verbirgt. Doch solche Verzauberung ist nicht neu. Umihr auf die Spur zu kommen, nähert sich dieses Buch der Mediengeschichte der Zauberei an der Schwelle zwischen magischem Moment und Ent-Täuschung. Nicht seltenfolgt einer geradezu übernatürlich wirkenden Zaubervorführung die wissenschaftliche Erklärung und Offenlegung ihrer Tricks. Ein solcher Akt der Entzauberung mag zwar magische Momente als faulen Zauber demaskieren. Er rückt dafür jedoch die Technologien der Täuschung ins Rampenlicht: Erst die Ausnutzung physikalischer Gesetze, das Konstruieren mechanischer Zauberapparate und das Spiel mit der Wahrnehmung der Zuschauer machen deren ,Verzauberung’ möglich. Sie erlaubt, die Frage nach Wissen, dem medialen Zugriff auf unsere Sinne und dem sinnlichen Zugriff auf unsere Welt erneut zu stellen. 30 00 Der Zauber der Medien speist sich aus ihrem Geheimnis: Den Usern von heute sind Laptop, Smartphone oder Tablet eine Blackbox, die ihre Sinne im Bann hält und die Techniktricks im Inneren hinter einer opaken Oberfläche verbirgt. Doch solche Verzauberung ist nicht neu. Umihr auf die Spur zu kommen, nähert sich dieses Buch der Mediengeschichte der Zauberei an der Schwelle zwischen magischem Moment und Ent-Täuschung. Nicht seltenfolgt einer geradezu übernatürlich wirkenden Zaubervorführung die wissenschaftliche Erklärung und Offenlegung ihrer Tricks. Ein solcher Akt der Entzauberung mag zwar magische Momente als faulen Zauber demaskieren. Er rückt dafür jedoch die Technologien der Täuschung ins Rampenlicht: Erst die Ausnutzung physikalischer Gesetze, das Konstruieren mechanischer Zauberapparate und das Spiel mit der Wahrnehmung der Zuschauer machen deren ,Verzauberung’ möglich. Sie erlaubt, die Frage nach Wissen, dem medialen Zugriff auf unsere Sinne und dem sinnlichen Zugriff auf unsere Welt erneut zu stellen. 20 00 Open Access 01 00 03 02 This is the cover of the book Trick 17. 02 http://meson.press/wp-content/uploads/2016/06/Trick17-U1-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/trick-17/ Lüneburg 04 01 20160714 Sebastian Vehlken Katja Müller-Helle Jan Müggenburg Florian Sprenger 02 WORLD 06 15 9783957960818 03 9783957960818 WORLD 11 Unknown 36 Unspecified hosting platform: webpage for this product https://www.amazon.de/Trick-17-Mediengeschichten-Zauberkunst-Wissenschaft/dp/3957960800 20 08 20160714 02 14.90 EUR WORLD 02 22.50 USD WORLD urn:uuid:50e3209e-f7aa-4618-8f5f-8645670598c6 03 01 01 thoth-work-id urn:uuid:38872158-58b9-4ddf-a90e-f6001ac6c62d 01 thoth-publication-id urn:uuid:50e3209e-f7aa-4618-8f5f-8645670598c6 15 9783957960818 03 9783957960818 06 10.14619/017 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Trick 17 Mediengeschichten zwischen Zauberkunst und Wissenschaft 1 A01 Sebastian Vehlken Sebastian Vehlken Junior Director of the Institute for Advanced Study on Media Cultures of Computer Simulation 40 02w2y2t16 Leuphana University of Lüneburg Sebastian Vehlken is Junior Director of the Institute for Advanced Study on Media Cultures of Computer Simulation at Leuphana University Lüneburg. He was visiting professor at Humboldt University Berlin, at the University of Vienna, and at Leuphana, and Research Fellow at the IFK Vienna. His main research interests focus on media theory, cultural techniques, and the media history of computer simulation and supercomputing. Recent publications include Neighborhood Technologies: Media and Mathematics of Dynamic Networks, ed. with Tobias Harks (Zürich: Diaphanes 2015). 2 A01 Katja Müller-Helle Katja Müller-Helle Postdoctoral Scholar 40 046ak2485 Freie Universität Berlin Katja Müller-Helle is post doctoral scholar at the Kollegforschergruppe BildEvidenz. Geschichte und Ästhetik of Free University of Berlin. Her research covers the history and theory of photography, media history, historiography of avant-garde cultures and theories of pictorial evidence. Among her publications are Zeitspeicher der Fotografie. Zukunftsbilder 1860–1913, Paderborn: Fink (forthcoming); „The Past Future of Futurist Movement Photography”, in: The Getty Research Journal, no 7, 2015: 109-23; „Stumme Zeugen. Fotografische Bildevidenz am Rand der Wahrscheinlichkeit”, in: Zeitschrift für Medienwissenschaft, no 11, 2/2014: 37-48; Blitzlicht. Berlin/Zürich: diaphanes, 2012 (edited with Florian Sprenger). 3 A01 Jan Müggenburg Müggenburg Jan Post Doctoral Research Assistant 40 02w2y2t16 Leuphana University of Lüneburg Jan Mueggenburg is currently working as a post doctoral research assistant at the Institute for Culture and Aesthetics of Digital Media at the Leuphana University in Lueneburg. He publishes and lectures about the history of computing, cybernetics and bionics. His latest publications include: “Der Delfin als Medium: Formation und Imagination in John C. Lillys Kommunikationsexperimenten,” in Designing Thinking: Angewandte Imagination und Kreativität um 1960, ed. Claudia Mareis (Paderborn: Fink 2016), 187–213, and “Clean by Nature: Lively Surfaces and the Holistic-Systemic Heritage of Contemporary Bionik,” communication +1, 3 (2014): Article 9. 4 A01 21 0000000252258711 Florian Sprenger Florian Sprenger Professor of Virtual Humanities 40 04tsk2644 Ruhr University Bochum Florian Sprenger is professor of virtual humanities at Ruhr-Universität Bochum. He is author of Politics of Micro-Decisions: Edward Snowden, Net Neutrality and the Architecture of the Internet (Meson Press, 2015). His research covers topics such as the history of artificial environments, media of immediacy, and the internet of things. 06 Own website http://www.floriansprenger.com/ 01 ger 00 120 03 93 JBCT 04 P87-96 93 AJTF 93 GPFC 93 KNT 93 QRYM2 93 QRYX5 93 TBX 20 Techniktricks; Mediengeschichte; Technikgeschichte; Spiritismus; Trick Photography; Trick Talking Head; Zauberhandbuch; Informationsgesellschaft; Ubiquitous Computing; Tricktechnik; Zauberei 01 06 02 00 Der Zauber der Medien speist sich aus ihrem Geheimnis: Den Usern von heute sind Laptop, Smartphone oder Tablet eine Blackbox, die ihre Sinne im Bann hält und die Techniktricks im Inneren hinter einer opaken Oberfläche verbirgt. Doch solche Verzauberung ist nicht neu. Umihr auf die Spur zu kommen, nähert sich dieses Buch der Mediengeschichte d 03 00 Der Zauber der Medien speist sich aus ihrem Geheimnis: Den Usern von heute sind Laptop, Smartphone oder Tablet eine Blackbox, die ihre Sinne im Bann hält und die Techniktricks im Inneren hinter einer opaken Oberfläche verbirgt. Doch solche Verzauberung ist nicht neu. Umihr auf die Spur zu kommen, nähert sich dieses Buch der Mediengeschichte der Zauberei an der Schwelle zwischen magischem Moment und Ent-Täuschung. Nicht seltenfolgt einer geradezu übernatürlich wirkenden Zaubervorführung die wissenschaftliche Erklärung und Offenlegung ihrer Tricks. Ein solcher Akt der Entzauberung mag zwar magische Momente als faulen Zauber demaskieren. Er rückt dafür jedoch die Technologien der Täuschung ins Rampenlicht: Erst die Ausnutzung physikalischer Gesetze, das Konstruieren mechanischer Zauberapparate und das Spiel mit der Wahrnehmung der Zuschauer machen deren ,Verzauberung’ möglich. Sie erlaubt, die Frage nach Wissen, dem medialen Zugriff auf unsere Sinne und dem sinnlichen Zugriff auf unsere Welt erneut zu stellen. 30 00 Der Zauber der Medien speist sich aus ihrem Geheimnis: Den Usern von heute sind Laptop, Smartphone oder Tablet eine Blackbox, die ihre Sinne im Bann hält und die Techniktricks im Inneren hinter einer opaken Oberfläche verbirgt. Doch solche Verzauberung ist nicht neu. Umihr auf die Spur zu kommen, nähert sich dieses Buch der Mediengeschichte der Zauberei an der Schwelle zwischen magischem Moment und Ent-Täuschung. Nicht seltenfolgt einer geradezu übernatürlich wirkenden Zaubervorführung die wissenschaftliche Erklärung und Offenlegung ihrer Tricks. Ein solcher Akt der Entzauberung mag zwar magische Momente als faulen Zauber demaskieren. Er rückt dafür jedoch die Technologien der Täuschung ins Rampenlicht: Erst die Ausnutzung physikalischer Gesetze, das Konstruieren mechanischer Zauberapparate und das Spiel mit der Wahrnehmung der Zuschauer machen deren ,Verzauberung’ möglich. Sie erlaubt, die Frage nach Wissen, dem medialen Zugriff auf unsere Sinne und dem sinnlichen Zugriff auf unsere Welt erneut zu stellen. 20 00 Open Access 01 00 03 02 This is the cover of the book Trick 17. 02 http://meson.press/wp-content/uploads/2016/06/Trick17-U1-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/trick-17/ Lüneburg 04 01 20160714 Sebastian Vehlken Katja Müller-Helle Jan Müggenburg Florian Sprenger 02 WORLD 06 15 9783957960801 03 9783957960801 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37564 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37564/9783957960818_Trick_17.pdf 20 08 20160714 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/trick-17/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2016/06/9783957960818_Trick_17.pdf 20 08 20160714 01 urn:uuid:dbb17dbe-ee02-4b96-86e5-fd7e49f6125e 03 01 01 thoth-work-id urn:uuid:9372f7a7-f72e-4a67-8818-9176667a1c52 01 thoth-publication-id urn:uuid:dbb17dbe-ee02-4b96-86e5-fd7e49f6125e 15 9783957962010 03 9783957962010 06 10.14619/2010 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID bb95d179-db6a-4325-81d0-8aa456fd8b58 02 00000001 01 Series URL https://meson.press/series-page/future-ecologies 03 4 01 02 Future Ecologies 01 01 Uexküll’s Surroundings Umwelt Theory and Right-Wing Thought 1 A01 Gottfried Schnödl Gottfried Schnödl 2 A01 21 0000000252258711 Florian Sprenger Florian Sprenger 06 Own website http://www.floriansprenger.com/ 3 B06 Michael Thomas Taylor Michael Thomas Taylor 4 B06 Wayne Yung Wayne Yung 01 eng 00 252 03 93 JBCT 04 P87-96 93 JBFA1 93 JPFQ 93 PDA 93 PSAF 93 QDTS 93 RNA 20 Umwelt Theory; Nazism; New Right; Racism; Ecology; Uexküll 01 06 02 00 With its diversity of possible Umwelten or environments for living things, Jakob von Uexküll’s Umwelt theory has been hailed by many readers as the first step toward an innovative, pluralistic conception of nonhuman life. But what is generally ignored is its structural conservatism, its identitarian logic in which everything should remain in 03 00 With its diversity of possible Umwelten or environments for living things, Jakob von Uexküll’s Umwelt theory has been hailed by many readers as the first step toward an innovative, pluralistic conception of nonhuman life. But what is generally ignored is its structural conservatism, its identitarian logic in which everything should remain in its place and nothing should mix, and its proximity to Nazi ideology and politics. By turning the spotlight on these neglected aspects, Uexküll’s Surroundings opens up a new perspective on Uexküll’s Umwelt theory. 30 00 With its diversity of possible Umwelten or environments for living things, Jakob von Uexküll’s Umwelt theory has been hailed by many readers as the first step toward an innovative, pluralistic conception of nonhuman life. But what is generally ignored is its structural conservatism, its identitarian logic in which everything should remain in its place and nothing should mix, and its proximity to Nazi ideology and politics. By turning the spotlight on these neglected aspects, Uexküll’s Surroundings opens up a new perspective on Uexküll’s Umwelt theory. 20 00 Open Access 01 00 03 02 This is the cover of the book Uexküll’s Surroundings. 02 https://meson.press/wp-content/uploads/2022/02/Uexku%CC%88lls-Surroundings_Cover_En_300dpi.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/uexkulls-surroundings/ Lüneburg 04 01 20220323 Gottfried Schnödl Florian Sprenger 02 WORLD 06 15 9783957962027 03 9783957962027 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/uexkulls-surroundings/ 20 08 20220323 01 urn:uuid:a51311bd-e3dd-4ba0-b2d5-8f8eb96c9aaa 03 01 01 thoth-work-id urn:uuid:9372f7a7-f72e-4a67-8818-9176667a1c52 01 thoth-publication-id urn:uuid:a51311bd-e3dd-4ba0-b2d5-8f8eb96c9aaa 15 9783957962027 03 9783957962027 06 10.14619/2010 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID bb95d179-db6a-4325-81d0-8aa456fd8b58 02 00000001 01 Series URL https://meson.press/series-page/future-ecologies 03 4 01 02 Future Ecologies 01 01 Uexküll’s Surroundings Umwelt Theory and Right-Wing Thought 1 A01 Gottfried Schnödl Gottfried Schnödl 2 A01 21 0000000252258711 Florian Sprenger Florian Sprenger 06 Own website http://www.floriansprenger.com/ 3 B06 Michael Thomas Taylor Michael Thomas Taylor 4 B06 Wayne Yung Wayne Yung 01 eng 00 252 03 93 JBCT 04 P87-96 93 JBFA1 93 JPFQ 93 PDA 93 PSAF 93 QDTS 93 RNA 20 Umwelt Theory; Nazism; New Right; Racism; Ecology; Uexküll 01 06 02 00 With its diversity of possible Umwelten or environments for living things, Jakob von Uexküll’s Umwelt theory has been hailed by many readers as the first step toward an innovative, pluralistic conception of nonhuman life. But what is generally ignored is its structural conservatism, its identitarian logic in which everything should remain in 03 00 With its diversity of possible Umwelten or environments for living things, Jakob von Uexküll’s Umwelt theory has been hailed by many readers as the first step toward an innovative, pluralistic conception of nonhuman life. But what is generally ignored is its structural conservatism, its identitarian logic in which everything should remain in its place and nothing should mix, and its proximity to Nazi ideology and politics. By turning the spotlight on these neglected aspects, Uexküll’s Surroundings opens up a new perspective on Uexküll’s Umwelt theory. 30 00 With its diversity of possible Umwelten or environments for living things, Jakob von Uexküll’s Umwelt theory has been hailed by many readers as the first step toward an innovative, pluralistic conception of nonhuman life. But what is generally ignored is its structural conservatism, its identitarian logic in which everything should remain in its place and nothing should mix, and its proximity to Nazi ideology and politics. By turning the spotlight on these neglected aspects, Uexküll’s Surroundings opens up a new perspective on Uexküll’s Umwelt theory. 20 00 Open Access 01 00 03 02 This is the cover of the book Uexküll’s Surroundings. 02 https://meson.press/wp-content/uploads/2022/02/Uexku%CC%88lls-Surroundings_Cover_En_300dpi.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/uexkulls-surroundings/ Lüneburg 04 01 20220323 Gottfried Schnödl Florian Sprenger 02 WORLD 06 15 9783957962010 03 9783957962010 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88714 29 OAPEN: download the title https://library.oapen.org/bitstream/20.500.12657/88714/1/978-3-95796-202-7_Uexk%c3%bclls-Surroundings.pdf 20 08 20220323 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/uexkulls-surroundings/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2022/02/978-3-95796-202-7_Uexku%CC%88lls-Surroundings.pdf 20 08 20220323 01 urn:uuid:b816582a-657f-41b4-ac5e-359cdec88314 03 01 01 thoth-work-id urn:uuid:548200fa-0468-4e56-9986-9b5b76ebc4f2 01 thoth-publication-id urn:uuid:b816582a-657f-41b4-ac5e-359cdec88314 15 9783957961921 03 9783957961921 06 10.14619/1921 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID bb95d179-db6a-4325-81d0-8aa456fd8b58 02 00000001 01 Series URL https://meson.press/series-page/future-ecologies 03 3 01 02 Future Ecologies 01 01 Uexkülls Umgebungen Umweltlehre und rechtes Denken 1 A01 Gottfried Schnödl Gottfried Schnödl 2 A01 21 0000000252258711 Florian Sprenger Florian Sprenger 06 Own website http://www.floriansprenger.com/ 01 ger 00 253 03 93 JBCT 04 P87-96 93 JBFA1 93 JPFQ 93 PDA 93 PSAF 93 QDTS 93 RNA 20 Neue Rechte; Rassismus; Nationalsozialismus; Uexküll; Ökologie; Umweltlehre 01 06 02 00 Die Lehre Jakob von Uexkülls wird oft mit anerkennendem Blick auf die Vielfalt möglicher Umwelten und als erster Schritt zu einem anderen, pluralen Nachdenken über nicht-menschliche Lebensformen gelesen. Ihr struktureller Konservatismus, ihre identitäre Logik, nach welcher alles an seinem Platz bleiben und sich nichts vermischen soll, und i 03 00 Die Lehre Jakob von Uexkülls wird oft mit anerkennendem Blick auf die Vielfalt möglicher Umwelten und als erster Schritt zu einem anderen, pluralen Nachdenken über nicht-menschliche Lebensformen gelesen. Ihr struktureller Konservatismus, ihre identitäre Logik, nach welcher alles an seinem Platz bleiben und sich nichts vermischen soll, und ihre Nähe zum Nationalsozialismus bleiben dabei in aller Regel außen vor. Uexkülls Umgebungen stellt diese Fragen ins Zentrum und eröffnet damit einen neuen Blick auf Uexkülls Umweltlehre. 30 00 Die Lehre Jakob von Uexkülls wird oft mit anerkennendem Blick auf die Vielfalt möglicher Umwelten und als erster Schritt zu einem anderen, pluralen Nachdenken über nicht-menschliche Lebensformen gelesen. Ihr struktureller Konservatismus, ihre identitäre Logik, nach welcher alles an seinem Platz bleiben und sich nichts vermischen soll, und ihre Nähe zum Nationalsozialismus bleiben dabei in aller Regel außen vor. Uexkülls Umgebungen stellt diese Fragen ins Zentrum und eröffnet damit einen neuen Blick auf Uexkülls Umweltlehre. 20 00 Open Access 01 00 03 02 This is the cover of the book Uexkülls Umgebungen. 02 https://meson.press/wp-content/uploads/2021/09/Uexku%CC%88lls-Umgebungen_Cover_De_300dpi.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/uexkulls-umgebungen/ Lüneburg 04 01 20211022 Gottfried Schnödl Florian Sprenger 02 WORLD 06 15 9783957961938 03 9783957961938 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/uexkulls-umgebungen/ 20 08 20211022 01 urn:uuid:50afac93-9e39-40c9-88ca-9aa5ad830f0f 03 01 01 thoth-work-id urn:uuid:548200fa-0468-4e56-9986-9b5b76ebc4f2 01 thoth-publication-id urn:uuid:50afac93-9e39-40c9-88ca-9aa5ad830f0f 15 9783957961938 03 9783957961938 06 10.14619/1921 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID bb95d179-db6a-4325-81d0-8aa456fd8b58 02 00000001 01 Series URL https://meson.press/series-page/future-ecologies 03 3 01 02 Future Ecologies 01 01 Uexkülls Umgebungen Umweltlehre und rechtes Denken 1 A01 Gottfried Schnödl Gottfried Schnödl 2 A01 21 0000000252258711 Florian Sprenger Florian Sprenger 06 Own website http://www.floriansprenger.com/ 01 ger 00 253 03 93 JBCT 04 P87-96 93 JBFA1 93 JPFQ 93 PDA 93 PSAF 93 QDTS 93 RNA 20 Neue Rechte; Rassismus; Nationalsozialismus; Uexküll; Ökologie; Umweltlehre 01 06 02 00 Die Lehre Jakob von Uexkülls wird oft mit anerkennendem Blick auf die Vielfalt möglicher Umwelten und als erster Schritt zu einem anderen, pluralen Nachdenken über nicht-menschliche Lebensformen gelesen. Ihr struktureller Konservatismus, ihre identitäre Logik, nach welcher alles an seinem Platz bleiben und sich nichts vermischen soll, und i 03 00 Die Lehre Jakob von Uexkülls wird oft mit anerkennendem Blick auf die Vielfalt möglicher Umwelten und als erster Schritt zu einem anderen, pluralen Nachdenken über nicht-menschliche Lebensformen gelesen. Ihr struktureller Konservatismus, ihre identitäre Logik, nach welcher alles an seinem Platz bleiben und sich nichts vermischen soll, und ihre Nähe zum Nationalsozialismus bleiben dabei in aller Regel außen vor. Uexkülls Umgebungen stellt diese Fragen ins Zentrum und eröffnet damit einen neuen Blick auf Uexkülls Umweltlehre. 30 00 Die Lehre Jakob von Uexkülls wird oft mit anerkennendem Blick auf die Vielfalt möglicher Umwelten und als erster Schritt zu einem anderen, pluralen Nachdenken über nicht-menschliche Lebensformen gelesen. Ihr struktureller Konservatismus, ihre identitäre Logik, nach welcher alles an seinem Platz bleiben und sich nichts vermischen soll, und ihre Nähe zum Nationalsozialismus bleiben dabei in aller Regel außen vor. Uexkülls Umgebungen stellt diese Fragen ins Zentrum und eröffnet damit einen neuen Blick auf Uexkülls Umweltlehre. 20 00 Open Access 01 00 03 02 This is the cover of the book Uexkülls Umgebungen. 02 https://meson.press/wp-content/uploads/2021/09/Uexku%CC%88lls-Umgebungen_Cover_De_300dpi.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/uexkulls-umgebungen/ Lüneburg 04 01 20211022 Gottfried Schnödl Florian Sprenger 02 WORLD 06 15 9783957961921 03 9783957961921 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88709 29 OAPEN: download the title https://library.oapen.org/bitstream/20.500.12657/88709/1/978-3-95796-193-8_Uexk%c3%bclls_Umgebungen.pdf 20 08 20211022 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/uexkulls-umgebungen/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2021/09/978-3-95796-193-8_Uexku%CC%88lls_Umgebungen.pdf 20 08 20211022 01 urn:uuid:4c71de04-4b43-4b1e-8b45-634ef809d85e 03 01 01 thoth-work-id urn:uuid:5465cd7a-47a9-4c93-973b-96d471ec38dc 01 thoth-publication-id urn:uuid:4c71de04-4b43-4b1e-8b45-634ef809d85e 15 9783957961532 03 9783957961532 06 10.14619/153-2 00 EB E107 10 Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). 02 https://creativecommons.org/licenses/by-nc/4.0/ 10 01 Series ID d8c7752c-9550-4d6a-883a-a7a3ee820962 02 00000007 01 Series URL https://meson.press/series-page/in-search-of-media 03 9 01 02 In Search of Media 01 01 Undoing Networks 1 A01 Tero Karppi Tero Karppi Assistant Professor 40 03dbr7087 University of Toronto Tero Karppi is assistant professor at the University of Toronto. He teaches in the Institute of Communication, Culture, Information, and Technology and in the Faculty of Information. He is author of Disconnect: Facebook’s Affective Bonds (Minnesota, 2018). 2 A01 Urs Stäheli Urs Stäheli Professor of Sociology and Sociological Theory 40 00g30e956 Universität Hamburg Urs Stäheli is professor of sociology and sociological theory at the University of Hamburg, Germany. He is author of Spectacular Speculation: Thrills, the Economy, and Popular Discourse, among other books. 3 A01 Clara Wieghorst Clara Wieghorst Research Associate 40 02w2y2t16 Leuphana University of Lüneburg PhD Student 40 02w2y2t16 Leuphana University of Lüneburg Clara Wieghorst is a research associate and PhD student at the Center for Digital Cultures and the Institute of Sociology and Cultural Organization at Leuphana University Lüneburg. 4 A01 Lea P. Zierott Lea Zierott Research Associate 40 00g30e956 Universität Hamburg PhD Student 40 00g30e956 Universität Hamburg Lea P. Zierott is a research associate and PhD student in the Department of Social Sciences at the University of Hamburg. 01 eng 00 140 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 20 Disconnection; Capitalism; Connectivity; Digital Detox 01 06 02 00 How do we think beyond the dominant images and imaginaries of connectivity? Undoing Networks enables a different connectivity: “digital detox” is a luxury for stressed urbanites wishing to lead a mindful life. Self-help books advocate “digital minimalism” to recover authentic experiences of the offline. Artists envision a world without the in 03 00 How do we think beyond the dominant images and imaginaries of connectivity? Undoing Networks enables a different connectivity: “digital detox” is a luxury for stressed urbanites wishing to lead a mindful life. Self-help books advocate “digital minimalism” to recover authentic experiences of the offline. Artists envision a world without the internet. Activists mobilize against the expansion of the 5G network.If connectivity brought us virtual communities, information superhighways, and participatory culture, disconnection comes with privacy tools, Faraday shields, and figures of the shy. This book explores non-usage and the “right to disconnect” from work and from the excessive demands of digital capitalism. 30 00 How do we think beyond the dominant images and imaginaries of connectivity? Undoing Networks enables a different connectivity: “digital detox” is a luxury for stressed urbanites wishing to lead a mindful life. Self-help books advocate “digital minimalism” to recover authentic experiences of the offline. Artists envision a world without the internet. Activists mobilize against the expansion of the 5G network.If connectivity brought us virtual communities, information superhighways, and participatory culture, disconnection comes with privacy tools, Faraday shields, and figures of the shy. This book explores non-usage and the “right to disconnect” from work and from the excessive demands of digital capitalism. 20 00 Open Access 01 00 03 02 This is the cover of the book Undoing Networks. 02 https://meson.press/wp-content/uploads/2021/04/Undoing_Networks_l.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/undoing-networks/ 16 40 0213rcc28 32 10.13039/501100004326 Simon Fraser University 01 programname Canada 150 Research Chairs Program Lüneburg 04 01 20210610 Tero Karppi Urs Stäheli Clara Wieghorst Lea P. Zierott 02 WORLD WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/49999 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/49999/9783957961532.pdf 20 08 20210610 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/undoing-networks/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2021/04/9783957961532-Undoing-Networks.pdf 20 08 20210610 01 urn:uuid:a837d6f7-0f4a-4bb2-b462-4fdb46164945 03 01 01 thoth-work-id urn:uuid:dbc440f5-0d0d-4602-bbf1-1f5c4330e8ad 01 thoth-publication-id urn:uuid:a837d6f7-0f4a-4bb2-b462-4fdb46164945 15 9783957961358 03 9783957961358 06 10.14619/1358 00 BC 10 01 190 mm 01 19 cm 01 7.48 in 02 120 mm 02 12 cm 02 4.72 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Unterwachen und Schlafen Anthropophile Medien nach dem Interface 1 B01 Michael Andreas Michael Andreas Research Assistant 40 04tsk2644 Ruhr University Bochum Michael Andreas, Studium der Film- und Fernsehwissenschaft, Theaterwissenschaft in Bochum und Toronto. Danach wissenschaftlicher Mitarbeiter am Institut für Medienwissenschaft der Ruhr-Universität Bochum, Fellow am MECS, Lüneburg sowie an der Mercator Research Group – Spaces of Anthropological Knowledge in Bochum, seither Lehraufträge in Bochum, Düsseldorf, Frankfurt und Wien. Zu seinen Forschungsinteressen gehören Digitale Kulturen, Politische Theorie und Postcolonial Studies. 2 B01 Dawid Kasprowicz Dawid Kasprowicz Research Assistant 40 00yq55g44 Witten/Herdecke University Dawid Kasprowicz ist wissenschaftlicher Mitarbeiter am Lehrstuhl für Philosophie digitaler Medien an der Universität Witten-Herdecke. Forschungsschwerpunkte umfassen Mediengeschichte und Theorie des Embodiment, Körpergeschichte des 19. und 20. Jahrhunderts sowie Medientheorie. Promotion zum Thema: „Der Körper auf Tauchstation: Zu einer Wissensgeschichte der Immersion“. Publikationen u.a.: „Technik | Intimität“. Schwerpunkt in der Zeitschrift für Medienwissenschaft 15 (2), Gasthrsg. gemeinsam mit Michael Andreas und Stefan Rieger, Diaphanes 2016; „Lebenstreue Medien. Von immersierten Körpern zu digitalen Menschmodellen.“ In: Jahrbuch für immersive Medien, Schüren 2015, S. 29-41. 3 B01 Stefan Rieger Stefan Rieger Professor for Media History 40 04tsk2644 Ruhr University Bochum Stefan Rieger, Prof. Dr., Studium der Germanistik und Philosophie. Stipendiat im Graduiertenkolleg Theorie der Literatur (Konstanz), im Anschluss daran Mitarbeiter im Sonderforschungsbereich Literatur und Anthropologie. Promotion über barocke Datenverarbeitung und Mnemotechnik, Habilitationsschrift zum Verhältnis von Medien und Anthropologie (Die Individualität der Medien: Eine Geschichte der Wissenschaften vom Menschen, Suhrkamp 2001). Heisenbergstipendiat der DFG. Seit 2007 Professor für Mediengeschichte an der Ruhr-Universität Bochum. Aktuelle Arbeits- und Publikationsschwerpunkte: Wissenschaftsgeschichte, Medientheorie und Kulturtechniken. 4 A01 Suzana Alpsancar Suzana Alpsancar Guest Professor for Philosophy of Technology 40 02wxx3e24 Brandenburg University of Technology Cottbus-Senftenberg Suzana Alpsancar studierte Philosophie, Germanistische Sprachwissenschaft, Neuere und Neueste Geschichte sowie Informatik an der TU Chemnitz und promovierte sich 2010 mit einer Arbeit zu den Technikvisionen Vilém Flussers und Mark Weisers am Institut für Philosophie der TU Darmstadt. Als Post-Doc forschte und lehrte sie ebendort, in Istanbul, Witten/Herdecke, Kaiserslautern, Yale und Braunschweig. Derzeit ist sie Gastprofessorin für Technikphilosophie an der BTU Cottbus-Senftenberg. Ihre Schwerpunkte liegen im Schnittfeld von Medien, Technik- und Wissenschaftsphilosophie sowie Fragen der Angewandten Ethik. 5 A01 Kevin Liggieri Kevin Liggieri Research Assistant 40 04tsk2644 Ruhr University Bochum Kevin Liggieri, Dr. des., studierte Germanistik und Philosophie an der Ruhr-Universität Bochum und schloss seinen Master of Arts im Sommer 2013 ab. In seinem Promotionsprojekt beschäftigte sich Kevin Liggieri mit Optimierungen der Episteme „Mensch“ im Zeitraum des frühen bis mittleren 20. Jahrhunderts. Leitgedanke hierbei ist die Begrifflichkeit der „Anthropotechnik“ in Kultur- sowie Arbeitswissenschaft. Im Juli 2017 schloss er seine Promotion ab. Er ist Mitarbeiter am Lehrstuhl für Kulturphilosophie in Bochum. 6 A01 Anna Tuschling Anna Tuschling Professor for Theory, Aesthetics and Politics of Digital Media 40 04tsk2644 Ruhr University Bochum Anna Tuschling arbeitet am Institut für Medienwissenschaft und Centre for Anthropological Knowledge in Scientific and Technological Cultures (CAST) der Ruhr-Universität Bochum als Professorin für Theorie, Ästhetik und Politiken digitaler Medien. Zur Ihren Forschungsschwerpunkten zählen Medientheorie, Internetgeschichte, Psychoanalyse und die Mediengeschichte der humanwissenschaftlichen Affektforschung. Aktuelle Publikation: Diskretes und Unbewusstes. Die Psychoanalyse, das Cerebrale und die Technikgeschichte, Wien: turia + kant 2017. 01 ger 00 190 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 10 BUS070060 93 JPV 12 JPV 10 COM079010 12 KNT 93 KNT 12 MBDC 93 MBDC 12 HPQ 93 QDTQ 12 TJFM1 93 TJFM1 12 UYM 93 UYM 12 UYZ 93 UYZ 20 Ambient Assisted Living; Anthropologie; Embodiment; Künstliche Intelligenz; Computersimulation; Wearables; Robotik; Surveillance; Autonomes Fahren; Affective Computing 01 06 02 00 Anthropophile Medien durchdringen zunehmend unsere lebensweltliche Realität, sei es im Ambient Assisted Living, als Pflegeassistenzsysteme, in den Arbeitsszenarien einer Industrie 4.0, als behagliche Interfaces des Affective Computing oder als Lifetracker der Quantified-Self-Bewegung. Verbunden ist damit der Einzug menschlicher Befindlichkeit 03 00 Anthropophile Medien durchdringen zunehmend unsere lebensweltliche Realität, sei es im Ambient Assisted Living, als Pflegeassistenzsysteme, in den Arbeitsszenarien einer Industrie 4.0, als behagliche Interfaces des Affective Computing oder als Lifetracker der Quantified-Self-Bewegung. Verbunden ist damit der Einzug menschlicher Befindlichkeiten, Werte und sozialer Routinen in das Design medialer Agencies. Über 40 Jahre nach dem Erscheinen von Michel Foucaults "Surveiller et punir" gerät damit auch dessen Kritikbegriff ins Wanken. An die Stelle von "Überwachen und Strafen" tritt "Unterwachen und Schlafen". Unterwachen und Schlafen stellt nicht das theoretische Programm einer vollautomatisierten Lebenswelt in Aussicht, sondern das Konstrukt einer nunmehr medialen Umsetzung anthropologischer Grundelemente wie Autonomie, Freiheit oder Vertrauen. 30 00 Anthropophile Medien durchdringen zunehmend unsere lebensweltliche Realität, sei es im Ambient Assisted Living, als Pflegeassistenzsysteme, in den Arbeitsszenarien einer Industrie 4.0, als behagliche Interfaces des Affective Computing oder als Lifetracker der Quantified-Self-Bewegung. Verbunden ist damit der Einzug menschlicher Befindlichkeiten, Werte und sozialer Routinen in das Design medialer Agencies. Über 40 Jahre nach dem Erscheinen von Michel Foucaults "Surveiller et punir" gerät damit auch dessen Kritikbegriff ins Wanken. An die Stelle von "Überwachen und Strafen" tritt "Unterwachen und Schlafen". Unterwachen und Schlafen stellt nicht das theoretische Programm einer vollautomatisierten Lebenswelt in Aussicht, sondern das Konstrukt einer nunmehr medialen Umsetzung anthropologischer Grundelemente wie Autonomie, Freiheit oder Vertrauen. 20 00 Open Access 01 00 03 02 This is the cover of the book Unterwachen und Schlafen. 02 https://meson.press/wp-content/uploads/2018/03/9783957961358-Cover-small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/unterwachen-und-schlafen/ Lüneburg 04 01 20180403 Michael Andreas Dawid Kasprowicz Stefan Rieger 02 WORLD 06 15 9783957961365 03 9783957961365 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/unterwachen-und-schlafen/ 20 08 20180403 01 urn:uuid:e05d48e3-9125-43f1-aee2-835e5543aa99 03 01 01 thoth-work-id urn:uuid:dbc440f5-0d0d-4602-bbf1-1f5c4330e8ad 01 thoth-publication-id urn:uuid:e05d48e3-9125-43f1-aee2-835e5543aa99 15 9783957961365 03 9783957961365 06 10.14619/1358 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Unterwachen und Schlafen Anthropophile Medien nach dem Interface 1 B01 Michael Andreas Michael Andreas Research Assistant 40 04tsk2644 Ruhr University Bochum Michael Andreas, Studium der Film- und Fernsehwissenschaft, Theaterwissenschaft in Bochum und Toronto. Danach wissenschaftlicher Mitarbeiter am Institut für Medienwissenschaft der Ruhr-Universität Bochum, Fellow am MECS, Lüneburg sowie an der Mercator Research Group – Spaces of Anthropological Knowledge in Bochum, seither Lehraufträge in Bochum, Düsseldorf, Frankfurt und Wien. Zu seinen Forschungsinteressen gehören Digitale Kulturen, Politische Theorie und Postcolonial Studies. 2 B01 Dawid Kasprowicz Dawid Kasprowicz Research Assistant 40 00yq55g44 Witten/Herdecke University Dawid Kasprowicz ist wissenschaftlicher Mitarbeiter am Lehrstuhl für Philosophie digitaler Medien an der Universität Witten-Herdecke. Forschungsschwerpunkte umfassen Mediengeschichte und Theorie des Embodiment, Körpergeschichte des 19. und 20. Jahrhunderts sowie Medientheorie. Promotion zum Thema: „Der Körper auf Tauchstation: Zu einer Wissensgeschichte der Immersion“. Publikationen u.a.: „Technik | Intimität“. Schwerpunkt in der Zeitschrift für Medienwissenschaft 15 (2), Gasthrsg. gemeinsam mit Michael Andreas und Stefan Rieger, Diaphanes 2016; „Lebenstreue Medien. Von immersierten Körpern zu digitalen Menschmodellen.“ In: Jahrbuch für immersive Medien, Schüren 2015, S. 29-41. 3 B01 Stefan Rieger Stefan Rieger Professor for Media History 40 04tsk2644 Ruhr University Bochum Stefan Rieger, Prof. Dr., Studium der Germanistik und Philosophie. Stipendiat im Graduiertenkolleg Theorie der Literatur (Konstanz), im Anschluss daran Mitarbeiter im Sonderforschungsbereich Literatur und Anthropologie. Promotion über barocke Datenverarbeitung und Mnemotechnik, Habilitationsschrift zum Verhältnis von Medien und Anthropologie (Die Individualität der Medien: Eine Geschichte der Wissenschaften vom Menschen, Suhrkamp 2001). Heisenbergstipendiat der DFG. Seit 2007 Professor für Mediengeschichte an der Ruhr-Universität Bochum. Aktuelle Arbeits- und Publikationsschwerpunkte: Wissenschaftsgeschichte, Medientheorie und Kulturtechniken. 4 A01 Suzana Alpsancar Suzana Alpsancar Guest Professor for Philosophy of Technology 40 02wxx3e24 Brandenburg University of Technology Cottbus-Senftenberg Suzana Alpsancar studierte Philosophie, Germanistische Sprachwissenschaft, Neuere und Neueste Geschichte sowie Informatik an der TU Chemnitz und promovierte sich 2010 mit einer Arbeit zu den Technikvisionen Vilém Flussers und Mark Weisers am Institut für Philosophie der TU Darmstadt. Als Post-Doc forschte und lehrte sie ebendort, in Istanbul, Witten/Herdecke, Kaiserslautern, Yale und Braunschweig. Derzeit ist sie Gastprofessorin für Technikphilosophie an der BTU Cottbus-Senftenberg. Ihre Schwerpunkte liegen im Schnittfeld von Medien, Technik- und Wissenschaftsphilosophie sowie Fragen der Angewandten Ethik. 5 A01 Kevin Liggieri Kevin Liggieri Research Assistant 40 04tsk2644 Ruhr University Bochum Kevin Liggieri, Dr. des., studierte Germanistik und Philosophie an der Ruhr-Universität Bochum und schloss seinen Master of Arts im Sommer 2013 ab. In seinem Promotionsprojekt beschäftigte sich Kevin Liggieri mit Optimierungen der Episteme „Mensch“ im Zeitraum des frühen bis mittleren 20. Jahrhunderts. Leitgedanke hierbei ist die Begrifflichkeit der „Anthropotechnik“ in Kultur- sowie Arbeitswissenschaft. Im Juli 2017 schloss er seine Promotion ab. Er ist Mitarbeiter am Lehrstuhl für Kulturphilosophie in Bochum. 6 A01 Anna Tuschling Anna Tuschling Professor for Theory, Aesthetics and Politics of Digital Media 40 04tsk2644 Ruhr University Bochum Anna Tuschling arbeitet am Institut für Medienwissenschaft und Centre for Anthropological Knowledge in Scientific and Technological Cultures (CAST) der Ruhr-Universität Bochum als Professorin für Theorie, Ästhetik und Politiken digitaler Medien. Zur Ihren Forschungsschwerpunkten zählen Medientheorie, Internetgeschichte, Psychoanalyse und die Mediengeschichte der humanwissenschaftlichen Affektforschung. Aktuelle Publikation: Diskretes und Unbewusstes. Die Psychoanalyse, das Cerebrale und die Technikgeschichte, Wien: turia + kant 2017. 01 ger 00 190 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 10 BUS070060 93 JPV 12 JPV 10 COM079010 12 KNT 93 KNT 12 MBDC 93 MBDC 12 HPQ 93 QDTQ 12 TJFM1 93 TJFM1 12 UYM 93 UYM 12 UYZ 93 UYZ 20 Ambient Assisted Living; Anthropologie; Embodiment; Künstliche Intelligenz; Computersimulation; Wearables; Robotik; Surveillance; Autonomes Fahren; Affective Computing 01 06 02 00 Anthropophile Medien durchdringen zunehmend unsere lebensweltliche Realität, sei es im Ambient Assisted Living, als Pflegeassistenzsysteme, in den Arbeitsszenarien einer Industrie 4.0, als behagliche Interfaces des Affective Computing oder als Lifetracker der Quantified-Self-Bewegung. Verbunden ist damit der Einzug menschlicher Befindlichkeit 03 00 Anthropophile Medien durchdringen zunehmend unsere lebensweltliche Realität, sei es im Ambient Assisted Living, als Pflegeassistenzsysteme, in den Arbeitsszenarien einer Industrie 4.0, als behagliche Interfaces des Affective Computing oder als Lifetracker der Quantified-Self-Bewegung. Verbunden ist damit der Einzug menschlicher Befindlichkeiten, Werte und sozialer Routinen in das Design medialer Agencies. Über 40 Jahre nach dem Erscheinen von Michel Foucaults "Surveiller et punir" gerät damit auch dessen Kritikbegriff ins Wanken. An die Stelle von "Überwachen und Strafen" tritt "Unterwachen und Schlafen". Unterwachen und Schlafen stellt nicht das theoretische Programm einer vollautomatisierten Lebenswelt in Aussicht, sondern das Konstrukt einer nunmehr medialen Umsetzung anthropologischer Grundelemente wie Autonomie, Freiheit oder Vertrauen. 30 00 Anthropophile Medien durchdringen zunehmend unsere lebensweltliche Realität, sei es im Ambient Assisted Living, als Pflegeassistenzsysteme, in den Arbeitsszenarien einer Industrie 4.0, als behagliche Interfaces des Affective Computing oder als Lifetracker der Quantified-Self-Bewegung. Verbunden ist damit der Einzug menschlicher Befindlichkeiten, Werte und sozialer Routinen in das Design medialer Agencies. Über 40 Jahre nach dem Erscheinen von Michel Foucaults "Surveiller et punir" gerät damit auch dessen Kritikbegriff ins Wanken. An die Stelle von "Überwachen und Strafen" tritt "Unterwachen und Schlafen". Unterwachen und Schlafen stellt nicht das theoretische Programm einer vollautomatisierten Lebenswelt in Aussicht, sondern das Konstrukt einer nunmehr medialen Umsetzung anthropologischer Grundelemente wie Autonomie, Freiheit oder Vertrauen. 20 00 Open Access 01 00 03 02 This is the cover of the book Unterwachen und Schlafen. 02 https://meson.press/wp-content/uploads/2018/03/9783957961358-Cover-small-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/unterwachen-und-schlafen/ Lüneburg 04 01 20180403 Michael Andreas Dawid Kasprowicz Stefan Rieger 02 WORLD 06 15 9783957961358 03 9783957961358 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37553 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37553/9783957961365_Unterwachen_und_Schlafen.pdf 20 08 20180403 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/unterwachen-und-schlafen/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2018/03/9783957961365_Unterwachen_und_Schlafen.pdf 20 08 20180403 01 urn:uuid:fa92011d-0f59-4db8-828c-5f74073a0a13 03 01 01 thoth-work-id urn:uuid:9b240ce3-dbd0-48a7-aa24-c39c8d9509d4 01 thoth-publication-id urn:uuid:fa92011d-0f59-4db8-828c-5f74073a0a13 15 9783957961303 03 9783957961303 06 10.14619/1303 00 BC 10 01 220 mm 01 22 cm 01 8.66 in 02 155 mm 02 15.5 cm 02 6.1 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Von Open Access zu Open Science Zum Wandel digitaler Kulturen der wissenschaftlichen Kommunikation 1 A01 21 000000018071860X Christian Heise Christian Heise Lecturer 40 02w2y2t16 Leuphana University of Lüneburg Chairman 40 02cfy3z22 Open Knowledge Foundation Deutschland Christian is a Lecturer, Activist and Manager. As well as working on the DNI Innovation Fund, Christian is teaching Digital Media at Leuphana University. He is the Chairman of Open Knowledge Foundation Germany and Founding Board Member of freifunk.net. During the preparation of his Phd, he worked as Research Associate at the Centre for Digital Cultures (CDC) affiliated to Leuphana University. Prior to this he worked as Manager for DIE ZEIT and the German Press Agency DPA. 06 Own website https://christianhei.se/ 01 ger 00 312 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 10 BUS070060 12 KNT 93 KNT 12 PDK 93 PDK 20 Digital Publishing; Scientific Communication; Digitalisierung; Wissenschaftskommunikation; Open Access; Open Science; Publikationswesen 01 06 02 00 Mit der Digitalisierung geht der Ruf nach freiem Zugang zu wissenschaftlichen Forschungsergebnissen und einer Öffnung des Forschungsprozesses einher. Open Access und Open Science sind die Leitbegriffe dieses Transformationsprozesses, der von den einen euphorisch begrüßt und von den anderen heftig abgelehnt wird. Auf der Grundlage einer quanti 03 00 Mit der Digitalisierung geht der Ruf nach freiem Zugang zu wissenschaftlichen Forschungsergebnissen und einer Öffnung des Forschungsprozesses einher. Open Access und Open Science sind die Leitbegriffe dieses Transformationsprozesses, der von den einen euphorisch begrüßt und von den anderen heftig abgelehnt wird. Auf der Grundlage einer quantitativen Erhebung und eines reflexiven Experiments gibt das Buch Einblick in die aktuellen Debatten über die Chancen aber auch Hindernisse der Öffnung der Wissenschaften. 30 00 Mit der Digitalisierung geht der Ruf nach freiem Zugang zu wissenschaftlichen Forschungsergebnissen und einer Öffnung des Forschungsprozesses einher. Open Access und Open Science sind die Leitbegriffe dieses Transformationsprozesses, der von den einen euphorisch begrüßt und von den anderen heftig abgelehnt wird. Auf der Grundlage einer quantitativen Erhebung und eines reflexiven Experiments gibt das Buch Einblick in die aktuellen Debatten über die Chancen aber auch Hindernisse der Öffnung der Wissenschaften. 20 00 Open Access 01 00 03 02 This is the cover of the book Von Open Access zu Open Science. 02 https://meson.press/wp-content/uploads/2018/01/Heise_Open_Access_Open_Science_Cover_web-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/von-open-access-zu-open-science Lüneburg 04 01 20180115 Christian Heise 02 WORLD 06 15 9783957961310 03 9783957961310 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/von-open-access-zu-open-science 20 08 20180115 01 urn:uuid:1160920d-ac4c-4717-8f61-c905614f4988 03 01 01 thoth-work-id urn:uuid:9b240ce3-dbd0-48a7-aa24-c39c8d9509d4 01 thoth-publication-id urn:uuid:1160920d-ac4c-4717-8f61-c905614f4988 15 9783957961310 03 9783957961310 06 10.14619/1303 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Von Open Access zu Open Science Zum Wandel digitaler Kulturen der wissenschaftlichen Kommunikation 1 A01 21 000000018071860X Christian Heise Christian Heise Lecturer 40 02w2y2t16 Leuphana University of Lüneburg Chairman 40 02cfy3z22 Open Knowledge Foundation Deutschland Christian is a Lecturer, Activist and Manager. As well as working on the DNI Innovation Fund, Christian is teaching Digital Media at Leuphana University. He is the Chairman of Open Knowledge Foundation Germany and Founding Board Member of freifunk.net. During the preparation of his Phd, he worked as Research Associate at the Centre for Digital Cultures (CDC) affiliated to Leuphana University. Prior to this he worked as Manager for DIE ZEIT and the German Press Agency DPA. 06 Own website https://christianhei.se/ 01 ger 00 312 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 10 BUS070060 12 KNT 93 KNT 12 PDK 93 PDK 20 Digital Publishing; Scientific Communication; Digitalisierung; Wissenschaftskommunikation; Open Access; Open Science; Publikationswesen 01 06 02 00 Mit der Digitalisierung geht der Ruf nach freiem Zugang zu wissenschaftlichen Forschungsergebnissen und einer Öffnung des Forschungsprozesses einher. Open Access und Open Science sind die Leitbegriffe dieses Transformationsprozesses, der von den einen euphorisch begrüßt und von den anderen heftig abgelehnt wird. Auf der Grundlage einer quanti 03 00 Mit der Digitalisierung geht der Ruf nach freiem Zugang zu wissenschaftlichen Forschungsergebnissen und einer Öffnung des Forschungsprozesses einher. Open Access und Open Science sind die Leitbegriffe dieses Transformationsprozesses, der von den einen euphorisch begrüßt und von den anderen heftig abgelehnt wird. Auf der Grundlage einer quantitativen Erhebung und eines reflexiven Experiments gibt das Buch Einblick in die aktuellen Debatten über die Chancen aber auch Hindernisse der Öffnung der Wissenschaften. 30 00 Mit der Digitalisierung geht der Ruf nach freiem Zugang zu wissenschaftlichen Forschungsergebnissen und einer Öffnung des Forschungsprozesses einher. Open Access und Open Science sind die Leitbegriffe dieses Transformationsprozesses, der von den einen euphorisch begrüßt und von den anderen heftig abgelehnt wird. Auf der Grundlage einer quantitativen Erhebung und eines reflexiven Experiments gibt das Buch Einblick in die aktuellen Debatten über die Chancen aber auch Hindernisse der Öffnung der Wissenschaften. 20 00 Open Access 01 00 03 02 This is the cover of the book Von Open Access zu Open Science. 02 https://meson.press/wp-content/uploads/2018/01/Heise_Open_Access_Open_Science_Cover_web-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/von-open-access-zu-open-science Lüneburg 04 01 20180115 Christian Heise 02 WORLD 06 15 9783957961303 03 9783957961303 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37554 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37554/978-3-95796-131-0-Heise-Open-Access-Open-Science.pdf 20 08 20180115 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/von-open-access-zu-open-science 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2018/01/978-3-95796-131-0-Heise-Open-Access-Open-Science.pdf 20 08 20180115 01 urn:uuid:63b4ee3c-5472-4ca6-a07d-f1202ef60bb0 03 01 01 thoth-work-id urn:uuid:f7831c76-fb66-489b-9fa2-123ae769878b 01 thoth-publication-id urn:uuid:63b4ee3c-5472-4ca6-a07d-f1202ef60bb0 15 9783957962409 03 9783957962409 06 10.14619/2409 00 BC 10 01 220 mm 01 22 cm 01 8.66 in 02 155 mm 02 15.5 cm 02 6.1 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 98338533-ca13-4e2a-87b1-ccf0c392533a 02 00000011 03 1 01 02 Internationales Jahrbuch für Medienphilosophie und Medienästhetik 01 01 Was ist Medienästhetik? Internationales Jahrbuch für Medienphilosophie und Medienästhetik 1 B01 Natascha Adamowsky Natascha Adamowsky Professorin für Medienkulturwissenschaft 40 05ydjnb78 University of Passau Natascha Adamowsky ist Professorin für Medienkulturwissenschaft an der Universität Passau. Ihre Forschungsschwerpunkte sind Medienästhetik, Kulturwissenschaftliche Digitalitätsforschung, medienwissenschaftliche Spielkulturforschung, aktuell Spielzeuge und Spielplätze. Publikationen: „Productive Indeterminacy. On the Relationship between Play and Science“. Technology and Language 3 (4) (2022); „Knowledges. Submarine Discoveries: Wonderful Facts and Monstrous Encounters“. In A Cultural History of the Sea in the Age of Empire, Bd. 5, hg. von M Cohen (2021); Technik und Lebendigkeit. Automaten, Androiden, Avatare (2020). E-Mail: natascha.adamowsky@uni-passau.de. 2 B01 Judith Siegmund Judith Siegmund Professorin für philosophische Ästhetik 40 05r0ap620 Zurich University of the Arts Judith Siegmund ist Professorin für philosophische Ästhetik an der Zürcher Hochschule der Künste. Ihre Forschungsschwerpunkte sind Ästhetische Theorie, Kunsttheorie, Kunstphilosophie und Kunstsoziologie, insb. Produktionsästhetik und Handlungstheorie. Publikationen: „Dauer um jeden Preis? Kultur, die verschwindet im Lebendigen – Hannah Arendts Begriffe von Verdinglichung als Kunst, Dauer und Natur“. In Hannah Arendt und die Weltlichkeit der Künste, hg. von J. Siegmund, M. Tatari und A. Eusterschulte (2025); „Ästhetiken der Verschränkung im 18. Jahrhundert und postkoloniale Theorien in den Künsten“. In Plurale Verschränkungen, hg. von M. Rosenkranz und N. T. Zahner (2025); There Is No Simulation in the Artist – Is There?“ Revue internationale de philosophie 78 (310): Art et esthétique chez Croce (2024); Zweck und Zweckfreiheit. Zum Funktionswandel der Künste im 21. Jahrhundert (2019). E-Mail: judith.siegmund@zhdk.ch. 3 A01 21 0000000319195074 Emmanuel Alloa Emmanuel Alloa Professor für Ästhetik und Kunstphilosophie 40 022fs9h90 University of Fribourg Emmanuel Alloa ist Professor für Ästhetik und Kunstphilosophie an der Universität Fribourg. Seine Forschungsschwerpunkte sind Ästhetik, Phänomenologie, Bild- und Medientheorien, Sozialphilosophie. Publikationen: The Share of Perspective (2024); „Die ästhetische Differenz“. Deutsche Zeitschrift für Philosophie 71 (5) (2023); Handbuch Phänomenologie, hg. mit T. Breyer u. E. Caminada (2023); O Corpo da Imagem. A Imagem do Corpo (2021); The Supermarket of Images, hg. mit P. Szendy u. M. Ponsa (2020). E-Mail: emmanuel.alloa@unifr.ch. 4 A01 21 0009000211294887 Martin Beck Martin Beck PostDoc 40 03eznrw16 Berlin University of the Arts Martin Beck ist wissenschaftlicher Mitarbeiter (Postdoc) an der Universität der Künste Berlin. Seine Forschungsschwerpunkte sind Ästhetik, Kunstphilosophie, Designphilosophie, Medien- und Technikphilosophie, Epistemologien alternativer Erkenntnisformen, Affekt- und Queertheorie. Publikationen: Konstruktion und Entäußerung. Bildlogik und anschauliches Denken bei Kant und Hegel (2020); „Andere Körper. Von der Verkörperungslogik des Korrelationismus zur spekulativen Ästhetik“. In Das Ästhetisch- Spekulative. Spekulationen in den Künsten, hg. von K. Busch et al. (2016); „Otherkin, Digitalisierung, Pubertät. Drei Skizzen zu Krisen der Verkörperung“. Publikation im Rahmen der Ausstellung „fühle meinen körper sich von meinem körper entfernen“, Heidelberger Kunstverein. E-Mail: m.beck@udk-berlin.de. 5 A01 21 000000016623043X Dieter Mersch Dieter Mersch ehemaliger Prof. für Ästhetische Theorie 40 05r0ap620 Zurich University of the Arts Dieter Mersch ist ehemaliger Prof. für Ästhetische Theorie und Leiter des Instituts for Critical Theory an der Zürcher Hochschule der Künste. Seine Forschungsschwerpunkte sind Kunst- und Medienphilosophie, Geschichte und Gegenwartsphilosophie, Kritik des Digitalen. Publikationen: Humanismen und Antihumanismen. Kritische Studien zur Gegenwartsphilosophie (2024); Beyond Mimesis. Aesthetic Experience in Uncanny Valleys, hg. mit J. Sternagel und J. Tobias (2024); zusammen mit J. Bennke: Levinas und die Künste (2023); „Von Metaphysikkritik zu nonnaturalistischen Ökologien. Zur Grundlagendiskussion von Kulturphilosophie“. Zeitschrift für Kulturphilosophie (1) (2023); Kein Würfelwurf bringt den Zu-Fall zu Fall. Spiel, Kunst, Zufall (2022); zusammen mit S. Henke, N.v.d. Meulen, Th. Strässle, J. Wiesel: Manifest der Künstlerischen Forschung. Eine Verteidigung gegen ihre Verfechter (2020). E-Mail: dieter.mersch@t-online.de. 6 A01 21 0000000260419968 Beate Ochsner Beate Ochsner Professorin für Medienwissenschaften 40 0546hnb39 University of Konstanz Beate Ochsner ist Professorin für Medienwissenschaften an der Universität Konstanz. Ihre Forschungsschwerpunkte sind Mediale Teilhabe, Partizipationsforschung, Dis/Ability und Medienwissenschaften, Praktiken des Hörens und Sehens, Serious Gaming/ Serious Games. Publikationen: „Zum Konzept medialer Teilhabe“. In Handbuch Medientheorien im 21. Jahrhundert, hg. von Christoph Ernst et al. (2024); Disability and Video Games: Practices of En-/Disabling Modes of Digital Gaming, hg. zusammen mit Markus Spöhrer (2023); zusammen mit Judith Willkomm, Harald Waldrich, und Markus Spöhrer: „‚Serious Gaming‘ – oder Spielen ernst nehmen: Ein Forschungsprogramm“. Zeitschrift für Medienwissenschaft 15 (1) (2023); Techniques of Hearing. History, Theory and Practices, hg. zusammen mit Michael Schillmeier und Robert Stock (2020); Media Practices Commoning, Special Issue der Open Cultural Studies, hg. zusammen mit Anne Ganzert und Robert Stock (2020). E-Mail: beate.ochsner@uni-konstanz.de. 7 A01 Bettina Papenburg Bettina Papenburg Privatdozentin für Medienwissenschaft und Medienkulturwissenschaft 40 024z2rq82 Heinrich Heine University Düsseldorf Bettina Papenburg ist seit Juni 2022 Privatdozentin für Medienwissenschaft und Medienkulturwissenschaft an der Heinrich- Heine-Universität Düsseldorf. Ihre Forschungsschwerpunkte sind Medienepistemologie und digitale Wissenskulturen, Medienästhetik und Medientechnik, Critical AI Studies, Critical Infrastructure Studies, Körper- und Affektpolitiken. Publikationen: „Postkolonisierung des Weltraums: Die Film Credits in ONE SKY als Geste der epistemischen Selbstbehauptung“. Nach dem Film, Themenheft 23: Film Credits und Listen in den Künsten (2024); mit K. Dreckmann: Queer Pop: Aesthetic Interventions in Contemporary Culture (2023); Vitalitätseffekte: Erkenntnis und Affekt in der Medienkultur der Zellbiologie (2022). E-Mail: bettina.papenburg@gmail.com. 8 A01 Ulrike Ramming Ulrike Ramming wissenschaftliche Mitarbeiterin am Institut für Philosophie 40 04vnq7t77 University of Stuttgart Ulrike Ramming ist wissenschaftliche Mitarbeiterin am Institut für Philosophie der Universität Stuttgart. Ihre Forschungsschwerpunkte sind Medienphilosophie/Philosophie der Medialität, Kritische Theorie, Sprachphilosophie. Publikationen: „Ästhetik“. In Handbuch Technikphilosophie, hg. von M. Gutmann et al. (2024); „Physiognomie und Sachlichkeit. Materiale Kategorien in Adornos frühen Medienanalysen“. In Adorno und die Medien, hg. von J.-F. Popp und L. Voropai (2023); „Calculating with Words. Perspectives from Philosophy of Media, Philosophy of Science, Linguistics and Cultural History“. Technology and Language 2 (2021); „Kausale Kette und technisch gestützte Referenz“. In Sprache, Wahrnehmung und Selbst: Neue Perspektiven auf Gareth Evans’ Philosophie, hg. von C. Misselhorn et al. (2017). E-Mail: ulrike.ramming@philo.uni-stuttgart. de. 9 A01 21 0000000209701087 Jörg Sternagel Jörg Sternagel Privatdozent 40 0546hnb39 University of Konstanz Jörg Sternagel ist Privatdozent an der Universität Konstanz und Akademischer Rat auf Zeit an der Universität Passau. Seine Forschungsschwerpunkte sind Alterität, Bildlichkeit, Medialität, Performativität. Publikationen: Ethisches Sehen. Transformative Erfahrungen und wechselseitige Abhängigkeiten in der (post-)pandemischen Lebenswelt (2025); zusammen mit A. Sabisch, V. Mühleis und K. Böhme: Bilder im Entstehen. Visualität und Responsivität (2024); zusammen mit E. Schürmann: Denken des Medialen. Zur Bedeutung des Dazwischen (2023); Ethics of Alterity. Aisthetics of Existence (2023). Zusammen mit J. Tobias und D. Mersch: Beyond Mimesis. Aesthetic Experience in Uncanny Valleys (2023). Zusammen mit D. Mersch, A. Rey, T. Grunwald, L. Kegel und M. Loertscher: Actor & Avatar (2023). E-Mail: j_sternagel@yahoo.de 01 ger 00 231 03 93 JBCT 04 P8796 10 SOC052000 04 HPN 10 PHI001000 93 QDTN 20 Medien; Ästhetik; Philosophie; Medienphilosophie; Medienästhetik 01 06 02 00 Als Nachfolger des früheren Internationalen Jahrbuchs für Medienphilosophie beschäftigt sich das Internationale Jahrbuch für Medienphilosophie und Medienästhetik in der ersten Ausgabe nach dem Relaunch mit der wesentlichen Frage: Was ist Medienästhetik?Diese Frage steht für eine doppelte Öffnung: Medienästhetik markiert eine Suchbewegu 03 00 Als Nachfolger des früheren Internationalen Jahrbuchs für Medienphilosophie beschäftigt sich das Internationale Jahrbuch für Medienphilosophie und Medienästhetik in der ersten Ausgabe nach dem Relaunch mit der wesentlichen Frage: Was ist Medienästhetik?Diese Frage steht für eine doppelte Öffnung: Medienästhetik markiert eine Suchbewegung, die die philosophischen wie medienwissenschaftlichen Grundlagen erkundet, die in medienästhetischen Kontexten in Erscheinung treten können. Zugleich lädt sie ein zu einer historischen Kartographierung und begrifflichen Konturierung von Medienästhetik, einer Diskussion ihrer unterschiedlichen Modellierungen und der sich daraus ergebenden Optionen für Kritik.Ziel ist es, den Begriff Medienästhetik offen zu halten und aus seiner Problematisierung immer wieder neue disziplinübergreifende Debatten anzustoßen. Das Jahrbuch bietet unterschiedlichen Projekten, Positionen und Fragestellungen Raum, die zueinander im Modus des Dissenses, der Überschneidung, der Assoziation, aber auch der inhaltlichen Weiterführung stehen können. 30 00 Als Nachfolger des früheren Internationalen Jahrbuchs für Medienphilosophie beschäftigt sich das Internationale Jahrbuch für Medienphilosophie und Medienästhetik in der ersten Ausgabe nach dem Relaunch mit der wesentlichen Frage: Was ist Medienästhetik?Diese Frage steht für eine doppelte Öffnung: Medienästhetik markiert eine Suchbewegung, die die philosophischen wie medienwissenschaftlichen Grundlagen erkundet, die in medienästhetischen Kontexten in Erscheinung treten können. Zugleich lädt sie ein zu einer historischen Kartographierung und begrifflichen Konturierung von Medienästhetik, einer Diskussion ihrer unterschiedlichen Modellierungen und der sich daraus ergebenden Optionen für Kritik.Ziel ist es, den Begriff Medienästhetik offen zu halten und aus seiner Problematisierung immer wieder neue disziplinübergreifende Debatten anzustoßen. Das Jahrbuch bietet unterschiedlichen Projekten, Positionen und Fragestellungen Raum, die zueinander im Modus des Dissenses, der Überschneidung, der Assoziation, aber auch der inhaltlichen Weiterführung stehen können. 20 00 Open Access 01 00 03 02 This is the cover of the book Was ist Medienästhetik? 02 https://meson.press/wp-content/uploads/2024/12/IJMM2024-FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/ijmm2024-was-ist-medienaesthetik/ Lüneburg 04 01 20241230 Natascha Adamowsky Judith Siegmund 02 WORLD 06 15 9783957962416 03 9783957962416 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/ijmm2024-was-ist-medienaesthetik/ 20 08 20241230 01 urn:uuid:550dbfcf-3b2a-4d98-a2bd-0549700ef804 03 01 01 thoth-work-id urn:uuid:f7831c76-fb66-489b-9fa2-123ae769878b 01 thoth-publication-id urn:uuid:550dbfcf-3b2a-4d98-a2bd-0549700ef804 15 9783957962416 03 9783957962416 06 10.14619/2409 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 98338533-ca13-4e2a-87b1-ccf0c392533a 02 00000011 03 1 01 02 Internationales Jahrbuch für Medienphilosophie und Medienästhetik 01 01 Was ist Medienästhetik? Internationales Jahrbuch für Medienphilosophie und Medienästhetik 1 B01 Natascha Adamowsky Natascha Adamowsky Professorin für Medienkulturwissenschaft 40 05ydjnb78 University of Passau Natascha Adamowsky ist Professorin für Medienkulturwissenschaft an der Universität Passau. Ihre Forschungsschwerpunkte sind Medienästhetik, Kulturwissenschaftliche Digitalitätsforschung, medienwissenschaftliche Spielkulturforschung, aktuell Spielzeuge und Spielplätze. Publikationen: „Productive Indeterminacy. On the Relationship between Play and Science“. Technology and Language 3 (4) (2022); „Knowledges. Submarine Discoveries: Wonderful Facts and Monstrous Encounters“. In A Cultural History of the Sea in the Age of Empire, Bd. 5, hg. von M Cohen (2021); Technik und Lebendigkeit. Automaten, Androiden, Avatare (2020). E-Mail: natascha.adamowsky@uni-passau.de. 2 B01 Judith Siegmund Judith Siegmund Professorin für philosophische Ästhetik 40 05r0ap620 Zurich University of the Arts Judith Siegmund ist Professorin für philosophische Ästhetik an der Zürcher Hochschule der Künste. Ihre Forschungsschwerpunkte sind Ästhetische Theorie, Kunsttheorie, Kunstphilosophie und Kunstsoziologie, insb. Produktionsästhetik und Handlungstheorie. Publikationen: „Dauer um jeden Preis? Kultur, die verschwindet im Lebendigen – Hannah Arendts Begriffe von Verdinglichung als Kunst, Dauer und Natur“. In Hannah Arendt und die Weltlichkeit der Künste, hg. von J. Siegmund, M. Tatari und A. Eusterschulte (2025); „Ästhetiken der Verschränkung im 18. Jahrhundert und postkoloniale Theorien in den Künsten“. In Plurale Verschränkungen, hg. von M. Rosenkranz und N. T. Zahner (2025); There Is No Simulation in the Artist – Is There?“ Revue internationale de philosophie 78 (310): Art et esthétique chez Croce (2024); Zweck und Zweckfreiheit. Zum Funktionswandel der Künste im 21. Jahrhundert (2019). E-Mail: judith.siegmund@zhdk.ch. 3 A01 21 0000000319195074 Emmanuel Alloa Emmanuel Alloa Professor für Ästhetik und Kunstphilosophie 40 022fs9h90 University of Fribourg Emmanuel Alloa ist Professor für Ästhetik und Kunstphilosophie an der Universität Fribourg. Seine Forschungsschwerpunkte sind Ästhetik, Phänomenologie, Bild- und Medientheorien, Sozialphilosophie. Publikationen: The Share of Perspective (2024); „Die ästhetische Differenz“. Deutsche Zeitschrift für Philosophie 71 (5) (2023); Handbuch Phänomenologie, hg. mit T. Breyer u. E. Caminada (2023); O Corpo da Imagem. A Imagem do Corpo (2021); The Supermarket of Images, hg. mit P. Szendy u. M. Ponsa (2020). E-Mail: emmanuel.alloa@unifr.ch. 4 A01 21 0009000211294887 Martin Beck Martin Beck PostDoc 40 03eznrw16 Berlin University of the Arts Martin Beck ist wissenschaftlicher Mitarbeiter (Postdoc) an der Universität der Künste Berlin. Seine Forschungsschwerpunkte sind Ästhetik, Kunstphilosophie, Designphilosophie, Medien- und Technikphilosophie, Epistemologien alternativer Erkenntnisformen, Affekt- und Queertheorie. Publikationen: Konstruktion und Entäußerung. Bildlogik und anschauliches Denken bei Kant und Hegel (2020); „Andere Körper. Von der Verkörperungslogik des Korrelationismus zur spekulativen Ästhetik“. In Das Ästhetisch- Spekulative. Spekulationen in den Künsten, hg. von K. Busch et al. (2016); „Otherkin, Digitalisierung, Pubertät. Drei Skizzen zu Krisen der Verkörperung“. Publikation im Rahmen der Ausstellung „fühle meinen körper sich von meinem körper entfernen“, Heidelberger Kunstverein. E-Mail: m.beck@udk-berlin.de. 5 A01 21 000000016623043X Dieter Mersch Dieter Mersch ehemaliger Prof. für Ästhetische Theorie 40 05r0ap620 Zurich University of the Arts Dieter Mersch ist ehemaliger Prof. für Ästhetische Theorie und Leiter des Instituts for Critical Theory an der Zürcher Hochschule der Künste. Seine Forschungsschwerpunkte sind Kunst- und Medienphilosophie, Geschichte und Gegenwartsphilosophie, Kritik des Digitalen. Publikationen: Humanismen und Antihumanismen. Kritische Studien zur Gegenwartsphilosophie (2024); Beyond Mimesis. Aesthetic Experience in Uncanny Valleys, hg. mit J. Sternagel und J. Tobias (2024); zusammen mit J. Bennke: Levinas und die Künste (2023); „Von Metaphysikkritik zu nonnaturalistischen Ökologien. Zur Grundlagendiskussion von Kulturphilosophie“. Zeitschrift für Kulturphilosophie (1) (2023); Kein Würfelwurf bringt den Zu-Fall zu Fall. Spiel, Kunst, Zufall (2022); zusammen mit S. Henke, N.v.d. Meulen, Th. Strässle, J. Wiesel: Manifest der Künstlerischen Forschung. Eine Verteidigung gegen ihre Verfechter (2020). E-Mail: dieter.mersch@t-online.de. 6 A01 21 0000000260419968 Beate Ochsner Beate Ochsner Professorin für Medienwissenschaften 40 0546hnb39 University of Konstanz Beate Ochsner ist Professorin für Medienwissenschaften an der Universität Konstanz. Ihre Forschungsschwerpunkte sind Mediale Teilhabe, Partizipationsforschung, Dis/Ability und Medienwissenschaften, Praktiken des Hörens und Sehens, Serious Gaming/ Serious Games. Publikationen: „Zum Konzept medialer Teilhabe“. In Handbuch Medientheorien im 21. Jahrhundert, hg. von Christoph Ernst et al. (2024); Disability and Video Games: Practices of En-/Disabling Modes of Digital Gaming, hg. zusammen mit Markus Spöhrer (2023); zusammen mit Judith Willkomm, Harald Waldrich, und Markus Spöhrer: „‚Serious Gaming‘ – oder Spielen ernst nehmen: Ein Forschungsprogramm“. Zeitschrift für Medienwissenschaft 15 (1) (2023); Techniques of Hearing. History, Theory and Practices, hg. zusammen mit Michael Schillmeier und Robert Stock (2020); Media Practices Commoning, Special Issue der Open Cultural Studies, hg. zusammen mit Anne Ganzert und Robert Stock (2020). E-Mail: beate.ochsner@uni-konstanz.de. 7 A01 Bettina Papenburg Bettina Papenburg Privatdozentin für Medienwissenschaft und Medienkulturwissenschaft 40 024z2rq82 Heinrich Heine University Düsseldorf Bettina Papenburg ist seit Juni 2022 Privatdozentin für Medienwissenschaft und Medienkulturwissenschaft an der Heinrich- Heine-Universität Düsseldorf. Ihre Forschungsschwerpunkte sind Medienepistemologie und digitale Wissenskulturen, Medienästhetik und Medientechnik, Critical AI Studies, Critical Infrastructure Studies, Körper- und Affektpolitiken. Publikationen: „Postkolonisierung des Weltraums: Die Film Credits in ONE SKY als Geste der epistemischen Selbstbehauptung“. Nach dem Film, Themenheft 23: Film Credits und Listen in den Künsten (2024); mit K. Dreckmann: Queer Pop: Aesthetic Interventions in Contemporary Culture (2023); Vitalitätseffekte: Erkenntnis und Affekt in der Medienkultur der Zellbiologie (2022). E-Mail: bettina.papenburg@gmail.com. 8 A01 Ulrike Ramming Ulrike Ramming wissenschaftliche Mitarbeiterin am Institut für Philosophie 40 04vnq7t77 University of Stuttgart Ulrike Ramming ist wissenschaftliche Mitarbeiterin am Institut für Philosophie der Universität Stuttgart. Ihre Forschungsschwerpunkte sind Medienphilosophie/Philosophie der Medialität, Kritische Theorie, Sprachphilosophie. Publikationen: „Ästhetik“. In Handbuch Technikphilosophie, hg. von M. Gutmann et al. (2024); „Physiognomie und Sachlichkeit. Materiale Kategorien in Adornos frühen Medienanalysen“. In Adorno und die Medien, hg. von J.-F. Popp und L. Voropai (2023); „Calculating with Words. Perspectives from Philosophy of Media, Philosophy of Science, Linguistics and Cultural History“. Technology and Language 2 (2021); „Kausale Kette und technisch gestützte Referenz“. In Sprache, Wahrnehmung und Selbst: Neue Perspektiven auf Gareth Evans’ Philosophie, hg. von C. Misselhorn et al. (2017). E-Mail: ulrike.ramming@philo.uni-stuttgart. de. 9 A01 21 0000000209701087 Jörg Sternagel Jörg Sternagel Privatdozent 40 0546hnb39 University of Konstanz Jörg Sternagel ist Privatdozent an der Universität Konstanz und Akademischer Rat auf Zeit an der Universität Passau. Seine Forschungsschwerpunkte sind Alterität, Bildlichkeit, Medialität, Performativität. Publikationen: Ethisches Sehen. Transformative Erfahrungen und wechselseitige Abhängigkeiten in der (post-)pandemischen Lebenswelt (2025); zusammen mit A. Sabisch, V. Mühleis und K. Böhme: Bilder im Entstehen. Visualität und Responsivität (2024); zusammen mit E. Schürmann: Denken des Medialen. Zur Bedeutung des Dazwischen (2023); Ethics of Alterity. Aisthetics of Existence (2023). Zusammen mit J. Tobias und D. Mersch: Beyond Mimesis. Aesthetic Experience in Uncanny Valleys (2023). Zusammen mit D. Mersch, A. Rey, T. Grunwald, L. Kegel und M. Loertscher: Actor & Avatar (2023). E-Mail: j_sternagel@yahoo.de 01 ger 00 231 03 93 JBCT 04 P8796 10 SOC052000 04 HPN 10 PHI001000 93 QDTN 20 Medien; Ästhetik; Philosophie; Medienphilosophie; Medienästhetik 01 06 02 00 Als Nachfolger des früheren Internationalen Jahrbuchs für Medienphilosophie beschäftigt sich das Internationale Jahrbuch für Medienphilosophie und Medienästhetik in der ersten Ausgabe nach dem Relaunch mit der wesentlichen Frage: Was ist Medienästhetik?Diese Frage steht für eine doppelte Öffnung: Medienästhetik markiert eine Suchbewegu 03 00 Als Nachfolger des früheren Internationalen Jahrbuchs für Medienphilosophie beschäftigt sich das Internationale Jahrbuch für Medienphilosophie und Medienästhetik in der ersten Ausgabe nach dem Relaunch mit der wesentlichen Frage: Was ist Medienästhetik?Diese Frage steht für eine doppelte Öffnung: Medienästhetik markiert eine Suchbewegung, die die philosophischen wie medienwissenschaftlichen Grundlagen erkundet, die in medienästhetischen Kontexten in Erscheinung treten können. Zugleich lädt sie ein zu einer historischen Kartographierung und begrifflichen Konturierung von Medienästhetik, einer Diskussion ihrer unterschiedlichen Modellierungen und der sich daraus ergebenden Optionen für Kritik.Ziel ist es, den Begriff Medienästhetik offen zu halten und aus seiner Problematisierung immer wieder neue disziplinübergreifende Debatten anzustoßen. Das Jahrbuch bietet unterschiedlichen Projekten, Positionen und Fragestellungen Raum, die zueinander im Modus des Dissenses, der Überschneidung, der Assoziation, aber auch der inhaltlichen Weiterführung stehen können. 30 00 Als Nachfolger des früheren Internationalen Jahrbuchs für Medienphilosophie beschäftigt sich das Internationale Jahrbuch für Medienphilosophie und Medienästhetik in der ersten Ausgabe nach dem Relaunch mit der wesentlichen Frage: Was ist Medienästhetik?Diese Frage steht für eine doppelte Öffnung: Medienästhetik markiert eine Suchbewegung, die die philosophischen wie medienwissenschaftlichen Grundlagen erkundet, die in medienästhetischen Kontexten in Erscheinung treten können. Zugleich lädt sie ein zu einer historischen Kartographierung und begrifflichen Konturierung von Medienästhetik, einer Diskussion ihrer unterschiedlichen Modellierungen und der sich daraus ergebenden Optionen für Kritik.Ziel ist es, den Begriff Medienästhetik offen zu halten und aus seiner Problematisierung immer wieder neue disziplinübergreifende Debatten anzustoßen. Das Jahrbuch bietet unterschiedlichen Projekten, Positionen und Fragestellungen Raum, die zueinander im Modus des Dissenses, der Überschneidung, der Assoziation, aber auch der inhaltlichen Weiterführung stehen können. 20 00 Open Access 01 00 03 02 This is the cover of the book Was ist Medienästhetik? 02 https://meson.press/wp-content/uploads/2024/12/IJMM2024-FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/ijmm2024-was-ist-medienaesthetik/ Lüneburg 04 01 20241230 Natascha Adamowsky Judith Siegmund 02 WORLD 06 15 9783957962409 03 9783957962409 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/98930 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/98930/978-3-95796-241-6_Was-ist-Medien%c3%a4sthetik.pdf?sequence=1&isAllowed=y 20 08 20241230 01 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/ijmm2024-was-ist-medienaesthetik/ 29 Publisher's website: download the title https://meson.press/wp-content/uploads/2024/12/IJMM-2024-Was-ist-Mediena%CC%88sthetik.pdf 20 08 20241230 01 urn:uuid:f0c2c0ff-2704-4846-8bc3-390d6f0ed297 03 01 01 thoth-work-id urn:uuid:b090bff9-4197-454d-8292-d1c6b31f8acf 01 thoth-publication-id urn:uuid:f0c2c0ff-2704-4846-8bc3-390d6f0ed297 15 9783957960146 03 9783957960146 06 10.14619/0146 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 4433718b-565b-4e98-b1ef-43519635928f 02 00000009 01 Series URL https://meson.press/series-page/configurations-of-film 03 4 01 02 Configurations of Film 01 01 Who Owns the Images? The Paradox of Archives, between Commercialization, Free Circulation and Respect 1 B01 Sylvie Lindeperg Sylvie Lindeperg Professor 40 002t25c44 Pantheon-Sorbonne University Sylvie Lindeperg is a historian, professor at the University of Paris I Panthéon-Sorbonne and member of the Institut universitaire of France. She is the author and co-editor of fifteen books exploring the connections between film, memory and history amongst which are: Clio de 5 à 7 (Paris: CNRS Éditions, 2000); Nuit et brouillard: un film dans l’Histoire (Odile Jacob, 2007) [Night and Fog: A Film in History. Tr. Tom Mes (Minneapolis: University of Minnesota Press, 2014); La Voie des images (Verdier, 2013), Les Écrans de l’ombre (Paris: Seuil, 2014); Le Moment Eichmann (Albin Michel, 2016), coedited with Annette Wieviorka; her most recent work is: Le procès de Nuremberg: la bataille des images (Payot, 2021). 2 B01 Ania Szczepanska Ania Szczepanska Lecturer 40 002t25c44 Pantheon-Sorbonne University Ania Szczepanska is a graduate of the École normale, film historian and Lecturer et Paris 1 Panthéon-Sorbonne. Her works deal with Eastern European Film and Documentary Film. She made the documentary Nous filmons le peuple! (We Film the People!), produced by Abacaris films (broadcast on Ciné+ and TVP Kultura, released on DVD by Aloest), about the political involvement of filmmakers in Communist Poland. She is the author of: Do granic negocjacji. Historia Zespołu filmowego X Andrzeja Wajdy (1972-1983) (Cracow: Universitas, 2017 [At the border of Negotiation. History of the Andrzej Wajda’s Production Group X (1972-1983)]). In 2019 she made the film Solidarnosc, la chute du mur commence en Pologne (Solidarnosc, how Solidarity changed Europe) produced by Looksfilm for Arte/NDR; her most recent work is Une histoire visuelle de Solidarnosc (MSH, 2021.) 01 eng 00 143 03 04 P87-96 10 SOC052000 20 media theory 01 06 02 00 Digitization carries the utopian promise of archival access unlimited by constraints of space and time, and with it, of new forms of research and historiographies. In reality, digital image archives pose a complex set of technical, legal, ethical and methodological challenges, particularly for film and media studies and adjacent fields. In a 03 00 Digitization carries the utopian promise of archival access unlimited by constraints of space and time, and with it, of new forms of research and historiographies. In reality, digital image archives pose a complex set of technical, legal, ethical and methodological challenges, particularly for film and media studies and adjacent fields. In a series of studies and interviews with practitioners, scholars and theorists, this volume draws a detailed map of these challenges and offers perspectives for further research and creative practice. 30 00 Digitization carries the utopian promise of archival access unlimited by constraints of space and time, and with it, of new forms of research and historiographies. In reality, digital image archives pose a complex set of technical, legal, ethical and methodological challenges, particularly for film and media studies and adjacent fields. In a series of studies and interviews with practitioners, scholars and theorists, this volume draws a detailed map of these challenges and offers perspectives for further research and creative practice. 20 00 Open Access 01 00 03 02 This is the cover of the book Who Owns the Images? 02 https://meson.press/wp-content/uploads/2023/04/CoF_4_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/who-owns-the-images/ 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Graduiertenkolleg 01 projectname GRK 2279: Konfigurationen des Films 01 projectshortname Konfigurationen des Films 01 grantnumber 310565625 Lüneburg 04 01 20211213 Sylvie Lindeperg Ania Szczepanska 02 WORLD WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88697 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/88697/978-3-95796-014-6_Lindeperg-Szczepanska.pdf?sequence=1&isAllowed=y 20 08 20211213 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/who-owns-the-images/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2021/05/978-3-95796-014-6_Lindeperg-Szczepanska.pdf 20 08 20211213 01 urn:uuid:6db3e09a-7708-49e5-8dce-c10bf958b6fe 03 01 01 thoth-work-id urn:uuid:9cd6ec0a-5b57-4ddf-acd1-c149d5673467 01 thoth-publication-id urn:uuid:6db3e09a-7708-49e5-8dce-c10bf958b6fe 15 9783957962614 03 9783957962614 06 10.14619/2614 00 BC 10 01 234 mm 01 23.4 cm 01 9.21 in 02 156 mm 02 15.6 cm 02 6.14 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID bb95d179-db6a-4325-81d0-8aa456fd8b58 02 00000001 01 Series URL https://meson.press/series-page/future-ecologies 03 10 01 02 Future Ecologies 01 01 Zonen Für eine kritische Ökologie in den Geisteswissenschaften 1 B01 Jörg Dünne Jörg Dünne Professor für Romanische Literaturen 40 01hcx6992 Humboldt-Universität zu Berlin Jörg Dünne ist Professor für Romanische Literaturen an der Humboldt-Universität zu Berlin. Zu seinen Forschungsschwerpunkten gehören das Verhältnis von Literatur und Räumlichkeit, Katastrophismus und Spektakularität, Human-Animal Studies sowie Fluviale Ästhetiken. Ausgewählte jüngere Publikationen: Quiltrologie: Kontaktszenen zwischen Straßenhunden und Menschen in der chilenischen Literatur und Kultur (2025, i.V.); Estéticas de la tierra en América latina: literatura, cine, arte (2024, hg. mit Jenny Haase); Kosmogramme: Geohistorische Skalierungen romanischer Literaturen (2019). 2 B01 Eva Horn Eva Horn Professorin für Neuere deutsche Literatur und Kulturtheorie 40 03prydq77 University of Vienna Eva Horn ist Professorin für Neuere deutsche Literatur und Kulturtheorie am Institut für Germanistik der Universität Wien. Ihre aktuellen Forschungsthemen sind Literatur und Wissensgeschichte, Ökologie, historische Naturkonzepte und Fragen einer Ästhetik des Anthropozäns. Zusammen mit Hannes Bergthaller hat sie Anthropozän: Zur Einführung (2019) publiziert. Jüngst von ihr erschienen ist Klima: Eine Wahrnehmungsgeschichte (2024). 3 B01 21 0000000272176422 Birgit Schneider Birgit Schneider Professorin 40 03bnmw459 University of Potsdam Birgit Schneider ist Kultur- und Medienwissenschaftlerin und lehrt als Professorin an der Universität Potsdam. Ihre Arbeitsschwerpunkte sind Bilder und Wahrnehmungsweisen des Klimas zwischen Wissenschaft, Politik, Kunst und Medien, die Kommunikation des Klimawandels, Bilder der Ökologie sowie medien und naturästhetische Fragen. Ihre jüngsten Publikationen sind Global Forest Visualization: From Green Marbles to Storyworlds, gemeinsam mit Lynda C. Olman (2024), Der Anfang einer neuen Welt: Wie wir vom Klimawandel erzählen, ohne zu verstummen (2023), und Klimabilder: Eine Genealogie globaler Bildpolitiken von Klima und Klimawandel (2018). 4 A01 Florian Auerochs Florian Auerochs Florian Auerochs ist Literaturwissenschaftler und lebt in Leipzig. Von 2022 bis 2024 war er wissenschaftlicher Mitarbeiter am Institut für Medienkulturwissenschaft der Albert-Ludwigs-Universität Freiburg. Zu seinen Forschungsschwerpunkten gehören das Verhältnis von Literatur und (Roh-)Stoffwissen, feministische Literaturwissenschaft und Queer Studies sowie literarische Kulturen in Minderheitensprachen und ‚kleine‘ Medienkulturen. Ausgewählte jüngere Publikation: Ökologische Petrofiction: Verschmutzungskrisen in der Gegenwartsliteratur (2024). 5 A01 Jeanne Etelain Jeanne Etelain Jeanne Etelain hat an der New York University und der Université Paris Nanterre promoviert und unterrichtet derzeit Philosophie und zeitgenössische Theorien an der École Supérieure des Beaux-Arts in Montpellier. Ihre Arbeiten befassen sich mit der Philosophie der Ökologie, des Raums und der Erde an der Schnittstelle zwischen metaphysischer Erneuerung und feministischen Perspektiven. Die Druckfassung ihrer Dissertation A Theory of Zones: Conceptualizing Space in the Planetary Era erscheint 2025 im Verlag Flammarion unter dem Titel Zones. Terre, Sexe et science-fiction. 6 A01 21 0000000319857779 Mary Louise Pratt Mary Louise Pratt emeritierte Professorin 40 0190ak572 New York University Mary Louise Pratt ist emeritierte Professorin an der New York University, wo sie am Department of Spanish and Portuguese und am Department of Social and Cultural Analysis gelehrt hat. Zu ihren Forschungsgebieten gehören lateinamerikanische Literatur- und Kulturstudien, Literaturtheorie, Linguistik, Postcolonial Studies, Geschlechterstudien, Anthropologie und Kulturwissenschaft. Unter ihren Publikationen ist neben ihrer grundlegenden Studie zur Reiseliteratur mit dem Titel Imperial Eyes: Travel Writing and Transculturation (1992, Neuauflage 2007) insbesondere ihr jüngstes Buch mit dem Titel Planetary Longings (Duke UP, 2022) zu nennen, aus dem der für den vorliegenden Band übersetzte Text stammt. 7 A01 Robert Stockhammer Robert Stockhammer Professor im Ruhestand für Allgemeine und Vergleichende Literaturwissenschaft 40 05591te55 Ludwig-Maximilians-Universität München Robert Stockhammer ist Professor im Ruhestand für Allgemeine und Vergleichende Literaturwissenschaft an der LMU München. Zu seinen Forschungsschwerpunkten gehören das Verhältnis von Globalisierung und Literatur (mit Aspekten wie Mehrsprachigkeit, Kosmopolitismus, Weltkonstruktionen, Anthropozän) sowie Ortsnamen. Ausgewählte jüngere Publikationen: Reisen zwischen Abenteuer und Rasterung (2021); Erdliteratur: Zur kritischen Beobachtung von Weltkonstruktionen. Buch mit weiteren Texten und anderen Materialien im Schuber (2023); (als Mit-Hg.) Brian Eno: Essays, Interviews, Rezensionen, Materialien. Themenheft der Zeitschrift Augenblick (2024). 01 ger 00 124 03 93 JBCT1 04 P87-96 10 SOC052000 93 PSAF 10 SCI020000 20 Kritische Ökologie; Anthropozän; Relationen 01 06 02 00 Die Erde befindet sich in einem vom Menschen bewirkten, tiefgreifenden Veränderungsprozess. Um dieses dringliche Problem neu anzugehen, nehmen die Autor*innen dieses Bandes den Begriff der „Zone“ zum Ausgangspunkt für eine kritische Ökologie.<break/>Das „Denken in Zonen“ hält der Makro-Perspektive des Planetarischen den Blick auf das Heteroge 03 00 Die Erde befindet sich in einem vom Menschen bewirkten, tiefgreifenden Veränderungsprozess. Um dieses dringliche Problem neu anzugehen, nehmen die Autor*innen dieses Bandes den Begriff der „Zone“ zum Ausgangspunkt für eine kritische Ökologie.<break/>Das „Denken in Zonen“ hält der Makro-Perspektive des Planetarischen den Blick auf das Heterogene und Prozesshafte, auf die Übergänge, Grenzen und Singularitäten von Räumen entgegen. In den Vordergrund rücken damit die Handlungsmacht und Relationalität von Räumen, um die drastischen, ebenso materiellen wie epistemischen Veränderungen und Verschiebungen im Verhältnis des Menschen zur Erde im Anthropozän besser zu fassen.<break/>Mit Aufsätzen von Florian Auerochs, Jeanne Etelain, Mary Louise Pratt und Robert Stockhammer versammelt dieser Band erstmals maßgebliche Zugänge zu Begriff und Ästhetik der Zone, die seine Tragweite als Instrument ökologischen Denkens in den Kulturwissenschaften aufzeigen. 30 00 Die Erde befindet sich in einem vom Menschen bewirkten, tiefgreifenden Veränderungsprozess. Um dieses dringliche Problem neu anzugehen, nehmen die Autor*innen dieses Bandes den Begriff der „Zone“ zum Ausgangspunkt für eine kritische Ökologie.<break/>Das „Denken in Zonen“ hält der Makro-Perspektive des Planetarischen den Blick auf das Heterogene und Prozesshafte, auf die Übergänge, Grenzen und Singularitäten von Räumen entgegen. In den Vordergrund rücken damit die Handlungsmacht und Relationalität von Räumen, um die drastischen, ebenso materiellen wie epistemischen Veränderungen und Verschiebungen im Verhältnis des Menschen zur Erde im Anthropozän besser zu fassen.<break/>Mit Aufsätzen von Florian Auerochs, Jeanne Etelain, Mary Louise Pratt und Robert Stockhammer versammelt dieser Band erstmals maßgebliche Zugänge zu Begriff und Ästhetik der Zone, die seine Tragweite als Instrument ökologischen Denkens in den Kulturwissenschaften aufzeigen. 20 00 Open Access 01 00 03 02 This is the cover of the publicationen Zonen. 02 https://meson.press/wp-content/uploads/2025/05/Dunne-et-al.%E2%80%93Zonen-Cover-1.png 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/zonen/ Lüneburg 04 01 20250627 Jörg Dünne, Eva Horn, Birgit Schneider 02 WORLD 06 15 9783957962621 03 9783957962621 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/zonen/ 20 08 20250627 01 urn:uuid:85f456a0-d820-490c-a1d4-b292717823aa 03 01 01 thoth-work-id urn:uuid:9cd6ec0a-5b57-4ddf-acd1-c149d5673467 01 thoth-publication-id urn:uuid:85f456a0-d820-490c-a1d4-b292717823aa 15 9783957962621 03 9783957962621 06 10.14619/2614 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID bb95d179-db6a-4325-81d0-8aa456fd8b58 02 00000001 01 Series URL https://meson.press/series-page/future-ecologies 03 10 01 02 Future Ecologies 01 01 Zonen Für eine kritische Ökologie in den Geisteswissenschaften 1 B01 Jörg Dünne Jörg Dünne Professor für Romanische Literaturen 40 01hcx6992 Humboldt-Universität zu Berlin Jörg Dünne ist Professor für Romanische Literaturen an der Humboldt-Universität zu Berlin. Zu seinen Forschungsschwerpunkten gehören das Verhältnis von Literatur und Räumlichkeit, Katastrophismus und Spektakularität, Human-Animal Studies sowie Fluviale Ästhetiken. Ausgewählte jüngere Publikationen: Quiltrologie: Kontaktszenen zwischen Straßenhunden und Menschen in der chilenischen Literatur und Kultur (2025, i.V.); Estéticas de la tierra en América latina: literatura, cine, arte (2024, hg. mit Jenny Haase); Kosmogramme: Geohistorische Skalierungen romanischer Literaturen (2019). 2 B01 Eva Horn Eva Horn Professorin für Neuere deutsche Literatur und Kulturtheorie 40 03prydq77 University of Vienna Eva Horn ist Professorin für Neuere deutsche Literatur und Kulturtheorie am Institut für Germanistik der Universität Wien. Ihre aktuellen Forschungsthemen sind Literatur und Wissensgeschichte, Ökologie, historische Naturkonzepte und Fragen einer Ästhetik des Anthropozäns. Zusammen mit Hannes Bergthaller hat sie Anthropozän: Zur Einführung (2019) publiziert. Jüngst von ihr erschienen ist Klima: Eine Wahrnehmungsgeschichte (2024). 3 B01 21 0000000272176422 Birgit Schneider Birgit Schneider Professorin 40 03bnmw459 University of Potsdam Birgit Schneider ist Kultur- und Medienwissenschaftlerin und lehrt als Professorin an der Universität Potsdam. Ihre Arbeitsschwerpunkte sind Bilder und Wahrnehmungsweisen des Klimas zwischen Wissenschaft, Politik, Kunst und Medien, die Kommunikation des Klimawandels, Bilder der Ökologie sowie medien und naturästhetische Fragen. Ihre jüngsten Publikationen sind Global Forest Visualization: From Green Marbles to Storyworlds, gemeinsam mit Lynda C. Olman (2024), Der Anfang einer neuen Welt: Wie wir vom Klimawandel erzählen, ohne zu verstummen (2023), und Klimabilder: Eine Genealogie globaler Bildpolitiken von Klima und Klimawandel (2018). 4 A01 Florian Auerochs Florian Auerochs Florian Auerochs ist Literaturwissenschaftler und lebt in Leipzig. Von 2022 bis 2024 war er wissenschaftlicher Mitarbeiter am Institut für Medienkulturwissenschaft der Albert-Ludwigs-Universität Freiburg. Zu seinen Forschungsschwerpunkten gehören das Verhältnis von Literatur und (Roh-)Stoffwissen, feministische Literaturwissenschaft und Queer Studies sowie literarische Kulturen in Minderheitensprachen und ‚kleine‘ Medienkulturen. Ausgewählte jüngere Publikation: Ökologische Petrofiction: Verschmutzungskrisen in der Gegenwartsliteratur (2024). 5 A01 Jeanne Etelain Jeanne Etelain Jeanne Etelain hat an der New York University und der Université Paris Nanterre promoviert und unterrichtet derzeit Philosophie und zeitgenössische Theorien an der École Supérieure des Beaux-Arts in Montpellier. Ihre Arbeiten befassen sich mit der Philosophie der Ökologie, des Raums und der Erde an der Schnittstelle zwischen metaphysischer Erneuerung und feministischen Perspektiven. Die Druckfassung ihrer Dissertation A Theory of Zones: Conceptualizing Space in the Planetary Era erscheint 2025 im Verlag Flammarion unter dem Titel Zones. Terre, Sexe et science-fiction. 6 A01 21 0000000319857779 Mary Louise Pratt Mary Louise Pratt emeritierte Professorin 40 0190ak572 New York University Mary Louise Pratt ist emeritierte Professorin an der New York University, wo sie am Department of Spanish and Portuguese und am Department of Social and Cultural Analysis gelehrt hat. Zu ihren Forschungsgebieten gehören lateinamerikanische Literatur- und Kulturstudien, Literaturtheorie, Linguistik, Postcolonial Studies, Geschlechterstudien, Anthropologie und Kulturwissenschaft. Unter ihren Publikationen ist neben ihrer grundlegenden Studie zur Reiseliteratur mit dem Titel Imperial Eyes: Travel Writing and Transculturation (1992, Neuauflage 2007) insbesondere ihr jüngstes Buch mit dem Titel Planetary Longings (Duke UP, 2022) zu nennen, aus dem der für den vorliegenden Band übersetzte Text stammt. 7 A01 Robert Stockhammer Robert Stockhammer Professor im Ruhestand für Allgemeine und Vergleichende Literaturwissenschaft 40 05591te55 Ludwig-Maximilians-Universität München Robert Stockhammer ist Professor im Ruhestand für Allgemeine und Vergleichende Literaturwissenschaft an der LMU München. Zu seinen Forschungsschwerpunkten gehören das Verhältnis von Globalisierung und Literatur (mit Aspekten wie Mehrsprachigkeit, Kosmopolitismus, Weltkonstruktionen, Anthropozän) sowie Ortsnamen. Ausgewählte jüngere Publikationen: Reisen zwischen Abenteuer und Rasterung (2021); Erdliteratur: Zur kritischen Beobachtung von Weltkonstruktionen. Buch mit weiteren Texten und anderen Materialien im Schuber (2023); (als Mit-Hg.) Brian Eno: Essays, Interviews, Rezensionen, Materialien. Themenheft der Zeitschrift Augenblick (2024). 01 ger 00 124 03 93 JBCT1 04 P87-96 10 SOC052000 93 PSAF 10 SCI020000 20 Kritische Ökologie; Anthropozän; Relationen 01 06 02 00 Die Erde befindet sich in einem vom Menschen bewirkten, tiefgreifenden Veränderungsprozess. Um dieses dringliche Problem neu anzugehen, nehmen die Autor*innen dieses Bandes den Begriff der „Zone“ zum Ausgangspunkt für eine kritische Ökologie.<break/>Das „Denken in Zonen“ hält der Makro-Perspektive des Planetarischen den Blick auf das Heteroge 03 00 Die Erde befindet sich in einem vom Menschen bewirkten, tiefgreifenden Veränderungsprozess. Um dieses dringliche Problem neu anzugehen, nehmen die Autor*innen dieses Bandes den Begriff der „Zone“ zum Ausgangspunkt für eine kritische Ökologie.<break/>Das „Denken in Zonen“ hält der Makro-Perspektive des Planetarischen den Blick auf das Heterogene und Prozesshafte, auf die Übergänge, Grenzen und Singularitäten von Räumen entgegen. In den Vordergrund rücken damit die Handlungsmacht und Relationalität von Räumen, um die drastischen, ebenso materiellen wie epistemischen Veränderungen und Verschiebungen im Verhältnis des Menschen zur Erde im Anthropozän besser zu fassen.<break/>Mit Aufsätzen von Florian Auerochs, Jeanne Etelain, Mary Louise Pratt und Robert Stockhammer versammelt dieser Band erstmals maßgebliche Zugänge zu Begriff und Ästhetik der Zone, die seine Tragweite als Instrument ökologischen Denkens in den Kulturwissenschaften aufzeigen. 30 00 Die Erde befindet sich in einem vom Menschen bewirkten, tiefgreifenden Veränderungsprozess. Um dieses dringliche Problem neu anzugehen, nehmen die Autor*innen dieses Bandes den Begriff der „Zone“ zum Ausgangspunkt für eine kritische Ökologie.<break/>Das „Denken in Zonen“ hält der Makro-Perspektive des Planetarischen den Blick auf das Heterogene und Prozesshafte, auf die Übergänge, Grenzen und Singularitäten von Räumen entgegen. In den Vordergrund rücken damit die Handlungsmacht und Relationalität von Räumen, um die drastischen, ebenso materiellen wie epistemischen Veränderungen und Verschiebungen im Verhältnis des Menschen zur Erde im Anthropozän besser zu fassen.<break/>Mit Aufsätzen von Florian Auerochs, Jeanne Etelain, Mary Louise Pratt und Robert Stockhammer versammelt dieser Band erstmals maßgebliche Zugänge zu Begriff und Ästhetik der Zone, die seine Tragweite als Instrument ökologischen Denkens in den Kulturwissenschaften aufzeigen. 20 00 Open Access 01 00 03 02 This is the cover of the publicationen Zonen. 02 https://meson.press/wp-content/uploads/2025/05/Dunne-et-al.%E2%80%93Zonen-Cover-1.png 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/zonen/ Lüneburg 04 01 20250627 Jörg Dünne, Eva Horn, Birgit Schneider 02 WORLD 06 15 9783957962614 03 9783957962614 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/zonen/ 29 Publisher's website: download the title https://meson.press/wp-content/uploads/2025/05/978-3-95796-262-1-Zonen.pdf 20 08 20250627 01 urn:uuid:be8bd9d5-d621-4de8-b8d7-57c56ef8743e 03 01 01 thoth-work-id urn:uuid:6511c840-9121-472c-a21a-6403bfa17e8c 01 thoth-publication-id urn:uuid:be8bd9d5-d621-4de8-b8d7-57c56ef8743e 15 9783957960337 03 9783957960337 06 10.14619/0337 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 10 01 02 Digital Cultures 01 01 Preferable Futures 1 B01 Irina Kaldrack Irina Kaldrack Lecturer for "Society and Digitalization" 40 033bb5z47 Bauhaus University, Weimar Irina Kaldrack is a lecturer for “Society and Digitalization” at Bauhaus University, Weimar. She was full professor at the Foreign Studies College of Hunan Normal University in Changsha, China (spring semester, 2022) and was visting professor for “Knowledge Cultures in the Digital Age” at Braunschweig University of Art (2015–2021). 2 B01 21 0000000238174706 Rolf F. Nohr Rolf F. Nohr Professor of Media Aesthetics and Media Culture 40 03aft2f80 Braunschweig University of Art External Affiliate 40 03m2x1q45 University of Arizona Rolf F. Nohr is a professor of media aesthetics and media culture at Braunschweig University of Art and a University of Arizona external affiliate. 01 eng 00 121 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 12 AK 93 AK 10 DES000000 93 JBFZ 12 JFFR 10 SOC037000 12 JP 93 JP 93 KCA 12 KCA 12 HD 93 QD 12 RNPG 93 RNPG 01 06 02 00 Preferable Futures delves into the question of possible, probable, and desirable futures amidst the pressures of climate change and digitalization. Through a diverse range of perspectives, the book explores ways to negotiate and create desirable futures using the concept of transformation design in theory and practice, economic business simul 03 00 Preferable Futures delves into the question of possible, probable, and desirable futures amidst the pressures of climate change and digitalization. Through a diverse range of perspectives, the book explores ways to negotiate and create desirable futures using the concept of transformation design in theory and practice, economic business simulations, and recent humanistic theories. This thought-provoking read challenges us to imagine and (re)shape a future we cannot predict and find ways to make a difference right now. 30 00 Preferable Futures delves into the question of possible, probable, and desirable futures amidst the pressures of climate change and digitalization. Through a diverse range of perspectives, the book explores ways to negotiate and create desirable futures using the concept of transformation design in theory and practice, economic business simulations, and recent humanistic theories. This thought-provoking read challenges us to imagine and (re)shape a future we cannot predict and find ways to make a difference right now. 20 00 Open Access 01 00 03 02 This is the cover of the book Preferable Futures. 02 https://meson.press/wp-content/uploads/2023/02/Cover_Preferable-Futures.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/preferable-futures/ 04 01 20230220 Irina Kaldrack Rolf F. Nohr 02 WORLD 06 15 9783957960344 03 9783957960344 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/preferable-futures/ 20 08 20230220 01 urn:uuid:50245def-896e-4700-993d-92a999b478bd 03 01 01 thoth-work-id urn:uuid:6511c840-9121-472c-a21a-6403bfa17e8c 01 thoth-publication-id urn:uuid:50245def-896e-4700-993d-92a999b478bd 15 9783957960344 03 9783957960344 06 10.14619/0337 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 10 01 02 Digital Cultures 01 01 Preferable Futures 1 B01 Irina Kaldrack Irina Kaldrack Lecturer for "Society and Digitalization" 40 033bb5z47 Bauhaus University, Weimar Irina Kaldrack is a lecturer for “Society and Digitalization” at Bauhaus University, Weimar. She was full professor at the Foreign Studies College of Hunan Normal University in Changsha, China (spring semester, 2022) and was visting professor for “Knowledge Cultures in the Digital Age” at Braunschweig University of Art (2015–2021). 2 B01 21 0000000238174706 Rolf F. Nohr Rolf F. Nohr Professor of Media Aesthetics and Media Culture 40 03aft2f80 Braunschweig University of Art External Affiliate 40 03m2x1q45 University of Arizona Rolf F. Nohr is a professor of media aesthetics and media culture at Braunschweig University of Art and a University of Arizona external affiliate. 01 eng 00 121 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 12 AK 93 AK 10 DES000000 93 JBFZ 12 JFFR 10 SOC037000 12 JP 93 JP 93 KCA 12 KCA 12 HD 93 QD 12 RNPG 93 RNPG 01 06 02 00 Preferable Futures delves into the question of possible, probable, and desirable futures amidst the pressures of climate change and digitalization. Through a diverse range of perspectives, the book explores ways to negotiate and create desirable futures using the concept of transformation design in theory and practice, economic business simul 03 00 Preferable Futures delves into the question of possible, probable, and desirable futures amidst the pressures of climate change and digitalization. Through a diverse range of perspectives, the book explores ways to negotiate and create desirable futures using the concept of transformation design in theory and practice, economic business simulations, and recent humanistic theories. This thought-provoking read challenges us to imagine and (re)shape a future we cannot predict and find ways to make a difference right now. 30 00 Preferable Futures delves into the question of possible, probable, and desirable futures amidst the pressures of climate change and digitalization. Through a diverse range of perspectives, the book explores ways to negotiate and create desirable futures using the concept of transformation design in theory and practice, economic business simulations, and recent humanistic theories. This thought-provoking read challenges us to imagine and (re)shape a future we cannot predict and find ways to make a difference right now. 20 00 Open Access 01 00 03 02 This is the cover of the book Preferable Futures. 02 https://meson.press/wp-content/uploads/2023/02/Cover_Preferable-Futures.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/preferable-futures/ 04 01 20230220 Irina Kaldrack Rolf F. Nohr 02 WORLD 06 15 9783957960337 03 9783957960337 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88701 29 OAPEN: download the title https://library.oapen.org/bitstream/20.500.12657/88701/1/978-3-95796-034-4_Preferable-Futures.pdf 20 08 20230220 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/preferable-futures/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2023/02/978-3-95796-034-4_Preferable-Futures.pdf 20 08 20230220 01 urn:uuid:db97837d-a318-40ce-a331-7812eefa18da 03 01 01 thoth-work-id urn:uuid:fa1ecc01-36e5-4c02-a152-53d98cb3b9d5 01 thoth-publication-id urn:uuid:db97837d-a318-40ce-a331-7812eefa18da 15 9783957961006 03 9783957961006 06 10.14619/021 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 4 01 02 Digital Cultures 01 01 Profile Interdisziplinäre Beiträge 1 B01 Martin Degeling Martin Degeling Post-doctoral Fellow 40 05x2bcf33 Carnegie Mellon University Martin Degeling ist post-doctoral fellow am Institut für Software Research, Caregie Mellon Universität. Seine Dissertation Online Profiling: Analyse und Intervention zum Schutz von Privatheit erschien 2016. 2 B01 Julius Othmer Julius Othmer Referent für Medien in Lehre und Studium 40 010nsgg66 Technical University of Braunschweig Julius Othmer ist Referent für Medien in Lehre und Studium und leitet den Bereich Medienbildung an der TU Braunschweig. Seine Forschungsschwerpunkte umfassen neben Game Studies und Dispositivtheorie vor allem theoretische sowie anwendungsbezogene Medienbildungsforschung. 3 B01 Andreas Weich Andreas Weich Research Assistant 40 010nsgg66 Technical University of Braunschweig Andreas Weich ist wissenschaftlicher Mitarbeiter in der Projektgruppe Lehre und Medienbildung an der TU Braunschweig. Forschungsschwerpunkte sind vor allem medienwissenschaftliche Diskurs- und Dispositivtheorie sowie Medienbildungsforschung. 2017 erschien seine Promotionsschrift Selbstverdatungsmaschinen: Zur Genealogie und Medialität des Profilierungsdispositivs. 4 B01 Bianca Westermann Bianca Westermann Postdoctoral Researcher 40 04tsk2644 Ruhr University Bochum Bianca Westermann ist postdoc-Stipendiatin der Fakultät für Philologie an der Ruhr-Universität Bochum. Ihr aktueller Forschungsschwerpunkt liegt auf sozialen Robotern, Cyborgs und mobilen Medien. Des Weiteren arbeitet sie zur medialen Konstruktion postmoderner Identität in digitalen Medien. 5 A01 21 0000000280033413 Bettina Berendt Bettina Berendt Visiting Professor 40 05f950310 KU Leuven Bettina Berendt ist Professorin in der Gruppe „Künstliche Intelligenz / Maschinelles Lernen und Data Mining“ am Fachbereich Informatik der KU Leuven. Ihre Forschungsschwerpunkte umfassen Web- und Textmining und die Interaktionen zwischen Mining, Privacy, Datenschutz, und (Nicht-)Diskriminierung. Das Ziel ist eine interdisziplinäre „critical data science“. 6 A01 Andreas Bernard Andreas Bernard Professor for Cultural Studies 40 02w2y2t16 Leuphana University of Lüneburg Andreas Bernard ist Professor für Kulturwissenschaften am Centre for Digital Cultures der Leuphana Universität Lüneburg. 2014 erschien Kinder machen: Neue Reproduktionstechnologien und die Ordnung der Famile, 2017 erscheint Selbstdesign: Menschenbilder der digitalen Kultur. 7 A01 Katja Grashöfer Katja Grashöfer Research Assistant 40 04tsk2644 Ruhr University Bochum Katja Grashöfer ist wissenschaftliche Mitarbeiterin an der Ruhr-Universität Bochum. In ihrer Forschung befasst sie sich mit digitalen Wissenskulturen (insbesondere der Online-Enzyklopädie Wikipedia) sowie Social Media Phänomenen. Außerdem arbeitet sie zu Fragen digitaler Medienbildung und ist in der Lehrerfortbildung tätig. 8 A01 Irina Kaldrack Irina Kaldrack Visiting Professor 40 03aft2f80 Braunschweig University of Art Irina Kaldrack verwaltet die Professur „Wissenskulturen im digitalen Zeitalter“ an der Hochschule für Bildende Künste Braunschweig. Ihre Forschungsschwerpunkte umfassen Theorie und Geschichte digitaler Medienkulturen, Medien- und Wissensgeschichte menschlicher Körperbewegung sowie Kultur- und Mediengeschichte der Mathematik. 9 A01 Nikolaus Lehner Nikolaus Lehner PhD Candidate 40 03prydq77 University of Vienna Nikolaus Lehner ist Doktorand der Soziologie und externer Lektor am Institut für Soziologie der Universität Wien. Seine gegenwärtigen Forschungsschwerpunkte liegen im Bereich der Medien- und Kultursoziologie. 10 A01 Martin Schmitt Martin Schmitt 40 005xmsp39 Centre for Contemporary History Martin Schmitt forscht und lehrt am Zentrum für Zeithistorische Forschung in Potsdam zur Geschichte des Digitalen Zeitalters. Er ist Teil des Forschungsprojektes „Computerisierung und soziale Ordnungen in der Bundesrepublik und DDR“. 2016 erschien seine Monographie Internet im Kalten Krieg bei Transcript. Für das Buch erhielt er den Nachwuchsförderpreis der DGPuK. 11 A01 Fabian Pittroff Fabian Pittroff 40 04zc7p361 University of Kassel Fabian Pittroff forscht an der Universität Kassel am Fachgebiet Soziologische Theorie zu Kontroversen um die Zukunft der Privatheit. In seiner Dissertation beschäftigt er sich mit Selbsttechnologien und Postprivacy. 01 ger 00 150 03 93 JBCT1 04 P87-96 93 JKV 93 KFFL 20 Identität; Subjekt; Personalisierung; Privacy; Profiling; Macht; Profil; Big Data; Geschichte 01 06 02 00 Profile haben Konjunktur. Seit der Verbreitung von Social Networking Sites sind sie alltäglicher Ort der Selbstdarstellung. Doch die Praktiken und Techniken der Profilierung sind keineswegs neu. Schon lange beschreiben Profile potentielle StraftäterInnen. Nun bestimmen sie auch die potentielle Kreditwürdigkeit.Im Spannungsfeld zwischen 03 00 Profile haben Konjunktur. Seit der Verbreitung von Social Networking Sites sind sie alltäglicher Ort der Selbstdarstellung. Doch die Praktiken und Techniken der Profilierung sind keineswegs neu. Schon lange beschreiben Profile potentielle StraftäterInnen. Nun bestimmen sie auch die potentielle Kreditwürdigkeit.Im Spannungsfeld zwischen Profil und Profilierung nehmen die Beiträge aus Medienwissenschaft, Soziologie, Geschichtswissenschaft und Informatik die vielschichtigen Dimensionen dieses zentralen Phänomens der digitalen Medienkultur in den Blick: Wie verändern sich Bedeutung und Bewertung des Profil-Begriffs? Wie stehen Profile in Zusammenhang mit Subjektivierung und Machtkonstellationen? Welche Wechselwirkungen zwischen Profilen und Privatheit sind gegenwärtig relevant? 30 00 Profile haben Konjunktur. Seit der Verbreitung von Social Networking Sites sind sie alltäglicher Ort der Selbstdarstellung. Doch die Praktiken und Techniken der Profilierung sind keineswegs neu. Schon lange beschreiben Profile potentielle StraftäterInnen. Nun bestimmen sie auch die potentielle Kreditwürdigkeit.Im Spannungsfeld zwischen Profil und Profilierung nehmen die Beiträge aus Medienwissenschaft, Soziologie, Geschichtswissenschaft und Informatik die vielschichtigen Dimensionen dieses zentralen Phänomens der digitalen Medienkultur in den Blick: Wie verändern sich Bedeutung und Bewertung des Profil-Begriffs? Wie stehen Profile in Zusammenhang mit Subjektivierung und Machtkonstellationen? Welche Wechselwirkungen zwischen Profilen und Privatheit sind gegenwärtig relevant? 20 00 Open Access 01 00 03 02 This is the cover of the book Profile. 02 https://meson.press/wp-content/uploads/2017/08/978-3-95796-100-6_COVER.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/profile/ Lüneburg 04 01 20170814 Martin Degeling Julius Othmer Andreas Weich Bianca Westermann 02 WORLD 06 15 9783957961013 03 9783957961013 06 15 9783957961020 03 9783957961020 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/profile/ 20 08 20170814 01 urn:uuid:7739fc55-9d0a-47e6-b7e6-8955c0729be3 03 01 01 thoth-work-id urn:uuid:fa1ecc01-36e5-4c02-a152-53d98cb3b9d5 01 thoth-publication-id urn:uuid:7739fc55-9d0a-47e6-b7e6-8955c0729be3 15 9783957961013 03 9783957961013 06 10.14619/021 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 4 01 02 Digital Cultures 01 01 Profile Interdisziplinäre Beiträge 1 B01 Martin Degeling Martin Degeling Post-doctoral Fellow 40 05x2bcf33 Carnegie Mellon University Martin Degeling ist post-doctoral fellow am Institut für Software Research, Caregie Mellon Universität. Seine Dissertation Online Profiling: Analyse und Intervention zum Schutz von Privatheit erschien 2016. 2 B01 Julius Othmer Julius Othmer Referent für Medien in Lehre und Studium 40 010nsgg66 Technical University of Braunschweig Julius Othmer ist Referent für Medien in Lehre und Studium und leitet den Bereich Medienbildung an der TU Braunschweig. Seine Forschungsschwerpunkte umfassen neben Game Studies und Dispositivtheorie vor allem theoretische sowie anwendungsbezogene Medienbildungsforschung. 3 B01 Andreas Weich Andreas Weich Research Assistant 40 010nsgg66 Technical University of Braunschweig Andreas Weich ist wissenschaftlicher Mitarbeiter in der Projektgruppe Lehre und Medienbildung an der TU Braunschweig. Forschungsschwerpunkte sind vor allem medienwissenschaftliche Diskurs- und Dispositivtheorie sowie Medienbildungsforschung. 2017 erschien seine Promotionsschrift Selbstverdatungsmaschinen: Zur Genealogie und Medialität des Profilierungsdispositivs. 4 B01 Bianca Westermann Bianca Westermann Postdoctoral Researcher 40 04tsk2644 Ruhr University Bochum Bianca Westermann ist postdoc-Stipendiatin der Fakultät für Philologie an der Ruhr-Universität Bochum. Ihr aktueller Forschungsschwerpunkt liegt auf sozialen Robotern, Cyborgs und mobilen Medien. Des Weiteren arbeitet sie zur medialen Konstruktion postmoderner Identität in digitalen Medien. 5 A01 21 0000000280033413 Bettina Berendt Bettina Berendt Visiting Professor 40 05f950310 KU Leuven Bettina Berendt ist Professorin in der Gruppe „Künstliche Intelligenz / Maschinelles Lernen und Data Mining“ am Fachbereich Informatik der KU Leuven. Ihre Forschungsschwerpunkte umfassen Web- und Textmining und die Interaktionen zwischen Mining, Privacy, Datenschutz, und (Nicht-)Diskriminierung. Das Ziel ist eine interdisziplinäre „critical data science“. 6 A01 Andreas Bernard Andreas Bernard Professor for Cultural Studies 40 02w2y2t16 Leuphana University of Lüneburg Andreas Bernard ist Professor für Kulturwissenschaften am Centre for Digital Cultures der Leuphana Universität Lüneburg. 2014 erschien Kinder machen: Neue Reproduktionstechnologien und die Ordnung der Famile, 2017 erscheint Selbstdesign: Menschenbilder der digitalen Kultur. 7 A01 Katja Grashöfer Katja Grashöfer Research Assistant 40 04tsk2644 Ruhr University Bochum Katja Grashöfer ist wissenschaftliche Mitarbeiterin an der Ruhr-Universität Bochum. In ihrer Forschung befasst sie sich mit digitalen Wissenskulturen (insbesondere der Online-Enzyklopädie Wikipedia) sowie Social Media Phänomenen. Außerdem arbeitet sie zu Fragen digitaler Medienbildung und ist in der Lehrerfortbildung tätig. 8 A01 Irina Kaldrack Irina Kaldrack Visiting Professor 40 03aft2f80 Braunschweig University of Art Irina Kaldrack verwaltet die Professur „Wissenskulturen im digitalen Zeitalter“ an der Hochschule für Bildende Künste Braunschweig. Ihre Forschungsschwerpunkte umfassen Theorie und Geschichte digitaler Medienkulturen, Medien- und Wissensgeschichte menschlicher Körperbewegung sowie Kultur- und Mediengeschichte der Mathematik. 9 A01 Nikolaus Lehner Nikolaus Lehner PhD Candidate 40 03prydq77 University of Vienna Nikolaus Lehner ist Doktorand der Soziologie und externer Lektor am Institut für Soziologie der Universität Wien. Seine gegenwärtigen Forschungsschwerpunkte liegen im Bereich der Medien- und Kultursoziologie. 10 A01 Martin Schmitt Martin Schmitt 40 005xmsp39 Centre for Contemporary History Martin Schmitt forscht und lehrt am Zentrum für Zeithistorische Forschung in Potsdam zur Geschichte des Digitalen Zeitalters. Er ist Teil des Forschungsprojektes „Computerisierung und soziale Ordnungen in der Bundesrepublik und DDR“. 2016 erschien seine Monographie Internet im Kalten Krieg bei Transcript. Für das Buch erhielt er den Nachwuchsförderpreis der DGPuK. 11 A01 Fabian Pittroff Fabian Pittroff 40 04zc7p361 University of Kassel Fabian Pittroff forscht an der Universität Kassel am Fachgebiet Soziologische Theorie zu Kontroversen um die Zukunft der Privatheit. In seiner Dissertation beschäftigt er sich mit Selbsttechnologien und Postprivacy. 01 ger 00 150 03 93 JBCT1 04 P87-96 93 JKV 93 KFFL 20 Identität; Subjekt; Personalisierung; Privacy; Profiling; Macht; Profil; Big Data; Geschichte 01 06 02 00 Profile haben Konjunktur. Seit der Verbreitung von Social Networking Sites sind sie alltäglicher Ort der Selbstdarstellung. Doch die Praktiken und Techniken der Profilierung sind keineswegs neu. Schon lange beschreiben Profile potentielle StraftäterInnen. Nun bestimmen sie auch die potentielle Kreditwürdigkeit.Im Spannungsfeld zwischen 03 00 Profile haben Konjunktur. Seit der Verbreitung von Social Networking Sites sind sie alltäglicher Ort der Selbstdarstellung. Doch die Praktiken und Techniken der Profilierung sind keineswegs neu. Schon lange beschreiben Profile potentielle StraftäterInnen. Nun bestimmen sie auch die potentielle Kreditwürdigkeit.Im Spannungsfeld zwischen Profil und Profilierung nehmen die Beiträge aus Medienwissenschaft, Soziologie, Geschichtswissenschaft und Informatik die vielschichtigen Dimensionen dieses zentralen Phänomens der digitalen Medienkultur in den Blick: Wie verändern sich Bedeutung und Bewertung des Profil-Begriffs? Wie stehen Profile in Zusammenhang mit Subjektivierung und Machtkonstellationen? Welche Wechselwirkungen zwischen Profilen und Privatheit sind gegenwärtig relevant? 30 00 Profile haben Konjunktur. Seit der Verbreitung von Social Networking Sites sind sie alltäglicher Ort der Selbstdarstellung. Doch die Praktiken und Techniken der Profilierung sind keineswegs neu. Schon lange beschreiben Profile potentielle StraftäterInnen. Nun bestimmen sie auch die potentielle Kreditwürdigkeit.Im Spannungsfeld zwischen Profil und Profilierung nehmen die Beiträge aus Medienwissenschaft, Soziologie, Geschichtswissenschaft und Informatik die vielschichtigen Dimensionen dieses zentralen Phänomens der digitalen Medienkultur in den Blick: Wie verändern sich Bedeutung und Bewertung des Profil-Begriffs? Wie stehen Profile in Zusammenhang mit Subjektivierung und Machtkonstellationen? Welche Wechselwirkungen zwischen Profilen und Privatheit sind gegenwärtig relevant? 20 00 Open Access 01 00 03 02 This is the cover of the book Profile. 02 https://meson.press/wp-content/uploads/2017/08/978-3-95796-100-6_COVER.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/profile/ Lüneburg 04 01 20170814 Martin Degeling Julius Othmer Andreas Weich Bianca Westermann 02 WORLD 06 15 9783957961006 03 9783957961006 06 15 9783957961020 03 9783957961020 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37560 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37560/9783957961013_Profile.pdf 20 08 20170814 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/profile/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2017/08/9783957961013_Profile.pdf 20 08 20170814 01 urn:uuid:d226fc73-47a2-4c02-bb6a-04ee495a601c 03 01 01 thoth-work-id urn:uuid:fa1ecc01-36e5-4c02-a152-53d98cb3b9d5 01 thoth-publication-id urn:uuid:d226fc73-47a2-4c02-bb6a-04ee495a601c 15 9783957961020 03 9783957961020 06 10.14619/021 00 EB E101 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID e93517d8-10d5-4f50-94b5-c94be7a90546 02 00000005 01 Series URL https://meson.press/series-page/digital-cultures-series 03 4 01 02 Digital Cultures 01 01 Profile Interdisziplinäre Beiträge 1 B01 Martin Degeling Martin Degeling Post-doctoral Fellow 40 05x2bcf33 Carnegie Mellon University Martin Degeling ist post-doctoral fellow am Institut für Software Research, Caregie Mellon Universität. Seine Dissertation Online Profiling: Analyse und Intervention zum Schutz von Privatheit erschien 2016. 2 B01 Julius Othmer Julius Othmer Referent für Medien in Lehre und Studium 40 010nsgg66 Technical University of Braunschweig Julius Othmer ist Referent für Medien in Lehre und Studium und leitet den Bereich Medienbildung an der TU Braunschweig. Seine Forschungsschwerpunkte umfassen neben Game Studies und Dispositivtheorie vor allem theoretische sowie anwendungsbezogene Medienbildungsforschung. 3 B01 Andreas Weich Andreas Weich Research Assistant 40 010nsgg66 Technical University of Braunschweig Andreas Weich ist wissenschaftlicher Mitarbeiter in der Projektgruppe Lehre und Medienbildung an der TU Braunschweig. Forschungsschwerpunkte sind vor allem medienwissenschaftliche Diskurs- und Dispositivtheorie sowie Medienbildungsforschung. 2017 erschien seine Promotionsschrift Selbstverdatungsmaschinen: Zur Genealogie und Medialität des Profilierungsdispositivs. 4 B01 Bianca Westermann Bianca Westermann Postdoctoral Researcher 40 04tsk2644 Ruhr University Bochum Bianca Westermann ist postdoc-Stipendiatin der Fakultät für Philologie an der Ruhr-Universität Bochum. Ihr aktueller Forschungsschwerpunkt liegt auf sozialen Robotern, Cyborgs und mobilen Medien. Des Weiteren arbeitet sie zur medialen Konstruktion postmoderner Identität in digitalen Medien. 5 A01 21 0000000280033413 Bettina Berendt Bettina Berendt Visiting Professor 40 05f950310 KU Leuven Bettina Berendt ist Professorin in der Gruppe „Künstliche Intelligenz / Maschinelles Lernen und Data Mining“ am Fachbereich Informatik der KU Leuven. Ihre Forschungsschwerpunkte umfassen Web- und Textmining und die Interaktionen zwischen Mining, Privacy, Datenschutz, und (Nicht-)Diskriminierung. Das Ziel ist eine interdisziplinäre „critical data science“. 6 A01 Andreas Bernard Andreas Bernard Professor for Cultural Studies 40 02w2y2t16 Leuphana University of Lüneburg Andreas Bernard ist Professor für Kulturwissenschaften am Centre for Digital Cultures der Leuphana Universität Lüneburg. 2014 erschien Kinder machen: Neue Reproduktionstechnologien und die Ordnung der Famile, 2017 erscheint Selbstdesign: Menschenbilder der digitalen Kultur. 7 A01 Katja Grashöfer Katja Grashöfer Research Assistant 40 04tsk2644 Ruhr University Bochum Katja Grashöfer ist wissenschaftliche Mitarbeiterin an der Ruhr-Universität Bochum. In ihrer Forschung befasst sie sich mit digitalen Wissenskulturen (insbesondere der Online-Enzyklopädie Wikipedia) sowie Social Media Phänomenen. Außerdem arbeitet sie zu Fragen digitaler Medienbildung und ist in der Lehrerfortbildung tätig. 8 A01 Irina Kaldrack Irina Kaldrack Visiting Professor 40 03aft2f80 Braunschweig University of Art Irina Kaldrack verwaltet die Professur „Wissenskulturen im digitalen Zeitalter“ an der Hochschule für Bildende Künste Braunschweig. Ihre Forschungsschwerpunkte umfassen Theorie und Geschichte digitaler Medienkulturen, Medien- und Wissensgeschichte menschlicher Körperbewegung sowie Kultur- und Mediengeschichte der Mathematik. 9 A01 Nikolaus Lehner Nikolaus Lehner PhD Candidate 40 03prydq77 University of Vienna Nikolaus Lehner ist Doktorand der Soziologie und externer Lektor am Institut für Soziologie der Universität Wien. Seine gegenwärtigen Forschungsschwerpunkte liegen im Bereich der Medien- und Kultursoziologie. 10 A01 Martin Schmitt Martin Schmitt 40 005xmsp39 Centre for Contemporary History Martin Schmitt forscht und lehrt am Zentrum für Zeithistorische Forschung in Potsdam zur Geschichte des Digitalen Zeitalters. Er ist Teil des Forschungsprojektes „Computerisierung und soziale Ordnungen in der Bundesrepublik und DDR“. 2016 erschien seine Monographie Internet im Kalten Krieg bei Transcript. Für das Buch erhielt er den Nachwuchsförderpreis der DGPuK. 11 A01 Fabian Pittroff Fabian Pittroff 40 04zc7p361 University of Kassel Fabian Pittroff forscht an der Universität Kassel am Fachgebiet Soziologische Theorie zu Kontroversen um die Zukunft der Privatheit. In seiner Dissertation beschäftigt er sich mit Selbsttechnologien und Postprivacy. 01 ger 00 150 03 93 JBCT1 04 P87-96 93 JKV 93 KFFL 20 Identität; Subjekt; Personalisierung; Privacy; Profiling; Macht; Profil; Big Data; Geschichte 01 06 02 00 Profile haben Konjunktur. Seit der Verbreitung von Social Networking Sites sind sie alltäglicher Ort der Selbstdarstellung. Doch die Praktiken und Techniken der Profilierung sind keineswegs neu. Schon lange beschreiben Profile potentielle StraftäterInnen. Nun bestimmen sie auch die potentielle Kreditwürdigkeit.Im Spannungsfeld zwischen 03 00 Profile haben Konjunktur. Seit der Verbreitung von Social Networking Sites sind sie alltäglicher Ort der Selbstdarstellung. Doch die Praktiken und Techniken der Profilierung sind keineswegs neu. Schon lange beschreiben Profile potentielle StraftäterInnen. Nun bestimmen sie auch die potentielle Kreditwürdigkeit.Im Spannungsfeld zwischen Profil und Profilierung nehmen die Beiträge aus Medienwissenschaft, Soziologie, Geschichtswissenschaft und Informatik die vielschichtigen Dimensionen dieses zentralen Phänomens der digitalen Medienkultur in den Blick: Wie verändern sich Bedeutung und Bewertung des Profil-Begriffs? Wie stehen Profile in Zusammenhang mit Subjektivierung und Machtkonstellationen? Welche Wechselwirkungen zwischen Profilen und Privatheit sind gegenwärtig relevant? 30 00 Profile haben Konjunktur. Seit der Verbreitung von Social Networking Sites sind sie alltäglicher Ort der Selbstdarstellung. Doch die Praktiken und Techniken der Profilierung sind keineswegs neu. Schon lange beschreiben Profile potentielle StraftäterInnen. Nun bestimmen sie auch die potentielle Kreditwürdigkeit.Im Spannungsfeld zwischen Profil und Profilierung nehmen die Beiträge aus Medienwissenschaft, Soziologie, Geschichtswissenschaft und Informatik die vielschichtigen Dimensionen dieses zentralen Phänomens der digitalen Medienkultur in den Blick: Wie verändern sich Bedeutung und Bewertung des Profil-Begriffs? Wie stehen Profile in Zusammenhang mit Subjektivierung und Machtkonstellationen? Welche Wechselwirkungen zwischen Profilen und Privatheit sind gegenwärtig relevant? 20 00 Open Access 01 00 03 02 This is the cover of the book Profile. 02 https://meson.press/wp-content/uploads/2017/08/978-3-95796-100-6_COVER.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/profile/ Lüneburg 04 01 20170814 Martin Degeling Julius Othmer Andreas Weich Bianca Westermann 02 WORLD 06 15 9783957961006 03 9783957961006 06 15 9783957961013 03 9783957961013 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/profile/ 20 08 20170814 01 urn:uuid:ba3e5600-ee40-4772-b272-51aeb5acf44a 03 01 01 thoth-work-id urn:uuid:fae13043-5f7f-4739-84ff-7befb77aaf5f 01 thoth-publication-id urn:uuid:ba3e5600-ee40-4772-b272-51aeb5acf44a 15 9783957960689 03 9783957960689 06 10.14619/0689 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 4433718b-565b-4e98-b1ef-43519635928f 02 00000009 01 Series URL https://meson.press/series-page/configurations-of-film 03 14 01 02 Configurations of Film 01 01 Property Colonial Histories and Messages to the Future 1 A01 Ulrike Bergermann Ulrike Bergermann Professorin für Medienwissenschaft 40 03aft2f80 Braunschweig University of Art Ulrike Bergermann (sie/ihr), Professorin für Medienwissenschaft, HBK Braunschweig, Schwerpunke: Gender und Postcolonial Studies. Vita und Publikationen: ulrikebergermann.de, zuletzt: A Side Taken. Relating To Slavery in Octavia Butler’s Kindred, in: Elke Bippus et al. (Hg.), Taking Sides, Bielefeld 2021; Connect and Divide: The Practice Turn in Media Studies, hg. m. Erhard Schüttpelz et al., Zürich 2021. 01 eng 00 120 03 93 JBCT 04 JV1-9480 10 SOC052000 93 NHTR1 04 P87-96 01 06 02 00 To possess something is to lose something: Starting from this seemingly contradictory claim this essay invokes various registers to defamiliarize the ways in which property structures subjectivity, world relations and affects. Intertwined with colonialism, racism and sexism, concepts of property have found an echo in piracy and “postcolonia 03 00 To possess something is to lose something: Starting from this seemingly contradictory claim this essay invokes various registers to defamiliarize the ways in which property structures subjectivity, world relations and affects. Intertwined with colonialism, racism and sexism, concepts of property have found an echo in piracy and “postcolonial copyright.” At the level of theory, a crossing out and a reversal of time are required to undo property-related violence and its mindsets. At the level of artistic practice new modes of appropriation become imaginable. And while the commons will not be restored, multiple modes of having and commoning are possible. 30 00 To possess something is to lose something: Starting from this seemingly contradictory claim this essay invokes various registers to defamiliarize the ways in which property structures subjectivity, world relations and affects. Intertwined with colonialism, racism and sexism, concepts of property have found an echo in piracy and “postcolonial copyright.” At the level of theory, a crossing out and a reversal of time are required to undo property-related violence and its mindsets. At the level of artistic practice new modes of appropriation become imaginable. And while the commons will not be restored, multiple modes of having and commoning are possible. 20 00 Open Access 01 00 03 02 This is the cover of Property. 02 https://meson.press/wp-content/uploads/2025/09/Poperty_Frontcover-1.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/property/ 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Graduiertenkolleg 01 projectname GRK 2279: Konfigurationen des Films 01 projectshortname Konfigurationen des Films 01 grantnumber 310565625 Lüneburg 04 01 20251027 Ulrike Bergermann 02 WORLD 06 15 9783957960696 03 9783957960696 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/property/ 20 08 20251027 01 urn:uuid:300bc399-5fa8-4845-9a8c-f007299d76b5 03 01 01 thoth-work-id urn:uuid:fae13043-5f7f-4739-84ff-7befb77aaf5f 01 thoth-publication-id urn:uuid:300bc399-5fa8-4845-9a8c-f007299d76b5 15 9783957960696 03 9783957960696 06 10.14619/0689 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 4433718b-565b-4e98-b1ef-43519635928f 02 00000009 01 Series URL https://meson.press/series-page/configurations-of-film 03 14 01 02 Configurations of Film 01 01 Property Colonial Histories and Messages to the Future 1 A01 Ulrike Bergermann Ulrike Bergermann Professorin für Medienwissenschaft 40 03aft2f80 Braunschweig University of Art Ulrike Bergermann (sie/ihr), Professorin für Medienwissenschaft, HBK Braunschweig, Schwerpunke: Gender und Postcolonial Studies. Vita und Publikationen: ulrikebergermann.de, zuletzt: A Side Taken. Relating To Slavery in Octavia Butler’s Kindred, in: Elke Bippus et al. (Hg.), Taking Sides, Bielefeld 2021; Connect and Divide: The Practice Turn in Media Studies, hg. m. Erhard Schüttpelz et al., Zürich 2021. 01 eng 00 120 03 93 JBCT 04 JV1-9480 10 SOC052000 93 NHTR1 04 P87-96 01 06 02 00 To possess something is to lose something: Starting from this seemingly contradictory claim this essay invokes various registers to defamiliarize the ways in which property structures subjectivity, world relations and affects. Intertwined with colonialism, racism and sexism, concepts of property have found an echo in piracy and “postcolonia 03 00 To possess something is to lose something: Starting from this seemingly contradictory claim this essay invokes various registers to defamiliarize the ways in which property structures subjectivity, world relations and affects. Intertwined with colonialism, racism and sexism, concepts of property have found an echo in piracy and “postcolonial copyright.” At the level of theory, a crossing out and a reversal of time are required to undo property-related violence and its mindsets. At the level of artistic practice new modes of appropriation become imaginable. And while the commons will not be restored, multiple modes of having and commoning are possible. 30 00 To possess something is to lose something: Starting from this seemingly contradictory claim this essay invokes various registers to defamiliarize the ways in which property structures subjectivity, world relations and affects. Intertwined with colonialism, racism and sexism, concepts of property have found an echo in piracy and “postcolonial copyright.” At the level of theory, a crossing out and a reversal of time are required to undo property-related violence and its mindsets. At the level of artistic practice new modes of appropriation become imaginable. And while the commons will not be restored, multiple modes of having and commoning are possible. 20 00 Open Access 01 00 03 02 This is the cover of Property. 02 https://meson.press/wp-content/uploads/2025/09/Poperty_Frontcover-1.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/property/ 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Graduiertenkolleg 01 projectname GRK 2279: Konfigurationen des Films 01 projectshortname Konfigurationen des Films 01 grantnumber 310565625 Lüneburg 04 01 20251027 Ulrike Bergermann 02 WORLD 06 15 9783957960689 03 9783957960689 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/property/ 29 Publisher's website: download the title https://meson.press/wp-content/uploads/2025/09/978-3-95796-069-6-Bergermann.pdf 20 08 20251027 01 urn:uuid:221155b6-fafa-4453-9f0f-fb1ffc3ae93d 03 01 01 thoth-work-id urn:uuid:41cdd32b-c5e6-4eb9-beff-bd8e4a6cc69a 01 thoth-publication-id urn:uuid:221155b6-fafa-4453-9f0f-fb1ffc3ae93d 15 9783957961549 03 9783957961549 06 10.14619/154-9 00 EB E107 10 Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). 02 https://creativecommons.org/licenses/by-nc/4.0/ 10 01 Series ID d8c7752c-9550-4d6a-883a-a7a3ee820962 02 00000007 01 Series URL https://meson.press/series-page/in-search-of-media 03 10 01 02 In Search of Media 01 01 Really Fake 1 A01 21 0000000176167323 Alexandra Juhasz Alexandra Juhasz Distinguished Professor of Film 40 019k4jq75 Brooklyn College Alexandra Juhasz is distinguished professor of film at Brooklyn College, CUNY. Her books include Women of Vision: Histories in Feminist Film and Video, coedited with Jesse Lerner (Minnesota, 2001), F Is for Phony: Fake Documentary and Truth’s Undoing (Minnesota, 2006) and Learning from YouTube. 2 A01 Ganaele Langlois Ganaele Langlois Associate Professor in Communication Studies 40 05fq50484 York University Ganaele Langlois is associate professor in communication studies at York University, Canada, and associate director of the Infoscape Centre for the Study of Social Media (www.infoscapelab.ca). She is author of Meaning in the Age of Social Media and coeditor of Compromised Data: From Social Media to Big Data. 3 A01 Nishant Shah Nishant Shah Professor of Aesthetics and Cultures of Technology 40 05az93f25 ArtEZ Institute of the Arts Nishant Shah is director of research and outreach and professor of aesthetics and cultures of technology at the ArtEZ University of the Arts, The Netherlands. He is coeditor of Digital Activism in Asia Reader (meson press, 2015). 01 eng 00 128 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 12 AFKV 10 ART057000 93 ATN 04 HQ1101-2030.7 93 JBSF11 12 JFFK 10 SOC010000 20 Feminism; Care; Intimacy; Digital Politics; Collectivity; Fakeness; Queer Theory 01 06 02 00 With anchors in feminist theory, queer discourse, and digital politics, Really Fake rescues “fakeness” from the morass of “fake news” and rejuvenates “fake” as a material and tactical reality. This book treats fakeness as a media object itself: “Fakes” are things that travel and circulate through our bodies, sociality, and the technologies th 03 00 With anchors in feminist theory, queer discourse, and digital politics, Really Fake rescues “fakeness” from the morass of “fake news” and rejuvenates “fake” as a material and tactical reality. This book treats fakeness as a media object itself: “Fakes” are things that travel and circulate through our bodies, sociality, and the technologies that envelop them. Punctuated with anecdotes, experiences, poetry, stories, and a strong feminist ethic and ethos of care, intimacy, and collectivity, Really Fake offers a series of entry points into reframing the debates of fakeness beyond polarized positions of performative outrage. 30 00 With anchors in feminist theory, queer discourse, and digital politics, Really Fake rescues “fakeness” from the morass of “fake news” and rejuvenates “fake” as a material and tactical reality. This book treats fakeness as a media object itself: “Fakes” are things that travel and circulate through our bodies, sociality, and the technologies that envelop them. Punctuated with anecdotes, experiences, poetry, stories, and a strong feminist ethic and ethos of care, intimacy, and collectivity, Really Fake offers a series of entry points into reframing the debates of fakeness beyond polarized positions of performative outrage. 20 00 Open Access 01 00 03 02 This is the cover of the book Really Fake. 02 https://meson.press/wp-content/uploads/2021/07/9783957961549_Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/reallyfake 16 40 0213rcc28 32 10.13039/501100004326 Simon Fraser University 01 programname Canada 150 Research Chairs Program Lüneburg 04 01 20210720 Alexandra Juhasz Ganaele Langlois Nishant Shah 02 WORLD WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88708 29 OAPEN: download the title https://library.oapen.org/bitstream/20.500.12657/88708/1/978-3-95796-154-9-Really-Fake.pdf 20 08 20210720 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/reallyfake/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2021/07/978-3-95796-154-9-Really-Fake.pdf 20 08 20210720 01 urn:uuid:72b889ad-f228-4909-a5f8-14435733d749 03 01 01 thoth-work-id urn:uuid:f24a1091-900b-402b-bab8-d3fbace95e52 01 thoth-publication-id urn:uuid:72b889ad-f228-4909-a5f8-14435733d749 15 9783957962089 03 9783957962089 06 10.14619/2089 00 BC 10 01 234 mm 01 23.4 cm 01 9.21 in 02 156 mm 02 15.6 cm 02 6.14 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID bb95d179-db6a-4325-81d0-8aa456fd8b58 02 00000001 01 Series URL https://meson.press/series-page/future-ecologies 03 5 01 02 Future Ecologies 01 01 Records of Disaster Media Infrastructures and Climate Change 1 B01 Jakob Claus Jakob Claus Research Associate 40 033n9gh91 University of Oldenburg Jakob Claus is a research associate at the Institute of Art and Visual Culture at Carl von Ossietzky University of Oldenburg where he is currently working on a PhD on the conditions of colonial and ecological knowledge production in early twentieth century ethnology. He studied cultural and media studies in Berlin, London and Lüneburg. 2 B01 Petra Löffler Petra Löffler Professor of Theory and History of Contemporary Media 40 033n9gh91 University of Oldenburg Petra Löffler is Professor of Theory and History of Contemporary Media at Carl von Ossietzky University of Oldenburg. Her particular research interests include postcolonial epistemologies and media ecologies in the Anthropocene with a special focus on coral reef histories, archival practices in the digital age, and material culture 3 A01 Marie Sophie Beckmann Marie Sophie Beckmann Postdoctoral Research and Teaching Associate 40 033n9gh91 University of Oldenburg Marie Sophie Beckmann is a postdoctoral research and teaching associate at the Institute for Art and Visual Culture at Carl von Ossietzky University of Oldenburg. She completed her doctorate in 2021 on the Cinema of Transgression as part of the DFG Research Training Program Configurations of Film at Goethe University Frankfurt. 4 A01 Charlotte Bolwin Charlotte Bolwin Research Assistant and Associate 40 033bb5z47 Bauhaus University, Weimar Charlotte Bolwin is a research assistant and associate at the department of media at Bauhaus University Weimar, where she is working on a project on digital media art and aesthetics. Previously, she studied cultural studies (M.A.) and literary studies (B.A.) in Berlin and Paris. 5 A01 Katrin Köppert Katrin Köppert Junior Professor of Art History/Popular Cultures 40 03hzkp562 Hochschule für Grafik und Buchkunst Leipzig Katrin Köppert is Junior Professor of Art History/Popular Cultures at the Academy of Fine Arts in Leipzig, and was Substitute Professor for Transformations of Audiovisual Media at the Ruhr-Universität Bochum (2021–22). Her research interests include queer media theory, queer art and/of AI, gender, race and photography, and post-/decolonial (media) theories (of the Anthropocene in/and digital culture). 6 A01 Armin Linke Armin Linke Linke Armin Linke is a photographer and filmmaker whose work is dedicated to documenting human uses of technologies and knowledge. In a collective approach with other creatives, researchers and scientists, the narratives of his works expand on the level of multiple discourses. His research on the Anthropocene and the natural, technological and urban environment began with the Anthropocene Observatory project at Haus der Kulturen der Welt (HKW) in Berlin. 7 A01 Gabriele Schabacher Gabriele Schabacher Professor of Media and Culture Studies 40 023b0x485 Johannes Gutenberg University Mainz Gabriele Schabacher is Professor of Media and Culture Studies at the Johannes Gutenberg University Mainz. Her research interests include the media history of transport, mobility and infrastructure, cultural techniques of repair, regimes of urban surveillance, and seriality research. 8 A01 Susan Schuppli Susan Schuppli Director of the Centre for Research Architecture 40 01khx4a30 Goldsmiths University of London Susan Schuppli is an artist-researcher based in the UK whose work examines material evidence from war and conflict to environmental disasters and climate change. Schuppli has published widely within the context of media and politics and is author of the book, Material Witness: Media, Forensics, Evidence. She is Director of the Centre for Research Architecture, Goldsmiths University of London and is an affiliate artist-researcher and Board Chair of Forensic Architecture. 9 A01 Solveig Qu Suess Solveig Qu Suess Junior Researcher 40 04mq2g308 University of Applied Sciences and Arts Northwestern Switzerland PhD Candidate 40 02s6k3f65 University of Basel Solveig Qu Suess works within the fields of documentary film, art and research. Her practice is dedicated to addressing the challenges of representation in an increasingly calculated world, where capital, information and environments are enmeshed within regimes of power and control. Her research sits on the intersections of visual ethnography, environmental humanities and feminist science and technology studies. She is currently a junior researcher at Critical Media Lab, FHNW Basel and a PhD candidate in Urban Studies at the University of Basel. 01 eng 00 164 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 20 Geopolitics; Media Studies; Infrastructures; Climate Change 01 06 02 00 Records of Disasters: Media Infrastructures and Climate Change explores how environmental disasters manifest and inscribe themselves in infrastructures. By turning to infrastructures, their logic and functioning, collapse and malfunction, the volume reveals their potential as fragile material witnesses to and of disasters. As climate change i 03 00 Records of Disasters: Media Infrastructures and Climate Change explores how environmental disasters manifest and inscribe themselves in infrastructures. By turning to infrastructures, their logic and functioning, collapse and malfunction, the volume reveals their potential as fragile material witnesses to and of disasters. As climate change is unequally distributed across continuous dynamics and events, time scales and spatial registers, infrastructures can be understood as proxies or seismographs mediating different spatio-temporal layers that make these dynamics tangible. Disaster is made operational by negotiating what is defined as such, and under which geopolitical conditions. What connects melting glaciers and the knowledge from ice cores to the mapping of the ocean floor and the extraction of resources in the deep-sea? How can infrastructures be thought in time and “critical proximity”, and how do they bear witness to colonial pasts and presents? The volume proposes an analytical perspective on infrastructures as multi-layered witnesses to climate change, bringing together scientific and artistic approaches, students and scholars from different disciplines. 30 00 Records of Disasters: Media Infrastructures and Climate Change explores how environmental disasters manifest and inscribe themselves in infrastructures. By turning to infrastructures, their logic and functioning, collapse and malfunction, the volume reveals their potential as fragile material witnesses to and of disasters. As climate change is unequally distributed across continuous dynamics and events, time scales and spatial registers, infrastructures can be understood as proxies or seismographs mediating different spatio-temporal layers that make these dynamics tangible. Disaster is made operational by negotiating what is defined as such, and under which geopolitical conditions. What connects melting glaciers and the knowledge from ice cores to the mapping of the ocean floor and the extraction of resources in the deep-sea? How can infrastructures be thought in time and “critical proximity”, and how do they bear witness to colonial pasts and presents? The volume proposes an analytical perspective on infrastructures as multi-layered witnesses to climate change, bringing together scientific and artistic approaches, students and scholars from different disciplines. 20 00 Open Access 01 00 03 02 This is the cover of the book Records of Disaster. 02 https://meson.press/wp-content/uploads/2022/12/978-3-95796-209-6-Records-of-Disaster_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/records-of-disaster/ 16 40 00949d647 Niedersächsisches Ministerium für Wissenschaft und Kultur 01 programname Niedersächsisches Vorab Lüneburg 04 01 20221031 Jakob Claus, Petra Löffler 02 WORLD 06 15 9783957962096 03 9783957962096 34 06 10.14619/2089 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/records-of-disaster/ 20 08 20221031 01 urn:uuid:5a1d00a0-4b59-43fb-966a-a2a288967850 03 01 01 thoth-work-id urn:uuid:f24a1091-900b-402b-bab8-d3fbace95e52 01 thoth-publication-id urn:uuid:5a1d00a0-4b59-43fb-966a-a2a288967850 15 9783957962096 03 9783957962096 06 10.14619/2089 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID bb95d179-db6a-4325-81d0-8aa456fd8b58 02 00000001 01 Series URL https://meson.press/series-page/future-ecologies 03 5 01 02 Future Ecologies 01 01 Records of Disaster Media Infrastructures and Climate Change 1 B01 Jakob Claus Jakob Claus Research Associate 40 033n9gh91 University of Oldenburg Jakob Claus is a research associate at the Institute of Art and Visual Culture at Carl von Ossietzky University of Oldenburg where he is currently working on a PhD on the conditions of colonial and ecological knowledge production in early twentieth century ethnology. He studied cultural and media studies in Berlin, London and Lüneburg. 2 B01 Petra Löffler Petra Löffler Professor of Theory and History of Contemporary Media 40 033n9gh91 University of Oldenburg Petra Löffler is Professor of Theory and History of Contemporary Media at Carl von Ossietzky University of Oldenburg. Her particular research interests include postcolonial epistemologies and media ecologies in the Anthropocene with a special focus on coral reef histories, archival practices in the digital age, and material culture 3 A01 Marie Sophie Beckmann Marie Sophie Beckmann Postdoctoral Research and Teaching Associate 40 033n9gh91 University of Oldenburg Marie Sophie Beckmann is a postdoctoral research and teaching associate at the Institute for Art and Visual Culture at Carl von Ossietzky University of Oldenburg. She completed her doctorate in 2021 on the Cinema of Transgression as part of the DFG Research Training Program Configurations of Film at Goethe University Frankfurt. 4 A01 Charlotte Bolwin Charlotte Bolwin Research Assistant and Associate 40 033bb5z47 Bauhaus University, Weimar Charlotte Bolwin is a research assistant and associate at the department of media at Bauhaus University Weimar, where she is working on a project on digital media art and aesthetics. Previously, she studied cultural studies (M.A.) and literary studies (B.A.) in Berlin and Paris. 5 A01 Katrin Köppert Katrin Köppert Junior Professor of Art History/Popular Cultures 40 03hzkp562 Hochschule für Grafik und Buchkunst Leipzig Katrin Köppert is Junior Professor of Art History/Popular Cultures at the Academy of Fine Arts in Leipzig, and was Substitute Professor for Transformations of Audiovisual Media at the Ruhr-Universität Bochum (2021–22). Her research interests include queer media theory, queer art and/of AI, gender, race and photography, and post-/decolonial (media) theories (of the Anthropocene in/and digital culture). 6 A01 Armin Linke Armin Linke Linke Armin Linke is a photographer and filmmaker whose work is dedicated to documenting human uses of technologies and knowledge. In a collective approach with other creatives, researchers and scientists, the narratives of his works expand on the level of multiple discourses. His research on the Anthropocene and the natural, technological and urban environment began with the Anthropocene Observatory project at Haus der Kulturen der Welt (HKW) in Berlin. 7 A01 Gabriele Schabacher Gabriele Schabacher Professor of Media and Culture Studies 40 023b0x485 Johannes Gutenberg University Mainz Gabriele Schabacher is Professor of Media and Culture Studies at the Johannes Gutenberg University Mainz. Her research interests include the media history of transport, mobility and infrastructure, cultural techniques of repair, regimes of urban surveillance, and seriality research. 8 A01 Susan Schuppli Susan Schuppli Director of the Centre for Research Architecture 40 01khx4a30 Goldsmiths University of London Susan Schuppli is an artist-researcher based in the UK whose work examines material evidence from war and conflict to environmental disasters and climate change. Schuppli has published widely within the context of media and politics and is author of the book, Material Witness: Media, Forensics, Evidence. She is Director of the Centre for Research Architecture, Goldsmiths University of London and is an affiliate artist-researcher and Board Chair of Forensic Architecture. 9 A01 Solveig Qu Suess Solveig Qu Suess Junior Researcher 40 04mq2g308 University of Applied Sciences and Arts Northwestern Switzerland PhD Candidate 40 02s6k3f65 University of Basel Solveig Qu Suess works within the fields of documentary film, art and research. Her practice is dedicated to addressing the challenges of representation in an increasingly calculated world, where capital, information and environments are enmeshed within regimes of power and control. Her research sits on the intersections of visual ethnography, environmental humanities and feminist science and technology studies. She is currently a junior researcher at Critical Media Lab, FHNW Basel and a PhD candidate in Urban Studies at the University of Basel. 01 eng 00 164 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 20 Geopolitics; Media Studies; Infrastructures; Climate Change 01 06 02 00 Records of Disasters: Media Infrastructures and Climate Change explores how environmental disasters manifest and inscribe themselves in infrastructures. By turning to infrastructures, their logic and functioning, collapse and malfunction, the volume reveals their potential as fragile material witnesses to and of disasters. As climate change i 03 00 Records of Disasters: Media Infrastructures and Climate Change explores how environmental disasters manifest and inscribe themselves in infrastructures. By turning to infrastructures, their logic and functioning, collapse and malfunction, the volume reveals their potential as fragile material witnesses to and of disasters. As climate change is unequally distributed across continuous dynamics and events, time scales and spatial registers, infrastructures can be understood as proxies or seismographs mediating different spatio-temporal layers that make these dynamics tangible. Disaster is made operational by negotiating what is defined as such, and under which geopolitical conditions. What connects melting glaciers and the knowledge from ice cores to the mapping of the ocean floor and the extraction of resources in the deep-sea? How can infrastructures be thought in time and “critical proximity”, and how do they bear witness to colonial pasts and presents? The volume proposes an analytical perspective on infrastructures as multi-layered witnesses to climate change, bringing together scientific and artistic approaches, students and scholars from different disciplines. 30 00 Records of Disasters: Media Infrastructures and Climate Change explores how environmental disasters manifest and inscribe themselves in infrastructures. By turning to infrastructures, their logic and functioning, collapse and malfunction, the volume reveals their potential as fragile material witnesses to and of disasters. As climate change is unequally distributed across continuous dynamics and events, time scales and spatial registers, infrastructures can be understood as proxies or seismographs mediating different spatio-temporal layers that make these dynamics tangible. Disaster is made operational by negotiating what is defined as such, and under which geopolitical conditions. What connects melting glaciers and the knowledge from ice cores to the mapping of the ocean floor and the extraction of resources in the deep-sea? How can infrastructures be thought in time and “critical proximity”, and how do they bear witness to colonial pasts and presents? The volume proposes an analytical perspective on infrastructures as multi-layered witnesses to climate change, bringing together scientific and artistic approaches, students and scholars from different disciplines. 20 00 Open Access 01 00 03 02 This is the cover of the book Records of Disaster. 02 https://meson.press/wp-content/uploads/2022/12/978-3-95796-209-6-Records-of-Disaster_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/records-of-disaster/ 16 40 00949d647 Niedersächsisches Ministerium für Wissenschaft und Kultur 01 programname Niedersächsisches Vorab Lüneburg 04 01 20221031 Jakob Claus, Petra Löffler 02 WORLD 06 15 9783957962089 03 9783957962089 34 06 10.14619/2089 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88717 29 OAPEN: download the title https://library.oapen.org/bitstream/20.500.12657/88717/1/978-3-95796-209-6-Records-of-Disaster.pdf 20 08 20221031 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/records-of-disaster/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2022/11/978-3-95796-209-6-Records-of-Disaster.pdf 20 08 20221031 01 urn:uuid:adb0b00c-8f0f-44d7-af4d-827a7483687d 03 01 01 thoth-work-id urn:uuid:64454359-e061-47e9-8d42-eb2af1456d93 01 thoth-publication-id urn:uuid:adb0b00c-8f0f-44d7-af4d-827a7483687d 15 9783957961495 03 9783957961495 06 10.14619/1495 00 EB E107 10 Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). 02 https://creativecommons.org/licenses/by-nc/4.0/ 10 01 Series ID d8c7752c-9550-4d6a-883a-a7a3ee820962 02 00000007 01 Series URL https://meson.press/series-page/in-search-of-media 03 5 01 02 In Search of Media 01 01 Remain 1 A01 Ioana B. Jucan Ioana B. Jucan 2 A01 21 0000000222486377 Jussi Parikka Jussi Parikka 3 A01 Rebecca Schneider Rebecca Schneider 01 eng 00 108 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 20 media infrastructures; materialities; theater studies; performance studies; media archealogy 01 06 02 00 In a world undergoing constant media-driven change, the infrastructures, materialities, and temporalities of remains have become urgent. This book engages with the remains and remainders of media cultures through the lens both of theater and performance studies and of media archaeology. By taking “remain” as a verb, noun, state, and process o 03 00 In a world undergoing constant media-driven change, the infrastructures, materialities, and temporalities of remains have become urgent. This book engages with the remains and remainders of media cultures through the lens both of theater and performance studies and of media archaeology. By taking “remain” as a verb, noun, state, and process of becoming, the authors explore the epistemological, social, and political implications. 30 00 In a world undergoing constant media-driven change, the infrastructures, materialities, and temporalities of remains have become urgent. This book engages with the remains and remainders of media cultures through the lens both of theater and performance studies and of media archaeology. By taking “remain” as a verb, noun, state, and process of becoming, the authors explore the epistemological, social, and political implications. 20 00 Open Access 01 00 03 02 This is the cover of the book Remain. 02 https://meson.press/wp-content/uploads/2019/04/Remain_Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/remain/ Lüneburg 04 01 20190430 Ioana B. Jucan, Jussi Parikka, Rebecca Schneider 02 WORLD WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88707 29 OAPEN: download the title https://library.oapen.org/bitstream/20.500.12657/88707/1/9783957961495-Remain.pdf 20 08 20190430 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/remain/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2019/04/9783957961495-Remain.pdf 20 08 20190430 01 urn:uuid:43a2bf82-b0ff-4b3d-89a2-622fa1dea9c4 03 01 01 thoth-work-id urn:uuid:a3ac08e3-9855-4d5c-9d3d-a6399f7e059a 01 thoth-publication-id urn:uuid:43a2bf82-b0ff-4b3d-89a2-622fa1dea9c4 15 9783957960009 03 9783957960009 06 10.14619/001 00 BC 10 01 234 mm 01 23.4 cm 01 9.21 in 02 156 mm 02 15.6 cm 02 6.14 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Rethinking Gamification 1 B01 21 0000000345433478 Mathias Fuchs Mathias Fuchs Professor 40 02w2y2t16 Leuphana University of Lüneburg Prof. Dr. Mathias Fuchs studied Computer Science in Erlangen and Vienna (Vienna University of Technology), and Composition in Vienna (Universität für Musik und darstellende Kunst Wien) and in Stockholm (EMS, Fylkingen). In 2010 Mathias Fuchs received his Doctor title by Humboldt University of Berlin for a PhD thesis on the meaning of sounds (“Sinn und Sound”). He has pioneered in the field of artistic use of games and is a leading theoretician on game art and games studies. He is an artist, musician, media critic, and Professor at the Centre for Digital Cultures at Leuphana University Lüneburg, Germany. He is also Director of the Leuphana Gamification Lab. 06 Own website https://creativegames.org.uk/ 2 B01 Sonia Fizek Sonia Fizek Postdoctoral Researcher 40 02w2y2t16 Leuphana University of Lüneburg Dr. Sonia Fizek is a Postdoctoral Researcher at the Centre for Digital Cultures at Leuphana University Lüneburg, Germany, where she joined the Gamification Lab. She completed her PhD in 2012 at the School of Creative Studies and Media at Bangor University, UK. In her doctoral thesis she developed a method for the study of the player character in offline computer role-playing games. Her current academic interests include: gamification, games for change, and playful interfaces, with an emphasis on the audio game genre. 3 B01 Paolo Ruffino Paolo Ruffino Research Associate 40 02w2y2t16 Leuphana University of Lüneburg Paolo Ruffino is a Research Associate at the Gamification Lab, Centre for Digital Cultures (Leuphana University Lüneburg, Germany). He is also completing a PhD at Goldsmiths, University of London and works as Lecturer at the Game Cultures programme at London South Bank University. His PhD research involves a study of the concepts of consumer and producer in video games, the history of the medium of the video game and phenomena such as “modding”, independent gaming, open engines and game art. He is a member of the art collective IOCOSE. Paolo lives and works in London, UK. paoloruffino.com/. 4 B01 Niklas Schrape Niklas Schrape Postdoctoral Researcher 40 02w2y2t16 Leuphana University of Lüneburg Dr. Niklas Schrape is a Postdoctoral Researcher at the Centre for Digital Cultures at Leuphana University Lüneburg, Germany. He holds a double position at the Gamification Lab and at the Institute for Advanced Study in Media Cultures of Computer Simulation (MECS). Between 2007 and 2011, Niklas finished his PhD thesis in Media Studies at Film and Television University Potsdam-Babelsberg (HFF). His current research interests encompass the consequences of gamification on our understanding of social reality and the relationship between simulation and gamification. 5 A01 21 0000000300332104 Sebastian Deterding Sebastian Deterding Assistant Professor 40 00v4yb702 Rochester Institute of Technology Dr. Sebastian Deterding is a researcher and designer working on gameful and playful experiences and their wider social ramifications. He is currently a visiting Assistant Professor at Rochester Institute of Technology’s School for Interactive Games and Media and Laboratory for Media, Arts, Games, Interaction and Creativity (MAGIC) in New York, USA. He is an independent designer and associate of the international design studio Hubbub. He lives online at codingconduct.cc. 6 A01 21 0000000316972499 Daphne Dragona Daphne Dragona PhD Candidate 40 04gnjpq42 National and Kapodistrian University of Athens Daphne Dragona is a media arts curator and researcher living and working in Athens and Berlin. Her interest lies in the fields of network-based art, game-based art, commons based peer production and emerging forms of collaborative creativity embracing critical awareness and resistance. She is a PhD candidate in the Faculty of Communication and Media Studies of the University of Athens, Greece. 7 A01 21 0000000239003351 Gabriele Ferri Gabriele Ferri Postdoctoral Researcher 40 01kg8sb98 Indiana University Dr. Gabriele Ferri, Postdoctoral Researcher at Indiana University, holds a PhD in Semiotics from the University of Bologna, Italy. He is currently involved in the Intel ISTC Social initiative, where his research focuses on the interaction between digital media and narrative, critical, satirical, and political discourses. He is an editor for G|A|M|E Journal and an independent urban game designer. He can be reached at gabferri@indiana.edu and gabrieleferri.com. 8 A01 Sonia Fizek Sonia Fizek Postdoctoral Researcher 40 02w2y2t16 Leuphana University of Lüneburg Dr. Sonia Fizek is a Postdoctoral Researcher at the Centre for Digital Cultures at Leuphana University Lüneburg, Germany, where she joined the Gamification Lab. She completed her PhD in 2012 at the School of Creative Studies and Media at Bangor University, UK. In her doctoral thesis she developed a method for the study of the player character in offline computer role-playing games. Her current academic interests include: gamification, games for change, and playful interfaces, with an emphasis on the audio game genre. 9 A01 21 0000000164994372 Maxwell Foxman Maxwell Foxman PhD Candidate 40 00hj8s172 Columbia University Maxwell Foxman is a second year PhD candidate in Communications at Columbia University in New York, USA. His research interests include gamification, internet culture and the effects of digital media on everyday life and memory. 10 A01 Scott Nicholson Scott Nicholson Associate Professor 40 025r5qe02 Syracuse University Dr. Scott Nicholson is Associate Professor at Syracuse University School of Information Studies in New York, USA and Director of the Because Play Matters game lab. 11 A01 21 0000000156633956 Thibault Philippette Thibault Philippette Researcher 40 02495e989 Université Catholique de Louvain Thibault Philippette is a researcher at the Catholic University of Louvain (UCL) in Belgium within the Research Center in Communication Sciences. He is member of the “Groupe de Recherche en Médiation des Savoirs” (GReMS) and the “Observatoire des Mondes Numériques en Sciences Humaines” (Omnsh). 12 A01 21 0000000174816086 Fabrizio Augusto Poltronieri Fabrizio Augusto Poltronieri 40 00sfmx060 Pontifícia Universidade Católica de São Paulo Dr. Fabrizio Augusto Poltronieri holds a PhD in Semiotics from the Pontifical Catholic University of São Paulo (PUC-SP), Brazil, with a thesis on the role of chance in computer art. Currently, his research efforts are engaged in understanding how the post-historical codes founded in video games could be used in the production of knowledge. 13 A01 Felix Raczkowski Felix Raczkowski Affiliated Scholarship Holder 40 04tsk2644 Ruhr University Bochum Felix Raczkowski is currently working on his PhD thesis on the instrumentalisation of games with a special focus on serious games and gamification. He is an affiliated scholarship holder at the Institute for Media Studies at Ruhr University Bochum, Germany. Among his other research interests are transmedia phenomena, convergence- and fan-cultures as well as theories on games, play, and toys. He can be reached at felix.raczkowski@rub.de. 14 A01 21 0000000206663118 Joost Raessens Joost Raessens Chair of Media Theory 40 04pp8hn57 Utrecht University Prof. Dr. Joost Raessens holds the chair of Media Theory at Utrecht University in the Netherlands. He was the conference chair of the first Digital Games Research Association (DiGRA) conference Level Up in Utrecht (2003), and is on the editorial board of Games and Culture (SAGE). Raessens’ current research concerns the “ludification of culture” focusing in particular on the playful construction of identities, on applied, serious and persuasive gaming, and on the notion of play as a conceptual framework for the analysis of media use. Raessens is the scientific director of GAP: the Center for the Study of Digital Games and Play (gamesandplay.nl). 15 A01 Paolo Ruffino Paolo Ruffino Research Associate 40 02w2y2t16 Leuphana University of Lüneburg Paolo Ruffino is a Research Associate at the Gamification Lab, Centre for Digital Cultures (Leuphana University Lüneburg, Germany). He is also completing a PhD at Goldsmiths, University of London and works as Lecturer at the Game Cultures programme at London South Bank University. His PhD research involves a study of the concepts of consumer and producer in video games, the history of the medium of the video game and phenomena such as “modding”, independent gaming, open engines and game art. He is a member of the art collective IOCOSE. Paolo lives and works in London, UK. paoloruffino.com/. 16 A01 Niklas Schrape Niklas Schrape Postdoctoral Researcher 40 02w2y2t16 Leuphana University of Lüneburg Dr. Niklas Schrape is a Postdoctoral Researcher at the Centre for Digital Cultures at Leuphana University Lüneburg, Germany. He holds a double position at the Gamification Lab and at the Institute for Advanced Study in Media Cultures of Computer Simulation (MECS). Between 2007 and 2011, Niklas finished his PhD thesis in Media Studies at Film and Television University Potsdam-Babelsberg (HFF). His current research interests encompass the consequences of gamification on our understanding of social reality and the relationship between simulation and gamification. 17 A01 Matthew Tiessen Matthew Tiessen Associate Professor in the School of Professional Communication 40 05g13zd79 Toronto Metropolitan University Dr. Matthew Tiessen is an Assistant Professor in the School of Professional Communication (ProCom) and a Research Associate at the Infoscape Research Lab in the Faculty of Communication and Design (FCAD) at Ryerson University in Toronto, Canada. His research and teaching focuses on digital and visual communication and culture and is supported by a Social Science and Humanities Research Council of Canada (SSHRC) Insight Development Grant. 01 eng 00 344 03 93 JBCT1 12 JFDV 04 P87-96 10 SOC052000 93 JBCT3 20 Game Studies; Gamification; Media Studies 01 06 02 00 Gamification marks a major change to everyday life. It describes the permeation of economic, political, and social contexts by game-elements such as awards, rule structures, and interfaces that are inspired by video games. Sometimes the term is reduced to the implementation of points, badges, and leaderboards as incentives and motivations to 03 00 Gamification marks a major change to everyday life. It describes the permeation of economic, political, and social contexts by game-elements such as awards, rule structures, and interfaces that are inspired by video games. Sometimes the term is reduced to the implementation of points, badges, and leaderboards as incentives and motivations to be productive. Sometimes it is envisioned as a universal remedy to deeply transform society toward more humane and playful ends. Despite its use by corporations to manage brand communities and personnel, however, gamification is more than just a marketing buzzword. States are beginning to use it as a new tool for governing populations more effectively. It promises to fix what is wrong with reality by making every single one of us fitter, happier, and healthier. Indeed, it seems like all of society is up for being transformed into one massive game.The contributions in this book offer a candid assessment of the gamification hype. They trace back the historical roots of the phenomenon and explore novel design practices and methods. They critically discuss its social implications and even present artistic tactics for resistance. It is time to rethink gamification! 30 00 Gamification marks a major change to everyday life. It describes the permeation of economic, political, and social contexts by game-elements such as awards, rule structures, and interfaces that are inspired by video games. Sometimes the term is reduced to the implementation of points, badges, and leaderboards as incentives and motivations to be productive. Sometimes it is envisioned as a universal remedy to deeply transform society toward more humane and playful ends. Despite its use by corporations to manage brand communities and personnel, however, gamification is more than just a marketing buzzword. States are beginning to use it as a new tool for governing populations more effectively. It promises to fix what is wrong with reality by making every single one of us fitter, happier, and healthier. Indeed, it seems like all of society is up for being transformed into one massive game.The contributions in this book offer a candid assessment of the gamification hype. They trace back the historical roots of the phenomenon and explore novel design practices and methods. They critically discuss its social implications and even present artistic tactics for resistance. It is time to rethink gamification! 20 00 Open Access 01 00 03 02 This is the cover of the book Rethinking Gamification. 02 https://meson.press/wp-content/uploads/2015/03/9783957960009-cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/rethinking-gamification 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20140625 Mathias Fuchs, Sonia Fizek, Paolo Ruffino, Niklas Schrape 02 WORLD 06 15 9783957960016 03 9783957960016 06 15 9783957960023 03 9783957960023 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/rethinking-gamification 20 08 20140625 01 urn:uuid:1c544f9d-55c6-46c1-8948-938e8089bd6c 03 01 01 thoth-work-id urn:uuid:a3ac08e3-9855-4d5c-9d3d-a6399f7e059a 01 thoth-publication-id urn:uuid:1c544f9d-55c6-46c1-8948-938e8089bd6c 15 9783957960016 03 9783957960016 06 10.14619/001 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Rethinking Gamification 1 B01 21 0000000345433478 Mathias Fuchs Mathias Fuchs Professor 40 02w2y2t16 Leuphana University of Lüneburg Prof. Dr. Mathias Fuchs studied Computer Science in Erlangen and Vienna (Vienna University of Technology), and Composition in Vienna (Universität für Musik und darstellende Kunst Wien) and in Stockholm (EMS, Fylkingen). In 2010 Mathias Fuchs received his Doctor title by Humboldt University of Berlin for a PhD thesis on the meaning of sounds (“Sinn und Sound”). He has pioneered in the field of artistic use of games and is a leading theoretician on game art and games studies. He is an artist, musician, media critic, and Professor at the Centre for Digital Cultures at Leuphana University Lüneburg, Germany. He is also Director of the Leuphana Gamification Lab. 06 Own website https://creativegames.org.uk/ 2 B01 Sonia Fizek Sonia Fizek Postdoctoral Researcher 40 02w2y2t16 Leuphana University of Lüneburg Dr. Sonia Fizek is a Postdoctoral Researcher at the Centre for Digital Cultures at Leuphana University Lüneburg, Germany, where she joined the Gamification Lab. She completed her PhD in 2012 at the School of Creative Studies and Media at Bangor University, UK. In her doctoral thesis she developed a method for the study of the player character in offline computer role-playing games. Her current academic interests include: gamification, games for change, and playful interfaces, with an emphasis on the audio game genre. 3 B01 Paolo Ruffino Paolo Ruffino Research Associate 40 02w2y2t16 Leuphana University of Lüneburg Paolo Ruffino is a Research Associate at the Gamification Lab, Centre for Digital Cultures (Leuphana University Lüneburg, Germany). He is also completing a PhD at Goldsmiths, University of London and works as Lecturer at the Game Cultures programme at London South Bank University. His PhD research involves a study of the concepts of consumer and producer in video games, the history of the medium of the video game and phenomena such as “modding”, independent gaming, open engines and game art. He is a member of the art collective IOCOSE. Paolo lives and works in London, UK. paoloruffino.com/. 4 B01 Niklas Schrape Niklas Schrape Postdoctoral Researcher 40 02w2y2t16 Leuphana University of Lüneburg Dr. Niklas Schrape is a Postdoctoral Researcher at the Centre for Digital Cultures at Leuphana University Lüneburg, Germany. He holds a double position at the Gamification Lab and at the Institute for Advanced Study in Media Cultures of Computer Simulation (MECS). Between 2007 and 2011, Niklas finished his PhD thesis in Media Studies at Film and Television University Potsdam-Babelsberg (HFF). His current research interests encompass the consequences of gamification on our understanding of social reality and the relationship between simulation and gamification. 5 A01 21 0000000300332104 Sebastian Deterding Sebastian Deterding Assistant Professor 40 00v4yb702 Rochester Institute of Technology Dr. Sebastian Deterding is a researcher and designer working on gameful and playful experiences and their wider social ramifications. He is currently a visiting Assistant Professor at Rochester Institute of Technology’s School for Interactive Games and Media and Laboratory for Media, Arts, Games, Interaction and Creativity (MAGIC) in New York, USA. He is an independent designer and associate of the international design studio Hubbub. He lives online at codingconduct.cc. 6 A01 21 0000000316972499 Daphne Dragona Daphne Dragona PhD Candidate 40 04gnjpq42 National and Kapodistrian University of Athens Daphne Dragona is a media arts curator and researcher living and working in Athens and Berlin. Her interest lies in the fields of network-based art, game-based art, commons based peer production and emerging forms of collaborative creativity embracing critical awareness and resistance. She is a PhD candidate in the Faculty of Communication and Media Studies of the University of Athens, Greece. 7 A01 21 0000000239003351 Gabriele Ferri Gabriele Ferri Postdoctoral Researcher 40 01kg8sb98 Indiana University Dr. Gabriele Ferri, Postdoctoral Researcher at Indiana University, holds a PhD in Semiotics from the University of Bologna, Italy. He is currently involved in the Intel ISTC Social initiative, where his research focuses on the interaction between digital media and narrative, critical, satirical, and political discourses. He is an editor for G|A|M|E Journal and an independent urban game designer. He can be reached at gabferri@indiana.edu and gabrieleferri.com. 8 A01 Sonia Fizek Sonia Fizek Postdoctoral Researcher 40 02w2y2t16 Leuphana University of Lüneburg Dr. Sonia Fizek is a Postdoctoral Researcher at the Centre for Digital Cultures at Leuphana University Lüneburg, Germany, where she joined the Gamification Lab. She completed her PhD in 2012 at the School of Creative Studies and Media at Bangor University, UK. In her doctoral thesis she developed a method for the study of the player character in offline computer role-playing games. Her current academic interests include: gamification, games for change, and playful interfaces, with an emphasis on the audio game genre. 9 A01 21 0000000164994372 Maxwell Foxman Maxwell Foxman PhD Candidate 40 00hj8s172 Columbia University Maxwell Foxman is a second year PhD candidate in Communications at Columbia University in New York, USA. His research interests include gamification, internet culture and the effects of digital media on everyday life and memory. 10 A01 Scott Nicholson Scott Nicholson Associate Professor 40 025r5qe02 Syracuse University Dr. Scott Nicholson is Associate Professor at Syracuse University School of Information Studies in New York, USA and Director of the Because Play Matters game lab. 11 A01 21 0000000156633956 Thibault Philippette Thibault Philippette Researcher 40 02495e989 Université Catholique de Louvain Thibault Philippette is a researcher at the Catholic University of Louvain (UCL) in Belgium within the Research Center in Communication Sciences. He is member of the “Groupe de Recherche en Médiation des Savoirs” (GReMS) and the “Observatoire des Mondes Numériques en Sciences Humaines” (Omnsh). 12 A01 21 0000000174816086 Fabrizio Augusto Poltronieri Fabrizio Augusto Poltronieri 40 00sfmx060 Pontifícia Universidade Católica de São Paulo Dr. Fabrizio Augusto Poltronieri holds a PhD in Semiotics from the Pontifical Catholic University of São Paulo (PUC-SP), Brazil, with a thesis on the role of chance in computer art. Currently, his research efforts are engaged in understanding how the post-historical codes founded in video games could be used in the production of knowledge. 13 A01 Felix Raczkowski Felix Raczkowski Affiliated Scholarship Holder 40 04tsk2644 Ruhr University Bochum Felix Raczkowski is currently working on his PhD thesis on the instrumentalisation of games with a special focus on serious games and gamification. He is an affiliated scholarship holder at the Institute for Media Studies at Ruhr University Bochum, Germany. Among his other research interests are transmedia phenomena, convergence- and fan-cultures as well as theories on games, play, and toys. He can be reached at felix.raczkowski@rub.de. 14 A01 21 0000000206663118 Joost Raessens Joost Raessens Chair of Media Theory 40 04pp8hn57 Utrecht University Prof. Dr. Joost Raessens holds the chair of Media Theory at Utrecht University in the Netherlands. He was the conference chair of the first Digital Games Research Association (DiGRA) conference Level Up in Utrecht (2003), and is on the editorial board of Games and Culture (SAGE). Raessens’ current research concerns the “ludification of culture” focusing in particular on the playful construction of identities, on applied, serious and persuasive gaming, and on the notion of play as a conceptual framework for the analysis of media use. Raessens is the scientific director of GAP: the Center for the Study of Digital Games and Play (gamesandplay.nl). 15 A01 Paolo Ruffino Paolo Ruffino Research Associate 40 02w2y2t16 Leuphana University of Lüneburg Paolo Ruffino is a Research Associate at the Gamification Lab, Centre for Digital Cultures (Leuphana University Lüneburg, Germany). He is also completing a PhD at Goldsmiths, University of London and works as Lecturer at the Game Cultures programme at London South Bank University. His PhD research involves a study of the concepts of consumer and producer in video games, the history of the medium of the video game and phenomena such as “modding”, independent gaming, open engines and game art. He is a member of the art collective IOCOSE. Paolo lives and works in London, UK. paoloruffino.com/. 16 A01 Niklas Schrape Niklas Schrape Postdoctoral Researcher 40 02w2y2t16 Leuphana University of Lüneburg Dr. Niklas Schrape is a Postdoctoral Researcher at the Centre for Digital Cultures at Leuphana University Lüneburg, Germany. He holds a double position at the Gamification Lab and at the Institute for Advanced Study in Media Cultures of Computer Simulation (MECS). Between 2007 and 2011, Niklas finished his PhD thesis in Media Studies at Film and Television University Potsdam-Babelsberg (HFF). His current research interests encompass the consequences of gamification on our understanding of social reality and the relationship between simulation and gamification. 17 A01 Matthew Tiessen Matthew Tiessen Associate Professor in the School of Professional Communication 40 05g13zd79 Toronto Metropolitan University Dr. Matthew Tiessen is an Assistant Professor in the School of Professional Communication (ProCom) and a Research Associate at the Infoscape Research Lab in the Faculty of Communication and Design (FCAD) at Ryerson University in Toronto, Canada. His research and teaching focuses on digital and visual communication and culture and is supported by a Social Science and Humanities Research Council of Canada (SSHRC) Insight Development Grant. 01 eng 00 344 03 93 JBCT1 12 JFDV 04 P87-96 10 SOC052000 93 JBCT3 20 Game Studies; Gamification; Media Studies 01 06 02 00 Gamification marks a major change to everyday life. It describes the permeation of economic, political, and social contexts by game-elements such as awards, rule structures, and interfaces that are inspired by video games. Sometimes the term is reduced to the implementation of points, badges, and leaderboards as incentives and motivations to 03 00 Gamification marks a major change to everyday life. It describes the permeation of economic, political, and social contexts by game-elements such as awards, rule structures, and interfaces that are inspired by video games. Sometimes the term is reduced to the implementation of points, badges, and leaderboards as incentives and motivations to be productive. Sometimes it is envisioned as a universal remedy to deeply transform society toward more humane and playful ends. Despite its use by corporations to manage brand communities and personnel, however, gamification is more than just a marketing buzzword. States are beginning to use it as a new tool for governing populations more effectively. It promises to fix what is wrong with reality by making every single one of us fitter, happier, and healthier. Indeed, it seems like all of society is up for being transformed into one massive game.The contributions in this book offer a candid assessment of the gamification hype. They trace back the historical roots of the phenomenon and explore novel design practices and methods. They critically discuss its social implications and even present artistic tactics for resistance. It is time to rethink gamification! 30 00 Gamification marks a major change to everyday life. It describes the permeation of economic, political, and social contexts by game-elements such as awards, rule structures, and interfaces that are inspired by video games. Sometimes the term is reduced to the implementation of points, badges, and leaderboards as incentives and motivations to be productive. Sometimes it is envisioned as a universal remedy to deeply transform society toward more humane and playful ends. Despite its use by corporations to manage brand communities and personnel, however, gamification is more than just a marketing buzzword. States are beginning to use it as a new tool for governing populations more effectively. It promises to fix what is wrong with reality by making every single one of us fitter, happier, and healthier. Indeed, it seems like all of society is up for being transformed into one massive game.The contributions in this book offer a candid assessment of the gamification hype. They trace back the historical roots of the phenomenon and explore novel design practices and methods. They critically discuss its social implications and even present artistic tactics for resistance. It is time to rethink gamification! 20 00 Open Access 01 00 03 02 This is the cover of the book Rethinking Gamification. 02 https://meson.press/wp-content/uploads/2015/03/9783957960009-cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/rethinking-gamification 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20140625 Mathias Fuchs, Sonia Fizek, Paolo Ruffino, Niklas Schrape 02 WORLD 06 15 9783957960009 03 9783957960009 06 15 9783957960023 03 9783957960023 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37581 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37581/9783957960016-rethinking-gamification.pdf 20 08 20140625 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/rethinking-gamification 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2015/03/9783957960016-rethinking-gamification.pdf 20 08 20140625 01 urn:uuid:ae3212c9-698d-4a98-9076-78395b842251 03 01 01 thoth-work-id urn:uuid:a3ac08e3-9855-4d5c-9d3d-a6399f7e059a 01 thoth-publication-id urn:uuid:ae3212c9-698d-4a98-9076-78395b842251 15 9783957960023 03 9783957960023 06 10.14619/001 00 EB E101 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Rethinking Gamification 1 B01 21 0000000345433478 Mathias Fuchs Mathias Fuchs Professor 40 02w2y2t16 Leuphana University of Lüneburg Prof. Dr. Mathias Fuchs studied Computer Science in Erlangen and Vienna (Vienna University of Technology), and Composition in Vienna (Universität für Musik und darstellende Kunst Wien) and in Stockholm (EMS, Fylkingen). In 2010 Mathias Fuchs received his Doctor title by Humboldt University of Berlin for a PhD thesis on the meaning of sounds (“Sinn und Sound”). He has pioneered in the field of artistic use of games and is a leading theoretician on game art and games studies. He is an artist, musician, media critic, and Professor at the Centre for Digital Cultures at Leuphana University Lüneburg, Germany. He is also Director of the Leuphana Gamification Lab. 06 Own website https://creativegames.org.uk/ 2 B01 Sonia Fizek Sonia Fizek Postdoctoral Researcher 40 02w2y2t16 Leuphana University of Lüneburg Dr. Sonia Fizek is a Postdoctoral Researcher at the Centre for Digital Cultures at Leuphana University Lüneburg, Germany, where she joined the Gamification Lab. She completed her PhD in 2012 at the School of Creative Studies and Media at Bangor University, UK. In her doctoral thesis she developed a method for the study of the player character in offline computer role-playing games. Her current academic interests include: gamification, games for change, and playful interfaces, with an emphasis on the audio game genre. 3 B01 Paolo Ruffino Paolo Ruffino Research Associate 40 02w2y2t16 Leuphana University of Lüneburg Paolo Ruffino is a Research Associate at the Gamification Lab, Centre for Digital Cultures (Leuphana University Lüneburg, Germany). He is also completing a PhD at Goldsmiths, University of London and works as Lecturer at the Game Cultures programme at London South Bank University. His PhD research involves a study of the concepts of consumer and producer in video games, the history of the medium of the video game and phenomena such as “modding”, independent gaming, open engines and game art. He is a member of the art collective IOCOSE. Paolo lives and works in London, UK. paoloruffino.com/. 4 B01 Niklas Schrape Niklas Schrape Postdoctoral Researcher 40 02w2y2t16 Leuphana University of Lüneburg Dr. Niklas Schrape is a Postdoctoral Researcher at the Centre for Digital Cultures at Leuphana University Lüneburg, Germany. He holds a double position at the Gamification Lab and at the Institute for Advanced Study in Media Cultures of Computer Simulation (MECS). Between 2007 and 2011, Niklas finished his PhD thesis in Media Studies at Film and Television University Potsdam-Babelsberg (HFF). His current research interests encompass the consequences of gamification on our understanding of social reality and the relationship between simulation and gamification. 5 A01 21 0000000300332104 Sebastian Deterding Sebastian Deterding Assistant Professor 40 00v4yb702 Rochester Institute of Technology Dr. Sebastian Deterding is a researcher and designer working on gameful and playful experiences and their wider social ramifications. He is currently a visiting Assistant Professor at Rochester Institute of Technology’s School for Interactive Games and Media and Laboratory for Media, Arts, Games, Interaction and Creativity (MAGIC) in New York, USA. He is an independent designer and associate of the international design studio Hubbub. He lives online at codingconduct.cc. 6 A01 21 0000000316972499 Daphne Dragona Daphne Dragona PhD Candidate 40 04gnjpq42 National and Kapodistrian University of Athens Daphne Dragona is a media arts curator and researcher living and working in Athens and Berlin. Her interest lies in the fields of network-based art, game-based art, commons based peer production and emerging forms of collaborative creativity embracing critical awareness and resistance. She is a PhD candidate in the Faculty of Communication and Media Studies of the University of Athens, Greece. 7 A01 21 0000000239003351 Gabriele Ferri Gabriele Ferri Postdoctoral Researcher 40 01kg8sb98 Indiana University Dr. Gabriele Ferri, Postdoctoral Researcher at Indiana University, holds a PhD in Semiotics from the University of Bologna, Italy. He is currently involved in the Intel ISTC Social initiative, where his research focuses on the interaction between digital media and narrative, critical, satirical, and political discourses. He is an editor for G|A|M|E Journal and an independent urban game designer. He can be reached at gabferri@indiana.edu and gabrieleferri.com. 8 A01 Sonia Fizek Sonia Fizek Postdoctoral Researcher 40 02w2y2t16 Leuphana University of Lüneburg Dr. Sonia Fizek is a Postdoctoral Researcher at the Centre for Digital Cultures at Leuphana University Lüneburg, Germany, where she joined the Gamification Lab. She completed her PhD in 2012 at the School of Creative Studies and Media at Bangor University, UK. In her doctoral thesis she developed a method for the study of the player character in offline computer role-playing games. Her current academic interests include: gamification, games for change, and playful interfaces, with an emphasis on the audio game genre. 9 A01 21 0000000164994372 Maxwell Foxman Maxwell Foxman PhD Candidate 40 00hj8s172 Columbia University Maxwell Foxman is a second year PhD candidate in Communications at Columbia University in New York, USA. His research interests include gamification, internet culture and the effects of digital media on everyday life and memory. 10 A01 Scott Nicholson Scott Nicholson Associate Professor 40 025r5qe02 Syracuse University Dr. Scott Nicholson is Associate Professor at Syracuse University School of Information Studies in New York, USA and Director of the Because Play Matters game lab. 11 A01 21 0000000156633956 Thibault Philippette Thibault Philippette Researcher 40 02495e989 Université Catholique de Louvain Thibault Philippette is a researcher at the Catholic University of Louvain (UCL) in Belgium within the Research Center in Communication Sciences. He is member of the “Groupe de Recherche en Médiation des Savoirs” (GReMS) and the “Observatoire des Mondes Numériques en Sciences Humaines” (Omnsh). 12 A01 21 0000000174816086 Fabrizio Augusto Poltronieri Fabrizio Augusto Poltronieri 40 00sfmx060 Pontifícia Universidade Católica de São Paulo Dr. Fabrizio Augusto Poltronieri holds a PhD in Semiotics from the Pontifical Catholic University of São Paulo (PUC-SP), Brazil, with a thesis on the role of chance in computer art. Currently, his research efforts are engaged in understanding how the post-historical codes founded in video games could be used in the production of knowledge. 13 A01 Felix Raczkowski Felix Raczkowski Affiliated Scholarship Holder 40 04tsk2644 Ruhr University Bochum Felix Raczkowski is currently working on his PhD thesis on the instrumentalisation of games with a special focus on serious games and gamification. He is an affiliated scholarship holder at the Institute for Media Studies at Ruhr University Bochum, Germany. Among his other research interests are transmedia phenomena, convergence- and fan-cultures as well as theories on games, play, and toys. He can be reached at felix.raczkowski@rub.de. 14 A01 21 0000000206663118 Joost Raessens Joost Raessens Chair of Media Theory 40 04pp8hn57 Utrecht University Prof. Dr. Joost Raessens holds the chair of Media Theory at Utrecht University in the Netherlands. He was the conference chair of the first Digital Games Research Association (DiGRA) conference Level Up in Utrecht (2003), and is on the editorial board of Games and Culture (SAGE). Raessens’ current research concerns the “ludification of culture” focusing in particular on the playful construction of identities, on applied, serious and persuasive gaming, and on the notion of play as a conceptual framework for the analysis of media use. Raessens is the scientific director of GAP: the Center for the Study of Digital Games and Play (gamesandplay.nl). 15 A01 Paolo Ruffino Paolo Ruffino Research Associate 40 02w2y2t16 Leuphana University of Lüneburg Paolo Ruffino is a Research Associate at the Gamification Lab, Centre for Digital Cultures (Leuphana University Lüneburg, Germany). He is also completing a PhD at Goldsmiths, University of London and works as Lecturer at the Game Cultures programme at London South Bank University. His PhD research involves a study of the concepts of consumer and producer in video games, the history of the medium of the video game and phenomena such as “modding”, independent gaming, open engines and game art. He is a member of the art collective IOCOSE. Paolo lives and works in London, UK. paoloruffino.com/. 16 A01 Niklas Schrape Niklas Schrape Postdoctoral Researcher 40 02w2y2t16 Leuphana University of Lüneburg Dr. Niklas Schrape is a Postdoctoral Researcher at the Centre for Digital Cultures at Leuphana University Lüneburg, Germany. He holds a double position at the Gamification Lab and at the Institute for Advanced Study in Media Cultures of Computer Simulation (MECS). Between 2007 and 2011, Niklas finished his PhD thesis in Media Studies at Film and Television University Potsdam-Babelsberg (HFF). His current research interests encompass the consequences of gamification on our understanding of social reality and the relationship between simulation and gamification. 17 A01 Matthew Tiessen Matthew Tiessen Associate Professor in the School of Professional Communication 40 05g13zd79 Toronto Metropolitan University Dr. Matthew Tiessen is an Assistant Professor in the School of Professional Communication (ProCom) and a Research Associate at the Infoscape Research Lab in the Faculty of Communication and Design (FCAD) at Ryerson University in Toronto, Canada. His research and teaching focuses on digital and visual communication and culture and is supported by a Social Science and Humanities Research Council of Canada (SSHRC) Insight Development Grant. 01 eng 00 344 03 93 JBCT1 12 JFDV 04 P87-96 10 SOC052000 93 JBCT3 20 Game Studies; Gamification; Media Studies 01 06 02 00 Gamification marks a major change to everyday life. It describes the permeation of economic, political, and social contexts by game-elements such as awards, rule structures, and interfaces that are inspired by video games. Sometimes the term is reduced to the implementation of points, badges, and leaderboards as incentives and motivations to 03 00 Gamification marks a major change to everyday life. It describes the permeation of economic, political, and social contexts by game-elements such as awards, rule structures, and interfaces that are inspired by video games. Sometimes the term is reduced to the implementation of points, badges, and leaderboards as incentives and motivations to be productive. Sometimes it is envisioned as a universal remedy to deeply transform society toward more humane and playful ends. Despite its use by corporations to manage brand communities and personnel, however, gamification is more than just a marketing buzzword. States are beginning to use it as a new tool for governing populations more effectively. It promises to fix what is wrong with reality by making every single one of us fitter, happier, and healthier. Indeed, it seems like all of society is up for being transformed into one massive game.The contributions in this book offer a candid assessment of the gamification hype. They trace back the historical roots of the phenomenon and explore novel design practices and methods. They critically discuss its social implications and even present artistic tactics for resistance. It is time to rethink gamification! 30 00 Gamification marks a major change to everyday life. It describes the permeation of economic, political, and social contexts by game-elements such as awards, rule structures, and interfaces that are inspired by video games. Sometimes the term is reduced to the implementation of points, badges, and leaderboards as incentives and motivations to be productive. Sometimes it is envisioned as a universal remedy to deeply transform society toward more humane and playful ends. Despite its use by corporations to manage brand communities and personnel, however, gamification is more than just a marketing buzzword. States are beginning to use it as a new tool for governing populations more effectively. It promises to fix what is wrong with reality by making every single one of us fitter, happier, and healthier. Indeed, it seems like all of society is up for being transformed into one massive game.The contributions in this book offer a candid assessment of the gamification hype. They trace back the historical roots of the phenomenon and explore novel design practices and methods. They critically discuss its social implications and even present artistic tactics for resistance. It is time to rethink gamification! 20 00 Open Access 01 00 03 02 This is the cover of the book Rethinking Gamification. 02 https://meson.press/wp-content/uploads/2015/03/9783957960009-cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/rethinking-gamification 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20140625 Mathias Fuchs, Sonia Fizek, Paolo Ruffino, Niklas Schrape 02 WORLD 06 15 9783957960009 03 9783957960009 06 15 9783957960016 03 9783957960016 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/rethinking-gamification 20 08 20140625 01 urn:uuid:2a47c90a-804e-4f95-8f27-f6071cfe30de 03 01 01 thoth-work-id urn:uuid:1fd727ff-d2dc-406c-bc0d-a2739da3b1bd 01 thoth-publication-id urn:uuid:2a47c90a-804e-4f95-8f27-f6071cfe30de 15 9783957960184 03 9783957960184 06 10.14619/0184 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 4433718b-565b-4e98-b1ef-43519635928f 02 00000009 01 Series URL https://meson.press/series-page/configurations-of-film 03 5 01 02 Configurations of Film 01 01 Serge Daney and Queer Cinephilia 1 B01 21 0009000714458695 Pierre Eugène Pierre Eugène Lecturer 40 01gyxrk03 University of Picardie Jules Verne Pierre Eugène is Lecturer in Film Studies at the Université de Picardie Jules Verne (Amiens, France) and a member of the Cahiers du cinéma editorial board since 2020. His research focuses on Serge Daney, cinema writers and film aesthetics. He has published articles on many European and American filmmakers, and co-edited Jean-Claude Biette, appunti et contrappunti (De l’Incidence, 2018) with Hervé-Joubert-Laurencin and Philippe Fauvel. His book Serge Daney, Exercices de relecture (Éditions du Linteau, 2023) has just appeared, and he is currently working on a book devoted to Paul Vecchiali’s film Femmes femmes (1974) (Yellow Now Editions). 2 B01 21 0000000204560238 Kate Ince Kate Ince Professor of French and Visual Studies 40 03angcq70 University of Birmingham Kate Ince is Professor of French and Visual Studies at the University of Birmingham (UK). She has published books on the performance artist Orlan (Orlan, millennial female, Berg 2000), on French filmmakers Georges Franju (Georges Franju, Manchester University Press, 2005; in French as Georges Franju: au-delà du cinema fantastique, Paris, L’Harmattan, 2008) and Mia Hansen- Løve (The Cinema of Mia Hansen-Løve: candour and vulnerability, Edinburgh University Press, 2021), and developed a feminist phenomenological approach to women’s cinema in The Body and the Screen: female subjectivities in contemporary women’s cinema (Bloomsbury plc, 2017). She has just completed an essay that employs psychology and phenomenology in conjunction with Céline Sciamma’s Petite maman (2021). 3 B01 21 0000000163269558 Marc Siegel Marc Siegel Professor of Film Studies 40 023b0x485 Johannes Gutenberg University Mainz Marc Siegel is Professor of Film Studies at the Johannes Gutenberg University in Mainz. His research and publications focus mainly on issues in queer studies and experimental film. His book A Gossip of Images is forthcoming from Duke University Press. He has also been active internationally as a freelance curator for film series, programs and performance festivals. He is a member of the Academy of World Arts and Culture in Cologne and the Berlinbased art collective CHEAP. He is currently working on a book about bathrooms in film and video. 4 A01 Claire Allouche Claire Allouche Attachée Temporaire d’Éducation et de Recherche 40 04wez5e68 Paris 8 University Claire Allouche is currently Attachée Temporaire d’Éducation et de recherche at the Université Paris 8 Saint-Denis-Vincennes (France) and a PhD candidate under the supervision of Dork Zabunyan and Thierry Roche. She trained in Film Studies (Université Paris 8 and ENS Ulm in France, UNSAM in Argentina) and in the humanities and sociology of space at EHESS. Her doctoral research focuses on the process of creating fiction outside the traditional production centres of Argentina and Brazil between 2008 and 2019. She is also a critic (Cahiers du cinéma) and programmer (Doc&Doc, CLaP, Regards Satellites). 5 A01 Raymond Bellour Raymond Bellour 40 00675rp98 Centre National de la Recherche Scientifique Raymond Bellour is a researcher, author, emeritus research scientist at the CNRS (Paris). He has been responsible for editing the complete works of Henri Michaux in the Pléiade (1996–2004) and has (co)curated several exhibitions (from Passages de l’image, 1990, to Chris Marker, 2018). His books include L’Analyse du film (1979); L’Entre-Images. Photo, cinéma, vidéo (1990); L’Entre-Images 2. Mots, Images (1999); Le Corps du cinéma:Hypnoses, Émotions, Animalités (2009); La Querelle des dispositifs. Cinéma – installations, expositions (2012), Pensées du cinéma (2016). He is a founding member of the journal Trafic. 6 A01 Mélina Delmas Mélina Delmas Research Assistant 40 01a77tt86 University of Warwick Mélina Delmas holds master’s degrees in Translation from Université Paris 3 and Université Bordeaux-Montaigne (France), as well as a PhD in Translation Studies from the University of Birmingham (UK). Since 2021 she has been working as a Research Assistant at the University of Warwick (UK) where she collaborates closely with Professor Jo Angouri on various projects relating to multilingualism, linguistic landscapes and pedagogy. Additionally, in her role as the Warwick local facilitator for the EUTOPIA alliance, Mélina works to support several EUTOPIA Learning Communities. Mélina has also worked as a freelance translator for various clients since 2014. 7 A01 Garin Dowd Garin Dowd Professor of Film, Literature and Media 40 03e5mzp60 University of West London Garin Dowd is Professor of Film, Literature and Media at the University of West London, UK. He is the author of Abstract Machines: Samuel Beckett and Philosophy after Deleuze and Guattari (Rodopi 2007), co-author (with Fergus Daly) of Leos Carax (Manchester University Press, 2003) and co-editor (with Lesley Stevenson and Jeremy Strong) of Genre Matters: Essays in Theory and Criticism (Intellect) and (with Natalia Rulyova) of Genre Trajectories: Identifying, Mapping, Projecting (Palgrave Macmillan 2015). He is also the author of the chapter on Serge Daney in Felicity Colman (ed.) Film, Theory and Philosophy: The Key Thinkers (Acumen, 2009) and of “Pedagogies of the Image between Daney and Deleuze” in New Review of Film and Television Studies 8 (1), 2010. 8 A01 21 0009000135038557 Chloé Galibert-Laîné Chloé Galibert-Laîné Chloé Galibert-Laîné is a French researcher and filmmaker. They hold a PhD from the Ecole normale supérieure de Paris and are currently working as Senior Researcher at the Lucerne School of Art and Design in Switzerland. Their video essays and desktop documentaries explore the intersections between cinema and online media, with a particular interest in questions related to modes of spectatorship, gestures of appropriation and mediated memory. They have taught courses and workshops at various universities and art schools, most recently at the University of Massachusetts, the Beaux-Arts de Marseille and the California Institute of the Arts. 9 A01 Theresa Heath Theresa Heath Post-doctoral Researcher 40 04vg4w365 Loughborough University Theresa Heath is a post-doctoral researcher at Loughborough University, London, researching disabled access at film and cultural festivals and events. She has published articles and chapters on women’s and queer film festivals, representations of chronic illness in cinema, and is currently completing a book titled Queer Film Festivals and Urban Space: Remaking the City to be published in 2024. 10 A01 Andrea Inzerillo Andrea Inzerillo Andrea Inzerillo is the artistic director of the Sicilia Queer Filmfest. He has translated and edited the Italian edition of works by Michel Foucault, Jacques Rancière, Gilles Lipovetsky, Pierre Bayard, Madame de Staël, Douglas Sirk. He also recently edited the book Atlante del Cinema Queer Contemporaneo. Europa 2000– 2020 / Atlas of Contemporary Queer Cinema. Europe 2000–2020, published by Meltemi (Milano, 2023). A teacher of history and philosophy in high schools, he has recently been a post-doctoral research fellow in cinema at the University of Palermo. He collaborates with periodicals such as Alias – Il manifesto, Fata Morgana, Gli Asini. 11 A01 Hervé Joubert-Laurencin Hervé Joubert-Laurencin Professor of Cinema Aesthetics 40 013bkhk48 Université Paris Nanterre Hervé Joubert-Laurencin is Professor of Cinema Aesthetics at the University Paris Nanterre (France) and a member of the Institut Universitaire de France. His research includes Pasolini’s work (films, theatre, literature, politics and poetry, including translations into French), André Bazin’s writings (Ecrits complets, Paris, Macula, 2018), other écrivains de cinéma such as Jean-Claude Biette, Barthélemy Amengual, Serge Daney, André Martin, Glauber Rocha, and Animation theory. He realizes films with Marianne Dautrey (Bazin roman, 2018, Fontaine. Trente-trois minutes à la documenta fifteen, 2023) and is currently working on a long-term creative and research project focusing on four subversive filmmakers: Pasolini, Rocha, Fassbinder and Oshima. 12 A01 Philipp Dominik Keidl Philipp Dominik Keidl Assistant Professor of Screen Media in Transition 40 04pp8hn57 Utrecht University Philipp Dominik Keidl is Assistant Professor of Screen Media in Transition at Utrecht University. His research on fandom, material culture, and film heritage is published in Journal of Cinema and Media Studies, Film Criticism, Journal of Popular Culture, and The Moving Image. He is the co-editor of “Institutionalizing Moving Image Archival Training” (Synoptique 6.1, 2018), Pandemic Media (meson press, 2020), “Fandom Histories” (Transformative Works and Cultures 37, 2022) and Platforms and the Moving Image (meson press, forthcoming). 13 A01 Simon Pageau Simon Pageau Simon Pageau is a film critic. At university, between 2017 and 2019, he worked on Trafic, the magazine created by Serge Daney in the early 1990s; then he co-founded a magazine, Apaches, whose first issues, published between 2020 and 2023, were partly devoted to classic American cinema. He is currently working on a book on Dodes’kaden by Akira Kurosawa. 14 A01 Sylvie Pierre-Ulmann Sylvie Pierre-Ulmann Sylvie Pierre-Ulmann was a critic for Cahiers du cinéma in the 1960s and 1970s, and has been a teacher, editor, translator, and member of Trafic’s editorial board from the foundation of the journal in 1991 until its final issue in 2021. She edited Glauber Rocha, Textes et entretiens de Glauber Rocha, Paris, Éditions de l’Étoile/Cahiers du cinéma, 1987 and published « Frontière chinoise » de John Ford, Crisnée, Yellow Now, 2014. 15 A01 Bamchade Pourvali Bamchade Pourvali Bamchade Pourvali holds a doctorate in Film Studies and has taught at the École Polytechnique and Gustave Eiffel University. He is the author of Chris Marker (Cahiers du cinéma, 2003), Godard neuf zéro, les films des années 90 de Jean-Luc Godard (Séguier, 2006) and Wong Kar-wai, la modernité d’un cinéaste asiatique (L’Amandier, 2007). His latest book is L’essai au cinéma, de Chaplin à Godard (Créaphis, 2023). Also a specialist in Iranian cinema, he runs the “Iran ciné panorama” website (www.irancinepanorama.fr). 16 A01 Patrice Rollet Patrice Rollet Patrice Rollet is an essayist and film critic, an editor and teacher, and was a member of Trafic’s editorial board from its foundation by Serge Daney in 1991 up to its final issue in 2021. Literary director of Cahiers du cinéma in the 1990s, his publications include a collective book on John Ford (1990), the writings of James Agee (1991) and Stanley Cavell. For Editions P.O.L., in addition to his own books, he edited the writings of Manny Farber, Jonas Mekas, and the four volumes of the La Maison cinéma et le monde (2001-2015) collection of Serge Daney’s articles. Latest publication: Descentes aux limbes, Éditions P.O.L, 2019. 17 A01 Marcos Uzal Marcos Uzal Marcos Uzal has been editor-in-chief of Cahiers du cinéma since May 2020. He was a member of the board and then the editorial board of Trafic magazine, a critic for Libération newspaper and a member of Vertigo magazine. He has co-edited books on Tod Browning (2007), Jerzy Skolimowski (2013) and Guy Gilles (2014), and is the author of an essay on Jacques Tourneur’s I Walked With a Zombie (2006), for the Côté Film collection (Yellow Now Editions), which he directed from 2006 to 2020. He was also film programmer at the Musée d’Orsay in Paris from 2010 to 2020. 18 A01 So Mayer So Mayer 19 A01 Selina Robertson Selina Robertson 01 eng 00 310 03 12 APFA 93 ATFA 04 P87-96 10 PER004030 12 APT 93 ATJ 10 SOC052000 93 GLP 12 GLP 10 SOC064000 93 JBCT 12 JFD 93 JBSF2 20 digital film; film curation; cinephilia; tv criticism; film criticism; media criticism; queer cinema; queer cinema; film studies; film culture 01 06 02 00 French critic Serge Daney was a central figure in film, television and media criticism of the second half of the twentieth century. He died of AIDS in 1992, just as the concept of queer cinema entered international film studies and just before the start of the digital era that has transformed film culture. This collection of new essays invest 03 00 French critic Serge Daney was a central figure in film, television and media criticism of the second half of the twentieth century. He died of AIDS in 1992, just as the concept of queer cinema entered international film studies and just before the start of the digital era that has transformed film culture. This collection of new essays investigates the legacy of Daney’s work alongside considerations of feminist, queer and digital cinephilia and contemporary practices of film curation. 30 00 French critic Serge Daney was a central figure in film, television and media criticism of the second half of the twentieth century. He died of AIDS in 1992, just as the concept of queer cinema entered international film studies and just before the start of the digital era that has transformed film culture. This collection of new essays investigates the legacy of Daney’s work alongside considerations of feminist, queer and digital cinephilia and contemporary practices of film curation. 20 00 Open Access 01 00 03 02 This is the cover of the book Serge Daney and Queer Cinephilia. 02 https://meson.press/wp-content/uploads/2021/07/Serge_Daney_and_Queer_Cinephilia_Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/serge-daney-and-queer-cinephilia/ 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Graduiertenkolleg 01 projectname GRK 2279: Konfigurationen des Films 01 projectshortname Konfigurationen des Films 01 grantnumber 310565625 Lüneburg 04 01 20240228 Pierre Eugène, Kate Ince and Marc Siegel 02 WORLD 06 15 9783957960191 03 9783957960191 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/serge-daney-and-queer-cinephilia/ 20 08 20240228 01 urn:uuid:8cb46622-1f9b-44d9-8f04-696554b38804 03 01 01 thoth-work-id urn:uuid:1fd727ff-d2dc-406c-bc0d-a2739da3b1bd 01 thoth-publication-id urn:uuid:8cb46622-1f9b-44d9-8f04-696554b38804 15 9783957960191 03 9783957960191 06 10.14619/0184 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 4433718b-565b-4e98-b1ef-43519635928f 02 00000009 01 Series URL https://meson.press/series-page/configurations-of-film 03 5 01 02 Configurations of Film 01 01 Serge Daney and Queer Cinephilia 1 B01 21 0009000714458695 Pierre Eugène Pierre Eugène Lecturer 40 01gyxrk03 University of Picardie Jules Verne Pierre Eugène is Lecturer in Film Studies at the Université de Picardie Jules Verne (Amiens, France) and a member of the Cahiers du cinéma editorial board since 2020. His research focuses on Serge Daney, cinema writers and film aesthetics. He has published articles on many European and American filmmakers, and co-edited Jean-Claude Biette, appunti et contrappunti (De l’Incidence, 2018) with Hervé-Joubert-Laurencin and Philippe Fauvel. His book Serge Daney, Exercices de relecture (Éditions du Linteau, 2023) has just appeared, and he is currently working on a book devoted to Paul Vecchiali’s film Femmes femmes (1974) (Yellow Now Editions). 2 B01 21 0000000204560238 Kate Ince Kate Ince Professor of French and Visual Studies 40 03angcq70 University of Birmingham Kate Ince is Professor of French and Visual Studies at the University of Birmingham (UK). She has published books on the performance artist Orlan (Orlan, millennial female, Berg 2000), on French filmmakers Georges Franju (Georges Franju, Manchester University Press, 2005; in French as Georges Franju: au-delà du cinema fantastique, Paris, L’Harmattan, 2008) and Mia Hansen- Løve (The Cinema of Mia Hansen-Løve: candour and vulnerability, Edinburgh University Press, 2021), and developed a feminist phenomenological approach to women’s cinema in The Body and the Screen: female subjectivities in contemporary women’s cinema (Bloomsbury plc, 2017). She has just completed an essay that employs psychology and phenomenology in conjunction with Céline Sciamma’s Petite maman (2021). 3 B01 21 0000000163269558 Marc Siegel Marc Siegel Professor of Film Studies 40 023b0x485 Johannes Gutenberg University Mainz Marc Siegel is Professor of Film Studies at the Johannes Gutenberg University in Mainz. His research and publications focus mainly on issues in queer studies and experimental film. His book A Gossip of Images is forthcoming from Duke University Press. He has also been active internationally as a freelance curator for film series, programs and performance festivals. He is a member of the Academy of World Arts and Culture in Cologne and the Berlinbased art collective CHEAP. He is currently working on a book about bathrooms in film and video. 4 A01 Claire Allouche Claire Allouche Attachée Temporaire d’Éducation et de Recherche 40 04wez5e68 Paris 8 University Claire Allouche is currently Attachée Temporaire d’Éducation et de recherche at the Université Paris 8 Saint-Denis-Vincennes (France) and a PhD candidate under the supervision of Dork Zabunyan and Thierry Roche. She trained in Film Studies (Université Paris 8 and ENS Ulm in France, UNSAM in Argentina) and in the humanities and sociology of space at EHESS. Her doctoral research focuses on the process of creating fiction outside the traditional production centres of Argentina and Brazil between 2008 and 2019. She is also a critic (Cahiers du cinéma) and programmer (Doc&Doc, CLaP, Regards Satellites). 5 A01 Raymond Bellour Raymond Bellour 40 00675rp98 Centre National de la Recherche Scientifique Raymond Bellour is a researcher, author, emeritus research scientist at the CNRS (Paris). He has been responsible for editing the complete works of Henri Michaux in the Pléiade (1996–2004) and has (co)curated several exhibitions (from Passages de l’image, 1990, to Chris Marker, 2018). His books include L’Analyse du film (1979); L’Entre-Images. Photo, cinéma, vidéo (1990); L’Entre-Images 2. Mots, Images (1999); Le Corps du cinéma:Hypnoses, Émotions, Animalités (2009); La Querelle des dispositifs. Cinéma – installations, expositions (2012), Pensées du cinéma (2016). He is a founding member of the journal Trafic. 6 A01 Mélina Delmas Mélina Delmas Research Assistant 40 01a77tt86 University of Warwick Mélina Delmas holds master’s degrees in Translation from Université Paris 3 and Université Bordeaux-Montaigne (France), as well as a PhD in Translation Studies from the University of Birmingham (UK). Since 2021 she has been working as a Research Assistant at the University of Warwick (UK) where she collaborates closely with Professor Jo Angouri on various projects relating to multilingualism, linguistic landscapes and pedagogy. Additionally, in her role as the Warwick local facilitator for the EUTOPIA alliance, Mélina works to support several EUTOPIA Learning Communities. Mélina has also worked as a freelance translator for various clients since 2014. 7 A01 Garin Dowd Garin Dowd Professor of Film, Literature and Media 40 03e5mzp60 University of West London Garin Dowd is Professor of Film, Literature and Media at the University of West London, UK. He is the author of Abstract Machines: Samuel Beckett and Philosophy after Deleuze and Guattari (Rodopi 2007), co-author (with Fergus Daly) of Leos Carax (Manchester University Press, 2003) and co-editor (with Lesley Stevenson and Jeremy Strong) of Genre Matters: Essays in Theory and Criticism (Intellect) and (with Natalia Rulyova) of Genre Trajectories: Identifying, Mapping, Projecting (Palgrave Macmillan 2015). He is also the author of the chapter on Serge Daney in Felicity Colman (ed.) Film, Theory and Philosophy: The Key Thinkers (Acumen, 2009) and of “Pedagogies of the Image between Daney and Deleuze” in New Review of Film and Television Studies 8 (1), 2010. 8 A01 21 0009000135038557 Chloé Galibert-Laîné Chloé Galibert-Laîné Chloé Galibert-Laîné is a French researcher and filmmaker. They hold a PhD from the Ecole normale supérieure de Paris and are currently working as Senior Researcher at the Lucerne School of Art and Design in Switzerland. Their video essays and desktop documentaries explore the intersections between cinema and online media, with a particular interest in questions related to modes of spectatorship, gestures of appropriation and mediated memory. They have taught courses and workshops at various universities and art schools, most recently at the University of Massachusetts, the Beaux-Arts de Marseille and the California Institute of the Arts. 9 A01 Theresa Heath Theresa Heath Post-doctoral Researcher 40 04vg4w365 Loughborough University Theresa Heath is a post-doctoral researcher at Loughborough University, London, researching disabled access at film and cultural festivals and events. She has published articles and chapters on women’s and queer film festivals, representations of chronic illness in cinema, and is currently completing a book titled Queer Film Festivals and Urban Space: Remaking the City to be published in 2024. 10 A01 Andrea Inzerillo Andrea Inzerillo Andrea Inzerillo is the artistic director of the Sicilia Queer Filmfest. He has translated and edited the Italian edition of works by Michel Foucault, Jacques Rancière, Gilles Lipovetsky, Pierre Bayard, Madame de Staël, Douglas Sirk. He also recently edited the book Atlante del Cinema Queer Contemporaneo. Europa 2000– 2020 / Atlas of Contemporary Queer Cinema. Europe 2000–2020, published by Meltemi (Milano, 2023). A teacher of history and philosophy in high schools, he has recently been a post-doctoral research fellow in cinema at the University of Palermo. He collaborates with periodicals such as Alias – Il manifesto, Fata Morgana, Gli Asini. 11 A01 Hervé Joubert-Laurencin Hervé Joubert-Laurencin Professor of Cinema Aesthetics 40 013bkhk48 Université Paris Nanterre Hervé Joubert-Laurencin is Professor of Cinema Aesthetics at the University Paris Nanterre (France) and a member of the Institut Universitaire de France. His research includes Pasolini’s work (films, theatre, literature, politics and poetry, including translations into French), André Bazin’s writings (Ecrits complets, Paris, Macula, 2018), other écrivains de cinéma such as Jean-Claude Biette, Barthélemy Amengual, Serge Daney, André Martin, Glauber Rocha, and Animation theory. He realizes films with Marianne Dautrey (Bazin roman, 2018, Fontaine. Trente-trois minutes à la documenta fifteen, 2023) and is currently working on a long-term creative and research project focusing on four subversive filmmakers: Pasolini, Rocha, Fassbinder and Oshima. 12 A01 Philipp Dominik Keidl Philipp Dominik Keidl Assistant Professor of Screen Media in Transition 40 04pp8hn57 Utrecht University Philipp Dominik Keidl is Assistant Professor of Screen Media in Transition at Utrecht University. His research on fandom, material culture, and film heritage is published in Journal of Cinema and Media Studies, Film Criticism, Journal of Popular Culture, and The Moving Image. He is the co-editor of “Institutionalizing Moving Image Archival Training” (Synoptique 6.1, 2018), Pandemic Media (meson press, 2020), “Fandom Histories” (Transformative Works and Cultures 37, 2022) and Platforms and the Moving Image (meson press, forthcoming). 13 A01 Simon Pageau Simon Pageau Simon Pageau is a film critic. At university, between 2017 and 2019, he worked on Trafic, the magazine created by Serge Daney in the early 1990s; then he co-founded a magazine, Apaches, whose first issues, published between 2020 and 2023, were partly devoted to classic American cinema. He is currently working on a book on Dodes’kaden by Akira Kurosawa. 14 A01 Sylvie Pierre-Ulmann Sylvie Pierre-Ulmann Sylvie Pierre-Ulmann was a critic for Cahiers du cinéma in the 1960s and 1970s, and has been a teacher, editor, translator, and member of Trafic’s editorial board from the foundation of the journal in 1991 until its final issue in 2021. She edited Glauber Rocha, Textes et entretiens de Glauber Rocha, Paris, Éditions de l’Étoile/Cahiers du cinéma, 1987 and published « Frontière chinoise » de John Ford, Crisnée, Yellow Now, 2014. 15 A01 Bamchade Pourvali Bamchade Pourvali Bamchade Pourvali holds a doctorate in Film Studies and has taught at the École Polytechnique and Gustave Eiffel University. He is the author of Chris Marker (Cahiers du cinéma, 2003), Godard neuf zéro, les films des années 90 de Jean-Luc Godard (Séguier, 2006) and Wong Kar-wai, la modernité d’un cinéaste asiatique (L’Amandier, 2007). His latest book is L’essai au cinéma, de Chaplin à Godard (Créaphis, 2023). Also a specialist in Iranian cinema, he runs the “Iran ciné panorama” website (www.irancinepanorama.fr). 16 A01 Patrice Rollet Patrice Rollet Patrice Rollet is an essayist and film critic, an editor and teacher, and was a member of Trafic’s editorial board from its foundation by Serge Daney in 1991 up to its final issue in 2021. Literary director of Cahiers du cinéma in the 1990s, his publications include a collective book on John Ford (1990), the writings of James Agee (1991) and Stanley Cavell. For Editions P.O.L., in addition to his own books, he edited the writings of Manny Farber, Jonas Mekas, and the four volumes of the La Maison cinéma et le monde (2001-2015) collection of Serge Daney’s articles. Latest publication: Descentes aux limbes, Éditions P.O.L, 2019. 17 A01 Marcos Uzal Marcos Uzal Marcos Uzal has been editor-in-chief of Cahiers du cinéma since May 2020. He was a member of the board and then the editorial board of Trafic magazine, a critic for Libération newspaper and a member of Vertigo magazine. He has co-edited books on Tod Browning (2007), Jerzy Skolimowski (2013) and Guy Gilles (2014), and is the author of an essay on Jacques Tourneur’s I Walked With a Zombie (2006), for the Côté Film collection (Yellow Now Editions), which he directed from 2006 to 2020. He was also film programmer at the Musée d’Orsay in Paris from 2010 to 2020. 18 A01 So Mayer So Mayer 19 A01 Selina Robertson Selina Robertson 01 eng 00 310 03 12 APFA 93 ATFA 04 P87-96 10 PER004030 12 APT 93 ATJ 10 SOC052000 93 GLP 12 GLP 10 SOC064000 93 JBCT 12 JFD 93 JBSF2 20 digital film; film curation; cinephilia; tv criticism; film criticism; media criticism; queer cinema; queer cinema; film studies; film culture 01 06 02 00 French critic Serge Daney was a central figure in film, television and media criticism of the second half of the twentieth century. He died of AIDS in 1992, just as the concept of queer cinema entered international film studies and just before the start of the digital era that has transformed film culture. This collection of new essays invest 03 00 French critic Serge Daney was a central figure in film, television and media criticism of the second half of the twentieth century. He died of AIDS in 1992, just as the concept of queer cinema entered international film studies and just before the start of the digital era that has transformed film culture. This collection of new essays investigates the legacy of Daney’s work alongside considerations of feminist, queer and digital cinephilia and contemporary practices of film curation. 30 00 French critic Serge Daney was a central figure in film, television and media criticism of the second half of the twentieth century. He died of AIDS in 1992, just as the concept of queer cinema entered international film studies and just before the start of the digital era that has transformed film culture. This collection of new essays investigates the legacy of Daney’s work alongside considerations of feminist, queer and digital cinephilia and contemporary practices of film curation. 20 00 Open Access 01 00 03 02 This is the cover of the book Serge Daney and Queer Cinephilia. 02 https://meson.press/wp-content/uploads/2021/07/Serge_Daney_and_Queer_Cinephilia_Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/serge-daney-and-queer-cinephilia/ 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Graduiertenkolleg 01 projectname GRK 2279: Konfigurationen des Films 01 projectshortname Konfigurationen des Films 01 grantnumber 310565625 Lüneburg 04 01 20240228 Pierre Eugène, Kate Ince and Marc Siegel 02 WORLD 06 15 9783957960184 03 9783957960184 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88698 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/88698/978-3-95796-019-1-Serge-Daney-and-Queer-Cinephilia.pdf?sequence=1&isAllowed=y 20 08 20240228 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/serge-daney-and-queer-cinephilia/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2021/07/978-3-95796-019-1-Serge-Daney-and-Queer-Cinephilia.pdf 20 08 20240228 01 urn:uuid:448b2005-8126-4825-8581-f4221dfb334e 03 01 01 thoth-work-id urn:uuid:4ceae956-a5a3-43a5-96a7-ae87f0cb1b21 01 thoth-publication-id urn:uuid:448b2005-8126-4825-8581-f4221dfb334e 15 9783957960856 03 9783957960856 06 10.14619/018 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Symptoms of the Planetary Condition A Critical Vocabulary 1 B01 21 0000000328760522 Mercedes Bunz Mercedes Bunz Senior Lecturer 40 04ycpbx82 University of Westminster Mercedes Bunz is Senior Lecturer at the University of Westminster, London where she teaches media studies and journalism. Her work combines technology and digital media, philosophy, and publishing. Her most recent book is The Silent Revolution: How Digitalization Transforms Knowledge, Work, Journalism and Politics without Making Too Much Noise (2014). She is co-founder of the open access publishing house meson press. From 2009–2010 she was the technology reporter of The Guardian. 06 Own website https://mercedesbunz.net/ 2 B01 Birgit Mara Kaiser Birgit Mara Kaiser Associate Professor of Comparative Literature and Transcultural Aesthetics 40 04pp8hn57 Utrecht University Birgit Mara Kaiser is Associate Professor of Comparative Literature and Transcultural Aesthetics at Utrecht University. Her research interests are aesthetics and affect, Deleuzian and (new) materialist literary criticism, postcolonial and transnational literature. Recent publications include Figures of Simplicity. Sensation and Thinking in Kleist and Melville (2011), Postcolonial Literatures and Deleuze (2012, ed. with L. Burns), “Diffracted Worlds – Diffractive Readings: Onto-Epistemologies and the Critical Humanities” Parallax (2014, ed. with K. Thiele), Singularity and Transnational Poetics (2015, ed.). She currently works on a book project on Cixous, Guattari and the production of subjectivity. With K. Thiele, she is founder and coordinator of Terra Critica. 3 B01 Kathrin Thiele Kathrin Thiele Professor in Gender Studies and Critical Theory 40 04pp8hn57 Utrecht University Kathrin Thiele is Associate Professor in Gender Studies and 271 Critical Theory at Utrecht University. Her research expertise lies in feminist and continental philosophies, theories of difference(s), and posthuman(ist) studies. Most recently she edited “Diffracted Worlds – Diffractive Readings: Onto-Epistemologies and the Critical Humanities” Parallax (2014, ed. with B. M. Kaiser), Doing Gender in Medien-, Kunst- und Kulturwissenschaften: Eine Einführung (2016, ed. with R. Buikema) and Doing Gender in Media, Art and Culture: A Comprehensive Guide to Gender Studies (2017, ed. with R. Buikema and L. Plate). With B. M. Kaiser, she is founder and coordinator of Terra Critica. 4 A01 Kiene Brillenburg Wurth Kiene Brillenburg Wurth Professor of Literature and Comparative Media 40 04pp8hn57 Utrecht University Kiene Brillenburg Wurth is Professor of Literature and Comparative Media at Utrecht University. Kiene works on literature and (new) media, music, aesthetic theory. She is author of Musically Sublime (2007) and Literature and the Future of Writing (forthcoming), editor of Between and Screen (2009), Book Presence (forthcoming) and Literature and the Material Turn, a special issue of Comparative Literature (forthcoming). 5 A01 Rosemarie Buikema Rosemarie Buikema Professor of Art, Culture and Diversity 40 04pp8hn57 Utrecht University Rosemarie Buikema is Professor of Art, Culture and Diversity at Utrecht University. She chairs the UU Graduate Genderprogramme and is scientific director of the Netherlands Research School of Genderstudies (NOG). In that capacity she also co-ordinates the UU share in the Erasmus Mundus Master in Genderstudies GEMMA, the Horizon 2020 ITN Cultures of Equality (GRACE) and the annual international Summerschool in Genderstudies (NOISE). She has widely published in the field of feminist and postcolonial theory. Her latest publications are Doing Gender in Media Art and Culture (2017, ed. with L. Plate and K. Thiele) and Theories and Methodologies in Feminist Research (2011, ed. with G. Griffin and N. Lykke). Her forthcoming monograph Revolutions in Cultural Critique (2017) concerns the role of the arts in processes of political transitions. 6 A01 21 0000000246544666 Kári Driscoll Kári Driscoll Senior Lecturer 40 04ycpbx82 University of Westminster Kári Driscoll is a Lecturer in Comparative Literature at Utrecht University. He holds a PhD in German Language and Literature from Columbia University. His research focuses on the poetics of 8 animality (zoopoetics). He is author of Book Presence in a Digital Age (2017; ed. with K. Brillenburg-Wurth and J. Pressman), and of Memory after Humanism, a special issue of Parallax (2017, ed. with S. C. Knittel). 7 A01 21 0000000251743256 Yvonne Förster Yvonne Förster Professor for Philosophy of Culture and Art 40 02w2y2t16 Leuphana University of Lüneburg Yvonne Förster is Professor for Philosophy of Culture and Art at Leuphana University Lüneburg (Germany). Her research and publications focus on theories of embodiment, phenomenology, philosophical foundations of posthumanism, aesthetics and fashion theory. She published Experience and Ontology of Time. Perspectives of Modern Philosophy of Time (2012) and is currently working on the impact of neuroscience and technology as narratives of the post-postmodern era. 8 A01 Annemie Halsema Annemie Halsema Assistant Professor at the Department of Philosophy 40 008xxew50 VU Amsterdam Annemie Halsema is Assistant Professor at the Department of Philosophy of Vrije Universiteit Amsterdam. Her research interests are in the field of phenomenology, hermeneutics and feminist philosophy. She published two books on Luce Irigaray (Dialectiek van de seksuele differentie [1998]; Luce Irigaray and Horizontal Transcendence [2010]); a volume on Paul Ricoeur (Feminist Explorations of Paul Ricoeur’s Philosophy [2016, ed. with F. Henriques], and a volume in Dutch on Judith Butler (Genderturbulentie [2000]). 9 A01 Leonard Lawlor Leonard Lawlor Professor of Philosophy 40 04p491231 Pennsylvania State University Leonard Lawlor is Edwin Erle Sparks Professor of Philosophy at Penn State University, where he continues to teach and serve as Director of Graduate Studies in Philosophy. He is the author of seven books, among which are: This is not Sufficient: An Essay on Animality in Derrida (2007), and Derrida and Husserl: The Basic Problem of Phenomenology (2002). His most recent book is called From Violence to Speaking out (2016), published with Edinburgh University Press. 10 A01 21 000000018017784X Jacques Lezra Jacques Lezra Professor of Spanish and Comparative Literature 40 0190ak572 New York University Jacques Lezra is Professor of Spanish and Comparative Literature at New York University, and Professor of Hispanic Studies at the University of California – Riverside. His work straddles the fields of political philosophy and early modern literary studies. Lezra’s most recent books are Contra los fueros de la muerte: El suceso cervantino (2016), Lucretius and Modernity (2016), and Wild Materialism: The Ethic of Terror and the Modern Republic (2010). He is the co-translator into Spanish of Paul de Man’s Blindness and Insight, and the co-editor of Dictionary of Untranslatables (2014) and of Sebastián de Covarrubias’s ca. 1613 Suplemento al ‘Tesoro de la lengua …’ (2001). 11 A01 Sam McAuliffe Sam McAuliffe Lecturer 40 01khx4a30 Goldsmiths University of London Sam McAuliffe is a Lecturer in the Department of Visual Cultures at Goldsmiths, University of London. His teaching and research is chiefly devoted to modern European philosophy, in particular its intersection with modern and contemporary art and aesthetics. He has published articles on Adorno and Deleuze, and is currently working on his first monograph, a reading of Blanchot’s thesis: “speaking is not seeing.” 12 A01 Timothy O’Leary Timothy O’Leary Professor of Philosophy 40 02zhqgq86 University of Hong Kong Timothy O’Leary is Professor of Philosophy and Head of the School of Humanities at the University of Hong Kong. He has published extensively on the work of Michel Foucault, in particular in relation to ethics and literature. He has also edited several volumes and journal special issues on topics including Foucault, classical Chinese ethics, happiness, and Hong Kong’s Umbrella Movement. 13 A01 Bettina Papenburg Bettina Papenburg Assistant Professor 40 024z2rq82 Heinrich Heine University Düsseldorf Bettina Papenburg is Assistant Professor at the Institute of Media and Cultural Studies at Heinrich-Heine-University Düsseldorf, Germany. She teaches, researches and publishes on topics at the intersections of affect theory, theories of the body, feminist theory, science and technology studies, visual culture, and the grotesque. She was Marie Curie Postdoctoral Research Fellow (2009–2011) and Assistant Professor of Gender Studies (2011–2013) at the Department of Media and Culture Studies at Utrecht University, the Netherlands. 14 A01 21 0000000264322493 Esther Peeren Esther Peeren Associate Professor of Literary and Cultural Analysis 40 04dkp9463 University of Amsterdam Esther Peeren is Associate Professor of Literary and Cultural Analysis at the University of Amsterdam, Vice-Director of the Amsterdam School for Cultural Analysis (ASCA) and Vice-Director of the Amsterdam Center for Globalization Studies (ACGS). She is the author of The Spectral Metaphor: Living Ghosts and the Agency of Invisibility (2014) and Intersubjectivities and Popular Culture: Bakhtin and Beyond (2008), as well as the co-editor of Popular Ghosts: The Haunted Spaces of Everyday Culture (2010), The Spectralities Reader (2013) and Peripheral Visions in the Globalizing Present (2016). 15 A01 Asja Szafraniec Asja Szafraniec Lecturer 40 03dpjfc73 Amsterdam University College Asja Szafraniec teaches at Amsterdam University College. She is the author of Beckett, Derrida and the Event of Literature (2007) and Words. Religious Language Matters (2016, ed. with E. van den Hemel). Her research focuses on the relation between various strands of contemporary philosophy and a range of cultural phenomena. 16 A01 Melanie Sehgal Melanie Sehgal Professor of Literature, Science and Media Studies 40 02msan859 European University Viadrina Melanie Sehgal is holding a PhD in philosophy and is currently Professor of Literature, Science and Media Studies at European University Viadrina, Frankfurt (Oder). She is the author of Eine situierte Metaphysik. Empirismus und Spekulation bei William James und Alfred North Whitehead (2016). Together with artist Alex Martinis Roe she is leading the transdisciplinary and experimental working group FORMATIONS, exploring ways of knowing beyond modern habits of thought. 18 A01 Sybrandt van Keulen Sybrandt van Keulen Sybrandt van Keulen is philosopher, editor and independent researcher. He lectured at several Dutch institutes including the University of Amsterdam, the Jan van Eyck Academy (Maastricht), Frank Mohr Institute (Groningen), PhdArts (The Hague). His most recent publication is How Art and Philosophy work (Hoe kunst en filosofie werken [2014]). His PhD thesis appeared in 2005 entitled Kosmopolitieken (Cosmopolitics, according to Kant, Levi-Strauss and Derrida). 19 A01 Veronica Vasterling Veronica Vasterling Associate Professor Gender & Philosophy 40 016xsfp80 Radboud University, Nijmegen Veronica Vasterling is Associate Professor Gender & Philosophy at Radboud University, Nijmegen, the Netherlands. She has published widely on the work of Judith Butler and Hannah Arendt. She co-edited books on female philosophers from Antiquity to the present time (Vrouwelijke filosofen: Een historisch overzicht [2014]), on interdisciplinarity (Practising Interdisciplinarity in Gender Studies [2006]), and on feminist philosophy (Feministische Phänomenologie und Hermeneutik [2005]). 20 A01 21 0000000346670133 Jennifer A. Wagner-Lawlor Jennifer A. Wagner-Lawlor Associate Professor in Women’s, Gender, and Sexuality Studies and English 40 04p491231 Pennsylvania State University Jennifer A. Wagner-Lawlor is Associate Professor in Women’s, Gender, and Sexuality Studies and English at The Pennsylvania State University. Her most recent book is Postmodern Utopias and Feminist Fictions (2013), and her many essays range in topic from utopian literature and feminist aesthetics to environmental art and literature, focusing on the ecological impacts of plastic waste. Wagner-Lawlor currently serves as president of the international Society for Utopian Studies. 01 eng 00 272 03 04 AZ(20)-999 12 HP 10 PHI000000 93 QD 93 DSM 04 HM621-656 12 JFFS 10 LIT020000 93 GTQ 12 JF 10 POL033000 93 JB 12 TBX 93 TBX 20 technology; humanities; literature; globalization; politics; critical theory; critique 01 06 02 00 This book explores the future of critique in view of our planetary condition. How are we to intervene in contemporary constellations of finance capitalism, climate change and neoliberalism? Think we must! To get to the symptoms, the book’s 38 terms ranging from affect and affirmation to world and work provide the reader with a critical toolbo 03 00 This book explores the future of critique in view of our planetary condition. How are we to intervene in contemporary constellations of finance capitalism, climate change and neoliberalism? Think we must! To get to the symptoms, the book’s 38 terms ranging from affect and affirmation to world and work provide the reader with a critical toolbox to be continued. Negativity, judgment and opposition as modes of critique have run out of steam. Critique as an attitude and a manner of enquiry has not. 30 00 This book explores the future of critique in view of our planetary condition. How are we to intervene in contemporary constellations of finance capitalism, climate change and neoliberalism? Think we must! To get to the symptoms, the book’s 38 terms ranging from affect and affirmation to world and work provide the reader with a critical toolbox to be continued. Negativity, judgment and opposition as modes of critique have run out of steam. Critique as an attitude and a manner of enquiry has not. 20 00 Open Access 01 00 03 02 This is the cover of the book Symptoms of the Planetary Condition. 02 https://meson.press/wp-content/uploads/2017/01/978-3-95796-086-3_Symptoms_COVER.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/symptoms-of-the-planetary-condition Lüneburg 04 01 20170102 Mercedes Bunz, Birgit Mara Kaiser, Kathrin Thiele 02 WORLD 06 15 9783957960863 03 9783957960863 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/symptoms-of-the-planetary-condition 20 08 20170102 01 urn:uuid:2febb42f-05ae-4704-94e3-f71ffc117db2 03 01 01 thoth-work-id urn:uuid:4ceae956-a5a3-43a5-96a7-ae87f0cb1b21 01 thoth-publication-id urn:uuid:2febb42f-05ae-4704-94e3-f71ffc117db2 15 9783957960863 03 9783957960863 06 10.14619/018 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Symptoms of the Planetary Condition A Critical Vocabulary 1 B01 21 0000000328760522 Mercedes Bunz Mercedes Bunz Senior Lecturer 40 04ycpbx82 University of Westminster Mercedes Bunz is Senior Lecturer at the University of Westminster, London where she teaches media studies and journalism. Her work combines technology and digital media, philosophy, and publishing. Her most recent book is The Silent Revolution: How Digitalization Transforms Knowledge, Work, Journalism and Politics without Making Too Much Noise (2014). She is co-founder of the open access publishing house meson press. From 2009–2010 she was the technology reporter of The Guardian. 06 Own website https://mercedesbunz.net/ 2 B01 Birgit Mara Kaiser Birgit Mara Kaiser Associate Professor of Comparative Literature and Transcultural Aesthetics 40 04pp8hn57 Utrecht University Birgit Mara Kaiser is Associate Professor of Comparative Literature and Transcultural Aesthetics at Utrecht University. Her research interests are aesthetics and affect, Deleuzian and (new) materialist literary criticism, postcolonial and transnational literature. Recent publications include Figures of Simplicity. Sensation and Thinking in Kleist and Melville (2011), Postcolonial Literatures and Deleuze (2012, ed. with L. Burns), “Diffracted Worlds – Diffractive Readings: Onto-Epistemologies and the Critical Humanities” Parallax (2014, ed. with K. Thiele), Singularity and Transnational Poetics (2015, ed.). She currently works on a book project on Cixous, Guattari and the production of subjectivity. With K. Thiele, she is founder and coordinator of Terra Critica. 3 B01 Kathrin Thiele Kathrin Thiele Professor in Gender Studies and Critical Theory 40 04pp8hn57 Utrecht University Kathrin Thiele is Associate Professor in Gender Studies and 271 Critical Theory at Utrecht University. Her research expertise lies in feminist and continental philosophies, theories of difference(s), and posthuman(ist) studies. Most recently she edited “Diffracted Worlds – Diffractive Readings: Onto-Epistemologies and the Critical Humanities” Parallax (2014, ed. with B. M. Kaiser), Doing Gender in Medien-, Kunst- und Kulturwissenschaften: Eine Einführung (2016, ed. with R. Buikema) and Doing Gender in Media, Art and Culture: A Comprehensive Guide to Gender Studies (2017, ed. with R. Buikema and L. Plate). With B. M. Kaiser, she is founder and coordinator of Terra Critica. 4 A01 Kiene Brillenburg Wurth Kiene Brillenburg Wurth Professor of Literature and Comparative Media 40 04pp8hn57 Utrecht University Kiene Brillenburg Wurth is Professor of Literature and Comparative Media at Utrecht University. Kiene works on literature and (new) media, music, aesthetic theory. She is author of Musically Sublime (2007) and Literature and the Future of Writing (forthcoming), editor of Between and Screen (2009), Book Presence (forthcoming) and Literature and the Material Turn, a special issue of Comparative Literature (forthcoming). 5 A01 Rosemarie Buikema Rosemarie Buikema Professor of Art, Culture and Diversity 40 04pp8hn57 Utrecht University Rosemarie Buikema is Professor of Art, Culture and Diversity at Utrecht University. She chairs the UU Graduate Genderprogramme and is scientific director of the Netherlands Research School of Genderstudies (NOG). In that capacity she also co-ordinates the UU share in the Erasmus Mundus Master in Genderstudies GEMMA, the Horizon 2020 ITN Cultures of Equality (GRACE) and the annual international Summerschool in Genderstudies (NOISE). She has widely published in the field of feminist and postcolonial theory. Her latest publications are Doing Gender in Media Art and Culture (2017, ed. with L. Plate and K. Thiele) and Theories and Methodologies in Feminist Research (2011, ed. with G. Griffin and N. Lykke). Her forthcoming monograph Revolutions in Cultural Critique (2017) concerns the role of the arts in processes of political transitions. 6 A01 21 0000000246544666 Kári Driscoll Kári Driscoll Senior Lecturer 40 04ycpbx82 University of Westminster Kári Driscoll is a Lecturer in Comparative Literature at Utrecht University. He holds a PhD in German Language and Literature from Columbia University. His research focuses on the poetics of 8 animality (zoopoetics). He is author of Book Presence in a Digital Age (2017; ed. with K. Brillenburg-Wurth and J. Pressman), and of Memory after Humanism, a special issue of Parallax (2017, ed. with S. C. Knittel). 7 A01 21 0000000251743256 Yvonne Förster Yvonne Förster Professor for Philosophy of Culture and Art 40 02w2y2t16 Leuphana University of Lüneburg Yvonne Förster is Professor for Philosophy of Culture and Art at Leuphana University Lüneburg (Germany). Her research and publications focus on theories of embodiment, phenomenology, philosophical foundations of posthumanism, aesthetics and fashion theory. She published Experience and Ontology of Time. Perspectives of Modern Philosophy of Time (2012) and is currently working on the impact of neuroscience and technology as narratives of the post-postmodern era. 8 A01 Annemie Halsema Annemie Halsema Assistant Professor at the Department of Philosophy 40 008xxew50 VU Amsterdam Annemie Halsema is Assistant Professor at the Department of Philosophy of Vrije Universiteit Amsterdam. Her research interests are in the field of phenomenology, hermeneutics and feminist philosophy. She published two books on Luce Irigaray (Dialectiek van de seksuele differentie [1998]; Luce Irigaray and Horizontal Transcendence [2010]); a volume on Paul Ricoeur (Feminist Explorations of Paul Ricoeur’s Philosophy [2016, ed. with F. Henriques], and a volume in Dutch on Judith Butler (Genderturbulentie [2000]). 9 A01 Leonard Lawlor Leonard Lawlor Professor of Philosophy 40 04p491231 Pennsylvania State University Leonard Lawlor is Edwin Erle Sparks Professor of Philosophy at Penn State University, where he continues to teach and serve as Director of Graduate Studies in Philosophy. He is the author of seven books, among which are: This is not Sufficient: An Essay on Animality in Derrida (2007), and Derrida and Husserl: The Basic Problem of Phenomenology (2002). His most recent book is called From Violence to Speaking out (2016), published with Edinburgh University Press. 10 A01 21 000000018017784X Jacques Lezra Jacques Lezra Professor of Spanish and Comparative Literature 40 0190ak572 New York University Jacques Lezra is Professor of Spanish and Comparative Literature at New York University, and Professor of Hispanic Studies at the University of California – Riverside. His work straddles the fields of political philosophy and early modern literary studies. Lezra’s most recent books are Contra los fueros de la muerte: El suceso cervantino (2016), Lucretius and Modernity (2016), and Wild Materialism: The Ethic of Terror and the Modern Republic (2010). He is the co-translator into Spanish of Paul de Man’s Blindness and Insight, and the co-editor of Dictionary of Untranslatables (2014) and of Sebastián de Covarrubias’s ca. 1613 Suplemento al ‘Tesoro de la lengua …’ (2001). 11 A01 Sam McAuliffe Sam McAuliffe Lecturer 40 01khx4a30 Goldsmiths University of London Sam McAuliffe is a Lecturer in the Department of Visual Cultures at Goldsmiths, University of London. His teaching and research is chiefly devoted to modern European philosophy, in particular its intersection with modern and contemporary art and aesthetics. He has published articles on Adorno and Deleuze, and is currently working on his first monograph, a reading of Blanchot’s thesis: “speaking is not seeing.” 12 A01 Timothy O’Leary Timothy O’Leary Professor of Philosophy 40 02zhqgq86 University of Hong Kong Timothy O’Leary is Professor of Philosophy and Head of the School of Humanities at the University of Hong Kong. He has published extensively on the work of Michel Foucault, in particular in relation to ethics and literature. He has also edited several volumes and journal special issues on topics including Foucault, classical Chinese ethics, happiness, and Hong Kong’s Umbrella Movement. 13 A01 Bettina Papenburg Bettina Papenburg Assistant Professor 40 024z2rq82 Heinrich Heine University Düsseldorf Bettina Papenburg is Assistant Professor at the Institute of Media and Cultural Studies at Heinrich-Heine-University Düsseldorf, Germany. She teaches, researches and publishes on topics at the intersections of affect theory, theories of the body, feminist theory, science and technology studies, visual culture, and the grotesque. She was Marie Curie Postdoctoral Research Fellow (2009–2011) and Assistant Professor of Gender Studies (2011–2013) at the Department of Media and Culture Studies at Utrecht University, the Netherlands. 14 A01 21 0000000264322493 Esther Peeren Esther Peeren Associate Professor of Literary and Cultural Analysis 40 04dkp9463 University of Amsterdam Esther Peeren is Associate Professor of Literary and Cultural Analysis at the University of Amsterdam, Vice-Director of the Amsterdam School for Cultural Analysis (ASCA) and Vice-Director of the Amsterdam Center for Globalization Studies (ACGS). She is the author of The Spectral Metaphor: Living Ghosts and the Agency of Invisibility (2014) and Intersubjectivities and Popular Culture: Bakhtin and Beyond (2008), as well as the co-editor of Popular Ghosts: The Haunted Spaces of Everyday Culture (2010), The Spectralities Reader (2013) and Peripheral Visions in the Globalizing Present (2016). 15 A01 Asja Szafraniec Asja Szafraniec Lecturer 40 03dpjfc73 Amsterdam University College Asja Szafraniec teaches at Amsterdam University College. She is the author of Beckett, Derrida and the Event of Literature (2007) and Words. Religious Language Matters (2016, ed. with E. van den Hemel). Her research focuses on the relation between various strands of contemporary philosophy and a range of cultural phenomena. 16 A01 Melanie Sehgal Melanie Sehgal Professor of Literature, Science and Media Studies 40 02msan859 European University Viadrina Melanie Sehgal is holding a PhD in philosophy and is currently Professor of Literature, Science and Media Studies at European University Viadrina, Frankfurt (Oder). She is the author of Eine situierte Metaphysik. Empirismus und Spekulation bei William James und Alfred North Whitehead (2016). Together with artist Alex Martinis Roe she is leading the transdisciplinary and experimental working group FORMATIONS, exploring ways of knowing beyond modern habits of thought. 18 A01 Sybrandt van Keulen Sybrandt van Keulen Sybrandt van Keulen is philosopher, editor and independent researcher. He lectured at several Dutch institutes including the University of Amsterdam, the Jan van Eyck Academy (Maastricht), Frank Mohr Institute (Groningen), PhdArts (The Hague). His most recent publication is How Art and Philosophy work (Hoe kunst en filosofie werken [2014]). His PhD thesis appeared in 2005 entitled Kosmopolitieken (Cosmopolitics, according to Kant, Levi-Strauss and Derrida). 19 A01 Veronica Vasterling Veronica Vasterling Associate Professor Gender & Philosophy 40 016xsfp80 Radboud University, Nijmegen Veronica Vasterling is Associate Professor Gender & Philosophy at Radboud University, Nijmegen, the Netherlands. She has published widely on the work of Judith Butler and Hannah Arendt. She co-edited books on female philosophers from Antiquity to the present time (Vrouwelijke filosofen: Een historisch overzicht [2014]), on interdisciplinarity (Practising Interdisciplinarity in Gender Studies [2006]), and on feminist philosophy (Feministische Phänomenologie und Hermeneutik [2005]). 20 A01 21 0000000346670133 Jennifer A. Wagner-Lawlor Jennifer A. Wagner-Lawlor Associate Professor in Women’s, Gender, and Sexuality Studies and English 40 04p491231 Pennsylvania State University Jennifer A. Wagner-Lawlor is Associate Professor in Women’s, Gender, and Sexuality Studies and English at The Pennsylvania State University. Her most recent book is Postmodern Utopias and Feminist Fictions (2013), and her many essays range in topic from utopian literature and feminist aesthetics to environmental art and literature, focusing on the ecological impacts of plastic waste. Wagner-Lawlor currently serves as president of the international Society for Utopian Studies. 01 eng 00 272 03 04 AZ(20)-999 12 HP 10 PHI000000 93 QD 93 DSM 04 HM621-656 12 JFFS 10 LIT020000 93 GTQ 12 JF 10 POL033000 93 JB 12 TBX 93 TBX 20 technology; humanities; literature; globalization; politics; critical theory; critique 01 06 02 00 This book explores the future of critique in view of our planetary condition. How are we to intervene in contemporary constellations of finance capitalism, climate change and neoliberalism? Think we must! To get to the symptoms, the book’s 38 terms ranging from affect and affirmation to world and work provide the reader with a critical toolbo 03 00 This book explores the future of critique in view of our planetary condition. How are we to intervene in contemporary constellations of finance capitalism, climate change and neoliberalism? Think we must! To get to the symptoms, the book’s 38 terms ranging from affect and affirmation to world and work provide the reader with a critical toolbox to be continued. Negativity, judgment and opposition as modes of critique have run out of steam. Critique as an attitude and a manner of enquiry has not. 30 00 This book explores the future of critique in view of our planetary condition. How are we to intervene in contemporary constellations of finance capitalism, climate change and neoliberalism? Think we must! To get to the symptoms, the book’s 38 terms ranging from affect and affirmation to world and work provide the reader with a critical toolbox to be continued. Negativity, judgment and opposition as modes of critique have run out of steam. Critique as an attitude and a manner of enquiry has not. 20 00 Open Access 01 00 03 02 This is the cover of the book Symptoms of the Planetary Condition. 02 https://meson.press/wp-content/uploads/2017/01/978-3-95796-086-3_Symptoms_COVER.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/symptoms-of-the-planetary-condition Lüneburg 04 01 20170102 Mercedes Bunz, Birgit Mara Kaiser, Kathrin Thiele 02 WORLD 06 15 9783957960856 03 9783957960856 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37563 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37563/978-3-95796-086-3_Symptoms.pdf 20 08 20170102 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/symptoms-of-the-planetary-condition 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2017/01/978-3-95796-086-3_Symptoms.pdf 20 08 20170102 01 urn:uuid:b5d285bc-10f3-4a2d-b663-618b6c2e5310 03 01 01 thoth-work-id urn:uuid:97e922ea-d70c-477d-8ef1-30254b8bfaa3 01 thoth-publication-id urn:uuid:b5d285bc-10f3-4a2d-b663-618b6c2e5310 15 9783957962225 03 9783957962225 06 10.14619/2225 00 BC 10 01 220 mm 01 22 cm 01 8.66 in 02 155 mm 02 15.5 cm 02 6.1 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Szenen kritischer Relationalität 1 B01 Charlotte Bolwin Charlotte Bolwin Wissenschaftliche Mitarbeiterin 40 033bb5z47 Bauhaus University, Weimar Charlotte Bolwin ist wissenschaftliche Mitarbeiterin am Lehrstuhl für Digitale Kulturen der Bauhaus-Universität Weimar und Doktorandin am DFG-Graduiertenkolleg Medienanthropologie. Sie studierte Kultur- und Literaturwissenschaft sowie Mediensoziologie in Berlin und Paris und war studentische Mitarbeiterin am Exzellenzcluster Bild Wissen Gestaltung und am Lehrstuhl für Kultur- und Technikgeschichte am Institut für Kulturwissenschaft der Humboldt-Universität zu Berlin. In ihrem Dissertationsprojekt untersucht sie die Bedeutung und Transformation von Materialität und materiellen Relationen in den techno/ästhetischen Gefügen digitaler Medienkunst. Ihre Forschungsinteressen umfassen Technikphilosophie, Kunsttheorie und Medienästhetik, (Medien-)ökologie und Neue Materialismen. 2 B01 Jasmin Degeling Jasmin Degeling Wissenschaftliche Mitarbeiterin 40 058kzsd48 Paderborn University Jasmin Degeling ist wissenschaftliche Mitarbeiter:in am Institut für Medienwissenschaft der Universität Paderborn sowie als PostDoc am DFG-Graduiertenkolleg Medienanthropologie an der Bauhaus-Universität Weimar assoziiert. Nach dem Studium der Theater- und Literaturwissenschaft und Gender Studies in Bochum und Paris X hat Jasmin die Promotion zu Medien der Sorge (Büchner, 2021) im PhD-Net Das Wissen der Literatur (HU Berlin) begonnen und im Fach Medienwissenschaft in Bochum 2019 abgeschlossen. Jasmin war Visiting Scholar am German Department/ UC Berkeley (2014) und Mitglied des Kooperationsnetzwerks Queer Temporalities and Media Aesthetic (RUB/Northwestern University/Illinois, 2016-2018) sowie Co-Sprecher:in der AG Gender und Queer Studies der GfM. Arbeitsschwerpunkte sind Medien der Sorge, Gender und Queer Studies, Biopolitik, Politische Affekte sowie Digitaler Faschismus. Aktuell arbeitet Jasmin an einem zweiten Buch zu zeitgenössischem Faschismus und der Differentialität post/digitaler Empfindungskulturen. 3 B01 Gabriel Geffert Gabriel Geffert Wissenschaftlicher Mitarbeiter 40 033bb5z47 Bauhaus University, Weimar Gabriel Geffert studierte Kunstgeschichte sowie Literatur- und Kulturwissenschaften an der Technischen Universität Dresden und der Université Sorbonne Paris IV. Nachdem er sein durch das Deutschlandstipendium gefördertes Studium ausgezeichnet mit der Victor-Klemperer-Urkunde der Technischen Universität Dresden abgeschlossen hatte, arbeitete er primär als freier Mitarbeiter des Archivs der Avantgarden (Staatliche Kunstsammlungen Dresden) im Projekt Digitalisierung und Neustrukturierung der Sammlung Egidio Marzona. Aktuell ist er wissenschaftlicher Mitarbeiter am DFGGraduiertenkolleg Medienanthropologie an der Bauhaus-Universität Weimar und promoviert in diesem Rahmen zum Topos des Films als Rausch. 4 B01 Martin Kallmeyer Martin Kallmeyer Wissenschaftlicher Mitarbeiter 40 033bb5z47 Bauhaus University, Weimar Martin Kallmeyer ist wissenschaftlicher Mitarbeiter am DFGGraduiertenkolleg Medienanthropologie an der Bauhaus-Universität Weimar. Er studierte Sozialwissenschaften und Gender Studies in Hannover, Bielefeld und Berlin und war wissenschaftlicher Mitarbeiter im Bereich Gender & Science der Humboldt-Universität zu Berlin, Stipendiat des Exzellenzclusters “Bild Wissen Gestaltung” und Elsa- Neumann-Stipendiat des Landes Berlin. Seine Forschung zu “experimental medianatures” befasst sich mit den biodigitalen Operationsketten und Relationierungsweisen biotechnischer Experimente. 5 B01 Gereon Rahnfeld Gereon Rahnfeld Wissenschaftlicher Mitarbeiter 40 033bb5z47 Bauhaus University, Weimar Gereon Rahnfeld ist wissenschaftlicher Mitarbeiter und Doktorand an der Bauhaus-Universität Weimar und forscht zu den Themen Expert:innen und Expertise im Bereich der Wissenssoziologie und der STS. Bevor er Teil des DFG-Graduiertenkollegs Medienanthropologie wurde, arbeitete er für den Verein Liquid Democracy. Er studierte Rechtswissenschaft, Kulturwissenschaften und European Studies in Hamburg, Prag, Leipzig und London. 6 B01 Nathalie Schäfer Nathalie Schäfer Wissenschaftlicher Mitarbeiterin 40 033bb5z47 Bauhaus University, Weimar Nathalie Schäfer ist wissenschaftliche Mitarbeiterin und Doktorandin am DFG-Graduiertenkolleg Medienanthropologie an der Bauhaus-Universität Weimar. Sie studierte Kunst, Musik und Medien (B.A.) an der Philipps-Universität Marburg und der Université de Poitiers. Im Anschluss erfolgte das trinationale Masterstudium European Film and Media Studies als Stipendiatin der DFH an der Université Lumière Lyon II, der Bauhaus-Universität Weimar und der Universiteit Utrecht (2019). Seit 2020 arbeitet sie an ihrer Dissertation zu Fame Enhancing Bots, in der sie eine Beschreibung der Praktik des Bottings als medienanthropologische Szene offeriert, die verschränkte Existenzweisen von Botter:innen und Algorithmen aufdeckt und die Plattform Instagram als digitales Milieu oder virtuelle Lebenswelt sowie Prozesse und Operationen analysiert, die durch die digitale Infrastruktur der Plattform die Potentialität für diese Existenzweise bereit stellen. Siehe: http://nathalieschaefer.de 7 B01 Katia Schwerzmann Katia Schwerzmann Wissenschaftliche Mitarbeiterin 40 04tsk2644 Ruhr University Bochum Katia Schwerzmann ist Philosophin. Nachdem sie ihr Studium in Philosophie, Romanistik und Germanistik an der Université de Lausanne absolvierte, promovierte sie 2016 an der Freien Universität Berlin in Philosophie mit der Arbeit Theorie des graphischen Feldes (Diaphanes, 2020). Sie ist derzeit wissenschaftliche Mitarbeiterin im Projekt Interact! an der Ruhr-Universität Bochum. Davor war sie Postdoktorandin am DFG-Graduiertenkolleg Medienanthropologie an der Bauhaus-Universität Weimar. Von 2017 bis 2020 war sie Visiting Scholar an der University of Pennsylvania, UC Santa Cruz und Duke University. Sie schreibt derzeit ihre zweite Monografie, Toward a Hauntology of Touch, in der sie anhand des Begriffs der Berührung kulturtechnische Operationen erkundet, die den Kontakt zwischen Körpern gestalten und Formen der Sozialität bestimmen, die von Unterwerfung, Ausbeutung und Enteignung geprägt sind. In diesen Überlegungen spielt die aktuelle algorithmische Rationalität eine zentrale Rolle. 8 A01 21 0000000328757040 Rémy Bocquillon Rémy Bocquillon Wissenschaftlicher Mitarbeiter 40 00mx91s63 Catholic University of Eichstätt-Ingolstadt Rémy Bocquillon ist wissenschaftlicher Mitarbeiter am Lehrstuhl für allgemeine Soziologie und soziologische Theorien der Katholischen Universität Eichstätt-Ingolstadt. Seine Forschung befasst sich mit der Untersuchung epistemischer Praktiken als Verschmelzung künstlerischer, wissenschaftlicher und philosophischer Praxis, insbesondere durch Klang. Zuletzt erschienen ist seine Monografie mit dem Titel Sound Formations: Towards a sociological thinking-with sounds beim transcript-Verlag. 9 A01 Jakob Claus Jakob Claus Wissenschaftlicher Mitarbeiter 40 033n9gh91 University of Oldenburg Jakob Claus ist wissenschaftlicher Mitarbeiter am Institut für Kunst und visuelle Kultur an der Carl von Ossietzky Universität Oldenburg. Er hat an der Humboldt Universität zu Berlin, dem Goldsmiths College in London und der Leuphana Universität Lüneburg Kultur- und Medienwissenschaft studiert. In seinem Dissertationsprojekt arbeitet er zu kolonialen Medienkonstellationen im Kontext deutscher Kolonialethnografie um 1900 mit Fokus auf Wissensproduktion sowie dekolonialen Ansätzen im Umgang mit Archivquellen. Seit 2018 ist er zudem Mitglied des Theorie-Kollektivs texture. 10 A01 Astrid Deuber-Mankowsky Astrid Deuber-Mankowsky Professorin emerita für Medienwissenschaft und Gender Studies 40 04tsk2644 Ruhr University Bochum Astrid Deuber-Mankowsky ist Professorin emerita für Medienwissenschaft und Gender Studies an der Ruhr-Universität Bochum. Sie nahm Gastprofessuren am Centre d’études du vivant, Université Paris VII (2007) sowie an der Columbia University (2012, 2017) und der Northwestern University (2023) wahr und war Senior Fellow am IKKM Weimar (2013) und Fellow am DFG-Graduiertenkolleg Medienanthropologie an der Bauhaus- Universität Weimar (2022). Sie ist außerdem assoziiertes Mitglied des ICI Berlin, externes Mitglied des Centre for Philosophy and Critical Thought (Goldsmiths University of London) und Sprecherin des wissenschaftlichen Beirats des Deutschen Historischen Museums. 11 A01 Lorenz Engell Lorenz Engell Professor für Medienphilosophie 40 033bb5z47 Bauhaus University, Weimar Lorenz Engell ist Film- und Fernsehwissenschaftler und Professor für Medienphilosophie an der Bauhaus-Universität Weimar. Von 2008 bis 2020 war er Direktor (zus. mit Bernhard Siegert) des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie (Käte Hamburger Kolleg – IKKM). Ausgewählte Publikationen: Das Schaltbild (Konstanz 2021); Fernsehtheorie zur Einführung (Hamburg, 2012); Playtime. Münchener Film- Vorlesungen (Konstanz, 2010); Bilder der Endlichkeit (Weimar, 2005); Bilder des Wandels (Weimar, 2003). Mitherausgeber unter anderem der Reihe „Film Denken“ (seit 2013), der Zeitschrift für Medien- und Kulturforschung (ZMK, seit 2009), des Archivs für Mediengeschichte (2000–2010) und des Kursbuchs Medienkultur (1998). 12 A01 Lorenzo Gineprini Lorenzo Gineprini wissenschaftlicher Mitarbeiter 40 033bb5z47 Bauhaus University, Weimar Lorenzo Gineprini studierte Philosophie an der Università degli Studi di Torino, an der Eberhard Karls Universität Tübingen und an der Freien Universität in Berlin. Er ist wissenschaftlicher Mitarbeiter am DFG-Graduiertenkolleg Medienanthropologie an der Bauhaus-Universität Weimar. Sein Dissertationsprojekt beschäftigt sich mit medialen Formen der Erzeugung, Verdrängung und künstlerischen Sichtbarmachung von Abfall. Die Ergebnisse seiner Forschung in der philosophischen Ästhetik wurden in verschiedenen Konferenzen und Zeitschriften (z.B. Agalma, Bildwelten des Wissens, Open Philosophy) diskutiert. 13 A01 Philipp Hohmann Philipp Hohmann wissenschaftlicher Mitarbeiter 40 04tsk2644 Ruhr University Bochum Philipp Hohmann ist seit 2019 wissenschaftlicher Mitarbeiter am DFGGraduiertenkolleg Das Dokumentarische. Exzess und Entzug an der Ruhr- Universität Bochum. An der Ruhr-Universität hat er Theaterwissenschaft, Gender Studies, Szenische Forschung und Wirtschaftswissenschaft studiert. Philipp Hohmann forscht zu queeren Kunst- und Medienpraktiken zwischen Performance, Film- und Medienkunst, zu deren ästhetischepistemischen Wirksamkeit und Fragen queerer Kollektivität. Weitere Forschungsinteressen: Gender/Queer Media Studies, Queere Zeitlichkeiten und Archive, (dokumentarische) Medialisierung von Performance, insbesondere Scores. Philipp Hohmann war Teil des Performance Kollektivs dorisdean. 14 A01 Eva Krivanec Eva Krivanec Juniorprofessorin für Europäische Medienkultur 40 033bb5z47 Bauhaus University, Weimar Eva Krivanec ist Juniorprofessorin für Europäische Medienkultur an der Bauhaus-Universität Weimar. Ihre Forschungsschwerpunkte umfassen: Geschichte der europäischen Populärkultur im 19. und 20. Jahrhundert; Geschichte der historischen Avantgarden: Theater, Tanz, Film, Kunst; Bauhaus und Film: Abstraktion und Dokumentation; Bühnenkunst und Intermedialität; Theater und Krieg; Theater und Revolution; Theater und Zensur; Relationen von Medialität und Körper, Stimme, Sinneswahrnehmung. Sie ist Programmbeauftragte des DFG-finanzierten binationalen BA-Studiengangs „Europäische Medienkultur” in Kooperation mit der Université Lumière Lyon 2 und Antragstellerin des im Sommersemester 2020 eingerichteten DFG-Graduiertenkollegs Medienanthropologie an der Bauhaus-Universität Weimar. 15 A01 Irina Raskin Irina Raskin wissenschaftliche Mitarbeiterin 40 03aft2f80 Braunschweig University of Art Irina Raskin ist zurzeit wissenschaftliche Mitarbeiterin am Institut für Medienwissenschaft der HBK Braunschweig und war zuvor am DFGGraduiertenkolleg Das Wissen der Künste an der UdK Berlin (2018-2021) tätig. In ihrer Dissertation mit dem Arbeitstitel Medienökologien des Sinnens beschäftigt sie sich mit Praktiken und Diskursen des Computing. Sie studierte Medien- und Kulturwissenschaft an der Heinrich-Heine-Universität Düsseldorf, hat währenddessen Radio gemacht und Tanzperformances organisiert. Im Anschluss an ein Volontariat an der Kunsthalle Düsseldorf hat sie bis 2018 als freischaffende Kuratorin, kuratorische Assistentin und Kunstvermittlerin u.a. mit den Kunstmuseen Krefeld und dem Museum Abteilberg Mönchengladbach zusammengearbeitet. 16 B01 Maximilian Rünker Maximilian Rünker Kollegiat 40 033bb5z47 Bauhaus University, Weimar Maximilian Rünker ist Kollegiat am DFG-Graduiertenkolleg Medienanthropologie an der Bauhaus-Universität Weimar sowie wissenschaftlicher Mitarbeiter der dortigen Professur Verkehrssystemplanung. Zuvor erhielt er das Promotionsstipendium der Thüringer Graduiertenförderung. Studienund Konferenzreisen führten ihn nach England und Portugal. Forschungsinteressen: Medientheorie der Einverleibung, Verkehrsforschung, Theorien des Raums. 17 A01 21 0000000345324159 Julia Schade Julia Schade wissenschaftliche Mitarbeiterin 40 04tsk2644 Ruhr University Bochum Julia Schade ist wissenschaftliche Mitarbeiterin am Institut für Medienwissenschaft an der Ruhr-Universität Bochum. Sie promovierte in Theaterwissenschaft an der Goethe Universität Frankfurt mit der Arbeit Unzeit: Widerständige Zeitlichkeiten in Performance, Kunst, Theorie (Berlin: Neofelis 2024), die mit dem WISAG-Preis 2021 ausgezeichnet wurde. Derzeit arbeitet sie an einem Projekt mit dem Titel Das Ozeanische als Critical Fabulation: Darstellungspraktiken zwischen Diaspora, Dekolonisierung und Relationalität. Neben ihrer wissenschaftlichen Tätigkeit arbeitet sie dramaturgisch, u.a. mit der Künstlerin Eva Meyer-Keller. 18 A01 Martin Siegler Martin Siegler wissenschaftlicher Mitarbeiter 40 033bb5z47 Bauhaus University, Weimar Martin Siegler ist wissenschaftlicher Mitarbeiter (Post-Doc) an der Professur für Medienphilosophie an der Bauhaus-Universität Weimar. Er hat Filmwissenschaft und Publizistik an der Johannes Gutenberg-Universität Mainz sowie Medienkulturwissenschaft an der Bauhaus-Universität Weimar studiert. Nach seinem Studium war er Promotionsstipendiat am Kompetenzzentrum Medienanthropologie der Bauhaus-Universität Weimar mit einer Dissertation über Lebenszeichen in Not- und Katastrophenfällen, die 2023 unter dem Titel SOS. Medien des Überlebens erschienen ist (ausgezeichnet mit dem Deutschen Studienpreis der Körberstiftung und dem Hochschulpreis der Bauhaus-Universität Weimar). 19 A01 Christiane Voss Christiane Voss Professorin für Philosophie audiovisueller Medien/Medienphilosophie 40 033bb5z47 Bauhaus University, Weimar Christiane Voss ist seit 2010 Professorin für Philosophie audiovisueller Medien/Medienphilosophie an der Bauhaus-Universität Weimar. Ihre Forschungsschwerpunkte sind: Philosophische Emotions- und Affektforschung; Philosophische Ästhetik; Medien- und Filmphilosophie; (Medien-)Anthropologie. 2012-2015 war sie Mitglied im Universitätsrat. 2015-2019 war sie Sprecherin der Pro-Exzellenzinitiative Kompetenzzentrum Medienanthropologie an der Bauhaus-Universität Weimar. Von 2014-2019 war sie Projektleiterin in der DFG-Forschungsgruppe Medien und Mimesis. Von 2015-2018 war sie Vizepräsidentin der Deutschen Gesellschaft für Ästhetik. Seit 2019 ist sie Sprecherin des DFG-Graduiertenkollegs Medienanthropologie an der Bauhaus-Universität Weimar. 20 A01 Max Walther Max Walther wissenschaftlicher Mitarbeiter 40 033bb5z47 Bauhaus University, Weimar Max Walther hat Literaturwissenschaft und Geschichtswissenschaft an der Universität Erfurt und der Université Lille III studiert. In diesem Rahmen arbeitete er als studentische Hilfskraft am IKKM Weimar sowie bei der Laborgruppe Kulturtechniken der Universitäten Weimar und Erfurt und organisierte und kuratierte zahlreiche Literaturveranstaltungen in Erfurt, Lille, Leipzig und Berlin. Aktuell ist Max Walther wissenschaftlicher Mitarbeiter am DFG-Graduiertenkolleg Medienanthropologie an der Bauhaus- Universität Weimar und forscht in diesem Rahmen an einem Projekt zu Simone Weil, Chris Kraus, Kathy Acker und Annie Ernaux. 21 A01 Shirin Weigelt Shirin Weigelt Doktorandin 40 033bb5z47 Bauhaus University, Weimar Shirin Weigelt hat Philosophie in Berlin und Paris studiert. Seit 2020 promoviert sie am DFG-Graduiertenkolleg Medienanthropologie an der Bauhaus-Universität Weimar. Ihr Projekt trägt den Arbeitstitel Digitales Berühren. Eine medienphilosophische Studie der Gefüge aus Mensch, Maschine und Programm. Ihr Forschungsschwerpunkt liegt auf phänomenbasierten Analysen mit machttheoretischem Indexsowie auf philosophischer Begriffs- und Diskursgeschichte. Neben digitaler Medialität gilt ihr Interesse der (post)modernen französischen Philosophie, Neuen Materialismen und Mystik. Seit 2023 lehrt sie Philosophie an der Kunsthochschule Burg Giebichenstein in Halle (Saale). 01 ger 00 256 03 93 JBCT 04 P87-96 10 SOC052000 10 PHI000000 93 QD 20 Medien; Relationalität; Kritik 01 06 02 00 Kritische Relationalität interveniert in Ordnungen des Denkens, die Kritik als Operation des Trennens und Auseinanderhaltens entworfen und damit die modernen Dualismen von Menschlichem und Nicht-Menschlichem, Subjekten und Objekten, Organischem und Technischem, Natur und Kultur geprägt haben. Ausgehend von multiplen, verschränkten Krisen such 03 00 Kritische Relationalität interveniert in Ordnungen des Denkens, die Kritik als Operation des Trennens und Auseinanderhaltens entworfen und damit die modernen Dualismen von Menschlichem und Nicht-Menschlichem, Subjekten und Objekten, Organischem und Technischem, Natur und Kultur geprägt haben. Ausgehend von multiplen, verschränkten Krisen suchen die Beiträge dieses Bandes konkrete Szenen auf, in denen das kritische Potenzial von Verbindungen und Verstrickungen anschaulich wird. Das Ausloten von Relationalität wird dabei zu einem analytischen Modus, der für die Produktivität von Verbindungen sensibilisiert und zugleich ihre differenziellen Dimensionen anerkennt. 30 00 Kritische Relationalität interveniert in Ordnungen des Denkens, die Kritik als Operation des Trennens und Auseinanderhaltens entworfen und damit die modernen Dualismen von Menschlichem und Nicht-Menschlichem, Subjekten und Objekten, Organischem und Technischem, Natur und Kultur geprägt haben. Ausgehend von multiplen, verschränkten Krisen suchen die Beiträge dieses Bandes konkrete Szenen auf, in denen das kritische Potenzial von Verbindungen und Verstrickungen anschaulich wird. Das Ausloten von Relationalität wird dabei zu einem analytischen Modus, der für die Produktivität von Verbindungen sensibilisiert und zugleich ihre differenziellen Dimensionen anerkennt. 20 00 Open Access 01 00 03 02 This is the cover of the book Szenen kritischer Relationalität. 02 https://meson.press/wp-content/uploads/2024/02/978-3-95796-223-2_Szenen_kritischer_Relationalitaet-Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Graduiertenkolleg 01 projectname GRK2558/1: Medienanthropologie 01 projectshortname Medienanthropologie 01 grantnumber 413067638 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Open-Access-Publikationskosten 16 40 033bb5z47 32 10.13039/501100006708 Bauhaus University, Weimar 01 programname Publikationsfonds Lüneburg 04 01 20240219 Charlotte Bolwin, Jasmin Degeling, Gabriel Geffert, Martin Kallmeyer, Gereon Rahnfeld, Nathalie Schäfer, Katia Schwerzmann 02 WORLD 06 15 9783957962232 03 9783957962232 WORLD 09 meson press 20 08 20240219 01 urn:uuid:5de5fc41-97dd-4b11-9107-82c46b447473 03 01 01 thoth-work-id urn:uuid:97e922ea-d70c-477d-8ef1-30254b8bfaa3 01 thoth-publication-id urn:uuid:5de5fc41-97dd-4b11-9107-82c46b447473 15 9783957962232 03 9783957962232 06 10.14619/2225 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Szenen kritischer Relationalität 1 B01 Charlotte Bolwin Charlotte Bolwin Wissenschaftliche Mitarbeiterin 40 033bb5z47 Bauhaus University, Weimar Charlotte Bolwin ist wissenschaftliche Mitarbeiterin am Lehrstuhl für Digitale Kulturen der Bauhaus-Universität Weimar und Doktorandin am DFG-Graduiertenkolleg Medienanthropologie. Sie studierte Kultur- und Literaturwissenschaft sowie Mediensoziologie in Berlin und Paris und war studentische Mitarbeiterin am Exzellenzcluster Bild Wissen Gestaltung und am Lehrstuhl für Kultur- und Technikgeschichte am Institut für Kulturwissenschaft der Humboldt-Universität zu Berlin. In ihrem Dissertationsprojekt untersucht sie die Bedeutung und Transformation von Materialität und materiellen Relationen in den techno/ästhetischen Gefügen digitaler Medienkunst. Ihre Forschungsinteressen umfassen Technikphilosophie, Kunsttheorie und Medienästhetik, (Medien-)ökologie und Neue Materialismen. 2 B01 Jasmin Degeling Jasmin Degeling Wissenschaftliche Mitarbeiterin 40 058kzsd48 Paderborn University Jasmin Degeling ist wissenschaftliche Mitarbeiter:in am Institut für Medienwissenschaft der Universität Paderborn sowie als PostDoc am DFG-Graduiertenkolleg Medienanthropologie an der Bauhaus-Universität Weimar assoziiert. Nach dem Studium der Theater- und Literaturwissenschaft und Gender Studies in Bochum und Paris X hat Jasmin die Promotion zu Medien der Sorge (Büchner, 2021) im PhD-Net Das Wissen der Literatur (HU Berlin) begonnen und im Fach Medienwissenschaft in Bochum 2019 abgeschlossen. Jasmin war Visiting Scholar am German Department/ UC Berkeley (2014) und Mitglied des Kooperationsnetzwerks Queer Temporalities and Media Aesthetic (RUB/Northwestern University/Illinois, 2016-2018) sowie Co-Sprecher:in der AG Gender und Queer Studies der GfM. Arbeitsschwerpunkte sind Medien der Sorge, Gender und Queer Studies, Biopolitik, Politische Affekte sowie Digitaler Faschismus. Aktuell arbeitet Jasmin an einem zweiten Buch zu zeitgenössischem Faschismus und der Differentialität post/digitaler Empfindungskulturen. 3 B01 Gabriel Geffert Gabriel Geffert Wissenschaftlicher Mitarbeiter 40 033bb5z47 Bauhaus University, Weimar Gabriel Geffert studierte Kunstgeschichte sowie Literatur- und Kulturwissenschaften an der Technischen Universität Dresden und der Université Sorbonne Paris IV. Nachdem er sein durch das Deutschlandstipendium gefördertes Studium ausgezeichnet mit der Victor-Klemperer-Urkunde der Technischen Universität Dresden abgeschlossen hatte, arbeitete er primär als freier Mitarbeiter des Archivs der Avantgarden (Staatliche Kunstsammlungen Dresden) im Projekt Digitalisierung und Neustrukturierung der Sammlung Egidio Marzona. Aktuell ist er wissenschaftlicher Mitarbeiter am DFGGraduiertenkolleg Medienanthropologie an der Bauhaus-Universität Weimar und promoviert in diesem Rahmen zum Topos des Films als Rausch. 4 B01 Martin Kallmeyer Martin Kallmeyer Wissenschaftlicher Mitarbeiter 40 033bb5z47 Bauhaus University, Weimar Martin Kallmeyer ist wissenschaftlicher Mitarbeiter am DFGGraduiertenkolleg Medienanthropologie an der Bauhaus-Universität Weimar. Er studierte Sozialwissenschaften und Gender Studies in Hannover, Bielefeld und Berlin und war wissenschaftlicher Mitarbeiter im Bereich Gender & Science der Humboldt-Universität zu Berlin, Stipendiat des Exzellenzclusters “Bild Wissen Gestaltung” und Elsa- Neumann-Stipendiat des Landes Berlin. Seine Forschung zu “experimental medianatures” befasst sich mit den biodigitalen Operationsketten und Relationierungsweisen biotechnischer Experimente. 5 B01 Gereon Rahnfeld Gereon Rahnfeld Wissenschaftlicher Mitarbeiter 40 033bb5z47 Bauhaus University, Weimar Gereon Rahnfeld ist wissenschaftlicher Mitarbeiter und Doktorand an der Bauhaus-Universität Weimar und forscht zu den Themen Expert:innen und Expertise im Bereich der Wissenssoziologie und der STS. Bevor er Teil des DFG-Graduiertenkollegs Medienanthropologie wurde, arbeitete er für den Verein Liquid Democracy. Er studierte Rechtswissenschaft, Kulturwissenschaften und European Studies in Hamburg, Prag, Leipzig und London. 6 B01 Nathalie Schäfer Nathalie Schäfer Wissenschaftlicher Mitarbeiterin 40 033bb5z47 Bauhaus University, Weimar Nathalie Schäfer ist wissenschaftliche Mitarbeiterin und Doktorandin am DFG-Graduiertenkolleg Medienanthropologie an der Bauhaus-Universität Weimar. Sie studierte Kunst, Musik und Medien (B.A.) an der Philipps-Universität Marburg und der Université de Poitiers. Im Anschluss erfolgte das trinationale Masterstudium European Film and Media Studies als Stipendiatin der DFH an der Université Lumière Lyon II, der Bauhaus-Universität Weimar und der Universiteit Utrecht (2019). Seit 2020 arbeitet sie an ihrer Dissertation zu Fame Enhancing Bots, in der sie eine Beschreibung der Praktik des Bottings als medienanthropologische Szene offeriert, die verschränkte Existenzweisen von Botter:innen und Algorithmen aufdeckt und die Plattform Instagram als digitales Milieu oder virtuelle Lebenswelt sowie Prozesse und Operationen analysiert, die durch die digitale Infrastruktur der Plattform die Potentialität für diese Existenzweise bereit stellen. Siehe: http://nathalieschaefer.de 7 B01 Katia Schwerzmann Katia Schwerzmann Wissenschaftliche Mitarbeiterin 40 04tsk2644 Ruhr University Bochum Katia Schwerzmann ist Philosophin. Nachdem sie ihr Studium in Philosophie, Romanistik und Germanistik an der Université de Lausanne absolvierte, promovierte sie 2016 an der Freien Universität Berlin in Philosophie mit der Arbeit Theorie des graphischen Feldes (Diaphanes, 2020). Sie ist derzeit wissenschaftliche Mitarbeiterin im Projekt Interact! an der Ruhr-Universität Bochum. Davor war sie Postdoktorandin am DFG-Graduiertenkolleg Medienanthropologie an der Bauhaus-Universität Weimar. Von 2017 bis 2020 war sie Visiting Scholar an der University of Pennsylvania, UC Santa Cruz und Duke University. Sie schreibt derzeit ihre zweite Monografie, Toward a Hauntology of Touch, in der sie anhand des Begriffs der Berührung kulturtechnische Operationen erkundet, die den Kontakt zwischen Körpern gestalten und Formen der Sozialität bestimmen, die von Unterwerfung, Ausbeutung und Enteignung geprägt sind. In diesen Überlegungen spielt die aktuelle algorithmische Rationalität eine zentrale Rolle. 8 A01 21 0000000328757040 Rémy Bocquillon Rémy Bocquillon Wissenschaftlicher Mitarbeiter 40 00mx91s63 Catholic University of Eichstätt-Ingolstadt Rémy Bocquillon ist wissenschaftlicher Mitarbeiter am Lehrstuhl für allgemeine Soziologie und soziologische Theorien der Katholischen Universität Eichstätt-Ingolstadt. Seine Forschung befasst sich mit der Untersuchung epistemischer Praktiken als Verschmelzung künstlerischer, wissenschaftlicher und philosophischer Praxis, insbesondere durch Klang. Zuletzt erschienen ist seine Monografie mit dem Titel Sound Formations: Towards a sociological thinking-with sounds beim transcript-Verlag. 9 A01 Jakob Claus Jakob Claus Wissenschaftlicher Mitarbeiter 40 033n9gh91 University of Oldenburg Jakob Claus ist wissenschaftlicher Mitarbeiter am Institut für Kunst und visuelle Kultur an der Carl von Ossietzky Universität Oldenburg. Er hat an der Humboldt Universität zu Berlin, dem Goldsmiths College in London und der Leuphana Universität Lüneburg Kultur- und Medienwissenschaft studiert. In seinem Dissertationsprojekt arbeitet er zu kolonialen Medienkonstellationen im Kontext deutscher Kolonialethnografie um 1900 mit Fokus auf Wissensproduktion sowie dekolonialen Ansätzen im Umgang mit Archivquellen. Seit 2018 ist er zudem Mitglied des Theorie-Kollektivs texture. 10 A01 Astrid Deuber-Mankowsky Astrid Deuber-Mankowsky Professorin emerita für Medienwissenschaft und Gender Studies 40 04tsk2644 Ruhr University Bochum Astrid Deuber-Mankowsky ist Professorin emerita für Medienwissenschaft und Gender Studies an der Ruhr-Universität Bochum. Sie nahm Gastprofessuren am Centre d’études du vivant, Université Paris VII (2007) sowie an der Columbia University (2012, 2017) und der Northwestern University (2023) wahr und war Senior Fellow am IKKM Weimar (2013) und Fellow am DFG-Graduiertenkolleg Medienanthropologie an der Bauhaus- Universität Weimar (2022). Sie ist außerdem assoziiertes Mitglied des ICI Berlin, externes Mitglied des Centre for Philosophy and Critical Thought (Goldsmiths University of London) und Sprecherin des wissenschaftlichen Beirats des Deutschen Historischen Museums. 11 A01 Lorenz Engell Lorenz Engell Professor für Medienphilosophie 40 033bb5z47 Bauhaus University, Weimar Lorenz Engell ist Film- und Fernsehwissenschaftler und Professor für Medienphilosophie an der Bauhaus-Universität Weimar. Von 2008 bis 2020 war er Direktor (zus. mit Bernhard Siegert) des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie (Käte Hamburger Kolleg – IKKM). Ausgewählte Publikationen: Das Schaltbild (Konstanz 2021); Fernsehtheorie zur Einführung (Hamburg, 2012); Playtime. Münchener Film- Vorlesungen (Konstanz, 2010); Bilder der Endlichkeit (Weimar, 2005); Bilder des Wandels (Weimar, 2003). Mitherausgeber unter anderem der Reihe „Film Denken“ (seit 2013), der Zeitschrift für Medien- und Kulturforschung (ZMK, seit 2009), des Archivs für Mediengeschichte (2000–2010) und des Kursbuchs Medienkultur (1998). 12 A01 Lorenzo Gineprini Lorenzo Gineprini wissenschaftlicher Mitarbeiter 40 033bb5z47 Bauhaus University, Weimar Lorenzo Gineprini studierte Philosophie an der Università degli Studi di Torino, an der Eberhard Karls Universität Tübingen und an der Freien Universität in Berlin. Er ist wissenschaftlicher Mitarbeiter am DFG-Graduiertenkolleg Medienanthropologie an der Bauhaus-Universität Weimar. Sein Dissertationsprojekt beschäftigt sich mit medialen Formen der Erzeugung, Verdrängung und künstlerischen Sichtbarmachung von Abfall. Die Ergebnisse seiner Forschung in der philosophischen Ästhetik wurden in verschiedenen Konferenzen und Zeitschriften (z.B. Agalma, Bildwelten des Wissens, Open Philosophy) diskutiert. 13 A01 Philipp Hohmann Philipp Hohmann wissenschaftlicher Mitarbeiter 40 04tsk2644 Ruhr University Bochum Philipp Hohmann ist seit 2019 wissenschaftlicher Mitarbeiter am DFGGraduiertenkolleg Das Dokumentarische. Exzess und Entzug an der Ruhr- Universität Bochum. An der Ruhr-Universität hat er Theaterwissenschaft, Gender Studies, Szenische Forschung und Wirtschaftswissenschaft studiert. Philipp Hohmann forscht zu queeren Kunst- und Medienpraktiken zwischen Performance, Film- und Medienkunst, zu deren ästhetischepistemischen Wirksamkeit und Fragen queerer Kollektivität. Weitere Forschungsinteressen: Gender/Queer Media Studies, Queere Zeitlichkeiten und Archive, (dokumentarische) Medialisierung von Performance, insbesondere Scores. Philipp Hohmann war Teil des Performance Kollektivs dorisdean. 14 A01 Eva Krivanec Eva Krivanec Juniorprofessorin für Europäische Medienkultur 40 033bb5z47 Bauhaus University, Weimar Eva Krivanec ist Juniorprofessorin für Europäische Medienkultur an der Bauhaus-Universität Weimar. Ihre Forschungsschwerpunkte umfassen: Geschichte der europäischen Populärkultur im 19. und 20. Jahrhundert; Geschichte der historischen Avantgarden: Theater, Tanz, Film, Kunst; Bauhaus und Film: Abstraktion und Dokumentation; Bühnenkunst und Intermedialität; Theater und Krieg; Theater und Revolution; Theater und Zensur; Relationen von Medialität und Körper, Stimme, Sinneswahrnehmung. Sie ist Programmbeauftragte des DFG-finanzierten binationalen BA-Studiengangs „Europäische Medienkultur” in Kooperation mit der Université Lumière Lyon 2 und Antragstellerin des im Sommersemester 2020 eingerichteten DFG-Graduiertenkollegs Medienanthropologie an der Bauhaus-Universität Weimar. 15 A01 Irina Raskin Irina Raskin wissenschaftliche Mitarbeiterin 40 03aft2f80 Braunschweig University of Art Irina Raskin ist zurzeit wissenschaftliche Mitarbeiterin am Institut für Medienwissenschaft der HBK Braunschweig und war zuvor am DFGGraduiertenkolleg Das Wissen der Künste an der UdK Berlin (2018-2021) tätig. In ihrer Dissertation mit dem Arbeitstitel Medienökologien des Sinnens beschäftigt sie sich mit Praktiken und Diskursen des Computing. Sie studierte Medien- und Kulturwissenschaft an der Heinrich-Heine-Universität Düsseldorf, hat währenddessen Radio gemacht und Tanzperformances organisiert. Im Anschluss an ein Volontariat an der Kunsthalle Düsseldorf hat sie bis 2018 als freischaffende Kuratorin, kuratorische Assistentin und Kunstvermittlerin u.a. mit den Kunstmuseen Krefeld und dem Museum Abteilberg Mönchengladbach zusammengearbeitet. 16 B01 Maximilian Rünker Maximilian Rünker Kollegiat 40 033bb5z47 Bauhaus University, Weimar Maximilian Rünker ist Kollegiat am DFG-Graduiertenkolleg Medienanthropologie an der Bauhaus-Universität Weimar sowie wissenschaftlicher Mitarbeiter der dortigen Professur Verkehrssystemplanung. Zuvor erhielt er das Promotionsstipendium der Thüringer Graduiertenförderung. Studienund Konferenzreisen führten ihn nach England und Portugal. Forschungsinteressen: Medientheorie der Einverleibung, Verkehrsforschung, Theorien des Raums. 17 A01 21 0000000345324159 Julia Schade Julia Schade wissenschaftliche Mitarbeiterin 40 04tsk2644 Ruhr University Bochum Julia Schade ist wissenschaftliche Mitarbeiterin am Institut für Medienwissenschaft an der Ruhr-Universität Bochum. Sie promovierte in Theaterwissenschaft an der Goethe Universität Frankfurt mit der Arbeit Unzeit: Widerständige Zeitlichkeiten in Performance, Kunst, Theorie (Berlin: Neofelis 2024), die mit dem WISAG-Preis 2021 ausgezeichnet wurde. Derzeit arbeitet sie an einem Projekt mit dem Titel Das Ozeanische als Critical Fabulation: Darstellungspraktiken zwischen Diaspora, Dekolonisierung und Relationalität. Neben ihrer wissenschaftlichen Tätigkeit arbeitet sie dramaturgisch, u.a. mit der Künstlerin Eva Meyer-Keller. 18 A01 Martin Siegler Martin Siegler wissenschaftlicher Mitarbeiter 40 033bb5z47 Bauhaus University, Weimar Martin Siegler ist wissenschaftlicher Mitarbeiter (Post-Doc) an der Professur für Medienphilosophie an der Bauhaus-Universität Weimar. Er hat Filmwissenschaft und Publizistik an der Johannes Gutenberg-Universität Mainz sowie Medienkulturwissenschaft an der Bauhaus-Universität Weimar studiert. Nach seinem Studium war er Promotionsstipendiat am Kompetenzzentrum Medienanthropologie der Bauhaus-Universität Weimar mit einer Dissertation über Lebenszeichen in Not- und Katastrophenfällen, die 2023 unter dem Titel SOS. Medien des Überlebens erschienen ist (ausgezeichnet mit dem Deutschen Studienpreis der Körberstiftung und dem Hochschulpreis der Bauhaus-Universität Weimar). 19 A01 Christiane Voss Christiane Voss Professorin für Philosophie audiovisueller Medien/Medienphilosophie 40 033bb5z47 Bauhaus University, Weimar Christiane Voss ist seit 2010 Professorin für Philosophie audiovisueller Medien/Medienphilosophie an der Bauhaus-Universität Weimar. Ihre Forschungsschwerpunkte sind: Philosophische Emotions- und Affektforschung; Philosophische Ästhetik; Medien- und Filmphilosophie; (Medien-)Anthropologie. 2012-2015 war sie Mitglied im Universitätsrat. 2015-2019 war sie Sprecherin der Pro-Exzellenzinitiative Kompetenzzentrum Medienanthropologie an der Bauhaus-Universität Weimar. Von 2014-2019 war sie Projektleiterin in der DFG-Forschungsgruppe Medien und Mimesis. Von 2015-2018 war sie Vizepräsidentin der Deutschen Gesellschaft für Ästhetik. Seit 2019 ist sie Sprecherin des DFG-Graduiertenkollegs Medienanthropologie an der Bauhaus-Universität Weimar. 20 A01 Max Walther Max Walther wissenschaftlicher Mitarbeiter 40 033bb5z47 Bauhaus University, Weimar Max Walther hat Literaturwissenschaft und Geschichtswissenschaft an der Universität Erfurt und der Université Lille III studiert. In diesem Rahmen arbeitete er als studentische Hilfskraft am IKKM Weimar sowie bei der Laborgruppe Kulturtechniken der Universitäten Weimar und Erfurt und organisierte und kuratierte zahlreiche Literaturveranstaltungen in Erfurt, Lille, Leipzig und Berlin. Aktuell ist Max Walther wissenschaftlicher Mitarbeiter am DFG-Graduiertenkolleg Medienanthropologie an der Bauhaus- Universität Weimar und forscht in diesem Rahmen an einem Projekt zu Simone Weil, Chris Kraus, Kathy Acker und Annie Ernaux. 21 A01 Shirin Weigelt Shirin Weigelt Doktorandin 40 033bb5z47 Bauhaus University, Weimar Shirin Weigelt hat Philosophie in Berlin und Paris studiert. Seit 2020 promoviert sie am DFG-Graduiertenkolleg Medienanthropologie an der Bauhaus-Universität Weimar. Ihr Projekt trägt den Arbeitstitel Digitales Berühren. Eine medienphilosophische Studie der Gefüge aus Mensch, Maschine und Programm. Ihr Forschungsschwerpunkt liegt auf phänomenbasierten Analysen mit machttheoretischem Indexsowie auf philosophischer Begriffs- und Diskursgeschichte. Neben digitaler Medialität gilt ihr Interesse der (post)modernen französischen Philosophie, Neuen Materialismen und Mystik. Seit 2023 lehrt sie Philosophie an der Kunsthochschule Burg Giebichenstein in Halle (Saale). 01 ger 00 256 03 93 JBCT 04 P87-96 10 SOC052000 10 PHI000000 93 QD 20 Medien; Relationalität; Kritik 01 06 02 00 Kritische Relationalität interveniert in Ordnungen des Denkens, die Kritik als Operation des Trennens und Auseinanderhaltens entworfen und damit die modernen Dualismen von Menschlichem und Nicht-Menschlichem, Subjekten und Objekten, Organischem und Technischem, Natur und Kultur geprägt haben. Ausgehend von multiplen, verschränkten Krisen such 03 00 Kritische Relationalität interveniert in Ordnungen des Denkens, die Kritik als Operation des Trennens und Auseinanderhaltens entworfen und damit die modernen Dualismen von Menschlichem und Nicht-Menschlichem, Subjekten und Objekten, Organischem und Technischem, Natur und Kultur geprägt haben. Ausgehend von multiplen, verschränkten Krisen suchen die Beiträge dieses Bandes konkrete Szenen auf, in denen das kritische Potenzial von Verbindungen und Verstrickungen anschaulich wird. Das Ausloten von Relationalität wird dabei zu einem analytischen Modus, der für die Produktivität von Verbindungen sensibilisiert und zugleich ihre differenziellen Dimensionen anerkennt. 30 00 Kritische Relationalität interveniert in Ordnungen des Denkens, die Kritik als Operation des Trennens und Auseinanderhaltens entworfen und damit die modernen Dualismen von Menschlichem und Nicht-Menschlichem, Subjekten und Objekten, Organischem und Technischem, Natur und Kultur geprägt haben. Ausgehend von multiplen, verschränkten Krisen suchen die Beiträge dieses Bandes konkrete Szenen auf, in denen das kritische Potenzial von Verbindungen und Verstrickungen anschaulich wird. Das Ausloten von Relationalität wird dabei zu einem analytischen Modus, der für die Produktivität von Verbindungen sensibilisiert und zugleich ihre differenziellen Dimensionen anerkennt. 20 00 Open Access 01 00 03 02 This is the cover of the book Szenen kritischer Relationalität. 02 https://meson.press/wp-content/uploads/2024/02/978-3-95796-223-2_Szenen_kritischer_Relationalitaet-Cover.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Graduiertenkolleg 01 projectname GRK2558/1: Medienanthropologie 01 projectshortname Medienanthropologie 01 grantnumber 413067638 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Open-Access-Publikationskosten 16 40 033bb5z47 32 10.13039/501100006708 Bauhaus University, Weimar 01 programname Publikationsfonds Lüneburg 04 01 20240219 Charlotte Bolwin, Jasmin Degeling, Gabriel Geffert, Martin Kallmeyer, Gereon Rahnfeld, Nathalie Schäfer, Katia Schwerzmann 02 WORLD 06 15 9783957962225 03 9783957962225 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88722 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/88722/978-3-95796-223-2_Szenen_kritischer_Relationalitaet.pdf?sequence=1&isAllowed=y 20 08 20240219 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/szenen-kritischer-relationalitaet/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2024/02/978-3-95796-223-2_Szenen_kritischer_Relationalitaet.pdf 20 08 20240219 01 urn:uuid:c950bab1-e196-4643-bfa8-de5e7f7e482f 03 01 01 thoth-work-id urn:uuid:e1cab02b-71f2-4e7f-9721-a6559ecc4db8 01 thoth-publication-id urn:uuid:c950bab1-e196-4643-bfa8-de5e7f7e482f 15 9783957960238 03 9783957960238 06 10.14619/0238 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 4433718b-565b-4e98-b1ef-43519635928f 02 00000009 01 Series URL https://meson.press/series-page/configurations-of-film 03 6 01 02 Configurations of Film 01 01 Tacit Cinematic Knowledge Approaches and Practices 1 B01 Rebecca Boguska Rebecca Boguska Rebecca Boguska is a Film and Media Studies scholar. She was a recipient of the Postdoc.Mobility fellowship from the Swiss National Science Foundation (Brown University and University of Passau), and is a former member of the Graduate Research Training Program “Configurations of Film” at Goethe University Frankfurt. 2 B01 Guilherme da Silva Machado Guilherme da Silva Machado Guilherme Machado holds a doctorate in Film and Media Studies. He is a former member of the Graduate Research Training Program “Configurations of Film” at Goethe University Frankfurt (2019–21). His research deals with the visual culture of labor and the epistemological implications of visual techniques and technologies used to control the production and circulation of labor-related knowledge. 3 B01 21 0000000155975452 Rebecca Puchta Rebecca Puchta Rebecca Puchta is a PhD candidate in Film and Media Studies and a former member of the Graduate Research Training Program “Configurations of Film” at Goethe University Frankfurt (2017–20). Situated at the intersection of film and cultural studies, her doctoral research project investigates representations of big data and surveillance in documentary filmmaking in the postSnowden era. 4 B01 Marin Reljić Marin Reljić Reljić Marin Reljić holds a doctorate in Musicology and Film Studies and is a former member of the Graduate Research Training Program “Configurations of Film” at Goethe University Frankfurt (2017–20). He was the first recipient of the Gisela and Peter W. Schatt Foundation’s scholarship. His postdoctoral project focuses on the interface between music/musicology and ecology. 5 A01 Larissa Fischer Larissa Fischer PhD Candidate 40 04xfq0f34 RWTH Aachen University Larissa Fischer is a PhD candidate and research fellow at the Institute of Sociology at the RWTH Aachen University. She currently works on the project “Sociotechnical Systems of Anticipatory Truth Verification in the Field of Airport Security,” funded by the German Research Foundation. Her research interests include cultural sociology, qualitative methods, science and technology studies, visual culture, and science fiction 6 A01 Veena Hariharan Veena Hariharan Associate Professor of Cinema Studies 40 0567v8t28 Jawaharlal Nehru University Veena Hariharan is associate professor of Cinema Studies at the School of Arts and Aesthetics, Jawaharlal Nehru University. She is currently Alexander von Humboldt Fellow at Goethe University Frankfurt, where she is working on her project on nonhuman-human entanglements in cinema and new media. Her research focuses on documentary, non-fiction cinema, and the environment. 7 A01 21 0000000234552423 Vinzenz Hediger Vinzenz Hediger Professor of Cinema Studies 40 04cvxnb49 Goethe University Frankfurt Vinzenz Hediger is professor of Cinema Studies at Goethe University Frankfurt where he directs the Graduate Research Training Program “Configurations of Film.” He is a principal investigator at the Forschungszentrum Normative Orders and codirector of the research project “ConTrust – Conflict and Trust in Political Life.” His research interests include marginal film forms, utility films, and the film trailer format. 8 A01 21 0000000272766529 Andrea Mariani Andrea Mariani Assistant Professor in Film Studies 40 05ht0mh31 University of Udine Andrea Mariani is assistant professor in Film Studies at the University of Udine. He is a member of the Material Archival Studies Network and of the SSHRC project “International Amateur Cinema Between the Wars (1919–39).” His research and teaching focus on media theory, film philology, Italian amateur and experimental cinema, and media archaeology. 9 A01 Bettina Paul Bettina Paul Senior Researcher 40 00g30e956 Universität Hamburg Bettina Paul is a senior researcher and lecturer in Criminology at the Department of Social Science at Hamburg University. Her current research is inspired by the intersection of science and technology and cultural animal studies. It centres around interspecies awareness, multispecies knowledge production, sociotechnical imaginations, and the polychronicity of technologies as in the case of truth technologies. 10 A01 21 0000000311704401 Jelena Rakin Jelena Rakin Senior Researcher 40 02crff812 University of Zurich Jelena Rakin is a senior researcher and lecturer in Cinema Studies at the University of Zurich. She is currently working on her second book on the aesthetics of images of the cosmos, examining the convergence of scientific and magical visual repertoires in these images. Her research and artistic practices deal with imaging techniques and visual epistemologies. She is a member of the University of Zurich Space Hub. 11 A01 Haritha R. Haritha R. R. Haritha is a PhD candidate at the Centre for Comparative Literature at the University of Hyderabad. She is currently working on a research project tentatively entitled Digital Turn in Cinema: Reconfigurations in Cinemas of Kerala Post-2000. Her research 267 focuses on digital cinephilia, minor cinema, and intermediality. 12 A01 21 0000000262107247 Claire Salles Claire Salles Claire Salles holds a doctorate in Film and Media Studies (Sorbonne Nouvelle University). She works on feminist ecocriticism of moving images. Her research focuses on the imaginaries of telecommunication and pregnancy. She is part of the feminist research collective Les Jaseuses, where she explores alternative entanglements. 13 A01 Henning Schmidgen Henning Schmidgen Professor of Media Theory and History of Science 40 033bb5z47 Bauhaus University, Weimar Henning Schmidgen is professor of Media Theory and History of Science at Bauhaus University Weimar. He has worked extensively on the machines of Félix Guattari, the concepts of Georges Canguilhem, and the problem of time in laboratory psychology. 14 A01 21 0000000203714653 Felix M. Simon Felix M. Simon Doctoral Student Oxford Internet Institute Felix M. Simon is a communication researcher and doctoral student at the Oxford Internet Institute (OII), Knight Fellow at Columbia University’s Tow Center for Digital Journalism, and an affiliate at the Center for Information, Technology, and Public Life (CITAP) at the University of North Carolina at Chapel Hill. He also works as a research assistant at the Reuters Institute for the Study of Journalism (RISJ) and regularly writes and comments on technology, media, and politics for various international outlets. 15 A01 Felipe Soares Felipe Soares Professor of Cinema Studies 40 041akq887 Universidade Federal de Santa Catarina (Luiz) Felipe Soares is professor of Cinema Studies at the Federal University of Santa Catarina. His research deals with film music, literary theory, and image theory. After a sabbatical researching Sergei Eisenstein at King’s College London (2015), he is now conducting his second doctoral research project in Music at Santa Catarina State University, dealing with Sergei Prokofiev’s music for Sergei Eisenstein’s Ivan the Terrible. 16 A01 Benoît Turquety Benoît Turquety Professor in Film Studies 40 04wez5e68 Paris 8 University Benoît Turquety is professor in Film Studies at the University Paris 8. He is working on the history and geography of media technology, from a perspective informed by Gilbert Simondon and historical epistemology. 01 eng 00 268 03 93 JBC 04 P87-96 10 SOC000000 93 ATF 10 PER004000 93 JPA 10 POL010000 20 knowledge; epistemics; cinema 01 06 02 00 Moving images are increasingly finding their way into laboratories, dentist offices, clinics, airports and gyms. In these places and institutions film and moving image technologies serve to advance knowledge, to show how things are done, to train, teach, educate, mobilize people, as well as to imagine complex social facts and visualize dynami 03 00 Moving images are increasingly finding their way into laboratories, dentist offices, clinics, airports and gyms. In these places and institutions film and moving image technologies serve to advance knowledge, to show how things are done, to train, teach, educate, mobilize people, as well as to imagine complex social facts and visualize dynamic models and schemes through data visualizations, pattern recognition software, and in social graphs. But what these moving images do goes beyond instruction, illustration and visual education. This publication introduces the concept of tacit cinematic knowledge to designate a broad variety of epistemic environments in which knowledge is configured in and through cinematic practices, and in the interaction with moving images. The concept thus describes a challenge not only for film and media scholars, but also for social scientists, economists, data analysts and artists.Covering areas of study beyond the cinema and non-theatrical films which have recently become a focus of inquiry, the contributions analyze the operations of tacit cinematic knowledge in objects ranging from political campaigns, medical and scientific devices, corporate communications, devices for the study of animal behavior and more. 30 00 Moving images are increasingly finding their way into laboratories, dentist offices, clinics, airports and gyms. In these places and institutions film and moving image technologies serve to advance knowledge, to show how things are done, to train, teach, educate, mobilize people, as well as to imagine complex social facts and visualize dynamic models and schemes through data visualizations, pattern recognition software, and in social graphs. But what these moving images do goes beyond instruction, illustration and visual education. This publication introduces the concept of tacit cinematic knowledge to designate a broad variety of epistemic environments in which knowledge is configured in and through cinematic practices, and in the interaction with moving images. The concept thus describes a challenge not only for film and media scholars, but also for social scientists, economists, data analysts and artists.Covering areas of study beyond the cinema and non-theatrical films which have recently become a focus of inquiry, the contributions analyze the operations of tacit cinematic knowledge in objects ranging from political campaigns, medical and scientific devices, corporate communications, devices for the study of animal behavior and more. 20 00 Open Access 01 00 03 02 This is the cover of the book Tacit Cinematic Knowledge. 02 https://meson.press/wp-content/uploads/2021/07/Tacit_Cinematic_Knowledge_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/tacit-cinematic-knowledge 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Graduiertenkolleg 01 projectname GRK 2279: Konfigurationen des Films 01 projectshortname Konfigurationen des Films 01 grantnumber 310565625 Lüneburg 04 01 20240522 Rebecca Boguska, Guilherme Machado, Rebecca Puchta, and Marin Reljić 02 WORLD 06 15 9783957960245 03 9783957960245 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/tacit-cinematic-knowledge 20 08 20240522 01 urn:uuid:45ce0424-f1ee-45a5-8bc5-a1901ee8e1cf 03 01 01 thoth-work-id urn:uuid:e1cab02b-71f2-4e7f-9721-a6559ecc4db8 01 thoth-publication-id urn:uuid:45ce0424-f1ee-45a5-8bc5-a1901ee8e1cf 15 9783957960245 03 9783957960245 06 10.14619/0238 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 10 01 Series ID 4433718b-565b-4e98-b1ef-43519635928f 02 00000009 01 Series URL https://meson.press/series-page/configurations-of-film 03 6 01 02 Configurations of Film 01 01 Tacit Cinematic Knowledge Approaches and Practices 1 B01 Rebecca Boguska Rebecca Boguska Rebecca Boguska is a Film and Media Studies scholar. She was a recipient of the Postdoc.Mobility fellowship from the Swiss National Science Foundation (Brown University and University of Passau), and is a former member of the Graduate Research Training Program “Configurations of Film” at Goethe University Frankfurt. 2 B01 Guilherme da Silva Machado Guilherme da Silva Machado Guilherme Machado holds a doctorate in Film and Media Studies. He is a former member of the Graduate Research Training Program “Configurations of Film” at Goethe University Frankfurt (2019–21). His research deals with the visual culture of labor and the epistemological implications of visual techniques and technologies used to control the production and circulation of labor-related knowledge. 3 B01 21 0000000155975452 Rebecca Puchta Rebecca Puchta Rebecca Puchta is a PhD candidate in Film and Media Studies and a former member of the Graduate Research Training Program “Configurations of Film” at Goethe University Frankfurt (2017–20). Situated at the intersection of film and cultural studies, her doctoral research project investigates representations of big data and surveillance in documentary filmmaking in the postSnowden era. 4 B01 Marin Reljić Marin Reljić Reljić Marin Reljić holds a doctorate in Musicology and Film Studies and is a former member of the Graduate Research Training Program “Configurations of Film” at Goethe University Frankfurt (2017–20). He was the first recipient of the Gisela and Peter W. Schatt Foundation’s scholarship. His postdoctoral project focuses on the interface between music/musicology and ecology. 5 A01 Larissa Fischer Larissa Fischer PhD Candidate 40 04xfq0f34 RWTH Aachen University Larissa Fischer is a PhD candidate and research fellow at the Institute of Sociology at the RWTH Aachen University. She currently works on the project “Sociotechnical Systems of Anticipatory Truth Verification in the Field of Airport Security,” funded by the German Research Foundation. Her research interests include cultural sociology, qualitative methods, science and technology studies, visual culture, and science fiction 6 A01 Veena Hariharan Veena Hariharan Associate Professor of Cinema Studies 40 0567v8t28 Jawaharlal Nehru University Veena Hariharan is associate professor of Cinema Studies at the School of Arts and Aesthetics, Jawaharlal Nehru University. She is currently Alexander von Humboldt Fellow at Goethe University Frankfurt, where she is working on her project on nonhuman-human entanglements in cinema and new media. Her research focuses on documentary, non-fiction cinema, and the environment. 7 A01 21 0000000234552423 Vinzenz Hediger Vinzenz Hediger Professor of Cinema Studies 40 04cvxnb49 Goethe University Frankfurt Vinzenz Hediger is professor of Cinema Studies at Goethe University Frankfurt where he directs the Graduate Research Training Program “Configurations of Film.” He is a principal investigator at the Forschungszentrum Normative Orders and codirector of the research project “ConTrust – Conflict and Trust in Political Life.” His research interests include marginal film forms, utility films, and the film trailer format. 8 A01 21 0000000272766529 Andrea Mariani Andrea Mariani Assistant Professor in Film Studies 40 05ht0mh31 University of Udine Andrea Mariani is assistant professor in Film Studies at the University of Udine. He is a member of the Material Archival Studies Network and of the SSHRC project “International Amateur Cinema Between the Wars (1919–39).” His research and teaching focus on media theory, film philology, Italian amateur and experimental cinema, and media archaeology. 9 A01 Bettina Paul Bettina Paul Senior Researcher 40 00g30e956 Universität Hamburg Bettina Paul is a senior researcher and lecturer in Criminology at the Department of Social Science at Hamburg University. Her current research is inspired by the intersection of science and technology and cultural animal studies. It centres around interspecies awareness, multispecies knowledge production, sociotechnical imaginations, and the polychronicity of technologies as in the case of truth technologies. 10 A01 21 0000000311704401 Jelena Rakin Jelena Rakin Senior Researcher 40 02crff812 University of Zurich Jelena Rakin is a senior researcher and lecturer in Cinema Studies at the University of Zurich. She is currently working on her second book on the aesthetics of images of the cosmos, examining the convergence of scientific and magical visual repertoires in these images. Her research and artistic practices deal with imaging techniques and visual epistemologies. She is a member of the University of Zurich Space Hub. 11 A01 Haritha R. Haritha R. R. Haritha is a PhD candidate at the Centre for Comparative Literature at the University of Hyderabad. She is currently working on a research project tentatively entitled Digital Turn in Cinema: Reconfigurations in Cinemas of Kerala Post-2000. Her research 267 focuses on digital cinephilia, minor cinema, and intermediality. 12 A01 21 0000000262107247 Claire Salles Claire Salles Claire Salles holds a doctorate in Film and Media Studies (Sorbonne Nouvelle University). She works on feminist ecocriticism of moving images. Her research focuses on the imaginaries of telecommunication and pregnancy. She is part of the feminist research collective Les Jaseuses, where she explores alternative entanglements. 13 A01 Henning Schmidgen Henning Schmidgen Professor of Media Theory and History of Science 40 033bb5z47 Bauhaus University, Weimar Henning Schmidgen is professor of Media Theory and History of Science at Bauhaus University Weimar. He has worked extensively on the machines of Félix Guattari, the concepts of Georges Canguilhem, and the problem of time in laboratory psychology. 14 A01 21 0000000203714653 Felix M. Simon Felix M. Simon Doctoral Student Oxford Internet Institute Felix M. Simon is a communication researcher and doctoral student at the Oxford Internet Institute (OII), Knight Fellow at Columbia University’s Tow Center for Digital Journalism, and an affiliate at the Center for Information, Technology, and Public Life (CITAP) at the University of North Carolina at Chapel Hill. He also works as a research assistant at the Reuters Institute for the Study of Journalism (RISJ) and regularly writes and comments on technology, media, and politics for various international outlets. 15 A01 Felipe Soares Felipe Soares Professor of Cinema Studies 40 041akq887 Universidade Federal de Santa Catarina (Luiz) Felipe Soares is professor of Cinema Studies at the Federal University of Santa Catarina. His research deals with film music, literary theory, and image theory. After a sabbatical researching Sergei Eisenstein at King’s College London (2015), he is now conducting his second doctoral research project in Music at Santa Catarina State University, dealing with Sergei Prokofiev’s music for Sergei Eisenstein’s Ivan the Terrible. 16 A01 Benoît Turquety Benoît Turquety Professor in Film Studies 40 04wez5e68 Paris 8 University Benoît Turquety is professor in Film Studies at the University Paris 8. He is working on the history and geography of media technology, from a perspective informed by Gilbert Simondon and historical epistemology. 01 eng 00 268 03 93 JBC 04 P87-96 10 SOC000000 93 ATF 10 PER004000 93 JPA 10 POL010000 20 knowledge; epistemics; cinema 01 06 02 00 Moving images are increasingly finding their way into laboratories, dentist offices, clinics, airports and gyms. In these places and institutions film and moving image technologies serve to advance knowledge, to show how things are done, to train, teach, educate, mobilize people, as well as to imagine complex social facts and visualize dynami 03 00 Moving images are increasingly finding their way into laboratories, dentist offices, clinics, airports and gyms. In these places and institutions film and moving image technologies serve to advance knowledge, to show how things are done, to train, teach, educate, mobilize people, as well as to imagine complex social facts and visualize dynamic models and schemes through data visualizations, pattern recognition software, and in social graphs. But what these moving images do goes beyond instruction, illustration and visual education. This publication introduces the concept of tacit cinematic knowledge to designate a broad variety of epistemic environments in which knowledge is configured in and through cinematic practices, and in the interaction with moving images. The concept thus describes a challenge not only for film and media scholars, but also for social scientists, economists, data analysts and artists.Covering areas of study beyond the cinema and non-theatrical films which have recently become a focus of inquiry, the contributions analyze the operations of tacit cinematic knowledge in objects ranging from political campaigns, medical and scientific devices, corporate communications, devices for the study of animal behavior and more. 30 00 Moving images are increasingly finding their way into laboratories, dentist offices, clinics, airports and gyms. In these places and institutions film and moving image technologies serve to advance knowledge, to show how things are done, to train, teach, educate, mobilize people, as well as to imagine complex social facts and visualize dynamic models and schemes through data visualizations, pattern recognition software, and in social graphs. But what these moving images do goes beyond instruction, illustration and visual education. This publication introduces the concept of tacit cinematic knowledge to designate a broad variety of epistemic environments in which knowledge is configured in and through cinematic practices, and in the interaction with moving images. The concept thus describes a challenge not only for film and media scholars, but also for social scientists, economists, data analysts and artists.Covering areas of study beyond the cinema and non-theatrical films which have recently become a focus of inquiry, the contributions analyze the operations of tacit cinematic knowledge in objects ranging from political campaigns, medical and scientific devices, corporate communications, devices for the study of animal behavior and more. 20 00 Open Access 01 00 03 02 This is the cover of the book Tacit Cinematic Knowledge. 02 https://meson.press/wp-content/uploads/2021/07/Tacit_Cinematic_Knowledge_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/tacit-cinematic-knowledge 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 programname Graduiertenkolleg 01 projectname GRK 2279: Konfigurationen des Films 01 projectshortname Konfigurationen des Films 01 grantnumber 310565625 Lüneburg 04 01 20240522 Rebecca Boguska, Guilherme Machado, Rebecca Puchta, and Marin Reljić 02 WORLD 06 15 9783957960238 03 9783957960238 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/90777 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/90777/978-3-95796-024-5%e2%80%93Tacit-Cinematic-Knowledge.pdf 20 08 20240522 01 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/tacit-cinematic-knowledge 29 Publisher's website: download the title https://meson.press/wp-content/uploads/2021/07/978-3-95796-024-5%E2%80%93Tacit-Cinematic-Knowledge.pdf 20 08 20240522 01 urn:uuid:9f7a36f7-7f2f-4cc1-a389-47724a2dc187 03 01 01 thoth-work-id urn:uuid:a651589a-e4ed-42cb-bbe8-ab753a2dc318 01 thoth-publication-id urn:uuid:9f7a36f7-7f2f-4cc1-a389-47724a2dc187 15 9783957961839 03 9783957961839 06 10.14619/1839 00 BC 10 01 178 mm 01 17.8 cm 01 7.01 in 02 127 mm 02 12.7 cm 02 5 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Tactical Entanglements AI Art, Creative Agency, and the Limits of Intellectual Property 1 A01 Martin Zeilinger Martin Zeilinger Senior Lecturer in Computational Art and Technology 40 04mwwnx67 Abertay University Martin Zeilinger (Senior Lecturer in Computational Art and Technology, Abertay University) is an Austrian researcher and curator currently based in Dundee, Scotland. His work focuses on critical artistic approaches to emerging blockchain and AI technologies, intellectual property issues in contemporary art, and aspects of experimental videogame culture. He has co-curated Vector Festival (Toronto) since 2014, and organized the 2019 MoneyLab symposium (London). His research is available in books such as Artists Re:Thinking the Blockchain and the MoneyLab Reader 2, and in journals including Philosophy & Technology, Culture Machine, and Media Theory. 01 eng 00 186 03 12 AFKV 93 AFKV 10 ART046000 04 NX1-820 93 ATN 12 JFD 10 SOC052000 93 JBCT1 20 Posthumanism; Intellectual Property; Law; Artificial Intelligence; Art; Authorship; Aesthetics; Creative Agency; Capital; Ownership 01 06 02 00 How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commo 03 00 How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commons, this book is firmly positioned against the anthropomorphic spectacle of “creative AI.” It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes tactical entanglements between aesthetics, law, and capital. 30 00 How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commons, this book is firmly positioned against the anthropomorphic spectacle of “creative AI.” It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes tactical entanglements between aesthetics, law, and capital. 20 00 Open Access 01 00 03 02 This is the cover of the book Tactical Entanglements. 02 https://meson.press/wp-content/uploads/2021/03/Zeilinger_FC_l.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/tactical-entanglements 16 40 04mwwnx67 32 10.13039/100010040 Abertay University 01 programname Open Access Publication Fund Lüneburg 04 01 20210630 Martin Zeilinger 02 WORLD 06 15 9783957961846 03 9783957961846 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/tactical-entanglements 20 08 20210630 01 urn:uuid:65410c02-5cef-47f8-809f-a03326c58983 03 01 01 thoth-work-id urn:uuid:a651589a-e4ed-42cb-bbe8-ab753a2dc318 01 thoth-publication-id urn:uuid:65410c02-5cef-47f8-809f-a03326c58983 15 9783957961846 03 9783957961846 06 10.14619/1839 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 Tactical Entanglements AI Art, Creative Agency, and the Limits of Intellectual Property 1 A01 Martin Zeilinger Martin Zeilinger Senior Lecturer in Computational Art and Technology 40 04mwwnx67 Abertay University Martin Zeilinger (Senior Lecturer in Computational Art and Technology, Abertay University) is an Austrian researcher and curator currently based in Dundee, Scotland. His work focuses on critical artistic approaches to emerging blockchain and AI technologies, intellectual property issues in contemporary art, and aspects of experimental videogame culture. He has co-curated Vector Festival (Toronto) since 2014, and organized the 2019 MoneyLab symposium (London). His research is available in books such as Artists Re:Thinking the Blockchain and the MoneyLab Reader 2, and in journals including Philosophy & Technology, Culture Machine, and Media Theory. 01 eng 00 186 03 12 AFKV 93 AFKV 10 ART046000 04 NX1-820 93 ATN 12 JFD 10 SOC052000 93 JBCT1 20 Posthumanism; Intellectual Property; Law; Artificial Intelligence; Art; Authorship; Aesthetics; Creative Agency; Capital; Ownership 01 06 02 00 How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commo 03 00 How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commons, this book is firmly positioned against the anthropomorphic spectacle of “creative AI.” It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes tactical entanglements between aesthetics, law, and capital. 30 00 How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commons, this book is firmly positioned against the anthropomorphic spectacle of “creative AI.” It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes tactical entanglements between aesthetics, law, and capital. 20 00 Open Access 01 00 03 02 This is the cover of the book Tactical Entanglements. 02 https://meson.press/wp-content/uploads/2021/03/Zeilinger_FC_l.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/tactical-entanglements 16 40 04mwwnx67 32 10.13039/100010040 Abertay University 01 programname Open Access Publication Fund Lüneburg 04 01 20210630 Martin Zeilinger 02 WORLD 06 15 9783957961839 03 9783957961839 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/50004 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/50004/9783957961846.pdf 20 08 20210630 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/tactical-entanglements 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2021/03/9783957961846_Zeilinger.pdf 20 08 20210630 01 urn:uuid:7a16c790-09ab-4f71-bdf5-915a3c98fde6 03 01 01 thoth-work-id urn:uuid:2bd07507-d6be-4818-a863-8dddce625013 01 thoth-publication-id urn:uuid:7a16c790-09ab-4f71-bdf5-915a3c98fde6 15 9783957960290 03 9783957960290 06 10.14619/029-0 00 EB E107 10 Creative Commons Attribution-NonCommercial 4.0 International license (CC BY-NC 4.0). 02 https://creativecommons.org/licenses/by-nc/4.0/ 10 01 Series ID d8c7752c-9550-4d6a-883a-a7a3ee820962 02 00000007 01 Series URL https://meson.press/series-page/in-search-of-media 03 12 01 02 In Search of Media 01 01 Technopharmacology 1 A01 Joshua Neves Joshua Neves 2 A01 Aleena Chia Aleena Chia 3 A01 Susanna Paasonen Susanna Paasonen 4 A01 Ravi Sundaram Ravi Sundaram 01 eng 00 144 03 93 JBCT1 12 JFD 04 P87-96 10 SOC052000 20 big data; big pharma 01 06 02 00 Technopharmacology is a modest call to expand media theoretical inquiry by attending to the biological, neurological, and pharmacological dimensions of media and centers on emergent affinities between big data and big pharma. 03 00 Technopharmacology is a modest call to expand media theoretical inquiry by attending to the biological, neurological, and pharmacological dimensions of media and centers on emergent affinities between big data and big pharma. 30 00 Technopharmacology is a modest call to expand media theoretical inquiry by attending to the biological, neurological, and pharmacological dimensions of media and centers on emergent affinities between big data and big pharma. 20 00 Open Access 01 00 03 02 This is the cover of Technopharmacology. 02 https://meson.press/wp-content/uploads/2022/08/TechnoPharmmacology_Cover-1.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/technopharmacology/ 16 40 0213rcc28 32 10.13039/501100004326 Simon Fraser University 01 programname Canada 150 Research Chairs Program Lüneburg 04 01 20220810 Joshua Neves, Aleena Chia, Susanna Paasonen, Ravi Sundaram 02 WORLD WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/88700 29 OAPEN: download the title https://library.oapen.org/bitstream/20.500.12657/88700/1/978-3-95796-029-0-Technopharmacology.pdf 20 08 20220810 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/technopharmacology/ 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2022/08/978-3-95796-029-0-Technopharmacology.pdf 20 08 20220810 01 urn:uuid:cb1f5851-ae91-4ee7-be4c-61faed94cd2c 03 01 01 thoth-work-id urn:uuid:8d7e0885-31b0-492a-9dd6-dec00015d124 01 thoth-publication-id urn:uuid:cb1f5851-ae91-4ee7-be4c-61faed94cd2c 15 9783957960108 03 9783957960108 06 10.14619/007 00 BC 10 01 127 mm 01 12.7 cm 01 5 in 02 178 mm 02 17.8 cm 02 7.01 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 The Cyborg A Treatise on the Artificial Man 1 A01 Antonio Caronia Antonio Caronia Antonio Caronia (1944–2013) studied mathematics, logic, and linguistics at the University of Genova, finishing it with a thesis on Noam Chomsky. Besides his studies he was a political activist in the Italian radical left. Further fields in which he conducted research were the study of mass culture, especially the interrelation of science, technology, and imagination. In addition, he turned to philosophy and anthropology, most notably concerning science fiction, comics, digital images, virtual reality, and telematic networks. Caronia worked as a translator, journalist, and university teacher. He taught at the Academy of Fine Arts of Brera (Milano), the New Academy of Fine Arts (NABA) of Milano, and was the Director of Studies of M-Node, linked to the Planetary Collegium directed by Roy Ascott in Plymouth, UK. 2 B06 Robert Booth Robert Booth 01 eng 00 172 03 10 FIC028000 12 FL 93 FL 04 P87-96 93 JBSF11 12 JFFK 04 PN3427-3448 10 SOC010000 10 COM004000 04 HQ1101-2030.7 93 UYQ 12 UYQ 20 body; Donna Haraway; Ray Kurzweil; cyberculture; AI; William Gibson; transhumanism; science fiction; hybrids; cyberpunk; cyberfemism; artificial intelligence 01 06 02 00 Born on the pages of science fiction comics in the 1920s and 30s, the cyborg lives in popular imagination. As hero of the cyberpunk epic, in its brief but intense history, the cyborg has followed and anticipated the rapport and conflict between man and machine.In the post-fordist era of digital networked media the cyborg unfolds itself 03 00 Born on the pages of science fiction comics in the 1920s and 30s, the cyborg lives in popular imagination. As hero of the cyberpunk epic, in its brief but intense history, the cyborg has followed and anticipated the rapport and conflict between man and machine.In the post-fordist era of digital networked media the cyborg unfolds itself in the dissemination of multiple bodies: on the Internet, in the shift of individual identity, in the new collective aggregation connected by software. It bridges virtuality and concreteness, possibility and necessity. The cyborg thus becomes a field of social conflict, one of the new figures in which the bio-political perspective is embodied. 30 00 Born on the pages of science fiction comics in the 1920s and 30s, the cyborg lives in popular imagination. As hero of the cyberpunk epic, in its brief but intense history, the cyborg has followed and anticipated the rapport and conflict between man and machine.In the post-fordist era of digital networked media the cyborg unfolds itself in the dissemination of multiple bodies: on the Internet, in the shift of individual identity, in the new collective aggregation connected by software. It bridges virtuality and concreteness, possibility and necessity. The cyborg thus becomes a field of social conflict, one of the new figures in which the bio-political perspective is embodied. 20 00 Open Access 01 00 03 02 This is the cover of the book The Cyborg. 02 http://meson.press/wp-content/uploads/2015/05/Caronia-Cyborg-U1-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/the-cyborg 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150629 Antonio Caronia 02 WORLD 06 15 9783957960115 03 9783957960115 06 15 9783957960122 03 9783957960122 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/the-cyborg 20 08 20150629 01 urn:uuid:c0e7fca3-9aae-4a3e-bcc2-f016d3279286 03 01 01 thoth-work-id urn:uuid:8d7e0885-31b0-492a-9dd6-dec00015d124 01 thoth-publication-id urn:uuid:c0e7fca3-9aae-4a3e-bcc2-f016d3279286 15 9783957960115 03 9783957960115 06 10.14619/007 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 The Cyborg A Treatise on the Artificial Man 1 A01 Antonio Caronia Antonio Caronia Antonio Caronia (1944–2013) studied mathematics, logic, and linguistics at the University of Genova, finishing it with a thesis on Noam Chomsky. Besides his studies he was a political activist in the Italian radical left. Further fields in which he conducted research were the study of mass culture, especially the interrelation of science, technology, and imagination. In addition, he turned to philosophy and anthropology, most notably concerning science fiction, comics, digital images, virtual reality, and telematic networks. Caronia worked as a translator, journalist, and university teacher. He taught at the Academy of Fine Arts of Brera (Milano), the New Academy of Fine Arts (NABA) of Milano, and was the Director of Studies of M-Node, linked to the Planetary Collegium directed by Roy Ascott in Plymouth, UK. 2 B06 Robert Booth Robert Booth 01 eng 00 172 03 10 FIC028000 12 FL 93 FL 04 P87-96 93 JBSF11 12 JFFK 04 PN3427-3448 10 SOC010000 10 COM004000 04 HQ1101-2030.7 93 UYQ 12 UYQ 20 body; Donna Haraway; Ray Kurzweil; cyberculture; AI; William Gibson; transhumanism; science fiction; hybrids; cyberpunk; cyberfemism; artificial intelligence 01 06 02 00 Born on the pages of science fiction comics in the 1920s and 30s, the cyborg lives in popular imagination. As hero of the cyberpunk epic, in its brief but intense history, the cyborg has followed and anticipated the rapport and conflict between man and machine.In the post-fordist era of digital networked media the cyborg unfolds itself 03 00 Born on the pages of science fiction comics in the 1920s and 30s, the cyborg lives in popular imagination. As hero of the cyberpunk epic, in its brief but intense history, the cyborg has followed and anticipated the rapport and conflict between man and machine.In the post-fordist era of digital networked media the cyborg unfolds itself in the dissemination of multiple bodies: on the Internet, in the shift of individual identity, in the new collective aggregation connected by software. It bridges virtuality and concreteness, possibility and necessity. The cyborg thus becomes a field of social conflict, one of the new figures in which the bio-political perspective is embodied. 30 00 Born on the pages of science fiction comics in the 1920s and 30s, the cyborg lives in popular imagination. As hero of the cyberpunk epic, in its brief but intense history, the cyborg has followed and anticipated the rapport and conflict between man and machine.In the post-fordist era of digital networked media the cyborg unfolds itself in the dissemination of multiple bodies: on the Internet, in the shift of individual identity, in the new collective aggregation connected by software. It bridges virtuality and concreteness, possibility and necessity. The cyborg thus becomes a field of social conflict, one of the new figures in which the bio-political perspective is embodied. 20 00 Open Access 01 00 03 02 This is the cover of the book The Cyborg. 02 http://meson.press/wp-content/uploads/2015/05/Caronia-Cyborg-U1-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/the-cyborg 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150629 Antonio Caronia 02 WORLD 06 15 9783957960108 03 9783957960108 06 15 9783957960122 03 9783957960122 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/37573 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/37573/9783957960115-Caronia-Cyborg.pdf 20 08 20150629 01 11 Unknown 36 Unspecified hosting platform: webpage for this product https://meson.press/books/the-cyborg 29 Unspecified hosting platform: download the title https://meson.press/wp-content/uploads/2015/05/9783957960115-Caronia-Cyborg.pdf 20 08 20150629 01 urn:uuid:ab9c5738-5be8-45a4-8621-40f17dc02733 03 01 01 thoth-work-id urn:uuid:8d7e0885-31b0-492a-9dd6-dec00015d124 01 thoth-publication-id urn:uuid:ab9c5738-5be8-45a4-8621-40f17dc02733 15 9783957960122 03 9783957960122 06 10.14619/007 00 EB E101 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 The Cyborg A Treatise on the Artificial Man 1 A01 Antonio Caronia Antonio Caronia Antonio Caronia (1944–2013) studied mathematics, logic, and linguistics at the University of Genova, finishing it with a thesis on Noam Chomsky. Besides his studies he was a political activist in the Italian radical left. Further fields in which he conducted research were the study of mass culture, especially the interrelation of science, technology, and imagination. In addition, he turned to philosophy and anthropology, most notably concerning science fiction, comics, digital images, virtual reality, and telematic networks. Caronia worked as a translator, journalist, and university teacher. He taught at the Academy of Fine Arts of Brera (Milano), the New Academy of Fine Arts (NABA) of Milano, and was the Director of Studies of M-Node, linked to the Planetary Collegium directed by Roy Ascott in Plymouth, UK. 2 B06 Robert Booth Robert Booth 01 eng 00 172 03 10 FIC028000 12 FL 93 FL 04 P87-96 93 JBSF11 12 JFFK 04 PN3427-3448 10 SOC010000 10 COM004000 04 HQ1101-2030.7 93 UYQ 12 UYQ 20 body; Donna Haraway; Ray Kurzweil; cyberculture; AI; William Gibson; transhumanism; science fiction; hybrids; cyberpunk; cyberfemism; artificial intelligence 01 06 02 00 Born on the pages of science fiction comics in the 1920s and 30s, the cyborg lives in popular imagination. As hero of the cyberpunk epic, in its brief but intense history, the cyborg has followed and anticipated the rapport and conflict between man and machine.In the post-fordist era of digital networked media the cyborg unfolds itself 03 00 Born on the pages of science fiction comics in the 1920s and 30s, the cyborg lives in popular imagination. As hero of the cyberpunk epic, in its brief but intense history, the cyborg has followed and anticipated the rapport and conflict between man and machine.In the post-fordist era of digital networked media the cyborg unfolds itself in the dissemination of multiple bodies: on the Internet, in the shift of individual identity, in the new collective aggregation connected by software. It bridges virtuality and concreteness, possibility and necessity. The cyborg thus becomes a field of social conflict, one of the new figures in which the bio-political perspective is embodied. 30 00 Born on the pages of science fiction comics in the 1920s and 30s, the cyborg lives in popular imagination. As hero of the cyberpunk epic, in its brief but intense history, the cyborg has followed and anticipated the rapport and conflict between man and machine.In the post-fordist era of digital networked media the cyborg unfolds itself in the dissemination of multiple bodies: on the Internet, in the shift of individual identity, in the new collective aggregation connected by software. It bridges virtuality and concreteness, possibility and necessity. The cyborg thus becomes a field of social conflict, one of the new figures in which the bio-political perspective is embodied. 20 00 Open Access 01 00 03 02 This is the cover of the book The Cyborg. 02 http://meson.press/wp-content/uploads/2015/05/Caronia-Cyborg-U1-140x200.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/the-cyborg 16 40 019w4f821 European Union 01 programname European Regional Development Fund 01 projectname Innovation Incubator Lüneburg Lüneburg 04 01 20150629 Antonio Caronia 02 WORLD 06 15 9783957960108 03 9783957960108 06 15 9783957960115 03 9783957960115 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/the-cyborg 20 08 20150629 01 urn:uuid:f727b138-c26f-4541-a5b2-da6630acfc11 03 01 01 thoth-work-id urn:uuid:3b769a54-5e54-45fc-afb2-c2dc335e5329 01 thoth-publication-id urn:uuid:f727b138-c26f-4541-a5b2-da6630acfc11 15 9783957962591 03 9783957962591 06 10.14619/2591 00 BC 10 01 234 mm 01 23.4 cm 01 9.21 in 02 156 mm 02 15.6 cm 02 6.14 in Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 The Making of Les Immatériaux 1 A01 21 0000000163229062 Andreas Broeckmann Andreas Broeckmann 40 03hzkp562 Hochschule für Grafik und Buchkunst Leipzig Andreas Broeckmann (*1964) is an art historian and curator who teaches at Malmö Art Academy and at the Academy of Fine Arts Leipzig (HGB). He is the author of Machine Art in the Twentieth Century (2016), co-editor of Place Studies in Art, Media, Science and Technology (with Gunalan Nadarajan, 2009) and of 30 Years after Les Immatériaux (with Yuk Hui, 2015). Broeckmann’s exploration of Les Immatériaux (Centre Pompidou, 1985) began in 2014. It was conducted at Leuphana University Lüneburg and on multiple research trips to Paris. 01 eng 00 352 03 93 JBCT1 04 P87-96 10 SOC052000 93 AGA 10 ART046000 04 NX440-632 93 AFKV 20 art history; exhibition history; curating; new media; immateriality 01 06 02 00 The exhibition Les Immatériaux was presented at the Centre Pompidou in Paris in 1985. Curated by the philosopher Jean-François Lyotard and design theoretician Thierry Chaput, it is widely regarded as a landmark in the history of postmodern philosophy, as well as for discourses around art, science and digital culture.Broeckmann’s book p 03 00 The exhibition Les Immatériaux was presented at the Centre Pompidou in Paris in 1985. Curated by the philosopher Jean-François Lyotard and design theoretician Thierry Chaput, it is widely regarded as a landmark in the history of postmodern philosophy, as well as for discourses around art, science and digital culture.Broeckmann’s book provides the first comprehensive account of the preparation of this epochal event. It shows how the exhibition resulted from multiple, collaborative and interdisciplinary trajectories in such diverse fields as contemporary art, architecture, science, and network media. Based on extensive archival research, The Making of Les Immatériaux offers detailed insights into the curatorial process. Throughout its ten chapters, the book highlights the different forms of cooperation among the people involved in the conception of the exhibition, including Lyotard, Chaput, the team at the Centre de Création Industrielle, and their consultations with artists, theorists, and scientists.Les Immatériaux marks a pivotal point in the history of exhibitions in the 20th century because it gave important impulses for the organisation, design and structure of interdisciplinary exhibitions. Broeckmann discusses the place of Les Immatériaux in the broader context of this history, examining the epistemology of exhibits, curatorial agency, and interdisciplinarity in research networks. The book takes up current questions about the relationship between materiality and immateriality, between subjectivity and thinghood, and shows how Les Immatériaux continues to offer a significant contribution to debates that over the last decades have become ever more urgent. 30 00 The exhibition Les Immatériaux was presented at the Centre Pompidou in Paris in 1985. Curated by the philosopher Jean-François Lyotard and design theoretician Thierry Chaput, it is widely regarded as a landmark in the history of postmodern philosophy, as well as for discourses around art, science and digital culture.Broeckmann’s book provides the first comprehensive account of the preparation of this epochal event. It shows how the exhibition resulted from multiple, collaborative and interdisciplinary trajectories in such diverse fields as contemporary art, architecture, science, and network media. Based on extensive archival research, The Making of Les Immatériaux offers detailed insights into the curatorial process. Throughout its ten chapters, the book highlights the different forms of cooperation among the people involved in the conception of the exhibition, including Lyotard, Chaput, the team at the Centre de Création Industrielle, and their consultations with artists, theorists, and scientists.Les Immatériaux marks a pivotal point in the history of exhibitions in the 20th century because it gave important impulses for the organisation, design and structure of interdisciplinary exhibitions. Broeckmann discusses the place of Les Immatériaux in the broader context of this history, examining the epistemology of exhibits, curatorial agency, and interdisciplinarity in research networks. The book takes up current questions about the relationship between materiality and immateriality, between subjectivity and thinghood, and shows how Les Immatériaux continues to offer a significant contribution to debates that over the last decades have become ever more urgent. 20 00 Open Access 01 00 03 02 This is the cover of the book The Making of Les Immatériaux. 02 https://meson.press/wp-content/uploads/2025/02/9783957962591_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/the-making-of-les-immateriaux 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 projectshortname BR 6317/2-1 Lüneburg 04 01 20250228 Andreas Broeckmann 02 WORLD 06 15 9783957962607 03 9783957962607 WORLD 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/the-making-of-les-immateriaux 20 08 20250228 01 urn:uuid:57711981-0305-4194-8dd6-acd7581f2b4b 03 01 01 thoth-work-id urn:uuid:3b769a54-5e54-45fc-afb2-c2dc335e5329 01 thoth-publication-id urn:uuid:57711981-0305-4194-8dd6-acd7581f2b4b 15 9783957962607 03 9783957962607 06 10.14619/2591 00 EB E107 10 Creative Commons Attribution-ShareAlike 4.0 International license (CC BY-SA 4.0). 02 https://creativecommons.org/licenses/by-sa/4.0/ 01 01 The Making of Les Immatériaux 1 A01 21 0000000163229062 Andreas Broeckmann Andreas Broeckmann 40 03hzkp562 Hochschule für Grafik und Buchkunst Leipzig Andreas Broeckmann (*1964) is an art historian and curator who teaches at Malmö Art Academy and at the Academy of Fine Arts Leipzig (HGB). He is the author of Machine Art in the Twentieth Century (2016), co-editor of Place Studies in Art, Media, Science and Technology (with Gunalan Nadarajan, 2009) and of 30 Years after Les Immatériaux (with Yuk Hui, 2015). Broeckmann’s exploration of Les Immatériaux (Centre Pompidou, 1985) began in 2014. It was conducted at Leuphana University Lüneburg and on multiple research trips to Paris. 01 eng 00 352 03 93 JBCT1 04 P87-96 10 SOC052000 93 AGA 10 ART046000 04 NX440-632 93 AFKV 20 art history; exhibition history; curating; new media; immateriality 01 06 02 00 The exhibition Les Immatériaux was presented at the Centre Pompidou in Paris in 1985. Curated by the philosopher Jean-François Lyotard and design theoretician Thierry Chaput, it is widely regarded as a landmark in the history of postmodern philosophy, as well as for discourses around art, science and digital culture.Broeckmann’s book p 03 00 The exhibition Les Immatériaux was presented at the Centre Pompidou in Paris in 1985. Curated by the philosopher Jean-François Lyotard and design theoretician Thierry Chaput, it is widely regarded as a landmark in the history of postmodern philosophy, as well as for discourses around art, science and digital culture.Broeckmann’s book provides the first comprehensive account of the preparation of this epochal event. It shows how the exhibition resulted from multiple, collaborative and interdisciplinary trajectories in such diverse fields as contemporary art, architecture, science, and network media. Based on extensive archival research, The Making of Les Immatériaux offers detailed insights into the curatorial process. Throughout its ten chapters, the book highlights the different forms of cooperation among the people involved in the conception of the exhibition, including Lyotard, Chaput, the team at the Centre de Création Industrielle, and their consultations with artists, theorists, and scientists.Les Immatériaux marks a pivotal point in the history of exhibitions in the 20th century because it gave important impulses for the organisation, design and structure of interdisciplinary exhibitions. Broeckmann discusses the place of Les Immatériaux in the broader context of this history, examining the epistemology of exhibits, curatorial agency, and interdisciplinarity in research networks. The book takes up current questions about the relationship between materiality and immateriality, between subjectivity and thinghood, and shows how Les Immatériaux continues to offer a significant contribution to debates that over the last decades have become ever more urgent. 30 00 The exhibition Les Immatériaux was presented at the Centre Pompidou in Paris in 1985. Curated by the philosopher Jean-François Lyotard and design theoretician Thierry Chaput, it is widely regarded as a landmark in the history of postmodern philosophy, as well as for discourses around art, science and digital culture.Broeckmann’s book provides the first comprehensive account of the preparation of this epochal event. It shows how the exhibition resulted from multiple, collaborative and interdisciplinary trajectories in such diverse fields as contemporary art, architecture, science, and network media. Based on extensive archival research, The Making of Les Immatériaux offers detailed insights into the curatorial process. Throughout its ten chapters, the book highlights the different forms of cooperation among the people involved in the conception of the exhibition, including Lyotard, Chaput, the team at the Centre de Création Industrielle, and their consultations with artists, theorists, and scientists.Les Immatériaux marks a pivotal point in the history of exhibitions in the 20th century because it gave important impulses for the organisation, design and structure of interdisciplinary exhibitions. Broeckmann discusses the place of Les Immatériaux in the broader context of this history, examining the epistemology of exhibits, curatorial agency, and interdisciplinarity in research networks. The book takes up current questions about the relationship between materiality and immateriality, between subjectivity and thinghood, and shows how Les Immatériaux continues to offer a significant contribution to debates that over the last decades have become ever more urgent. 20 00 Open Access 01 00 03 02 This is the cover of the book The Making of Les Immatériaux. 02 https://meson.press/wp-content/uploads/2025/02/9783957962591_FC.jpg 01 URL https://meson.press meson press 01 meson press 01 Publisher's website: home page https://meson.press 02 Publisher's website: webpage for this title https://meson.press/books/the-making-of-les-immateriaux 16 40 018mejw64 32 10.13039/501100001659 Deutsche Forschungsgemeinschaft 01 projectshortname BR 6317/2-1 Lüneburg 04 01 20250228 Andreas Broeckmann 02 WORLD 06 15 9783957962591 03 9783957962591 WORLD 11 OAPEN 36 OAPEN: webpage for this product https://library.oapen.org/handle/20.500.12657/98927 29 OAPEN: download the title https://library.oapen.org/bitstream/handle/20.500.12657/98927/978-3-95796-260-7_The_Making_of_Les_Immateriaux.pdf?sequence=1&isAllowed=y 20 08 20250228 01 09 meson press 02 Publisher's website: webpage for this product https://meson.press/books/the-making-of-les-immateriaux 29 Publisher's website: download the title https://meson.press/wp-content/uploads/2025/02/9783957962607_The_Making_of_Les_Immateriaux_OA.pdf 20 08 20250228 01